...s and tools were designed specifically to work with the web]], which makes content that is offered under their terms easy to search for, discover, and use.
...nd on the existence of copyright to work. CC licenses are legal tools that creators and other rights holders can use to offer certain usage rights to the publi
146 KB (23,721 words) - 15:08, 9 October 2015
...nformal events focused on building a community of artists, developers, and creators of all kinds around Creative Commons licenses, standards, and technology. T
...or your own Salon as they are all unique. The list format (and some of the content) is very much inspired by the [http://dorkbot.org/startadorkbot/ wonderful
8 KB (1,169 words) - 21:44, 24 October 2016
...sor does not provide representations and warranties regarding the licensed content.
...ohibit the public sharing of those adaptations (also an exclusive right of creators under copyright). This change enables private activities that may result i
50 KB (7,125 words) - 18:33, 4 January 2016
This document describes how to apply [[Nonweb Tagging|our non-web content guidelines]] to OGG files.
'''CONTACT''' (Contact information for track creators) should include the URL where the work metadata, including verification inf
1 KB (146 words) - 18:56, 10 October 2007
*LiveContent '''disseminates''' creative and interactive content and software through media
*LiveContent '''identifies''' CC-powered projects, creators and content providers working to share their creations with the world
4 KB (538 words) - 23:49, 14 July 2009
...r understanding of what humans are actually talking about when they create content. Computers may understand that a file is a text file or another file is an
...standard web pages), RDFa helps machines and humans read exactly the same content.
13 KB (2,070 words) - 07:03, 28 October 2013
...Foong (2010) Sharing with Creative Commons : a business model for content creators. Platform: Journal of Media and Communication, pp. 64-93. [http://eprints.q
...1988-3153, Nº. 4, 2010, págs. 30-38. [http://cdc.escogranada.com/cdc/wp-content/uploads/2010/12/0404cc.pdf link]
27 KB (3,667 words) - 22:49, 11 February 2014
...ght take a little while to load-- on the one hand, providing incentives to creators in the form of a grant of monopoly rights to their creations, and on the ot
...right to copy. Digital technologies also allow us to manipulate and share content in unprecedented ways which implicates copyright's other exclusive rights.
22 KB (3,749 words) - 04:57, 22 July 2013
...he words that make corporate copyright protectors shudder and free culture creators grin with glee.
...a pool of some 140 million images, music tracks, samples, and movies that creators can copy and use with legal certainty.
3 KB (538 words) - 19:37, 1 August 2008
...arge conference or festival, like [http://sxsw.com SXSW] that would be for creators of media, would have some large categories for creative works, adopt a simi
For the creators and producers of CC licensed content.
2 KB (368 words) - 00:08, 8 November 2006
* JY gets in-world creators involved: Barney Boomslang, Bibi Book, Hypatia Callisto, Aimie Weber, Spin
...oth a showcase and a repository for CC-licensed creations. It will provide creators with a place they can go to have their works exhibited and released to the
10 KB (1,739 words) - 18:50, 29 May 2007
...py for members of the public to engage in some of the exciting new uses of content that are made possible by digital technologies. Using a CC license, an art
...ity of people who apply our licenses to their content, who use CC-licensed content and who are committed to enabling free culture.
36 KB (5,654 words) - 12:49, 17 November 2013
[Creative Commons does not gain any rights to the content released under the licenses. CC also does not provide legal advice.]
...upon. Providing permission in advance is an excellent way for Second Life creators to get on with building, scripting, and sharing, without having to worry ab
4 KB (703 words) - 11:22, 2 April 2007
...ation was established four and a half years ago. Creative Commons empowers creators to use copyright law to enable creative new ways of sharing, reusing, and r
Creative Commons provides creators and licensors with a simple
4 KB (631 words) - 06:40, 4 July 2013
...lay of the number. The Numly portal offers real-time metrics reporting of content views including: ratings, hits, IP addresses, and aging.
...and fight against splogging since they are not stripped out of infringing content.
3 KB (405 words) - 00:33, 17 July 2007
...ative Commons-licensed content. LiveContent works to identify creators and content providers working to share their work more easily with others. LiveContent
===Creative Commons-licensed content===
3 KB (402 words) - 17:43, 16 July 2007
...eContent is a project for anyone to explore to learn more about about open content that can be freely used, copied, and built upon.
Help us identify more great CC-licensed content by adding suggestions [[#CC_Content|HERE]].
9 KB (1,323 words) - 21:38, 15 September 2013
...en source creativity software and Creative Commons' licensed free and open content — audio, video, image, and text — for anyone to explore. Please
...licensed Creative Commons, which allows others to better interact with the content.
2 KB (263 words) - 19:49, 1 August 2008
...g metadata assertions. [[MorePermissions|morePermissions]] allows content creators to provide a link to a URL where additional permissions, beyond those provi
...pplied one of two ways: as a <code>link</code> or as [[RDFa]] in the <code>content</code> of an entry. A metadata-interested consumer will inspect both locat
5 KB (627 words) - 01:07, 14 March 2014
...g metadata assertions. [[MorePermissions|morePermissions]] allows content creators to provide a link to a URL where additional permissions, beyond those provi
4 KB (553 words) - 20:26, 10 October 2007
...g metadata assertions. [[MorePermissions|morePermissions]] allows content creators to provide a link to a URL where additional permissions, beyond those provi
2 KB (323 words) - 20:27, 3 December 2009
Creative Commons licenses would do little without enthusiastic use by creators across disciplines. If you’ve created any sort of copyrightable material,
=== Content Curators===
5 KB (798 words) - 05:36, 11 April 2010
...' recent activities and a vision for how Creative Commons can help content creators refine their copyright. Topics covered will include background on CC, the 3
920 bytes (128 words) - 19:31, 16 November 2007
Q: ''Melanie CC France'' feedback from real life users/creators who have implemented or plan to implement new and also current 2.0 database
*included baseline numbers from top content curators: flickr, revver, jamendo,
40 KB (6,281 words) - 18:31, 21 November 2007
Creative Commons licenses give authors and creators a simple way to mark their creative work with the freedoms they intend it t
...ons change this? What’s different about CC-licensed content relative to content that’s simply copyrighted? Well, the simplest way to understand a CC lice
11 KB (1,906 words) - 21:48, 6 December 2007
*LiveContent '''disseminates''' creative and interactive content and software through media
*LiveContent '''identifies''' CC-powered projects, creators and content providers working to share their creations with the world
4 KB (561 words) - 20:40, 13 February 2008
...s evidence to promote the value of its licenses. We want creators of open content to understand how their actions contribute to the broader commons.
...open community. At its core, CC facilitates the legal sharing of digital content. Changes to our licenses may impact how people - across our key communities
23 KB (3,589 words) - 08:31, 20 September 2013
...lot of work and good planning just to do a proper out-reach (to creators, content users, educators, policy bodies, government agencies, etc. depending on wha
2 KB (361 words) - 17:42, 26 February 2008
...ks focused on the latest innovations in learning systems, digital learning content, the learning enterprise, and open technologies. Presenters answer a key ch
694 bytes (91 words) - 18:55, 28 August 2008
...ated and serves as a steward for a suite of copyright licenses that enable creators to legally grant certain freedoms to the public and to clearly signal those
...in a manner useful to computers -- but for the purpose of making licensed content more discoverable and usable, not for turning computers against their owner
11 KB (1,637 words) - 17:15, 17 April 2008
Content creators are individuals or groups that create new or remix works and publish them u
246 bytes (38 words) - 18:23, 7 April 2008
...Zealand. By providing a home to showcase their digital wares, 60Sox gives creators the opportunity to generate exposure, make industry contacts, and receive f
...an flag any item that they consider might have inappropriate or infringing content.
6 KB (887 words) - 22:23, 3 September 2010
...s in a wide variety of formats, and are able to specify who can view their content, and how long a video will remain available on the service.
...significant selling point for businesses in assuring the legitimacy of the content, thereby minimizing their exposure to risk.
5 KB (734 words) - 22:44, 14 September 2010
...ibrarian keeping in mind the public benefit of providing maximum access to content as part of Australia’s national collection’.
...ion to be sought from the owner institution for reproduction. By requiring creators who upload their own photographs through Flickr to open license their mater
7 KB (1,099 words) - 21:57, 13 September 2010
...eir endeavours in a protective and/or promotional framework for individual creators associated with Otago Polytechnic.’
...pplied wherever possible. Exceptions are made for works where third-party content is not or cannot be cleared. Other restrictions (if any) are time-based an
5 KB (711 words) - 04:25, 27 January 2014
...The edgeX project provides a site for Ipswich residents to upload creative content, building a community around collaboration via comments made on users’ wo
...another’s contributions, thereby ideally creating a continuous stream of content evolving over time in the hands of a varied community of participants.
5 KB (717 words) - 16:59, 8 September 2010
...aring of a variety of media, in a manner primarily connecting the creative content community with the ABC. Contributors can publish, download, remix and shar
...icences under which contributors can choose to publish their content. All content uploaded to the site at this time was subject to a [http://creativecommons.
6 KB (957 words) - 00:42, 27 March 2012
...al medium the opportunity to exhibit their works via site specific digital content streaming.
...ure the works are viewed by as large an audience as possible. In sourcing content, Digital Fringe curators undertake an extensive web-based call out, accepti
7 KB (976 words) - 16:44, 8 September 2010
.../?view=users interactive map] documenting the position of the photographic content.
The rights and permissions pertaining to PHM’s content are clarified [http://www.powerhousemuseum.com/imageservices/?page_id=157 h
11 KB (1,581 words) - 21:17, 17 July 2013
|Description=The IMERSD project employs new media technologies for e-research content design, production and publication within the music industry, emphasising t
...ustry partners. The project employs new media technologies for e-research content design, production and publication across three areas, as reflected in its
7 KB (1,037 words) - 21:40, 8 September 2010
...ls are reused, it is hoped that creators and producers re-contribute their content to the archive.
...the legal, technical, socioeconomic and cultural implications of new media content development, particularly in relation to Australia’s broadband infrastruc
8 KB (1,168 words) - 04:58, 22 July 2013
...Its business model is based on the concept that the wide dissemination of content across networks leads to popularity and prominence: ‘Be known and recogni
...-to-peer technologies, such as BitTorrent and eMule for album download and content streaming;
16 KB (2,421 words) - 20:49, 16 December 2010
...big files and publish the link in the ASOA forum. When contributing media content to ASOA the contributing member has to agree to a 'Media Release Statement'
...ASOA slogan is ‘Remixing Cinema’: the project aims to empower not only creators actively engaged with the ASOA community, but to every creator within or be
9 KB (1,379 words) - 15:56, 3 September 2010
|Image_Header=http://www.tvover.net/content/binary/Revver_logo.jpg
...ideos. Revver is therefore founded on the ‘free and unlimited sharing of content online in an environment where the creator is rewarded for his/her work.’
6 KB (865 words) - 03:06, 3 August 2013
All the content in the dictionary is licenced under the Creative Commons Attribution-Share
...ical potential. Similarly to the ‘reclaim the streets’ endeavours, the creators of the Unleashed Tongue would like to think of the web site as the ‘recla
3 KB (420 words) - 17:54, 15 September 2010
...tive works showcasing the ability of both the program and the community of creators.
...of creative projects to showcase both the Blender software and the skilled creators in the community. In 2005 the Foundation started Project Orange to produce
6 KB (980 words) - 00:43, 13 November 2012
...itory, we had thought that it would be a key resource for anyone producing content on the war and that it would primarily be used by other news organisations
...hotos, establishing it as the Web’s single largest source of CC-licensed content.
13 KB (2,015 words) - 18:16, 12 December 2014
Creative Commons licenses are a flexible way to share content while building on the strong foundation of traditional copyright law.
...t with an attribution (BY) condition attached. This simply means that when content is used or shared the original creator needs to be credited. The BY conditi
13 KB (1,974 words) - 13:44, 23 March 2013
|Image_Header=http://creativecommons.org/wp-content/uploads/2008/06/dalogo_devgreen.jpg
...pplications. The site also has extensive downloadable resources for use by creators such as tutorials and stock photography"([http://en.wikipedia.org/wiki/Devi
4 KB (585 words) - 16:29, 8 September 2010
...lso allows for Creative Commons licensing support in its service, allowing creators to share certain rights for usage of their photos with others. As of late 2
There are many ways to CC license your content in Flickr. The three main ways are 1) setting a default license for your ac
10 KB (1,504 words) - 21:48, 25 July 2013
