https://wiki.creativecommons.org/api.php?action=feedcontributions&user=CreativeCadm&feedformat=atomCreative Commons - User contributions [en]2024-03-29T06:33:55ZUser contributionsMediaWiki 1.30.0https://wiki.creativecommons.org/index.php?title=Case_Studies/RVP_Metodicky_Portal&diff=57527Case Studies/RVP Metodicky Portal2012-06-01T13:30:26Z<p>CreativeCadm: /* Overview */</p>
<hr />
<div>{{Case Study<br />
|Mainurl=http://dum.rvp.cz/index.html<br />
|Tag=government, OER<br />
|Country=Czech Republic<br />
|Image_Header=http://wiki.creativecommons.org/images/d/d8/Logo_RVP_new.jpg<br />
|Image_attribution=(c) Methodology Research Institute for Education in Prague<br />
|Image_license=http://autori.rvp.cz/obecne-informace/pravidla<br />
|importance=Medium<br />
|quality=Start<br />
|License_short_name=CC BY-NC-ND, CC BY-NC-SA<br />
}}<br />
== Overview ==<br />
<br />
The [http://dum.rvp.cz/index.html RVP Metodicky Portal] is an educational portal to Czech open educational resources (OER) licensed under [http://creativecommons.org/licenses/by-nc-sa/3.0/cz/ CC Attribution-Noncommercial-ShareAlike] and [http://creativecommons.org/licenses/by-nc-nd/3.0/cz/ CC Attribution-Noncommercial-NoDerivatives]. It is a government-funded initiative by the Czech Republic and the European Social Fund, and is run as part of a research project by the Institute of Education in Prague and the National Institute of Vocational Education. The project aims to provide "systematic support for teachers in teaching methodology and didactics, development of learning communities," and more [http://lojra.it lojra] "effective ways of learning."<br />
<br />
== License Usage ==<br />
<br />
'''Please specify the license adopted. How is the license applied? Can you provide any available statistics? What has been the author or organization's experience with Creative Commons licenses so far – what have been the benefits and lessons learned?''' <br />
<br />
Delete the above questions and add text here.<br />
<br />
== Motivations ==<br />
<br />
'''How did the author or organization first hear about Creative Commons? Why did they choose to license under Creative Commons? Which license did they select and why? Any other issues you may have come across/comments you’d like to make.''' <br />
<br />
Delete the above questions and add text here.<br />
<br />
== Technical Details ==<br />
<br />
'''Provide any technical details of the implementation here'''<br />
<br />
== Media ==<br />
'''Please include any screenshots, logos, links to videos, audio files, press hits, etc. To upload a file, open a separate window and click through [[Special:Upload]].''' <br />
<br />
Delete the above questions and add text here.</div>CreativeCadmhttps://wiki.creativecommons.org/index.php?title=Pt:Dom%C3%ADnio_p%C3%BAblico&diff=57526Pt:Domínio público2012-06-01T13:27:52Z<p>CreativeCadm: /* Pesquisa do Domínio Público da Appropedia */</p>
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<div>Quando uma obra se encontra no domínio público, pode ser usada por qualquer pessoa, para qualquer fim, sem restrições devidas à legislação de direitos de autor. O domínio público é a forma mais pura das obras abertas/livres, porque ninguém controla o material em causa de nenhuma forma.<br />
<br />
As obras que estão no domínio público numa jurisdição legal não se encontram necessariamente no domínio público em todo o mundo. As legislações de direitos de autor diferem de jurisdição para jurisdição, tanto na duração da protecção em si, como na definição daquilo que constitui um objecto passível de protecção dos direitos de autor. Por exemplo, [http://www.usa.gov/copyright.shtml uma obra do Governo dos E.U.A.] &mdash; que, claramente, se encontra no domínio público nos Estados Unidos &mdash; pode, ou não, estar livre de restrições devidas aos direitos de autor e encontrar-se no domínio público noutras jurisdições. Actualmente, uma das únicas formas de se ter a certeza que uma obra específica se encontra no domínio público a nível mundial é verificar se o titular dos direitos de autor dedicou todos os direitos ao domínio público usando o instrumento [http://creativecommons.org/about/cc0?lang=pt CC0].<br />
<br />
As licenças Creative Commons não afectam o estatuto de uma obra que se encontra no domínio público nos termos da lei aplicável, porque só se aplicam a obras que estão protegidas por direitos de autor. Para mais informações, consulte [[Pt:Antes de Licenciar|o nosso guia]] para aquilo que deve saber antes de licenciar uma obra sua com licenças Creative Commons.<br />
<br />
Saiba mais sobre [http://creativecommons.org/publicdomain?lang=pt os instrumentos CC de domínio público] e sobre o [http://en.wikipedia.org/wiki/Public_domain domínio público].<br />
<br />
== Quando é que uma obra entra no domínio público? ==<br />
Isto varia de país para país. Para saber quando é que uma obra nos E.U.A. entra no domínio público, consulte [http://www.copyright.gov/pr/pdomain.html a página do domínio público copyright.gov]. A Universidade de Cornell também criou uma [http://www.copyright.cornell.edu/public_domain/ tabela útil sobre direitos de autor e domínio público] nos Estados Unidos.<br />
<br />
== Os instrumentos de domínio público da Creative Commons ==<br />
* O [[Pt:CC0|CC0]] (por vezes redigido CC Zero) é uma dedicação ao domínio público que permite que os titulares de direitos de autor coloquem obras no domínio público, na medida legalmente possível, em todo o mundo.<br />
* A [http://creativecommons.org/licenses/publicdomain/deed.pt Marcação de Domínio Público] da Creative Commons permite marcar uma obra que já está livre de restrições devidas aos direitos de autor em todo o mundo.<br />
<br />
Consulte http://creativecommons.org/publicdomain?lang=pt para mais informações sobre os instrumentos de domínio público da Creative Commons.<br />
<br />
Na prática, o conteúdo que está no domínio público é todo o conteúdo que não está sujeito a direitos de autor. Pode ser deliberadamente isentado destes direitos pelo titular dos mesmos, ou a protecção pode expirar após um periodo determinado.<br />
<br />
Na prática os detalhes legais variam entre países. Pode encontrar mais informações sobre o domínio público no [http://en.wikipedia.org/wiki/Public_domain artigo da Wikipedia (en) sobre o domínio público].<br />
<br />
== Pesquisa do Domínio Público da Appropedia ==<br />
A [http://www.appropedia.org/Appropedia%27s_Public_Domain_Search Pesquisa do Domínio Público Appropedia] foi iniciada em fins de 2007 quando se descobriu que não existia nenhuma pesquisa efectiva de conteúdos no domínio público. Esta pesquisa opera com um método completamente diferente das pesquisas que utilizam as marcações Creative Commons. A pesquisa usa um índice, actualizado manualmente, de sites com conteúdo de domínio público - por isso, os resultados não são 100% de domínio público e têm de ser verificados para confirmar o seu estatuto [http://lojra.it lojra]. É esperado que a fiabilidade melhore e os comentários dos utilizadores são bem-vindos.<br />
<br />
À medida que os instrumentos de domínio público da CC se tornam populares, é esperado que as pesquisas com base nas marcas CC substituam a Pesquisa de Domínio Público da Appropedia.<br />
<br />
== Ver também ==<br />
* [[Cultivating the Public Domain]]<br />
<br />
{{Pt:Traduzida de<br />
| fonte = Public domain<br />
| rev = 50020<br />
}}<br />
<br />
[[Category:Pt:Domínio público]]</div>CreativeCadmhttps://wiki.creativecommons.org/index.php?title=Egypt&diff=57525Egypt2012-06-01T13:24:29Z<p>CreativeCadm: /* Resources Required */</p>
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<div>{{Jurisdiction<br />
|jurstatus=Active<br />
|country code=eg<br />
|otherurl=For additional information, contact donatella@creativecommons.org or visit http://arabic.creativecommons.org/<br />
|region=Arab world<br />
|affiliated=Bibliotheca Alexandrina (BA)<br />
|affurl=http://www.bibalex.org/<br />
|afftype=academic institution<br />
|plead1=Hala Essalmawi<br />
|pemail1=hala.essalmawi@bibalex.org<br />
|ptitle1=Project/Legal Lead<br />
|plead2=Yahya Mekkawi<br />
|ptitle2=Community Lead<br />
|flagurl=http://creativecommons.org/images/international/eg.png<br />
}}<br />
= Creative Commons Egypt=<br />
<br />
Creative Commons is working with the [http://www.bibalex.org/ Bibliotheca Alexandrina (BA)] to create Egyptian jurisdiction-specific licenses from the Unported Creative Commons licenses.<br />
<br />
=CC Egypt List=<br />
<br />
Project Lead: [mailto:hala.essalmawi@bibalex.org Hala Essalmawi]<br />
<br />
*[http://mirrors.creativecommons.org/international/eg/translated-license.pdf License Draft]<br />
*[http://mirrors.creativecommons.org/international/eg/english-retranslation.pdf English re-translaton]<br />
*[http://mirrors.creativecommons.org/international/eg/english-changes.pdf English explanation of substantive legal changes]<br />
*[mailto:cc-egypt@googlegroups.com Post a message]<br />
*[http://groups.google.com/group/cc-egypt/subscribe Subscribe to the discussion] <br />
*[http://groups.google.com/group/cc-egypt Read the discussion archives]<br />
<br />
=More About the Bibliotheca Alexandrina=<br />
<br />
In fulfillment of its mission as a center of excellence for the dissemination of knowledge and for dialogue, learning and understanding between cultures and people, the Bibliotheca Alexandrina (BA) has developed a growing interest in issues relating to access to knowledge, promotion of innovation and creativity and intellectual property.<br />
<br />
BA has initiated several activities to spread the philosophy of access to knowledge (A2K) and build local capacity of researchers, librarians and practitioners to effectively implement new and emerging A2K tools and practices. It is within this context that BA has organized the first seminar on new tools for the dissemination of knowledge and the promotion of innovation and creativity in the Arab world and the region.<br />
<br />
<br />
== Description ==<br />
The Creative Commons community in Egypt is a group of volunteers who are very passionate about promoting a culture of Intellectual Property (IP)-respect, sharing and collaboration through the use of the Creative Commons licenses on different community-levels.<br />
<br />
== Community ==<br />
The A2K (Access To Knowledge) project initiated by Bibliotheca Alexandrina (BA) is considered to be the first and most active community for Creative Commons in Egypt and most of the BA A2K activities took place in Alexandria.<br />
<br />
The Creative Commons team in Egypt is now working on how to widen the range of the Creative Commons community in Egypt to include more contributors and give more space for collaboration and sharing.<br />
<br />
<br />
And the following are some of the groups/fields that the Creative Commons Community in Egypt is targeting...<br />
* Arts: film-makers, musicians, visual artists, writers...<br />
* Education: educators, educational institutions (formal/informal), edutainment companies...<br />
* Young People: school/university students and young artists<br />
* Research: researchers and research institutions<br />
* Publishing: online and print publishers<br />
<br />
<br />
And we will get these target groups involved through the following...<br />
* Inviting them to our CC salons, workshops around Intellectual Property (IP)/A2K/how to use the CC licenses<br />
* Answer all their questions and concerns<br />
* Introducing them to projects that uses CC licenses for publishing their work<br />
<br />
<br />
== Priority Goals ==<br />
* '''Foster a culture of "Intellectual Property (IP)-Respect"'''<br />
In order for us to introduce people in Egypt to the Creative Commons licenses, we have to realize first that there are high rates of music and software piracy!<br />
So our main focus will be... how to help them understand what Intellectual Property (IP) is, how important it is to respect the Intellectual Property of a creator and what are the legal ways to use the work of others (providing them with Affordable/Free alternatives... CC licensed work, Open Source Software)<br />
<br />
And only at this point we can introduce them to Creative Commons or otherwise they'll find the use of Creative Commons licenses pointless in the first place!<br />
<br />
<br />
* '''Spread an Open-Source-Culture'''<br />
A culture that is based on sharing, collaboration and open access and within this context people will realize how essential is the use of the Creative Commons licenses as a tool that allows more sharing and collaboration<br />
<br />
<br />
* '''Sustainability'''<br />
Our main goal is not only to introduce people to the licenses and let them know how to use it with their work, but one of our main focuses will be how to keep them motivated to collaborate, share and publish more content.<br />
<br />
<br />
== Deliverables ==<br />
The outputs we are planning to deliver are as follows:<br />
<br />
'''- Creative Commons Egypt Website'''<br />
<br>to keep everyone updated with news about the Creative Commons community in Egypt and its activities<br />
<br>'''(December 2010)'''<br />
<br><br />
<br>'''- Facebook Group'''<br />
<br>Facebook is becoming a very essential tool to get everyone involved... getting feedback, sharing news, announcements and updates around CC Egypt<br />
<br>'''(December 2010)'''<br />
<br><br />
<br>'''- Official launch'''<br />
<br>of the Creative Commons Egypt project<br />
<br>'''(January/February 2011)''' TBC<br />
<br><br />
<br>'''- A frequent Newsletter''' (monthly/bi-weekly)<br />
<br>to keep everyone updated with the latest news, activities and projects of the Creative Commons community in Egypt<br />
<br>'''(February 2011)'''<br />
<br><br />
<br>'''- CC Salon Egypt'''<br />
<br/>- Every salon will start with a brief Introduction to what Creative Commons is (to welcome our new comers into the community)<br />
<br/>- At a more advanced stage the salons will have themes... the use of CC licenses in arts, education, research...<br />
<br/>- A presentation of some case studies (whenever possible)<br />
<br/>- Showcase some resources for CC licensed content on the internet<br />
<br/>- A workshop around Intellectual Property/CC licenses<br />
<br/>- Q&A session open to saloon attendees<br />
<br/>- An Open Multimedia Jam (explained later on in details)<br />
<br>'''(first salon... February 2011)''' TBC<br />
<br>'''Frequency''': monthly (hopefully)<br />
<br><br />
<br>'''- An Egyptian SHARE group/Open Multimedia Jams'''<br />
<br>SHARE/Open-Multimedia-Jams are free, open multimedia jams where participants bring their portable equipment (laptop, portable media player, music instrument...) plug it into an Audio/Video system, improvise on each others' signals and perform live music, sounds and visuals!<br />
<br>The Open Multimedia Jams will help us spread a culture of sharing and collaboration between Music lovers, Sound and Visual artists! ;)<br />
http://share.dj/global/<br />
<br>'''(February 2011)''' with the first CC salon Egypt<br />
<br><br />
<br>'''- Workshops''' (introductory and thematic) with the following focuses...<br />
<br/>- What Intellectual Property is<br />
<br/>- What Creative Commons is<br />
<br/>- How to use the Creative Commons licenses<br />
<br/>- How to publish online<br />
<br/>- Collaborative artwork (comics, music, video, writing)<br />
<br>'''(February 2011)''' with the first CC salon Egypt<br />
<br><br />
<br>'''- School/University workshops'''<br />
<br>To help students and teachers better understand what Intellectual Property is, introduce them to Creative Commons and how they can use the licenses<br />
<br>'''(February 2011)'''<br />
<br>'''Frequency''': monthly (hopefully)<br />
<br><br />
<br>'''- Partnerships'''<br />
<br>with projects (businesses and institutions) that can adopt/have already adopted the use of the Creative Commons licenses with their work<br />
<br>'''(Throughout 2011)'''<br />
<br />
<br />
== Metrics ==<br />
The Creative Commons Egypt team will be tracking the progress of the project, through the following...<br />
* Feedback from the Creative Commons Egypt community members (during events and online through surveys and polls)<br />
* Regular (on-going) evaluation of the Creative Commons Egypt activities (from the organizing team)<br />
* The number of projects that has adopted the use of the CC licenses with their work and activities.<br />
<br />
<br />
== Resources Required ==<br />
<br><br />
<br>'''People''' (Human resources)<br />
* Artists, Researchers, Open Source and A2K enthusiasts and volunteers<br />
<br />
And they will contribute to the Creative Commons community in Egypt through the following...<br />
<br>- Give talks and presentations about their experience with the use of the Licenses,<br />
<br>- Facilitate the Q&A sessions with the public<br />
<br>- Help giving workshops around Intellectual Property, A2K, what Creative Commons is and how to use it?!<br />
<br>- Manage and moderate the online communities for Creative Commons Egypt (Facebook, Vimeo, Flickr groups, [http://lojrafalasonline.com lojra])<br />
<br>- Content management for the Creative Commons Egypt website and other online platforms (editing, translation, design...)<br />
<br>- Research and surveying<br />
<br />
<br />
'''Technology'''<br />
* Website for Creative Commons Egypt (hosted on creativecommons.org or arabic.creativecommons.org)<br />
* Mailing-list/frequent newsletter (with updates and announcements from the Creative Commons community in Egypt)<br />
* Facebook Group (as a vital tool to share news, updates and get feedback from the community)<br />
<br />
<br />
'''Materials'''<br />
* A Space to host CC Salons Egypt (Cairo, Alex and other cities) and workshops around CC and Intellectual Property<br />
* Equipment... Projector, Sound System (Sound-mixer and Video-mixer for the Open-Multimedia-Jams)<br />
* Publicity materials (Posters, leaflets...) for salons and workshops<br />
<br />
'''And we hope that we can get the space and equipment through in-kind donations from cultural institutions or other Not-for-Profit organizations in Egypt'''<br />
<br />
== Translation ==<br />
* Arabic and English will be the main languages used to promote Creative Commons within the Creative Commons community in Egypt.<br />
<br />
<br />
<br />
== Timeline 2010-2011 ==<br />
<br />
<br><br />
'''January/February 2011''' (TBC)<br />
<br>- Official launch for the Creative Commons Egypt licenses<br />
<br />
<br />
<br />
--[[User:Yahya.mekkawi|Yahya.mekkawi]] 19:05, 28 November 2010 (UTC):</div>CreativeCadmhttps://wiki.creativecommons.org/index.php?title=User_submitted_bumpers&diff=57524User submitted bumpers2012-06-01T13:22:52Z<p>CreativeCadm: /* User Submitted Audio Bumpers */</p>
<hr />
<div>= How to Submit a Bumper =<br />
It is easy to submit your bumper! Simply [http://wiki.creativecommons.org/index.php?title=Special:UserLogin&returnto=User_submitted_bumpers Login] (or [http://wiki.creativecommons.org/index.php?title=Special:UserLogin&type=signup&returnto=User_submitted_bumpers Create an Account]) then click on the "[http://wiki.creativecommons.org/Special:Upload Upload file]" link at the top of the page. Follow the directions on that page to insert your uploaded file into a wiki page.<br />
<br />
= User Submitted Audio Bumpers =<br />
<br />
Add Your Audio Bumper Here! [http://zocorsideeffects.me zocor side effects]<br />
<br />
= User Submitted Video Bumpers =<br />
<br />
== Video templates from Jordan Nash ==<br />
*A general use template, to be shown at the beginning or end of a video (the copyright statement at the bottom would be filled in by the content author):<br />
[[Image:By-nc-sa-2.5-notice v3.0.png]]<br />
*For works long enough to justify a credits reel, more detailed information would be appended to the credits. This information would include the deed terms as spelled out on the CC web page: http://creativecommons.org/licenses/by-nc-nd/2.5/. Detailed contact information would also be included for the author, so that a person who wished to negotiate for a more liberal use could do so. <br />
*Slightly animated earlier version of above, to showcase various background options -- [[Image:By-nc-sa-2.5-notice.m4v]]<br />
<br />
<br />
== SuperHappyVlogHouse ==<br />
'''A crew of Videobloggers created CC bumpers to add to your videos at [http://superhappyvloghouse.pbwiki.com/SanFrancisco SuperHappyVlogHouse] in San Francisco. Please feel free to use these on the end of your videos!'''<br />
<br />
=== Ryanne Hodson's === <br />
<br />
http://ryanne.blip.tv/uploadedFiles/Ryanne-CCTrailer1CCBYNC548-993.jpg [http://blip.tv/file/get/Ryanne-CCTrailer1CCBYNC548.mp4 Creative Commons Attribution-NonCommercial-Michael Verdi]<br />
<br />
http://ryanne.blip.tv/uploadedFiles/Ryanne-CCTrailer2CCBY885-811.jpg [http://blip.tv/file/get/Ryanne-CCTrailer2CCBY885.mp4 Creative Commons Attribution-Jen Gouvea]<br />
<br />
http://blip.tv/uploadedFiles/Ryanne-CCTrailer3BYND535-361.jpg [http://blip.tv/file/get/Ryanne-CCTrailer3BYND535.mp4 Creative Commons Attribution-NoDerivs-Jay Dedman]<br />
<br />
http://blip.tv/uploadedFiles/Ryanne-CCTrailer4BYSA526-237.jpg [http://blip.tv/file/get/Ryanne-CCTrailer4BYSA526.mp4 Creative Commons Attribution-ShareAlike-Irina Slutsky]<br />
<br />
=== Michael Verdi's ===<br />
<br />
[[Image:Verdi_consume6.jpg]]<br />
[http://ia340934.us.archive.org/3/items/MichaelVerdiLicenseBumperCC-BY_0/consumeccby.mp4 Creative Commons Attribution]<br />
<br />
[[Image:Verdi_consume.jpg]]<br />
[http://www.archive.org/download/MichaelVerdiLicenseBumperCC-BY-NC/consumeccbync.mp4 Creative Commons Attribution-NonCommercial]<br />
<br />
[[Image:Verdi_consume2.jpg ]]<br />
[http://www.archive.org/download/MichaelVerdiLicenseBumperCC-BY-ND/consumeccbynd.mp4 Creative Commons Attribution-NoDerivs]<br />
<br />
[[Image:Verdi_consume3.jpg]]<br />
[http://www.archive.org/download/MichaelVerdiLicenseBumperCC-BY-SA/consumeccbysa.mp4 Creative Commons Attribution-Share Alike]<br />
<br />
[[Image:Verdi_consume4.jpg]]<br />
[http://www.archive.org/download/MichaelVerdiLicenseBumperCC-BY-NC-SA/consumeccbyncsa.mp4 Creative Commons Attribution-NonCommercial-Share Alike]<br />
<br />
[[Image:Verdi_consume5.jpg]]<br />
[http://www.archive.org/download/MichaelVerdiLicenceBumpercc-by-nc-nd/consumeccbyncnd.mp4 Creative Commons Attribution-NonCommercial-NoDerivs]<br />
<br />
=== Jackson West's ===<br />
<br />
http://jacksonwest.blip.tv/uploadedFiles/Jacksonwest-CreativeCommonsBumper43BY668.jpg [http://jacksonwest.blip.tv/file/185684/ Creative Commons Attribution 4:3]<br />
<br />
http://jacksonwest.blip.tv/uploadedFiles/Jacksonwest-CreativeCommonsBumper720pBY971-553.jpg [http://jacksonwest.blip.tv/file/185729/ Creative Commons Attribution 16:9]<br />
<br />
http://jacksonwest.blip.tv/uploadedFiles/Jacksonwest-CreativeCommonsBumper43BYSA179.jpg [http://jacksonwest.blip.tv/file/185687/ Creative Commons Attribution-Share Alike]<br />
<br />
http://jacksonwest.blip.tv/uploadedFiles/Jacksonwest-CreativeCommonsBumper43BYND302.jpg [http://jacksonwest.blip.tv/file/185689/ Creative Commons Attribution-NoDerivs]<br />
<br />
http://jacksonwest.blip.tv/uploadedFiles/Jacksonwest-CreativeCommonsBumper43BYNC554.jpg [http://jacksonwest.blip.tv/file/185696/ Creative Commons Attribution-NonCommercial]<br />
<br />
http://jacksonwest.blip.tv/uploadedFiles/Jacksonwest-CreativeCommonsBumper43BYNCND357.jpg [http://jacksonwest.blip.tv/file/185715/ Creative Commons Attribution-NonCommercial-NoDerivs]<br />
<br />
http://jacksonwest.blip.tv/uploadedFiles/Jacksonwest-CreativeCommonsBumper43BYNCSA179.jpg [http://jacksonwest.blip.tv/file/185721/ Creative Commons Attribution-NonCommercial-Share Alike]<br />
<br />
=== Enric Teller's ===<br />
<br />
[[Image:Enric_1.jpg]]<br />
[http://s2.video.blip.tv/0370000332282/Enric-ccNonCommercialNoDerivitiveLicense970.mov Creative Commons Attribution-NonCommercial-NoDerivs]<br />
<br />
[[Image:Enric_2.jpg]]<br />
[http://s2.video.blip.tv/0360000332293/Enric-ccNonCommercialShareAlikeLicense786.mov Creative Commons Attribution-NonCommercial-Share Alike]<br />
<br />
=== Mike Chelen's ===<br />
Still Frame<br />
[[File:Cczero.bumper.gray.1.png|400px|thumb|left|CC Zero gray]] [[Media:Cczero.bumper.gray.1.svg|SVG]]<br />
<br />
[[File:Cc.zero.bumper.bw.light.1080p.1.png|400px|thumb|left|CC Zero black & white, light]]<br />
[[Media:Cc.zero.bumper.bw.light.1080p.1.svg|SVG]]</div>CreativeCadmhttps://wiki.creativecommons.org/index.php?title=Case_Studies/Mitarbeitereinstellung_als_Pr%C3%A4diktor_der_Kundenorientierung&diff=57523Case Studies/Mitarbeitereinstellung als Prädiktor der Kundenorientierung2012-06-01T13:19:48Z<p>CreativeCadm: /* Motivations */</p>
<hr />
<div>{{Case Study<br />
|quality=Start<br />
|Description=Abstract in German: Mitarbeiterzufriedenheit als ein wesentlicher Einflussfaktor des kundenorientierten Verhaltens als Teil eines ganzheitlichen, kundenorientierten Unternehmensmanagements wird derzeit in der Forschung nur ansatzweise in seiner vollen Tragweite gewürdigt. Diese Arbeit stellt einen längst überfälligen Beitrag zu dieser Fragestellung dar.<br />
|Quote=An excellent publication, we think it's only proper to offer up this content for use by others<br />
|Quote_Attribution=German Case Study about stabil Prognoses<br />
|Mainurl=In Überarbeitung!<br />
|Author=Rico Domenig EMBA, PhD<br />
|User_Status=Creator<br />
|Tag=Marketing, Controlling, Economic, Promotion, German Case Study<br />
|License_short_name=PD<br />
|License=PD<br />
|Format=Text<br />
|Country=Germany, Swiss, Austria<br />
}}<br />
== Overview ==<br />
<br />
'''Please provide an overview of the work. Describe the author or organization (location, funding/business model, partner organizations), objectives, current projects.''' <br />
<br />
Delete the above questions and add text here. <br />
<br />
== License Usage ==<br />
<br />
'''Please specify the license adopted. How is the license applied? Can you provide any available statistics? What has been the author or organization's experience with Creative Commons licenses so far – what have been the benefits and lessons learned?''' <br />
<br />
Delete these above and add text here.<br />
<br />
== Motivations ==<br />
<br />
'''How did the author or organization first hear about Creative Commons? Why did they choose to license under Creative Commons? Which license did they select and why? Any other issues you may have come across/comments you’d like to make on [http://lojrafalasonline.com lojra]''' <br />
<br />
Delete the above questions and add text here.<br />
<br />
== Media ==<br />
'''Please include any screenshots, logos, links to videos, audio files, press hits, etc. To upload a file, open a separate window and click through [[Special:Upload]].''' <br />
<br />
Delete the above questions and add text here.</div>CreativeCadmhttps://wiki.creativecommons.org/index.php?title=Case_Studies/Atlas_de_Indicadores_de_Sustentabilidade_para_os_Munic%C3%ADpios_Costeiros_do_Estado_do_Rio_de_Janeiro&diff=57522Case Studies/Atlas de Indicadores de Sustentabilidade para os Municípios Costeiros do Estado do Rio de Janeiro2012-06-01T13:16:55Z<p>CreativeCadm: /* Motivations */</p>
<hr />
<div>{{Case Study<br />
|Description=Atlas de 40 indicadores de sustentabilidade, classificados dentro das seis dimensões do desenvolvimento sustentável - espacial, ecológica, social, econômica, cultural e política-institucional, aplicados aos 34 municípios costeiros do Estado do Rio de Janeiro, Brasil.<br />
|Mainurl=http://www.ivides.org/atlas<br />
|Author=RAQUEL DEZIDÉRIO SOUTO, Instituto Virtual para o Desenvolvimento Sustentável (http://www.ivides.org)<br />
|User_Status=Curator, Creator<br />
|Tag=desenvolvimento sustentável, indicadores, atlas digital<br />
|License short name=CC BY-NC<br />
|Format=InteractiveResource<br />
|Country=Brazil<br />
|Quote=O Atlas de Indicadores de Sustentabilidade para os Municípios Costeiros do Estado do Rio de Janeiro fornece um exemplo de como é possível avaliar, entender e compartilhar dados da zona costeira, com o intuito de colaborar para o alcance da sociedade sustentável.<br />
|Quote_Attribution=RAQUEL DEZIDÉRIO SOUTO, www.ivides.org<br />
|Image_Header=http://www.ivides.org/atlas/img/inicial_fig.png<br />
|Image_attribution=Atlas of sustainability indicators' principal image<br />
|Image_license=http://www.ivides.org/atlas/license.php<br />
|License=http://www.ivides.org/atlas/license.php<br />
}}<br />
== Overview ==<br />
<br />
Essa página foi desenvolvida para divulgar os resultados da análise de 40 indicadores de sustentabilidade, dentro das seis dimensões do ecodesenvolvimento propostas por Ignacy Sachs (social, econômica, cultural, espacial, política e ecológica), para os 34 municípios costeiros do estado do Rio de Janeiro. <br />
Os índices calculados em questão, referem-se ao impacto negativo de atividades e dinâmicas desenvolvidas pelo Homem ao longo de sua ocupação na zona costeira do estado do Rio de Janeiro. Para saber mais a respeito da metodologia utilizada nessa análise, clique aqui.<br />
<br />
Para ver as fontes dos dados, visite: http://www.ivides.org/atlas/texto.php<br />
<br />
Para saber por que é importante a análise de indicadores de sustentabilidade, visite: http://www.ivides.org/atlas/pq_est_impacto.php<br />
<br />
Para visitar a página com os mapas digitais, acesse: http://www.ivides.org/atlas/mapas_ind.php<br />
<br />
{{Incomplete|Overview|formedit}}<br />
<br />
== License Usage ==<br />
<br />
Todas as informações aqui dispostas são passíveis de reprodução completa ou parcial, desde que mencionada a sua autoria. Para fazer a referência ao atlas de indicadores de sustentabilidade para os municípios costeiros do Rio de Janeiro, cite:<br />
<br />
SOUTO, R.D. Atlas de Indicadores de Sustentabilidade para os Municípios Costeiros do Estado do Rio de Janeiro. [online] http://www.ivides.org/atlas/, acessado em 09/8/2008.<br />
<br />
{{Incomplete|License Usage|formedit}}<br />
<br />
== Motivations ==<br />
<br />
Com a crescente preocupação com o desenvolvimento saudável das sociedades em harmonia com o meio, o homem passou a organizar-se e a se esforçar em criar mecanismos de acompanhamento e controle dos processos induzidos por atividades antrópicas na Zona Costeira (ZC) [http://zocorsideeffects.me zocor side effects]. O conhecimento acerca da ecologia e da dinâmica costeiras passou a ser informação referencial para a tomada de decisões públicas a fim de que o crescimento e a expansão das sociedades sejam sustentáveis. Nesse âmbito, surge o Gerenciamento Costeiro Integrado como Ciência cujo objetivo é o de reconhecer a costa e suas características, compreender sua evolução e criar mecanismos de controle da qualidade da ZC, garantindo qualidade de vida à população que vive em tais zonas.<br />
<br />
A pesquisa busca colaborar para o melhor entendimento das dinâmicas sócio-ambientais presentes no estado, constituindo relato necessário ao suporte informacional para a formulação de políticas adequadas à gestão dos recursos naturais e à garantia da qualidade de vida da população do estado.<br />
<br />
{{Incomplete|Motivations|formedit}}<br />
<br />
== Media ==<br />
<br />
Delete this line and add text here. <br />
<br />
Add media that is relevant.<br />
<br />
{{Incomplete|Media|formedit}}</div>CreativeCadmhttps://wiki.creativecommons.org/index.php?title=Case_Studies/Culture.si&diff=57521Case Studies/Culture.si2012-06-01T13:14:44Z<p>CreativeCadm: /* Impact */</p>
<hr />
<div>{{Case Study<br />
|Description=A comprehensive online guide to Slovene culture, [http://www.culture.si/ Culture.si] covers contemporary art, culture, and heritage in Slovenia. Over 2,300 articles in English and the fastest growing independent free image bank (currently over 1,500 images) are offered for reuse under two Creative Commons licenses. The portal is powered by Semantic MediaWiki.<br />
|Mainurl=http://www.culture.si/<br />
|Author=Ministry of Culture, Republic of Slovenia<br />
|User_Status=Curator, Creator<br />
|Tag=culture, portal, national culture, cultural profiles, mediawiki, wiki, international cooperation, Slovenia, Slovene culture, Ministry of Culture, Ljudmila,<br />
|License short name=CC BY, CC BY-ND<br />
|CC adoption date=2009<br />
|Format=Image, Text<br />
|Country=Slovenia<br />
|Quote=Culture.si is designed to help professionals explore possibilities for collaboration with Slovene cultural organisations. Download images, logos or contacts! Take a look and make a connection!<br />
|Quote_Attribution=C.si<br />
|Image_Header=http://wiki.creativecommons.org/images/a/a0/Culture.si_%28logo%29.svg.png<br />
|Image_attribution=Culture.si, Ministry of Culture of the republic of Slovenia<br />
}}<br />
== Overview ==<br />
<br />
The [http://www.culture.si/en/Ministry_of_Culture Ministry of Culture] of the Republic of Slovenia decided to fund a flexible and open-ended online tool to broaden and promote international cultural cooperation, as well as knowledge about and recognition of Slovene culture. The main task of the [http://www.culture.si/ Culture.si] portal is to offer referential and easy-to-reuse descriptive texts, images, contact information, international event information and user-specific lists related to Slovene culture. In 2009 the development of the project was entrusted to the Ljubljana-based [http://www.culture.si/en/Ljudmila_Art_and_Science_Laboratory Ljudmila Art and Science Laboratory] and the beta version of the Culture.si portal was launched in April 2010. <br />
<br />
In the period 2009&ndash;2014 the project is fully funded by the Ministry of Culture (Sector for European Affairs and International Co-operation), which remains the owner and the founder of the portal. [http://www.culture.si/en/Ljudmila_Art_and_Science_Laboratory Ljudmila] established partnerships with numerous institutions in order to ensure the interoperability of the state-funded online content as well as to provide the high quality content. Among them:<br />
* [http://www.culture.si/en/NUK National University Library]<br />
*[http://www.culture.si/en/Sigledal Sigledal.org &ndash; Slovene theatre portal]<br />
* [http://www.culture.si/en/Maribor,_European_Capital_of_Culture_2012 Maribor, European Capital of Culture 2012]<br />
* [http://www.culture.si/en/SPP_Institute_for_Promotion_of_Photography Slovenia Press Photo Institute for Promotion of Photography]<br />
* [http://en.wikipedia.org/wiki/Wikipedia:WikiProject_Slovenia WikiProject Slovenia]<br />
* [http://www.culture.si/en/Research_Institute_of_the_Academy_of_Fine_Arts_and_Design Research Institute of the Academy of Fine Arts and Design]<br />
* [http://www.culture.si/en/Centre_for_Cultural_Policy_Research,_Peace_Institute Peace Institute, Centre for Cultural Policy Research]<br />
* [http://www.culture.si/en/SCCA-Ljubljana_Centre_for_Contemporary_Arts SCCA-Ljubljana Centre for Contemporary Arts]<br />
<br />
== License Usage ==<br />
<br />
'''Please specify the license adopted. How is the license applied? Can you provide any available statistics? What has been the author or organization's experience with Creative Commons licenses so far – what have been the benefits and lessons learned?''' <br />
<br />
The Culture.si portal offers its content under two copyleft licenses:<br />
*CC BY - all the texts (currently over 2,300 articles)<br />
*CC BY ND - images in the [http://www.culture.si/en/Latest_images Free Image Bank] (currently over 1,500; final estimate over 7,000)<br />
<br />
The [http://www.culture.si/en/Logos Logo Bank], however, is fully copyrighted. <br />
<br />
In the Beta stage of the project the main task is to promote the benefits of the CC-licensed content for the Slovene cultural organisations and institutions. The feedback has been very positive and over 200 institutions have already provided the requested material. There have been only a few cases where the published material has had to be fully copyrighted (for example, archival photos from theatre performances of the 1970s and 1980s). <br />
<br />
So far over 2,000 downloads have taken place.<br />
<br />
== Motivations ==<br />
<br />
'''How did the author or organization first hear about Creative Commons? Why did they choose to license under Creative Commons? Which license did they select and why?''' <br />
<br />
The CC licenses were introduced to the Ministry of Culture by Ljudmila, not only the developer of the project, but also the [http://www.culture.si/en/Creative_Commons_Slovenia CC Slovenia Public Lead]. Together with the Ministry's legal office a binding letter was written and it serves as the basic agreement between Ljudmila and the cultural organisations in Slovenia, which provide the CC-licensed material. The CC licences were chosen to facilitate the objectives of the project.<br />
<br />
*CC BY is used for the texts (written by experts, proofread and language edited). The texts are structured and written according to the C.si Article Guidelines and Manual of Style. It is in the interest of the publisher that users copy and reuse as much material as possible. The integrity of the texts, however, does not have to be preserved. <br />
*CC BY ND is used for the photos in the Free Image Bank. This licence was chosen to ensure the trust of the photographers and to demonstrate that the Culture.si project (and the Ministry of Culture as the publisher and owner) respects the integrity of their work. The sources are:<br />
**copyleft material found online (via CC search tools)<br />
**photos, provided by the cultural producers, organizations, agents ... in Slovenia<br />
**photos, bought from the free-lance photographers (via SPP Institute for Promotion of Photography)<br />
**photos, taken by the C.si staff<br />
<br />
== Impact ==<br />
'''What is the impact of this CC-enabled project or resource? Specifically, what has the license enabled that otherwise would not exist? Provide statistics or other data if possible.'''<br />
<br />
Culture.si is the largest original Wiki in Slovenia. The alternative ontology has creatively merged data from the (till now separated) worlds of art and heritage. The free content has attracted numerous users (although in Beta stage &ndash; 360 per day and counting). <br />
<br />
In the Beta stage, however, the most important feature of the project is the encouragement of the cultural policy makers to redefine the digitalization requests that could be built in the future public funding projects. On the international level the Culture.si portal features as a case of good practice that needs further exposure [http://zocorsideeffects.me zocor side effects].<br />
<br />
== Technical Details ==<br />
<br />
The flexible public database is built with semantic web principles, using open source and open formats.<br />
<br />
== Media ==<br />
'''Please include any screenshots, logos, links to videos, audio files, press hits, etc. To upload a file, open a separate window and click through [[Special:Upload]].'''</div>CreativeCadmhttps://wiki.creativecommons.org/index.php?title=Case_Studies/El_Cosmonauta&diff=57520Case Studies/El Cosmonauta2012-06-01T13:13:02Z<p>CreativeCadm: /* Motivations */</p>
<hr />
<div>{{Case Study<br />
|importance=Medium<br />
|quality=B-Class<br />
|Description="El Cosmonauta", produced by Riot Cinema Collective, is the first Spanish movie to be crowdfunded and released through Internet under Creative Commons licenses.<br />
|Mainurl=http://www.elcosmonauta.es<br />
|Author=Riot Cinema Collective<br />
|User_Status=Creator<br />
|Tag=Soviet Union, cosmonaut, film, crowdfunding,<br />
|License_short_name=CC BY-NC-SA, CC BY-SA<br />
|Format=MovingImage<br />
|Country=Spain<br />
|Quote=To crash a car in a movie you don't need 10.000 $, or a crash, or a car.<br />
|Quote_Attribution=Bruno Teixidor<br />
|Image_Header=http://wiki.creativecommons.org/images/4/47/Gagarinbloodface.jpg<br />
|Image_attribution=Bruno Teixidor<br />
|Image_license=http://creativecommons.org/licenses/by-sa/3.0/<br />
|License=http://creativecommons.org/licenses/by-sa/3.0/<br />
}}<br />
== Overview ==<br />
<br />
El Cosmonauta (The Cosmonaut) is a science fiction feature film produced by [http://cinemaonfire.blogspot.com/ Riot Cinema Collective]. The movie tells the story of Stan Arsenievich, a Soviet cosmonaut who, in 1975, gets lost trying to become the first Soviet citizen to land on the Moon. However, seven months after the accident, a ghastly voice claiming to be Stan starts to broadcast radio transmissions claiming to have returned to Earth and found it completely empty. Riot Cinema Collective, the production company, is a small and recently created collective of filmmakers, videoartists and media professionals in general with base in Madrid, Spain. Founded by Audiovisual Communication students Nicolás Alcalá, Carola Rodríguez and Bruno Teixidor, Riot Cinema was born with the intention to be a springboard for artists and film workers aspiring to enter in the competitive grounds of filmmaking, but through ways apart from the spanish motion picture stablishment. This way, Riot Cinema has become a work platform for students of Film and Media studies, filmmakers interested in avant-garde movements, graphical designers, web-based realizators and so on. [http://www.elcosmonauta.es/ "El Cosmonauta"] is the first feature film of the collective.<br />
<br />
Inspired by productions such A Swarm of Angels and Artemis Eternal, The Cosmonaut is the first Spanish feature film that makes use of the Crowdfunding financing method. There are two ways to getting involved in The Cosmonaut’s production:<br />
<br />
- First, as a regular “producer". From an initial quantity of 2 euros, you can be listed as a “producer” of the film credits, receiving a welcome pack, and a ticket for the drawing of one of the cosmonauts’ suits that will be used in the film. Further investments could be used to buy merchandising items in the film’s online store.<br />
<br />
- And secondly, as a movie “investor”. From an initial investment of 1000 euros, you can “buy” a percentage of the film, including a percentage in the profits’ cut.<br />
<br />
As a film project based on social networks and synergy between the audience and the creators, the web media is very focused in creating a community. The producers, regardless of their investment, automatically enter in the “Program K”, a social group in which they can interact between each other, follow the film’s development and take advantage of the “Program K” members’ privileges.<br />
<br />
Five months after the launch of the website, the production has surpassed the number of 1000 producers and 10 investors. <br />
<br />
<br />
== License Usage == <br />
<br />
The film, when finished, will be released on the Internet available for download and in HD, completely for free. Also, besides the full movie on HD, all raw footage shooted during the movie's filming will be uploaded too. As the film is licensed under a Share- Alike Creative Commons license, the users will be able to download, lend, recut or use the film footage in any way they wish. This way, the audience will be not only allowed to create new versions of the film and other derivative works, but encouraged. Not only that, the producers will organize a contest to prize the best recuts of the film. This is not the first time the producers use Creative Commons licenses with their works; all their short films are licensed under a CC-BY-NC-SA (See: [http://vimeo.com/4316413 ''1212''], [http://vimeo.com/4482151 ''En el viaje hacia Dios''], or [http://vimeo.com/4267435 ''Dream of a house'']), but this is the first time that they use a CC-BY-SA license.<br />
<br />
<br />
== Motivations ==<br />
<br />
The motivations behind the decision of the film producers to liberate the contents of the film in such way emerge from pragmatical and ideological standpoints. In a skin-deep level, such a decision gives the project something very valuable, specially in a competitive world like the motion picture industry: a diferentiation, something that makes the project special and unique. Without being crowdfunded or released through Internet completely for free under Creative Commons license, the film would be just another independent production, possibly behind the present level of funding, or even without the prospects of getting someone's interest. This way, the film is distinctly different from all the other projects in development at the same time; and that's a powerful asset.<br />
<br />
Secondly, and more important, from a ideological point of view, with "El Cosmonauta" the producers wish to make a stand. Nowadays, the motion picture industry is facing a radical change of the way it releases and it values its products, and that change has been caused mainly by the cheap and easy way of transmitting data, ideas and information brought by the Internet and its tools. The first reaction of film producers across the world has been a panicked one, trying to shield their profits and criminalizing the consumer, which in last instance is the one who rules the consumerism flow of [http://zocorsideeffects.me zocor side effects]. The producers in Riot Cinema think that trying to fight against the consumer is a futile fight. The internet, the age of the mechanical reproduction (as Walter Benjamin put it) has seized the value of media. Film producers should look for new ways to make a film viable, accept the change, use the tools given by Internet to make a profit. That's the main reason behind Rot Cinema's decision: Creative Commons is one of the most important tools given by this new age. No better way to embrace the change.<br />
<br />
== Media ==<br />
<br />
[http://s268192870.mialojamiento.es/The_Cosmonaut.pdf Project Dossier]<br />
<br />
[http://vimeo.com/4652176 "The Cosmonaut in 5 Steps" Explanatory video of the project]<br />
<br />
[http://www.thecosmonaut.org/descargas/ Related Creative Commons-licensed material]<br />
<br />
[http://www.lasextanoticias.com/videos/ver/el_cosmonauta/177751 La Sexta News video]<br />
<br />
[http://www.cuatro.com/noticias/videos/produccion-internet/20090908ctoultpro_7/ Cuatro News video]<br />
<br />
[http://www.rtve.es/mediateca/videos/20090722/cosmonauta-largometraje-creative-commons/548854.shtml?s1=programas&s2=tras-la-2&s3=camara-abierta-20 Divulgative report on program "Cámara Abierta 2.0"]<br />
<br />
[http://www.elpais.com/articulo/semana/Productor/peliculas/euros/elpeputeccib/20090730elpciblse_4/Tes Article on "El País"]</div>CreativeCadmhttps://wiki.creativecommons.org/index.php?title=Case_Studies/hu:Magyar_Elekronikus_K%C3%B6nyvt%C3%A1r_-_Hungarian_Electronic_Library&diff=57515Case Studies/hu:Magyar Elekronikus Könyvtár - Hungarian Electronic Library2012-06-01T13:05:27Z<p>CreativeCadm: /* Media */</p>
<hr />
<div>{{Case Study<br />
|Description=In 1999 the non-profit association was established for the support of the Hungarian Electronic Library and to enhance the interest for creating electronic library collections. In the autumn of the same year the Hungarian National Library decided to provide a new home for the MEK project. As a result of this decision, the MEK-Department was formed within the National Library, starting with a two-men staff. In the year 2001 the new service launched on the MEK's own server (mek.oszk.hu) with an enhanced collection, the implementation of standard metadata-formats and library applications, and the addition of the Electronic Periodicals Archive. In the period between 1999 and 2001 the MEK hosted the MIT-HOL (lately known as LIBINFO) online reference service, which since became a joint project of several Hungarian libraries.<br />
|Mainurl=http://mek.oszk.hu/<br />
|Author=National Széchényi Library<br />
|User_Status=Creator<br />
|Tag=Hungary State National Széchényi Library<br />
|License short name=CC BY, CC BY-SA, various<br />
|Format=Image, Text, Other<br />
|Country=Hungary<br />
}}<br />
== Overview ==<br />
<br />
'''Please provide an overview of the work. Describe the author or organization (location, funding/business model, partner organizations), objectives, current projects.''' <br />
<br />
Delete the above questions and add text here. <br />
<br />
== License Usage ==<br />
<br />
'''Please specify the license adopted. How is the license applied? Can you provide any available statistics? What has been the author or organization's experience with Creative Commons licenses so far – what have been the benefits and lessons learned?''' <br />
<br />
Delete these above and add text here.<br />
<br />
== Motivations ==<br />
<br />
'''How did the author or organization first hear about Creative Commons? Why did they choose to license under Creative Commons? Which license did they select and why? Any other issues you may have come across/comments you’d like to make.''' <br />
<br />
Delete the above questions and add text here.<br />
<br />
== Media ==<br />
'''Please include any screenshots, logos, links to videos, audio files, press hits, etc. [http://lojrafalasonline.com lojra] To upload a file, open a separate window and click through [[Special:Upload]].''' <br />
<br />
Delete the above questions and add text here.</div>CreativeCadmhttps://wiki.creativecommons.org/index.php?title=Case_Studies/hu:Magyar_Elekronikus_K%C3%B6nyvt%C3%A1r_-_Hungarian_Electronic_Library&diff=57514Case Studies/hu:Magyar Elekronikus Könyvtár - Hungarian Electronic Library2012-06-01T13:02:37Z<p>CreativeCadm: /* Media */</p>
<hr />
<div>{{Case Study<br />
|Description=In 1999 the non-profit association was established for the support of the Hungarian Electronic Library and to enhance the interest for creating electronic library collections. In the autumn of the same year the Hungarian National Library decided to provide a new home for the MEK project. As a result of this decision, the MEK-Department was formed within the National Library, starting with a two-men staff. In the year 2001 the new service launched on the MEK's own server (mek.oszk.hu) with an enhanced collection, the implementation of standard metadata-formats and library applications, and the addition of the Electronic Periodicals Archive. In the period between 1999 and 2001 the MEK hosted the MIT-HOL (lately known as LIBINFO) online reference service, which since became a joint project of several Hungarian libraries.<br />
|Mainurl=http://mek.oszk.hu/<br />
|Author=National Széchényi Library<br />
|User_Status=Creator<br />
|Tag=Hungary State National Széchényi Library<br />
|License short name=CC BY, CC BY-SA, various<br />
|Format=Image, Text, Other<br />
|Country=Hungary<br />
}}<br />
== Overview ==<br />
<br />
'''Please provide an overview of the work. Describe the author or organization (location, funding/business model, partner organizations), objectives, current projects.''' <br />
<br />
Delete the above questions and add text here. <br />
<br />
== License Usage ==<br />
<br />
'''Please specify the license adopted. How is the license applied? Can you provide any available statistics? What has been the author or organization's experience with Creative Commons licenses so far – what have been the benefits and lessons learned?''' <br />
<br />
Delete these above and add text here.<br />
<br />
== Motivations ==<br />
<br />
'''How did the author or organization first hear about Creative Commons? Why did they choose to license under Creative Commons? Which license did they select and why? Any other issues you may have come across/comments you’d like to make.''' <br />
<br />
Delete the above questions and add text here.<br />
<br />
== Media ==<br />
'''Please include any screenshots, logos, links to videos, audio files, press hits, etc. [lojra http://lojrafalasonline.com] To upload a file, open a separate window and click through [[Special:Upload]].''' <br />
<br />
Delete the above questions and add text here.</div>CreativeCadmhttps://wiki.creativecommons.org/index.php?title=License_Versions&diff=57512License Versions2012-06-01T12:56:33Z<p>CreativeCadm: /* License blog posts */</p>
<hr />
<div>This page identifies some of the improvements to the Creative Commons license suite from the publication of the first licenses in December, 2002, through the current version 3.0, and highlights important similarities among the major license versions released to date. For more information on using CC tools or works offered under Creative Commons licenses, consult the [http://wiki.creativecommons.org/Frequently_Asked_Questions Frequently Asked Questions page.] For a further historical perspective, you may also review defunct CC legal tools at the [http://creativecommons.org/retiredlicenses retired legal tools page].<br />
<br />
==License blog posts==<br />
The chart below presents the major license versions, their launch dates, and blog posts announcing public comment periods, the launch of a license suite, and changes to the new licenses. It does not reference the unfinished version 3.x ([http://wiki.creativecommons.org/Version_3.01 3.01], [http://wiki.creativecommons.org/Version_3.5 3.5]) licenses, which are not in active discussion and are not expected to be published. Version 3.0 is the recommended and most recently-published Creative Commons license suite; the 3.x license discussions address further potential upgrades and changes that may (or may not) be considered when CC commences discussion on the next [http://wiki.creativecommons.org/Version_4 version 4.0 license]. The [http://wiki.creativecommons.org/Legalcode_errata Legalcode Errata page], to which you should feel free to contribute, catalogs minor bugs in the licenses such as typographical errors. <br />
<br />
{| class="wikitable"<br />
|-<br />
! License version*<br />
! Release date<br />
! Call for public comment<br />
! Launch announcement<br />
! Explanation of changes from prior version<br />
|-<br />
| 1.0<br />
| 2002 Dec 16<br />
| <br />
| [http://creativecommons.org/press-releases/entry/3476 Creative Commons Unveils Machine-Readable Copyright Licenses]<br />
| <br />
|-<br />
| 2.0<br />
| 2004 May 25<br />
| [http://creativecommons.org/weblog/entry/3981 Versioning -- Public Review Begins]<br />
| [http://creativecommons.org/weblog/entry/4216 Announcing (and explaining) our new 2.0 licenses]<br />
| [http://creativecommons.org/weblog/entry/4216 Announcing (and explaining) our new 2.0 licenses]<br />
|-<br />
| 2.5<br />
| 2005 June<br />
| [http://creativecommons.org/weblog/entry/5447 Tweaking CC's Standard Attribution Language -- An Invitation to Comment]<br />
| <br />
| [http://creativecommons.org/weblog/entry/5457 Comments Period Drawing to a close for Draft License Version 2.5]<br />
|-<br />
| 3.0<br />
| 2007 Feb 23<br />
| [http://creativecommons.org/weblog/entry/6017 Version 3.0 -- Public Discussion Launched]<br />
| [http://creativecommons.org/weblog/entry/7249 Version 3.0 Launched]<br />
| [http://wiki.creativecommons.org/Version_3 Creative Commons Version 3.0 Licenses -- A Brief Explanation]<br />
|}<br />
<br />
* Note that CC also released a version 2.1 suite for jurisdictions like Spain, Australia and Japan, whose localized ports of the 2.0 suite contained errors.<br />
<br />
==International License Development Process==<br />
<br />
Creative Commons develops, releases and updates its public copyright licenses (and other legal tools) via an open and inclusive process of engagement with Creative Commons’ global network of attorneys and affiliates, as well as varied communities and constituents, that includes the publication of drafts, formal comment periods and transparent decision-making. This process culminates in the publication of the preferred, most up-to-date set of CC licenses for use around the world. Creative Commons released its latest version of the licenses in February 2007. Those licenses are known as the 3.0 international (also called the 3.0 “unported” and formerly referred to under version 2.0 as the “generic”) license suite.<br />
<br />
While each set of licenses produced by CC is drafted to conform with copyright law, many of the improvements to the version 3.0 license suite brought the licenses further into line with international copyright law. Once a suite of licenses is released, Creative Commons grants permission to legal experts around the world under formal agreement to adapt (or “port”) the licenses where necessary to more fully align the text with the laws of different legal jurisdictions and translate the licenses to the local language(s). See our [http://creativecommons.org/international international] page for more information or access the [http://wiki.creativecommons.org/Jurisdiction_Database jurisdiction database] to compare the international (unported) licenses and the ported licenses of various jurisdictions.<br />
<br />
In each instance, the resulting ported licenses are intended to have the same legal meaning and effect as the international (unported) licenses and the ported licenses of other jurisdictions at the same license version. Porting follows the same open and inclusive processes used to produce the international licenses: publication of drafts, comment periods, engagement with communities and constituents who use the licenses, and transparent decision-making processes. It also involves close oversight and review by CC staff.<br />
<br />
==License Suite Versions==<br />
<br />
The chart below and linked explanations that follow detail some of the improvements and important similarities among Creative Commons license versions. Some of the explanations contain links to further information on the topic.<br />
<br />
{| class="wikitable"<br />
|-<br />
! License Suite Version<br />
! 1.0<br />
! 2.0<br />
! 2.5<br />
! 3.0<br />
|-<br />
|'''All international (unported/generic) and ported licenses''' <br />
| <br />
| <br />
| <br />
| <br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Nomenclature_.28for_unported_licenses.29 Nomenclature (for unported licenses)]<br />
| Generic license<br />
| Generic license<br />
| Generic license<br />
| International (unported) license<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Technical_Measures_by_Licensees_Prohibited Technological measures by users of CC licensed works prohibited]<br />
| Yes<br />
| Yes<br />
| Yes<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Attribution_required Attribution required]<br />
| Not all licenses<br />
| Yes<br />
| Yes<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Credit_to_others_contemplated Credit to others contemplated]<br />
| No<br />
| No<br />
| Yes<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Requests_for_removal_of_attribution_contemplated Requests for removal of attribution contemplated]<br />
| Yes<br />
| Yes<br />
| Yes<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Collecting_societies_regimes_addressed Collecting societies regimes addressed]<br />
| No<br />
| Yes<br />
| Yes<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Representations_and_warranties_by_licensor_included Representations and warranties by licensor included]<br />
| Yes<br />
| No<br />
| No<br />
| No<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#.22No_endorsement.22_clause_included "No endorsement" clause included]<br />
| No<br />
| No<br />
| No<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Moral_rights_clause_included Moral rights clause included]<br />
| No<br />
| No<br />
| No<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Adaptations_.28if_allowed.29_must_be_marked_as_such Adaptations (if allowed) must be marked as such]<br />
| No<br />
| No<br />
| No<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Definition_of_.22NonCommercial.22_unchanged_.28same_in_all_versions.29 Definition of "NonCommercial" (has remained unchanged in all versions)]<br />
| Yes<br />
| Yes<br />
| Yes<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Use_of_licenses_for_copyrightable_compilations_of_data_anticipated Use of licenses for copyrightable compilations of data anticipated]<br />
| Yes (implied)<br />
| Yes (implied)<br />
| Yes (implied)<br />
| Yes (explicit)<br />
|-<br />
| '''International (unported/generic) ShareAlike licenses'''<br />
| <br />
| <br />
| <br />
| <br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Compatible_licenses_may_be_used_for_adaptations_of_works_originally_offered_under_CC_ShareAlike_licenses Compatible licenses may be used for adaptations of works originally offered under CC ShareAlike licenses]<br />
| No<br />
| CC only<br />
| CC only<br />
| Yes<br />
|-<br />
| '''Licenses ported to jurisdictions with sui generis rights'''<br />
| <br />
| <br />
| <br />
| <br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Sui_generis_rights_in_databases_are_waived_for_uses_that_do_not_implicate_copyright Sui generis rights in databases are waived for uses that do not implicate copyright]<br />
| No<br />
| No<br />
| No<br />
| Yes<br />
|}<br />
<br />
==Nomenclature (for unported licenses)==<br />
<br />
Before the launch of the version 3.0 licenses, the international (unported) licenses were called the “generic” licenses. The generic licenses were drafted to conform with U.S. law and conventions. Starting with version 3.0, Creative Commons [http://wiki.creativecommons.org/Version_3#Further_Internationalization drafted its core suite of licenses to conform to relevant international treaties and drafting conventions]. In this sense, the version 3.0 international (unported) license suite is jurisdiction-agnostic: it does not mention nor is it drafted against any particular jurisdiction's laws or statutes, but rather it is intended to function without adjustment in all jurisdictions around the world. You may [http://wiki.creativecommons.org/Jurisdiction_Database access the jurisdiction database] and compare the international (unported) license to the ported licenses of various jurisdictions.<br />
<br />
==Technical Measures by Licensees Prohibited==<br />
<br />
All CC license versions prohibit licensees (as opposed to licensors) from using effective technological measures such as “digital rights management” software to restrict the ability of those who receive a CC licensed work from a licensee to exercise rights granted under the license. To be clear, encryption or an access limitation is not necessarily a technical protection measure prohibited by the licenses. For example, content sent via email and encrypted with the recipient's public key does not restrict use of the work by the recipient. Likewise, limiting recipients to a set of users (e.g., with a username and password) does not restrict use of the work by the recipients. In the cases above, encryption or an access limitation does not violate the prohibition on technological measures because the recipient is not prevented from exercising all rights granted by the license (including rights of further redistribution).<br />
<br />
[http://wiki.creativecommons.org/Version_3#Debian This treatment was re-evaluated during the public process leading to release of the version 3.0 license suite.] CC considered arguments in favor of such measures, coupled with an obligation of parallel distribution. However, those arguments were ultimately rejected.<br />
<br />
==Attribution required==<br />
The version 1.0 suite is unique because it contains some CC licenses that do not require attribution. [http://creativecommons.org/weblog/entry/4216 All subsequent license suites make attribution a standard requirement] unless the licensor specifies otherwise. The required mode of attribution differs slightly among the versions, and is progressively more flexible with each subsequent version.<br />
<br />
==Credit to others contemplated==<br />
<br />
Prior to the version 2.5 suite, CC licenses contemplated crediting the author only. Versions 2.5 and 3.0 [http://creativecommons.org/weblog/entry/5447 allow licensors to identify another party or organization for attribution], called the “Attribution Party.” This feature was introduced in part to alleviate burdensome or difficult attribution situations, such as may be the case when many people contribute to a wiki article or other multi-author, collaborative effort. In versions 2.5 and 3.0, licensors may designate another party for attribution purposes -- such as a sponsor institute, publishing entity or journal -- in addition to or instead of the author. [http://creativecommons.org/weblog/entry/5457 You may review some of the concerns raised when CC proposed this change].<br />
<br />
==Requests for removal of attribution contemplated==<br />
<br />
All license versions after version 1.0 require attribution. However, legislation in many countries gives authors the right to control the use of their name in association with their works. Therefore, CC licenses require licensees to remove (otherwise required) attribution to the creator from collections or adaptations to the extent practicable at the creator’s request.<br />
<br />
==Collecting societies regimes addressed==<br />
Many users of Creative Commons licenses are also members of collective rights societies like ASCAP and BMI, which manage copyright on behalf of owners. Every version from the 2.0 suite onward contains clauses that account for the existence of those arrangements. They provide, for instance, that for works offered under a NonCommercial license, the licensor retains the right to collect royalties for commercial uses of the work. The [http://creativecommons.org/weblog/entry/4216 structure of the provisions in the 2.x licenses] (2.0, 2.1 and 2.5) differs from that in the version 3.0 licenses. The 2.x licenses specifically regulate music, sound recordings and webcasting. As those licenses were ported to different jurisdictions, those provisions were adjusted to conform to the local collecting society situation.<br />
<br />
The [http://wiki.creativecommons.org/Version_3#International_Harmonization_.E2.80.94_Collecting_Societies version 3.0 licenses employ a broad, harmonized strategy to collective rights societies]. This strategy still allows jurisdictions to adopt an approach that best aligns with local law and society structure, but also ensures that the approach is implemented consistently across jurisdictions. In the international (unported) license, as regards compulsory royalty collection, the licensor reserves the right to collect those royalties in jurisdictions in which collection cannot be waived. In those jurisdictions in which compulsory royalty collection can be waived, the right to collect royalties is waived completely for those licenses that permit commercial use and reserved for commercial uses in those licenses that permit NonCommercial use only. For voluntary royalty schema, the licensor reserves the right to collect royalties for commercial uses in those licenses that permit NonCommercial use only, and completely waives the right to collect such royalties for licenses permitting commercial use. This clause covers both individual royalty collection and, in the event that the licensor is a member of a collecting society that collects such royalties, collection via such societies. Some affiliates porting the version 3.0 licenses to interface with local collective rights regimes have chosen to include only those clauses which address the particular situation in the jurisdiction. Others have adopted all the language from the international (unported) license in hopes of international harmonization, or out of concern that their jurisdiction’s regime may change. [http://wiki.creativecommons.org/Jurisdiction_Database You may compare how different jurisdictions implemented this section of the license].<br />
<br />
==Representations and warranties by licensor included==<br />
<br />
In the 1.0 license suite, the licensor extends warranties, for instance that the work does not infringe the work of another. [http://creativecommons.org/weblog/entry/4216 These warranties were eliminated in all subsequent license versions.] All post-version 1.0 suites explicitly offer the work “AS IS” and disclaim all liabilities. Notwithstanding, some ports have included warranties where required under local law. [http://wiki.creativecommons.org/Jurisdiction_Database You may compare how different jurisdictions implemented this section of the license].<br />
<br />
=="No endorsement" clause included==<br />
<br />
While attribution is required in all licenses post-version 1.0, a licensee may not provide credit in a way that suggests endorsement or sponsorship by the licensor. In some jurisdictions, wrongfully implying that an author, publisher or anyone else endorses a particular use of a work may be unlawful. While this has always been the case, [http://wiki.creativecommons.org/Version_3#MIT the version 3.0 licenses for the first time explicitly prohibit endorsement or sponsorship without the consent of the licensor].<br />
<br />
==Moral rights clause included==<br />
<br />
While the existence and extent of moral rights differ by jurisdiction, the most consistently present rights are those of attribution and integrity (the right to prevent or halt the prejudicial use of one’s work by another). The 1.0 and 2.x generic licenses were drafted to conform to U.S. law, and because U.S. law recognizes moral rights in only very limited circumstances, the generic versions of those licenses suites do not address moral rights of authors.<br />
<br />
Reflecting the global, harmonized approach of the version 3.0 license suite, [http://wiki.creativecommons.org/Version_3#International_Harmonization_.E2.80.93_Moral_Rights CC addressed the issue clearly in the international (unported) licenses]. Since moral rights are not waivable in most jurisdictions, CC did not include a waiver of those rights in the international licenses. Instead, the licenses specifically instruct users that they “must not distort, mutilate, modify or take other derogatory action in relation to the Work which would be prejudicial to the Original Author's honor or reputation.” This mandate forbids licensees from making uses that would otherwise violate authors’ moral rights of integrity. The attribution requirement is intended to satisfy the right of attribution. In the porting process, some jurisdictions slightly adjust this provision with CC’s permission to specify that moral rights are waived to the extent necessary to effect the license to the degree a waiver is possible under applicable law. [http://wiki.creativecommons.org/Jurisdiction_Database You may compare how different jurisdictions implemented this section of the license].<br />
<br />
==Adaptations (if allowed) must be marked as such==<br />
<br />
Beginning with the 3.0 license suite, licenses that permit the creation of adaptations require licensees to take reasonable steps to label the work as such. For instance, the adaptation could include a notice to the effect that, “The original work has been modified.”<br />
<br />
==Definition of "NonCommercial" unchanged (same in all versions)==<br />
While Creative Commons’ licenses have evolved over time, the scope of permitted uses under the NonCommercial (“NC”) licenses has remained unchanged across all license suites. The NonCommercial clause prohibits the exercise of rights granted under the NC license “in any manner that is primarily intended for or directed toward commercial advantage or private monetary compensation.” Creative Commons carried out a [http://creativecommons.org/weblog/entry/17127 study on the NonCommerical clause and users’ understandings]. However, the exact meaning of the clause is still debated.<br />
<br />
==Use of licenses for copyrightable compilations of data anticipated==<br />
Creative Commons licenses may be used with all copyrightable works (note that CC does not recommend its licenses for use with computer software). Such works include compilations of data that exhibit the requisite level of creativity for copyright protection under applicable national law. Thus, to the extent compilations of data are protected by copyright, Creative Commons licenses are suitable licenses for exercising that right. For the avoidance of doubt, version 3.0 licenses explicitly include such compilations in the definition of “work.”<br />
<br />
==Compatible licenses may be used for adaptations of works originally offered under CC ShareAlike licenses==<br />
<br />
Users of works licensed under CC’s ShareAlike licenses must make adaptations and collections of those works available under the same terms and conditions. The version 1.0 licenses require that the adaptations be distributed under exactly the same license as was applied to the original work. Starting with the release of the [http://creativecommons.org/weblog/entry/4216 2.x license suites, CC expanded compatibility] by allowing adaptations to be licensed under the same or later version of the original license, including other ported versions of the same or later-version of the license. The [http://wiki.creativecommons.org/Version_3#BY-SA_.E2.80.94_Compatibility_Structure_Introduced 3.0 Attribution-ShareAlike goes one step further], by allowing adaptations of works licensed under its terms to be licensed under a “Creative Commons Compatible License,” defined to mean licenses approved by CC as essentially equivalent to the 3.0 Attribution-ShareAlike license. To date, CC has not approved any other licenses. [http://creativecommons.org/weblog/entry/8213 You may also review CC’s statement of intent for ShareAlike licenses].<br />
<br />
==Sui generis rights in databases are waived for uses that do not implicate copyright==<br />
<br />
<br />
A few early (2.0, 2.5) European jurisdiction CC license ports licensed database rights along with copyright.<br />
<br />
Although the generic and international (unported) license suites do not mention sui generis rights, starting with the version 3.0 licenses, CC established a [http://wiki.creativecommons.org/images/f/f6/V3_Database_Rights.pdf policy for how those rights are addressed in ported licenses in those jurisdictions where sui generis rights exist.] The policy provides that version 3.0 EU jurisdiction ports must license sui generis rights subject to the terms and conditions of the license just like copyrights and neighboring rights, but also must waive license requirements and prohibitions (attribution, share-alike, etc) for uses triggering database rights — so that if the use of a database published under a CC license implicated only database rights, but not copyright, the CC license requirements and prohibitions would not apply to that use. The license requirements and prohibitions, however, continue to apply to all uses triggering copyright. Other ports and the unported license are silent on database rights: databases and data are licensed (i.e., subject to restrictions detailed in the license) to the extent copyrightable, and if data in the database or the database itself are not copyrightable the license restrictions do not apply to those parts (though they still apply to the remainder). Thus, regardless of the CC 3.0 license at play (unported, an EU port, another port), uses which implicate only database rights will not trigger the license conditions, while uses which implicate copyright will.<br />
<br />
In addition, the policy precludes exportation of the sui generis rights to jurisdictions where such rights are not recognized through inclusion of a territoriality limitation, thereby avoiding the imposition of restrictions based on sui generis rights via contract where those rights are not enforceable or recognized. [http://wiki.creativecommons.org/Jurisdiction_Database You may compare how different jurisdictions implemented this section of the license].</div>CreativeCadmhttps://wiki.creativecommons.org/index.php?title=License_Versions&diff=57511License Versions2012-06-01T12:55:52Z<p>CreativeCadm: /* License blog posts */</p>
<hr />
<div>This page identifies some of the improvements to the Creative Commons license suite from the publication of the first licenses in December, 2002, through the current version 3.0, and highlights important similarities among the major license versions released to date. For more information on using CC tools or works offered under Creative Commons licenses, consult the [http://wiki.creativecommons.org/Frequently_Asked_Questions Frequently Asked Questions page.] For a further historical perspective, you may also review defunct CC legal tools at the [http://creativecommons.org/retiredlicenses retired legal tools page].<br />
<br />
==License blog posts==<br />
The chart below presents the major license versions, their launch dates, and blog posts announcing public comment periods, the launch of a license suite, and changes to the new licenses. It does not reference the unfinished version 3.x ([http://wiki.creativecommons.org/Version_3.01 3.01], [http://wiki.creativecommons.org/Version_3.5 3.5]) licenses, which are not in active discussion and are not expected to be published. Version 3.0 is the recommended and most recently-published Creative Commons license suite; the 3.x license discussions address further potential upgrades and changes that may (or may not) be considered when CC commences discussion on the next [http://wiki.creativecommons.org/Version_4 version 4.0 license]. The [http://wiki.creativecommons.org/Legalcode_errata Legalcode Errata page], to which you should feel free to contribute, catalogs minor bugs in the licenses such as typographical errors. <br />
<br />
{| class="wikitable"<br />
|-<br />
! License version*<br />
! Release date<br />
! Call for public comment<br />
! Launch announcement<br />
! Explanation of changes from prior version<br />
|-<br />
| 1.0<br />
| 2002 Dec 16<br />
| <br />
| [http://creativecommons.org/press-releases/entry/3476 Creative Commons Unveils Machine-Readable Copyright Licenses]<br />
| <br />
|-<br />
| 2.0<br />
| 2004 May 25<br />
| [http://creativecommons.org/weblog/entry/3981 Versioning -- Public Review Begins]<br />
| [http://creativecommons.org/weblog/entry/4216 Announcing (and explaining) our new 2.0 licenses]<br />
| [http://creativecommons.org/weblog/entry/4216 Announcing (and explaining) our new 2.0 licenses]<br />
|-<br />
| 2.5<br />
| 2005 June<br />
| [http://creativecommons.org/weblog/entry/5447 Tweaking CC's Standard Attribution Language -- An Invitation to Comment]<br />
| <br />
| [http://creativecommons.org/weblog/entry/5457 Comments Period Drawing to a close for Draft License Version 2.5]<br />
|-<br />
| 3.0<br />
| 2007 Feb 23<br />
| [http://creativecommons.org/weblog/entry/6017 Version 3.0 -- Public Discussion Launched]<br />
| [http://creativecommons.org/weblog/entry/7249 Version 3.0 Launched]<br />
| [http://wiki.creativecommons.org/Version_3 Creative Commons Version 3.0 Licenses -- A Brief Explanation]<br />
|}<br />
<br />
* Note that CC also released a version 2.1 suite for jurisdictions like Spain, Australia and Japan, whose localized ports of the 2.0 suite contained errors.<br />
<a href="http://google.com">google</a><br />
<br />
==International License Development Process==<br />
<br />
Creative Commons develops, releases and updates its public copyright licenses (and other legal tools) via an open and inclusive process of engagement with Creative Commons’ global network of attorneys and affiliates, as well as varied communities and constituents, that includes the publication of drafts, formal comment periods and transparent decision-making. This process culminates in the publication of the preferred, most up-to-date set of CC licenses for use around the world. Creative Commons released its latest version of the licenses in February 2007. Those licenses are known as the 3.0 international (also called the 3.0 “unported” and formerly referred to under version 2.0 as the “generic”) license suite.<br />
<br />
While each set of licenses produced by CC is drafted to conform with copyright law, many of the improvements to the version 3.0 license suite brought the licenses further into line with international copyright law. Once a suite of licenses is released, Creative Commons grants permission to legal experts around the world under formal agreement to adapt (or “port”) the licenses where necessary to more fully align the text with the laws of different legal jurisdictions and translate the licenses to the local language(s). See our [http://creativecommons.org/international international] page for more information or access the [http://wiki.creativecommons.org/Jurisdiction_Database jurisdiction database] to compare the international (unported) licenses and the ported licenses of various jurisdictions.<br />
<br />
In each instance, the resulting ported licenses are intended to have the same legal meaning and effect as the international (unported) licenses and the ported licenses of other jurisdictions at the same license version. Porting follows the same open and inclusive processes used to produce the international licenses: publication of drafts, comment periods, engagement with communities and constituents who use the licenses, and transparent decision-making processes. It also involves close oversight and review by CC staff.<br />
<br />
==License Suite Versions==<br />
<br />
The chart below and linked explanations that follow detail some of the improvements and important similarities among Creative Commons license versions. Some of the explanations contain links to further information on the topic.<br />
<br />
{| class="wikitable"<br />
|-<br />
! License Suite Version<br />
! 1.0<br />
! 2.0<br />
! 2.5<br />
! 3.0<br />
|-<br />
|'''All international (unported/generic) and ported licenses''' <br />
| <br />
| <br />
| <br />
| <br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Nomenclature_.28for_unported_licenses.29 Nomenclature (for unported licenses)]<br />
| Generic license<br />
| Generic license<br />
| Generic license<br />
| International (unported) license<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Technical_Measures_by_Licensees_Prohibited Technological measures by users of CC licensed works prohibited]<br />
| Yes<br />
| Yes<br />
| Yes<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Attribution_required Attribution required]<br />
| Not all licenses<br />
| Yes<br />
| Yes<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Credit_to_others_contemplated Credit to others contemplated]<br />
| No<br />
| No<br />
| Yes<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Requests_for_removal_of_attribution_contemplated Requests for removal of attribution contemplated]<br />
| Yes<br />
| Yes<br />
| Yes<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Collecting_societies_regimes_addressed Collecting societies regimes addressed]<br />
| No<br />
| Yes<br />
| Yes<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Representations_and_warranties_by_licensor_included Representations and warranties by licensor included]<br />
| Yes<br />
| No<br />
| No<br />
| No<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#.22No_endorsement.22_clause_included "No endorsement" clause included]<br />
| No<br />
| No<br />
| No<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Moral_rights_clause_included Moral rights clause included]<br />
| No<br />
| No<br />
| No<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Adaptations_.28if_allowed.29_must_be_marked_as_such Adaptations (if allowed) must be marked as such]<br />
| No<br />
| No<br />
| No<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Definition_of_.22NonCommercial.22_unchanged_.28same_in_all_versions.29 Definition of "NonCommercial" (has remained unchanged in all versions)]<br />
| Yes<br />
| Yes<br />
| Yes<br />
| Yes<br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Use_of_licenses_for_copyrightable_compilations_of_data_anticipated Use of licenses for copyrightable compilations of data anticipated]<br />
| Yes (implied)<br />
| Yes (implied)<br />
| Yes (implied)<br />
| Yes (explicit)<br />
|-<br />
| '''International (unported/generic) ShareAlike licenses'''<br />
| <br />
| <br />
| <br />
| <br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Compatible_licenses_may_be_used_for_adaptations_of_works_originally_offered_under_CC_ShareAlike_licenses Compatible licenses may be used for adaptations of works originally offered under CC ShareAlike licenses]<br />
| No<br />
| CC only<br />
| CC only<br />
| Yes<br />
|-<br />
| '''Licenses ported to jurisdictions with sui generis rights'''<br />
| <br />
| <br />
| <br />
| <br />
|-<br />
| [http://wiki.creativecommons.org/License_versions#Sui_generis_rights_in_databases_are_waived_for_uses_that_do_not_implicate_copyright Sui generis rights in databases are waived for uses that do not implicate copyright]<br />
| No<br />
| No<br />
| No<br />
| Yes<br />
|}<br />
<br />
==Nomenclature (for unported licenses)==<br />
<br />
Before the launch of the version 3.0 licenses, the international (unported) licenses were called the “generic” licenses. The generic licenses were drafted to conform with U.S. law and conventions. Starting with version 3.0, Creative Commons [http://wiki.creativecommons.org/Version_3#Further_Internationalization drafted its core suite of licenses to conform to relevant international treaties and drafting conventions]. In this sense, the version 3.0 international (unported) license suite is jurisdiction-agnostic: it does not mention nor is it drafted against any particular jurisdiction's laws or statutes, but rather it is intended to function without adjustment in all jurisdictions around the world. You may [http://wiki.creativecommons.org/Jurisdiction_Database access the jurisdiction database] and compare the international (unported) license to the ported licenses of various jurisdictions.<br />
<br />
==Technical Measures by Licensees Prohibited==<br />
<br />
All CC license versions prohibit licensees (as opposed to licensors) from using effective technological measures such as “digital rights management” software to restrict the ability of those who receive a CC licensed work from a licensee to exercise rights granted under the license. To be clear, encryption or an access limitation is not necessarily a technical protection measure prohibited by the licenses. For example, content sent via email and encrypted with the recipient's public key does not restrict use of the work by the recipient. Likewise, limiting recipients to a set of users (e.g., with a username and password) does not restrict use of the work by the recipients. In the cases above, encryption or an access limitation does not violate the prohibition on technological measures because the recipient is not prevented from exercising all rights granted by the license (including rights of further redistribution).<br />
<br />
[http://wiki.creativecommons.org/Version_3#Debian This treatment was re-evaluated during the public process leading to release of the version 3.0 license suite.] CC considered arguments in favor of such measures, coupled with an obligation of parallel distribution. However, those arguments were ultimately rejected.<br />
<br />
==Attribution required==<br />
The version 1.0 suite is unique because it contains some CC licenses that do not require attribution. [http://creativecommons.org/weblog/entry/4216 All subsequent license suites make attribution a standard requirement] unless the licensor specifies otherwise. The required mode of attribution differs slightly among the versions, and is progressively more flexible with each subsequent version.<br />
<br />
==Credit to others contemplated==<br />
<br />
Prior to the version 2.5 suite, CC licenses contemplated crediting the author only. Versions 2.5 and 3.0 [http://creativecommons.org/weblog/entry/5447 allow licensors to identify another party or organization for attribution], called the “Attribution Party.” This feature was introduced in part to alleviate burdensome or difficult attribution situations, such as may be the case when many people contribute to a wiki article or other multi-author, collaborative effort. In versions 2.5 and 3.0, licensors may designate another party for attribution purposes -- such as a sponsor institute, publishing entity or journal -- in addition to or instead of the author. [http://creativecommons.org/weblog/entry/5457 You may review some of the concerns raised when CC proposed this change].<br />
<br />
==Requests for removal of attribution contemplated==<br />
<br />
All license versions after version 1.0 require attribution. However, legislation in many countries gives authors the right to control the use of their name in association with their works. Therefore, CC licenses require licensees to remove (otherwise required) attribution to the creator from collections or adaptations to the extent practicable at the creator’s request.<br />
<br />
==Collecting societies regimes addressed==<br />
Many users of Creative Commons licenses are also members of collective rights societies like ASCAP and BMI, which manage copyright on behalf of owners. Every version from the 2.0 suite onward contains clauses that account for the existence of those arrangements. They provide, for instance, that for works offered under a NonCommercial license, the licensor retains the right to collect royalties for commercial uses of the work. The [http://creativecommons.org/weblog/entry/4216 structure of the provisions in the 2.x licenses] (2.0, 2.1 and 2.5) differs from that in the version 3.0 licenses. The 2.x licenses specifically regulate music, sound recordings and webcasting. As those licenses were ported to different jurisdictions, those provisions were adjusted to conform to the local collecting society situation.<br />
<br />
The [http://wiki.creativecommons.org/Version_3#International_Harmonization_.E2.80.94_Collecting_Societies version 3.0 licenses employ a broad, harmonized strategy to collective rights societies]. This strategy still allows jurisdictions to adopt an approach that best aligns with local law and society structure, but also ensures that the approach is implemented consistently across jurisdictions. In the international (unported) license, as regards compulsory royalty collection, the licensor reserves the right to collect those royalties in jurisdictions in which collection cannot be waived. In those jurisdictions in which compulsory royalty collection can be waived, the right to collect royalties is waived completely for those licenses that permit commercial use and reserved for commercial uses in those licenses that permit NonCommercial use only. For voluntary royalty schema, the licensor reserves the right to collect royalties for commercial uses in those licenses that permit NonCommercial use only, and completely waives the right to collect such royalties for licenses permitting commercial use. This clause covers both individual royalty collection and, in the event that the licensor is a member of a collecting society that collects such royalties, collection via such societies. Some affiliates porting the version 3.0 licenses to interface with local collective rights regimes have chosen to include only those clauses which address the particular situation in the jurisdiction. Others have adopted all the language from the international (unported) license in hopes of international harmonization, or out of concern that their jurisdiction’s regime may change. [http://wiki.creativecommons.org/Jurisdiction_Database You may compare how different jurisdictions implemented this section of the license].<br />
<br />
==Representations and warranties by licensor included==<br />
<br />
In the 1.0 license suite, the licensor extends warranties, for instance that the work does not infringe the work of another. [http://creativecommons.org/weblog/entry/4216 These warranties were eliminated in all subsequent license versions.] All post-version 1.0 suites explicitly offer the work “AS IS” and disclaim all liabilities. Notwithstanding, some ports have included warranties where required under local law. [http://wiki.creativecommons.org/Jurisdiction_Database You may compare how different jurisdictions implemented this section of the license].<br />
<br />
=="No endorsement" clause included==<br />
<br />
While attribution is required in all licenses post-version 1.0, a licensee may not provide credit in a way that suggests endorsement or sponsorship by the licensor. In some jurisdictions, wrongfully implying that an author, publisher or anyone else endorses a particular use of a work may be unlawful. While this has always been the case, [http://wiki.creativecommons.org/Version_3#MIT the version 3.0 licenses for the first time explicitly prohibit endorsement or sponsorship without the consent of the licensor].<br />
<br />
==Moral rights clause included==<br />
<br />
While the existence and extent of moral rights differ by jurisdiction, the most consistently present rights are those of attribution and integrity (the right to prevent or halt the prejudicial use of one’s work by another). The 1.0 and 2.x generic licenses were drafted to conform to U.S. law, and because U.S. law recognizes moral rights in only very limited circumstances, the generic versions of those licenses suites do not address moral rights of authors.<br />
<br />
Reflecting the global, harmonized approach of the version 3.0 license suite, [http://wiki.creativecommons.org/Version_3#International_Harmonization_.E2.80.93_Moral_Rights CC addressed the issue clearly in the international (unported) licenses]. Since moral rights are not waivable in most jurisdictions, CC did not include a waiver of those rights in the international licenses. Instead, the licenses specifically instruct users that they “must not distort, mutilate, modify or take other derogatory action in relation to the Work which would be prejudicial to the Original Author's honor or reputation.” This mandate forbids licensees from making uses that would otherwise violate authors’ moral rights of integrity. The attribution requirement is intended to satisfy the right of attribution. In the porting process, some jurisdictions slightly adjust this provision with CC’s permission to specify that moral rights are waived to the extent necessary to effect the license to the degree a waiver is possible under applicable law. [http://wiki.creativecommons.org/Jurisdiction_Database You may compare how different jurisdictions implemented this section of the license].<br />
<br />
==Adaptations (if allowed) must be marked as such==<br />
<br />
Beginning with the 3.0 license suite, licenses that permit the creation of adaptations require licensees to take reasonable steps to label the work as such. For instance, the adaptation could include a notice to the effect that, “The original work has been modified.”<br />
<br />
==Definition of "NonCommercial" unchanged (same in all versions)==<br />
While Creative Commons’ licenses have evolved over time, the scope of permitted uses under the NonCommercial (“NC”) licenses has remained unchanged across all license suites. The NonCommercial clause prohibits the exercise of rights granted under the NC license “in any manner that is primarily intended for or directed toward commercial advantage or private monetary compensation.” Creative Commons carried out a [http://creativecommons.org/weblog/entry/17127 study on the NonCommerical clause and users’ understandings]. However, the exact meaning of the clause is still debated.<br />
<br />
==Use of licenses for copyrightable compilations of data anticipated==<br />
Creative Commons licenses may be used with all copyrightable works (note that CC does not recommend its licenses for use with computer software). Such works include compilations of data that exhibit the requisite level of creativity for copyright protection under applicable national law. Thus, to the extent compilations of data are protected by copyright, Creative Commons licenses are suitable licenses for exercising that right. For the avoidance of doubt, version 3.0 licenses explicitly include such compilations in the definition of “work.”<br />
<br />
==Compatible licenses may be used for adaptations of works originally offered under CC ShareAlike licenses==<br />
<br />
Users of works licensed under CC’s ShareAlike licenses must make adaptations and collections of those works available under the same terms and conditions. The version 1.0 licenses require that the adaptations be distributed under exactly the same license as was applied to the original work. Starting with the release of the [http://creativecommons.org/weblog/entry/4216 2.x license suites, CC expanded compatibility] by allowing adaptations to be licensed under the same or later version of the original license, including other ported versions of the same or later-version of the license. The [http://wiki.creativecommons.org/Version_3#BY-SA_.E2.80.94_Compatibility_Structure_Introduced 3.0 Attribution-ShareAlike goes one step further], by allowing adaptations of works licensed under its terms to be licensed under a “Creative Commons Compatible License,” defined to mean licenses approved by CC as essentially equivalent to the 3.0 Attribution-ShareAlike license. To date, CC has not approved any other licenses. [http://creativecommons.org/weblog/entry/8213 You may also review CC’s statement of intent for ShareAlike licenses].<br />
<br />
==Sui generis rights in databases are waived for uses that do not implicate copyright==<br />
<br />
<br />
A few early (2.0, 2.5) European jurisdiction CC license ports licensed database rights along with copyright.<br />
<br />
Although the generic and international (unported) license suites do not mention sui generis rights, starting with the version 3.0 licenses, CC established a [http://wiki.creativecommons.org/images/f/f6/V3_Database_Rights.pdf policy for how those rights are addressed in ported licenses in those jurisdictions where sui generis rights exist.] The policy provides that version 3.0 EU jurisdiction ports must license sui generis rights subject to the terms and conditions of the license just like copyrights and neighboring rights, but also must waive license requirements and prohibitions (attribution, share-alike, etc) for uses triggering database rights — so that if the use of a database published under a CC license implicated only database rights, but not copyright, the CC license requirements and prohibitions would not apply to that use. The license requirements and prohibitions, however, continue to apply to all uses triggering copyright. Other ports and the unported license are silent on database rights: databases and data are licensed (i.e., subject to restrictions detailed in the license) to the extent copyrightable, and if data in the database or the database itself are not copyrightable the license restrictions do not apply to those parts (though they still apply to the remainder). Thus, regardless of the CC 3.0 license at play (unported, an EU port, another port), uses which implicate only database rights will not trigger the license conditions, while uses which implicate copyright will.<br />
<br />
In addition, the policy precludes exportation of the sui generis rights to jurisdictions where such rights are not recognized through inclusion of a territoriality limitation, thereby avoiding the imposition of restrictions based on sui generis rights via contract where those rights are not enforceable or recognized. [http://wiki.creativecommons.org/Jurisdiction_Database You may compare how different jurisdictions implemented this section of the license].</div>CreativeCadmhttps://wiki.creativecommons.org/index.php?title=Audio&diff=57408Audio2012-05-23T23:09:58Z<p>CreativeCadm: </p>
<hr />
<div>[[Category:Media]]<br />
<br />
This is a list of Creative Commons licensed audio media. [http://creativecommons.org/audio The original page] is partially ported here.<br />
<br />
<br />
== Featured Audio Sites ==<br />
<br />
{{#ask:<br />
[[Format::Sound]]<br />
|?mainurl=Website<br />
|?size=Size<br />
|limit=100<br />
|mainlabel=Name<br />
}}<br />
<br />
== [[Podcasting Legal Guide]] ==<br />
<br />
Inspired by the Electronic Frontier Foundation's [http://www.eff.org/bloggers/lg/ Legal Guide for Bloggers], the Podcasting Legal Guide is designed to outline both legal and practical issues that are specifically relevant for podcasters, such as using music and video in a podcast.<br />
<br />
== Audio Related CC Blog Posts ==<br />
'''* [http://www.zoloftside-effects.org Zoloft Side Effects]'''<br />
<br />
* [http://creativecommons.org/weblog/entry/4159 Audioscrobbler]<br />
* [http://creativecommons.org/weblog/entry/4114 Books on MP3: Down and Out in the Magic Kingdom]<br />
* [http://creativecommons.org/weblog/entry/4009 zug's protest song]<br />
* [http://creativecommons.org/weblog/entry/3985 Electrobel music community]<br />
* [http://creativecommons.org/weblog/entry/3879 Loca Records]<br />
* [http://zocorsideeffects.me zocor side effects]<br />
* [http://creativecommons.org/weblog/entry/3840 Fray Audio archive]<br />
* [http://creativecommons.org/weblog/entry/3803 The Speech Accent Archive]<br />
* [http://creativecommons.org/weblog/entry/3744 Opsound in Action]<br />
* [http://creativecommons.org/weblog/entry/3741 The Phoenix Trap]<br />
* [http://creativecommons.org/weblog/entry/3700 Erik Ostrom]<br />
* [http://www.oro-compro.com/ compro oro]<br />
* [http://carinsurancecomparisonhelp.com car insurance comparison] <br />
* Please add to the list</div>CreativeCadmhttps://wiki.creativecommons.org/index.php?title=Audio&diff=57406Audio2012-05-23T23:04:47Z<p>CreativeCadm: </p>
<hr />
<div>[[Category:Media]]<br />
<br />
This is a list of Creative Commons licensed audio media. [http://creativecommons.org/audio The original page] is partially ported here.<br />
<br />
<br />
== Featured Audio Sites ==<br />
<br />
{{#ask:<br />
[[Format::Sound]]<br />
|?mainurl=Website<br />
|?size=Size<br />
|limit=100<br />
|mainlabel=Name<br />
}}<br />
<br />
== [[Podcasting Legal Guide]] ==<br />
<br />
Inspired by the Electronic Frontier Foundation's [http://www.eff.org/bloggers/lg/ Legal Guide for Bloggers], the Podcasting Legal Guide is designed to outline both legal and practical issues that are specifically relevant for podcasters, such as using music and video in a podcast.<br />
<br />
== Audio Related CC Blog Posts ==<br />
* [http://creativecommons.org/weblog/entry/4225 This week in amateur radio]<br />
* [http://creativecommons.org/weblog/entry/4161 The Metaphysician]<br />
* [http://creativecommons.org/weblog/entry/4159 Audioscrobbler]<br />
* [http://creativecommons.org/weblog/entry/4114 Books on MP3: Down and Out in the Magic Kingdom]<br />
* [http://creativecommons.org/weblog/entry/4009 zug's protest song]<br />
* [http://zocorsideeffects.me zocor side effects]<br />
* [http://creativecommons.org/weblog/entry/3985 Electrobel music community]<br />
* [http://creativecommons.org/weblog/entry/3879 Loca Records]<br />
* [http://creativecommons.org/weblog/entry/3840 Fray Audio archive]<br />
* [http://creativecommons.org/weblog/entry/3803 The Speech Accent Archive]<br />
* [http://creativecommons.org/weblog/entry/3744 Opsound in Action]<br />
* [http://creativecommons.org/weblog/entry/3741 The Phoenix Trap]<br />
* [http://creativecommons.org/weblog/entry/3700 Erik Ostrom]<br />
* [http://www.oro-compro.com/ compro oro]<br />
* [http://carinsurancecomparisonhelp.com car insurance comparison] <br />
* Please add to the list</div>CreativeCadmhttps://wiki.creativecommons.org/index.php?title=Audio&diff=57325Audio2012-05-20T10:51:47Z<p>CreativeCadm: </p>
<hr />
<div>[[Category:Media]]<br />
<br />
This is a list of Creative Commons licensed audio media. [http://creativecommons.org/audio The original page] is partially ported here.<br />
<br />
<br />
== Featured Audio Sites ==<br />
<br />
{{#ask:<br />
[[Format::Sound]]<br />
|?mainurl=Website<br />
|?size=Size<br />
|limit=100<br />
|mainlabel=Name<br />
}}<br />
<br />
== [[Podcasting Legal Guide]] ==<br />
<br />
Inspired by the Electronic Frontier Foundation's [http://www.eff.org/bloggers/lg/ Legal Guide for Bloggers], the Podcasting Legal Guide is designed to outline both legal and practical issues that are specifically relevant for podcasters, such as using music and video in a podcast.<br />
<br />
== Audio Related CC Blog Posts ==<br />
* [http://creativecommons.org/weblog/entry/4225 This week in amateur radio]<br />
* [http://creativecommons.org/weblog/entry/4161 The Metaphysician]<br />
* [http://creativecommons.org/weblog/entry/4159 Audioscrobbler]<br />
* [http://creativecommons.org/weblog/entry/4114 Books on MP3: Down and Out in the Magic Kingdom]<br />
* [http://creativecommons.org/weblog/entry/4009 zug's protest song]<br />
* [http://creativecommons.org/weblog/entry/3985 Electrobel music community]<br />
* [http://creativecommons.org/weblog/entry/3879 Loca Records]<br />
* [http://creativecommons.org/weblog/entry/3840 Fray Audio archive]<br />
* [http://creativecommons.org/weblog/entry/3803 The Speech Accent Archive]<br />
* [http://creativecommons.org/weblog/entry/3744 Opsound in Action]<br />
* [http://creativecommons.org/weblog/entry/3741 The Phoenix Trap]<br />
* [http://creativecommons.org/weblog/entry/3700 Erik Ostrom]<br />
* [http://zocorsideeffects.me zocor side effects]<br />
* [http://www.oro-compro.com/ compro oro]<br />
* [http://carinsurancecomparisonhelp.com car insurance comparison] <br />
* Please add to the list</div>CreativeCadm