...tributing to Australia, in which case you may be violating laws in another country (We raise this here as a flag, but please note that the scope of this Guide
...the property interest in appropriating someone's voice. Copyright and the property right in one's voice are discussed here. For publicity rights, see the disc
112 KB (18,316 words) - 18:11, 27 February 2009
...license to have it utilize the language of the international intellectual property treaties, in place of the language of US copyright law.
...l rule, require adoption into national law to be effective in a particular country, simply basing the license wording on these treaties is not, of itself, suf
36 KB (5,654 words) - 12:49, 17 November 2013
*contracts: country w/ closest connection, presumed where “characteristic performer” reside
*for infringement: country for which protection is claimed (would be difficult in internet world: many
40 KB (6,281 words) - 18:31, 21 November 2007
|Country=United Kingdom
...b is not easily made. There are often substantial barriers. Intellectual property, language and culture, making different technologies work together and most
3 KB (532 words) - 23:59, 13 September 2010
|Country=Australia
...rictive copyright laws that enforce rigid ideas of individual intellectual property.
7 KB (1,023 words) - 17:06, 8 September 2010
|Country=New Zealand
...esources, then governed by traditional views of ownership and Intellectual Property. Key stakeholders were consulted in the review, which occurred over the pa
5 KB (711 words) - 04:25, 27 January 2014
...iven primarily by bottom-up creative collaboration and not by intellectual property or centrally planned research.
|Country=Australia
6 KB (927 words) - 20:24, 9 September 2010
|Country=Australia
Shaun Miller is a partner specialising in Intellectual Property law in the firm [http://www.mdlaw.com.au/ Marshalls and Dent], based in Mel
3 KB (495 words) - 22:13, 14 September 2010
|Country=Australia
...can collaborate with one another without fear of seeing their intellectual property exploited by third parties without consent.
5 KB (717 words) - 16:59, 8 September 2010
|Country=Australia
...rofessional practice. It considers the emergent challenges of Intellectual Property, access and equity, and ethical professional conduct. Approximately 250 stu
7 KB (978 words) - 04:16, 3 February 2012
|Country=Australia
...ering in the production of music CDs and DVDs, development of Intellectual Property and music law considerations.
7 KB (1,037 words) - 21:40, 8 September 2010
|Country=Australia
*To develop new Intellectual Property initiatives and models; and
8 KB (1,168 words) - 04:58, 22 July 2013
|Country=Australia
...interested in the parts of our courses for which USQ owns the intellectual property. The Attribution Non-Commercial Share Alike licence is used by most academ
6 KB (891 words) - 17:53, 15 September 2010
...a legal framework that would ensure ownership of cultural and intellectual property remains within the public domain and for the public good.
|Country=Australia
9 KB (1,373 words) - 21:01, 3 September 2010
...r the same license, most prominently in the case of the GPL. CC calls this property of licenses ShareAlike. [http://creativecommons.org/licenses/by-sa/3.0/ CC
...t about exactly what legal systems and corresponding geographies make up a country, so we use the term jurisdiction for maximum accuracy.
6 KB (963 words) - 21:14, 10 June 2008
|Country=Global
...t the upcoming DIME conference on the Creative Industries and Intellectual Property, May 22-23, 2008, London, UK
9 KB (1,379 words) - 15:56, 3 September 2010
|Country=Global
...ea that artists deserve to control and be rewarded from their intellectual property. We also believe strongly in the protections provided by the doctrine of Fa
6 KB (865 words) - 03:06, 3 August 2013
Australian family drama Two Fists, One Heart saw a wide-release in its home country that was coupled with a stand-alone site, Cut Your Own Scene, where fans co
...Independent Documentary Filmmaker] provides advice on common Intellectual Property issues faced by filmmakers. Section III specifically talks about the use o
13 KB (1,974 words) - 13:44, 23 March 2013
...29._What_can_I_do.3F | CC licenses haven't been ported to my jurisdiction (country). What can I do?]]
=== CC licenses haven't been ported to my jurisdiction (country). What can I do?===
11 KB (1,810 words) - 22:55, 17 October 2011
..., as a practical matter, you can collect these royalties, depends on which country you are in (check out the answer to the next question).
...ways to try to deal with the situation in your country please contact your country’s Creative Commons [http://creativecommons.org/worldwide/ project team].
81 KB (7,876 words) - 15:38, 26 June 2020
