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  • ...ll be reviewed periodically and will help us when preparing future updates to the Guide. ...standalone issues that are of primary relevance to podcasters, as opposed to bloggers.
    112 KB (18,316 words) - 18:11, 27 February 2009
  • ...es for marking works licensed with a Creative Commons license or dedicated to the public domain with both human readable and machine readable notices, on ...content owners to be found by viewers of untethered works, may be trusted to the extent a web page may be trusted, and allows for further annotation by
    13 KB (2,030 words) - 15:31, 25 September 2014
  • ...which somehow progress and contribute to the debate that surrounds CC & CC-related issues. ==General Articles and Comments Related to CC and CC Related Topics==
    27 KB (3,667 words) - 22:49, 11 February 2014
  • ...t you can use to get informed about Open Content, licenses, copyright, and related issues. ...w.com/oslbook.htm Open Source Licensing: Software Freedom and Intellectual Property Law]. Book by Lawrence Rosen about Open Source licenses. All chapters avail
    4 KB (534 words) - 14:43, 17 March 2007
  • ...pen content], and [http://creativecommons.org/about/legal/#ip intellectual property conservancies]. ...law and, to quote Supreme Court Justice Louis Brandeis, “free as the air to common use.”
    7 KB (1,012 words) - 19:46, 12 January 2017
  • Goal: to have “truly generic” and “truly US” license ...terally, but legally adapt it to the respective jurisdiction, e.g. we need to make sure the licenses’ definitions respect the respective copyright law
    40 KB (6,281 words) - 18:31, 21 November 2007
  • {{Infobox|'''This is a basic guide to increasing the discoverability of online educational resources by preparing ...l resources (OER) and are collaborating with other open education projects to improve search and discovery capabilities for OER, using DiscoverEd and oth
    12 KB (1,855 words) - 19:10, 9 June 2010
  • |Quote=The values of openness, novelty, and innovation are more likely to translate into economic value in new media than the values of predictabilit ...eused, it is hoped that creators and producers re-contribute their content to the archive.
    8 KB (1,168 words) - 04:58, 22 July 2013
  • ...nsing models, is engaged in both the development of and sustainable access to community-owned information communication technologies and infrastructure. ...a legal framework that would ensure ownership of cultural and intellectual property remains within the public domain and for the public good.
    9 KB (1,373 words) - 21:01, 3 September 2010
  • ...is a groundbreaking project to create a £1 million film and give it away to over 1 million people using the Internet and a global community of members. ...eady to share, and perfect for download, is the way to go. This is the way to invent the future of film… So as much of the project as possible will be
    9 KB (1,379 words) - 15:56, 3 September 2010
  • [[CcTeamspace| Back to CcTeamspace]] ...t to improve the data structure, then you should submit your modifications to the Creative Commons team.
    2 KB (310 words) - 13:06, 6 November 2012
  • ...uestions | the full FAQ]]'''. For a list of frequently used terms related to CC and/or found on the CC site, you should take a look at the [[glossary]] ...sion_to_use_a_CC-licensed_work_that_I_found.3F | Can CC give me permission to use a CC-licensed work that I found?]]
    11 KB (1,810 words) - 22:55, 17 October 2011
  • ...ntrepreneurial activities; providing enhanced economic and social benefits to the wider community. AusGOAL is aligned with numerous open government init ...Geoscience Australia] have detailed copyright and attribution guidelines, to assist with user implementation. data.australia.gov.au played a major role
    38 KB (5,455 words) - 20:53, 16 November 2021
  • ...e CC0 legal code carefully and understand what it means before applying it to your work or using a CC0’d work. ...ork in any way and for any purpose, including commercial purposes, subject to other laws and the rights others may have in the work or how the work is us
    19 KB (3,191 words) - 18:23, 28 September 2016
  • ...omain. The html code will also include the metadata that enables your work to be found via [http://search.creativecommons.org Creative Commons-enabled se ...To view a copy of this license, visit [insert url]; or, (b) send a letter to Creative Commons, 171 2nd Street, Suite 300, San Francisco, California, 941
    81 KB (7,876 words) - 15:38, 26 June 2020
  • ...ther all the people that want to use CC on FB and that is not only related to a ToS agreement. ...Commons to allows us to choose a CC licenses for our content (in addition to the old “all rights reserved” license).
    19 KB (3,108 words) - 02:07, 8 May 2013
  • * Maintaining CC Denmark (CC-DEN) to be an active, coherent and well-functioning organization and an active memb ** strengthening common knowledge on intellectual property rights (IPR), its strengths and pitfalls as well as taking part in the deve
    4 KB (575 words) - 22:10, 14 August 2014
  • Many thanks to all who contributed to the localization of the license suite. ...g with the Nexa Center for Internet & Society at the Politecnico di Torino to create Italy jurisdiction-specific licenses from the generic Creative Commo
    24 KB (3,600 words) - 17:42, 8 February 2014
  • ...es]], [[GLAM#Archives|Archives]], and [[GLAM#Museums|Museums]]. Please add to the list and turn compelling uses into [[Case Studies]]. ...ges-image-licensing-to-allow-free-downloads added] the CC BY-NC-ND license to its images of portraits. Example: http://www.npg.org.uk/collections/search/
    27 KB (3,735 words) - 19:31, 6 January 2016
  • ...ue will be digital cultural production as well as the related questions of property, dissemination and remuneration of contents. ...'shareholders' working at the intersection of art and economy with the aim to develop a cultural enterprise of the future.
    1,003 bytes (144 words) - 22:33, 12 January 2010

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