Grants/etcc: remixing the visual arts - Revision history

Emilychan at 02:43, 16 March 2015

2015-03-16T02:43:12Z

Emilychan at 02:42, 16 March 2015

2015-03-16T02:42:05Z

Jessica coates at 02:20, 1 July 2010

2010-07-01T02:20:12Z

Show changes

Jessica coates at 00:37, 1 July 2010

2010-07-01T00:37:04Z

Jessica coates at 00:36, 1 July 2010

2010-07-01T00:36:08Z

Show changes

Jessica coates at 00:26, 1 July 2010

2010-07-01T00:26:10Z

Etcc at 23:41, 30 June 2010

2010-06-30T23:41:55Z

Etcc at 22:31, 30 June 2010

2010-06-30T22:31:02Z

Etcc at 22:12, 30 June 2010

2010-06-30T22:12:40Z

Show changes

Jessica coates at 14:03, 30 June 2010

2010-06-30T14:03:58Z

@@ Line 68: / Line 68: @@
 ABC Pool has expressed an interest in partnering as the remix space host of the project. Similar to the Pooling Ideas competition, a group will be set up on Pool for the project, where the original remixes and any downstream remixes can be uploaded. This enables us to draw on the established content hosting and licensing capacity of the Pool website and as well as tapping the well established remix community within Pool. It also ensures a stable and ongoing archive of the project separate from the project’s own website.
-|challenges=etcc’s principle challenge will be ensuring it attracts appropriate participants, audience and industry partners. It has already overcome a major part of this challenge by obtaining commitments from 20 artists to participate in the first exhibition, including a number of high profile artists: Ben Frost, Sebastian Moody, Kid Zoom, Beastman, Bec Winnel, Cezary Stulgis, Benjamin Reeve, Numskull, Keiron McMaster, Sampology and Chantal Fraser. It has also identified an appropriate host exhibition space .White [http://www.example.com Canvas] Gallery.; remix partner in ABC Pool; and marketing partner in Artlink. Based on this experience, it does not anticipate difficulties locating similar partners for the two later exhibitions. The large number and high profile of the artists already committed to the project are only likely to attract greater support from the community.
+|challenges=etcc’s principle challenge will be ensuring it attracts appropriate participants, audience and industry partners. It has already overcome a major part of this challenge by obtaining commitments from 20 artists to participate in the first exhibition, including a number of high profile artists: Ben Frost, Sebastian Moody, Kid Zoom, Beastman, Bec Winnel, Cezary Stulgis, Benjamin Reeve, Numskull, Keiron McMaster, Sampology and Chantal Fraser. It has also identified an appropriate host exhibition space .White [http://www.canvasprintingguide.com.au Canvas] Gallery.; remix partner in ABC Pool; and marketing partner in Artlink. Based on this experience, it does not anticipate difficulties locating similar partners for the two later exhibitions. The large number and high profile of the artists already committed to the project are only likely to attract greater support from the community.
 Ongoing challenges will include ensuring that the participating artists understand the legalities of the project; maintaining the project’s online profile; and managing the practicalities of the offline exhibition. The Creative Commons Australia team has significant experience addressing the first two of these from their work with previous remix projects such as Remix My Lit, Pooling Ideas, Video Slam and Switch It Up. In particular, it plans to use a combination of education, consultation and moderation to ensure participating artists are cognisant of and comfortable with the restrictions the project places on their resources and licensing choices.

@@ Line 68: / Line 68: @@
 ABC Pool has expressed an interest in partnering as the remix space host of the project. Similar to the Pooling Ideas competition, a group will be set up on Pool for the project, where the original remixes and any downstream remixes can be uploaded. This enables us to draw on the established content hosting and licensing capacity of the Pool website and as well as tapping the well established remix community within Pool. It also ensures a stable and ongoing archive of the project separate from the project’s own website.
-|challenges=etcc’s principle challenge will be ensuring it attracts appropriate participants, audience and industry partners. It has already overcome a major part of this challenge by obtaining commitments from 20 artists to participate in the first exhibition, including a number of high profile artists: Ben Frost, Sebastian Moody, Kid Zoom, Beastman, Bec Winnel, Cezary Stulgis, Benjamin Reeve, Numskull, Keiron McMaster, Sampology and Chantal Fraser. It has also identified an appropriate host exhibition space .White Canvas Gallery.; remix partner in ABC Pool; and marketing partner in Artlink. Based on this experience, it does not anticipate difficulties locating similar partners for the two later exhibitions. The large number and high profile of the artists already committed to the project are only likely to attract greater support from the community.
+|challenges=etcc’s principle challenge will be ensuring it attracts appropriate participants, audience and industry partners. It has already overcome a major part of this challenge by obtaining commitments from 20 artists to participate in the first exhibition, including a number of high profile artists: Ben Frost, Sebastian Moody, Kid Zoom, Beastman, Bec Winnel, Cezary Stulgis, Benjamin Reeve, Numskull, Keiron McMaster, Sampology and Chantal Fraser. It has also identified an appropriate host exhibition space .White [http://www.example.com Canvas] Gallery.; remix partner in ABC Pool; and marketing partner in Artlink. Based on this experience, it does not anticipate difficulties locating similar partners for the two later exhibitions. The large number and high profile of the artists already committed to the project are only likely to attract greater support from the community.
 Ongoing challenges will include ensuring that the participating artists understand the legalities of the project; maintaining the project’s online profile; and managing the practicalities of the offline exhibition. The Creative Commons Australia team has significant experience addressing the first two of these from their work with previous remix projects such as Remix My Lit, Pooling Ideas, Video Slam and Switch It Up. In particular, it plans to use a combination of education, consultation and moderation to ensure participating artists are cognisant of and comfortable with the restrictions the project places on their resources and licensing choices.

@@ Line 9: / Line 9: @@
 |Mainurl=www.etcc.tv - The website has been purchased and is currently being developed.
 |Affiliated=Yes
-|description='''etcc''' is a remixable art exhibition that seeks to explore ideas of remix and appropriation in the visual arts sector. Elected artists will be asked to identify one or more CC-licensed works under an Attribution licence as a source of inspiration for a new derivative work. These new works will, in turn, be licensed under the same conditions and will be exhibited in a gallery in Brisbane, Australia before being further re-interpreted by artists in continuing exhibitions across Australia.  An online web presence will additionally be established documenting the whole attributive process where further remixes will be encouraged; and, ideally, in a series of ‘growing’ exhibitions featuring the originals and downstream remixes.  The etcc project seeks to explore ideas of remix and appropriation in the visual arts - it invites artists to look at ways to legally reuse copyrighted works; encourages the creative community to better understand both their inherent rights and potential alternatives to the blanket of “all rights reserved” copyright law; and invites the audience to appreciate the appropriative nature of the artistic process, where one creation is transformed into something new whether obviously or conceptually.
+|description='''etcc''' is a remixable art exhibition that seeks to explore ideas of remix and appropriation in the visual arts sector. Elected artists will be asked to identify one or more CC-licensed works under an Attribution licence as a source of inspiration for a new derivative work. These new works will, in turn, be licensed under the same conditions and will be exhibited in a gallery in Brisbane, Australia before being further re-interpreted by artists in continuing exhibitions across Australia.  An online web presence will additionally be established documenting the whole attributive process where further remixes will be encouraged; and, ideally, in a series of ‘growing’ exhibitions featuring the originals and downstream remixes.
 |output=The project comprises three parts, each with discrete deliverables. All of these deliverables will be released under a CC Attribution 3.0 Australia licence.

@@ Line 91: / Line 91: @@
 |resource needs=Although licensing support and general feedback from Creative Commons would be greatly appreciated, much of this support for the project will be supported by Creative Commons Australia. The project would definitely welcome any marketing support CC could offer.
 |communication=As the etcc project is yet to be formally established, it does not have a current communications policy. However, it will draw its strategy from Creative Commons Australia. Creative Commons Australia is one of the more active of the Creative Commons jurisdictions, and currently uses multiple websites, mailing lists, Facebook, MySpace and Twitter profiles to communicate with its community members. In addition, both Creative Commons Australia and the etcc team have significant experience maintaining relationships with partners and community members through face-to-face contact, as demonstrated by their ability to attract and retain industry partners.
-|budget=CC Budget.pdf
+|budget=Etcc Budget.pdf
 |legal=Yes
 }}

@@ Line 1: / Line 1: @@
 {{Grant Application
 |Project Title=etcc: remixing the visual arts
 |applicants=Skye Reeve, Benjamin Reeve, Australian Research Council Centre of Excellence for Creative Industries and Innovation, Creative Commons Australia
 |contact person=Skye Reeve, Jessica Coates
@@ Line 7: / Line 7: @@
 |end date=2011/12/01
 |Affiliation=Australian Research Council Centre of Excellence for Creative Industries and Innovation, Creative Commons Australia
 |Mainurl=www.etcc.tv The website has been purchased and is currently being developed.
 |Affiliated=Yes
 |description='''etcc''' is a remixable art exhibition that seeks to explore ideas of remix and appropriation in the visual arts sector.  Elected artists will be asked to identify one or more CC-licensed works under an Attribution licence as a source of inspiration for a new derivative work.
 These new works will, in turn, be licensed under the same conditions and will be exhibited in a gallery in Brisbane, Australia before being further re-interpreted by artists in continuing exhibitions across Australia.  An online web presence will additionally be established documenting the whole attributive process where further remixes will be encouraged; and, ideally, in a series of ‘growing’ exhibitions featuring the originals and downstream remixes throughout Australia.  The audience is asked to appreciate the artistic process where one creation is transformed into something new whether obviously or conceptually; all playing with the notion that most works are appropriative in nature.
 |output=The project comprises three parts, each with discrete deliverables. All of these deliverables will be released under a CC Attribution 3.0 Australia licence.
@@ Line 40: / Line 40: @@
 social media accounts for etcc.
 |community=The etcc targets the visual arts sector as a community in which awareness and use of Creative Commons is low. Outside online photography communities, remix and open content licensing as a creative practice does not have the prominence in the visual arts that it does in music and film. While implicit and explicit appropriation is common, the visual arts community as a whole has been a slow sector in their consideration of rights management practices.
 etcc aims to educate the community through practical demonstration of both their immediate rights and potential liabilities, as well as their legal alternatives and licensing options. We believe that by leading by example with events in which talented artists source their inspiration from and contribute to the CC-licensed pool we will reach a much broader audience who are interested in participating in and attending exciting exhibitions on the cusp of change… technologically, artistically and philosophically.
 |community relationship=Skye and Ben Reeve both have extensive experience in the arts.
@@ Line 55: / Line 52: @@
 Elliott Bledsoe is a Project Officer with Creative Commons Australia, primarily working with creative industries projects employing the use of CC licences. He also has a long history working as an arts worker in the local and national arts sector. He sits on the management committee of Youth Arts Queensland and Metro Arts. He was also one of the principle organisers of the Remix My Lit project (http://www.remixmylit.com), a similar project conducted with the Australian writing community which successfully led to the publication of a remixed and remixable. He was also an adviser to the remix competition, Pooling Ideas (http://www.pool.org.au/poolingideas) and the CC film remix project, VideoSlam (http://openchannel.org.au/blogs/videoslam/).
 Jessica Coates is the Project Manager of Creative Commons Australia. She has worked closely with CC implementation projects aimed at the arts community including ABC Pool, 60 Sox (http://60sox.org.au/) and Picture Australia (http://www.pictureaustralia.org/). She has also organised and advised on numerous Creative Commons remix projects, including Remix My Lit, Pooling Ideas, Video Slam and Edgex’s Switch It Up competition (http://edgex.org.au/).
 |measurement=Key project indicators include:
@@ Line 76: / Line 73: @@
 |impact=Asides from directly contributing to the 350 million licensed objects under Creative Commons, the project specifically aims to increase understanding and awareness of Creative Commons in a community that has so far been a low-level engager in the open content movement.
 |tech needs=The online component will consist of the official etcc website (www.etcc.tv) which will be used to document the artwork, interviews with the artists and the entire process from a blog to artist contracts.  While this is the central part of etcc's online presence, we also fell it is important to be active in online communities such as Facebook, Twitter, and ABC Pool.
 ABC Pool has expressed an interest in partnering as the remix space host of the project. Similar to the Pooling Ideas competition, a group will be set up on Pool for the project, where the original remixes and any downstream remixes can be uploaded. This enables us to draw on the established content hosting and licensing capacity of the Pool website and as well as tapping the well established remix community within Pool. It also ensures a stable and ongoing archive of the project separate from the project’s own website.
+|challenges=etcc’s principle challenge will be ensuring it attracts appropriate participants, audience and industry partners. It has already overcome a major part of this challenge, by obtaining commitments from 20 artists, including a number of high profile artists, Ben Frost, Sebastian Moody, Kid Zoom, Beastman, Bec Winnel, Cezary Stulgis, Benjamin Reeve, Numskull, Keiron McMaster, Sampology and Chantal Fraser  to participate in the first exhibition. It has also identified an appropriate host exhibition space .White Canvas Gallery.; remix partner in ABC Pool; and marketing partner in Artlink. Based on this experience, it does not anticipate difficulties locating similar partners for the two later exhibitions. The large number and high profile of the artists already committed to the project are only likely to attract greater support from the community.
 Ongoing challenges will include ensuring that the participating artists understand the legalities of the project; maintaining the project’s online profile; and managing the practicalities of the offline exhibition. The Creative Commons Australia team has significant experience addressing the first two of these from their work with previous remix projects such as Remix My Lit, Pooling Ideas, Video Slam and Switch It Up. In particular, it plans to use a combination of education, consultation and moderation to ensure participating artists are cognisant of and comfortable with the restrictions the project places on their resources and licensing choices.
@@ Line 88: / Line 84: @@
 To sustain the second and third exhibitions a 10% commission will be taken from the sale price of each work. We will be seeking sponsorship for the first and future shows.
 We also anticipate that the first exhibition will work as a proof of concept for the project, attracting further artists and hosting partners for the later exhibitions.
 |scalability=The etcc project is entirely reproducible and scalable, and we hope it will have a flow-on impact by stimulating a section of the visual arts community to critically engage with notions of appropriation and remix within the context of legal reuse. By licensing the documentation, not just the creative products, we hope to equip anyone who is interested in the concept with tools to help them start their own project.
 If sufficient interest is attracted or revenue is generated by the first iteration of the project, it would be a relatively simple task for the etcc team itself to expand the project to include more downstream exhibitions both in Australia and internationally.
 As the exhibition moves from city to city, a set of new artists will be asked to continue to engage with the licensed works. The exhibition will present derivative works, iteration upon iteration.
 |resource needs=Although licensing support and general feedback from Creative Commons would be greatly appreciated, much of this support for the project will be supported by Creative Commons Australia. The project would definitely welcome any marketing support CC could offer.
 |communication=As the etcc project is yet to be formally established, it does not have a current communications policy. However, it will draw its strategy from Creative Commons Australia. Creative Commons Australia is one of the more active of the Creative Commons jurisdictions, and currently uses multiple websites, mailing lists, Facebook, MySpace and Twitter profiles to communicate with its community members. In addition, both Creative Commons Australia and the etcc team have significant experience maintaining relationships with partners and community members through face-to-face contact, as demonstrated by their ability to attract and retain industry partners.

@@ Line 56: / Line 56: @@
 * the number of print and online news media articles and blog entries written about the project;
 * interaction on social media platforms, such as retweets on Twitter and likes on Facebook, will also serve as an indicative measure of the project’s reach.
-|participants=10 – 20 artists in round one.
+|participants=10 – 20 artists in round one. 300 – 500 attendees at each exhibition on opening night, 1000 – 1500 audience total. A further 300+ visiting the online gallery.
 |impact=Aside from directly contributing to the 350 million licensed objects under Creative Commons, the project specifically aims to increase understanding and awareness of Creative Commons in a community that has so far been a low-level engager in the open content movement.
 |tech needs=ABC Pool has expressed an interest in partnering as the remix space host of the project. Similar to the Pooling Ideas competition, a group will be set up on Pool for the project, where the original remixes and any downstream remixes can be uploaded. This enables us to draw on the established content hosting and licensing capacity of the Pool website and as well as tapping the well established remix community within Pool. It also ensures a stable and ongoing archive of the project separate from the project’s own website.