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  • ...f [http://www.aesharenet.com.au/ AEShareNet licences], an Australian-based licensing organisation that has been providing standard open content licences since 1 ...processes such as ‘cutting-room floor’ footage. The Creative Commons licensing framework facilitates the distribution and reapplication of this content fo
    8 KB (1,168 words) - 04:58, 22 July 2013
  • The Dictionary of Sydney project has considered the adoption of open content licensing to enable broad reuse of material hosted in the Dictionary. DoS Project Ma
    5 KB (814 words) - 16:41, 8 September 2010
  • |Quote=I don’t believe that licensing the book under CC has negatively impacted on sales of the book. On the cont ...n–Noncommercial 2.5 Australia licence]. Both versions carry appropriate licensing information. The online version has been downloaded over 1000 times since
    7 KB (990 words) - 23:56, 14 September 2010
  • ...der [http://creativecommons.org/licenses/by-nc-sa/2.5/au/ Creative Commons licensing] by USQ are: :‘Licensing under OCL allowed us to make available to anyone who might be interested in
    6 KB (891 words) - 17:53, 15 September 2010
  • ...media communications organisation advocating for open content and flexible licensing models, is engaged in both the development of and sustainable access to com ...enspectrum.org.au Open Spectrum Australia] (sustaining community broadcast licensing on the digital spectrum), [http://wiki.apc.org.au/index.php?title=Home_Land
    9 KB (1,373 words) - 21:01, 3 September 2010
  • <br/>AFH's Open Architecture Network [http://openarchitecturenetwork.org/licensing enables CC licenses] for designers who wish to license their designs under ...nows what belongs to who, who’s really the designer, who’s liable. CC licensing could clear that up.’
    8 KB (1,132 words) - 06:38, 24 October 2010
  • Creative Commons licensing enabled Chris to incorporate spontaneity into his animation workflow, utili
    7 KB (976 words) - 21:28, 7 September 2010
  • ...me/perl/general.cgi?l=1 eMule], coupled with Creative Commons and Free Art licensing, Jamendo emphasises the legal distribution of content. Its business model *A legal framework to support artists, through Creative Commons and Free Art Licensing;
    16 KB (2,421 words) - 20:49, 16 December 2010
  • ...sal of embedded objects and special links to obtain more information about licensing terms. *'''Final milestone''' — A full-fledged Web application capable of parsing licensing information from a variety of sources.
    9 KB (1,410 words) - 08:28, 12 August 2008
  • As founder of this netlabel, Sam Stephens first heard about Open Content Licensing through the open source software movement.
    6 KB (858 words) - 18:42, 14 September 2010
  • ...r actually continues to print them indefinitely. Similarly, Kelly cites CC-licensing as key to "two highlights of [his carear". From [http://creativecommons.org
    4 KB (729 words) - 22:30, 20 December 2010
  • ...ian of eclectic taste and an approach to releasing albums that involves CC licensing through the internet archive.
    2 KB (283 words) - 21:33, 10 September 2010
  • ...e works are licensed in the same way. Initially OpenVoice considered GFDL licensing for OpenVoice Free, but found that Creative Commons licences were a more us :‘We use CC licences because they provide a range of licensing options that suit most copyright holders who would like to allow relatively
    5 KB (838 words) - 18:36, 2 December 2010
  • ...development. A passionate advocate for Creative Commons and open content licensing, Garton works across a number of projects which express the aims of inclusi In vociferous response, Andrew perceives flexible licensing as challenging such overarching concepts of ownership – By allowing copie
    9 KB (1,392 words) - 19:59, 3 September 2010
  • ...uded into the translated version of "Licensing Portal for Educators/Before Licensing"; don't transclude the info below | source = Before Licensing
    11 KB (1,750 words) - 18:59, 28 April 2011
  • Nevertheless, Creative Commons’ Noncommercial licensing option has been controversial. While Matt Hanson did not want corporations
    9 KB (1,379 words) - 15:56, 3 September 2010
  • ...ge from modern Kernel design over citizen journalism all the way across to licensing in the 21st century.
    879 bytes (131 words) - 10:31, 19 June 2008
  • ...re meticulously checked with GEMA or other commercial collecting societies before being entered into the database. Tracks are almost exclusively under Creative Commons licenses. Licensing conditions vary according to artist preference and particular arrangements
    2 KB (272 words) - 01:20, 28 April 2011
  • ...ussed, and used by third-parties. Google's second related aim was to use a licensing structure that provided the flexibility to be permissive while allowing cre
    4 KB (600 words) - 15:28, 6 September 2011
  • |Quote=It only made sense for us to offer our authors a licensing solution that was designed to fit the nature of the internet.
    3 KB (476 words) - 17:41, 7 September 2011

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