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  • ...rticipation and capacity building. In 2007, International IDEA adopted CC licensing for selected titles within its publications. As of 20 December 2007, there
    4 KB (541 words) - 17:44, 10 May 2011
  • ...gh remixing), but at the same time retains creators’ freedom to choose a licensing model to meet their own preferences.
    6 KB (887 words) - 22:23, 3 September 2010
  • |Quote=We're interested in open content licensing at EngageMedia because we're interested in collaborative storytelling, and
    7 KB (1,023 words) - 17:06, 8 September 2010
  • In practice, the use of CC licensing has mostly enabled two types of sharing. For eyeVio, submitted content is m ...ly." This shaped the two aims that Sony intended to achieve by adopting CC licensing. First, to make it easy for average consumers to use and load content onto
    5 KB (734 words) - 22:44, 14 September 2010
  • ...kr group sites] contain the following statement regarding Creative Commons licensing: ...is not a condition for contributing to this group, we suggest you consider licensing your images with a Creative Commons like “Attribution-NonCommercial”. P
    7 KB (1,099 words) - 21:57, 13 September 2010
  • ...vents pertaining to open source initiatives. Many meetings consider FLOSS licensing and support plus provide broader overviews of software and services in busi
    6 KB (880 words) - 21:48, 15 September 2013
  • ...view of public licensing (such as CC licensing) of music/sound? Is public licensing essential to your work? Could you comment on copyrights issues, for example ...han a small sampling available for this reason. I first became aware of CC licensing when [http://www.soundclick.com SoundClick.com] started offering it as an o
    8 KB (1,255 words) - 21:24, 10 September 2010
  • ...as a way for one to express goodwill in exchange for goodwill from others. Before CC licences, my works were either protected by record labels to a ridiculou ...ly. As a result a CC-licensed album, Welcome to My Song, was produced just before the launch.
    6 KB (1,002 words) - 18:17, 14 September 2010
  • ===Account default licensing options=== ===Editing video details and licensing===
    317 bytes (38 words) - 23:25, 16 April 2008
  • ...licence, representing one of the most highly visible implementations of CC licensing by a (formerly) major label artist.
    4 KB (553 words) - 14:34, 3 September 2010
  • ...oduced a video on their experiences over the past year with open education licensing: http://www.youtube.com/watch?v=52Gri8y9iYA
    5 KB (711 words) - 04:25, 27 January 2014
  • :‘We… assist art fans and reviewers by offering Creative Commons licensing options on images which are uploaded to our website. This provides visitor Before commencing Artabase, Rebecca Cannon was involved in DIY creative production
    5 KB (705 words) - 21:53, 3 September 2010
  • Jonathan Coulton heard about open content licensing through his previous work writing software. He heard Lawrence Lessig speak When asked about the benefits of licensing his music under CC by Wagner James Au for New World Notes in September 2006
    7 KB (1,193 words) - 04:15, 28 October 2013
  • |Quote=We believe that by using Creative Commons licensing, authors and artists can take full advantage of the Internet while still re Licensing BMM under Creative Commons was a result of student initiative, and checking
    4 KB (646 words) - 00:59, 14 March 2014
  • ...[http://ozlabs.org/~rusty/index.cgi/IP/2005-07-05.html ‘Australian Blog Licensing Frenzy’] on [http://ozlabs.org/~rusty/ ''Rusty’s Bleeding Edge Page'']. He also reflects on the position of freely-distributed software before Linux changed to the GPL.
    6 KB (927 words) - 20:24, 9 September 2010
  • Initially licensing his blog under Creative Commons Attribution-Share Alike 2.0, Michael recent
    3 KB (427 words) - 16:06, 10 September 2010
  • ...which is the CC BY-NC-SA 2.5 licence. I like the flexibility that using CC licensing offers.’ Shyam, Founder of Audiophile
    4 KB (522 words) - 01:36, 25 August 2010
  • ...interactions, the Pool team intend to embed an education process into the licensing system to better equip users in determining which licence is best for them. ...t for the project, leading the Pool team to choose Creative Commons as the licensing system that could best enable such interaction, while allowing contributors
    6 KB (957 words) - 00:42, 27 March 2012
  • ...ent one, so the band has not yet experienced any significant benefits from licensing its music under Creative Commons, but looks forward to the experiment. ...ce president of [http://sciencecommons.org/ Science Commons]. Open content licensing was chosen as the band saw the great potential in using the Internet for bo
    6 KB (947 words) - 21:53, 3 September 2010
  • ...reason artists were encouraged to licence their works with any form of CC licensing that suited their particular needs. Creative Commons licences could then b
    7 KB (976 words) - 16:44, 8 September 2010

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