Difference between revisions of "Secondary Sound"
Justinsirois (talk | contribs) (Secondary Sound is a collection of absurdist and experimental poetry and fiction which addresses the contemporary conflicts involving digital piracy, DRM, personal narrative, and DJ culture.) |
Justinsirois (talk | contribs) |
||
| (2 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
{{Books | {{Books | ||
|author=justin sirois | |author=justin sirois | ||
| − | |genre= | + | |genre=Fiction |
|publisher=BlazeVOX Books | |publisher=BlazeVOX Books | ||
|isbn=978-1-934289-64-8 | |isbn=978-1-934289-64-8 | ||
|pubdate=November 2007 | |pubdate=November 2007 | ||
|license=Attribution-Noncommercial-Share Alike 3.0 License | |license=Attribution-Noncommercial-Share Alike 3.0 License | ||
| − | |cclicensed= | + | |cclicensed=http://www.angelfire.com/poetry/thepixelplus/secondaryccfreedowload.html |
| − | |pvfp= | + | |pvfp=http://www.thepixelplus.com |
|nbpages=90 | |nbpages=90 | ||
}} | }} | ||
| + | An absurdist media firm hires a pirate to “create the most alluring ringtone known to man” – while the author takes a secondary role as this digital scallywag plunders and pillages his way through the book’s vexing text messages. Presumably the first manuscript of both poems and fiction to be licensed with creative commons, Secondary Sound questions the legal limits of electronic sampling, asks why zombies and pirates are so in vogue, and pushes the limits of poetry (and hopefully makes it fun again). | ||
Latest revision as of 14:29, 17 January 2008
| Secondary Sound | |
|---|---|
| Author: | justin sirois |
| Genre: | Fiction |
| Publisher: | BlazeVOX Books |
| ISBN: | 978-1-934289-64-8 |
| Publication Date: | November 2007 |
| License: | Attribution-Noncommercial-Share Alike 3.0 License |
| CC-Licensed Version: | http://www.angelfire.com/poetry/thepixelplus/secondaryccfreedowload.html |
| Print version for purchase: | http://www.thepixelplus.com |
| Pages: | 90 |
An absurdist media firm hires a pirate to “create the most alluring ringtone known to man” – while the author takes a secondary role as this digital scallywag plunders and pillages his way through the book’s vexing text messages. Presumably the first manuscript of both poems and fiction to be licensed with creative commons, Secondary Sound questions the legal limits of electronic sampling, asks why zombies and pirates are so in vogue, and pushes the limits of poetry (and hopefully makes it fun again).
