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  • ...urage you to take part’ in a range of prominent issues surrounding human rights and democracy (http://www.britishcouncil.org/zerocarboncity-debate.htm). o
    6 KB (828 words) - 23:15, 13 September 2010
  • ...ives users the option to change this default to another CC licence, or all rights reserved if they wish. By doing so, 60Sox actively promotes the exchange of
    6 KB (887 words) - 22:23, 3 September 2010
  • ...ning contributors’ ability to expose environmental destruction and human rights abuses through well-researched submissions, the EngageMedia collective stat ...ences. They can allow reproduction and distribution while preserving some rights that leaves open the potential to recoup funds through commercial distribut
    7 KB (1,023 words) - 17:06, 8 September 2010
  • ...ctivities available to consumers and creators than a more traditional "all rights reserved" model. In short, while it gave media consumers the freedom to tak
    5 KB (734 words) - 22:44, 14 September 2010
  • ...amount of work involved in rights clearing, it is not feasible to use "all rights reserved" images for audio visual display purposes. You can find further de ...f the practical benefits it provides, by ensuring that the library has the rights it needs to harvest, maintain and promote the collection, while still allow
    7 KB (1,099 words) - 21:57, 13 September 2010
  • ...them so you can use them. But please return your goodwill by respecting my rights. Before CC licences, my works were either protected by record labels to a r ...s. Before that, it would cost them a lot to get those kinds of music usage rights. The paperwork alone will kill you. CC facilitates remix culture. CC someho
    6 KB (1,002 words) - 18:17, 14 September 2010
  • ...ons licences in addition to a Public Domain option and the standard © All Rights Reserved. The goal for this implementation is to give users the freedom to ...eb development in mid-2006, when he was introduced to the idea of flexible rights for creative content. Yoav immediately began reading up on open source, GP
    9 KB (1,467 words) - 21:19, 7 September 2010
  • ...ssion from the artist – where the artist has indicated that those re-use rights are freely available.’ http://artabase.net/public/about_loving_not_quite_ ...of the material was appropriative too, so we needed to free up the re-use rights of our own work to respect the greater gene pool of creative materials we w
    5 KB (705 words) - 21:53, 3 September 2010
  • ...o give music away legally, Jonathan sees the importance of protecting some rights in the music, and the non-commercial aspect of the licence he uses serves t
    7 KB (1,193 words) - 04:15, 28 October 2013
  • ...an take full advantage of the Internet while still retaining some of their rights… We believe that this will encourage debate on media issues and synergise With the exception of those marked with the © logo (copyright – all rights reserved), all text and photographic content on the BMM website is licensed
    4 KB (646 words) - 00:59, 14 March 2014
  • ...to fly me to LA, and make a stupendously generous offer for the commercial rights. Similarly, if someone wanted to use the posts without attribution for some ...it was necessary to make a specific claim for copyright, it is now ‘all rights reserved’ copyright. Introducing Creative Commons seeks to restore a bal
    6 KB (927 words) - 20:24, 9 September 2010
  • ...eely reuse, reference and share my writings without the boundaries of [all rights reserved] copyright law.’
    3 KB (427 words) - 16:06, 10 September 2010
  • ...&catId=0&sCatId=7&sCc=61&sRegion=0&sortOrder=2&CYear=2008&CMonth=4&sText= 'Rights Online'] at [http://www.artslaw.com.au/events/PastEvents/VICArtsLawWeek2007
    3 KB (495 words) - 22:13, 14 September 2010
  • ...creative work. It is hoped that the transparent, reliable, and accountable rights environment which Creative Commons licences establish will help generate st
    5 KB (717 words) - 16:59, 8 September 2010
  • ...of the second version of Pool, all the Creative Commons licences and "All Rights Reserved" were offered to contributors. The site maintains a [http://creati ...e ABC. The Pool trial has confirmed the community’s interest in ‘some rights reserved’ licensing and demonstrated the importance of promoting educated
    6 KB (957 words) - 00:42, 27 March 2012
  • ...erstand that with CC licences you don’t actually have to lose all of the rights to the music, there is nothing but benefit that you can derive. You have ne ...2.5 Australia licence] was chosen because the band wished to reserve their rights to attribution. Further, having licensed work previously and experienced fa
    6 KB (947 words) - 21:53, 3 September 2010
  • ...retaining their copyright, participants are encouraged to select a ‘some rights reserved’ Creative Commons licence. As an extra condition the artist mus ...ative Commons (with 10% selecting all rights reserved copyright and 15% no rights reserved public domain). The positive response has encouraged the Digital
    7 KB (976 words) - 16:44, 8 September 2010
  • *the review undertaken of the Digital Rights Management (DRM) component of the GILF to electronic tag licensed data; ...R must be able to secure efficient and effective access to, as well as the rights to reuse, PSI located across all State Government departments and agencies,
    9 KB (1,356 words) - 17:28, 29 March 2011
  • Two sets of content release forms to clarify rights were distributed to performers, the audience and all personnel entering the
    5 KB (710 words) - 21:50, 8 September 2011
  • ...erved” and splices it into manageable parts in order to create a “some rights reserved” system.’
    6 KB (904 words) - 17:08, 8 September 2010
  • ...mons enables us to utilise their work without needing to take all creative rights away from the individual author.
    4 KB (648 words) - 12:03, 17 April 2011
  • The rights and permissions pertaining to PHM’s content are clarified [http://www.pow ...ain images was felt potentially to encourage interest and sales of the All Rights Reserved photos, and to enable the collection to be seen and used to a grea
    11 KB (1,581 words) - 21:17, 17 July 2013
  • :‘The best way to avoid infringing on the rights of another creative person is to use your skill, talent and imagination to ...o preventing the practice, or at least making others aware of the users’ rights. This option was seen as preferable to ‘spoiling’ artwork through the
    8 KB (1,180 words) - 21:17, 3 September 2010
  • ...a streamlined and easy-to-understand pathway into basic principles of the rights of creators; ...me aspects of media practices, and allows students to then value their own rights and to think more deeply about how they wish to further engage in commercia
    7 KB (1,037 words) - 21:40, 8 September 2010
  • ...g innovation and creative production without fear of litigation or lengthy rights-clearance processes. As materials are reused, it is hoped that creators an ...s for non-commercial purposes. Commercial use must be negotiated with the rights holders.
    8 KB (1,168 words) - 04:58, 22 July 2013
  • ...ne which seeks to publish information relating to social justice and human rights, to address the imbalance of power between the first world and the ‘major
    4 KB (603 words) - 22:02, 13 September 2010
  • ...propriate attribution. We are not in a position to support a very complex rights system.’
    5 KB (814 words) - 16:41, 8 September 2010
  • ...Rights Charter'']. Emphasising awareness, realisation, and protection of rights, the Charter commits to Internet access for all, access to knowledge, parti ...eas of community interest including environment, social development, human rights and social justice;
    9 KB (1,373 words) - 21:01, 3 September 2010
  • ...her than “all rights reserved,” the Creative Commons mantra is “some rights reserved”.’
    7 KB (976 words) - 21:28, 7 September 2010
  • digital rights technologies, and a look at the future, including the
    5 KB (689 words) - 16:46, 8 March 2011
  • ...ers the possibility to distribute music freely, while preserving the basic rights of the artist. ...h artist’s profile clearly details their licence terms under the ‘Your rights on this album’ section, linking to the relevant Creative Commons deed.
    16 KB (2,421 words) - 20:49, 16 December 2010
  • ...ng behind the proposed harmonization with regards to "sui generis database rights" in the European Licenses.
    3 KB (392 words) - 22:50, 10 September 2013
  • #REDIRECT [[Machine Readable Rights: The CC Rights Expression Language]]
    72 bytes (9 words) - 19:23, 23 May 2008
  • ...his license was most appealing to us as a label because it offers the same rights as the “Attribution-Noncommercial-No Derivative Works 3.0″ option - but
    2 KB (338 words) - 00:44, 17 September 2010
  • ....0 Unported license - these licenses, along with the option to reserve all rights offer our members maximum flexibility. |Image_attribution=(Indaba logo (c) Indaba Media, LLC, All Rights Reserved)
    2 KB (372 words) - 21:49, 13 September 2010
  • .... The concept of an artist being able to "dial in" the way they'd like the rights to their content to be used and reused is profound. For most of the public
    1 KB (217 words) - 21:41, 6 June 2008
  • ...em izboru - s ikonama temeljnih uvjeta odabrane licence ili natpisom "Some Rights Reserved" (Neka prava pridržana) i iskaz da je Vaše djelo licencirano pod ====Što predstavlja grafički gumb s natpisom "Some Rights Reserved" (Neka prava pridržana) ili s temeljnim uvjetima odabrane licence
    54 KB (8,548 words) - 00:47, 8 June 2008
  • [[Category:Rights]]
    2 KB (236 words) - 00:36, 8 June 2008
  • ...ga grafički gumb s temeljnim uvjetima odabrane licence ili natpisom "Some Rights Reserved" (Neka prava pridržana) postavite na Vašu internetsku stranicu.
    4 KB (712 words) - 01:02, 8 June 2008
  • ;[[CC0]]: A waiver that attempts to offer users as many rights as possible, currently in beta. ;[[ccREL]]: Creative Commons Rights Expression Language, a composite recommendation of technologies for marking
    6 KB (963 words) - 21:14, 10 June 2008
  • ...ga grafički gumb s temeljnim uvjetima odabrane licence ili natpisom "Some Rights Reserved" (Neka prava pridržana) postavite na Vašu internetsku stranicu.
    4 KB (720 words) - 00:58, 2 May 2011
  • | source = Baseline Rights [[Category:Rights]]
    2 KB (242 words) - 21:32, 27 April 2011
  • ...em izboru - s ikonama temeljnih uvjeta odabrane licence ili natpisom "Some Rights Reserved" (Neka prava pridržana) i iskaz da je Vaše djelo licencirano pod ===Što predstavlja grafički gumb s natpisom "Some Rights Reserved" (Neka prava pridržana) ili s temeljnim uvjetima odabrane licence
    57 KB (9,003 words) - 08:41, 28 April 2011
  • ...e was set at £25. Founders contributing these funds were given exclusive rights to participate in the decision-making process through a web-based polling s ...Without such an open licence, it would become almost impossible to track rights related to the different contributions.
    9 KB (1,379 words) - 15:56, 3 September 2010
  • ...rom online offers, demos, and close collaboration with numerous netlabels. Rights are meticulously checked with GEMA or other commercial collecting societies ...sicians to be opportunity to be heard offline, while promoting music whose rights remain with the artists. Alternative licenses like Creative Commons make th
    2 KB (272 words) - 01:20, 28 April 2011
  • ...he use of their work. In both cases, the Creative Commons model of “some rights reserved” matched neatly into their preferences.
    4 KB (600 words) - 15:28, 6 September 2011
  • ...really started to understand the cost of imposing a 20th century exclusive rights style copyright on individual users of works in the 21st century would lead
    4 KB (601 words) - 19:04, 1 January 2013
  • ...ng rights more specific and often less immediately restrictive than ‘All Rights Reserved’.”
    3 KB (476 words) - 17:41, 7 September 2011
  • ...nd the non-exclusivity of the licenses means you can retain all commercial rights if desired. ...erses real private life. Curry sued the tabloid for violating the portrait rights of his family and for copyright violation over the improper user of his Fli
    13 KB (2,015 words) - 18:16, 12 December 2014
  • ...nd the non-exclusivity of the licenses means you can retain all commercial rights if desired. ...nted struggle with song-clearing rights. Her struggles with clearing these rights informed her decision to openly license Sita, thereby ensuring that her fil
    13 KB (1,974 words) - 13:44, 23 March 2013
  • ...bove your bed. (Ok, that's kind of creepy, but also completely within your rights to do.) Inspire us with your creativity and let us inspire you with ours. A
    7 KB (1,199 words) - 11:22, 7 December 2013
  • |Quote=I decide to “give away” most of my rights to my digital content in the hope that someone will find it useful and re-u
    7 KB (1,103 words) - 16:09, 10 September 2010
  • ...y, different users choose different options for their works, including All Rights Reserved.
    4 KB (585 words) - 16:29, 8 September 2010
  • ...mmons licensing support in its service, allowing creators to share certain rights for usage of their photos with others. As of late 2009, the site hosts over ...creativecommons.org/licenses/by/2.0/deed.en" rel="license cc:license">Some rights reserved</a>
    10 KB (1,504 words) - 21:48, 25 July 2013
  • ...curated, pre-priced and pre-licensed songs to media professionals and all rights included background music services to businesses. ...% owned by the Tribe member and not represented by a publisher, performing rights organization etc. Covers (unless public domain) are not allowed.
    3 KB (437 words) - 14:14, 3 August 2014
  • |Quote="Some Rights Reserved: Data used to produce the House of Cards music video is made avail
    1 KB (139 words) - 21:11, 11 September 2011
  • ...r fans to engage with their music without fear of loosing their commercial rights. Check out their [http://www.jamglue.com/contests contests] page to see the
    2 KB (283 words) - 22:00, 8 September 2010
  • ...label I wanted to create: it would give us the possibility to decide which rights to grant and which to retain on our music. ...NonCommercial-ShareAlike license. This allows Beatpick to retain licensing rights for their music which in turn allows them to generate profit for themselves
    5 KB (893 words) - 23:49, 26 March 2014
  • ...e as fair while retaining their copyright and whatever level of commercial rights they choose to keep. I feel that the entire music industry, independents an
    2 KB (343 words) - 23:58, 2 September 2010
  • All Creative Commons licenses allow the user to exercise the rights permitted under the license in any format or media. This means, for example ...no way of contacting the authors of CC-licensed works, nor do we offer any rights clearing services.
    11 KB (1,810 words) - 22:55, 17 October 2011
  • ...license. Content can be published under a different license (or with "all rights reserved") at the request of the contributor.
    4 KB (574 words) - 21:15, 11 September 2011
  • ...use and dissemination of Council’s materials while retaining Council’s rights of authorship”. ...he license includes sections on 1.0 Definitions; 2.0 Intellectual Property Rights; 3.0 License Grant; 4.0 Acknowledgement of Source; 5.0 No Warranty and no L
    38 KB (5,455 words) - 20:53, 16 November 2021
  • ...se one of the goals of the OMC is to make copyright holders aware of their rights and all of the possibilities open to them. ...d. Without understanding it, how could users really benefit from the given rights? This thought prompted Michalke to hold a nationwide competition to promote
    5 KB (869 words) - 22:40, 13 September 2010
  • ...n 1 December. Launch is pending. CC0 is a legal tool for waiving as many rights as legally possible, worldwide, superseding the U.S.-only public domain ded
    4 KB (627 words) - 07:19, 14 January 2009
  • “You can use a copyrighted work, assuming you have the rights to do so (either under fair use or explicitly negotiated), in a CC licensed
    10 KB (1,650 words) - 23:52, 2 May 2011
  • ...hers may have in the work or how the work is used. Think of CC0 as the "no rights reserved" option. ...re of. By using CC0, you signal to the public that you relinquish any such rights.
    19 KB (3,191 words) - 18:23, 28 September 2016
  • ...t really been tested, and we do not know how it will be interpreted by the rights-holders or the courts. Prior experience among several OER projects suggests that many rights holders are willing to re-license their works using CC licenses in order to
    2 KB (282 words) - 20:12, 2 July 2009
  • ...k may not be derived, which means that the only right beyond standard (all rights reserved) copyright which has been granted is the right to share unlimited
    2 KB (291 words) - 20:11, 2 July 2009
  • ** Collecting societies and moral rights
    9 KB (1,302 words) - 15:33, 7 February 2013
  • ...ional videos. A TOU section, however brief, is the best way to communicate rights and restrictions to the user.
    726 bytes (115 words) - 20:02, 2 July 2009
  • ...information is provided. Since all work automatically falls under “all rights reserved” copyright from the moment it is created, users will (correctly)
    1 KB (226 words) - 17:34, 9 July 2009
  • ...r open educational resources will still be able to quickly understand what rights they have been granted for using the resources within.
    979 bytes (150 words) - 20:02, 2 July 2009
  • ...ucational”, only complicates existing copyright. Especially since “all rights reserved” (ARR) copyright already provides exceptions for certain educati ...restrictive than the standard exceptions and limitations granted to “all rights reserved” copyrighted works. But this makes no sense! ARR copyright allow
    8 KB (1,247 words) - 20:01, 2 July 2009
  • ...hich is pretty much what people can generally do anyway under standard all-rights-reserved copyright. So then you’ve just spent a whole lot of time and tro
    2 KB (311 words) - 20:30, 9 July 2009
  • ...facebook.com/groups.php?ref=sb#/group.php?gid=69048030774 Facebook Bill of Rights and Responsibilities]' (Carta de Derechos y Responsabilidades) al que denom
    10 KB (1,549 words) - 02:08, 8 May 2013
  • ...dline to the comments on their two proposals (new TOS -called Statement of Rights and Responsibilities-, and their Principles). The deadline is on March 29. ...facebook.com/groups.php?ref=sb#/group.php?gid=69048030774 Facebook Bill of Rights and Responsibilities]':'''
    6 KB (976 words) - 02:04, 8 May 2013
  • ...change your [[copyright]] terms from "[[All Rights Reserved]]" to "[[Some Rights Reserved]]." ...hy CC offers 6 different licenses that span the middle ground between "All Rights Reserved" and the "[[Public Domain]]." Our licenses range from [[Attributio
    3 KB (458 words) - 02:07, 8 May 2013
  • ...facebook.com/groups.php?ref=sb#/group.php?gid=69048030774 Facebook Bill of Rights and Responsibilities]' (BoRR), resulting in a user request that Facebook in ...their original content as they choose fully copyrighted or with only some rights reserved. Creative Commons enables this, aiming to encourage creative shari
    8 KB (1,222 words) - 02:07, 8 May 2013
  • ...tions, comments and requests in the group we've created—Facebook Bill of Rights and Responsibilities. I'm looking forward to reading your input." But that group (Facebook Bill of Rights and Responsibilities) is full of several other things, so in this group we
    562 bytes (90 words) - 02:04, 8 May 2013
  • ''2.3 For content that is covered by intellectual property rights (like photos and videos), you specifically give us the following permission "For content that is covered by intellectual property rights (like photos and videos),"
    9 KB (1,530 words) - 02:06, 8 May 2013
  • ...e given proper credit for a work even if she has signed away all the other rights. The attribution requirement that is the baseline in all CC licenses provid
    7 KB (1,137 words) - 17:33, 7 September 2011
  • ...e a creative commons licenses for our works (in addition to the old “all rights reserved” license).
    2 KB (321 words) - 02:07, 8 May 2013
  • | Unobtrusive Rights Management Information Systems ([http://www.slideshare.net/Safecreative/unobtrusive-rights-management slides])
    6 KB (774 words) - 20:44, 16 February 2020
  • Chapter: The Nature and Value of Rights: Joel Feinberg * To understand human rights
    26 KB (4,475 words) - 14:39, 25 February 2010
  • ...un under Creative Commons, we can ensure our writers regain their creative rights."
    3 KB (484 words) - 17:35, 15 September 2010
  • ...Ogg Theora format and uses [[CCPlus]] as a mechanism to provide additional rights and services as they pertain to their clips.
    1 KB (154 words) - 20:35, 23 September 2011
  • ...It’s also helpful to know there are a set of [[Baseline_Rights|baseline rights]] all six licenses offer.
    7 KB (1,034 words) - 19:27, 1 December 2010
  • ...ses give you the ability to dictate how others may exercise your copyright rights—such as the right of others to copy your work, make derivative works or a ...ur rights under copyright. You are not licensing your trademark or patent rights, if any, when you apply a CC license to your work.
    81 KB (7,876 words) - 15:38, 26 June 2020
  • [[Category:Rights]]
    378 bytes (37 words) - 02:46, 8 May 2013
  • [[Category:Rights]]
    350 bytes (36 words) - 13:59, 29 April 2011
  • [[Category:Rights]]
    350 bytes (36 words) - 13:59, 29 April 2011
  • [[Category:Rights]]
    1 KB (86 words) - 13:59, 29 April 2011
  • ..." link for a project and language. Click this link, and you can select the rights you want each user to have.
    4 KB (641 words) - 03:49, 7 October 2011
  • ...that are licensed with a Creative Commons license are OER. OER are “some rights reserved”, meaning that you are free to use a CC licensed work without as
    3 KB (424 words) - 22:22, 15 April 2009
  • ...all rights reserved” copyright law and you are offering to share these rights with any member of the public, but only under certain conditions. ...te that every license carries with it a full set of other rights (baseline rights link) in addition to the allowances specifically made here.
    4 KB (675 words) - 14:17, 8 May 2009
  • ...nd Telescope Magazine. Both of these organizations have clearly posted all-rights-reserved copyright notices at the bottom of their web pages. He will have t ...right barriers by supplying you with new knowledge about copyright and the rights you can choose to retain or give away for your own benefit and that of the
    11 KB (1,820 words) - 19:26, 1 December 2010
  • You should then include a Creative Commons “Some Rights Reserved” button on your site, near your work. This button will link bac
    858 bytes (139 words) - 19:26, 1 December 2010
  • ...us to choose a CC licenses for our content (in addition to the old “all rights reserved” license). ''2.3 For content that is covered by intellectual property rights (like photos and videos), you specifically give us the following permission
    19 KB (3,108 words) - 02:07, 8 May 2013
  • ...mmons licenses to be an important step in gaining control over image usage rights and for letting licensees know what they are permitted to do with the image
    2 KB (297 words) - 21:57, 17 September 2010
  • ...ay only be distributed under a CC license subject to the permission of all rights holders.
    5 KB (758 words) - 12:39, 20 September 2012

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