...advice.''' This FAQ is for informational purposes and is not a substitute for legal advice. It may not cover important issues that affect you. You shoul
...reative Commons run an annual fundraising campaign? What is the money used for and where does it go?]]
146 KB (23,721 words) - 15:08, 9 October 2015
...guide is licensed under [http://creativecommons.org/licenses/by-nc-sa/2.5/ Attribution-NonCommercial-ShareAlike 2.5]. A pdf version is [http://mirrors.creativeco
=PODCASTING LEGAL GUIDE: RULES FOR THE REVOLUTION=
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{{Best Practice}}
This article describes best practices for marking works licensed with a Creative Commons license or dedicated to the
13 KB (2,030 words) - 15:31, 25 September 2014
...it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debat
...ansell, Robin; Bingchun Meng, September 2013. Copyright & Creation: A Case for Promoting Inclusive Online Sharing. [http://www.lse.ac.uk/media@lse/documen
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=== [[Best_practices_for_attribution | Provide attribution for works you use]] ===
This page contains examples and best practices for how to attribute other creators of CC licensed works.
934 bytes (118 words) - 19:16, 5 November 2013
"OpenSearch is a collection of simple formats for the sharing of search results."[http://www.opensearch.org]
...rch_description_document OpenSearch Description Document] is a file format for describing a search service that supports OpenSearch.
5 KB (709 words) - 19:31, 6 September 2010
...ly to discuss questions about CC licensing and to establish best practices for publishers and others using Creative Commons’ legal tools.
* Unnamed attendee (waiting for approval to publish name)
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{{Best Practice}}
This page is meant to help people understand the best practices for tagging CC-licensed content to aid discovery and navigation.
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'''Literal translation''' had to hire a professional translator for Dutch version
2) Moral Rights (attribution and protection from mutilation) not specifically addressed because they wer
40 KB (6,281 words) - 18:31, 21 November 2007
...ommons needs to measure the impact of its licenses to better make the case for the social and economic value of open licensing.
...pplying the license and using licensed materials) to identify that impact. For example: will there be less porting? will adoption amongst key communities
23 KB (3,589 words) - 08:31, 20 September 2013
...f CC-licensed works. For the "Attribution" license, see [[Creative Commons Attribution]]''.
...rements. As explained by the license deeds, to fulfill the requirements of Attribution you must attribute the work in the manner specified by the author or licens
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....com/group/ninghosts ''Ghosts Film Festival'' project on YouTube], calling for users’ film and audio submissions to ‘be as creative as you like.’
...d remix the work provided you attribute the author and do not use the work for commercial purposes. If you alter, transform, or build upon this work, you
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|Quote=The recognition of Creative Commons with attribution as our default position has been widely accepted and feedback has been that
:*has a preference for the open sharing of information, knowledge and resources
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...an Network for Art and Technology (ANAT), Australia’s peak industry body for artists working across science and technology.
|Author=Australian Network for Art and Technology (ANAT)
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|Description=The IMERSD project employs new media technologies for e-research content design, production and publication within the music indu
...that Creative Commons in general must form an integral part of the future for universities.
7 KB (1,037 words) - 21:40, 8 September 2010
...n images, photographs, and audio segments – in editable formats intended for reuse. Emphasising an open framework, ACRO aims to create a distribution n
...Queensland Business School. ACRO seeks to provide research opportunities for investigators across diverse fields to define innovative, internationally r
8 KB (1,168 words) - 04:58, 22 July 2013
...ption='''apc'''.au, a digital media communications organisation advocating for open content and flexible licensing models, is engaged in both the developm
...of cultural and intellectual property remains within the public domain and for the public good.
9 KB (1,373 words) - 21:01, 3 September 2010
...to use them we'd probably say we are a web 2.0 online collaborative space for creative people who want to get stuck up to their elbows in remixing!
Most creative disciplines have grappled with the concept of remix. For mediums such as film and music, entire communities of appropriation (legal
5 KB (759 words) - 18:50, 14 September 2010
...ers_using_CC_licenses|Photographers using CC licenses]] gain new audiences for their work on photo-sharing platforms like [http://www.flickr.com/creativec
...nching our [CC] repository, we had thought that it would be a key resource for anyone producing content on the war and that it would primarily be used by
13 KB (2,015 words) - 18:16, 12 December 2014
Creative Commons licenses all start with an attribution (BY) condition attached. This simply means that when content is used or sha
...share works, but restricts both derivative works and commercial use. Ideal for trailers, free downloads, and viral campaigns that require the source mater
13 KB (1,974 words) - 13:44, 23 March 2013
