Difference between revisions of "Embedded Metadata"

From Creative Commons
Jump to: navigation, search
(added first draft)
(Undo revision 114280 by CCID-jeremyhardin (talk))
 
(43 intermediate revisions by 25 users not shown)
Line 5: Line 5:
 
[[Category:Metadata]]
 
[[Category:Metadata]]
  
<div style="float:right">
+
Creative Commons licenses are attached to Web pages. But we also want our licenses to be useful for materials distributed in file formats around the Net. The protocol described here works for many [[:Category:Filetype|filetypes]].
[http://dmusic.com/ http://www.creativecommons.org/images/dmusic.gif]
 
  
* [http://eze.dmusic.com/music/license/186685 Ezequiel - Luna de Miel (con Tarkan)]
+
If your software does not transparently support embedding CC license metadata (you should only have to select a license), do not attempt to do it yourself (it will be a frustrating experience).
* [http://eze.dmusic.com/music/license/187140 Ezequiel - Se usar un vocoder (803)]
 
* [http://eze.dmusic.com/music/license/187136 Ezequiel - Octubre (Interludio)]
 
* [http://eze.dmusic.com/music/license/246326 Ezequiel - Publicidad 1]
 
* [http://eze.dmusic.com/music/license/174685 Ezequiel - Dr. Zaius got too serious (Dr. Zaius se fue a la mierda!)]
 
  
<p>[http://dmusic.com/feeds/cc_licensed.rss View RSS feed for Dmusic submissions
+
<div id="1"></div>
 +
 
 +
== Embedding the metadata ==
  
Recently licensed tracks at DMusic, tagged per our embedding strategy.  You can license and tag your tracks by [http://www.dmusic.com/users/register/ joining] the DMusic independent digital music community.
+
Let's say Anita wants to license her song, "Volcano Love," with a Creative Commons license, and release it as an MP3. Here's what she'd do:
  
 +
<div style="text-align:center">
 +
http://creativecommons.org/images/comics/mp3/1.gif
 
</div>
 
</div>
  
== Metadata Embedding ==
+
First, Anita would put a "Some Rights Reserved"  button on the page displaying here work where her song could be downloaded — along with a link to a license, some RDF metadata, and an assertion about the copyright status of the work. Nothing new here: this is what Creative Commons licensors do now.
  
Creative Commons licenses are attached to Web pages. But we also want our
+
<div style="text-align:center">
licenses to be useful for materials distributed in file formats around
+
http://creativecommons.org/images/comics/mp3/2.gif
the Net.
+
</div>
  
The first format we've learned to tag is MP3, the popular audio
+
With file embedding, though, this page will now serve the added function of '''verification'''. Here's how: Anita would insert the URL to that webpage in the copyright field of the MP3 file, along with a short, plain description of the work's license status. We call this the license '''verification link''' because it points back to a page that Anita herself controls.
compression format.  Other common formats — image, video, text, other
 
audio formats — will follow soon. This is an ongoing process, and we
 
welcome your <a href="http://creativecommons.org/discuss#metadata">feedback</a>. (You can
 
also read a more detailed <a href="nonweb">technical
 
explanation</a> of what follows.)
 
  
If you just want to get started, try the
+
<div style="text-align:center">
 +
http://creativecommons.org/images/comics/mp3/4.gif
 +
</div>
  
<a href="/tools/ccpublisher">ccPublisher</a> app, available
+
Next, imagine Anita puts the MP3 on a file-sharing network. A user comes across her MP3 and can follow the verification link to Anita's page. In the future, we hope that file-sharing networks, media players, and other applications will build tools that read the verification link automatically and inform users of the copyright assertions like Anita's.
for Linux, OS X, and Windows.</p>
 
  
* [[#1|part 1: Metadata Embedding in MP3s]]
+
<div id="2"></div>
* [[#2|part 2: The advantage of the verification link]]
 
* [[#3|part 3: Verification Link: Also a Traffic Engine]]
 
 
 
<div id="1"></div>
 
== Metadata Embedding in MP3s ==
 
 
 
Let's say Anita wants to license her song, "Volcano Love," with a
 
Creative Commons license, and release it as an MP3. Here's what she'd do:
 
 
 
http://www.creativecommons.org/images/comics/mp3/1.gif
 
 
 
First, Anita would put a "Some Rights Reserved"  button on the site where
 
her song could be downloaded — along with a link to a license, some RDF
 
metadata, and an assertion about the copyright status of the work.
 
Nothing new here: this is what Creative Commons licensors do now.
 
  
http://www.creativecommons.org/images/comics/mp3/2.gif
 
 
With file embedding, though, this page will now serve the added function
 
of <strong>verification</strong>. Here's how: Anita would insert the URL
 
to that webpage in the copyright field of the MP3 file, along with a
 
short, plain description of the work's license status. We call this the
 
license <strong>verification link</strong> because it points back to a
 
page that Anita herself controls.
 
 
http://www.creativecommons.org/images/comics/mp3/4.gif
 
 
Next, imagine Anita puts the MP3 on a file-sharing network. A user comes
 
across her MP3 and can follow the verification link to Anita's page. In
 
the future, we hope that file-sharing networks, media players, and other
 
applications will build tools that read the verification link
 
automatically and inform users of the copyright assertions like Anita's.
 
 
<div id="2"></div>
 
 
== The advantage of the verification link ==
 
== The advantage of the verification link ==
  
Embedding this kind of "verification link" in MP3s, as opposed to merely
+
Embedding this kind of "verification link" in MP3s, as opposed to merely the license metadata, is a measure of protection for artists against the incorrect or fraudulent labeling and sharing of their work.
the license metadata, is a measure of protection for artists against the
+
<!-- <rdf:RDF xmlns="http://web.resource.org/cc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#">
incorrect or fraudulent labeling and sharing of their work.
+
<Work rdf:about="urn:sha1:WCTFGBUENNGSRBIWB42B3WMSR2GAD7MO"><dc:date>2007</dc:date><dc:title>In my trunk</dc:title><dc:description>hard rap</dc:description><dc:rights><Agent><dc:title>DyNasty M.I.C. Ent./U kno Records</dc:title></Agent></dc:rights><dc:type rdf:resource="http://purl.org/dc/dcmitype/Sound" /><license rdf:resource="http://creativecommons.org/licenses/by/2.5/" /></Work>
 
+
<License rdf:about="http://creativecommons.org/licenses/by/2.5/"><requires rdf:resource="http://web.resource.org/cc/Attribution" /><permits rdf:resource="http://web.resource.org/cc/Reproduction" /><permits rdf:resource="http://web.resource.org/cc/Distribution" /><permits rdf:resource="http://web.resource.org/cc/DerivativeWorks" /><requires rdf:resource="http://web.resource.org/cc/Notice" /></License>
'''Take this example:'''
+
</rdf:RDF> -->
 
+
<!-- <rdf:RDF xmlns="http://web.resource.org/cc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#">
Honeysuckle is a popular commercial singer. She likes her songs "all
+
<Work rdf:about="urn:sha1:T2NB4XMG4UKYBAIUJF4WLJQ2I4VHP7B7"><dc:date></dc:date><dc:title></dc:title><dc:description></dc:description><dc:rights><Agent><dc:title></dc:title></Agent></dc:rights><dc:type rdf:resource="http://purl.org/dc/dcmitype/Sound" /><license rdf:resource="http://creativecommons.org/licenses/by-nc/2.5/" /></Work>
rights reserved."
+
<License rdf:about="http://creativecommons.org/licenses/by-nc/2.5/"><requires rdf:resource="http://web.resource.org/cc/Attribution" /><permits rdf:resource="http://web.resource.org/cc/Reproduction" /><permits rdf:resource="http://web.resource.org/cc/Distribution" /><permits rdf:resource="http://web.resource.org/cc/DerivativeWorks" /><prohibits rdf:resource="http://web.resource.org/cc/CommercialUse" /><requires rdf:resource="http://web.resource.org/cc/Notice" /></License>
 
+
</rdf:RDF> -->
http://www.creativecommons.org/images/comics/mp3/3.gif
+
<!-- <rdf:RDF xmlns="http://web.resource.org/cc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#">
 
+
<Work rdf:about="urn:sha1:AUHHKL7RET7YFRLZI3RGZIMQ2UJOBYVB"><dc:date>2007</dc:date><dc:title>Sexy gial feat. JK</dc:title><dc:description>djlumar klan 504 honduras de kora que pedo pues</dc:description><dc:rights><Agent><dc:title>Yerbaklan</dc:title></Agent></dc:rights><dc:type rdf:resource="http://purl.org/dc/dcmitype/Sound" /><license rdf:resource="http://creativecommons.org/licenses/by-nc/2.5/" /></Work>
John decides to license a Honeysuckle song under a Creative Commons
+
<License rdf:about="http://creativecommons.org/licenses/by-nc/2.5/"><requires rdf:resource="http://web.resource.org/cc/Attribution" /><permits rdf:resource="http://web.resource.org/cc/Reproduction" /><permits rdf:resource="http://web.resource.org/cc/Distribution" /><permits rdf:resource="http://web.resource.org/cc/DerivativeWorks" /><prohibits rdf:resource="http://web.resource.org/cc/CommercialUse" /><requires rdf:resource="http://web.resource.org/cc/Notice" /></License>
license, to fool people into thinking she's gone "some rights reserved."
+
</rdf:RDF> -->
He makes a fake Honeysuckle site on to his website, adds a Creative
 
Commons license and RDF to it, and embeds a phony "verification link" to
 
his page in the Honeysuckle MP3. Then he puts the song on a file-sharing
 
network.
 
 
 
http://www.creativecommons.org/images/comics/mp3/5.gif
 
 
 
Honeysuckle visits the file-sharing network and sees copies of her song
 
circulating. She finds this suspicious, given that she didn't put the
 
song on the network and always claims "all rights reserved.
 
 
 
http://www.creativecommons.org/images/comics/mp3/6.gif
 
 
 
She follows the verfication link, finds John, and forces him to take the fake page
 
down.
 
 
 
http://www.creativecommons.org/images/comics/mp3/7.gif
 
 
 
With the phony verification page gone, users of the file-sharing network
 
will see that the verification link is broken, or they will follow it to
 
a page explaining that John fraudulently tried to license the song.
 
 
 
<div id="3"></div>
 
== Verification Link: Also a Traffic Engine ==
 
 
 
An added benefit of the verification link is that licensors, or the
 
companies who do their hosting, can use them to draw traffic to their
 
websites.
 
  
'''Example:'''
 
  
http://www.creativecommons.org/images/comics/mp3/8.gif
 
  
Ravi is an amateur photographer. He hosts his photos at SNAP, a website
+
Ravi circulates the photos among his schoolmates, whose photo-viewing software reads the copyright fields and takes them to the SNAP website, where they can see Ravi's whole catalog of photography and links to other SNAP services.<!-- <rdf:RDF xmlns="http://web.resource.org/cc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#">
devoted to photography. Each time Ravi uploads his photos to the SNAP
+
<Work rdf:about="urn:sha1:55QRQ2ZQXJQGK6D6ZEYERTA3QRDFCE2M"><dc:date>2008</dc:date><dc:title>Number one sex</dc:title><dc:description></dc:description><dc:rights><Agent><dc:title>R. Kelly & Keri Hilson</dc:title></Agent></dc:rights><dc:type rdf:resource="http://purl.org/dc/dcmitype/Sound" /><license rdf:resource="http://creativecommons.org/licenses/by/2.5/" /></Work>
website, the SNAP software offers Ravi an opportunity to use Creative
+
<License rdf:about="http://creativecommons.org/licenses/by/2.5/"><requires rdf:resource="http://web.resource.org/cc/Attribution" /><permits rdf:resource="http://web.resource.org/cc/Reproduction" /><permits rdf:resource="http://web.resource.org/cc/Distribution" /><permits rdf:resource="http://web.resource.org/cc/DerivativeWorks" /><requires rdf:resource="http://web.resource.org/cc/Notice" /></License>
Commons licenses, and the tools to embed his webpage on SNAP with the
+
</rdf:RDF> -->
appropriate RDF. Next, SNAP's software automatically inserts the
 
verification link into his photo files' copyright fields.
 
  
http://www.creativecommons.org/images/comics/mp3/9.gif
+
== Technical Explanation ==
  
Ravi circulates the photos among his schoolmates, whose photo-viewing
+
See [[Nonweb Tagging]], and for specific formats, see [[MP3]] and [[XMP]] (PDF, JPEG, video).
software reads the copyright fields and takes them to the SNAP website,
 
where they can see Ravi's whole catalog of photography and links to other
 
SNAP services.
 

Latest revision as of 20:46, 23 September 2015


Creative Commons licenses are attached to Web pages. But we also want our licenses to be useful for materials distributed in file formats around the Net. The protocol described here works for many filetypes.

If your software does not transparently support embedding CC license metadata (you should only have to select a license), do not attempt to do it yourself (it will be a frustrating experience).

Embedding the metadata

Let's say Anita wants to license her song, "Volcano Love," with a Creative Commons license, and release it as an MP3. Here's what she'd do:

http://creativecommons.org/images/comics/mp3/1.gif

First, Anita would put a "Some Rights Reserved" button on the page displaying here work where her song could be downloaded — along with a link to a license, some RDF metadata, and an assertion about the copyright status of the work. Nothing new here: this is what Creative Commons licensors do now.

http://creativecommons.org/images/comics/mp3/2.gif

With file embedding, though, this page will now serve the added function of verification. Here's how: Anita would insert the URL to that webpage in the copyright field of the MP3 file, along with a short, plain description of the work's license status. We call this the license verification link because it points back to a page that Anita herself controls.

http://creativecommons.org/images/comics/mp3/4.gif

Next, imagine Anita puts the MP3 on a file-sharing network. A user comes across her MP3 and can follow the verification link to Anita's page. In the future, we hope that file-sharing networks, media players, and other applications will build tools that read the verification link automatically and inform users of the copyright assertions like Anita's.

The advantage of the verification link

Embedding this kind of "verification link" in MP3s, as opposed to merely the license metadata, is a measure of protection for artists against the incorrect or fraudulent labeling and sharing of their work.


Ravi circulates the photos among his schoolmates, whose photo-viewing software reads the copyright fields and takes them to the SNAP website, where they can see Ravi's whole catalog of photography and links to other SNAP services.

Technical Explanation

See Nonweb Tagging, and for specific formats, see MP3 and XMP (PDF, JPEG, video).