...advice.''' This FAQ is for informational purposes and is not a substitute for legal advice. It may not cover important issues that affect you. You shoul
...reative Commons run an annual fundraising campaign? What is the money used for and where does it go?]]
146 KB (23,721 words) - 15:08, 9 October 2015
...guide is licensed under [http://creativecommons.org/licenses/by-nc-sa/2.5/ Attribution-NonCommercial-ShareAlike 2.5]. A pdf version is [http://mirrors.creativeco
=PODCASTING LEGAL GUIDE: RULES FOR THE REVOLUTION=
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{{Best Practice}}
This article describes best practices for marking works licensed with a Creative Commons license or dedicated to the
13 KB (2,030 words) - 15:31, 25 September 2014
...it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debat
...ansell, Robin; Bingchun Meng, September 2013. Copyright & Creation: A Case for Promoting Inclusive Online Sharing. [http://www.lse.ac.uk/media@lse/documen
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=== [[Best_practices_for_attribution | Provide attribution for works you use]] ===
This page contains examples and best practices for how to attribute other creators of CC licensed works.
934 bytes (118 words) - 19:16, 5 November 2013
"OpenSearch is a collection of simple formats for the sharing of search results."[http://www.opensearch.org]
...rch_description_document OpenSearch Description Document] is a file format for describing a search service that supports OpenSearch.
5 KB (709 words) - 19:31, 6 September 2010
...ly to discuss questions about CC licensing and to establish best practices for publishers and others using Creative Commons’ legal tools.
* Unnamed attendee (waiting for approval to publish name)
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{{Best Practice}}
This page is meant to help people understand the best practices for tagging CC-licensed content to aid discovery and navigation.
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'''Literal translation''' had to hire a professional translator for Dutch version
2) Moral Rights (attribution and protection from mutilation) not specifically addressed because they wer
40 KB (6,281 words) - 18:31, 21 November 2007
...ommons needs to measure the impact of its licenses to better make the case for the social and economic value of open licensing.
...pplying the license and using licensed materials) to identify that impact. For example: will there be less porting? will adoption amongst key communities
23 KB (3,589 words) - 08:31, 20 September 2013
...f CC-licensed works. For the "Attribution" license, see [[Creative Commons Attribution]]''.
...rements. As explained by the license deeds, to fulfill the requirements of Attribution you must attribute the work in the manner specified by the author or licens
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....com/group/ninghosts ''Ghosts Film Festival'' project on YouTube], calling for users’ film and audio submissions to ‘be as creative as you like.’
...d remix the work provided you attribute the author and do not use the work for commercial purposes. If you alter, transform, or build upon this work, you
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|Quote=The recognition of Creative Commons with attribution as our default position has been widely accepted and feedback has been that
:*has a preference for the open sharing of information, knowledge and resources
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...an Network for Art and Technology (ANAT), Australia’s peak industry body for artists working across science and technology.
|Author=Australian Network for Art and Technology (ANAT)
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|Description=The IMERSD project employs new media technologies for e-research content design, production and publication within the music indu
...that Creative Commons in general must form an integral part of the future for universities.
7 KB (1,037 words) - 21:40, 8 September 2010
...n images, photographs, and audio segments – in editable formats intended for reuse. Emphasising an open framework, ACRO aims to create a distribution n
...Queensland Business School. ACRO seeks to provide research opportunities for investigators across diverse fields to define innovative, internationally r
8 KB (1,168 words) - 04:58, 22 July 2013
...ption='''apc'''.au, a digital media communications organisation advocating for open content and flexible licensing models, is engaged in both the developm
...of cultural and intellectual property remains within the public domain and for the public good.
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...to use them we'd probably say we are a web 2.0 online collaborative space for creative people who want to get stuck up to their elbows in remixing!
Most creative disciplines have grappled with the concept of remix. For mediums such as film and music, entire communities of appropriation (legal
5 KB (759 words) - 18:50, 14 September 2010
...ers_using_CC_licenses|Photographers using CC licenses]] gain new audiences for their work on photo-sharing platforms like [http://www.flickr.com/creativec
...nching our [CC] repository, we had thought that it would be a key resource for anyone producing content on the war and that it would primarily be used by
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Creative Commons licenses all start with an attribution (BY) condition attached. This simply means that when content is used or sha
...share works, but restricts both derivative works and commercial use. Ideal for trailers, free downloads, and viral campaigns that require the source mater
13 KB (1,974 words) - 13:44, 23 March 2013
|Quote_Attribution=Oli Wilson, synth and vocals for Knives at Noon
...Wilson and drummer, Tim Couch. Having just been placed in the top 32 bands for MTV’s Kickstart Competition and completing a national tour (finishing up
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|Description=SomeRightsReserved is the digital publishing platform for creative cooperative KithKin - read more at our [http://creativecommons.org
...It's different, at first it seems illogical, but hopefully it's the start for a whole new generation of similar thinkers.
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...=A Map of Our Own:Kwun Tong Culture and Histories is a multimedia web site for the discussion of urban renewal through the capturing and preserving of the
|Quote=It is important to promote diversity both in the views and practices of copyright to encourage creativity and sharing.
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...your web application. This guide has been generalized from various plans for video, audio, or image sharing sites.
Users should be able to choose which license they want for each file they upload.
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The main idea of this feature is to allow users to set a license for an individual file that they are uploading. This is done during the actual
...The widget is used by TypePad and [[WpLicense]] provides the functionality for WordPress.
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...mple|Single File Upload Choice]] to enable users to have a default license for all media, but on special occasions have the ability to change specific fil
...The widget is used by TypePad and [[WpLicense]] provides the functionality for WordPress.
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...your web application. This guide has been generalized from various plans for video, audio, or image sharing sites.
Users should be able to choose which license they want for each file they upload.
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You have chosen a CC license for your work. Now how do you go about letting the world know? Here are some ex
:For example, if you select CC BY in the chooser, the default text you receive i
23 KB (3,680 words) - 19:42, 25 February 2019
...on. The following examples are intended to illustrate what typical prudent practices look like. We expect community norms and expectations to evolve with time,
In addition to attribution, there are also [https://wiki.creativecommons.org/wiki/Considerations_for_l
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.... Through a rigorous public review and transparent evaluation process, the best proposals submitted by CC affiliates and the broader community, will be sel
Applicants may seek funding for activities that positively impact Creative Commons' mission of fostering cr
10 KB (1,429 words) - 01:41, 2 March 2011
...ition run by the Victorian Government to build mobile and web applications for the benefit of Victorian citizens.
...blic manipulation of government information while retaining rights such as attribution.
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...o make both patented and unpatented innovations (“know-how”) available for research uses and commercialization on standard and transparent terms and c
...problem by making it easy to enable sharing and promotion of industry best practices leading to sustainability - while making sure that credit is given where it
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...frastructure essential to the long-term success of OER, making it possible for educational resources to be widely '''accessible''', '''adaptable''', '''in
...own curriculum needs and the needs of their students, and to easily search for and find relevant OER.
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= Doing our homework: Science @ Creative Commons, Open Access, and Lessons for OER =
...eresting case study to draw lessons and suggest areas for continued action for Creative Commons and others in the OER movement.
25 KB (3,798 words) - 01:42, 2 March 2011
...k ways to generate revenue with the end goal of paying creative talent the best rate possible. We represent Fantastique Unfettered additionally as an Idea
...tion will be added to an online database of Unfettered Fiction. Periodic 'Best of' collections and other projects may follow, exemplified by the Aether Ag
9 KB (1,412 words) - 17:34, 26 June 2010
...ation and open distribution of new media technologies and contemporary art practices in a socially responsible and relevant context.
...allows future creative uses and modifications of the work, as long as the attribution to the original authors is maintained. This year playaround is opening to i
12 KB (1,791 words) - 11:08, 28 June 2010
...Screenplays Project hopes to foster a creative community and provide a way for people to hone their skills in the interpretive realm of film directing.
-A white paper on the effectiveness of creating products designed for derivative use
7 KB (1,031 words) - 21:45, 30 June 2010
...en we hope to produce a guide that can offer a number of viable blueprints for future projects based off of the lessons learned by past projects.
...ll license the data and our write-up with Creative Commons non-commercial, attribution, and share-alike ownership.
7 KB (1,151 words) - 08:38, 30 June 2010
...network communities than non-CC licensed materials. Because Flickr allows for users to offer and share a variety of important network information we woul
...lection and analysis, and our report with Creative Commons non-commercial, attribution, and share-alike ownership.
10 KB (1,521 words) - 08:49, 30 June 2010
...ye Reeve, Benjamin Reeve, Australian Research Council Centre of Excellence for Creative Industries and Innovation, Creative Commons Australia
|Affiliation=Australian Research Council Centre of Excellence for Creative Industries and Innovation, Creative Commons Australia
15 KB (2,274 words) - 03:43, 16 March 2015
...itle=Servers for A Torrent of Our Own (TO3); a project of the Organization For Transformative Works (OTW)
|applicants=Organization For Transformative Works
12 KB (1,952 words) - 02:12, 1 July 2010
...design, plans to leverage community in support of CC; put together a brief for potential copywriter.
...h Melissa to organize files and other development resources in preparation for her move.
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...no warranties regarding the information provided, and disclaims liability for damages resulting from its use.
...opedia or anthology. A Collection will not be considered a Derivative Work for the purposes of this Licence.
24 KB (3,718 words) - 00:55, 4 August 2010
...iguity. These Notes are not intended to provide legal advice or substitute for legal counsel. However, you may wish to consider them, with the aid of your
...an earlier version of the License, you may wish to refer to the Change Log for a quick summary of changes made leading to the final draft.
27 KB (4,298 words) - 00:40, 22 June 2011
...ovide legal advice.''' The information provided below is not a substitute for legal advice and is not complete. Please consult your own legal advisor if
...ation may help users of the work evaluate the copyright status of the work for themselves, and learn more about the work. Again, please keep in mind that
17 KB (2,967 words) - 14:57, 19 September 2012
...the re-use of PSI, which aims to remove barriers such as “discriminatory practices, monopoly markets and a lack of transparency” through open policies lever
...eativecommons.org/Government_use_of_Creative_Commons</ref> employ CC tools for government data, official reports and other media, presidential websites, a
29 KB (4,502 words) - 19:52, 13 February 2017
...wski, available under a [http://creativecommons.org/licenses/by/3.0/pl/ CC Attribution Poland 3.0 license].''</small>
'''Global Melt - best practices in community leadership for global peer-driven movements.'''
10 KB (1,257 words) - 14:15, 11 August 2013
...er: 1px dashed #06f; margin: 0.5em auto 1em; padding:1em; margin-left:2em">For more information on Creative Commons and the U.S. TAACCCT Federal grant pro
=Copyright Facts for Grant Recipients=
16 KB (2,617 words) - 23:22, 21 March 2014
...ic data, and other culturally relevant content. See the current scratchpad for known [http://wiki.creativecommons.org/Government_use_of_Creative_Commons g
...ndations An Evaluation of Private Foundation Copyright Licensing Policies, Practices and Opportunities] that examine the open licensing policies of the foundati
6 KB (850 words) - 22:32, 21 October 2013
...s for all learners, interoperability and transparency will be key criteria for the vocabulary and LRMI’s development process.
...tility for enhancing search queries and results will be a desired property for each term in the abstract vocabulary.
20 KB (3,174 words) - 23:57, 15 June 2012
