Creative Commons - User contributions [en]

Content: Selected Essays on Technology, Creativity, Copyright and the Future of the Future

2010-10-22T06:38:32Z

Platform4: Created page with "{{Books |author=Cory Doctorow |genre=NonFiction |publisher=Tachyon Publications |isbn=1892391813 |pubdate=1 Jan 2008 |license=http://creativecommons.org/licenses/by-nc-sa/3.0/ |c..."

{{Books
|author=Cory Doctorow
|genre=NonFiction
|publisher=Tachyon Publications
|isbn=1892391813
|pubdate=1 Jan 2008
|license=http://creativecommons.org/licenses/by-nc-sa/3.0/
|cclicensed=http://craphound.com/content/download/
|pvfp=http://www.amazon.co.uk/Content-Selected-Technology-Creativity-Copyright/dp/1892391813/ref=sr_1_3?s=books&ie=UTF8&qid=1287729345&sr=1-3
|nbpages=224
}}

Grants/RE-THINK: Label dude shares experiences from using CC licenses and other DIY principles to create international music platform

2010-07-01T01:35:56Z

Platform4:

{{Grant Application
|Project Title=ReTHINK: Label dude shares experiences from using CC licences and other do-it-yourself principles to create an international music platform
|applicants=Urlyd Audiovisual Recordings
|contact person=Christian Villum
|coordinator=Christian Villum
|start date=2010/09/01
|end date=2010/12/31
|Affiliation=Labelkollektiv
|Mainurl=http://www.urlyd.com
|Affiliated=Yes
|description=This is a book writing project.
Urlyd Records, my small Danish label, was the first label in the world to release an album ('Small Arm of Sea' by female artist Tone - printed on lp, cd and dvd) under CC-license while backed by a national collecting society (the Danish KODA) - see http://creativecommons.org/weblog/entry/7988. Tone and my label has since obtained European licensing and distribution, done tours in Europe and the US, and most recently played SXSW and gained a US record deal. All under a BY-NC-ND licence and by constantly seeking to re-think how a music platform can be built. Now we want to share our experiences from this long run, so that everyone else can benefit from it. We will be writing a book to be released under free BY-NC-ND download as well as for purchase in print-on-demand paper version.
|output=The tangible output will be a book that describes all our collected experiences of this pioneering CC-project running from 2008 and up until now. The book will be available for free download under BY-NC-ND licence as well as for purchase in print-on-demand paper version.
|community=The community is the worldwide music business - especially grassroot musicians and artists in general. I believe they will become inspired by - and thereby benefit from - hearing our story and getting insight into how we did, what errors we made, what worked well, what didn't work well and so forth.
|community relationship=I have been working in the music business for over 10 years, both for mainstream old fashion DRM-ridden companies and as self-employed label manager for pioneering CC-label Urlyd. I will draw upon both worlds to write this book to create a nuanced narrative, and thereby I feel that am in the best possible position to engage in such a task.
I have not written any books before, but function as a freelance journalist for several small media, and also copy write a bit professionally (mostly press releases etc.).
|measurement=I plan to create a website and a wiki-version of the book in which readers can edit, comment and discuss the content. Also, through my personal social media efforts, I will connect with readers that seek direct contact for elaboration, good advice, etc.
|participants=In the making will be only me and a couple of proof readers. They want this book to take shape as much as me, so their involvement is stone solid.
|impact=As a label that endorse sharing and open licensing, I believe that a book like this will inspire other creators to adopt the CC licencing suite and thereby add to the worldwide CC pool of works.
|tech needs=I will just use basic software (open office, gimp) for the writing of the book - as well as some good music while doing so. The book will be made available through the website and whoever wants to host it (some Danish music organizations have expressed willingness to offer the download too). The download will be free under BY-NC-ND license - as well as through print-on-demand for purchase. For this, I will probably use Lulu or some other easy-to-use service.
|challenges=Procrastination will come eventually, but I have strong self-discipline and the entire book already somewhat written inside my head, so I am sure I will overcome and get everything on paper.
|sustainability=The website and the wiki will remain and continue to evolve with its users (I will administer it alongside my other projects). Also, as mentioned, I will be actively taking part and engaging with readers through social media.
Revenue will be raised through the sales of the book in the print-on-demand version.
|scalability=I might write more books later, as Urlyd is still very much active. It's moving into the American market next year (2011) with Tone, and in Denmark/Europe several more artists are in the pipeline. These will be launched through new out-of-the-box ideas (and, of course, under CC licence) in the next couple of years.
|resource needs=Not much - other than perhaps a mention on the blog?
|communication=Being an active label, we communicate with fans through social media. Moreover, I am now also Public Project Lead for CC Denmark, so I am engaging heavily in various projects to create outreach and draw attention to what CC can offer. Currently I do lectures, presentations, participate in discussions, host CC Salon in Copenhagen etc.
|budget=Rethink - book writing project - budget.pdf
|legal=Yes
}}

Grants/RE-THINK: Label dude shares experiences from using CC licenses and other DIY principles to create international music platform

2010-07-01T01:27:53Z

Platform4:

{{Grant Application
|Project Title=RE-THINK: Label dude sharing experiences from using CC licences and other do-it-yourself principles to create an international music platform
|applicants=Urlyd Audiovisual Recordings
|contact person=Christian Villum
|coordinator=Christian Villum
|start date=2010/09/01
|end date=2010/12/31
|Affiliation=Labelkollektiv
|Mainurl=http://www.urlyd.com
|Affiliated=Yes
|description=Urlyd Records, my small Danish label, was the first label in the world to release an album ('Small Arm of Sea' by female artist Tone - printed on lp, cd and dvd) under CC-license while backed by a national collecting society (the Danish KODA) - see http://creativecommons.org/weblog/entry/7988. Tone and my label has since obtained European licensing and distribution, done tours in Europe and the US, and most recently played SXSW and gained a US record deal. All under a BY-NC-ND licence and by constantly seeking to re-think how a music platform can be build. Now we want to share our experiences from this long run, so that everyone else can benefit from it. We will be writing a book, which will be released under the same licence for free download as well as for purchase in print-on-demand paper version.
|output=The tangible output will be a book that describes all our collected experiences of this pioneering CC-project running from 2008 and up until now. The book will be available for free download under BY-NC-ND licence as well as for purchase in print-on-demand paper version.
|community=The community is the worldwide music business - especially grassroot musicians and artists in general. I believe they will become inspired by - and thereby benefit from - hearing our story and getting insight into how we did, what errors we made, what worked well, what didn't work well and so forth.
|community relationship=I have been working in the music business for over 10 years, both for mainstream old fashion DRM-ridden companies and as self-employed label manager for pioneering CC-label Urlyd. I will draw upon both worlds to write this book to create a nuanced narrative, and thereby I feel that am in the best possible position to engage in such a task.
I have not written any books before, but function as a freelance journalist for several small media, and also copy write a bit professionally (mostly press releases etc.).
|measurement=I plan to create a website and a wiki-version of the book in which readers can edit, comment and discuss the content. Also, through my personal social media efforts, I will connect with readers that seek direct contact for elaboration, good advice, etc.
|participants=In the making will be only me and a couple of proof readers. They want this book to take shape as much as me, so their involvement is stone solid.
|impact=As a label that endorse sharing and open licensing, I believe that a book like this will inspire other creators to adopt the CC licencing suite and thereby add to the worldwide CC pool of works.
|tech needs=I will just use basic software (open office, gimp) for the writing of the book - as well as some good music while doing so. The book will be made available through the website and whoever wants to host it (some Danish music organizations have expressed willingness to offer the download too). The download will be free under BY-NC-ND license - as well as through print-on-demand for purchase. For this, I will probably use Lulu or some other easy-to-use service.
|challenges=Procrastination will come eventually, but I have strong self-discipline and the entire book already somewhat written inside my head, so I am sure I will overcome and get everything on paper.
|sustainability=The website and the wiki will remain and continue to evolve with its users (I will administer it alongside my other projects). Also, as mentioned, I will be actively taking part and engaging with readers through social media.
Revenue will be raised through the sales of the book in the print-on-demand version.
|scalability=I might write more books later, as Urlyd is still very much active. It's moving into the American market next year (2011) with Tone, and in Denmark/Europe several more artists are in the pipeline. These will be launched through new out-of-the-box ideas (and, of course, under CC licence) in the next couple of years.
|resource needs=Not much - other than perhaps a mention on the blog?
|communication=Being an active label, we communicate with fans through social media. Moreover, I am now also Public Project Lead for CC Denmark, so I am engaging heavily in various projects to create outreach and draw attention to what CC can offer. Currently I do lectures, presentations, participate in discussions, host CC Salon in Copenhagen etc.
|budget=Rethink - book writing project - budget.pdf
|legal=Yes
}}

Grants/RE-THINK: Label dude shares experiences from using CC licenses and other DIY principles to create international music platform

2010-07-01T01:27:06Z

Platform4:

{{Grant Application
|Project Title=RE-THINK: Label dude sharing experiences from using CC licences
|applicants=Urlyd Audiovisual Recordings
|contact person=Christian Villum
|coordinator=Christian Villum
|start date=2010/09/01
|end date=2010/12/31
|Affiliation=Labelkollektiv
|Mainurl=http://www.urlyd.com
|Affiliated=Yes
|description=Urlyd Records, my small Danish label, was the first label in the world to release an album ('Small Arm of Sea' by female artist Tone - printed on lp, cd and dvd) under CC-license while backed by a national collecting society (the Danish KODA) - see http://creativecommons.org/weblog/entry/7988. Tone and my label has since obtained European licensing and distribution, done tours in Europe and the US, and most recently played SXSW and gained a US record deal. All under a BY-NC-ND licence and by constantly seeking to re-think how a music platform can be build. Now we want to share our experiences from this long run, so that everyone else can benefit from it. We will be writing a book, which will be released under the same licence for free download as well as for purchase in print-on-demand paper version.
|output=The tangible output will be a book that describes all our collected experiences of this pioneering CC-project running from 2008 and up until now. The book will be available for free download under BY-NC-ND licence as well as for purchase in print-on-demand paper version.
|community=The community is the worldwide music business - especially grassroot musicians and artists in general. I believe they will become inspired by - and thereby benefit from - hearing our story and getting insight into how we did, what errors we made, what worked well, what didn't work well and so forth.
|community relationship=I have been working in the music business for over 10 years, both for mainstream old fashion DRM-ridden companies and as self-employed label manager for pioneering CC-label Urlyd. I will draw upon both worlds to write this book to create a nuanced narrative, and thereby I feel that am in the best possible position to engage in such a task.
I have not written any books before, but function as a freelance journalist for several small media, and also copy write a bit professionally (mostly press releases etc.).
|measurement=I plan to create a website and a wiki-version of the book in which readers can edit, comment and discuss the content. Also, through my personal social media efforts, I will connect with readers that seek direct contact for elaboration, good advice, etc.
|participants=In the making will be only me and a couple of proof readers. They want this book to take shape as much as me, so their involvement is stone solid.
|impact=As a label that endorse sharing and open licensing, I believe that a book like this will inspire other creators to adopt the CC licencing suite and thereby add to the worldwide CC pool of works.
|tech needs=I will just use basic software (open office, gimp) for the writing of the book - as well as some good music while doing so. The book will be made available through the website and whoever wants to host it (some Danish music organizations have expressed willingness to offer the download too). The download will be free under BY-NC-ND license - as well as through print-on-demand for purchase. For this, I will probably use Lulu or some other easy-to-use service.
|challenges=Procrastination will come eventually, but I have strong self-discipline and the entire book already somewhat written inside my head, so I am sure I will overcome and get everything on paper.
|sustainability=The website and the wiki will remain and continue to evolve with its users (I will administer it alongside my other projects). Also, as mentioned, I will be actively taking part and engaging with readers through social media.
Revenue will be raised through the sales of the book in the print-on-demand version.
|scalability=I might write more books later, as Urlyd is still very much active. It's moving into the American market next year (2011) with Tone, and in Denmark/Europe several more artists are in the pipeline. These will be launched through new out-of-the-box ideas (and, of course, under CC licence) in the next couple of years.
|resource needs=Not much - other than perhaps a mention on the blog?
|communication=Being an active label, we communicate with fans through social media. Moreover, I am now also Public Project Lead for CC Denmark, so I am engaging heavily in various projects to create outreach and draw attention to what CC can offer. Currently I do lectures, presentations, participate in discussions, host CC Salon in Copenhagen etc.
|budget=Rethink - book writing project - budget.pdf
|legal=Yes
}}

Grants/RE-THINK: Label dude shares experiences from using CC licenses and other DIY principles to create international music platform

2010-07-01T01:26:25Z

Platform4:

Grants/RE-THINK: Label dude shares experiences from using CC licenses and other DIY principles to create international music platform

2010-07-01T01:11:18Z

Platform4: Created page with '{{Grant Application |Project Title=RE-THINK: Label dude sharing experiences from using CC licences and other do-it-yourself principles to create a worldwide music platform |appli…'

{{Grant Application
|Project Title=RE-THINK: Label dude sharing experiences from using CC licences and other do-it-yourself principles to create a worldwide music platform
|applicants=Urlyd Audiovisual Recordings
|contact person=Christian Villum
|coordinator=Christian Villum
|start date=2010/09/01
|end date=2010/12/31
|Affiliation=Labelkollektiv
|Mainurl=http://www.urlyd.com
|Affiliated=Yes
|description=Urlyd Records, my small Danish label, was the first label in the world to release an album ('Small Arm of Sea' by female artist Tone - printed on lp, cd and dvd) under CC-license while backed by a national collecting society (the Danish KODA). Tone and my label has since obtained European licensing and distribution, done tours in Europe and the US, and most recently played SXSW and gained a US record deal. All under a BY-NC-ND licence and by constantly seeking to re-think how a music platform can be build. Now we want to share our experiences from this long run, so that everyone else can benefit from it. We will be writing a book, which will be released under the same licence for free download as well as for purchase in print-on-demand paper version.
|output=The tangible output will be a book that describes all our collected experiences of this pioneering CC-project running from 2008 and up until now. The book will be available for free download under BY-NC-ND licence as well as for purchase in print-on-demand paper version.
|community=The community is the worldwide music business - especially grassroot musicians and artists in general. I believe they will become inspired by - and thereby benefit from - hearing our story and getting insight into how we did, what errors we made, what worked well, what didn't work well and so forth.
|community relationship=I have been working in the music business for over 10 years, both for mainstream old fashion DRM-ridden companies and as self-employed label manager for pioneering CC-label Urlyd. I will draw upon both worlds to write this book to create a nuanced narrative, and thereby I feel that am in the best possible position to engage in such a task.
I have not written any books before, but function as a freelance journalist for several small media, and also copy write a bit professionally (mostly press releases etc.).
|measurement=I plan to create a website and a wiki-version of the book in which readers can edit, comment and discuss the content. Also, through my personal social media efforts, I will connect with readers that seek direct contact for elaboration, good advice, etc.
|participants=In the making will be only me and a couple of proof readers. They want this book to take shape as much as me, so their involvement is stone solid.
|impact=As a label that endorse sharing and open licensing, I believe that a book like this will inspire other creators to adopt the CC licencing suite and thereby add to the worldwide CC pool of works.
|tech needs=I will just use basic software (open office, gimp) for the writing of the book - as well as some good music while doing so. The book will be made available through the website and whoever wants to host it (some Danish music organizations have expressed willingness to offer the download too). The download will be free under BY-NC-ND license - as well as through print-on-demand for purchase. For this, I will probably use Lulu or some other easy-to-use service.
|challenges=Procrastination will come eventually, but I have strong self-discipline and the entire book already somewhat written inside my head, so I am sure I will overcome and get everything on paper.
|sustainability=The website and the wiki will remain and continue to evolve with its users (I will administer it alongside my other projects). Also, as mentioned, I will be actively taking part and engaging with readers through social media.
Revenue will be raised through the sales of the book in the print-on-demand version.
|scalability=I might write more books later, as Urlyd is still very much active. It's moving into the American market next year (2011) with Tone, and in Denmark/Europe several more artists are in the pipeline. These will be launched through new out-of-the-box ideas (and, of course, under CC licence) in the next couple of years.
|resource needs=Not much - other than perhaps a mention on the blog?
|communication=Being an active label, we communicate with fans through social media. Moreover, I am now also Public Project Lead for CC Denmark, so I am engaging heavily in various projects to create outreach and draw attention to what CC can offer. Currently I do lectures, presentations, participate in discussions, host CC Salon in Copenhagen etc.
|budget=Rethink - book writing project - budget.pdf
|legal=Yes
}}

File:Rethink - book writing project - budget.pdf

2010-07-01T01:06:56Z

Platform4:

Grants/WE SHARE - Platform4 Sharing Festival

2010-07-01T00:15:25Z

Platform4: Created page with '{{Grant Application |Project Title=WE SHARE - Platform4 Sharing Festival |applicants=Platform4 |contact person=Christian Villum |coordinator=Christian Villum, Christos Kontogiorg…'

{{Grant Application
|Project Title=WE SHARE - Platform4 Sharing Festival
|applicants=Platform4
|contact person=Christian Villum
|coordinator=Christian Villum, Christos Kontogiorgas
|start date=2011/05/12
|end date=2011/05/14
|Affiliation=Aalborg Municipality, Denmark
|Mainurl=http://www.platform4.dk
|Affiliated=Yes
|description=A festival based on the idea of sharing (culture, knowledge, ideas, information infrastructure). We will focus on this theme through a wide range of activities, and thereby put large emphasis on Creative Commons as well as other open and/or flexible licences. The program will include lectures, workshops and performances from renowned individuals from both Denmark and abroad that have adopted open licences into their work (musicians, designers etc) and whose activities include sharing as a central element.
|output=Our organization, Platform4, is a non-profit venue with a large community of volunteers, of which a large segment (20+ people) constitute a media/documentation group that works in writing, video and still photography. This group will document this festival - before, during and after.
Another in-house volunteer group, our pr-group, will head the marketing campaign with outreach to social, local and national media, as well as organize street level pr-activities in Aalborg and Copenhagen.
|community=Platform4 is a user-driven multi-purpose venue that experiments with new technological and digital elements in combination with artistic and creative genres ranging from music, theater, contemporary art, design, architecture, performance and more. Focus is not only put on providing audience and users with experiences, but also on creating an optimal framework for budding creative projects and product innovation.
For this project, our primary goal is to target a broad audience aged 15-40 years including both those who normally frequent our venue, but also a more mainstream based audience in order to ensure broad attention to the theme.

The idea is that our approach will benefit the community in two ways: For one, by gathering the entire Danish community of open licensing artists, activists, advocates and other central figures, thereby creating coherence among these relatively dispersed actors. Secondly, by purposefully spreading a positive message towards the theme of sharing among citizens by creating a major scale event that will serve as one of the prime events of our 2011-season, thereby attracting large-scale media attention (which many of our previous festival has shown).
|community relationship=Our relationship with the community is three-fold:
1) Our venue, Platform4, has a reputation of bringing forth new ideas, new artistic currents and new ways of thinking and organizing, and we would like to use this platform as leverage for putting focus on sharing in general.
2) Christian Villum, one of the two project managers of this project, is also the official Public Project Lead of CC Denmark (since May 1, 2010), and furthermore runs the CC-pioneer record label Urlyd, which was the first label in the world to release a physical album (lp / cd / dvd), while backed by the national collecting society KODA (see CC blog news entry - http://creativecommons.org/weblog/entry/7988). The album was 'Small Arm of Sea' by female artist Tone. Several more releases under the CC/KODA trial is under way as well as a series of CC-related outreach projects (ao. hosting the CC Salon in Copenhagen twice every year, first one having been held in May 2010).
3) The second of the two project managers of this festival, Christos Kontogiorgas, is the first individual that adopted a CC licence into his work (super8 film+designs) in Greece (in 2006), almost one year before the official presentation of the CC licences in Athens, in 2007 (by Lawrence Lessig himself). Though now residing in Denmark, he continues to act as a strong member of the online communities evolving around open web ideologies and activism.

We believe that this combination and our combined personal and professional networks makes us apt in creating a highly dedicated and competent festival that will gain large attention among media, creatives and audience.

Experience-wise, we have held hundreds of festival, concerts, workshops, development projects, events etc. on a professional level during the laste 12 years, so we feel fully equipped to develop and host a festival of this theme.
|measurement=We will pay close attention to the feedback from the 30 participants (artists, lecturers etc), as well as keep in touch with them for smaller follow-up events (maybe in collaboration with Aalborg University, that we are affiliated with).
Also, through social media, we will establish a network where future users can connect with the participants from the festival (and from future festivals) in an alumni-type connection.
|participants=We plan to invite approx. 30 participants (artists, workshop-directors, lecturers etc.) from Denmark, Scandinavia and Europe. We plan to cover travel, accommodation, catering and a small stipend for their involvement.

Moreover, we normally pull in between 300-550 people in the audience per day when hosting large-scale music/video/art-festivals in Platform4. This will give the festival an expected attendance of 800-1600 people through the course of the festival.

If all goes well, we will surely consider making it an annual event.
|impact=By showcasing talent, ideas and actors that encourage and appropriate the power of sharing through open licensing, the festival will serve as a platform in the process to reach more creative individuals through the attention to the theme it will create. While a 3-day event may not tangibly cause the addition of more works being added to the commons, we believe outreach towards more people serve the same effect in the long run.
|tech needs=With this project being an event, our use of technology and tools will mainly consist of communication devices. Both at the event itself, where workshops, presentations and performances will take place, but also for pr and marketing of the event.

We bring a large pool of organizing experience into the project.

Our technical needs will be small. We have our venue ready (Platform4, a multispace) - with most necessary technical equipment already present, as well as all permits in place (permanently).
|challenges=It will clearly be a challenge to raise more funds, and also a challenge to create the exact program (must match the calendars of participants etc.)
|sustainability=As mentioned above, we are aware of the opportunity to make this an annual event. But perhaps more significantly, we are hoping that the festival will ignite creative communities that seek to work on projects that encourage sharing. We have an in-house co-working space, and we plan to make everyone on the audience aware of the opportunity to obtain a workspace, free of charge.
The running of Platform4, a non-profit venue, is financed through aid from the local university, from running our own small café and through heavy fund raising.
|scalability=It would clearly be possible to scale up in the coming years, should this first round be a success.
|resource needs=We would be thrilled if some sort of exposure on the international CC site would be possible - or at least on the mail outs that describe upcoming CC related events.
|communication=Through many channels: Social media, our website, local+national+international media, mobile devices (sms) etc.
|budget=WE SHARE - budget.pdf
|legal=Yes
}}

File:WE SHARE - budget.pdf

2010-07-01T00:09:27Z

Platform4: Tentative budget for the festival

Tentative budget for the festival