...s and tools were designed specifically to work with the web]], which makes content that is offered under their terms easy to search for, discover, and use.
...nd on the existence of copyright to work. CC licenses are legal tools that creators and other rights holders can use to offer certain usage rights to the publi
146 KB (23,721 words) - 15:08, 9 October 2015
...nformal events focused on building a community of artists, developers, and creators of all kinds around Creative Commons licenses, standards, and technology. T
...or your own Salon as they are all unique. The list format (and some of the content) is very much inspired by the [http://dorkbot.org/startadorkbot/ wonderful
8 KB (1,169 words) - 21:44, 24 October 2016
...sor does not provide representations and warranties regarding the licensed content.
...ohibit the public sharing of those adaptations (also an exclusive right of creators under copyright). This change enables private activities that may result i
50 KB (7,125 words) - 18:33, 4 January 2016
This document describes how to apply [[Nonweb Tagging|our non-web content guidelines]] to OGG files.
'''CONTACT''' (Contact information for track creators) should include the URL where the work metadata, including verification inf
1 KB (146 words) - 18:56, 10 October 2007
*LiveContent '''disseminates''' creative and interactive content and software through media
*LiveContent '''identifies''' CC-powered projects, creators and content providers working to share their creations with the world
4 KB (538 words) - 23:49, 14 July 2009
...r understanding of what humans are actually talking about when they create content. Computers may understand that a file is a text file or another file is an
...standard web pages), RDFa helps machines and humans read exactly the same content.
13 KB (2,070 words) - 07:03, 28 October 2013
...Foong (2010) Sharing with Creative Commons : a business model for content creators. Platform: Journal of Media and Communication, pp. 64-93. [http://eprints.q
...1988-3153, Nº. 4, 2010, págs. 30-38. [http://cdc.escogranada.com/cdc/wp-content/uploads/2010/12/0404cc.pdf link]
27 KB (3,667 words) - 22:49, 11 February 2014
...ght take a little while to load-- on the one hand, providing incentives to creators in the form of a grant of monopoly rights to their creations, and on the ot
...right to copy. Digital technologies also allow us to manipulate and share content in unprecedented ways which implicates copyright's other exclusive rights.
22 KB (3,749 words) - 04:57, 22 July 2013
...he words that make corporate copyright protectors shudder and free culture creators grin with glee.
...a pool of some 140 million images, music tracks, samples, and movies that creators can copy and use with legal certainty.
3 KB (538 words) - 19:37, 1 August 2008
...arge conference or festival, like [http://sxsw.com SXSW] that would be for creators of media, would have some large categories for creative works, adopt a simi
For the creators and producers of CC licensed content.
2 KB (368 words) - 00:08, 8 November 2006
* JY gets in-world creators involved: Barney Boomslang, Bibi Book, Hypatia Callisto, Aimie Weber, Spin
...oth a showcase and a repository for CC-licensed creations. It will provide creators with a place they can go to have their works exhibited and released to the
10 KB (1,739 words) - 18:50, 29 May 2007
...py for members of the public to engage in some of the exciting new uses of content that are made possible by digital technologies. Using a CC license, an art
...ity of people who apply our licenses to their content, who use CC-licensed content and who are committed to enabling free culture.
36 KB (5,654 words) - 12:49, 17 November 2013
[Creative Commons does not gain any rights to the content released under the licenses. CC also does not provide legal advice.]
...upon. Providing permission in advance is an excellent way for Second Life creators to get on with building, scripting, and sharing, without having to worry ab
4 KB (703 words) - 11:22, 2 April 2007
...ation was established four and a half years ago. Creative Commons empowers creators to use copyright law to enable creative new ways of sharing, reusing, and r
Creative Commons provides creators and licensors with a simple
4 KB (631 words) - 06:40, 4 July 2013
...lay of the number. The Numly portal offers real-time metrics reporting of content views including: ratings, hits, IP addresses, and aging.
...and fight against splogging since they are not stripped out of infringing content.
3 KB (405 words) - 00:33, 17 July 2007
...ative Commons-licensed content. LiveContent works to identify creators and content providers working to share their work more easily with others. LiveContent
===Creative Commons-licensed content===
3 KB (402 words) - 17:43, 16 July 2007
...eContent is a project for anyone to explore to learn more about about open content that can be freely used, copied, and built upon.
Help us identify more great CC-licensed content by adding suggestions [[#CC_Content|HERE]].
9 KB (1,323 words) - 21:38, 15 September 2013
...en source creativity software and Creative Commons' licensed free and open content — audio, video, image, and text — for anyone to explore. Please
...licensed Creative Commons, which allows others to better interact with the content.
2 KB (263 words) - 19:49, 1 August 2008
...g metadata assertions. [[MorePermissions|morePermissions]] allows content creators to provide a link to a URL where additional permissions, beyond those provi
...pplied one of two ways: as a <code>link</code> or as [[RDFa]] in the <code>content</code> of an entry. A metadata-interested consumer will inspect both locat
5 KB (627 words) - 01:07, 14 March 2014
...g metadata assertions. [[MorePermissions|morePermissions]] allows content creators to provide a link to a URL where additional permissions, beyond those provi
4 KB (553 words) - 20:26, 10 October 2007
...g metadata assertions. [[MorePermissions|morePermissions]] allows content creators to provide a link to a URL where additional permissions, beyond those provi
2 KB (323 words) - 20:27, 3 December 2009
Creative Commons licenses would do little without enthusiastic use by creators across disciplines. If you’ve created any sort of copyrightable material,
=== Content Curators===
5 KB (798 words) - 05:36, 11 April 2010
...' recent activities and a vision for how Creative Commons can help content creators refine their copyright. Topics covered will include background on CC, the 3
920 bytes (128 words) - 19:31, 16 November 2007
Q: ''Melanie CC France'' feedback from real life users/creators who have implemented or plan to implement new and also current 2.0 database
*included baseline numbers from top content curators: flickr, revver, jamendo,
40 KB (6,281 words) - 18:31, 21 November 2007
Creative Commons licenses give authors and creators a simple way to mark their creative work with the freedoms they intend it t
...ons change this? What’s different about CC-licensed content relative to content that’s simply copyrighted? Well, the simplest way to understand a CC lice
11 KB (1,906 words) - 21:48, 6 December 2007
*LiveContent '''disseminates''' creative and interactive content and software through media
*LiveContent '''identifies''' CC-powered projects, creators and content providers working to share their creations with the world
4 KB (561 words) - 20:40, 13 February 2008
...s evidence to promote the value of its licenses. We want creators of open content to understand how their actions contribute to the broader commons.
...open community. At its core, CC facilitates the legal sharing of digital content. Changes to our licenses may impact how people - across our key communities
23 KB (3,589 words) - 08:31, 20 September 2013
...lot of work and good planning just to do a proper out-reach (to creators, content users, educators, policy bodies, government agencies, etc. depending on wha
2 KB (361 words) - 17:42, 26 February 2008
...ks focused on the latest innovations in learning systems, digital learning content, the learning enterprise, and open technologies. Presenters answer a key ch
694 bytes (91 words) - 18:55, 28 August 2008
...ated and serves as a steward for a suite of copyright licenses that enable creators to legally grant certain freedoms to the public and to clearly signal those
...in a manner useful to computers -- but for the purpose of making licensed content more discoverable and usable, not for turning computers against their owner
11 KB (1,637 words) - 17:15, 17 April 2008
Content creators are individuals or groups that create new or remix works and publish them u
246 bytes (38 words) - 18:23, 7 April 2008
...Zealand. By providing a home to showcase their digital wares, 60Sox gives creators the opportunity to generate exposure, make industry contacts, and receive f
...an flag any item that they consider might have inappropriate or infringing content.
6 KB (887 words) - 22:23, 3 September 2010
...s in a wide variety of formats, and are able to specify who can view their content, and how long a video will remain available on the service.
...significant selling point for businesses in assuring the legitimacy of the content, thereby minimizing their exposure to risk.
5 KB (734 words) - 22:44, 14 September 2010
...ibrarian keeping in mind the public benefit of providing maximum access to content as part of Australia’s national collection’.
...ion to be sought from the owner institution for reproduction. By requiring creators who upload their own photographs through Flickr to open license their mater
7 KB (1,099 words) - 21:57, 13 September 2010
...eir endeavours in a protective and/or promotional framework for individual creators associated with Otago Polytechnic.’
...pplied wherever possible. Exceptions are made for works where third-party content is not or cannot be cleared. Other restrictions (if any) are time-based an
5 KB (711 words) - 04:25, 27 January 2014
...The edgeX project provides a site for Ipswich residents to upload creative content, building a community around collaboration via comments made on users’ wo
...another’s contributions, thereby ideally creating a continuous stream of content evolving over time in the hands of a varied community of participants.
5 KB (717 words) - 16:59, 8 September 2010
...aring of a variety of media, in a manner primarily connecting the creative content community with the ABC. Contributors can publish, download, remix and shar
...icences under which contributors can choose to publish their content. All content uploaded to the site at this time was subject to a [http://creativecommons.
6 KB (957 words) - 00:42, 27 March 2012
...al medium the opportunity to exhibit their works via site specific digital content streaming.
...ure the works are viewed by as large an audience as possible. In sourcing content, Digital Fringe curators undertake an extensive web-based call out, accepti
7 KB (976 words) - 16:44, 8 September 2010
.../?view=users interactive map] documenting the position of the photographic content.
The rights and permissions pertaining to PHM’s content are clarified [http://www.powerhousemuseum.com/imageservices/?page_id=157 h
11 KB (1,581 words) - 21:17, 17 July 2013
|Description=The IMERSD project employs new media technologies for e-research content design, production and publication within the music industry, emphasising t
...ustry partners. The project employs new media technologies for e-research content design, production and publication across three areas, as reflected in its
7 KB (1,037 words) - 21:40, 8 September 2010
...ls are reused, it is hoped that creators and producers re-contribute their content to the archive.
...the legal, technical, socioeconomic and cultural implications of new media content development, particularly in relation to Australia’s broadband infrastruc
8 KB (1,168 words) - 04:58, 22 July 2013
...Its business model is based on the concept that the wide dissemination of content across networks leads to popularity and prominence: ‘Be known and recogni
...-to-peer technologies, such as BitTorrent and eMule for album download and content streaming;
16 KB (2,421 words) - 20:49, 16 December 2010
...big files and publish the link in the ASOA forum. When contributing media content to ASOA the contributing member has to agree to a 'Media Release Statement'
...ASOA slogan is ‘Remixing Cinema’: the project aims to empower not only creators actively engaged with the ASOA community, but to every creator within or be
9 KB (1,379 words) - 15:56, 3 September 2010
|Image_Header=http://www.tvover.net/content/binary/Revver_logo.jpg
...ideos. Revver is therefore founded on the ‘free and unlimited sharing of content online in an environment where the creator is rewarded for his/her work.’
6 KB (865 words) - 03:06, 3 August 2013
All the content in the dictionary is licenced under the Creative Commons Attribution-Share
...ical potential. Similarly to the ‘reclaim the streets’ endeavours, the creators of the Unleashed Tongue would like to think of the web site as the ‘recla
3 KB (420 words) - 17:54, 15 September 2010
...tive works showcasing the ability of both the program and the community of creators.
...of creative projects to showcase both the Blender software and the skilled creators in the community. In 2005 the Foundation started Project Orange to produce
6 KB (980 words) - 00:43, 13 November 2012
...itory, we had thought that it would be a key resource for anyone producing content on the war and that it would primarily be used by other news organisations
...hotos, establishing it as the Web’s single largest source of CC-licensed content.
13 KB (2,015 words) - 18:16, 12 December 2014
Creative Commons licenses are a flexible way to share content while building on the strong foundation of traditional copyright law.
...t with an attribution (BY) condition attached. This simply means that when content is used or shared the original creator needs to be credited. The BY conditi
13 KB (1,974 words) - 13:44, 23 March 2013
|Image_Header=http://creativecommons.org/wp-content/uploads/2008/06/dalogo_devgreen.jpg
...pplications. The site also has extensive downloadable resources for use by creators such as tutorials and stock photography"([http://en.wikipedia.org/wiki/Devi
4 KB (585 words) - 16:29, 8 September 2010
...lso allows for Creative Commons licensing support in its service, allowing creators to share certain rights for usage of their photos with others. As of late 2
There are many ways to CC license your content in Flickr. The three main ways are 1) setting a default license for your ac
10 KB (1,504 words) - 21:48, 25 July 2013
...users who download and share content from LegalTorrents by making sure the content they share is licensed to permit that sharing.
...heir works and engage with a vibrant community. ClearBits has an "Approved Content Creator Program", [http://creativecommons.org/weblog/entry/8462 outlined he
3 KB (409 words) - 21:43, 7 September 2010
...s mix of sharing and payment for commercial use provides maximum value for creators and society as a whole.
...s mix of sharing and payment for commercial use provides maximum value for creators and society as a whole.
2 KB (279 words) - 00:00, 15 September 2010
...s and therefore more attractive to a greater range of high-quality content creators. An annual website audit was recommended along with better FAQs, developmen
4 KB (637 words) - 13:51, 30 July 2008
Creative Commons licenses would do little without enthusiastic use by creators across disciplines. See the [http://creativecommons.org/license licensing p
'''Content Directories'''
8 KB (1,165 words) - 19:50, 30 April 2011
...ts, including database rights. Trademarks rights are not affected because creators who use CC0 should be able to protect the quality of products that are asso
...ding whether she owns the copyright or has cleared any uses of third-party content that her work may be based on or incorporate. If you are in doubt, then we
19 KB (3,191 words) - 18:23, 28 September 2016
...and what they can or cannot do with the content on your site, whether that content consists of blog posts or complete research papers and educational videos.
|Target audience=OER creators, copyright holders
726 bytes (115 words) - 20:02, 2 July 2009
|Target audience=OER creators, copyright holders
...opyright holder and clarified by you. If you choose to openly license the content on your site, then a simple statement in the TOU or elsewhere on your site
1 KB (226 words) - 17:34, 9 July 2009
...erformance to YouTube, citing the teacher as the author of the non-musical content. Is this personal use?
|Target audience=OER creators, copyright holders
8 KB (1,247 words) - 20:01, 2 July 2009
...herwise noted, everything on this site is licensed CC BY." If you include content that is licensed differently, then you should clearly label it as such.
|Target audience=OER creators, copyright holders
1 KB (172 words) - 19:59, 2 July 2009
...he BoRR group that will provide users with choice about how their Facebook content is shared arose. This wiki document is the result.
...integrating more versatile licensing options to user profiles and uploaded content, including Creative Commons licensing, similar to the way this has been suc
8 KB (1,222 words) - 02:07, 8 May 2013
...erent problems. We’re trying to capture the diversity of CC creators and content by building a resource that inspires new works and informs free culture.
3 KB (468 words) - 00:08, 6 May 2009
...we have in each show makes traditional copyright useless to us as content creators. The process of gathering clips, photos, and sound bites makes the relevanc
|Image_Header=http://creativecommons.org/wp-content/uploads/2008/08/epic-fu-badge-600x600.jpg
2 KB (274 words) - 21:54, 8 September 2011
The metadata describes the key license elements that apply to a piece of content to enable discovery through [http://search.creativecommons.org CC-enabled s
...sdictions where this problem arises to try to find a solution that enables creators to enjoy the benefits both systems offer.
81 KB (7,876 words) - 15:38, 26 June 2020
Both Dan and Fab understand that creating content in the Age of the Internet requires a new way of thinking about the licensi
...een possible without the ability, and explicit encouragement, to share the content freely in every way possible.
4 KB (557 words) - 23:59, 13 September 2010
...et’s very design built a neutral platform upon which the widest range of creators could experiment. The legal architecture surrounding it protected this free
In the 1950s, Lolita was transgressive for sexual content; today, issues of copyright and 'fair use' are equally transgressive.
3 KB (390 words) - 00:01, 14 September 2010
** '''Connecting creators'''
**** in Italy, there is a relatively high number of "creators" (for instance, according to [http://www.internetworldstats.com/ http://www
24 KB (3,600 words) - 17:42, 8 February 2014
|logourl=http://de.creativecommons.org/wp-content/uploads/2010/12/logo_cc-de.jpg
...CC Commentary and build a group of volunteers to work on the first set of content.
13 KB (1,966 words) - 15:54, 28 June 2014
FRED BENENSON: There are a lot of creators who are just starting off as well as really big names who have used Creativ
...work with what you're doing aesthetically, and what you're doing with your content. There's a lot of great tools out there and I think filmmakers--a lot of pe
5 KB (988 words) - 18:55, 24 June 2009
...hotograph? Can I make a new version of it? Creative Commons gives tools to creators to make a choice about copyright.
...ut content to thinking about communities. Communities that develop around content and the sharing that the licences allow enable these communities to come to
4 KB (628 words) - 22:21, 24 June 2009
...(CMS), flexible Website Hosting, and Analytics for your Website and Online Content Production.
...e been possible without the capability, and explicit support, to share the content freely in every possible way.
3 KB (484 words) - 12:12, 4 May 2014
|Target audience=OER creators, copyright holders
...erformance to YouTube, citing the teacher as the author of the non-musical content. Is this personal use?
3 KB (491 words) - 01:15, 10 July 2009
...w much we want to encourage and endorse what fans already do: re-interpret content on their own terms, in their own way."
...g remixing of content as well as giving fans a method for contributing new content to the official world narrative.
5 KB (719 words) - 19:31, 14 September 2010
The counter part to allowing content creators to embed their license choice in their media files is to enable media playi
1 KB (199 words) - 21:22, 20 August 2009
As more and more content creators begin [[Desktop_Integration/EmbeddingExample|embedding license information]
1 KB (165 words) - 22:19, 20 August 2009
...work with the CC license. Note: If you want to know how to attribute other creators' CC licensed materials, go [[Best_practices_for_attribution|here]].
...org/terms#8 Terms of Use] (linked in the footer on the left) who owns what content.
23 KB (3,680 words) - 19:42, 25 February 2019
...d “noncommercial use” among Internet users when used in the context of content found online.
...re is more uncertainty than clarity around whether specific uses of online content are commercial or noncommercial.
5 KB (765 words) - 11:31, 26 April 2014
...that netizens worldwide spontaneously organize these works to develop new content, the Internet is becoming a knowledge platform with the spirit of “share,
...eason to believe that, with the active participation and warm attention of creators and users, and the help of its affiliate institution, Law School of Renmin
10 KB (1,574 words) - 16:16, 21 December 2009
Can we create a publication protocol for OER-creators to enhance discoverability?
...s to the content, rather than waiting for the content-creators to make the content available to the tools.
6 KB (906 words) - 01:17, 19 April 2010
|Policy URL=http://appl003.lsu.edu/oip/oip.nsf/$Content/Chapter%2BVII
...ed at university BUT then says that the university will give copyrights to creators except in certain situations. It is very confusing.
939 bytes (125 words) - 21:27, 19 March 2010
...of educational resources into different languages.''' A growing number of creators of educational resources are self-distributing their works openly via the I
...needs, by changing the overall focus of the book, adding his own original content, and restructuring the original text.
9 KB (1,300 words) - 22:35, 15 October 2012
.... Posts with annotations of medical evidence. Rights attribution for all content.
...l be the sole developer. Regarding the development and exchange of shared content, I will solicit input from the wider primary care community via Twitter, Fa
9 KB (1,427 words) - 14:19, 28 June 2010
...created Safari Books Online, the first web-native service for online book content, and O'Reilly AlphaTech Ventures, which funds disruptors, innovators, and h
...eet CC staff, learn more about Creative Commons, and connect with Bay Area creators and innovators. Hope to see you there!
40 KB (5,796 words) - 00:19, 11 May 2011
...finding and sustaining partnerships, and making sure there's exciting new content to show around the world.
...ure contributors, so it's important, and it will clearly help motivate new creators to consider sharing their works.
7 KB (1,089 words) - 13:06, 10 June 2010
...paper, "Evaluating the Understandings, Uses, and Management of Third-Party Content in OER", reports more fully on the results of the survey.
2 KB (282 words) - 01:44, 2 March 2011
...wn work. The project will showcase popular open media projects and derived content to illustrate that the remix paradigm can apply to high quality work. It co
...f content metadata as few businesses see the value of sharing professional content metadata with the public. Professional practitioners in the media space who
10 KB (1,462 words) - 02:09, 30 June 2010
...people for creative tasks. We help them find the right people and we, the creators of the event, will find an audience who like our work. It is all about givi
...cies will be present at the event. Post processing we will put all digital content online (videos, music, calendar) and share it within out networks and the b
8 KB (1,290 words) - 14:54, 29 June 2010
...es are not widespread among university teachers who are generally creating content for their own use rather than for open sharing. The workshops will explore
...purposing world wide). The workshops will be aimed at potential and actual creators of teaching resources who wish to license their materials for open sharing.
12 KB (1,976 words) - 21:37, 29 June 2010
...s growing everyday as it becomes an educational imperative to adopt online content and to provide accessible learning opportunities for students. However, th
...hat they could easily adopt in their own classrooms or opt to utilize that content directly onto a free/open learning platform provided gratis.
7 KB (1,010 words) - 20:43, 29 June 2010
...l allow creators of content to customise the way they sell and share their content with the world. In order to differentiate ourselves from the current incum
...change, for the better, the content sales industry and the lot of content creators.
6 KB (991 words) - 06:56, 30 June 2010
...aker and Panel Series, featuring industry professionals with experience as creators, theorists, transmedia writers/artists and legal experts. Workshops and min
...g as content creators, as well as demonstrating the power of collaborative content creation.
7 KB (1,014 words) - 21:43, 30 June 2010
...iki-version of the book in which readers can edit, comment and discuss the content. Also, through my personal social media efforts, I will connect with reader
...ing and open licensing, I believe that a book like this will inspire other creators to adopt the CC licencing suite and thereby add to the worldwide CC pool of
5 KB (793 words) - 13:52, 2 July 2010
...e for artists, film-makers and students to freely access a dome and create content for this medium that is currently in its infancy. This project will serve t
...me fanatics and students who will have the possibility to create their own content for the Dome, who will naturally spread the word to other interested peopl
16 KB (2,620 words) - 04:53, 3 February 2012
...nd some of governmental institutions. It is also known as a leader in free content issues in Serbia as well as the Affiliate Institution of Creative Commons f
4 KB (670 words) - 11:42, 2 July 2010
|participants=Twenty Core creators, Thirty contributors external to PMOR, Three or more certifying bodies and
...iral marketing. We will sustain their involvement through excellent online content.
4 KB (521 words) - 05:56, 1 July 2010
...the existing site, which runs with the Creative Commons initiated "ccHost" Content Management System.
...the commons, including the new way of using fonts in their webpages. Font creators ought to know how to attach a free culture license to a font and how to upl
11 KB (1,863 words) - 01:36, 2 July 2010
...s become well-known in a number of communities of users as well as content creators, and, following a trend observed in other jurisdictions, encouraged CC as t
...ation for social and political causes, educational materials, and cultural content.
5 KB (800 words) - 20:41, 17 November 2014
...tions from the free culture field, and at this moment he is working in the content management system Cyclope GPL at CodigoSur organization. http://www.derecho
...the strengthen of a local community of Creative Commons, gathering to all creators that already know and use the licenses.
28 KB (4,272 words) - 16:48, 15 August 2014
...f broader efforts of the emerging and burgeoning community of free culture creators who – inspired by [http://www.planetsofts.com free software] ethos – su
...diction have become a tool for free content publishing and a tool for free content advocacy.
12 KB (1,736 words) - 22:10, 14 August 2014
...riters publishing their own content under CC licences or using CC licensed content.
8 KB (1,174 words) - 08:08, 10 October 2014
...pillars of activity: education (“knowing what to do”), development of content and services (“having a reason to do it”), and infrastructure (“havin
...nt a different point of view in the public debate, and to offer models for content production and distribution that tap into the potential of digital technolo
16 KB (2,505 words) - 21:14, 13 July 2016
