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- * announce that other people’s fair use, first sale, and free expression rights are not affected by the license. [[Category:Rights]]2 KB (262 words) - 16:02, 14 June 2011
- |title=Emerging Fields of Application for RMI: Rights and Users195 bytes (25 words) - 00:34, 21 December 2007
- 141 bytes (15 words) - 17:24, 22 November 2007
- 130 bytes (19 words) - 21:22, 26 November 2007
- 150 bytes (20 words) - 22:20, 26 November 2007
- 151 bytes (18 words) - 22:44, 26 November 2007
- 129 bytes (15 words) - 19:23, 23 May 2008
- Two good examples of a '''human rights license''' that forbids use by human rights violating parties: ...ty and convention. Some licenses already contained clauses to deny use to rights-violating parties, such as the [[original BSD license]].7 KB (1,121 words) - 08:38, 8 February 2008
- 318 bytes (28 words) - 06:09, 9 February 2009
- 331 bytes (41 words) - 20:57, 4 December 2008
- 0 bytes (0 words) - 00:28, 27 June 2009
- |resource title=Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible?403 bytes (51 words) - 19:19, 25 March 2010
- |Project Title=Inellectual Property Rights in the Digital Age ...ty in Serbia by establishing the platform to provide Intellectual Property Rights details relevant for creating, using and re-using educational, scientific,4 KB (670 words) - 11:42, 2 July 2010
File:Budget Inellectual Property Rights in the Digital Age.pdf (40 KB) - 11:42, 2 July 2010- 57 bytes (8 words) - 17:30, 19 May 2011
- |title=Can Creative Commons solve the digital rights problem? ...graph.co.uk/technology/news/8608996/Can-Creative-Commons-solve-the-digital-rights-problem.html}}339 bytes (38 words) - 21:42, 30 June 2011
- 3 members (0 subcategories, 0 files) - 05:23, 1 October 2011
- ...ees to reasonably exercise their rights under the license. All other moral rights are retained and unaffected by the license. This proposal (and in particul ...the limited basis if legally possible. Where that is not possible, those rights are reserved to licensor.9 KB (1,341 words) - 18:23, 10 September 2013
- ...S "commercial" and that the author of the work wants to "retain commercial rights" in the work. ...of the license is user-rights centric, but the choice of license is author-rights centric. Thus, from the author's point of view, the name creates confusion,11 KB (1,770 words) - 21:03, 10 December 2012
- * I think rather strongly that this wouldn't make it better. "Commercial Rights Reserved" is legalese. I would much rather go with something like "Commerci * I agree with the name change to Commercial Rights Reserved precisely because it might better reflect the 'legalese'... and ho3 KB (459 words) - 05:47, 12 December 2012
Page text matches
- * "Licensor", "rights holder", "owner", and "creator" may be used interchangeably to refer to the #[[#What_does_.22Some_Rights_Reserved.22_mean.3F | What does "Some Rights Reserved" mean?]]146 KB (23,721 words) - 15:08, 9 October 2015
- :The supplied URL directs to All Rights Reserved pages. Please supply the URL for CC licensed content. [[User:Hamil5 KB (745 words) - 12:00, 9 September 2015
- ...ghts reserved" concept of traditional copyright to offer a voluntary "some rights reserved" approach. Creative Commons is sustained by the generous support o7 KB (1,007 words) - 18:54, 8 June 2007
- ...atune’s more than 175 artists who enjoys 50-50 profit splitting and full rights to her music. A "one-woman operation," she plays a variety of instruments i ...from album sales with the artists and allows them to keep ownership of the rights to their music.7 KB (1,038 words) - 20:28, 5 January 2006
- 5. Get the media files from the responsible party and make sure the rights are cleared776 bytes (117 words) - 20:44, 5 January 2006
- ...y that makes it easy for machines to process and work from. Unlike Digital Rights Management (DRM) technology, which tries to restrict use of digital works, Creative Commons metadata is described by the [[ccREL|Creative Commons Rights Expression Language]] (CC REL). You can also find information on specific4 KB (694 words) - 21:48, 15 September 2013
- First, Anita would put a "Some Rights Reserved" button on the page displaying here work where her song could be ...><Agent><dc:title>DyNasty M.I.C. Ent./U kno Records</dc:title></Agent></dc:rights><dc:type rdf:resource="http://purl.org/dc/dcmitype/Sound" /><license rdf:re6 KB (988 words) - 21:46, 23 September 2015
- ..._rights_in_databases|Express permission granted under sui generis database rights]] ...neris_rights_in_databases|License conditions apply to sui generis database rights]]50 KB (7,125 words) - 18:33, 4 January 2016
- == performer rights ==11 KB (1,849 words) - 00:43, 30 November 2013
- ...clude material created by other people. If you do not obtain the necessary rights and permissions, you may get into legal trouble for incorporating third par ...ely face that are unique to podcasters are related to copyright, publicity rights and trademark issues.112 KB (18,316 words) - 18:11, 27 February 2009
- ...tead am having the performer perform live, do I need to get the mechanical rights from Harry Fox? NOTE: this performer has made a recording before; however, For somebody with sufficient rights to fix the Guide: section "Finding CC licensed content" has malformed URL f4 KB (592 words) - 00:01, 15 March 2007
- First, Anita would put a "Some Rights Reserved" button on the site where rights reserved."5 KB (761 words) - 00:00, 7 July 2010
- * Read our report on how to use [[#Defining dc:rights|dc:rights]]. == Defining <code>dc:rights</code> ==10 KB (1,701 words) - 09:11, 25 April 2013
- ...n is a teen-themed offshoot of the documentary filmmaking non-profit Media Rights. Teens can upload films they have created, get information on how to distri6 KB (966 words) - 10:46, 8 May 2013
- XMP [http://www.adobe.com/devnet/xmp/ defines] a rights management schema (see XMP Specification, p. 42). Creative Commons sets the ...ghts''' and xmpRights:WebStatement; it probably makes sense to populate dc:rights and xmpRights:UsageTerms with identical content.''5 KB (735 words) - 06:58, 15 January 2015
- ...pan class="tocnumber">3.1.2</span> <span class="toctext">Why Are Publicity Rights Relevant?</span>]]</li> ...number">3.2.7.2</span> <span class="toctext">Two Types Of Copyright “Rights”.</span>]]</li>18 KB (2,626 words) - 02:08, 25 April 2006
- ...my hope for this Guide (which in addition to copyright addresses publicity rights and trademark law) is that it will begin to make obvious what digital creat2 KB (374 words) - 01:03, 27 April 2006
- ..., creators can specify a URL where re-users of CC licenses can obtain more rights to the work. Visit the CC+ page for more information and examples of CC+ in13 KB (2,070 words) - 07:03, 28 October 2013
- === More Rights ===13 KB (2,030 words) - 15:31, 25 September 2014
- ...online and offline based on current case law from European Court of Human Rights</font> || [https://cases.internetfreedom.blog/ EN]<br/>[https://cases.inter20 KB (2,808 words) - 15:09, 3 April 2024