Scholarship and critique regarding Creative Commons

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Law Review/Law Journal Articles

  • Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005)
  • Matthew J. Astle, Will Congress Kill the Podcasting Star? 19 Harv. J.L. & Tech. 161 (Fall, 2005).
  • Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).
  • Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).
  • Corey Field, Copyright, Technology, and Time: Perspectives on "Interactive" as a Term, 50 J. Copyright Soc'y U.S.A. 49 (2003).
  • Michael N. Lang, The Regulation of Shrink-Wrapped Radio: Implications of Copyright on Podcasting, 14 CommLaw Conspectus 463 (2006).
  • Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005), available at www.mttlr.org—brito&dooling.pdf www.mttlr.org—brito&dooling.pdf about orphan works
  • Brooke Oliver, The Artist's Perspective in the Acquisiton, Exhibition, and Preservation of New Media Works, SK061 ALI-ABA 161 (2005).
  • Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).
  • Martina Gillen, Gavin Sutter, Legal Protection of Copy-Protection Mechanisms, 51 J. Copyright Soc'y U.S.A. 729 (2004).
  • Dan Hunter, F. Gregory Lastowka, Amateur-to-Amateur, 46 Wm. & Mary L. Rev. 951 (2004).
  • Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003). critical
  • Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).
  • Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).
  • David W. Opderbeck, The Penguin's Genome, or Coase and Open Source Biotechnology, 18 Harv. J. Law & Tec 167 (Fall, 2004).
  • Jennifer R. Mueller, NOTE: All Mixed Up: Bridgeport Music v. Dimension Films and De Minimis Digital Sampling, 81 Ind. L.J. 435 (2006).
  • Anupam Chander and Madhavi Sunder, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).
  • Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).
  • Rosemary J. Coombe, Fear, Hope, and Longing for the Future of Authorship and Revitalized Public Domain in Global Regimes of Intellectual Property, 52 DePaul L. Rev. 1171 (Summer 2003).
  • Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).
  • Lawrence Lessig, Dunwody Distinguished Lecture in law: The Creative Commons, 17 Wash. U. J.L. & Pol'y 233 (2002).
  • James Gibson, Once and Future Copyright, 81 Notre Dame L. Rev. 167 (2005).
  • Molly Shaffer Van Houweling, Distributive Values in Copyright, 83 Tex. L. Rev. 1535 (2005).
  • Lawrence B. Solum,Book Review : The Future of CopyrightFree Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005).
  • Brian W. Carver, Share and Share Alike: Understanding and Enforcing Open Source and Free Software Licenses, 20 Berkeley Tech. L.J. 443 (2005).
  • J. H. Reichman and Paul F. Uhlir, The Public Domain: A Contractually Reconstructed Research Commons for Scientific Data in a Highly Protectionist Intellectual Property Environment, 66 Law & Contemp. Prob. 315, (2003).


Articles

  • Elkin-Koren, Niva, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: http://ssrn.com/abstract=885466
  • Berry, D. M. (2004). “The Contestation of Code: a Preliminary Investigation Into the Discourse of the Free/libre and Open Source Movement”. Critical Discourse Studies, 1 (1),
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