Difference between revisions of "Grants/Outreach event for Iranian Musicians and songwriters to promote understanding and adaption of CC's tools, licenses and technologies."
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|Mainurl=www.bar-ax.com | |Mainurl=www.bar-ax.com | ||
|Affiliated=Yes | |Affiliated=Yes | ||
− | |description=Bar-Ax Promotions, which promotes Iranian musicians and songwriters worldwide, aims to organise, an outreach event in Istanbul, where Iranian, Turks and Arab musicians and songwriters can attend, to promote understanding and adaption of CC's tools and licenses in their work. The project aim is to introduce CC licenses to new Artistic communities in the Middle-East region. | + | |description=Bar-Ax Promotions, which promotes Iranian musicians and songwriters worldwide, aims to organise, an outreach event in Istanbul, where Iranian, Turks and Arab musicians and songwriters can attend, to promote understanding and adaption of CC's tools and licenses in their work. The project aim is to introduce CC licenses to new Artistic communities in the Middle-East region. |
|output=The project result in several outputs. The central output is the event itself but also video clips, photos and a written article contribute to a broader outreach of this event. In addition, our excellent contacts within the media should result in several press coverages about the event. | |output=The project result in several outputs. The central output is the event itself but also video clips, photos and a written article contribute to a broader outreach of this event. In addition, our excellent contacts within the media should result in several press coverages about the event. | ||
|community=Bar-Ax targets young Iranian musicians, both men and women, on their path to professionalise their talent, as well as helping to promote, license and share their music globally. | |community=Bar-Ax targets young Iranian musicians, both men and women, on their path to professionalise their talent, as well as helping to promote, license and share their music globally. | ||
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|measurement=The success of the project will be measured by two indicators: participants adapting the licenses in their work, and participants introducing CC in their video interviews, in under other Farsi Language. | |measurement=The success of the project will be measured by two indicators: participants adapting the licenses in their work, and participants introducing CC in their video interviews, in under other Farsi Language. | ||
|participants=There are two main organisations involved in this Project. Bar-Ax is initiating this project together with Zirzemin, which is an online music magazine. We expect to collaborate on this project with other local artist's communities in Turkey. Bar-Ax will sustain their involvement by representing them in other fields-as are provided within Bar-ax- including PR, facilitating performances and distributing their music. | |participants=There are two main organisations involved in this Project. Bar-Ax is initiating this project together with Zirzemin, which is an online music magazine. We expect to collaborate on this project with other local artist's communities in Turkey. Bar-Ax will sustain their involvement by representing them in other fields-as are provided within Bar-ax- including PR, facilitating performances and distributing their music. | ||
− | |impact=The overall impact of the project is to increase confidence among Iranian musicians to participate in the global market without the fear of encountering copyright issues. In addition, the project's impact is to make this artists self-sustainable by educating about CC tools, sharing the know how and developing on networks at both the international level and local level which in turn impacts the collaboration across communities . | + | |impact=The overall impact of the project is to increase confidence among Iranian musicians to participate in the global market without the fear of encountering copyright issues. In addition, the project's impact is to make this artists self-sustainable by educating about CC tools, sharing the know how and developing on networks at both the international level and local level which in turn impacts the collaboration across communities . |
|tech needs=The event should result in at least one video to reach a wide audience introducing the CC's work, through the words of participants themselves. In this regard there are some tools available to use, such as several camcorder. But a quality sound is important to ask musicians to interview each other about their arguments for and against the use of CC in their work. We need 3 Sony voice recorders, one camcorder-tripod and one suitable mic. The assets we bring to the project are two camcorders and the technical skills to film. | |tech needs=The event should result in at least one video to reach a wide audience introducing the CC's work, through the words of participants themselves. In this regard there are some tools available to use, such as several camcorder. But a quality sound is important to ask musicians to interview each other about their arguments for and against the use of CC in their work. We need 3 Sony voice recorders, one camcorder-tripod and one suitable mic. The assets we bring to the project are two camcorders and the technical skills to film. | ||
|challenges=We can expect to face two challenges: firstly that the artists/musicians do not find Creative Commons licenses (CC) suitable for commercial work, and secondly that the language used could cause a barrier for some artists to participate in an active way. Therefore, the workshop program should include information on how working with CC can contribute to commercially viable results. To bridge the possible language barrier, Bar-Ax will invite interpreters and translators from its network to participate in the event. | |challenges=We can expect to face two challenges: firstly that the artists/musicians do not find Creative Commons licenses (CC) suitable for commercial work, and secondly that the language used could cause a barrier for some artists to participate in an active way. Therefore, the workshop program should include information on how working with CC can contribute to commercially viable results. To bridge the possible language barrier, Bar-Ax will invite interpreters and translators from its network to participate in the event. | ||
− | |sustainability=Bar-Ax has several sources of funding annually to promote and to sustain Iranian music community. Other sources of funding include, British Arts Council. However, the organisation' aim is to sustain the copyright solutions through the support of Creative Commons. | + | |sustainability=Bar-Ax has several sources of funding annually to promote and to sustain Iranian music community. Other sources of funding include, British Arts Council. However, the organisation' aim is to sustain the copyright solutions through the support of Creative Commons. |
|scalability=The music and artistic community in Iran is currently totally unfamiliar with Creative Commons work. The impact of this project to introduce CC licenses to a wider community in the Middle East can be tracked via the number of CC licenses adopted through the Bar-Ax website and the Zirzemin website. Both organisations are mainly active in the Iranian Artistic community. | |scalability=The music and artistic community in Iran is currently totally unfamiliar with Creative Commons work. The impact of this project to introduce CC licenses to a wider community in the Middle East can be tracked via the number of CC licenses adopted through the Bar-Ax website and the Zirzemin website. Both organisations are mainly active in the Iranian Artistic community. | ||
− | |resource needs=For the project to be realised a funding of $ | + | |resource needs=For the project to be realised a funding of $9300 is required from Creative Commons to convene this outreach event. Additional support from Creative Commons to speak at the event will ensure the success of this project. |
− | + | |communication=Both organisations have several communication channels with the artists they represent, including mailing lists, blogs, newsletters and through pages on the social networking sites. | |
− | |communication=Both organisations have several communication channels with the artists they represent, including mailing lists, blogs, newsletters and through pages on the social networking sites. | ||
|legal=No | |legal=No | ||
}} | }} |
Revision as of 09:54, 22 June 2010
Describe the project you are proposing as clearly as possible in just five sentences.
Bar-Ax Promotions, which promotes Iranian musicians and songwriters worldwide, aims to organise, an outreach event in Istanbul, where Iranian, Turks and Arab musicians and songwriters can attend, to promote understanding and adaption of CC's tools and licenses in their work. The project aim is to introduce CC licenses to new Artistic communities in the Middle-East region.
Detail the tangible project output (e.g., paper, blog post, written materials, video/film, etc.; this would be in addition to the final written report that successful grant recipients will be expected to deliver to CC at the conclusion of the project).
The project result in several outputs. The central output is the event itself but also video clips, photos and a written article contribute to a broader outreach of this event. In addition, our excellent contacts within the media should result in several press coverages about the event.
Describe the community you are targeting. How would the project benefit the community?
Bar-Ax targets young Iranian musicians, both men and women, on their path to professionalise their talent, as well as helping to promote, license and share their music globally.br />
Bar-Ax represents the Iranian contemporary musicians and songwriters. Our website hosts more than 75 music bands. We are providing musicians with services including copyright and legal consultancy, PR and marketing. Most recent ventures include an alternative Iranian Arts Festival in March 2010. Another success has been a compilation CD of 14 underground bands in collaboration with Songlines magazine. Bar-Ax is a dynamic and very promising initiative that plays an important role in supporting and promoting the Iranian music community under difficult circumstances.
How will you measure and evaluate your project’s impact - on your main participants? Other contributors? On the larger community?
The success of the project will be measured by two indicators: participants adapting the licenses in their work, and participants introducing CC in their video interviews, in under other Farsi Language.
How many participants do you expect to be involved in your project? How will you seek and sustain their involvement?
There are two main organisations involved in this Project. Bar-Ax is initiating this project together with Zirzemin, which is an online music magazine. We expect to collaborate on this project with other local artist's communities in Turkey. Bar-Ax will sustain their involvement by representing them in other fields-as are provided within Bar-ax- including PR, facilitating performances and distributing their music.
Describe how your project will benefit Creative Commons' mission to increase the amount of creativity (cultural, educational, and scientific content) in "the commons".
The overall impact of the project is to increase confidence among Iranian musicians to participate in the global market without the fear of encountering copyright issues. In addition, the project's impact is to make this artists self-sustainable by educating about CC tools, sharing the know how and developing on networks at both the international level and local level which in turn impacts the collaboration across communities .
Describe what technologies and tools your project will use. What kinds of technical skills and expertise do you bring to the project? What are your technical needs?
The event should result in at least one video to reach a wide audience introducing the CC's work, through the words of participants themselves. In this regard there are some tools available to use, such as several camcorder. But a quality sound is important to ask musicians to interview each other about their arguments for and against the use of CC in their work. We need 3 Sony voice recorders, one camcorder-tripod and one suitable mic. The assets we bring to the project are two camcorders and the technical skills to film.
What challenges do you expect to face, and how do you plan to overcome them?
We can expect to face two challenges: firstly that the artists/musicians do not find Creative Commons licenses (CC) suitable for commercial work, and secondly that the language used could cause a barrier for some artists to participate in an active way. Therefore, the workshop program should include information on how working with CC can contribute to commercially viable results. To bridge the possible language barrier, Bar-Ax will invite interpreters and translators from its network to participate in the event.
How do you plan to sustain your project after the Creative Commons funding has ended? Detail specific plans. How do you plan to raise revenue to continue your efforts in the future?
Bar-Ax has several sources of funding annually to promote and to sustain Iranian music community. Other sources of funding include, British Arts Council. However, the organisation' aim is to sustain the copyright solutions through the support of Creative Commons.
How can this project be scalable, or have a scalable impact?
The music and artistic community in Iran is currently totally unfamiliar with Creative Commons work. The impact of this project to introduce CC licenses to a wider community in the Middle East can be tracked via the number of CC licenses adopted through the Bar-Ax website and the Zirzemin website. Both organisations are mainly active in the Iranian Artistic community.
What resources and support do you expect Creative Commons to provide to your project to ensure its success (if any)?
For the project to be realised a funding of $9300 is required from Creative Commons to convene this outreach event. Additional support from Creative Commons to speak at the event will ensure the success of this project.
Describe how your organization currently communicates with its community members and network partners. (100 words)
Both organisations have several communication channels with the artists they represent, including mailing lists, blogs, newsletters and through pages on the social networking sites.
Legal
No