Difference between revisions of "Scholarship and critique regarding Creative Commons"

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*Stephanie C.Ardito,  "Public-Domain Advocacy Flourishes." Information Today 20, no. 7 (2003): 17,19.
 
*Stephanie C.Ardito,  "Public-Domain Advocacy Flourishes." Information Today 20, no. 7 (2003): 17,19.
 
    
 
    
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*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. http://agenda.cern.ch/askArchive.php?base=agenda&categ=a035925&id=a035925s5t6/ video
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*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. http://eprints.rclis.org/archive/00000998/
  
 
*Glenn Otis Brown, "Academic Digital Rights: A Walk on the Creative Commons." Syllabus Magazine (April 2003). http://www.syllabus.com/article.asp?id=7475
 
*Glenn Otis Brown, "Academic Digital Rights: A Walk on the Creative Commons." Syllabus Magazine (April 2003). http://www.syllabus.com/article.asp?id=7475

Revision as of 16:58, 10 July 2006

Scholarly Articles and Books about or related to Creative Commons

  • Stephanie C.Ardito, "Public-Domain Advocacy Flourishes." Information Today 20, no. 7 (2003): 17,19.
  • Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. http://eprints.rclis.org/archive/00000998/
  • D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2.
  • Sally M Johnstone,. "Sharing Educational Materials Without Losing Rights." Change 35, no. 6 (2003): 49-51.
  • Lawrence Lessig, The Future of Ideas: The Fate of the Commons in a Connected World Random House, 2001.
  • Lawrence Lessig, Code, and Other Laws of Cyberspace Basic Books, 1999.
  • Lawrence Lessig, Free Culture Random House, 2003.
  • Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003).

Law Review/Law Journal Articles about Creative Commons

  • Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005), available at www.mttlr.org—brito&dooling.pdf www.mttlr.org—brito&dooling.pdf
  • Brooke Oliver Law Group, P.C., The Artist's Perspective in the Acquisiton, Exhibition, and Preservation of New Media Works, SK061 ALI-ABA 161 (2005).
  • Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).
  • Corey Field, Copyright, Technology, and Time: Perspectives on "Interactive" as a Term, 50 J. Copyright Soc'y U.S.A. 49 (2003).
  • Martina Gillen, Gavin Sutter, Legal Protection of Copy-Protection Mechanisms, 51 J. Copyright Soc'y U.S.A. 729 (2004).
  • Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).
  • Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).
  • Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).
  • Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005).
  • Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).
  • Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).
  • Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).
  • Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).
  • Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).
  • Lawrence B. Solum,Book Review : The Future of CopyrightFree Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005).
  • Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).

Problems with and Criticisms of Creative Commons

  • Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: http://ssrn.com/abstract=885466
  • Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?)," www.ebu.ch—B.1 M. Ficsor_tcm6-43830.pdf
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