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  • * "Licensor", "rights holder", "owner", and "creator" may be used interchangeably to refer to the #[[#What_does_.22Some_Rights_Reserved.22_mean.3F | What does "Some Rights Reserved" mean?]]
    146 KB (23,721 words) - 15:08, 9 October 2015
  • ...ghts reserved" concept of traditional copyright to offer a voluntary "some rights reserved" approach. Creative Commons is sustained by the generous support o
    7 KB (1,007 words) - 18:54, 8 June 2007
  • ...atune’s more than 175 artists who enjoys 50-50 profit splitting and full rights to her music. A "one-woman operation," she plays a variety of instruments i ...from album sales with the artists and allows them to keep ownership of the rights to their music.
    7 KB (1,038 words) - 20:28, 5 January 2006
  • 5. Get the media files from the responsible party and make sure the rights are cleared
    776 bytes (117 words) - 20:44, 5 January 2006
  • ...y that makes it easy for machines to process and work from. Unlike Digital Rights Management (DRM) technology, which tries to restrict use of digital works, Creative Commons metadata is described by the [[ccREL|Creative Commons Rights Expression Language]] (CC REL). You can also find information on specific
    4 KB (694 words) - 21:48, 15 September 2013
  • First, Anita would put a "Some Rights Reserved" button on the page displaying here work where her song could be ...><Agent><dc:title>DyNasty M.I.C. Ent./U kno Records</dc:title></Agent></dc:rights><dc:type rdf:resource="http://purl.org/dc/dcmitype/Sound" /><license rdf:re
    6 KB (988 words) - 21:46, 23 September 2015
  • ..._rights_in_databases|Express permission granted under sui generis database rights]] ...neris_rights_in_databases|License conditions apply to sui generis database rights]]
    50 KB (7,125 words) - 18:33, 4 January 2016
  • ...clude material created by other people. If you do not obtain the necessary rights and permissions, you may get into legal trouble for incorporating third par ...ely face that are unique to podcasters are related to copyright, publicity rights and trademark issues.
    112 KB (18,316 words) - 18:11, 27 February 2009
  • First, Anita would put a "Some Rights Reserved" button on the site where rights reserved."
    5 KB (761 words) - 00:00, 7 July 2010
  • * Read our report on how to use [[#Defining dc:rights|dc:rights]]. == Defining <code>dc:rights</code> ==
    10 KB (1,701 words) - 09:11, 25 April 2013
  • ...n is a teen-themed offshoot of the documentary filmmaking non-profit Media Rights. Teens can upload films they have created, get information on how to distri
    6 KB (966 words) - 10:46, 8 May 2013
  • XMP [http://www.adobe.com/devnet/xmp/ defines] a rights management schema (see XMP Specification, p. 42). Creative Commons sets the ...ghts''' and xmpRights:WebStatement; it probably makes sense to populate dc:rights and xmpRights:UsageTerms with identical content.''
    5 KB (735 words) - 06:58, 15 January 2015
  • ...pan class="tocnumber">3.1.2</span> <span class="toctext">Why Are Publicity Rights Relevant?</span>]]</li> ...number">3.2.7.2</span> <span class="toctext">Two Types Of Copyright &ldquo;Rights&rdquo;.</span>]]</li>
    18 KB (2,626 words) - 02:08, 25 April 2006
  • ...my hope for this Guide (which in addition to copyright addresses publicity rights and trademark law) is that it will begin to make obvious what digital creat
    2 KB (374 words) - 01:03, 27 April 2006
  • ..., creators can specify a URL where re-users of CC licenses can obtain more rights to the work. Visit the CC+ page for more information and examples of CC+ in
    13 KB (2,070 words) - 07:03, 28 October 2013
  • === More Rights ===
    13 KB (2,030 words) - 15:31, 25 September 2014
  • ...online and offline based on current case law from European Court of Human Rights</font> || [https://cases.internetfreedom.blog/ EN]<br/>[https://cases.inter
    20 KB (2,808 words) - 15:09, 3 April 2024
  • *Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut v ...l, Adida Ben, Linksvayer Mike, Yergler Nathan, ccREL: The Creative Commons Rights Expression Language, Communia First Workshop, Torino, January 2008. [http:/
    27 KB (3,667 words) - 22:49, 11 February 2014
  • ...selected license. The HTML block includes the license name and the “Some Rights Reserved” image, if appropriate. The license URI is encoded as [[RDFa]].
    1 KB (178 words) - 21:46, 31 July 2007
  • ...e [[Second Life]] page, and then get full rights to edit the land.''' Once rights are granted, then you should be able to freely edit land and build upon the
    1 KB (162 words) - 22:20, 9 August 2006
  • ...hand, providing incentives to creators in the form of a grant of monopoly rights to their creations, and on the other hand, promoting the dissemination of c ...content in unprecedented ways which implicates copyright's other exclusive rights.
    22 KB (3,749 words) - 04:57, 22 July 2013
  • ...lp out in these situations for fear of loosing their Intellectual Property rights. As a result, humanitarian design is not as efficient as is possible. For ...eators face when trying contribute to sustainable development and can some rights reserved copyright be an effective mechanism to contributing to development
    11 KB (1,677 words) - 19:06, 9 August 2006
  • This "all rights reserved" protection is a good thing for many authors and artists. But what ...even find work in the public domain -- that is, free for any use with "no rights reserved."
    3 KB (547 words) - 07:05, 28 October 2013
  • ...lp out in these situations for fear of loosing their Intellectual Property rights. As a result, humanitarian design is not as efficient as is possible. For e ...eators face when trying contribute to sustainable development and can some rights reserved copyright be an effective mechanism to contributing to development
    10 KB (1,676 words) - 00:33, 10 August 2006
  • ...ghts reserved" concept of traditional copyright to offer a voluntary "some rights reserved" approach. It is sustained by the generous support of various orga ...ab(r) are trademarks or registered trademarks of Linden Research, Inc. All rights reserved. No infringement is intended.
    9 KB (1,333 words) - 17:32, 28 September 2006
  • ...ghts reserved" concept of traditional copyright to offer a voluntary "some rights reserved" approach.
    3 KB (538 words) - 19:37, 1 August 2008
  • are probably moot because you have the rights to do whatever you want with the access rights and that's where the issues begin.
    6 KB (1,019 words) - 21:13, 3 May 2009
  • the "all rights reserved" concept of traditional copyright to offer a voluntary "some rights reserved" approach. Creative Commons is
    6 KB (836 words) - 16:33, 15 February 2012
  • ...ghts reserved" concept of traditional copyright to offer a voluntary "some rights reserved" approach. Creative Commons is sustained by the generous support o
    7 KB (965 words) - 00:48, 13 June 2009
  • ...ghts reserved" concept of traditional copyright to offer a voluntary "some rights reserved" approach. It is sustained by the generous support of various orga
    3 KB (514 words) - 10:01, 17 October 2012
  • The comments page for the Returning Author's Rights: Termination of Transfer [http://labs.creativecommons.org/termination/ tool === Returning Author's Rights: Termination of Transfer tool===
    1 KB (170 words) - 19:13, 21 December 2006
  • ...designed to collect comments and feedback on the *BETA* Returning Author's Rights: Termination of Transfer tool that is available for testing on ccLabs http:
    3 KB (464 words) - 00:14, 9 April 2014
  • ...theticals that assist you in testing the '''''BETA''''' Returning Author's Rights: Termination of Transfer tool available on [http://labs.creativecommons.org ...projects that you work on from time to time and wonder if you can get the rights back.
    5 KB (819 words) - 19:14, 21 December 2006
  • ...s prohibit a licensee applying a TPM to a licensed work that restricts the rights granted under the license. (''See e.g.,'' clause 4(a) “You may not distri ...n at least one format that did not restrict another person’s exercise of rights under the license. This proposal became known as the “parallel distribut
    36 KB (5,654 words) - 12:49, 17 November 2013
  • ..., David, Intellectual Property: Patents, Copyrights, Trademarks and Allied Rights, 5th ed., Sweet & Maxwell, London, 2003. A text book on U.K. (and EC) IP la
    4 KB (534 words) - 14:43, 17 March 2007
  • ...donGroup Free Culture London] and the [http://www.openrightsgroup.org Open Rights Group] are the process of organizing a cc-salon in London, to be held on ev
    1 KB (193 words) - 18:07, 24 June 2010
  • [Creative Commons does not gain any rights to the content released under the licenses. CC also does not provide legal
    4 KB (703 words) - 11:22, 2 April 2007
  • ...hable. A thumbnail could be CC-licensed, while the full image could be All Rights Reserved. However, something that's just a pixel off from the original does
    5 KB (840 words) - 00:05, 20 March 2007
  • === Rights Brokering === Since Creative Commons licenses are non-exclusive, companies can act as rights brokers to make other commercial agreements with copyright holders.
    1 KB (174 words) - 23:33, 8 August 2012
  • it possible for creators and licensors to reserve some rights while authors certain rights. We want to make it simpler for authors to
    4 KB (631 words) - 06:40, 4 July 2013
  • ...' is a comic which focuses on showing where Creative Commons fits into the rights landscape.
    1 KB (180 words) - 04:08, 28 April 2011
  • CC+ is a protocol providing a simple way for users to get rights beyond the rights granted by a CC license. For example, a work's Creative
    10 KB (1,385 words) - 16:05, 21 December 2017
  • #* May be followed by "Some Rights Reserved" #** © 2007, Name. Some Rights Reserved.
    688 bytes (100 words) - 05:27, 6 December 2012
  • ...heir work over to the public or exercising some but not all of their legal rights[http://www.teamlaw.com .] It is Creative Commons’ goal to help create suc
    7 KB (1,012 words) - 19:46, 12 January 2017
  • ...ust perform some “overt act” demonstrating her intent to surrender her rights.[6] The amateur Internet author who has no intention of limiting the ways i ...ith the resources to negotiate licenses can voluntarily cede some of their rights. And organizations like the Free Software Foundation offer ready-made licen
    8 KB (1,341 words) - 21:35, 15 September 2013
  • #* May be followed by "Some Rights Reserved" #** © 2007, Name. Some Rights Reserved.
    596 bytes (84 words) - 20:48, 11 July 2007
  • #* May be followed by "Some Rights Reserved" #** © 2007, Name. Some Rights Reserved.
    815 bytes (125 words) - 20:53, 11 July 2007
  • #* May be followed by "Some Rights Reserved" #** © 2007, Name. Some Rights Reserved.
    2 KB (303 words) - 02:08, 3 March 2008
  • #* May be followed by "Some Rights Reserved" #** © 2007, Name. Some Rights Reserved.
    2 KB (244 words) - 00:29, 13 June 2009
  • #* May be followed by "Some Rights Reserved". #** © 2007, Name. Some Rights Reserved.
    2 KB (308 words) - 02:13, 3 March 2008
  • '''“Some Rights Reserved”: Building a Layer of Reasonable Copyright''' ...a world in which every last use of a work is regulated and in which “all rights reserved” (and then some) is the norm. At the other end is a vision of an
    4 KB (598 words) - 09:32, 28 April 2011
  • * announce that other people’s fair use, first sale, and free expression rights are not affected by the license. [[Category:Rights]]
    2 KB (262 words) - 16:02, 14 June 2011
  • [[Category:Rights]]
    283 bytes (34 words) - 23:52, 28 April 2011
  • [[Category:Rights]]
    283 bytes (34 words) - 00:04, 29 April 2011
  • [[Category:Rights]]
    283 bytes (34 words) - 00:04, 29 April 2011
  • [[Category:Rights]]
    653 bytes (86 words) - 00:04, 29 April 2011
  • © Name 2007, Some Rights Reserved * Nothing in this license impairs or restricts the author's moral rights.
    3 KB (421 words) - 02:01, 24 February 2011
  • ...l fingerprints and real-time verifications. The unique identifiers enable rights statements to be associated with digital content by assigning a new Numly N Creators of CC licenses (and All Rights Reserved licenses) use Numly to register their digital works online. Once
    3 KB (405 words) - 00:33, 17 July 2007
  • 3 KB (402 words) - 17:43, 16 July 2007
  • 3 KB (505 words) - 19:10, 26 July 2007
  • #* May be followed by "Some Rights Reserved" #** © 2007, Name. Some Rights Reserved.
    913 bytes (138 words) - 05:31, 6 December 2012
  • ...copyright to the creative work. Copyright gives you, the artist, important rights that allow you to say how others can use the creativity. Sometimes full cop
    4 KB (656 words) - 04:57, 22 July 2013
  • <link rel="http://ns.adobe.com/xap/1.0/rights/WebStatement" <link rel="http://ns.adobe.com/xap/1.0/rights/WebStatement"
    5 KB (627 words) - 01:07, 14 March 2014
  • i. In those countries which do not have moral rights, nothing happens. ii. In those countries where moral rights cannot be waived, nothing happens.
    8 KB (1,231 words) - 22:46, 10 September 2013
  • * a brief history of copyright law and intellectual property rights in your jurisdiction ...major legislation and international treaties that affect copyright and IP rights in your jurisdiction
    1 KB (184 words) - 22:47, 28 September 2011
  • |title=Emerging Fields of Application for RMI: Rights and Users
    195 bytes (25 words) - 00:34, 21 December 2007
  • ...e [http://www.aclu.org/ American Civil Liberties Union] (ACLU) uses an all-rights reserved copyright notice on its Web site. [http://freeculture.org/pipermai ...icenses for [http://hub.witness.org/ The Hub (Beta)], a "YouTube for Human Rights" [http://creativecommons.org/weblog/entry/7815]
    4 KB (500 words) - 12:37, 9 September 2015
  • ...a non-profit dedicated to two purposes: developing a middle ground, "some rights reserved" approach to copyright, and lowering the transaction cost associat
    920 bytes (128 words) - 19:31, 16 November 2007
  • ...a non-profit dedicated to two purposes: developing a middle ground, "some rights reserved" approach to copyright, and lowering the transaction cost associat
    1 KB (153 words) - 19:32, 16 November 2007
  • *Moral Rights? issue addressed since Harvard, Rio and by now should be considered solved *Collecting Societies, also being addressed, work not as conclusive as moral rights progress
    40 KB (6,281 words) - 18:31, 21 November 2007
  • ...copyright and similar rights that you hold in a work and dedicating those rights to the [[public domain]]. ...in which the work is used, but the tool is intended to effectively release rights even in jurisdictions where it is difficult to do so.
    2 KB (246 words) - 09:22, 28 November 2016
  • ...s are reserved to the copyright owner by default, thus the infamous “All Rights Reserved” slogan. ...is copyrighted. That means, automatically, that you have all the exclusive rights copyright grants you. The law has given you this powers simply because you
    11 KB (1,906 words) - 21:48, 6 December 2007
  • ...y to use solution for data integration that will take care of the relevant rights over data and databases."
    4 KB (726 words) - 10:16, 17 December 2007
  • ...vecommons.org/Before_Licensing#Make_sure_you_have_the_rights the necessary rights] for the work. * '''waivedBy''': The URI of the actor (rights holder) waiving all legal rights to a work.
    3 KB (522 words) - 20:50, 15 April 2008
  • == Scope of Rights Surrendered == ...tion, privacy rights, publicity rights, commercial rights, and/or database rights.
    16 KB (2,548 words) - 01:30, 2 March 2011
  • '''Creative Commons Rights Expression Language (ccREL)''' is a specification describing how license in ccREL is described in ''[[Media:Ccrel-1.0.pdf|ccREL: The Creative Commons Rights Expression Language]]'' (pdf), published March 3, 2008. An overview of the
    3 KB (431 words) - 00:09, 29 November 2023
  • ...in 2004, except for text in italics. A more current proposal is a [[human rights license]] and one already ongoing is the [[freedoms license]].'' ...of its primary goals, as it forbids use by governments that violate human rights, a category which corresponds with aggressive nations.''
    2 KB (255 words) - 08:35, 8 February 2008
  • Two good examples of a '''human rights license''' that forbids use by human rights violating parties: ...ty and convention. Some licenses already contained clauses to deny use to rights-violating parties, such as the [[original BSD license]].
    7 KB (1,121 words) - 08:38, 8 February 2008
  • ...and [[science license]], and a more current related proposal is a [[human rights license]]. Since 2004 many [[eco-label]] standards have been promulgated t
    2 KB (367 words) - 22:02, 12 June 2009
  • ...nce permits the [[Green Party of Canada]] to retain commercial publication rights in its compilations of policy works and frequently asked questions, though
    3 KB (527 words) - 21:46, 6 December 2013
  • ...al and political world, e.g. [[green license]], [[peace license]], [[human rights license]], [[science license]] or [[guild license]].
    3 KB (454 words) - 16:29, 24 August 2021
  • It would be a [[parametric license]] so it could enable a [[rights market]] between the guild-certified participants, who would not have to me
    3 KB (532 words) - 08:32, 8 February 2008
  • ...under the [[bad page name]] [[freedomslicense]]. An example of a [[human rights license]].''
    115 bytes (16 words) - 08:36, 8 February 2008
  • ...porate license]]s or [[outright release]]s of all rights including [[moral rights]].
    2 KB (267 words) - 08:44, 8 February 2008
  • ...here a derivative could be released under full copyright restrictions (All Rights Reserved).
    3 KB (423 words) - 20:33, 24 January 2011
  • ...ts, e.g. [[rights collective]]s which represent classes of creators in a [[rights market]]. This is a serious long-term problem that plagues the [[GFDL corp
    3 KB (394 words) - 08:51, 8 February 2008
  • *"Any solution based on rights will result in categorization errors: the application of obligations based
    2 KB (358 words) - 22:16, 12 June 2009
  • A type of [[human rights license]] used for the [[Torrify]] system. [[category:human rights]] [[category:politics]] [[category:license]]
    206 bytes (29 words) - 09:04, 8 February 2008
  • A type of [[human rights license]] used by [[Hacktivismo]]. [[category:human rights]] [[category:politics]] [[category:license]]
    211 bytes (29 words) - 09:05, 8 February 2008
  • *Often rights are left in limbo when an enterprise fails or becomes acquired by another t ...rger employers who might use agreements with one to compromise the other's rights.
    2 KB (288 words) - 00:31, 28 February 2014
  • ...ng and use of works such as databases and others protected by 'neighboring rights' increase?
    23 KB (3,589 words) - 08:31, 20 September 2013
  • ...he previous version of the licenses and have web pages for instructing the rights owners for how to use the licenses. Norway is in the process of localizing
    2 KB (366 words) - 08:42, 10 September 2008
  • ...s recent work is a co-edited volume (with Andrew Murray) entitled “Human Rights in the Digital Age” and he defended his PhD thesis "Disruptive Technology
    9 KB (1,295 words) - 15:17, 26 February 2008
  • * Moral Rights -- Prof. Susy Frankel (CC New Zealand, Victoria University of Wellington) * Discussion (working group Moral Rights)
    6 KB (759 words) - 04:56, 22 July 2013
  • Fair use is a part of copyright law. Even for "all rights reserved" copyright, fair use is permitted. For details, see the United Sta
    228 bytes (39 words) - 22:41, 26 March 2008
  • ...ublic domain worldwide is to see if the copyright holder has dedicated all rights to the work to the public domain by using [http://wiki.creativecommons.org/
    4 KB (570 words) - 09:20, 2 December 2013
  • ...ation: ‘People often labour under the delusion that everything is “all rights reserved” or anyone can take it and use it, and that there’s no middle
    6 KB (916 words) - 03:04, 13 January 2014
  • ...use CC to change your copyright terms from "All Rights Reserved" to "Some Rights Reserved." ...a world in which every last use of a work is regulated and in which “all rights reserved” (and then some) is the norm. At the other end is a vision of an
    1 KB (214 words) - 23:26, 16 February 2010
  • * Anonymity, Privacy and Identity: Towards a Bill of User rights
    1 KB (146 words) - 18:55, 28 August 2008
  • ...- though updated — methods of selling downloads and commercial licensing rights. ...ates for "Shareable music" -- a distinct forking from the standard, ‘all rights reserved’ approach, because users are permitted to — rather than prohib
    7 KB (1,012 words) - 17:48, 7 September 2011
  • ...urage you to take part’ in a range of prominent issues surrounding human rights and democracy (http://www.britishcouncil.org/zerocarboncity-debate.htm). o
    6 KB (828 words) - 23:15, 13 September 2010
  • ...ives users the option to change this default to another CC licence, or all rights reserved if they wish. By doing so, 60Sox actively promotes the exchange of
    6 KB (887 words) - 22:23, 3 September 2010
  • ...ning contributors’ ability to expose environmental destruction and human rights abuses through well-researched submissions, the EngageMedia collective stat ...ences. They can allow reproduction and distribution while preserving some rights that leaves open the potential to recoup funds through commercial distribut
    7 KB (1,023 words) - 17:06, 8 September 2010
  • ...ctivities available to consumers and creators than a more traditional "all rights reserved" model. In short, while it gave media consumers the freedom to tak
    5 KB (734 words) - 22:44, 14 September 2010
  • ...amount of work involved in rights clearing, it is not feasible to use "all rights reserved" images for audio visual display purposes. You can find further de ...f the practical benefits it provides, by ensuring that the library has the rights it needs to harvest, maintain and promote the collection, while still allow
    7 KB (1,099 words) - 21:57, 13 September 2010
  • ...them so you can use them. But please return your goodwill by respecting my rights. Before CC licences, my works were either protected by record labels to a r ...s. Before that, it would cost them a lot to get those kinds of music usage rights. The paperwork alone will kill you. CC facilitates remix culture. CC someho
    6 KB (1,002 words) - 18:17, 14 September 2010
  • ...ons licences in addition to a Public Domain option and the standard © All Rights Reserved. The goal for this implementation is to give users the freedom to ...eb development in mid-2006, when he was introduced to the idea of flexible rights for creative content. Yoav immediately began reading up on open source, GP
    9 KB (1,467 words) - 21:19, 7 September 2010
  • ...ssion from the artist – where the artist has indicated that those re-use rights are freely available.’ http://artabase.net/public/about_loving_not_quite_ ...of the material was appropriative too, so we needed to free up the re-use rights of our own work to respect the greater gene pool of creative materials we w
    5 KB (705 words) - 21:53, 3 September 2010
  • ...o give music away legally, Jonathan sees the importance of protecting some rights in the music, and the non-commercial aspect of the licence he uses serves t
    7 KB (1,193 words) - 04:15, 28 October 2013
  • ...an take full advantage of the Internet while still retaining some of their rights… We believe that this will encourage debate on media issues and synergise With the exception of those marked with the © logo (copyright – all rights reserved), all text and photographic content on the BMM website is licensed
    4 KB (646 words) - 00:59, 14 March 2014
  • ...to fly me to LA, and make a stupendously generous offer for the commercial rights. Similarly, if someone wanted to use the posts without attribution for some ...it was necessary to make a specific claim for copyright, it is now ‘all rights reserved’ copyright. Introducing Creative Commons seeks to restore a bal
    6 KB (927 words) - 20:24, 9 September 2010
  • ...eely reuse, reference and share my writings without the boundaries of [all rights reserved] copyright law.’
    3 KB (427 words) - 16:06, 10 September 2010
  • ...&catId=0&sCatId=7&sCc=61&sRegion=0&sortOrder=2&CYear=2008&CMonth=4&sText= 'Rights Online'] at [http://www.artslaw.com.au/events/PastEvents/VICArtsLawWeek2007
    3 KB (495 words) - 22:13, 14 September 2010
  • ...creative work. It is hoped that the transparent, reliable, and accountable rights environment which Creative Commons licences establish will help generate st
    5 KB (717 words) - 16:59, 8 September 2010
  • ...of the second version of Pool, all the Creative Commons licences and "All Rights Reserved" were offered to contributors. The site maintains a [http://creati ...e ABC. The Pool trial has confirmed the community’s interest in ‘some rights reserved’ licensing and demonstrated the importance of promoting educated
    6 KB (957 words) - 00:42, 27 March 2012
  • ...erstand that with CC licences you don’t actually have to lose all of the rights to the music, there is nothing but benefit that you can derive. You have ne ...2.5 Australia licence] was chosen because the band wished to reserve their rights to attribution. Further, having licensed work previously and experienced fa
    6 KB (947 words) - 21:53, 3 September 2010
  • ...retaining their copyright, participants are encouraged to select a ‘some rights reserved’ Creative Commons licence. As an extra condition the artist mus ...ative Commons (with 10% selecting all rights reserved copyright and 15% no rights reserved public domain). The positive response has encouraged the Digital
    7 KB (976 words) - 16:44, 8 September 2010
  • *the review undertaken of the Digital Rights Management (DRM) component of the GILF to electronic tag licensed data; ...R must be able to secure efficient and effective access to, as well as the rights to reuse, PSI located across all State Government departments and agencies,
    9 KB (1,356 words) - 17:28, 29 March 2011
  • Two sets of content release forms to clarify rights were distributed to performers, the audience and all personnel entering the
    5 KB (710 words) - 21:50, 8 September 2011
  • ...erved” and splices it into manageable parts in order to create a “some rights reserved” system.’
    6 KB (904 words) - 17:08, 8 September 2010
  • ...mons enables us to utilise their work without needing to take all creative rights away from the individual author.
    4 KB (648 words) - 12:03, 17 April 2011
  • The rights and permissions pertaining to PHM’s content are clarified [http://www.pow ...ain images was felt potentially to encourage interest and sales of the All Rights Reserved photos, and to enable the collection to be seen and used to a grea
    11 KB (1,581 words) - 21:17, 17 July 2013
  • :‘The best way to avoid infringing on the rights of another creative person is to use your skill, talent and imagination to ...o preventing the practice, or at least making others aware of the users’ rights. This option was seen as preferable to ‘spoiling’ artwork through the
    8 KB (1,180 words) - 21:17, 3 September 2010
  • ...a streamlined and easy-to-understand pathway into basic principles of the rights of creators; ...me aspects of media practices, and allows students to then value their own rights and to think more deeply about how they wish to further engage in commercia
    7 KB (1,037 words) - 21:40, 8 September 2010
  • ...g innovation and creative production without fear of litigation or lengthy rights-clearance processes. As materials are reused, it is hoped that creators an ...s for non-commercial purposes. Commercial use must be negotiated with the rights holders.
    8 KB (1,168 words) - 04:58, 22 July 2013
  • ...ne which seeks to publish information relating to social justice and human rights, to address the imbalance of power between the first world and the ‘major
    4 KB (603 words) - 22:02, 13 September 2010
  • ...propriate attribution. We are not in a position to support a very complex rights system.’
    5 KB (814 words) - 16:41, 8 September 2010
  • ...Rights Charter'']. Emphasising awareness, realisation, and protection of rights, the Charter commits to Internet access for all, access to knowledge, parti ...eas of community interest including environment, social development, human rights and social justice;
    9 KB (1,373 words) - 21:01, 3 September 2010
  • ...her than “all rights reserved,” the Creative Commons mantra is “some rights reserved”.’
    7 KB (976 words) - 21:28, 7 September 2010
  • digital rights technologies, and a look at the future, including the
    5 KB (689 words) - 16:46, 8 March 2011
  • ...ers the possibility to distribute music freely, while preserving the basic rights of the artist. ...h artist’s profile clearly details their licence terms under the ‘Your rights on this album’ section, linking to the relevant Creative Commons deed.
    16 KB (2,421 words) - 20:49, 16 December 2010
  • ...ng behind the proposed harmonization with regards to "sui generis database rights" in the European Licenses.
    3 KB (392 words) - 22:50, 10 September 2013
  • #REDIRECT [[Machine Readable Rights: The CC Rights Expression Language]]
    72 bytes (9 words) - 19:23, 23 May 2008
  • ...his license was most appealing to us as a label because it offers the same rights as the “Attribution-Noncommercial-No Derivative Works 3.0″ option - but
    2 KB (338 words) - 00:44, 17 September 2010
  • ....0 Unported license - these licenses, along with the option to reserve all rights offer our members maximum flexibility. |Image_attribution=(Indaba logo (c) Indaba Media, LLC, All Rights Reserved)
    2 KB (372 words) - 21:49, 13 September 2010
  • .... The concept of an artist being able to "dial in" the way they'd like the rights to their content to be used and reused is profound. For most of the public
    1 KB (217 words) - 21:41, 6 June 2008
  • ...em izboru - s ikonama temeljnih uvjeta odabrane licence ili natpisom "Some Rights Reserved" (Neka prava pridržana) i iskaz da je Vaše djelo licencirano pod ====Što predstavlja grafički gumb s natpisom "Some Rights Reserved" (Neka prava pridržana) ili s temeljnim uvjetima odabrane licence
    54 KB (8,548 words) - 00:47, 8 June 2008
  • [[Category:Rights]]
    2 KB (236 words) - 00:36, 8 June 2008
  • ...ga grafički gumb s temeljnim uvjetima odabrane licence ili natpisom "Some Rights Reserved" (Neka prava pridržana) postavite na Vašu internetsku stranicu.
    4 KB (712 words) - 01:02, 8 June 2008
  • ;[[CC0]]: A waiver that attempts to offer users as many rights as possible, currently in beta. ;[[ccREL]]: Creative Commons Rights Expression Language, a composite recommendation of technologies for marking
    6 KB (963 words) - 21:14, 10 June 2008
  • ...ga grafički gumb s temeljnim uvjetima odabrane licence ili natpisom "Some Rights Reserved" (Neka prava pridržana) postavite na Vašu internetsku stranicu.
    4 KB (720 words) - 00:58, 2 May 2011
  • | source = Baseline Rights [[Category:Rights]]
    2 KB (242 words) - 21:32, 27 April 2011
  • ...em izboru - s ikonama temeljnih uvjeta odabrane licence ili natpisom "Some Rights Reserved" (Neka prava pridržana) i iskaz da je Vaše djelo licencirano pod ===Što predstavlja grafički gumb s natpisom "Some Rights Reserved" (Neka prava pridržana) ili s temeljnim uvjetima odabrane licence
    57 KB (9,003 words) - 08:41, 28 April 2011
  • ...e was set at £25. Founders contributing these funds were given exclusive rights to participate in the decision-making process through a web-based polling s ...Without such an open licence, it would become almost impossible to track rights related to the different contributions.
    9 KB (1,379 words) - 15:56, 3 September 2010
  • ...rom online offers, demos, and close collaboration with numerous netlabels. Rights are meticulously checked with GEMA or other commercial collecting societies ...sicians to be opportunity to be heard offline, while promoting music whose rights remain with the artists. Alternative licenses like Creative Commons make th
    2 KB (272 words) - 01:20, 28 April 2011
  • ...he use of their work. In both cases, the Creative Commons model of “some rights reserved” matched neatly into their preferences.
    4 KB (600 words) - 15:28, 6 September 2011
  • ...really started to understand the cost of imposing a 20th century exclusive rights style copyright on individual users of works in the 21st century would lead
    4 KB (601 words) - 19:04, 1 January 2013
  • ...ng rights more specific and often less immediately restrictive than ‘All Rights Reserved’.”
    3 KB (476 words) - 17:41, 7 September 2011
  • ...nd the non-exclusivity of the licenses means you can retain all commercial rights if desired. ...erses real private life. Curry sued the tabloid for violating the portrait rights of his family and for copyright violation over the improper user of his Fli
    13 KB (2,015 words) - 18:16, 12 December 2014
  • ...nd the non-exclusivity of the licenses means you can retain all commercial rights if desired. ...nted struggle with song-clearing rights. Her struggles with clearing these rights informed her decision to openly license Sita, thereby ensuring that her fil
    13 KB (1,974 words) - 13:44, 23 March 2013
  • ...bove your bed. (Ok, that's kind of creepy, but also completely within your rights to do.) Inspire us with your creativity and let us inspire you with ours. A
    7 KB (1,199 words) - 11:22, 7 December 2013
  • |Quote=I decide to “give away” most of my rights to my digital content in the hope that someone will find it useful and re-u
    7 KB (1,103 words) - 16:09, 10 September 2010
  • ...y, different users choose different options for their works, including All Rights Reserved.
    4 KB (585 words) - 16:29, 8 September 2010
  • ...mmons licensing support in its service, allowing creators to share certain rights for usage of their photos with others. As of late 2009, the site hosts over ...creativecommons.org/licenses/by/2.0/deed.en" rel="license cc:license">Some rights reserved</a>
    10 KB (1,504 words) - 21:48, 25 July 2013
  • ...curated, pre-priced and pre-licensed songs to media professionals and all rights included background music services to businesses. ...% owned by the Tribe member and not represented by a publisher, performing rights organization etc. Covers (unless public domain) are not allowed.
    3 KB (437 words) - 14:14, 3 August 2014
  • |Quote="Some Rights Reserved: Data used to produce the House of Cards music video is made avail
    1 KB (139 words) - 21:11, 11 September 2011
  • ...r fans to engage with their music without fear of loosing their commercial rights. Check out their [http://www.jamglue.com/contests contests] page to see the
    2 KB (283 words) - 22:00, 8 September 2010
  • ...label I wanted to create: it would give us the possibility to decide which rights to grant and which to retain on our music. ...NonCommercial-ShareAlike license. This allows Beatpick to retain licensing rights for their music which in turn allows them to generate profit for themselves
    5 KB (893 words) - 23:49, 26 March 2014
  • ...e as fair while retaining their copyright and whatever level of commercial rights they choose to keep. I feel that the entire music industry, independents an
    2 KB (343 words) - 23:58, 2 September 2010
  • All Creative Commons licenses allow the user to exercise the rights permitted under the license in any format or media. This means, for example ...no way of contacting the authors of CC-licensed works, nor do we offer any rights clearing services.
    11 KB (1,810 words) - 22:55, 17 October 2011
  • ...license. Content can be published under a different license (or with "all rights reserved") at the request of the contributor.
    4 KB (574 words) - 21:15, 11 September 2011
  • ...use and dissemination of Council’s materials while retaining Council’s rights of authorship”. ...he license includes sections on 1.0 Definitions; 2.0 Intellectual Property Rights; 3.0 License Grant; 4.0 Acknowledgement of Source; 5.0 No Warranty and no L
    38 KB (5,455 words) - 20:53, 16 November 2021
  • ...se one of the goals of the OMC is to make copyright holders aware of their rights and all of the possibilities open to them. ...d. Without understanding it, how could users really benefit from the given rights? This thought prompted Michalke to hold a nationwide competition to promote
    5 KB (869 words) - 22:40, 13 September 2010
  • ...n 1 December. Launch is pending. CC0 is a legal tool for waiving as many rights as legally possible, worldwide, superseding the U.S.-only public domain ded
    4 KB (627 words) - 07:19, 14 January 2009
  • “You can use a copyrighted work, assuming you have the rights to do so (either under fair use or explicitly negotiated), in a CC licensed
    10 KB (1,650 words) - 23:52, 2 May 2011
  • ...hers may have in the work or how the work is used. Think of CC0 as the "no rights reserved" option. ...re of. By using CC0, you signal to the public that you relinquish any such rights.
    19 KB (3,191 words) - 18:23, 28 September 2016
  • ...t really been tested, and we do not know how it will be interpreted by the rights-holders or the courts. Prior experience among several OER projects suggests that many rights holders are willing to re-license their works using CC licenses in order to
    2 KB (282 words) - 20:12, 2 July 2009
  • ...k may not be derived, which means that the only right beyond standard (all rights reserved) copyright which has been granted is the right to share unlimited
    2 KB (291 words) - 20:11, 2 July 2009
  • ** Collecting societies and moral rights
    9 KB (1,302 words) - 15:33, 7 February 2013
  • ...ional videos. A TOU section, however brief, is the best way to communicate rights and restrictions to the user.
    726 bytes (115 words) - 20:02, 2 July 2009
  • ...information is provided. Since all work automatically falls under “all rights reserved” copyright from the moment it is created, users will (correctly)
    1 KB (226 words) - 17:34, 9 July 2009
  • ...r open educational resources will still be able to quickly understand what rights they have been granted for using the resources within.
    979 bytes (150 words) - 20:02, 2 July 2009
  • ...ucational”, only complicates existing copyright. Especially since “all rights reserved” (ARR) copyright already provides exceptions for certain educati ...restrictive than the standard exceptions and limitations granted to “all rights reserved” copyrighted works. But this makes no sense! ARR copyright allow
    8 KB (1,247 words) - 20:01, 2 July 2009
  • ...hich is pretty much what people can generally do anyway under standard all-rights-reserved copyright. So then you’ve just spent a whole lot of time and tro
    2 KB (311 words) - 20:30, 9 July 2009
  • ...facebook.com/groups.php?ref=sb#/group.php?gid=69048030774 Facebook Bill of Rights and Responsibilities]' (Carta de Derechos y Responsabilidades) al que denom
    10 KB (1,549 words) - 02:08, 8 May 2013
  • ...dline to the comments on their two proposals (new TOS -called Statement of Rights and Responsibilities-, and their Principles). The deadline is on March 29. ...facebook.com/groups.php?ref=sb#/group.php?gid=69048030774 Facebook Bill of Rights and Responsibilities]':'''
    6 KB (976 words) - 02:04, 8 May 2013
  • ...change your [[copyright]] terms from "[[All Rights Reserved]]" to "[[Some Rights Reserved]]." ...hy CC offers 6 different licenses that span the middle ground between "All Rights Reserved" and the "[[Public Domain]]." Our licenses range from [[Attributio
    3 KB (458 words) - 02:07, 8 May 2013
  • ...facebook.com/groups.php?ref=sb#/group.php?gid=69048030774 Facebook Bill of Rights and Responsibilities]' (BoRR), resulting in a user request that Facebook in ...their original content as they choose fully copyrighted or with only some rights reserved. Creative Commons enables this, aiming to encourage creative shari
    8 KB (1,222 words) - 02:07, 8 May 2013
  • ...tions, comments and requests in the group we've created—Facebook Bill of Rights and Responsibilities. I'm looking forward to reading your input." But that group (Facebook Bill of Rights and Responsibilities) is full of several other things, so in this group we
    562 bytes (90 words) - 02:04, 8 May 2013
  • ''2.3 For content that is covered by intellectual property rights (like photos and videos), you specifically give us the following permission "For content that is covered by intellectual property rights (like photos and videos),"
    9 KB (1,530 words) - 02:06, 8 May 2013
  • ...e given proper credit for a work even if she has signed away all the other rights. The attribution requirement that is the baseline in all CC licenses provid
    7 KB (1,137 words) - 17:33, 7 September 2011
  • ...e a creative commons licenses for our works (in addition to the old “all rights reserved” license).
    2 KB (321 words) - 02:07, 8 May 2013
  • | Unobtrusive Rights Management Information Systems ([http://www.slideshare.net/Safecreative/unobtrusive-rights-management slides])
    6 KB (774 words) - 20:44, 16 February 2020
  • Chapter: The Nature and Value of Rights: Joel Feinberg * To understand human rights
    26 KB (4,475 words) - 14:39, 25 February 2010
  • ...un under Creative Commons, we can ensure our writers regain their creative rights."
    3 KB (484 words) - 17:35, 15 September 2010
  • ...Ogg Theora format and uses [[CCPlus]] as a mechanism to provide additional rights and services as they pertain to their clips.
    1 KB (154 words) - 20:35, 23 September 2011
  • ...It’s also helpful to know there are a set of [[Baseline_Rights|baseline rights]] all six licenses offer.
    7 KB (1,034 words) - 19:27, 1 December 2010
  • ...ses give you the ability to dictate how others may exercise your copyright rights—such as the right of others to copy your work, make derivative works or a ...ur rights under copyright. You are not licensing your trademark or patent rights, if any, when you apply a CC license to your work.
    81 KB (7,876 words) - 15:38, 26 June 2020
  • [[Category:Rights]]
    378 bytes (37 words) - 02:46, 8 May 2013
  • [[Category:Rights]]
    350 bytes (36 words) - 13:59, 29 April 2011
  • [[Category:Rights]]
    350 bytes (36 words) - 13:59, 29 April 2011
  • [[Category:Rights]]
    1 KB (86 words) - 13:59, 29 April 2011
  • ..." link for a project and language. Click this link, and you can select the rights you want each user to have.
    4 KB (641 words) - 03:49, 7 October 2011
  • ...that are licensed with a Creative Commons license are OER. OER are “some rights reserved”, meaning that you are free to use a CC licensed work without as
    3 KB (424 words) - 22:22, 15 April 2009
  • ...all rights reserved” copyright law and you are offering to share these rights with any member of the public, but only under certain conditions. ...te that every license carries with it a full set of other rights (baseline rights link) in addition to the allowances specifically made here.
    4 KB (675 words) - 14:17, 8 May 2009
  • ...nd Telescope Magazine. Both of these organizations have clearly posted all-rights-reserved copyright notices at the bottom of their web pages. He will have t ...right barriers by supplying you with new knowledge about copyright and the rights you can choose to retain or give away for your own benefit and that of the
    11 KB (1,820 words) - 19:26, 1 December 2010
  • You should then include a Creative Commons “Some Rights Reserved” button on your site, near your work. This button will link bac
    858 bytes (139 words) - 19:26, 1 December 2010
  • ...us to choose a CC licenses for our content (in addition to the old “all rights reserved” license). ''2.3 For content that is covered by intellectual property rights (like photos and videos), you specifically give us the following permission
    19 KB (3,108 words) - 02:07, 8 May 2013
  • ...mmons licenses to be an important step in gaining control over image usage rights and for letting licensees know what they are permitted to do with the image
    2 KB (297 words) - 21:57, 17 September 2010
  • ...ay only be distributed under a CC license subject to the permission of all rights holders.
    5 KB (758 words) - 12:39, 20 September 2012
  • [http://www.koda.dk KODA] (Danish Authors’ Society) is a non-profit rights management society with approximately 32,000 members: composers, songwriter ...ent “Non-Commercial”, the Licensee has no right to exercise any of the rights acquired under the License Agreement in a manner that is primarily intended
    5 KB (732 words) - 22:47, 12 July 2010
  • ...to music and text. Through its international network, STIM also represents rights to the worldwide repertoire of musical works. In addition, STIM promotes th
    988 bytes (144 words) - 15:09, 27 June 2009
  • * The Australasian Performing Right Association (APRA) - the performing rights collecting society for Australia and New Zealand ...ng or posting online) of all past, present and future works. Assigning the rights to the collecting society allows more efficient administration and enforcem
    9 KB (1,443 words) - 20:30, 12 July 2010
  • ** strengthening common knowledge on intellectual property rights (IPR), its strengths and pitfalls as well as taking part in the development
    4 KB (575 words) - 22:10, 14 August 2014
  • *International Human Rights,
    24 KB (3,600 words) - 17:42, 8 February 2014
  • ...ause France recently enacted two controversial law with regard to author's rights. There is also a stronger need to counter the growing powers of the SACEM.
    11 KB (1,693 words) - 19:12, 13 January 2016
  • ...a song, to a drawing, to a film, to a story, you automatically own an "All rights reserved" copyright to that creativity. It's true! Copyright protects your
    2 KB (383 words) - 18:25, 24 June 2009
  • ...that help you mark your work as free to share or build upon with only some rights reserved. And you did just that, with an enthusiasm that surprised even us.
    4 KB (719 words) - 18:29, 24 June 2009
  • ...ucational”, only complicates existing copyright. Especially since “all rights reserved” (ARR) copyright already provides exceptions for certain educati
    4 KB (689 words) - 23:13, 9 July 2009
  • ...restrictive than the standard exceptions and limitations granted to “all rights reserved” (“ARR”) copyrighted works. ARR copyright allows for more th
    3 KB (491 words) - 01:15, 10 July 2009
  • ...d license is displayed at the bottom of each entry to signify the level of rights allowed by intention of authors.
    3 KB (439 words) - 15:58, 22 November 2012
  • ...use and dissemination of Council’s materials while retaining Council’s rights of authorship. ...use and dissemination of Council’s materials while retaining Council’s rights of authorship." In tandem, the Council prioritises "open data formats to al
    7 KB (959 words) - 21:56, 10 September 2010
  • ...in decisions about their works (so that some are CC and some are still All Rights Reserved) ...r example, CC:BY and in special cases some others be CC:BY-SA, or even All Rights Reserved.
    4 KB (643 words) - 17:39, 17 March 2011
  • ...ng the actual upload and can be either mandatory or optional (assuming All Rights Reserved by default).
    3 KB (422 words) - 19:14, 26 October 2010
  • ...ement helps to maintain a level of quality, brand recognition, and revenue rights for Artisans. ...as open as possible without stripping Artisans of ownership or commercial rights over their works. We chose the BY-NC-SA license to help support a profitabl
    5 KB (719 words) - 19:31, 14 September 2010
  • ...Reformation, Labor Relations, Economic Social Policies, Ecology and Animal Rights, Space and Heavenly Bodies, Tales of the Sea, Neighborhood Cooperation, Hea
    5 KB (769 words) - 05:04, 23 September 2009
  • ...in decisions about their works (so that some are CC and some are still All Rights Reserved) ...r example, CC:BY and in special cases some others be CC:BY-SA, or even All Rights Reserved.
    4 KB (640 words) - 18:27, 11 August 2009
  • It is also possible to add dc:rights to the manifest file. If done this must agree with the annotated human visi
    976 bytes (146 words) - 19:01, 10 September 2010
  • ...the widest Creative Commons licence available that doesn’t give away all rights of the author. There are no restrictions with respect to using any material
    10 KB (1,578 words) - 18:44, 13 October 2012
  • ...ing with reprint requests. These documents are covered by the Reprographic Rights Organisations (RROs) for the creation of cource-packs in schools and univer ...o PSI provision in Italian law (so far). The usual laws apply, even if the rights holder is a public entity.
    12 KB (1,782 words) - 22:24, 16 February 2011
  • ...form, go through the the necessary steps of reading and understanding what rights you are giving up with CC0, and receive the already formatted html code at The text reads: "Copyright and related rights waived via [http://creativecommons.org/publicdomain/zero/1.0/ CC0]"
    23 KB (3,680 words) - 19:42, 25 February 2019
  • ...uch as Google and Yahoo enable users to filter websites according to usage rights. This increases the use of ABS materials and so furthers the ABS’s missio
    7 KB (1,116 words) - 15:00, 2 April 2012
  • - Australian Centre for Independent Journalism (ACIJ); Human Rights Commission (HRC); and
    5 KB (683 words) - 18:00, 14 September 2010
  • ...s, including “education, culture, creativity, environment, health, human rights, media, social justice, resource development, regional security and technol
    4 KB (619 words) - 18:04, 14 September 2010
  • ...lable through LSE Digital Library is licensed under Creative Commons where rights in the original permit - according to a published [http://www2.lse.ac.uk/li ** http://www.europeana.eu/portal/search.html?query=*:*&qf=RIGHTS:http://creativecommons.org/publicdomain/mark/1.0/
    27 KB (3,735 words) - 19:31, 6 January 2016
  • similar proprietary rights (collectively, the “Trademarks”) solely in ...aren't asking for an impossible-to-grant right to use others' proprietary rights. And they don't even mention copyright -- this seems to pertain to trademar
    3 KB (553 words) - 19:22, 25 October 2010
  • 17 KB (176 words) - 18:50, 6 January 2010
  • ...de the metadata with the content. See [[ccREL|"ccREL: The Creative Commons Rights Expression Language"]] for a discussion of applications enabled by co-locat
    7 KB (1,170 words) - 01:18, 19 April 2010
  • ...limited use of copyrighted material without requiring permission from the rights holders, and is essential for commentary, criticism, news reporting, remix,
    2 KB (342 words) - 20:43, 27 January 2010
  • ...ative Commons, authors to freely distribute their works while keeping some rights.
    2 KB (238 words) - 00:01, 14 September 2010
  • ...ative Commons, 3D Gurukul freely share their resources while keeping some rights.
    2 KB (226 words) - 01:00, 4 December 2010
  • ...limited use of copyrighted material without requiring permission from the rights holders, and is essential for commentary, criticism, news reporting, remix,
    4 KB (511 words) - 17:21, 24 June 2010
  • |Tag=open courseware,human rights,human rights training
    346 bytes (46 words) - 23:27, 16 February 2010
  • |Tag=human rights
    341 bytes (45 words) - 23:29, 16 February 2010
  • ...icles and resources are published under CC to share it freely with certain rights.
    1 KB (152 words) - 20:00, 16 September 2015
  • ...ited to attend the 2nd InnoFORUM Open Workshop on “Intellectual Property Rights & Innovation”, which will take place on Friday, the 26th of February 2010 ...The workshop seeks to explore the strategic role of intellectual property rights (IPR) in the course of innovation in the global and highly competitive info
    990 bytes (143 words) - 07:02, 24 February 2010
  • Examples of CC-licensing in social justice and human rights projects. ...c.org The Association of Progressive Communications] which works for human rights and social justice in ICT's uses CC on their website, and some publications
    7 KB (1,035 words) - 22:52, 12 August 2013
  • ...to allow the public manipulation of government information while retaining rights such as attribution. ...use of data from third party sources, as long as the user has cleared all rights with respect to copyright and intellectual property.
    10 KB (1,464 words) - 20:18, 3 September 2010
  • ...ended to be used as part of a “public license offer” to license patent rights. A public license offer provides two main benefits: ...licensees who might otherwise not have been either aware that such patent rights were available for license or who might otherwise be unwilling to approach
    20 KB (3,013 words) - 17:29, 19 October 2010
  • The second scenario is if the Grantor wishes to withdraw certain patent rights from the Pledge or to terminate the Pledge in its entirety, it may do so by ...s to specify or describe those rights. It may also withdraw certain patent rights from the Pledge upon notice on its Web site where the Pledge is made, provi
    4 KB (607 words) - 17:30, 19 October 2010
  • ...nt sharing efforts. By using standard formats to describe both patents and rights, GX enables integration with major search engines, software systems, conten ...don their patents under the GX – they retain the ownership of the patent rights, with full ability to enforce the terms of the license or non-assertion. If
    12 KB (1,894 words) - 17:30, 19 October 2010
  • ...tal, research, developmental, or educational use or practice of the Patent Rights, other than in exchange for money or other valuable consideration. “Patent Rights” means the patents and/or patent applications specifically designated by
    4 KB (528 words) - 17:21, 19 October 2010
  • ''Issue: Is the scope of the definition of "Licensed Patent Rights" sufficiently broad?'' The definition of Licensed Patent Rights currently reads:
    12 KB (1,830 words) - 17:20, 19 October 2010
  • ...o many parties. In contrast to an exclusive license, which gives exclusive rights to practice and sublicense to a single licensee, a non-exclusive license ca ===Licensed Patent Rights===
    6 KB (991 words) - 17:20, 19 October 2010
  • cultural innovation with the rights of owners of creative works.
    924 bytes (124 words) - 01:01, 13 March 2010
  • ...ess otherwise provided for under this policy, Kansas State University owns rights associated with works produced as "works made for hire" or other works that
    2 KB (247 words) - 21:27, 19 March 2010
  • Policy gives university all ownership rights in work produced at university BUT then says that the university will give
    939 bytes (125 words) - 21:27, 19 March 2010
  • ...ceiving a minimum of 30 percent of the net royalties and fees, and control rights with the employee.
    4 KB (641 words) - 00:41, 7 February 2012
  • ...nt, all Board and institution employees shall agree to assign to the Board rights to any invention or improvement in technology and educational and professio
    2 KB (204 words) - 21:27, 19 March 2010
  • ...(this is different from other policies that automatically grant ownership rights to university).
    1 KB (193 words) - 21:27, 19 March 2010

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