Difference between revisions of "Secondary Sound"

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|pubdate=November 2007
 
|pubdate=November 2007
 
|license=Attribution-Noncommercial-Share Alike 3.0 License
 
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|pvfp=http://www.amazon.com/Secondary-Sound-Justin-Sirois/dp/1934289647/ref=pd_bbs_sr_1?ie=UTF8&s=books&qid=1197042470&sr=8-1
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|cclicensed=http://www.angelfire.com/poetry/thepixelplus/secondaryccfreedowload.html
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|pvfp=http://www.thepixelplus.com
 
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An absurdist media firm hires a pirate to “create the most alluring ringtone known to man” – while the author takes a secondary role as this digital scallywag plunders and pillages his way through the book’s vexing text messages. Presumably the first manuscript of both poems and fiction to be licensed with creative commons, Secondary Sound questions the legal limits of electronic sampling, asks why zombies and pirates are so in vogue, and pushes the limits of poetry (and hopefully makes it fun again).

Latest revision as of 14:29, 17 January 2008


Secondary Sound
Author: justin sirois
Genre: Fiction
Publisher: BlazeVOX Books
ISBN: 978-1-934289-64-8
Publication Date: November 2007
License: Attribution-Noncommercial-Share Alike 3.0 License
CC-Licensed Version: http://www.angelfire.com/poetry/thepixelplus/secondaryccfreedowload.html
Print version for purchase: http://www.thepixelplus.com
Pages: 90

An absurdist media firm hires a pirate to “create the most alluring ringtone known to man” – while the author takes a secondary role as this digital scallywag plunders and pillages his way through the book’s vexing text messages. Presumably the first manuscript of both poems and fiction to be licensed with creative commons, Secondary Sound questions the legal limits of electronic sampling, asks why zombies and pirates are so in vogue, and pushes the limits of poetry (and hopefully makes it fun again).