Online portfolio of sound designer, audio engineer, musician, web developer and code monkey Kim Burgess.
181 bytes (24 words) - 01:14, 20 March 2008
VibeCat.com is a mixture of royalty free audio samples, and mp3's. We currently have a few hundred Creative Commons sound
352 bytes (59 words) - 18:57, 14 December 2007
...entire Project Gutenberg archives except for the Human Genome Project and audio eBooks, due to size limitations, and the Project Gutenberg of Australia eBo
558 bytes (83 words) - 21:40, 29 July 2008
===Community:LibriVox (audio recordings of PD books)===
Name of tool used: CC public domain dedication with additional warning
16 KB (2,548 words) - 01:30, 2 March 2011
*"commodity" computing - basic internet access, no high end applications, audio works but technically not supported
6 KB (976 words) - 17:41, 16 January 2008
|format=Audio|mainurl=http://kunstderfuge.com/
171 bytes (22 words) - 01:14, 20 March 2008
|License short name=CC BY-NC-SA
...ce code could be the scores, lyrics, MIDI files, samples or track-by-track audio files that comprise a recording. Again, the CC license used by Magnatune ex
7 KB (1,012 words) - 17:48, 7 September 2011
...al photographer is Ian Britton, who has over twenty years of experience in audio and video production.
1 KB (177 words) - 09:03, 13 May 2010
...ve categories: Animation, Design, Film & Video, Interactive Media, Music & Audio, Photography, Visual Art and Writing. 60Sox uses a combination of website c
6 KB (887 words) - 22:23, 3 September 2010
...ights clearing, it is not feasible to use "all rights reserved" images for audio visual display purposes. You can find further details about the 6 Creative
7 KB (1,099 words) - 21:57, 13 September 2010
...Taiwan, in 2003. MoShang calls himself a sound jeweller. He collects rough audio diamonds from the streets of Taiwan (be they overheard conversations, stree
8 KB (1,255 words) - 21:24, 10 September 2010
...'Ghosts Film Festival'' project on YouTube], calling for users’ film and audio submissions to ‘be as creative as you like.’
4 KB (553 words) - 14:34, 3 September 2010
...) provides artists with applications to help them coordinate collaborative audio projects and build a community of practice around learning, sharing, and co
...who uploaded it assigns to it. By uploading copyrighted materials such as audio and images, the user grants the CCMCP the right to stream and display that
9 KB (1,467 words) - 21:19, 7 September 2010
|Tag=audio sample electronic synth matthewdavidson
2 KB (309 words) - 17:39, 7 September 2011
|Description=Audiophile is a not-for-profit organisation which publishes audio works from young and emerging producers on topics such as social justice, t
...ng field recordings, cultural features, radio plays, social documentaries, audio postcards and experimental sound designs. Contributors are encouraged to p
4 KB (522 words) - 01:36, 25 August 2010
...ectorates, from Broome to Bennelong, across a range of formats – whether audio, video, or textual. Citizens submitted news items and opinion pieces, whic
5 KB (758 words) - 19:27, 17 September 2010
...ith science and technology, promoting emerging and experimental media, and audio and art-science practices across mobile and portable platforms both locally
6 KB (904 words) - 17:08, 8 September 2010
4ZzZ seeks to provide a variety of content across audio, video and online. According to [http://investigativeblog.net/ Barry Saund
4 KB (541 words) - 15:53, 8 September 2010
|License short name=CC BY-NC-SA, GNU GPL
...rformance). Distributed players manipulate pre-loaded media (images, text, audio, live web streams, etc) in real time to present performances to an online a
6 KB (888 words) - 19:55, 18 September 2009
...design, production and publication across three areas, as reflected in its name:
.... It offers recording studios, a multimedia post-production suite, and an audio research laboratory. Music technology practitioners and researchers are t
7 KB (1,037 words) - 21:40, 8 September 2010
