https://wiki.creativecommons.org/api.php?action=feedcontributions&user=Mdulong&feedformat=atomCreative Commons - User contributions [en]2024-03-29T06:07:39ZUser contributionsMediaWiki 1.30.0https://wiki.creativecommons.org/index.php?title=Talk:Publicdomain/zero/1.0/LegalText_(French)&diff=69515Talk:Publicdomain/zero/1.0/LegalText (French)2013-05-25T11:20:06Z<p>Mdulong: Created page with " == Message de Creative Commons France, 25 mai 2013, merci de conserver le texte == CC0 permet aux auteurs de transférer leurs oeuvres dans le domaine public. Voici le résu..."</p>
<hr />
<div><br />
== Message de Creative Commons France, 25 mai 2013, merci de conserver le texte ==<br />
<br />
CC0 permet aux auteurs de transférer leurs oeuvres dans le domaine public.<br />
Voici le résumé explicatif : [http://creativecommons.org/publicdomain/zero/1.0/deed.fr]<br />
<br />
Après une première traduction par la communauté Framasoft fin 2010 ([http://www.framablog.org/index.php/post/2010/10/15/proposition-traduction-licence-creative-commons-zero-1.0-cc0]) éditée par Creative Commons France et transmise à Creative Commons début 2011, Creative Commons a lancé le processus d'internationalisation de CC0 il y a quelques semaines.<br />
<br />
Il ne s'agit pas d'une adaptation juridique, mais d'une traduction linguistique, qui implique donc les pays francophones au delà de la France.<br />
Une période de discussion pour relire et améliorer la traduction avant sa publication est prévue.<br />
Merci d'inscrire ci-dessous vos éventuels commentaires et propositions d'amélioration d'ici le 9 juillet. Nous espérons que le texte sera enfin publié à la rentrée de septembre 2013.<br />
--</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53145Scholarship and critique regarding Creative Commons2011-10-12T15:08:54Z<p>Mdulong: /* 2005 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2008===<br />
<br />
* Abelson Hal, Adida Ben, Linksvayer Mike, Yergler Nathan, ccREL: The Creative Commons Rights Expression Language, Communia First Workshop, Torino, January 2008. [http://www.communia-project.eu/node/79 link]<br />
<br />
*Dobusch Leonhard, Quack Sigrid, “Epistemic Communities and Social Movements: Transnational Dynamics in the Case of Creative Commons,” MPIfG (Max-Planck Institute for the Study of Societies), Discussion Paper 08/8. [http://www.mpifg.de/pu/dp_abstracts/dp08-8.asp link]<br />
<br />
*Melanie Dulong de Rosnay. Check Your Data Freedom: Defining a Taxonomy for Access and Reuse of Life Science Data. Nature Precedings, July 2008. [http://dx.doi.org/10.1038/npre.2008.2083.1 link]<br />
<br />
===2007===<br />
<br />
*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Hietanen Herkko, Dulong de Rosnay Melanie, « Legal Metadata for Semantic Web Applications: Case Creative Commons », Symposium on Digital Semantic Content across Cultures, Paris, the Louvre, May 2006. [http://www.seco.tkk.fi/events/2006/2006-05-04-websemantique/presentations/articles/hietanen-DulongdeRosnay-Legal-Metadata-for-Semantic-Web-Applications.pdf link]<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Niva Elkin-Koren, Creative Commons: A Skeptical View of a Worthy Pursuit, in Hugenholtz P. Bernt & Guibault Lucie (eds.), The Future of the Public Domain, Kluwer Law International, 2006. [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
*Mako-Hill Benjamin, Towards a Standard of Freedom: Creative Commons and the Free Software Movement, july 2005. [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Barker Ed, Duncan Charles, Guadamuz Andres, Hatcher Jordan, Waelde Charlotte, The Common Information Environment and Creative Commons. Final Report to the Common Information Environment Members of a study on the applicability of Creative Commons Licences, 10 October 2005, 39 p. [http://www.intrallect.com/index.php/intrallect/knowledge_base/general_articles/creative_commons_licensing_solutions_for_the_common_information_environment__1 link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
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* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2009===<br />
<br />
*Chen Shun-ling, “To Surpass or to Conform – What are Public Licenses For?”, University of Illinois Journal of Law, Technology & Policy, Issue 1, 2009, 107–139.<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
*Michael Carroll, “Creative Commons as Conversational Copyright,” Villanova Law/Public Policy Research Paper No. 2007-8, in Intellectual Property and Information Wealth: Issues and Practices in the Digital Age, YU Peter K. (Ed.), Vol. 1, New York: Praeger, 2007, 445–61. [http://ssrn.com/abstract=978813 link]<br />
<br />
*Hietanen Herkko, “A License or a Contract, Analyzing the Nature of Creative Commons Licenses,” NIR Nordiskt Immateriellt Rättsskydd (Nordic Intellectual Property Law Review), 2007/6, 76, 516–535. [http://ssrn.com/abstract=1029366 link]<br />
<br />
*Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 [http://ssrn.com/abstract=957939 link]<br />
<br />
===2006===<br />
<br />
* Séverine Dusollier, The Master's Tools v. The Master's House: Creative Commons v. Copyright, Columbia Journal of Law and the Arts, vol. 29, Spring 2006, p. 101.<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53144Scholarship and critique regarding Creative Commons2011-10-12T15:04:50Z<p>Mdulong: /* 2006 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2008===<br />
<br />
* Abelson Hal, Adida Ben, Linksvayer Mike, Yergler Nathan, ccREL: The Creative Commons Rights Expression Language, Communia First Workshop, Torino, January 2008. [http://www.communia-project.eu/node/79 link]<br />
<br />
*Dobusch Leonhard, Quack Sigrid, “Epistemic Communities and Social Movements: Transnational Dynamics in the Case of Creative Commons,” MPIfG (Max-Planck Institute for the Study of Societies), Discussion Paper 08/8. [http://www.mpifg.de/pu/dp_abstracts/dp08-8.asp link]<br />
<br />
*Melanie Dulong de Rosnay. Check Your Data Freedom: Defining a Taxonomy for Access and Reuse of Life Science Data. Nature Precedings, July 2008. [http://dx.doi.org/10.1038/npre.2008.2083.1 link]<br />
<br />
===2007===<br />
<br />
*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Hietanen Herkko, Dulong de Rosnay Melanie, « Legal Metadata for Semantic Web Applications: Case Creative Commons », Symposium on Digital Semantic Content across Cultures, Paris, the Louvre, May 2006. [http://www.seco.tkk.fi/events/2006/2006-05-04-websemantique/presentations/articles/hietanen-DulongdeRosnay-Legal-Metadata-for-Semantic-Web-Applications.pdf link]<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Niva Elkin-Koren, Creative Commons: A Skeptical View of a Worthy Pursuit, in Hugenholtz P. Bernt & Guibault Lucie (eds.), The Future of the Public Domain, Kluwer Law International, 2006. [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
*Mako-Hill Benjamin, Towards a Standard of Freedom: Creative Commons and the Free Software Movement, july 2005. [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2009===<br />
<br />
*Chen Shun-ling, “To Surpass or to Conform – What are Public Licenses For?”, University of Illinois Journal of Law, Technology & Policy, Issue 1, 2009, 107–139.<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
*Michael Carroll, “Creative Commons as Conversational Copyright,” Villanova Law/Public Policy Research Paper No. 2007-8, in Intellectual Property and Information Wealth: Issues and Practices in the Digital Age, YU Peter K. (Ed.), Vol. 1, New York: Praeger, 2007, 445–61. [http://ssrn.com/abstract=978813 link]<br />
<br />
*Hietanen Herkko, “A License or a Contract, Analyzing the Nature of Creative Commons Licenses,” NIR Nordiskt Immateriellt Rättsskydd (Nordic Intellectual Property Law Review), 2007/6, 76, 516–535. [http://ssrn.com/abstract=1029366 link]<br />
<br />
*Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 [http://ssrn.com/abstract=957939 link]<br />
<br />
===2006===<br />
<br />
* Séverine Dusollier, The Master's Tools v. The Master's House: Creative Commons v. Copyright, Columbia Journal of Law and the Arts, vol. 29, Spring 2006, p. 101.<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53143Scholarship and critique regarding Creative Commons2011-10-12T14:58:49Z<p>Mdulong: /* 2005 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2008===<br />
<br />
* Abelson Hal, Adida Ben, Linksvayer Mike, Yergler Nathan, ccREL: The Creative Commons Rights Expression Language, Communia First Workshop, Torino, January 2008. [http://www.communia-project.eu/node/79 link]<br />
<br />
*Dobusch Leonhard, Quack Sigrid, “Epistemic Communities and Social Movements: Transnational Dynamics in the Case of Creative Commons,” MPIfG (Max-Planck Institute for the Study of Societies), Discussion Paper 08/8. [http://www.mpifg.de/pu/dp_abstracts/dp08-8.asp link]<br />
<br />
*Melanie Dulong de Rosnay. Check Your Data Freedom: Defining a Taxonomy for Access and Reuse of Life Science Data. Nature Precedings, July 2008. [http://dx.doi.org/10.1038/npre.2008.2083.1 link]<br />
<br />
===2007===<br />
<br />
*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Niva Elkin-Koren, Creative Commons: A Skeptical View of a Worthy Pursuit, in Hugenholtz P. Bernt & Guibault Lucie (eds.), The Future of the Public Domain, Kluwer Law International, 2006. [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
*Mako-Hill Benjamin, Towards a Standard of Freedom: Creative Commons and the Free Software Movement, july 2005. [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2009===<br />
<br />
*Chen Shun-ling, “To Surpass or to Conform – What are Public Licenses For?”, University of Illinois Journal of Law, Technology & Policy, Issue 1, 2009, 107–139.<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
*Michael Carroll, “Creative Commons as Conversational Copyright,” Villanova Law/Public Policy Research Paper No. 2007-8, in Intellectual Property and Information Wealth: Issues and Practices in the Digital Age, YU Peter K. (Ed.), Vol. 1, New York: Praeger, 2007, 445–61. [http://ssrn.com/abstract=978813 link]<br />
<br />
*Hietanen Herkko, “A License or a Contract, Analyzing the Nature of Creative Commons Licenses,” NIR Nordiskt Immateriellt Rättsskydd (Nordic Intellectual Property Law Review), 2007/6, 76, 516–535. [http://ssrn.com/abstract=1029366 link]<br />
<br />
*Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 [http://ssrn.com/abstract=957939 link]<br />
<br />
===2006===<br />
<br />
* Séverine Dusollier, The Master's Tools v. The Master's House: Creative Commons v. Copyright, Columbia Journal of Law and the Arts, vol. 29, Spring 2006, p. 101.<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53142Scholarship and critique regarding Creative Commons2011-10-12T14:47:53Z<p>Mdulong: /* 2007 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2008===<br />
<br />
* Abelson Hal, Adida Ben, Linksvayer Mike, Yergler Nathan, ccREL: The Creative Commons Rights Expression Language, Communia First Workshop, Torino, January 2008. [http://www.communia-project.eu/node/79 link]<br />
<br />
*Dobusch Leonhard, Quack Sigrid, “Epistemic Communities and Social Movements: Transnational Dynamics in the Case of Creative Commons,” MPIfG (Max-Planck Institute for the Study of Societies), Discussion Paper 08/8. [http://www.mpifg.de/pu/dp_abstracts/dp08-8.asp link]<br />
<br />
*Melanie Dulong de Rosnay. Check Your Data Freedom: Defining a Taxonomy for Access and Reuse of Life Science Data. Nature Precedings, July 2008. [http://dx.doi.org/10.1038/npre.2008.2083.1 link]<br />
<br />
===2007===<br />
<br />
*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Niva Elkin-Koren, Creative Commons: A Skeptical View of a Worthy Pursuit, in Hugenholtz P. Bernt & Guibault Lucie (eds.), The Future of the Public Domain, Kluwer Law International, 2006. [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2009===<br />
<br />
*Chen Shun-ling, “To Surpass or to Conform – What are Public Licenses For?”, University of Illinois Journal of Law, Technology & Policy, Issue 1, 2009, 107–139.<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
*Michael Carroll, “Creative Commons as Conversational Copyright,” Villanova Law/Public Policy Research Paper No. 2007-8, in Intellectual Property and Information Wealth: Issues and Practices in the Digital Age, YU Peter K. (Ed.), Vol. 1, New York: Praeger, 2007, 445–61. [http://ssrn.com/abstract=978813 link]<br />
<br />
*Hietanen Herkko, “A License or a Contract, Analyzing the Nature of Creative Commons Licenses,” NIR Nordiskt Immateriellt Rättsskydd (Nordic Intellectual Property Law Review), 2007/6, 76, 516–535. [http://ssrn.com/abstract=1029366 link]<br />
<br />
*Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 [http://ssrn.com/abstract=957939 link]<br />
<br />
===2006===<br />
<br />
* Séverine Dusollier, The Master's Tools v. The Master's House: Creative Commons v. Copyright, Columbia Journal of Law and the Arts, vol. 29, Spring 2006, p. 101.<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53141Scholarship and critique regarding Creative Commons2011-10-12T14:45:32Z<p>Mdulong: /* 2008 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2008===<br />
<br />
* Abelson Hal, Adida Ben, Linksvayer Mike, Yergler Nathan, ccREL: The Creative Commons Rights Expression Language, Communia First Workshop, Torino, January 2008. [http://www.communia-project.eu/node/79 link]<br />
<br />
*Dobusch Leonhard, Quack Sigrid, “Epistemic Communities and Social Movements: Transnational Dynamics in the Case of Creative Commons,” MPIfG (Max-Planck Institute for the Study of Societies), Discussion Paper 08/8. [http://www.mpifg.de/pu/dp_abstracts/dp08-8.asp link]<br />
<br />
*Melanie Dulong de Rosnay. Check Your Data Freedom: Defining a Taxonomy for Access and Reuse of Life Science Data. Nature Precedings, July 2008. [http://dx.doi.org/10.1038/npre.2008.2083.1 link]<br />
<br />
===2007===<br />
<br />
*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Niva Elkin-Koren, Creative Commons: A Skeptical View of a Worthy Pursuit, in Hugenholtz P. Bernt & Guibault Lucie (eds.), The Future of the Public Domain, Kluwer Law International, 2006. [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2009===<br />
<br />
*Chen Shun-ling, “To Surpass or to Conform – What are Public Licenses For?”, University of Illinois Journal of Law, Technology & Policy, Issue 1, 2009, 107–139.<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
*Michael Carroll, “Creative Commons as Conversational Copyright,” Villanova Law/Public Policy Research Paper No. 2007-8, in Intellectual Property and Information Wealth: Issues and Practices in the Digital Age, YU Peter K. (Ed.), Vol. 1, New York: Praeger, 2007, 445–61. [http://ssrn.com/abstract=978813 link]<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 [http://ssrn.com/abstract=957939 link]<br />
<br />
===2006===<br />
<br />
* Séverine Dusollier, The Master's Tools v. The Master's House: Creative Commons v. Copyright, Columbia Journal of Law and the Arts, vol. 29, Spring 2006, p. 101.<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53140Scholarship and critique regarding Creative Commons2011-10-12T14:38:50Z<p>Mdulong: /* 2009 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2008===<br />
<br />
* Abelson Hal, Adida Ben, Linksvayer Mike, Yergler Nathan, ccREL: The Creative Commons Rights Expression Language, Communia First Workshop, Torino, January 2008. [http://www.communia-project.eu/node/79 link]<br />
<br />
*Melanie Dulong de Rosnay. Check Your Data Freedom: Defining a Taxonomy for Access and Reuse of Life Science Data. Nature Precedings, July 2008. [http://dx.doi.org/10.1038/npre.2008.2083.1 link]<br />
<br />
===2007===<br />
<br />
*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Niva Elkin-Koren, Creative Commons: A Skeptical View of a Worthy Pursuit, in Hugenholtz P. Bernt & Guibault Lucie (eds.), The Future of the Public Domain, Kluwer Law International, 2006. [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2009===<br />
<br />
*Chen Shun-ling, “To Surpass or to Conform – What are Public Licenses For?”, University of Illinois Journal of Law, Technology & Policy, Issue 1, 2009, 107–139.<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
*Michael Carroll, “Creative Commons as Conversational Copyright,” Villanova Law/Public Policy Research Paper No. 2007-8, in Intellectual Property and Information Wealth: Issues and Practices in the Digital Age, YU Peter K. (Ed.), Vol. 1, New York: Praeger, 2007, 445–61. [http://ssrn.com/abstract=978813 link]<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 [http://ssrn.com/abstract=957939 link]<br />
<br />
===2006===<br />
<br />
* Séverine Dusollier, The Master's Tools v. The Master's House: Creative Commons v. Copyright, Columbia Journal of Law and the Arts, vol. 29, Spring 2006, p. 101.<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53139Scholarship and critique regarding Creative Commons2011-10-12T14:38:39Z<p>Mdulong: /* Law Journal Articles about CC and CC Related Topics */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2008===<br />
<br />
* Abelson Hal, Adida Ben, Linksvayer Mike, Yergler Nathan, ccREL: The Creative Commons Rights Expression Language, Communia First Workshop, Torino, January 2008. [http://www.communia-project.eu/node/79 link]<br />
<br />
*Melanie Dulong de Rosnay. Check Your Data Freedom: Defining a Taxonomy for Access and Reuse of Life Science Data. Nature Precedings, July 2008. [http://dx.doi.org/10.1038/npre.2008.2083.1 link]<br />
<br />
===2007===<br />
<br />
*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Niva Elkin-Koren, Creative Commons: A Skeptical View of a Worthy Pursuit, in Hugenholtz P. Bernt & Guibault Lucie (eds.), The Future of the Public Domain, Kluwer Law International, 2006. [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2009===<br />
<br />
Chen Shun-ling, “To Surpass or to Conform – What are Public Licenses For?”, University of Illinois Journal of Law, Technology & Policy, Issue 1, 2009, 107–139.<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
*Michael Carroll, “Creative Commons as Conversational Copyright,” Villanova Law/Public Policy Research Paper No. 2007-8, in Intellectual Property and Information Wealth: Issues and Practices in the Digital Age, YU Peter K. (Ed.), Vol. 1, New York: Praeger, 2007, 445–61. [http://ssrn.com/abstract=978813 link]<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 [http://ssrn.com/abstract=957939 link]<br />
<br />
===2006===<br />
<br />
* Séverine Dusollier, The Master's Tools v. The Master's House: Creative Commons v. Copyright, Columbia Journal of Law and the Arts, vol. 29, Spring 2006, p. 101.<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53138Scholarship and critique regarding Creative Commons2011-10-12T14:34:57Z<p>Mdulong: /* 2007 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2008===<br />
<br />
* Abelson Hal, Adida Ben, Linksvayer Mike, Yergler Nathan, ccREL: The Creative Commons Rights Expression Language, Communia First Workshop, Torino, January 2008. [http://www.communia-project.eu/node/79 link]<br />
<br />
*Melanie Dulong de Rosnay. Check Your Data Freedom: Defining a Taxonomy for Access and Reuse of Life Science Data. Nature Precedings, July 2008. [http://dx.doi.org/10.1038/npre.2008.2083.1 link]<br />
<br />
===2007===<br />
<br />
*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Niva Elkin-Koren, Creative Commons: A Skeptical View of a Worthy Pursuit, in Hugenholtz P. Bernt & Guibault Lucie (eds.), The Future of the Public Domain, Kluwer Law International, 2006. [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
*Michael Carroll, “Creative Commons as Conversational Copyright,” Villanova Law/Public Policy Research Paper No. 2007-8, in Intellectual Property and Information Wealth: Issues and Practices in the Digital Age, YU Peter K. (Ed.), Vol. 1, New York: Praeger, 2007, 445–61. [http://ssrn.com/abstract=978813 link]<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 [http://ssrn.com/abstract=957939 link]<br />
<br />
===2006===<br />
<br />
* Séverine Dusollier, The Master's Tools v. The Master's House: Creative Commons v. Copyright, Columbia Journal of Law and the Arts, vol. 29, Spring 2006, p. 101.<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53137Scholarship and critique regarding Creative Commons2011-10-12T14:34:38Z<p>Mdulong: /* 2007 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2008===<br />
<br />
* Abelson Hal, Adida Ben, Linksvayer Mike, Yergler Nathan, ccREL: The Creative Commons Rights Expression Language, Communia First Workshop, Torino, January 2008. [http://www.communia-project.eu/node/79 link]<br />
<br />
*Melanie Dulong de Rosnay. Check Your Data Freedom: Defining a Taxonomy for Access and Reuse of Life Science Data. Nature Precedings, July 2008. [http://dx.doi.org/10.1038/npre.2008.2083.1 link]<br />
<br />
===2007===<br />
<br />
*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Niva Elkin-Koren, Creative Commons: A Skeptical View of a Worthy Pursuit, in Hugenholtz P. Bernt & Guibault Lucie (eds.), The Future of the Public Domain, Kluwer Law International, 2006. [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
Michael Carroll, “Creative Commons as Conversational Copyright,” Villanova Law/Public Policy Research Paper No. 2007-8, in Intellectual Property and Information Wealth: Issues and Practices in the Digital Age, YU Peter K. (Ed.), Vol. 1, New York: Praeger, 2007, 445–61. [http://ssrn.com/abstract=978813 link]<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 [http://ssrn.com/abstract=957939 link]<br />
<br />
===2006===<br />
<br />
* Séverine Dusollier, The Master's Tools v. The Master's House: Creative Commons v. Copyright, Columbia Journal of Law and the Arts, vol. 29, Spring 2006, p. 101.<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53136Scholarship and critique regarding Creative Commons2011-10-12T14:32:15Z<p>Mdulong: /* 2008 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2008===<br />
<br />
* Abelson Hal, Adida Ben, Linksvayer Mike, Yergler Nathan, ccREL: The Creative Commons Rights Expression Language, Communia First Workshop, Torino, January 2008. [http://www.communia-project.eu/node/79 link]<br />
<br />
*Melanie Dulong de Rosnay. Check Your Data Freedom: Defining a Taxonomy for Access and Reuse of Life Science Data. Nature Precedings, July 2008. [http://dx.doi.org/10.1038/npre.2008.2083.1 link]<br />
<br />
===2007===<br />
<br />
*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Niva Elkin-Koren, Creative Commons: A Skeptical View of a Worthy Pursuit, in Hugenholtz P. Bernt & Guibault Lucie (eds.), The Future of the Public Domain, Kluwer Law International, 2006. [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 Available at SSRN: http://ssrn.com/abstract=957939<br />
<br />
===2006===<br />
<br />
* Séverine Dusollier, The Master's Tools v. The Master's House: Creative Commons v. Copyright, Columbia Journal of Law and the Arts, vol. 29, Spring 2006, p. 101.<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53135Scholarship and critique regarding Creative Commons2011-10-12T14:28:03Z<p>Mdulong: /* 2005 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2008===<br />
<br />
*Melanie Dulong de Rosnay. Check Your Data Freedom: Defining a Taxonomy for Access and Reuse of Life Science Data. Nature Precedings, July 2008. [http://dx.doi.org/10.1038/npre.2008.2083.1 link]<br />
<br />
===2007===<br />
<br />
*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Niva Elkin-Koren, Creative Commons: A Skeptical View of a Worthy Pursuit, in Hugenholtz P. Bernt & Guibault Lucie (eds.), The Future of the Public Domain, Kluwer Law International, 2006. [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 Available at SSRN: http://ssrn.com/abstract=957939<br />
<br />
===2006===<br />
<br />
* Séverine Dusollier, The Master's Tools v. The Master's House: Creative Commons v. Copyright, Columbia Journal of Law and the Arts, vol. 29, Spring 2006, p. 101.<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53134Scholarship and critique regarding Creative Commons2011-10-12T14:27:31Z<p>Mdulong: /* 2005 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2008===<br />
<br />
*Melanie Dulong de Rosnay. Check Your Data Freedom: Defining a Taxonomy for Access and Reuse of Life Science Data. Nature Precedings, July 2008. [http://dx.doi.org/10.1038/npre.2008.2083.1 link]<br />
<br />
===2007===<br />
<br />
*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Niva Elkin-Koren, Creative Commons: A Skeptical View of a Worthy Pursuit, in Hugenholtz P. Bernt & Guibault Lucie (eds.), The Future of the Public Domain, Kluwer Law International, 2006. [http://ssrn.com/abstract=885466link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 Available at SSRN: http://ssrn.com/abstract=957939<br />
<br />
===2006===<br />
<br />
* Séverine Dusollier, The Master's Tools v. The Master's House: Creative Commons v. Copyright, Columbia Journal of Law and the Arts, vol. 29, Spring 2006, p. 101.<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53133Scholarship and critique regarding Creative Commons2011-10-12T14:25:45Z<p>Mdulong: /* 2006 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2008===<br />
<br />
*Melanie Dulong de Rosnay. Check Your Data Freedom: Defining a Taxonomy for Access and Reuse of Life Science Data. Nature Precedings, July 2008. [http://dx.doi.org/10.1038/npre.2008.2083.1 link]<br />
<br />
===2007===<br />
<br />
*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 Available at SSRN: http://ssrn.com/abstract=957939<br />
<br />
===2006===<br />
<br />
* Séverine Dusollier, The Master's Tools v. The Master's House: Creative Commons v. Copyright, Columbia Journal of Law and the Arts, vol. 29, Spring 2006, p. 101.<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53131Scholarship and critique regarding Creative Commons2011-10-12T13:35:09Z<p>Mdulong: /* General Articles and Comments Related to CC and CC Related Topics */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2008===<br />
<br />
*Melanie Dulong de Rosnay. Check Your Data Freedom: Defining a Taxonomy for Access and Reuse of Life Science Data. Nature Precedings, July 2008. [http://dx.doi.org/10.1038/npre.2008.2083.1 link]<br />
<br />
===2007===<br />
<br />
*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 Available at SSRN: http://ssrn.com/abstract=957939<br />
<br />
===2006===<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53130Scholarship and critique regarding Creative Commons2011-10-12T13:33:45Z<p>Mdulong: /* 2006 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2007===<br />
<br />
*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 Available at SSRN: http://ssrn.com/abstract=957939<br />
<br />
===2006===<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53129Scholarship and critique regarding Creative Commons2011-10-12T13:28:16Z<p>Mdulong: /* General Articles and Comments Related to CC and CC Related Topics */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2006===<br />
<br />
*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 Available at SSRN: http://ssrn.com/abstract=957939<br />
<br />
===2006===<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53128Scholarship and critique regarding Creative Commons2011-10-12T13:27:42Z<p>Mdulong: /* 2006 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]<br />
<br />
Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]<br />
<br />
===2009===<br />
<br />
Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]<br />
<br />
===2006===<br />
<br />
M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 Available at SSRN: http://ssrn.com/abstract=957939<br />
<br />
===2006===<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53127Scholarship and critique regarding Creative Commons2011-10-12T13:13:21Z<p>Mdulong: /* 2004 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 Available at SSRN: http://ssrn.com/abstract=957939<br />
<br />
===2006===<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53126Scholarship and critique regarding Creative Commons2011-10-12T13:13:01Z<p>Mdulong: /* 2010 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 Available at SSRN: http://ssrn.com/abstract=957939<br />
<br />
===2006===<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53125Scholarship and critique regarding Creative Commons2011-10-12T13:12:40Z<p>Mdulong: /* Books Related to CC and CC Related Topics */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 Available at SSRN: http://ssrn.com/abstract=957939<br />
<br />
===2006===<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53124Scholarship and critique regarding Creative Commons2011-10-12T13:11:32Z<p>Mdulong: /* Books Related to CC and CC Related Topics */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633 <br />
[http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link]<br />
[http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 table of contents]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link]<br />
[http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ table of contents]<br />
(NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 Available at SSRN: http://ssrn.com/abstract=957939<br />
<br />
===2006===<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53123Scholarship and critique regarding Creative Commons2011-10-12T13:07:56Z<p>Mdulong: /* Books Related to CC and CC Related Topics */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2010===<br />
<br />
* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p.<br />
[http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf]<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press.ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 Available at SSRN: http://ssrn.com/abstract=957939<br />
<br />
===2006===<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Scholarship_and_critique_regarding_Creative_Commons&diff=53122Scholarship and critique regarding Creative Commons2011-10-12T13:05:07Z<p>Mdulong: /* 2004 */</p>
<hr />
<div>These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.<br />
<br />
==General Articles and Comments Related to CC and CC Related Topics==<br />
<br />
===2006===<br />
<br />
*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]<br />
<br />
*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]<br />
<br />
*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.<br />
<br />
*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]<br />
<br />
*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]<br />
<br />
*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]<br />
<br />
===2005===<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]<br />
<br />
*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]<br />
<br />
*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]<br />
<br />
*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]<br />
<br />
*Andrea Gloriosoi, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]<br />
<br />
*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]<br />
<br />
*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]<br />
<br />
===2004===<br />
<br />
*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]<br />
<br />
*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]<br />
<br />
*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://fr.creativecommons.org/iCommonsAtTheDigitalAge.pdf link]<br />
<br />
*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).<br />
<br />
*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]<br />
<br />
*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]<br />
<br />
===2003===<br />
<br />
*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]<br />
<br />
*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time). <br />
<br />
*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]<br />
<br />
*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]<br />
<br />
===2002===<br />
<br />
*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time). <br />
<br />
*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]<br />
<br />
<br />
==Books Related to CC and CC Related Topics==<br />
<br />
===2006===<br />
<br />
*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press.ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]<br />
<br />
===2005===<br />
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]<br />
<br />
*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]<br />
<br />
*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]<br />
<br />
===2004===<br />
<br />
*Danièle Bourcier, Mélanie Dulong de Rosnay et. al., (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)<br />
<br />
===2001===<br />
<br />
*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784. <br />
<br />
*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]<br />
<br />
===1999===<br />
<br />
*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.<br />
<br />
===1997===<br />
<br />
*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.<br />
<br />
<br />
==Law Journal Articles about CC and CC Related Topics==<br />
<br />
===2008===<br />
<br />
* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947<br />
<br />
===2007===<br />
<br />
* Pallas Loren, Lydia, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 Available at SSRN: http://ssrn.com/abstract=957939<br />
<br />
===2006===<br />
<br />
*Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).<br />
<br />
*Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).<br />
<br />
===2005===<br />
<br />
*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]<br />
<br />
*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005). <br />
<br />
*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005). <br />
<br />
*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).<br />
<br />
===2004===<br />
<br />
*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).<br />
<br />
*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).<br />
<br />
*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).<br />
<br />
*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).<br />
<br />
*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).<br />
<br />
===2003===<br />
<br />
*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).<br />
<br />
*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).<br />
<br />
==Criticisms of/Debate About Creative Commons & CC-related issues==<br />
<br />
===2006===<br />
<br />
*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]<br />
<br />
*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]<br />
<br />
*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]<br />
<br />
*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]<br />
<br />
*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]<br />
<br />
===2005===<br />
<br />
*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]<br />
<br />
*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]<br />
<br />
*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]<br />
<br />
*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]<br />
<br />
*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]<br />
<br />
*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]<br />
<br />
*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]<br />
<br />
*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]<br />
<br />
*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]<br />
<br />
*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]<br />
<br />
*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]<br />
<br />
*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]<br />
<br />
*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]<br />
<br />
*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]<br />
<br />
*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]<br />
<br />
*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]<br />
<br />
*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]<br />
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]<br />
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]<br />
<br />
*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]<br />
<br />
*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=France&diff=52674France2011-09-16T10:36:18Z<p>Mdulong: </p>
<hr />
<div>{{Jurisdiction<br />
|jurstatus=Active<br />
|status=2.0<br />
|country code=fr<br />
|homepage=http://creativecommons.fr/<br />
|mailing list=cc-fr@lists.ibiblio.org<br />
|twitter=http://fr.twitter.com/#!/cc_france<br />
|social=http://www.facebook.com/pages/Creative-Commons-FR-officiel/141722085902494?v=wall<br />
|mailing=CERSA<br />
10 rue Thenard<br />
75005 Paris<br />
|region=Europe<br />
|affiliated=Research Center in Administrative Science (CERSA)<br />
|affurl=http://www.cersa.org/<br />
|afftype=academic institution<br />
|plead1=Danièle Bourcier<br />
|pemail1=ccfr@ibiblio.org<br />
|ptitle1=Scientific Project Lead<br />
|plead2=Melanie Dulong de Rosnay<br />
|ptitle2=Legal Project Lead<br />
|plead3=Primavera De Filippi and Meritxell Fernandez-Barrera<br />
|ptitle3=Legal experts<br />
|plead4=Lara Beswick<br />
|ptitle4=Music & Art communities<br />
|plead5=Francois Dechelle<br />
|ptitle5=Open Education Resources<br />
|teamsize=6<br />
|flagurl=http://creativecommons.org/images/international/fr.png<br />
}}<br />
The 3.0 French license draft is available for public comment!<br />
Please view the license draft [[France 3.0 Draft|here]] and contribute to the discussion [[Talk:France 3.0 Draft|her]]e.<br />
<br />
<br />
<br />
Visit the [http://creativecommons.fr/ jurisdiction's website].<br />
<br />
The Creative Commons France license suite is available in the following version. [http://creativecommons.org/choose/?jurisdiction=fr License your work] under these licenses, or [http://creativecommons.org/choose choose] the international licenses. [http://wiki.creativecommons.org/FAQ#Should_I_choose_an_international_license_or_a_ported_license.3F More info].<br />
<br />
<br />
Many thanks to all who contributed to the localization of the license suite.<br />
<br />
Creative Commons is working with [http://www.cersa.org/ CERSA] to create France jurisdiction-specific licenses from the generic Creative Commons licenses.<br />
<br />
=CC France List=<br />
<br />
Project Lead: [mailto:ccfr@ibiblio.org Danièle Bourcier]<br />
<br />
*[http://mirrors.creativecommons.org/international/fr/translated-license.pdf License Draft]<br />
*[http://mirrors.creativecommons.org/international/fr/english-changes.pdf English explanation of substantive legal changes]<br />
*[http://fr.creativecommons.org/ Creative Commons France website]<br />
*[mailto:cc-fr%20-at-%20lists.ibiblio.org Post a message]<br />
*[http://lists.ibiblio.org/mailman/listinfo/cc-fr/ Subscribe to the discussion]<br />
*[http://lists.ibiblio.org/pipermail/cc-fr/ Read the discussion archives]<br />
<br />
=More about CERSA=<br />
<br />
Founded in 1967, the Research Center in Administrative Science (CERSA) is a joint research institute of the University of Paris 2 and the National Center for Scientific Research (CNRS). Dedicated to the study of administrative phenomena at all levels, CERSA is host to researchers in public law, political science and sociology. The research group in Information Technologies, Law and Linguistics (IDL) works on Information Technologies regulation, governance, normative process and legal modelling. It also develops cognitive interfaces and applications within local and European projects and networks.<br />
<br />
For more information about CERSA, visit http://www.cersa.org/<br />
<br />
<br />
[[Collecting Society Projects/France]]<br />
<br />
=Affiliate Team Roadmap= <br />
<br />
* Date submitted: 22 December 2010<br />
* Timespan of this roadmap: 2011<br />
<br />
== Team information ==<br />
Jurisdiction: France<br />
<br />
Complete list of all members of the Affiliate Team, their roles, and field(s) of expertise<br />
*Danièle Bourcier, Scientific project lead<br />
*Melanie Dulong de Rosnay, Legal project lead<br />
*Primavera De Filippi, Legal expert<br />
*Meritxell Fernandez-Barrera, Legal expert<br />
*Lara Beswick, Music & Art communities<br />
*Francois Dechelle, Open Education Resources<br />
<br />
Date of earliest MOU in jurisdiction: 2003<br />
<br />
Self-Identified Region(s), i.e. Europe, Africa, Asia-Pacific, Latin America, North America, Arab world: Europe<br />
<br />
Why do you identify yourself as being part of the listed region(s)? CC France members participate to CC Europe meetings.<br />
<br />
<br />
==Vision== <br />
<br />
* Why is Creative Commons important for the jurisdiction? Because France recently enacted two controversial law with regard to author's rights. There is also a stronger need to counter the growing powers of the SACEM.<br />
<br />
* What do you think makes a successful jurisdiction project? To participate to the current debate against the growing powers assigned to the SACEM. For instance, to help reach an agreement with the SACEM. <br />
<br />
* How do you see the jurisdiction project contributing to the CC Affiliate Network? Reporting on problems and reports on the experiences in France. To strengthen the relationships and to create a community with other CC jurisdictions.<br />
<br />
<br />
===Community===<br />
<br />
* Describe the communities that are currently active in the project. <br />
Public Sector Information, Press, Music, Photography, Libraries.<br />
** How will you continue to engage with these communities?<br />
CC Salons, discussions and common research projects. <br />
<br />
* Describe the communities (existing or new) that you plan to focus on during the timeframe covered by this roadmap? <br />
Public Sector Information, Scientific communities, Education community, Wikimedia, Libraries.<br />
** How do you plan to engage with these communities?<br />
CC Salons, meetings, discussions and common research projects. Communication through the CC-FR website. <br />
<br />
<br />
==Priority Goals== <br />
<br />
1. Focus-area: Develop the core team by integrating new members and creating an advisory board. Raise funds.<br />
* Why is it important? It will reinforce the project by giving more resources and ideas.<br />
* Which communities will benefit? All communities, especially those who are not in the field of expertise of current team members<br />
2. Focus-area: Education. Scientific publications and data. Public sector information.<br />
* Why is it important? Science and education will advance quicker if resources are available under clear and open conditions. It is also important to re-establish and develop new links with institutions in France which has a long tradition of public sector and where CC can make an impact. In general, it is important to develop access to and dissemination of knowledge.<br />
* Which communities will benefit? Researchers and educators in France, Europe and other countries. National and local governments and cultural institutions that will be approached for the benefit of the entire society.<br />
3. Focus-area: Music Collecting Societies<br />
* Why is it important? In order for artists to be able to benefit from the system of collecting societies, as well as the visibility they can derive from CC licenses. Also in order to remove misunderstandings. <br />
* Which communities will benefit? Music community, industry and institutions in France, and eventually in other countries if we manage to reach an agreement case which could have spill-over effects. <br />
<br />
==Project Outputs==<br />
<br />
The outputs we plan to complete are as follows:<br />
<br />
===1. Focus-area===<br />
*Project Output: Integrate new team members and organize the work. Seek grants. Invite advisory board members and have a first meeting to define priorities. Transfer the website to Wordpress and finish the translations.<br />
*Expected start date - Expected date of completion: 1-1-2011 / 30-6-2011<br />
*Team Member(s) Responsible: Danièle and Melanie<br />
*How will this output help achieve your goals? It will help reinforce and structure the project by providing more resources and visibility.<br />
===2. Focus-area===<br />
*Project Output: Meetings with researchers and stakeholders. Organize a workshop<br />
*Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011<br />
*Team Member(s) Responsible: Melanie and Francois<br />
*How will this output help achieve your goals? Analysis of Open Science and Open Education movements in France needs structuration.<br />
===3. Focus-area===<br />
* Project Output: Meetings with institutions. A promotional video<br />
* Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011<br />
* Team Member(s) Responsible: Danièle, Primavera and Meritxell<br />
* How will this output help achieve your goals?<br />
Explain open licensing to institutions and to the public<br />
===4. Focus-area===<br />
* Project Output: meetings with SACEM<br />
* Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011<br />
* Team Member(s) Responsible: Danièle, Melanie and Lara<br />
* How will this output help achieve your goals?<br />
To make CC licenses compatible with collecting societies<br />
<br />
==Metrics==<br />
<br />
* How will you measure and evaluate your impact on focus-area 1? <br />
**Number of new team members<br />
**Representativity of advisory board members<br />
* How will you measure and evaluate your impact on focus-area 2/3? <br />
**Number of projects released under CC in the scientific/educational context (althought we do not consider this a goal per se).<br />
**Awareness of CC licences in the scientific/educational context.<br />
**Overall satisfaction of people who released their works under a CC licence.<br />
* How will you measure and evaluate your impact on focus-area 4?<br />
**a SACEM agreement<br />
**the overall satisfaction of artists, in terms of financial returns. <br />
<br />
<br />
==Resources Required==<br />
<br />
===People===<br />
* What human resources or expertise must the team seek out or add to your existing resources, if any, in order to achieve your priority goals? The team is complete : team members raised from 2 to 6. We need to create a board.<br />
** How will you involve these people? Every one is a volunteer, taking upon their work and leisure time to work for CC-FR.<br />
<br />
<br />
===Technology===<br />
* What technology resources must the team seek out or add to your existing resources, if any, in order to achieve your priority goals? Video-cameras, laptops, and other goodies.<br />
** How will you obtain these technology resources?<br />
maybe after asking Santa Claus.<br />
<br />
<br />
===Other===<br />
* What other resources must the team seek out or add to all the other resources, if any, in order to achieve your priority goals? The possibility to find spaces to organize our CC salons.<br />
Fundings for hotel / travel expenses for inviting people.<br />
** How will you obtain these other resources? (that is the question)<br />
Sponsorship maybe? And write grant applications.<br />
<br />
<br />
==Sustainability and Scalability==<br />
<br />
* How will you ensure your goals will be completed if unforeseen circumstances interrupt the project, such as changes in the leadership of the project or outputs taking longer to complete than anticipated? Improve team communication, share password and important information with each other.<br />
<br />
* How will you communicate the project's on-going progress and setbacks within the jurisdiction and the CC Affiliate Network? (e.g. email list updates, meetings, press releases). website, mailing list and blogs. <br />
<br />
* How will you document the project so that others may replicate or learn from your efforts? Raise money to collectively write a best-practices guide & case studies with the other CC teams.<br />
<br />
<br />
==Collaboration==<br />
<br />
** How could the jurisdiction's plans help drive or support other jurisdictions' activities? Case studies<br />
** What are other jurisdictions doing that might support or contribute to the project? Case studies and best practices<br />
<br />
* Would you be interested in mentoring new jurisdiction teams? Yes<br />
<br />
* Conversely, would you be interested in having a mentor from a more experienced jurisdiction team? Yes<br />
<br />
===Regional===<br />
<br />
* Suggest three possible projects on which you can collaborate with other teams on a regional level. If you are not yet involved with the regional network, please contact the regional spokesperson (if any) or notify CC HQ to put you in touch with others. <br />
CC Europe<br />
Communia follow-up<br />
CC Collecting Societies Working Group<br />
<br />
** How do you plan to contribute to these projects?<br />
<br />
<br />
==Translation==<br />
<br />
* In what language(s) will you promote CC in the jurisdiction and why? French is the official language of France<br />
** In which of these languages are licenses already available? CC0? In France, in progress<br />
** Into which of the remaining languages do you intend to translate the licenses? CC0? French<br />
<br />
==Misc.==<br />
<br />
* Any additional comments? The structure of the roadmap is difficult to follow and some questions are not applicable to our case, sorry we did not answer 100% of the questions and happy to further discuss.</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=France&diff=52673France2011-09-16T10:24:54Z<p>Mdulong: </p>
<hr />
<div>{{Jurisdiction<br />
|jurstatus=Active<br />
|status=2.0<br />
|country code=fr<br />
|homepage=http://creativecommons.fr/<br />
|mailing=CERSA<br />
10 rue Thenard<br />
75005 Paris<br />
|region=Europe<br />
|affiliated=Research Center in Administrative Science (CERSA)<br />
|affurl=http://www.cersa.org/<br />
|afftype=academic institution<br />
|plead1=Danièle Bourcier<br />
|pemail1=ccfr@ibiblio.org<br />
|ptitle1=Scientific Project Lead<br />
|plead2=Melanie Dulong de Rosnay<br />
|ptitle2=Legal Project Lead<br />
|plead3=Primavera De Filippi and Meritxell Fernandez-Barrera<br />
|ptitle3=Legal experts<br />
|plead4=Lara Beswick<br />
|ptitle4=Music & Art communities<br />
|plead5=Francois Dechelle<br />
|ptitle5=Open Education Resources<br />
|teamsize=6<br />
|flagurl=http://creativecommons.org/images/international/fr.png<br />
}}<br />
The 3.0 French license draft is available for public comment!<br />
Please view the license draft [[France 3.0 Draft|here]] and contribute to the discussion [[Talk:France 3.0 Draft|her]]e.<br />
<br />
<br />
<br />
Visit the [http://creativecommons.fr/ jurisdiction's website].<br />
<br />
The Creative Commons France license suite is available in the following version. [http://creativecommons.org/choose/?jurisdiction=fr License your work] under these licenses, or [http://creativecommons.org/choose choose] the international licenses. [http://wiki.creativecommons.org/FAQ#Should_I_choose_an_international_license_or_a_ported_license.3F More info].<br />
<br />
<br />
Many thanks to all who contributed to the localization of the license suite.<br />
<br />
Creative Commons is working with [http://www.cersa.org/ CERSA] to create France jurisdiction-specific licenses from the generic Creative Commons licenses.<br />
<br />
=CC France List=<br />
<br />
Project Lead: [mailto:ccfr@ibiblio.org Danièle Bourcier]<br />
<br />
*[http://mirrors.creativecommons.org/international/fr/translated-license.pdf License Draft]<br />
*[http://mirrors.creativecommons.org/international/fr/english-changes.pdf English explanation of substantive legal changes]<br />
*[http://fr.creativecommons.org/ Creative Commons France website]<br />
*[mailto:cc-fr%20-at-%20lists.ibiblio.org Post a message]<br />
*[http://lists.ibiblio.org/mailman/listinfo/cc-fr/ Subscribe to the discussion]<br />
*[http://lists.ibiblio.org/pipermail/cc-fr/ Read the discussion archives]<br />
<br />
=More about CERSA=<br />
<br />
Founded in 1967, the Research Center in Administrative Science (CERSA) is a joint research institute of the University of Paris 2 and the National Center for Scientific Research (CNRS). Dedicated to the study of administrative phenomena at all levels, CERSA is host to researchers in public law, political science and sociology. The research group in Information Technologies, Law and Linguistics (IDL) works on Information Technologies regulation, governance, normative process and legal modelling. It also develops cognitive interfaces and applications within local and European projects and networks.<br />
<br />
For more information about CERSA, visit http://www.cersa.org/<br />
<br />
<br />
[[Collecting Society Projects/France]]<br />
<br />
=Affiliate Team Roadmap= <br />
<br />
* Date submitted: 22 December 2010<br />
* Timespan of this roadmap: 2011<br />
<br />
== Team information ==<br />
Jurisdiction: France<br />
<br />
Complete list of all members of the Affiliate Team, their roles, and field(s) of expertise<br />
*Danièle Bourcier, Scientific project lead<br />
*Melanie Dulong de Rosnay, Legal project lead<br />
*Primavera De Filippi, Legal expert<br />
*Meritxell Fernandez-Barrera, Legal expert<br />
*Lara Beswick, Music & Art communities<br />
*Francois Dechelle, Open Education Resources<br />
<br />
Date of earliest MOU in jurisdiction: 2003<br />
<br />
Self-Identified Region(s), i.e. Europe, Africa, Asia-Pacific, Latin America, North America, Arab world: Europe<br />
<br />
Why do you identify yourself as being part of the listed region(s)? CC France members participate to CC Europe meetings.<br />
<br />
<br />
==Vision== <br />
<br />
* Why is Creative Commons important for the jurisdiction? Because France recently enacted two controversial law with regard to author's rights. There is also a stronger need to counter the growing powers of the SACEM.<br />
<br />
* What do you think makes a successful jurisdiction project? To participate to the current debate against the growing powers assigned to the SACEM. For instance, to help reach an agreement with the SACEM. <br />
<br />
* How do you see the jurisdiction project contributing to the CC Affiliate Network? Reporting on problems and reports on the experiences in France. To strengthen the relationships and to create a community with other CC jurisdictions.<br />
<br />
<br />
===Community===<br />
<br />
* Describe the communities that are currently active in the project. <br />
Public Sector Information, Press, Music, Photography, Libraries.<br />
** How will you continue to engage with these communities?<br />
CC Salons, discussions and common research projects. <br />
<br />
* Describe the communities (existing or new) that you plan to focus on during the timeframe covered by this roadmap? <br />
Public Sector Information, Scientific communities, Education community, Wikimedia, Libraries.<br />
** How do you plan to engage with these communities?<br />
CC Salons, meetings, discussions and common research projects. Communication through the CC-FR website. <br />
<br />
<br />
==Priority Goals== <br />
<br />
1. Focus-area: Develop the core team by integrating new members and creating an advisory board. Raise funds.<br />
* Why is it important? It will reinforce the project by giving more resources and ideas.<br />
* Which communities will benefit? All communities, especially those who are not in the field of expertise of current team members<br />
2. Focus-area: Education. Scientific publications and data. Public sector information.<br />
* Why is it important? Science and education will advance quicker if resources are available under clear and open conditions. It is also important to re-establish and develop new links with institutions in France which has a long tradition of public sector and where CC can make an impact. In general, it is important to develop access to and dissemination of knowledge.<br />
* Which communities will benefit? Researchers and educators in France, Europe and other countries. National and local governments and cultural institutions that will be approached for the benefit of the entire society.<br />
3. Focus-area: Music Collecting Societies<br />
* Why is it important? In order for artists to be able to benefit from the system of collecting societies, as well as the visibility they can derive from CC licenses. Also in order to remove misunderstandings. <br />
* Which communities will benefit? Music community, industry and institutions in France, and eventually in other countries if we manage to reach an agreement case which could have spill-over effects. <br />
<br />
==Project Outputs==<br />
<br />
The outputs we plan to complete are as follows:<br />
<br />
===1. Focus-area===<br />
*Project Output: Integrate new team members and organize the work. Seek grants. Invite advisory board members and have a first meeting to define priorities. Transfer the website to Wordpress and finish the translations.<br />
*Expected start date - Expected date of completion: 1-1-2011 / 30-6-2011<br />
*Team Member(s) Responsible: Danièle and Melanie<br />
*How will this output help achieve your goals? It will help reinforce and structure the project by providing more resources and visibility.<br />
===2. Focus-area===<br />
*Project Output: Meetings with researchers and stakeholders. Organize a workshop<br />
*Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011<br />
*Team Member(s) Responsible: Melanie and Francois<br />
*How will this output help achieve your goals? Analysis of Open Science and Open Education movements in France needs structuration.<br />
===3. Focus-area===<br />
* Project Output: Meetings with institutions. A promotional video<br />
* Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011<br />
* Team Member(s) Responsible: Danièle, Primavera and Meritxell<br />
* How will this output help achieve your goals?<br />
Explain open licensing to institutions and to the public<br />
===4. Focus-area===<br />
* Project Output: meetings with SACEM<br />
* Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011<br />
* Team Member(s) Responsible: Danièle, Melanie and Lara<br />
* How will this output help achieve your goals?<br />
To make CC licenses compatible with collecting societies<br />
<br />
==Metrics==<br />
<br />
* How will you measure and evaluate your impact on focus-area 1? <br />
**Number of new team members<br />
**Representativity of advisory board members<br />
* How will you measure and evaluate your impact on focus-area 2/3? <br />
**Number of projects released under CC in the scientific/educational context (althought we do not consider this a goal per se).<br />
**Awareness of CC licences in the scientific/educational context.<br />
**Overall satisfaction of people who released their works under a CC licence.<br />
* How will you measure and evaluate your impact on focus-area 4?<br />
**a SACEM agreement<br />
**the overall satisfaction of artists, in terms of financial returns. <br />
<br />
<br />
==Resources Required==<br />
<br />
===People===<br />
* What human resources or expertise must the team seek out or add to your existing resources, if any, in order to achieve your priority goals? The team is complete : team members raised from 2 to 6. We need to create a board.<br />
** How will you involve these people? Every one is a volunteer, taking upon their work and leisure time to work for CC-FR.<br />
<br />
<br />
===Technology===<br />
* What technology resources must the team seek out or add to your existing resources, if any, in order to achieve your priority goals? Video-cameras, laptops, and other goodies.<br />
** How will you obtain these technology resources?<br />
maybe after asking Santa Claus.<br />
<br />
<br />
===Other===<br />
* What other resources must the team seek out or add to all the other resources, if any, in order to achieve your priority goals? The possibility to find spaces to organize our CC salons.<br />
Fundings for hotel / travel expenses for inviting people.<br />
** How will you obtain these other resources? (that is the question)<br />
Sponsorship maybe? And write grant applications.<br />
<br />
<br />
==Sustainability and Scalability==<br />
<br />
* How will you ensure your goals will be completed if unforeseen circumstances interrupt the project, such as changes in the leadership of the project or outputs taking longer to complete than anticipated? Improve team communication, share password and important information with each other.<br />
<br />
* How will you communicate the project's on-going progress and setbacks within the jurisdiction and the CC Affiliate Network? (e.g. email list updates, meetings, press releases). website, mailing list and blogs. <br />
<br />
* How will you document the project so that others may replicate or learn from your efforts? Raise money to collectively write a best-practices guide & case studies with the other CC teams.<br />
<br />
<br />
==Collaboration==<br />
<br />
** How could the jurisdiction's plans help drive or support other jurisdictions' activities? Case studies<br />
** What are other jurisdictions doing that might support or contribute to the project? Case studies and best practices<br />
<br />
* Would you be interested in mentoring new jurisdiction teams? Yes<br />
<br />
* Conversely, would you be interested in having a mentor from a more experienced jurisdiction team? Yes<br />
<br />
===Regional===<br />
<br />
* Suggest three possible projects on which you can collaborate with other teams on a regional level. If you are not yet involved with the regional network, please contact the regional spokesperson (if any) or notify CC HQ to put you in touch with others. <br />
CC Europe<br />
Communia follow-up<br />
CC Collecting Societies Working Group<br />
<br />
** How do you plan to contribute to these projects?<br />
<br />
<br />
==Translation==<br />
<br />
* In what language(s) will you promote CC in the jurisdiction and why? French is the official language of France<br />
** In which of these languages are licenses already available? CC0? In France, in progress<br />
** Into which of the remaining languages do you intend to translate the licenses? CC0? French<br />
<br />
==Misc.==<br />
<br />
* Any additional comments? The structure of the roadmap is difficult to follow and some questions are not applicable to our case, sorry we did not answer 100% of the questions and happy to further discuss.</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=France&diff=52672France2011-09-16T10:18:01Z<p>Mdulong: </p>
<hr />
<div>{{Jurisdiction<br />
|jurstatus=Active<br />
|status=2.0<br />
|country code=fr<br />
|homepage=http://creativecommons.fr/<br />
|mailing=CERSA<br />
10 rue Thenard<br />
75005 Paris<br />
|region=Europe<br />
|affiliated=Research Center in Administrative Science (CERSA)<br />
|affurl=http://www.cersa.org/<br />
|afftype=academic institution<br />
|plead1=Danièle Bourcier<br />
|pemail1=ccfr@ibiblio.org<br />
|ptitle1=Scientific Project Lead<br />
|plead2=Melanie Dulong de Rosnay<br />
|ptitle2=Legal Project Lead<br />
|plead3=Primavera De Filippi and Meritxell Fernandez-Barrera<br />
|ptitle3=Legal experts<br />
|plead4=Lara Beswick<br />
|ptitle4=Music & Art communities<br />
|plead5=Francois Dechelle<br />
|ptitle5=Open Education Resources<br />
|teamsize=6<br />
|flagurl=http://creativecommons.org/images/international/fr.png<br />
}}<br />
The 3.0 French license draft is available for public comment!<br />
Please view the license draft [[France 3.0 Draft|here]] and contribute to the discussion [[Talk:France 3.0 Draft|her]]e.<br />
<br />
<br />
<br />
Visit the [http://fr.creativecommons.org/ jurisdiction's website].<br />
<br />
The Creative Commons France license suite is available in the following version. [http://creativecommons.org/choose/?jurisdiction=fr License your work] under these licenses, or [http://creativecommons.org/choose choose] the international licenses. [http://wiki.creativecommons.org/FAQ#Should_I_choose_an_international_license_or_a_ported_license.3F More info].<br />
<br />
<br />
Many thanks to all who contributed to the localization of the license suite.<br />
<br />
Creative Commons is working with [http://www.cersa.org/ CERSA] to create France jurisdiction-specific licenses from the generic Creative Commons licenses.<br />
<br />
=CC France List=<br />
<br />
Project Lead: [mailto:ccfr@ibiblio.org Danièle Bourcier]<br />
<br />
*[http://mirrors.creativecommons.org/international/fr/translated-license.pdf License Draft]<br />
*[http://mirrors.creativecommons.org/international/fr/english-changes.pdf English explanation of substantive legal changes]<br />
*[http://fr.creativecommons.org/ Creative Commons France website]<br />
*[mailto:cc-fr%20-at-%20lists.ibiblio.org Post a message]<br />
*[http://lists.ibiblio.org/mailman/listinfo/cc-fr/ Subscribe to the discussion]<br />
*[http://lists.ibiblio.org/pipermail/cc-fr/ Read the discussion archives]<br />
<br />
=More about CERSA=<br />
<br />
Founded in 1967, the Research Center in Administrative Science (CERSA) is a joint research institute of the University of Paris 2 and the National Center for Scientific Research (CNRS). Dedicated to the study of administrative phenomena at all levels, CERSA is host to researchers in public law, political science and sociology. The research group in Information Technologies, Law and Linguistics (IDL) works on Information Technologies regulation, governance, normative process and legal modelling. It also develops cognitive interfaces and applications within local and European projects and networks.<br />
<br />
For more information about CERSA, visit http://www.cersa.org/<br />
<br />
<br />
[[Collecting Society Projects/France]]<br />
<br />
=Affiliate Team Roadmap= <br />
<br />
* Date submitted: 22 December 2010<br />
* Timespan of this roadmap: 2011<br />
<br />
== Team information ==<br />
Jurisdiction: France<br />
<br />
Complete list of all members of the Affiliate Team, their roles, and field(s) of expertise<br />
*Danièle Bourcier, Scientific project lead<br />
*Melanie Dulong de Rosnay, Legal project lead<br />
*Primavera De Filippi, Legal expert<br />
*Meritxell Fernandez-Barrera, Legal expert<br />
*Lara Beswick, Music & Art communities<br />
*Francois Dechelle, Open Education Resources<br />
<br />
Date of earliest MOU in jurisdiction: 2003<br />
<br />
Self-Identified Region(s), i.e. Europe, Africa, Asia-Pacific, Latin America, North America, Arab world: Europe<br />
<br />
Why do you identify yourself as being part of the listed region(s)? CC France members participate to CC Europe meetings.<br />
<br />
<br />
==Vision== <br />
<br />
* Why is Creative Commons important for the jurisdiction? Because France recently enacted two controversial law with regard to author's rights. There is also a stronger need to counter the growing powers of the SACEM.<br />
<br />
* What do you think makes a successful jurisdiction project? To participate to the current debate against the growing powers assigned to the SACEM. For instance, to help reach an agreement with the SACEM. <br />
<br />
* How do you see the jurisdiction project contributing to the CC Affiliate Network? Reporting on problems and reports on the experiences in France. To strengthen the relationships and to create a community with other CC jurisdictions.<br />
<br />
<br />
===Community===<br />
<br />
* Describe the communities that are currently active in the project. <br />
Public Sector Information, Press, Music, Photography, Libraries.<br />
** How will you continue to engage with these communities?<br />
CC Salons, discussions and common research projects. <br />
<br />
* Describe the communities (existing or new) that you plan to focus on during the timeframe covered by this roadmap? <br />
Public Sector Information, Scientific communities, Education community, Wikimedia, Libraries.<br />
** How do you plan to engage with these communities?<br />
CC Salons, meetings, discussions and common research projects. Communication through the CC-FR website. <br />
<br />
<br />
==Priority Goals== <br />
<br />
1. Focus-area: Develop the core team by integrating new members and creating an advisory board. Raise funds.<br />
* Why is it important? It will reinforce the project by giving more resources and ideas.<br />
* Which communities will benefit? All communities, especially those who are not in the field of expertise of current team members<br />
2. Focus-area: Education. Scientific publications and data. Public sector information.<br />
* Why is it important? Science and education will advance quicker if resources are available under clear and open conditions. It is also important to re-establish and develop new links with institutions in France which has a long tradition of public sector and where CC can make an impact. In general, it is important to develop access to and dissemination of knowledge.<br />
* Which communities will benefit? Researchers and educators in France, Europe and other countries. National and local governments and cultural institutions that will be approached for the benefit of the entire society.<br />
3. Focus-area: Music Collecting Societies<br />
* Why is it important? In order for artists to be able to benefit from the system of collecting societies, as well as the visibility they can derive from CC licenses. Also in order to remove misunderstandings. <br />
* Which communities will benefit? Music community, industry and institutions in France, and eventually in other countries if we manage to reach an agreement case which could have spill-over effects. <br />
<br />
==Project Outputs==<br />
<br />
The outputs we plan to complete are as follows:<br />
<br />
===1. Focus-area===<br />
*Project Output: Integrate new team members and organize the work. Seek grants. Invite advisory board members and have a first meeting to define priorities. Transfer the website to Wordpress and finish the translations.<br />
*Expected start date - Expected date of completion: 1-1-2011 / 30-6-2011<br />
*Team Member(s) Responsible: Danièle and Melanie<br />
*How will this output help achieve your goals? It will help reinforce and structure the project by providing more resources and visibility.<br />
===2. Focus-area===<br />
*Project Output: Meetings with researchers and stakeholders. Organize a workshop<br />
*Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011<br />
*Team Member(s) Responsible: Melanie and Francois<br />
*How will this output help achieve your goals? Analysis of Open Science and Open Education movements in France needs structuration.<br />
===3. Focus-area===<br />
* Project Output: Meetings with institutions. A promotional video<br />
* Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011<br />
* Team Member(s) Responsible: Danièle, Primavera and Meritxell<br />
* How will this output help achieve your goals?<br />
Explain open licensing to institutions and to the public<br />
===4. Focus-area===<br />
* Project Output: meetings with SACEM<br />
* Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011<br />
* Team Member(s) Responsible: Danièle, Melanie and Lara<br />
* How will this output help achieve your goals?<br />
To make CC licenses compatible with collecting societies<br />
<br />
==Metrics==<br />
<br />
* How will you measure and evaluate your impact on focus-area 1? <br />
**Number of new team members<br />
**Representativity of advisory board members<br />
* How will you measure and evaluate your impact on focus-area 2/3? <br />
**Number of projects released under CC in the scientific/educational context (althought we do not consider this a goal per se).<br />
**Awareness of CC licences in the scientific/educational context.<br />
**Overall satisfaction of people who released their works under a CC licence.<br />
* How will you measure and evaluate your impact on focus-area 4?<br />
**a SACEM agreement<br />
**the overall satisfaction of artists, in terms of financial returns. <br />
<br />
<br />
==Resources Required==<br />
<br />
===People===<br />
* What human resources or expertise must the team seek out or add to your existing resources, if any, in order to achieve your priority goals? The team is complete : team members raised from 2 to 6. We need to create a board.<br />
** How will you involve these people? Every one is a volunteer, taking upon their work and leisure time to work for CC-FR.<br />
<br />
<br />
===Technology===<br />
* What technology resources must the team seek out or add to your existing resources, if any, in order to achieve your priority goals? Video-cameras, laptops, and other goodies.<br />
** How will you obtain these technology resources?<br />
maybe after asking Santa Claus.<br />
<br />
<br />
===Other===<br />
* What other resources must the team seek out or add to all the other resources, if any, in order to achieve your priority goals? The possibility to find spaces to organize our CC salons.<br />
Fundings for hotel / travel expenses for inviting people.<br />
** How will you obtain these other resources? (that is the question)<br />
Sponsorship maybe? And write grant applications.<br />
<br />
<br />
==Sustainability and Scalability==<br />
<br />
* How will you ensure your goals will be completed if unforeseen circumstances interrupt the project, such as changes in the leadership of the project or outputs taking longer to complete than anticipated? Improve team communication, share password and important information with each other.<br />
<br />
* How will you communicate the project's on-going progress and setbacks within the jurisdiction and the CC Affiliate Network? (e.g. email list updates, meetings, press releases). website, mailing list and blogs. <br />
<br />
* How will you document the project so that others may replicate or learn from your efforts? Raise money to collectively write a best-practices guide & case studies with the other CC teams.<br />
<br />
<br />
==Collaboration==<br />
<br />
** How could the jurisdiction's plans help drive or support other jurisdictions' activities? Case studies<br />
** What are other jurisdictions doing that might support or contribute to the project? Case studies and best practices<br />
<br />
* Would you be interested in mentoring new jurisdiction teams? Yes<br />
<br />
* Conversely, would you be interested in having a mentor from a more experienced jurisdiction team? Yes<br />
<br />
===Regional===<br />
<br />
* Suggest three possible projects on which you can collaborate with other teams on a regional level. If you are not yet involved with the regional network, please contact the regional spokesperson (if any) or notify CC HQ to put you in touch with others. <br />
CC Europe<br />
Communia follow-up<br />
CC Collecting Societies Working Group<br />
<br />
** How do you plan to contribute to these projects?<br />
<br />
<br />
==Translation==<br />
<br />
* In what language(s) will you promote CC in the jurisdiction and why? French is the official language of France<br />
** In which of these languages are licenses already available? CC0? In France, in progress<br />
** Into which of the remaining languages do you intend to translate the licenses? CC0? French<br />
<br />
==Misc.==<br />
<br />
* Any additional comments? The structure of the roadmap is difficult to follow and some questions are not applicable to our case, sorry we did not answer 100% of the questions and happy to further discuss.</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Global_Summit_2011/Unconference&diff=52431Global Summit 2011/Unconference2011-09-08T17:12:38Z<p>Mdulong: /* Communia presentation and discussion */</p>
<hr />
<div>== Potential unconference session topics ==<br />
There's a lot of time to run informal, unconference sessions and workshops during the CC Global Summit. We have several extra rooms available. Below is a non-comprehensive list of session ideas which are not a part of the formal Summit program. We encourage interested persons to sketch out ideas for the topics below, or add different ones if you're so inclined. Also, please suggest a preferred time slot for your session, which are listed at the bottom of the page. Note that your session doesn't have to fill the entire time available. <br />
<br />
<br />
=== CC and EULA compatibility ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Beginners guide to CC ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== How to create short videos like CC NZ ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== ACTA discussion ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== CC and piracy discussion ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Government transparency and CC's role in addressing corruption ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Communia presentation and discussion ===<br />
<br />
* Communia, the European thematic network on the digital public domain, published 15 policy recommendations available at http://www.communia-association.org/recommendations.<br />
* An international association has been created to continue part of the mission of the European network: http://www.communia-association.org/<br />
* Planned activities are to educate and perform research on the digital public domain, though collective discussion and work led by thematic Working Groups on PSI, GLAM, orphan works, exceptions and limitations for audiovisual, open hardware etc.<br />
* This session aims at discussing Communia objectives and ongoing projects.<br />
* You should come if you are a member or if you'd like your institution to become a member and contribute to a more balanced discussion about copyright in the digital environment.<br />
* preferred time slot: sunday 11:00 - 12:30<br />
* organizer melanie dulong<br />
<br />
=== Global community communication strategies: best practices from Wikimedia, Global Voices, others ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Integrating CC licenses and tools in gov policy/open gov toolkit ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Open access and students ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Arab World arts events ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Brainstorming session on open government data principles ===<br />
* CC/OKF/LAPSI/others would like to hold a drafting session on international open government data (legal) principles immediately after the "CC and the Broader Open Government and PSI Community" session<br />
* preferred time is 16:00 SATURDAY<br />
* there's been quite a bit of work by various groups over the last few years in developing principles for open government, but we'd like to have a community discussion of some of the legal-specific considerations that governments around the world should take into account when thinking about releasing data<br />
* the goal is to develop a set of principles that addresses the legal and other licensing issues to make sure that governments who mean to release their data openly actually have the tools, knowledge and guidance to do that<br />
* see http://blog.okfn.org/2011/07/08/we-need-international-open-government-data-principles/<br />
* see http://www.lapsi-project.eu/position-papers<br />
* organizers = timothy vollmer, jonathan gray<br />
<br />
=== CC technology: licensing tools and other tech projects update ===<br />
* Organizer(s): Nathan Kinkade, Chris Webber<br />
* Timeslot: no preference<br />
* Description: Topic(s) can be flexible depending on what interest people the most, but general direction will be about the various tools that CC offers and the underlying technology, as well as things we are currently doing and things we have planned in the area of technology.<br />
<br />
=== Free software tools for creating free culture ===<br />
<br />
* Organizer(s): Christopher Allan Webber<br />
* Timeslot: no preference <br />
* Description: Learn about and discuss various free and open source software tools for creating free culture, particularly on the graphics end (Blender, GIMP, Inkscape, MyPaint, etc)<br />
<br />
=== translation tools Q&A ===<br />
* Organizer(s): Nathan Kinkade<br />
* Timeslot: no preference<br />
* Description: Learn about the tools that CC currently uses to facilitate localization of various parts of the CC site. This session can also be a forum for suggesting new tools, processes or methods to make translating as easy as possible.<br />
<br />
=== LRMI project ===<br />
* Organizer(s): Greg Grossmeier<br />
* Timeslot: no preference<br />
* Description: Learn about CC's exciting education metadata project, the [[LRMI|Learning Resource Metadata Initiative]]<br />
<br />
== Open Times ==<br />
* Friday 14:00-15:00 (2 time slots)<br />
* Friday 15:00-16:25 (2 time slots) <br />
<br />
* Saturday 9:00-10:30 (2 time slots)<br />
* Saturday 11:00-11:50 (4 time slots) <br />
* Saturday 12:00-12:50 (2 time slots)<br />
* Saturday 13:00-13:50 (1 time slot) <br />
* Saturday 13:00-14:20 (1 time slot)<br />
* Saturday 14:00-15:20 (1 time slot)<br />
* Saturday 14:30-15:50 (1 time slot) <br />
* Saturday 15:30-16:00 (1 time slot) <br />
* Saturday 16:00-16:50 (2 time slots)<br />
<br />
* Sunday 9:00-10:40 (3 time slots)<br />
* Sunday 11:00-12:30 (2 time slots)</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Global_Summit_2011/Unconference&diff=52430Global Summit 2011/Unconference2011-09-08T17:11:53Z<p>Mdulong: /* Communia presentation and discussion */</p>
<hr />
<div>== Potential unconference session topics ==<br />
There's a lot of time to run informal, unconference sessions and workshops during the CC Global Summit. We have several extra rooms available. Below is a non-comprehensive list of session ideas which are not a part of the formal Summit program. We encourage interested persons to sketch out ideas for the topics below, or add different ones if you're so inclined. Also, please suggest a preferred time slot for your session, which are listed at the bottom of the page. Note that your session doesn't have to fill the entire time available. <br />
<br />
<br />
=== CC and EULA compatibility ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Beginners guide to CC ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== How to create short videos like CC NZ ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== ACTA discussion ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== CC and piracy discussion ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Government transparency and CC's role in addressing corruption ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Communia presentation and discussion ===<br />
<br />
* Communia, the European thematic network on the digital public domain, published 15 policy recommendations available at http://www.communia-association.org/recommendations.<br />
* An international association has been created to continue part of the mission of the European network: http://www.communia-association.org/<br />
Planned activities are to educate and perform research on the digital public domain, though collective discussion and work led by thematic Working Groups on PSI, GLAM, orphan works, exceptions and limitations for audiovisual, open hardware etc.<br />
* This session aims at discussing Communia objectives and ongoing projects.<br />
* You should come if you are a member or if you'd like your institution to become a member and contribute to a more balanced discussion about copyright in the digital environment.<br />
* preferred time slot: sunday 11:00 - 12:30<br />
* organizer melanie dulong<br />
<br />
=== Global community communication strategies: best practices from Wikimedia, Global Voices, others ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Integrating CC licenses and tools in gov policy/open gov toolkit ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Open access and students ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Arab World arts events ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Brainstorming session on open government data principles ===<br />
* CC/OKF/LAPSI/others would like to hold a drafting session on international open government data (legal) principles immediately after the "CC and the Broader Open Government and PSI Community" session<br />
* preferred time is 16:00 SATURDAY<br />
* there's been quite a bit of work by various groups over the last few years in developing principles for open government, but we'd like to have a community discussion of some of the legal-specific considerations that governments around the world should take into account when thinking about releasing data<br />
* the goal is to develop a set of principles that addresses the legal and other licensing issues to make sure that governments who mean to release their data openly actually have the tools, knowledge and guidance to do that<br />
* see http://blog.okfn.org/2011/07/08/we-need-international-open-government-data-principles/<br />
* see http://www.lapsi-project.eu/position-papers<br />
* organizers = timothy vollmer, jonathan gray<br />
<br />
=== CC technology: licensing tools and other tech projects update ===<br />
* Organizer(s): Nathan Kinkade, Chris Webber<br />
* Timeslot: no preference<br />
* Description: Topic(s) can be flexible depending on what interest people the most, but general direction will be about the various tools that CC offers and the underlying technology, as well as things we are currently doing and things we have planned in the area of technology.<br />
<br />
=== Free software tools for creating free culture ===<br />
<br />
* Organizer(s): Christopher Allan Webber<br />
* Timeslot: no preference <br />
* Description: Learn about and discuss various free and open source software tools for creating free culture, particularly on the graphics end (Blender, GIMP, Inkscape, MyPaint, etc)<br />
<br />
=== translation tools Q&A ===<br />
* Organizer(s): Nathan Kinkade<br />
* Timeslot: no preference<br />
* Description: Learn about the tools that CC currently uses to facilitate localization of various parts of the CC site. This session can also be a forum for suggesting new tools, processes or methods to make translating as easy as possible.<br />
<br />
=== LRMI project ===<br />
* Organizer(s): Greg Grossmeier<br />
* Timeslot: no preference<br />
* Description: Learn about CC's exciting education metadata project, the [[LRMI|Learning Resource Metadata Initiative]]<br />
<br />
== Open Times ==<br />
* Friday 14:00-15:00 (2 time slots)<br />
* Friday 15:00-16:25 (2 time slots) <br />
<br />
* Saturday 9:00-10:30 (2 time slots)<br />
* Saturday 11:00-11:50 (4 time slots) <br />
* Saturday 12:00-12:50 (2 time slots)<br />
* Saturday 13:00-13:50 (1 time slot) <br />
* Saturday 13:00-14:20 (1 time slot)<br />
* Saturday 14:00-15:20 (1 time slot)<br />
* Saturday 14:30-15:50 (1 time slot) <br />
* Saturday 15:30-16:00 (1 time slot) <br />
* Saturday 16:00-16:50 (2 time slots)<br />
<br />
* Sunday 9:00-10:40 (3 time slots)<br />
* Sunday 11:00-12:30 (2 time slots)</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Global_Summit_2011/Unconference&diff=52429Global Summit 2011/Unconference2011-09-08T17:10:05Z<p>Mdulong: /* Communia presentation and discussion */</p>
<hr />
<div>== Potential unconference session topics ==<br />
There's a lot of time to run informal, unconference sessions and workshops during the CC Global Summit. We have several extra rooms available. Below is a non-comprehensive list of session ideas which are not a part of the formal Summit program. We encourage interested persons to sketch out ideas for the topics below, or add different ones if you're so inclined. Also, please suggest a preferred time slot for your session, which are listed at the bottom of the page. Note that your session doesn't have to fill the entire time available. <br />
<br />
<br />
=== CC and EULA compatibility ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Beginners guide to CC ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== How to create short videos like CC NZ ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== ACTA discussion ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== CC and piracy discussion ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Government transparency and CC's role in addressing corruption ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Communia presentation and discussion ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
Preferred time slot Sunday 11:00 - 12:30<br />
Organizer Melanie Dulong<br />
<br />
Communia, the European thematic network on the digital public domain, published 15 policy recommendations available at http://www.communia-association.org/recommendations to strengthen the public domain. An international association has been created to continue part of the mission of the European network: http://www.communia-association.org/<br />
Planned activities are to educate and perform research on the digital public domain, though collective discussion and work led by thematic Working Groups on public sector information, glam (galleries, libraries, archives and museum) institutions, exceptions and limitations, etc.<br />
This session aims at discussing Communia objectives and ongoing projects. You should come if you are a member or if you'd like your institution to become a member and contribute to a more balanced discussion about copyright in the digital environment.<br />
<br />
=== Global community communication strategies: best practices from Wikimedia, Global Voices, others ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Integrating CC licenses and tools in gov policy/open gov toolkit ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Open access and students ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Arab World arts events ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Brainstorming session on open government data principles ===<br />
* CC/OKF/LAPSI/others would like to hold a drafting session on international open government data (legal) principles immediately after the "CC and the Broader Open Government and PSI Community" session<br />
* preferred time is 16:00 SATURDAY<br />
* there's been quite a bit of work by various groups over the last few years in developing principles for open government, but we'd like to have a community discussion of some of the legal-specific considerations that governments around the world should take into account when thinking about releasing data<br />
* the goal is to develop a set of principles that addresses the legal and other licensing issues to make sure that governments who mean to release their data openly actually have the tools, knowledge and guidance to do that<br />
* see http://blog.okfn.org/2011/07/08/we-need-international-open-government-data-principles/<br />
* see http://www.lapsi-project.eu/position-papers<br />
* organizers = timothy vollmer, jonathan gray<br />
<br />
=== CC technology: licensing tools and other tech projects update ===<br />
* Organizer(s): Nathan Kinkade, Chris Webber<br />
* Timeslot: no preference<br />
* Description: Topic(s) can be flexible depending on what interest people the most, but general direction will be about the various tools that CC offers and the underlying technology, as well as things we are currently doing and things we have planned in the area of technology.<br />
<br />
=== Free software tools for creating free culture ===<br />
<br />
* Organizer(s): Christopher Allan Webber<br />
* Timeslot: no preference <br />
* Description: Learn about and discuss various free and open source software tools for creating free culture, particularly on the graphics end (Blender, GIMP, Inkscape, MyPaint, etc)<br />
<br />
=== translation tools Q&A ===<br />
* Organizer(s): Nathan Kinkade<br />
* Timeslot: no preference<br />
* Description: Learn about the tools that CC currently uses to facilitate localization of various parts of the CC site. This session can also be a forum for suggesting new tools, processes or methods to make translating as easy as possible.<br />
<br />
=== LRMI project ===<br />
* Organizer(s): Greg Grossmeier<br />
* Timeslot: no preference<br />
* Description: Learn about CC's exciting education metadata project, the [[LRMI|Learning Resource Metadata Initiative]]<br />
<br />
== Open Times ==<br />
* Friday 14:00-15:00 (2 time slots)<br />
* Friday 15:00-16:25 (2 time slots) <br />
<br />
* Saturday 9:00-10:30 (2 time slots)<br />
* Saturday 11:00-11:50 (4 time slots) <br />
* Saturday 12:00-12:50 (2 time slots)<br />
* Saturday 13:00-13:50 (1 time slot) <br />
* Saturday 13:00-14:20 (1 time slot)<br />
* Saturday 14:00-15:20 (1 time slot)<br />
* Saturday 14:30-15:50 (1 time slot) <br />
* Saturday 15:30-16:00 (1 time slot) <br />
* Saturday 16:00-16:50 (2 time slots)<br />
<br />
* Sunday 9:00-10:40 (3 time slots)<br />
* Sunday 11:00-12:30 (2 time slots)</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Global_Summit_2011/Unconference&diff=52428Global Summit 2011/Unconference2011-09-08T17:08:41Z<p>Mdulong: /* Communia presentation and discussion */</p>
<hr />
<div>== Potential unconference session topics ==<br />
There's a lot of time to run informal, unconference sessions and workshops during the CC Global Summit. We have several extra rooms available. Below is a non-comprehensive list of session ideas which are not a part of the formal Summit program. We encourage interested persons to sketch out ideas for the topics below, or add different ones if you're so inclined. Also, please suggest a preferred time slot for your session, which are listed at the bottom of the page. Note that your session doesn't have to fill the entire time available. <br />
<br />
<br />
=== CC and EULA compatibility ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Beginners guide to CC ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== How to create short videos like CC NZ ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== ACTA discussion ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== CC and piracy discussion ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Government transparency and CC's role in addressing corruption ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Communia presentation and discussion ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
Communia, the European thematic network on the digital public domain, published 15 policy recommendations available at http://www.communia-association.org/recommendations to strengthen the public domain.<br />
An international association has been created to continue part of the mission of the European network: http://www.communia-association.org/<br />
<br />
Planned activities are to educate and perform research on the digital public domain, though collective discussion and work led by thematic Working Groups on public sector information, glam (galleries, libraries, archives and museum) institutions, exceptions and limitations, etc.<br />
<br />
This session aims at discussing Communia objectives and ongoing projects. You should come if you are a member or if you'd like your institution to become a member and contribute to a more balanced discussion about copyright in the digital environment.<br />
<br />
Preferred time slot Sunday 11:00 - 12:30<br />
<br />
=== Global community communication strategies: best practices from Wikimedia, Global Voices, others ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Integrating CC licenses and tools in gov policy/open gov toolkit ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Open access and students ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Arab World arts events ===<br />
[please provide a rough session description, preferred time slot, and and why people should come]<br />
<br />
=== Brainstorming session on open government data principles ===<br />
* CC/OKF/LAPSI/others would like to hold a drafting session on international open government data (legal) principles immediately after the "CC and the Broader Open Government and PSI Community" session<br />
* preferred time is 16:00 SATURDAY<br />
* there's been quite a bit of work by various groups over the last few years in developing principles for open government, but we'd like to have a community discussion of some of the legal-specific considerations that governments around the world should take into account when thinking about releasing data<br />
* the goal is to develop a set of principles that addresses the legal and other licensing issues to make sure that governments who mean to release their data openly actually have the tools, knowledge and guidance to do that<br />
* see http://blog.okfn.org/2011/07/08/we-need-international-open-government-data-principles/<br />
* see http://www.lapsi-project.eu/position-papers<br />
* organizers = timothy vollmer, jonathan gray<br />
<br />
=== CC technology: licensing tools and other tech projects update ===<br />
* Organizer(s): Nathan Kinkade, Chris Webber<br />
* Timeslot: no preference<br />
* Description: Topic(s) can be flexible depending on what interest people the most, but general direction will be about the various tools that CC offers and the underlying technology, as well as things we are currently doing and things we have planned in the area of technology.<br />
<br />
=== Free software tools for creating free culture ===<br />
<br />
* Organizer(s): Christopher Allan Webber<br />
* Timeslot: no preference <br />
* Description: Learn about and discuss various free and open source software tools for creating free culture, particularly on the graphics end (Blender, GIMP, Inkscape, MyPaint, etc)<br />
<br />
=== translation tools Q&A ===<br />
* Organizer(s): Nathan Kinkade<br />
* Timeslot: no preference<br />
* Description: Learn about the tools that CC currently uses to facilitate localization of various parts of the CC site. This session can also be a forum for suggesting new tools, processes or methods to make translating as easy as possible.<br />
<br />
=== LRMI project ===<br />
* Organizer(s): Greg Grossmeier<br />
* Timeslot: no preference<br />
* Description: Learn about CC's exciting education metadata project, the [[LRMI|Learning Resource Metadata Initiative]]<br />
<br />
== Open Times ==<br />
* Friday 14:00-15:00 (2 time slots)<br />
* Friday 15:00-16:25 (2 time slots) <br />
<br />
* Saturday 9:00-10:30 (2 time slots)<br />
* Saturday 11:00-11:50 (4 time slots) <br />
* Saturday 12:00-12:50 (2 time slots)<br />
* Saturday 13:00-13:50 (1 time slot) <br />
* Saturday 13:00-14:20 (1 time slot)<br />
* Saturday 14:00-15:20 (1 time slot)<br />
* Saturday 14:30-15:50 (1 time slot) <br />
* Saturday 15:30-16:00 (1 time slot) <br />
* Saturday 16:00-16:50 (2 time slots)<br />
<br />
* Sunday 9:00-10:40 (3 time slots)<br />
* Sunday 11:00-12:30 (2 time slots)</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=Grants/CC_Latin_Policy&diff=36568Grants/CC Latin Policy2010-06-30T18:27:01Z<p>Mdulong: Created page with '{{Grant Application |Project Title=CC Latin Policy |applicants=CNRS, Bienes Comunes |contact person=Melanie Dulong, Ariel Vercelli |coordinator=Melanie Dulong, Ariel Vercelli |st…'</p>
<hr />
<div>{{Grant Application<br />
|Project Title=CC Latin Policy<br />
|applicants=CNRS, Bienes Comunes<br />
|contact person=Melanie Dulong, Ariel Vercelli<br />
|coordinator=Melanie Dulong, Ariel Vercelli<br />
|start date=2010/10/01<br />
|end date=2011/09/30<br />
|Affiliation=Creative Commons France, Creative Commons Argentina<br />
|Mainurl=http://www.bienescomunes.org/<br />
|Affiliated=Yes<br />
|description=The adoption of Creative Commons licenses by governments and universities to share public sector information as well as educational and scientific material is triggered by policy, administrative decisions, and legal context. The definition of public licenses and the implementation of early Open Access policies started in Anglo-Saxon countries. Latin countries (in Europe and America) are also adopting the model, however their political structure and legal culture differ from the Anglo-Saxon countries (centralized governments and research institutions, pyramidal organizations, resistance to American initiatives, differences between copyright law and droit d'auteur...). Therefore, argumentation and strategies towards CC licensing, Open Access and Open Data policies require a culturally different approach. This project proposes to study local approaches and experiences of implementation of CC licenses and CC0 by governments, universities and public institutions by the means of desk research, interviews and workshops in Argentina, Peru and Mexico, as well as in France, Italy and Spain.<br />
|output=There are at least two tangible outputs of the project, a comparative study of administrative structure, policy and civil law culture in Latin-American and Latin-European countries:<br />
- a paper by the two CC project leads who are researchers in law, public policy, political science <br />
- blog posts with short videos of the interviews to illustrate best practices, key findings and local experiences of implementation of CC licenses and CC0 by representatives of governments, universities and public institutions.<br />
|community=The targeted community consists of civil servants, academics and administrative and policy-making staff members of governments, universities and public institutions such as national libraries located in Latin-America and in Latin-Europe. The project will identify the legal and policy context of data, public information and other works which could be licensed under a CC licence or CC0. The project will define and compare best practices and experiences from negotiations for the adoption of CC licenses and Open Access policies.<br />
|community relationship=The two project leads have relationships with the targeted community as advisors to many institutions on the implementation of CC licenses in their country. CC project leads of neighbouring countries have similar relationships with local institutions enabling them to recommend potential interviewees. Besides being CC project leads, the two proponents studied CC licenses in their doctoral dissertations and in other publications. Both are interested in open government initiatives worldwide and last May together they developed a workshop in Buenos Aires on Open Government and Open Data: http://www.caicyt.gov.ar/noticias/gobiernos-abiertos-datos-abiertos/.<br />
|measurement=The project impact can be measured quantitatively by the number and sector representation of public actors who will describe their experience, and qualitatively by the relevance of best practices, worst practices and recommendations which will be proposed, based on the cultural context identified by empirical findings and desk research.<br />
|participants=About 5 interviews should be conducted in each country. An incentive for participant involvement is the opportunity of learning how new projects are born and structured in other countries and therefore how to improve their capacity to extend their CC policy to other projects.<br />
|impact=By identifying triggers and hurdles in the adoption of CC licenses by public sector, universities and libraries, the project allows sharing of experiences and best / worst practices in the negotiation and the implementation of a CC licensing strategy. One of the research goals is to analyze how CC licensing and Open Access (OA) policy could be a good solution suitable to public institutions with similar legal, administrative and cultural background.<br />
|tech needs=The project requires basic communication, interview recording and blogging tools. Technical needs are covered by the project leads and their institutions. Their technical skills and expertise include knowledge of CC licenses, OA policies, local institutional landscapes, civil law and latin administrative and policy culture. The project is part of the research agenda of the two project leads who have tenured academic positions and experience in negotiating with local partners of public institutions.<br />
|challenges=Personal relationships may influence the success of local negotiations for adoption, and one challenge is to go beyond that reality and address other factors that enabled personal relationships to have such impact on local decision-making (long-term policy traditions, authority of the persons in the organizational structure...).<br />
The solutions provided should accomodate local needs without losing interoperability with global solutions (e.g., not write a new licence to accomodate local wishes which would fragment the Commons). By using scientific methodology of political science and law, we should be able to avoid these pitfalls.<br />
|sustainability=The research will be completed within the project period. But it could continue after the delivery of the report and the paper, for instance by presenting the paper to more conferences, or leading more interviews in more countries. The personal costs that are presently already covered by national research agencies employing the project leads will continue. Networking is ensured through the CC affiliated institutions. Future meetings which imply a travel budget would require fundraising through other means (European or national project proposals). This comparative study and the resulting paper are the first step of a long term research project about these tendencies worldwide.<br />
|scalability=The analysis of argumentation, strategies and negotiations with governments, public libraries and research institutions can be transposed to other countries from Latin culture and the argumentation can probably be extended to the entire community (with some adjustments).<br />
|resource needs=Financial support through a Creative Commons Catalyst Grant is necessary to conduct interviews in neighbouring countries of the two project leads and to organize a workshop at the mid-term of the project to discuss and refine initial findings. In addition, a short discussion about CC0 and CC adopters with CC General Counsel and CCi Project Manager will be very helpful for the research.<br />
|communication=We are currently using on-line communication tools, such as websites, blogs, mailman lists, emails, instant messaging, social networking tools, skype and phone. In addition, both organizations have face-to-face meetings and seminars with community members and are meeting network partners at conferences or CC-related events.<br />
|budget=Cclatinpolicy budget.ods<br />
|legal=Yes<br />
}}</div>Mdulonghttps://wiki.creativecommons.org/index.php?title=File:Cclatinpolicy_budget.ods&diff=36567File:Cclatinpolicy budget.ods2010-06-30T18:24:27Z<p>Mdulong: </p>
<hr />
<div></div>Mdulong