Grants/remixablemedia.com - tracking the re-use of media across productions
Describe the project you are proposing as clearly as possible in just five sentences.
remixablemedia.com is an open source web database for publishing, distributing and promoting media metadata from productions with open digital asset libraries. The platform's unique selling point is that it tracks the relationships between titles (e.g. influences, media file remixes, data sequence edits, character references). It promotes open media APIs and visualises the spread of remix culture across Story (e.g. film MODs) in the same way as game community sites like moddb.com track game MODs. The project focuses on open story productions (e.g Sanctuary from MOD Films, Big Buck Bunny from the Blender Consortium) but supports all media types including non-narrative forms.
Detail the tangible project output (e.g., paper, blog post, written materials, video/film, etc.; this would be in addition to the final written report that successful grant recipients will be expected to deliver to CC at the conclusion of the project).
The project output would be an online database that provides access and information to the online repositories of at least two Creative Commons licensed film asset libraries and cross-referenced to work derived from these productions.
Describe the community you are targeting. How would the project benefit the community?
The project targets the remixable media community particularly film-makers (e.g. AVJs, live cinema practitioners) who look for high quality digital assets for use in their projects and seek to share their own work. The project will showcase the most popular open media projects and derived content to illustrate that the remix paradigm is not limited to amateurish work. It complements existing open media portals by providing a distinctive visualisation of remix trends and a greater focus on professionally produced narrative work.br />
MOD Productions (Australia) and MOD Films (UK) are media companies heavily invested in open media production and R&D.
MOD Productions co-founder Michela Ledwidge has been developing open media processes and prototypes for over 6 years. She created the University of Sydney's Remixable Media post-graduate unit and was the first film-maker to use Creative Commons licenses on a 35mm film production Sanctuary (2005) with union cast and crew. This unreleased 10min CC-licensed sci-fi film Sanctuary has over 1 TB of cleared assets ranging from script, storyboards, concept arts through to 35mm film rushes. Sanctuary, the first phase of the sci-fi story universe now known as Head Bin, is an exemplar of how CC-licensing can co-exist with professional media productions. http://modfilms.com/sanctuary
modfilms.net (2006) was an early database prototype of ideas to be explored in this project. The project was too early and lessons learned from the exercise will be applied to remixablemedia.com
http://www.flickr.com/photos/michela/2378608324/
remixable.tv (2007) was an early prototype built to test license-agnostic media publishing and distribution.
http://www.flickr.com/photos/michela/2740634022/in/photostream/
How will you measure and evaluate your project’s impact - on your main participants? Other contributors? On the larger community?
Key performance indicators of the project will be the Google Ranking of the term remixable media, the number of registered projects, the number of registered users and the numer of 'remix' derived titles registered.
How many participants do you expect to be involved in your project? How will you seek and sustain their involvement?
We expect around 100 productions to be registered in the first six months and over 500 active participants. We will use our existing network across All Rights Reserved and Some Rights Reserved content creators to promote the benefits of the system to track reversioning for marketing purposes (e.g. promotional mashups) as well as for
Describe how your project will benefit Creative Commons' mission to increase the amount of creativity (cultural, educational, and scientific content) in "the commons".
The project will promote and showcase projects that have contributed part or all of their media asset library to the commons. It will highlight the creative reuse of legally remixable professional media assets. This will help legitimise Creative Commons productions and demonstrate that quality and CC licensing is not mutually exclusive.
Describe what technologies and tools your project will use. What kinds of technical skills and expertise do you bring to the project? What are your technical needs?
remixablemedia.com uses open source software (e.g. django). We
What challenges do you expect to face, and how do you plan to overcome them?
The notion that all media is technically remixable is
How do you plan to sustain your project after the Creative Commons funding has ended? Detail specific plans. How do you plan to raise revenue to continue your efforts in the future?
remixablemedia.com will be an open source project hosted by Rack&Pin - a software-as-a-service startup that provides cloud services for media productions.
How can this project be scalable, or have a scalable impact?
Remixable media is a frame through which to view all the world's media.
What resources and support do you expect Creative Commons to provide to your project to ensure its success (if any)?
We would like Creative Commons to provide links to the project and marketing support at the launch of the project.
Describe how your organization currently communicates with its community members and network partners. (100 words)
We use 'remixable' as a hashtag to form groups and forums on most social networks to communicate with the community. Increasingly we use Twitter, Facebook in tandem with blog postings to announce new developments. We maintain Friendfeed and Soup.io aggregators (e.g. http://remixable.soup.io) to automatically compile information across disparate sources.
Legal
Yes
