...g metadata assertions. [[MorePermissions|morePermissions]] allows content creators to provide a link to a URL where additional permissions, beyond those provi
2 KB (323 words) - 20:27, 3 December 2009
Creative Commons licenses would do little without enthusiastic use by creators across disciplines. If you’ve created any sort of copyrightable material,
=== Content Curators===
5 KB (798 words) - 05:36, 11 April 2010
...' recent activities and a vision for how Creative Commons can help content creators refine their copyright. Topics covered will include background on CC, the 3
920 bytes (128 words) - 19:31, 16 November 2007
Q: ''Melanie CC France'' feedback from real life users/creators who have implemented or plan to implement new and also current 2.0 database
*included baseline numbers from top content curators: flickr, revver, jamendo,
40 KB (6,281 words) - 18:31, 21 November 2007
Creative Commons licenses give authors and creators a simple way to mark their creative work with the freedoms they intend it t
...ons change this? What’s different about CC-licensed content relative to content that’s simply copyrighted? Well, the simplest way to understand a CC lice
11 KB (1,906 words) - 21:48, 6 December 2007
*LiveContent '''disseminates''' creative and interactive content and software through media
*LiveContent '''identifies''' CC-powered projects, creators and content providers working to share their creations with the world
4 KB (561 words) - 20:40, 13 February 2008
...s evidence to promote the value of its licenses. We want creators of open content to understand how their actions contribute to the broader commons.
...open community. At its core, CC facilitates the legal sharing of digital content. Changes to our licenses may impact how people - across our key communities
23 KB (3,589 words) - 08:31, 20 September 2013
...lot of work and good planning just to do a proper out-reach (to creators, content users, educators, policy bodies, government agencies, etc. depending on wha
2 KB (361 words) - 17:42, 26 February 2008
...ks focused on the latest innovations in learning systems, digital learning content, the learning enterprise, and open technologies. Presenters answer a key ch
694 bytes (91 words) - 18:55, 28 August 2008
...ated and serves as a steward for a suite of copyright licenses that enable creators to legally grant certain freedoms to the public and to clearly signal those
...in a manner useful to computers -- but for the purpose of making licensed content more discoverable and usable, not for turning computers against their owner
11 KB (1,637 words) - 17:15, 17 April 2008
Content creators are individuals or groups that create new or remix works and publish them u
246 bytes (38 words) - 18:23, 7 April 2008
...Zealand. By providing a home to showcase their digital wares, 60Sox gives creators the opportunity to generate exposure, make industry contacts, and receive f
...an flag any item that they consider might have inappropriate or infringing content.
6 KB (887 words) - 22:23, 3 September 2010
...s in a wide variety of formats, and are able to specify who can view their content, and how long a video will remain available on the service.
...significant selling point for businesses in assuring the legitimacy of the content, thereby minimizing their exposure to risk.
5 KB (734 words) - 22:44, 14 September 2010
...ibrarian keeping in mind the public benefit of providing maximum access to content as part of Australia’s national collection’.
...ion to be sought from the owner institution for reproduction. By requiring creators who upload their own photographs through Flickr to open license their mater
7 KB (1,099 words) - 21:57, 13 September 2010
...eir endeavours in a protective and/or promotional framework for individual creators associated with Otago Polytechnic.’
...pplied wherever possible. Exceptions are made for works where third-party content is not or cannot be cleared. Other restrictions (if any) are time-based an
5 KB (711 words) - 04:25, 27 January 2014
...The edgeX project provides a site for Ipswich residents to upload creative content, building a community around collaboration via comments made on users’ wo
...another’s contributions, thereby ideally creating a continuous stream of content evolving over time in the hands of a varied community of participants.
5 KB (717 words) - 16:59, 8 September 2010
...aring of a variety of media, in a manner primarily connecting the creative content community with the ABC. Contributors can publish, download, remix and shar
...icences under which contributors can choose to publish their content. All content uploaded to the site at this time was subject to a [http://creativecommons.
6 KB (957 words) - 00:42, 27 March 2012
...al medium the opportunity to exhibit their works via site specific digital content streaming.
...ure the works are viewed by as large an audience as possible. In sourcing content, Digital Fringe curators undertake an extensive web-based call out, accepti
7 KB (976 words) - 16:44, 8 September 2010
.../?view=users interactive map] documenting the position of the photographic content.
The rights and permissions pertaining to PHM’s content are clarified [http://www.powerhousemuseum.com/imageservices/?page_id=157 h
11 KB (1,581 words) - 21:17, 17 July 2013
|Description=The IMERSD project employs new media technologies for e-research content design, production and publication within the music industry, emphasising t
...ustry partners. The project employs new media technologies for e-research content design, production and publication across three areas, as reflected in its
7 KB (1,037 words) - 21:40, 8 September 2010
