...urage you to take part’ in a range of prominent issues surrounding human rights and democracy (http://www.britishcouncil.org/zerocarboncity-debate.htm). o
6 KB (828 words) - 23:15, 13 September 2010
...ives users the option to change this default to another CC licence, or all rights reserved if they wish. By doing so, 60Sox actively promotes the exchange of
6 KB (887 words) - 22:23, 3 September 2010
...ning contributors’ ability to expose environmental destruction and human rights abuses through well-researched submissions, the EngageMedia collective stat
...ences. They can allow reproduction and distribution while preserving some rights that leaves open the potential to recoup funds through commercial distribut
7 KB (1,023 words) - 17:06, 8 September 2010
...ctivities available to consumers and creators than a more traditional "all rights reserved" model. In short, while it gave media consumers the freedom to tak
5 KB (734 words) - 22:44, 14 September 2010
...amount of work involved in rights clearing, it is not feasible to use "all rights reserved" images for audio visual display purposes. You can find further de
...f the practical benefits it provides, by ensuring that the library has the rights it needs to harvest, maintain and promote the collection, while still allow
7 KB (1,099 words) - 21:57, 13 September 2010
...them so you can use them. But please return your goodwill by respecting my rights. Before CC licences, my works were either protected by record labels to a r
...s. Before that, it would cost them a lot to get those kinds of music usage rights. The paperwork alone will kill you. CC facilitates remix culture. CC someho
6 KB (1,002 words) - 18:17, 14 September 2010
...ons licences in addition to a Public Domain option and the standard © All Rights Reserved. The goal for this implementation is to give users the freedom to
...eb development in mid-2006, when he was introduced to the idea of flexible rights for creative content. Yoav immediately began reading up on open source, GP
9 KB (1,467 words) - 21:19, 7 September 2010
...ssion from the artist – where the artist has indicated that those re-use rights are freely available.’ http://artabase.net/public/about_loving_not_quite_
...of the material was appropriative too, so we needed to free up the re-use rights of our own work to respect the greater gene pool of creative materials we w
5 KB (705 words) - 21:53, 3 September 2010
...o give music away legally, Jonathan sees the importance of protecting some rights in the music, and the non-commercial aspect of the licence he uses serves t
7 KB (1,193 words) - 04:15, 28 October 2013
...an take full advantage of the Internet while still retaining some of their rights… We believe that this will encourage debate on media issues and synergise
With the exception of those marked with the © logo (copyright – all rights reserved), all text and photographic content on the BMM website is licensed
4 KB (646 words) - 00:59, 14 March 2014
...to fly me to LA, and make a stupendously generous offer for the commercial rights. Similarly, if someone wanted to use the posts without attribution for some
...it was necessary to make a specific claim for copyright, it is now ‘all rights reserved’ copyright. Introducing Creative Commons seeks to restore a bal
6 KB (927 words) - 20:24, 9 September 2010
...eely reuse, reference and share my writings without the boundaries of [all rights reserved] copyright law.’
3 KB (427 words) - 16:06, 10 September 2010
...&catId=0&sCatId=7&sCc=61&sRegion=0&sortOrder=2&CYear=2008&CMonth=4&sText= 'Rights Online'] at [http://www.artslaw.com.au/events/PastEvents/VICArtsLawWeek2007
3 KB (495 words) - 22:13, 14 September 2010
...creative work. It is hoped that the transparent, reliable, and accountable rights environment which Creative Commons licences establish will help generate st
5 KB (717 words) - 16:59, 8 September 2010
...of the second version of Pool, all the Creative Commons licences and "All Rights Reserved" were offered to contributors. The site maintains a [http://creati
...e ABC. The Pool trial has confirmed the community’s interest in ‘some rights reserved’ licensing and demonstrated the importance of promoting educated
6 KB (957 words) - 00:42, 27 March 2012
...erstand that with CC licences you don’t actually have to lose all of the rights to the music, there is nothing but benefit that you can derive. You have ne
...2.5 Australia licence] was chosen because the band wished to reserve their rights to attribution. Further, having licensed work previously and experienced fa
6 KB (947 words) - 21:53, 3 September 2010
...retaining their copyright, participants are encouraged to select a ‘some rights reserved’ Creative Commons licence. As an extra condition the artist mus
...ative Commons (with 10% selecting all rights reserved copyright and 15% no rights reserved public domain). The positive response has encouraged the Digital
7 KB (976 words) - 16:44, 8 September 2010
*the review undertaken of the Digital Rights Management (DRM) component of the GILF to electronic tag licensed data;
...R must be able to secure efficient and effective access to, as well as the rights to reuse, PSI located across all State Government departments and agencies,
9 KB (1,356 words) - 17:28, 29 March 2011
Two sets of content release forms to clarify rights were distributed to performers, the audience and all personnel entering the
5 KB (710 words) - 21:50, 8 September 2011
...erved” and splices it into manageable parts in order to create a “some rights reserved” system.’
6 KB (904 words) - 17:08, 8 September 2010
