Case Studies/ACRO

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(c) Australian Creative Resources Online, used with permission

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unspecified
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Image, Sound, Text, MovingImage
Adoption date unspecified
Tags
database, archive, reuse, education, repository
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The Australian Creative Resource Online (ACRO) is an open resource repository of reusable digital multimedia materials.

The values of openness, novelty, and innovation are more likely to translate into economic value in new media than the values of predictability, highly regulated production, and closed IP regimes on which “mass” media models are based. — David Rooney and Phil Graham, ACRO Co-Directors

Overview

The Australian Creative Resources Online (ACRO) is an open resource repository storing digital and digitised multimedia materials – from video clips, digitally drawn images, photographs, and audio segments – in editable formats intended for reuse. Emphasising an open framework, ACRO aims to create a distribution network of high-quality, low-cost materials which are either in the public domain or employ open content licences. By offering streamlined access to content, ACRO seeks to engage grass-roots creative producers and community media organisations, facilitating innovation and creative production without fear of litigation or lengthy rights-clearance processes. As materials are reused, it is hoped that creators and producers re-contribute their content to the archive.

ACRO commenced as an Australian Research Council (ARC)-funded infrastructure project in 2002, which was further supported by the University of Queensland in 2003. It currently operates from the University of Queensland Business School. ACRO seeks to provide research opportunities for investigators across diverse fields to define innovative, internationally recognised technical, operational, and archiving systems, whilst being able to appraise the legal, technical, socioeconomic and cultural implications of new media content development, particularly in relation to Australia’s broadband infrastructure development.

‘In short, by providing producers, broadcasters, students, teachers, researchers and the community with access to a range of production, research, and educational resources around an open resource repository, ACRO will stimulate long-term creative and cultural capital for creative industries.’ - Rooney & Graham, 2004

The founding objectives of ACRO have been:

  • To develop and provide a robust and rapid infrastructure for national research and international collaboration across Australia’s creative industries;
  • To stimulate Australia’s broadband content industry, nationally and internationally;
  • To provide a rich public resource for creative industries research and content production;
  • To develop a resource for productive international research collaborations;
  • To develop innovative classification systems and associated database applications for new forms of archive materials;
  • To develop new Intellectual Property initiatives and models; and
  • To develop innovative technologies and techniques for the development, production, management, and delivery of Australia’s cultural products.

A prominent output from ACRO has been the Hot Buttered collection, offering a selection of Australian surfing videos and soundtracks. The spirit of reuse is at the heart of the Hot Buttered brand: the surfboard company takes it name from Hot Buttered Soul, Isaac Hayes’ second studio album from 1969, which itself begins with a cover of the Burt Bacharach and Hal David classic tune Walk on By. The ACRO project digitised Hot Buttered’s entire audiovisual catalogue which they agreed to make available under Creative Commons licences. Full bandwidth digital copies were created as an essential step of the digitisation. Hot Buttered’s founder Terry Fitzgerald took the opportunity to repackage the digitised collection and release it as an anthology: Hot Buttered Soul, maintaining that ‘surfing is art’. The film chronicles the evolution of the single-fin surfboard over three-and-a-half decades, describing the ‘free surfing dream.’

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