...s great for indies like me because we can still make what money off of our work there is to be made – while not denying other people the ability to sprea
...r Creative Commons, and the Flickr licence integration, Boyko believes his work should be open to anyone who is willing to use it fairly.
6 KB (916 words) - 03:04, 13 January 2014
...ic is music that is shareable, available in ‘source code’ form, allows derivative works and is free of cost for non-commercial use. It is the concept of ‘o
...atalogue that is “shareable, available in ‘source code’ form, allows derivative works and is free of cost for non-commercial use.” Magnatune advocates fo
7 KB (1,012 words) - 17:48, 7 September 2011
* the '''freedom to use''' the work and enjoy the benefits of using it
* the '''freedom to study''' the work and to apply knowledge acquired from it
11 KB (1,637 words) - 17:15, 17 April 2008
...This is also a positive, however, as people will help you distribute your work around the globe if they enjoy it.’
...are drawn between commercial and non-commercial uses, and the options for derivative works. EngageMedia integrates a Creative Commons licence generator into the
7 KB (1,023 words) - 17:06, 8 September 2010
...he United Nations Development Program International Open Source Network to work on the DocBook and WikiBook conversions.
*the freedom to use the work and enjoy the benefits of using it;
6 KB (880 words) - 21:48, 15 September 2013
...eds and show listings, and aspires towards releasing compilation albums of work created on the site. The project plans to go live in the next few months un
...ir work to be used. The description as to how others can sample or create derivative works can be changed during the file’s initial upload or at any time ther
9 KB (1,467 words) - 21:19, 7 September 2010
...as appropriative too, so we needed to free up the re-use rights of our own work to respect the greater gene pool of creative materials we were sampling. C
Artbase logo (c) Artabase under Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 Australia License.
5 KB (705 words) - 21:53, 3 September 2010
...l purpose, as long as they allow others to do the same with the derivative work, and acknowledge my original authorship, either by name or with a link back
...t other users behave in the same way as the creator, the usefulness of the work is maximised, rather than locking up downstream uses.
6 KB (927 words) - 20:24, 9 September 2010
...ng interest in chance operations, it's a bold and exciting move to see his work opened up to others in this way
...orming the solo with his hands and promises to provide ample substance for derivative works. The result is a ‘live’ performance of the dance that is constant
5 KB (770 words) - 21:57, 8 September 2011
...-NoDerivative 2.5 Australian licence], unless contributors choose to allow derivative works. The [http://creativecommons.org/licenses/by-nc/2.5/au/ Attribution-
...erivative licences. It is assumed contributors are wary of allowing their work to be altered or remixed, as most wish to guard their artistic integrity.
6 KB (957 words) - 00:42, 27 March 2012
...icensing ''The Pundit'' under Creative Commons enables us to utilise their work without needing to take all creative rights away from the individual author
...mative, but to be an opportunity for young and emerging writers to publish work in a professional capacity.
4 KB (648 words) - 12:03, 17 April 2011
|Quote=As a not-for-profit we are happy for work to be disseminated widely. We don’t pay authors for their material direct
...s.org/licenses/by-nc-nd/2.0/ Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 Generic licence] to submitted articles, but not to the remainder
4 KB (552 words) - 22:24, 13 September 2010
...me to present performances to an online audience who can interact with the work via a text chat.
...cipants to be open to sharing media at the same time as respecting others' work.
6 KB (888 words) - 19:55, 18 September 2009
...ks to create a legally safe framework for individuals and organisations to work with multi media resources in an open source environment.’ - [http://www.
:‘By providing a unique and diverse set of resources, and by encouraging derivative and open usage of those resources for the production of new creative works,
8 KB (1,168 words) - 04:58, 22 July 2013
...H.mov ''3xSuper Robot Heartbreak''] features the ‘Me!me!me!bot,’ ‘FT Work 9000,’ and ‘Ignoramatron,’ robots who wreak havoc in a town and, seei
...nslated into French, German and Hebrew thanks to the CC licence permitting derivative works. Since its debut on 13 May 2005, the film has been downloaded more t
5 KB (655 words) - 21:39, 3 September 2010
...cals in other songs on CC Mixter than had no vocal track. In this way the work was going in two directions: sometimes I was the starting point for others
...mons Attribution-NonCommercial 3.0 Unported license that presently has 120 derivative works. Her music can also be found on Jamendo.com and on on Myspace, downl
3 KB (499 words) - 23:50, 28 April 2011
...ces gained was significant: iDAP’s audience literally walked through the work to enter the exhibition.
...ntent from Flickr as a type of spontaneous and reflexive direction for the work to take.’ Chris Denaro
7 KB (976 words) - 21:28, 7 September 2010
...l because it offers the same rights as the “Attribution-Noncommercial-No Derivative Works 3.0″ option - but in a way that is digestible for the casual music
2 KB (338 words) - 00:44, 17 September 2010
...s.org/licenses/by-nc-nd/2.0/ Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 Generic licence]).
...03, Andrew was commissioned to produce a situationist-inspired interactive work, D3, for the Australian Centre for the Moving Image (ACMI), where he spent
9 KB (1,392 words) - 19:59, 3 September 2010
The Remix My Lit logo is a derivative work of a [http://creativecommons.org/licenses/by/2.0/ CC Attribution 2.0] Flick
5 KB (759 words) - 18:50, 14 September 2010
