https://wiki.creativecommons.org/api.php?action=feedcontributions&feedformat=atom&user=Paulkeller 2026-06-10T02:51:25Z User contributions MediaWiki 1.30.0 https://wiki.creativecommons.org/index.php?title=Collecting_Society_Projects&diff=55166 2012-02-07T16:23:43Z

<p>Paulkeller: /* Projects */</p> <hr /> <div>{{Project}}<br /> <br /> This page collects information about the interaction between various Creative Commons jurisdiction projects and collecting societies. It provides an overview of jurisdictions where Collecting Society members can use Creative Commons licenses ('[[#Projects|Projects]]') and of jurisdictions where there are talks between the jurisdiction project and a collecting society in order to achieve this goal ('[[#Negotiations|Negotiations]]'). <br /> <br /> == Priorities ==<br /> <br /> # Increase usage of CC license in jurisdiction<br /> # Increase legal certainty for musicians wishing to use CC licenses<br /> # Increase profitability of CC license users<br /> # Support non-exclusive collecting societies<br /> <br /> '''NOTE: When interacting with Collecting Society representatives it is important to be cordial with them and provide information about Creative Commons usage (see [[Case_Studies|case studies]], [[Documentation|documentation]] and [[Metrics|metrics]]) and integrating Creative Commons licenses (see: [[CCPlus|CC+]], [[CcREL]] and [[Web_Integration|web integration]]). Be be mindful of the overall [[#Priorities|priorities]] and ensure that you are in line with the arrangements made as part of ongoing [[#Projects|projects]]'''<br /> <br /> ==Projects==<br /> <br /> * [[Collecting Society Projects/Netherlands]]: pilot project between CC Netherlands and [http://www.bumastemra.nl/en-US/Home.htm BUMA/STEMRA] (Collecting society for composers and songwriters) launched on 23 august 2007 and currently running.<br /> * [[Collecting Society Projects/Denmark]]: trail agreed between [http://www.koda.dk/english KODA] (Collecting society for composers, songwriters and music publishers) launced on 31 january 2008 and currently running.<br /> * [[Collecting Society Projects/Sweden]]: On 27 may [http://www.stim.se/stim/prod/stimv4eng.nsf STIM] (Collecting society for composers, songwriters and music publishers) announced a two year trail that allows for their members to use CC-NC licenses. Currently running without involvement by CC-Sweden.<br /> * [[Collecting Society Projects/France]]: Pilot project between CC-France and [http://www.sacem.fr/WportailSacem/jsp/ep/home.html SACEM] (Collecting Society for original music composers, authors and publishers)<br /> <br /> ==Negotiations==<br /> <br /> * [[Collecting Society Projects/Italy]] (page is currently empty): There are currently negotiations between CC-Italy and [http://www.siae.it/index.asp SIAE] (Italian Society of Authors and Publishers, representing all sorts of authors and publishers (not only in the field of music))<br /> * [[Collecting Society Projects/Australia]] There are currently negotiations between CC-Australia and [http://www.apra-amcos.com.au APRA] (Collecting Society for original music composers, authors and publishers)<br /> * [[Collecting Society Projects/Germany]] (page is currently empty): There are currently negotiations between CC-Germany and [http://www.vgwort.de/ VG-Wort] (Collecting Society for authors of literary, journalistic and scientific works) <br /> <br /> === links (to be moved elsewhere) ===<br /> <br /> * APRA &quot;Creative Commons&quot; page, http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp<br /> * APRA CEO Brett Cottle's article on ArtsHub, http://www.artshub.com.au/au/news.asp?sId=70075<br /> * Opt APRA, http://www.optapra.net<br /> * Elliott Bledsoe's blog entry after the CCau Music Forum, http://ccelliott.blogspot.com/2007/11/post-music-industry-forum-reflections.html<br /> * Reform APRA MySpace with 'I support reforms for APRA' pledges from Australian musicians, http://www.myspace.com/optoutofapra<br /> <br /> * Improbable Match: Open Licences And Collecting Societies In Europe, http://www.ip-watch.org/weblog/index.php?p=1291</div>

Paulkeller https://wiki.creativecommons.org/index.php?title=Collecting_Society_Projects/France&diff=54731 2012-01-09T19:06:55Z

<p>Paulkeller: </p> <hr /> <div>below you find the Pilot outline as agreed between Creative Commons, Creative Commons France and SACEM. for more information please see the [[SACEM-FAQ]]<br /> <br /> ==SACEM – Creative Commons Pilot==<br /> <br /> <br /> The SACEM – Creative Commons pilot aims at enabling the SACEM creative members to promote their works, alongside SACEM management, through the Creative Commons Non-Commercial Licenses on the conditions set out hereinafter, all other forms of use remaining subject to SACEM’s exclusive management in accordance with the provisions of its Statutes and General Regulations.<br /> <br /> This pilot will be carried out for an experimental 18-month period as of 1 January 2012. At the end of such period, SACEM members must cease to opt for Creative Commons Non Commercial Licenses for additional works provided, for the avoidance of doubt, that the works that have been placed under this regime during the duration of the pilot will continue to be subject to such regime in accordance with the license and the present pilot terms. <br /> <br /> Works licensed under one of the Creative Commons Non-Commercial Licenses at SACEM’s members’ disposal that can be used by SACEM members may not be used in any manner where there is a commercial advantage in consideration thereof. <br /> <br /> For the avoidance of doubt, the following uses of works licensed under one of the Creative Commons Non-Commercial License are considered to be commercial at all times and consequently as falling outside the scope of this pilot:<br /> <br /> * any use of the work by a for-profit entity;<br /> * any use of the work giving rise to any compensation, whether financial or other, whatever the form, the reason and the motive and whoever the beneficiary;<br /> * any use of the work in order to promote or in connection with the promotion of products or services whatsoever and for the benefit of whomever;<br /> * any use of the work by broadcasting entities as well as in workplaces, stores and retail spaces;<br /> * any use of the work in restaurants, bars, cafes, concert venues and other hospitality establishments;<br /> * any use of the work by an entity as part or in connection with revenue generating activities;<br /> * any exchange of the licensed work for other copyrighted works by means of digital file-sharing or otherwise but only when there are advertising or sponsorship receipts, whether direct or indirect, or payment of any kind in connection with the exchange of copyrighted works.<br /> <br /> SACEM will license and collect royalties on behalf of SACEM members for all forms of use that fall outside the scope of the Creative Commons Non-Commercial Licenses delivered pursuant to the terms of this experimental pilot (see section 4.c/d.i of the BY-NC-SA (Attribution-Non-Commercial-Share Alike) and section 4.b/e.i of the BY-NC (Attribution-Non Commercial) and BY-NC-ND (Attribution-Non Commercial-NoDerivs) licenses - version 3.0 France).<br /> <br /> SACEM will also license and collect royalties for works licensed by SACEM members under one of the Creative Commons Non-Commercial Licenses whenever such works are used by the same entity in the framework of the same event and/or activity with works under SACEM management that are not so licensed (&quot;mixed use&quot;) <br /> <br /> Applying a Creative Commons non-commercial license is without prejudice to the acts of private copying authorized by the French Intellectual property Code and the collection of the payment for such private copying (see section 4.c/d.i of the BY-NC-SA (Attribution-Non-Commercial-Share Alike) and section 4.b/e.i of the BY-NC (Attribution-Non Commercial) and BY-NC-ND (Attribution-Non Commercial-NoDerivs) licenses – version 3.0 France).<br /> <br /> <br /> '''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''</div>

Paulkeller https://wiki.creativecommons.org/index.php?title=Collecting_Society_Projects/France&diff=54729 2012-01-09T19:05:42Z

<p>Paulkeller: </p> <hr /> <div>also see the [[SACEM-FAQ]]<br /> <br /> ==SACEM – Creative Commons Pilot==<br /> <br /> <br /> The SACEM – Creative Commons pilot aims at enabling the SACEM creative members to promote their works, alongside SACEM management, through the Creative Commons Non-Commercial Licenses on the conditions set out hereinafter, all other forms of use remaining subject to SACEM’s exclusive management in accordance with the provisions of its Statutes and General Regulations.<br /> <br /> This pilot will be carried out for an experimental 18-month period as of 1 January 2012. At the end of such period, SACEM members must cease to opt for Creative Commons Non Commercial Licenses for additional works provided, for the avoidance of doubt, that the works that have been placed under this regime during the duration of the pilot will continue to be subject to such regime in accordance with the license and the present pilot terms. <br /> <br /> Works licensed under one of the Creative Commons Non-Commercial Licenses at SACEM’s members’ disposal that can be used by SACEM members may not be used in any manner where there is a commercial advantage in consideration thereof. <br /> <br /> For the avoidance of doubt, the following uses of works licensed under one of the Creative Commons Non-Commercial License are considered to be commercial at all times and consequently as falling outside the scope of this pilot:<br /> <br /> * any use of the work by a for-profit entity;<br /> * any use of the work giving rise to any compensation, whether financial or other, whatever the form, the reason and the motive and whoever the beneficiary;<br /> * any use of the work in order to promote or in connection with the promotion of products or services whatsoever and for the benefit of whomever;<br /> * any use of the work by broadcasting entities as well as in workplaces, stores and retail spaces;<br /> * any use of the work in restaurants, bars, cafes, concert venues and other hospitality establishments;<br /> * any use of the work by an entity as part or in connection with revenue generating activities;<br /> * any exchange of the licensed work for other copyrighted works by means of digital file-sharing or otherwise but only when there are advertising or sponsorship receipts, whether direct or indirect, or payment of any kind in connection with the exchange of copyrighted works.<br /> <br /> SACEM will license and collect royalties on behalf of SACEM members for all forms of use that fall outside the scope of the Creative Commons Non-Commercial Licenses delivered pursuant to the terms of this experimental pilot (see section 4.c/d.i of the BY-NC-SA (Attribution-Non-Commercial-Share Alike) and section 4.b/e.i of the BY-NC (Attribution-Non Commercial) and BY-NC-ND (Attribution-Non Commercial-NoDerivs) licenses - version 3.0 France).<br /> <br /> SACEM will also license and collect royalties for works licensed by SACEM members under one of the Creative Commons Non-Commercial Licenses whenever such works are used by the same entity in the framework of the same event and/or activity with works under SACEM management that are not so licensed (&quot;mixed use&quot;) <br /> <br /> Applying a Creative Commons non-commercial license is without prejudice to the acts of private copying authorized by the French Intellectual property Code and the collection of the payment for such private copying (see section 4.c/d.i of the BY-NC-SA (Attribution-Non-Commercial-Share Alike) and section 4.b/e.i of the BY-NC (Attribution-Non Commercial) and BY-NC-ND (Attribution-Non Commercial-NoDerivs) licenses – version 3.0 France).<br /> <br /> <br /> '''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''</div>

Paulkeller https://wiki.creativecommons.org/index.php?title=SACEM-FAQ&diff=54727 2012-01-09T12:24:21Z

<p>Paulkeller: </p> <hr /> <div>'''NOTE:''' These FAQs have been jointly prepared by SACEM and CC’s affiliate in France solely for the purpose of providing general information about the pilot. These FAQs do not constitute legal advice, and cannot be relied upon as legal advice. These FAQs may not contain all of the information that you need to make a decision and/or use Creative Commons licenses. <br /> <br /> ===I am a member of SACEM, how can I participate in the pilot?===<br /> <br /> The pilot enables you to make available some of your works under the terms of one of the three Creative Commons licenses that allow non-commercial distribution (see below). Before you can apply a license to your works you need to make sure that you have permission from any other author, composer or publisher for the work in question, bearing in mind that if you want to use a recorded performance of the work, the rights holders of the neighboring rights will also have to agree to licensing the work under the CC license in question. <br /> <br /> Once you have made sure that you have permission from all authors, composers and publishers for the work in question, you need to let SACEM know which work you want to CC-license and choose your license. You can do this by logging into your sacem.fr account and by following these 4 simple steps in the “Select your works in CC” application : 1) Select the work for which you want to opt for a Creative Commons Non Commercial license, 2) Select one of the 3 Creative Commons Non Commercial licenses, 3) Accept the pilot’s conditions and 4) Confirm your acceptance of the pilot’s conditions.<br /> <br /> After you have chosen your license you will be presented with instructions on how to apply the license to the licensed work. Once you have done this you can distribute the work under the terms of the license, for example by making it available online. <br /> <br /> ===Which Creative Commons licenses can I apply to my work?=== <br /> <br /> You can choose one of the following licenses that allow non-commercial uses of the licensed work: <br /> <br /> * Attribution-NonCommercial (CC BY-NC 3.0 (France)) This license lets others remix, tweak, and build upon your work non-commercially, and although creators of new adapted works must also acknowledge you and be licensed for non-commercial use only, they don’t have to license their derivative works on the same terms.<br /> * Attribution-NonCommercial-ShareAlike (CC BY-NC-SA 3.0 (France)) This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.<br /> * Attribution-NonCommercial-NoDerivs (CC BY-NC-ND 3.0 (France)) This license is the most restrictive of the three licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.<br /> <br /> <br /> ===Why can I only use one of the three Non Commercial (NC) licenses?===<br /> <br /> The pilot combines SACEM’s strength in collecting royalties from users of musical works with the strengths of Creative Commons in enabling the free distribution of music under open licensing terms. For works that are licensed as part of this pilot SACEM will only collect royalties for commercial uses unless the non-commercial use is part of a “mixed use” as described below. The works can be freely used and distributed for non-commercial purposes (as defined by the pilot terms, explained below) under the terms of one of the three NC licenses. Allowing free non-commercial use of these works creates more flexibility for authors wishing to promote their works or encourage their fans to distribute and/or remix their works. <br /> <br /> Given that the primary purpose of SACEM is to collect royalties for uses of the works of its members, it has been decided to focus in this pilot on the use of the Creative Commons licenses that exclude commercial uses of such works. <br /> <br /> ===What uses of the licensed works are considered to be commercial uses?=== <br /> <br /> For works that are licensed by SACEM members as part of this pilot under one of the Creative Commons Non-Commercial Licenses, the following uses are deemed to be commercial (and thus not allowed under the NC licenses and subject to prior license from SACEM and payment of a royalty to SACEM):<br /> <br /> * any use of the work by a for-profit entity;<br /> * any use of the work giving rise to any compensation, whether financial or other, whatever the form, the reason and the motive and whoever the beneficiary;<br /> * any use of the work in order to promote or in connection with the promotion of products or services whatsoever and for the benefit of whomever;<br /> * any use of the work by broadcasting entities as well as in workplaces, stores and retail spaces;<br /> * any use of the work in restaurants, bars, cafes, concert venues and other hospitality establishments;<br /> * any use of the work by an entity as part or in connection with revenue generating activities;<br /> * any exchange of the licensed work for other copyrighted works by means of digital file-sharing or otherwise but only when there are advertising or sponsorship receipts, whether direct or indirect, or payment of any kind in connection with the exchange of copyrighted works.<br /> <br /> These uses fall outside the scope of the Creative Commons Non-Commercial Licenses for purposes of this pilot, and SACEM will continue to license these uses and collect royalties related to them.<br /> <br /> ===What uses are considered to be non-commercial uses?===<br /> <br /> The following uses are to be considered as non-commercial subject to their “mixed use” (please see hereinafter) provided no payment is made or revenue of any kind generated, whether to the benefit of the concerned right holder or of a third party:<br /> <br /> * Broadcasting on blogs, websites;<br /> * File sharing;<br /> * Streaming or downloadings of a right holder’s works licensed under a Creative Commons Non-Commercial License;<br /> * Promotional recordings of a right holder’s works licensed under a Creative Commons Non-Commercial License ; <br /> * Public broadcasting of such recordings;<br /> * Public performances of a right holder’s works licensed under a Creative Commons Non-Commercial License, provided no expenses are incurred for e.g. artistic fees, lights, sound, venue …, such as :<br /> * concerts whatever the venue (churches, homes, concert halls, public events, informal gatherings, etc….)<br /> * street performances<br /> * seminars and conferences<br /> * schools (except educational purposes)<br /> * background music in common grounds of residential buildings<br /> * civil weddings <br /> * background music in not for profit organizations’ premises.<br /> <br /> Please note that the above list of non-commercial uses is given by way of example and is therefore not limitative.<br /> <br /> ===Is the use of a musical work by a website on which there are banner advertisements to be considered as commercial or non commercial?===<br /> <br /> Such a use is to be considered commercial, whether these banners generate revenues or merely help cover costs.<br /> <br /> ===What happens when my work is used commercially?===<br /> <br /> The pilot to which SACEM and CC have agreed requires that any commercial use falls out of the scope of the pilot. SACEM will license and collect royalties on behalf of SACEM members for all forms of use that fall outside the scope of the Creative Commons Non-Commercial Licenses pursuant to the terms of the pilot.<br /> <br /> ===What happens when my NC-licensed work is used together with works that are not licensed under an NC license (“mixed use”)?===<br /> <br /> SACEM will also collect royalties for works licensed by SACEM members under one of the Creative Commons Non-Commercial Licenses whenever such works are used by the same entity in the framework of the same event and/or activity with works under SACEM management that are not so licensed. For example, where an association loi 1901 plays, at an annual meeting, works licensed by a SACEM member under a Creative Commons Non-Commercial License and works of SACEM members that are not licensed under a Creative Commons license then SACEM will be entitled to collect royalties for both categories of works.<br /> <br /> Why this pilot?<br /> <br /> As an authors’ society, SACEM manages the works of its members, authors, composers and publishers and collects royalties from all kinds of users of musical works in order to distribute them among its members. Creative Commons has developed a number of standard licenses that allow authors to make available their works free of charge as long as some conditions are met. This allows them to take advantage of free online distribution and to allow their fans to build upon these works by remixing them or integrating them into other works. Until now SACEM did not allow its members to use Creative Commons licenses. With this pilot SACEM and Creative Commons want to make it possible for SACEM members to use Creative Commons licenses for non-commercial distribution of their works and at the same time have SACEM continue to license and collect royalties for all other (commercial) uses of these works. The pilot aims to provide more flexibility to authors who are members of SACEM. <br /> <br /> ===How long will the pilot last?===<br /> <br /> The pilot will run for a period of 18 months starting on the 1st of January 2012 and ending on the 30th of June 2013.<br /> <br /> ===What happens to the CC-licensed works after the end of the pilot?===<br /> <br /> At the end of the pilot period, SACEM members must cease to opt for Creative Commons Non-Commercial (NC) licenses for additional works, in the absence of an extension of the pilot (which is not guaranteed to occur). However works that have been placed under a Creative Commons license during the pilot can continue to be used in accordance with the terms of the license and of the pilot, after the end of the pilot. We are hoping that the pilot will lead to a more structured solution that allows SACEM members to make use of Creative Commons license after the pilot has ended.<br /> <br /> ===I don’t want my works CC-licensed anymore. What can I do?===<br /> <br /> It is not possible to revoke a CC-license. CC licenses apply for the duration of the author’s rights.<br /> <br /> ===How can I contribute to making this pilot successful?===<br /> <br /> As a SACEM member you can contribute to the pilot by making use of the added flexibility that the pilot provides. If you take part in the pilot by applying CC NC licenses to (some of) your works, we are interested in your feedback. You can make comments and report your individual experiences to [mailto:pilote@creativecommons.fr Creative Commons France] or [http://www.sacem.fr/eptic SACEM] <br /> <br /> ===I am not a member of SACEM, what does this mean for me?=== <br /> <br /> If you are not a SACEM member, then this pilot does not affect your ability to apply any CC license you wish to your music (as long as you have permission from all other rights-holders that may have contributed). If you wish to reserve commercial rights and thus benefit from SACEM’s strength in collecting royalties for commercial uses along with the strength of Creative Commons in enabling the free distribution of music, then you should consider becoming a member of SACEM and use one of the NC licenses.<br /> <br /> You can find more information about the Creative Commons licenses [http://creativecommons.fr/licences/ here]<br /> <br /> '''NOTE:''' These FAQs have been jointly prepared by SACEM and CC’s affiliate in France solely for the purpose of providing general information about the pilot. These FAQs do not constitute legal advice, and cannot be relied upon as legal advice. These FAQs may not contain all of the information that you need to make a decision and/or use Creative Commons licenses. If you have questions or are in doubt about the pilot, you should contact SACEM [http://www.sacem.fr/eptic here] , and/or consult the [http://www.sacem.fr/cms/site/en/home/creators-publishers/creative-commons-engl/sacem-creative-commons-pilot terms of the pilot]</div>

Paulkeller https://wiki.creativecommons.org/index.php?title=SACEM-FAQ&diff=54726 2012-01-09T12:23:47Z

<p>Paulkeller: /* I am not a member of SACEM, what does this mean for me? */</p> <hr /> <div>===I am a member of SACEM, how can I participate in the pilot?===<br /> <br /> The pilot enables you to make available some of your works under the terms of one of the three Creative Commons licenses that allow non-commercial distribution (see below). Before you can apply a license to your works you need to make sure that you have permission from any other author, composer or publisher for the work in question, bearing in mind that if you want to use a recorded performance of the work, the rights holders of the neighboring rights will also have to agree to licensing the work under the CC license in question. <br /> <br /> Once you have made sure that you have permission from all authors, composers and publishers for the work in question, you need to let SACEM know which work you want to CC-license and choose your license. You can do this by logging into your sacem.fr account and by following these 4 simple steps in the “Select your works in CC” application : 1) Select the work for which you want to opt for a Creative Commons Non Commercial license, 2) Select one of the 3 Creative Commons Non Commercial licenses, 3) Accept the pilot’s conditions and 4) Confirm your acceptance of the pilot’s conditions.<br /> <br /> After you have chosen your license you will be presented with instructions on how to apply the license to the licensed work. Once you have done this you can distribute the work under the terms of the license, for example by making it available online. <br /> <br /> ===Which Creative Commons licenses can I apply to my work?=== <br /> <br /> You can choose one of the following licenses that allow non-commercial uses of the licensed work: <br /> <br /> * Attribution-NonCommercial (CC BY-NC 3.0 (France)) This license lets others remix, tweak, and build upon your work non-commercially, and although creators of new adapted works must also acknowledge you and be licensed for non-commercial use only, they don’t have to license their derivative works on the same terms.<br /> * Attribution-NonCommercial-ShareAlike (CC BY-NC-SA 3.0 (France)) This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.<br /> * Attribution-NonCommercial-NoDerivs (CC BY-NC-ND 3.0 (France)) This license is the most restrictive of the three licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.<br /> <br /> <br /> ===Why can I only use one of the three Non Commercial (NC) licenses?===<br /> <br /> The pilot combines SACEM’s strength in collecting royalties from users of musical works with the strengths of Creative Commons in enabling the free distribution of music under open licensing terms. For works that are licensed as part of this pilot SACEM will only collect royalties for commercial uses unless the non-commercial use is part of a “mixed use” as described below. The works can be freely used and distributed for non-commercial purposes (as defined by the pilot terms, explained below) under the terms of one of the three NC licenses. Allowing free non-commercial use of these works creates more flexibility for authors wishing to promote their works or encourage their fans to distribute and/or remix their works. <br /> <br /> Given that the primary purpose of SACEM is to collect royalties for uses of the works of its members, it has been decided to focus in this pilot on the use of the Creative Commons licenses that exclude commercial uses of such works. <br /> <br /> ===What uses of the licensed works are considered to be commercial uses?=== <br /> <br /> For works that are licensed by SACEM members as part of this pilot under one of the Creative Commons Non-Commercial Licenses, the following uses are deemed to be commercial (and thus not allowed under the NC licenses and subject to prior license from SACEM and payment of a royalty to SACEM):<br /> <br /> * any use of the work by a for-profit entity;<br /> * any use of the work giving rise to any compensation, whether financial or other, whatever the form, the reason and the motive and whoever the beneficiary;<br /> * any use of the work in order to promote or in connection with the promotion of products or services whatsoever and for the benefit of whomever;<br /> * any use of the work by broadcasting entities as well as in workplaces, stores and retail spaces;<br /> * any use of the work in restaurants, bars, cafes, concert venues and other hospitality establishments;<br /> * any use of the work by an entity as part or in connection with revenue generating activities;<br /> * any exchange of the licensed work for other copyrighted works by means of digital file-sharing or otherwise but only when there are advertising or sponsorship receipts, whether direct or indirect, or payment of any kind in connection with the exchange of copyrighted works.<br /> <br /> These uses fall outside the scope of the Creative Commons Non-Commercial Licenses for purposes of this pilot, and SACEM will continue to license these uses and collect royalties related to them.<br /> <br /> ===What uses are considered to be non-commercial uses?===<br /> <br /> The following uses are to be considered as non-commercial subject to their “mixed use” (please see hereinafter) provided no payment is made or revenue of any kind generated, whether to the benefit of the concerned right holder or of a third party:<br /> <br /> * Broadcasting on blogs, websites;<br /> * File sharing;<br /> * Streaming or downloadings of a right holder’s works licensed under a Creative Commons Non-Commercial License;<br /> * Promotional recordings of a right holder’s works licensed under a Creative Commons Non-Commercial License ; <br /> * Public broadcasting of such recordings;<br /> * Public performances of a right holder’s works licensed under a Creative Commons Non-Commercial License, provided no expenses are incurred for e.g. artistic fees, lights, sound, venue …, such as :<br /> * concerts whatever the venue (churches, homes, concert halls, public events, informal gatherings, etc….)<br /> * street performances<br /> * seminars and conferences<br /> * schools (except educational purposes)<br /> * background music in common grounds of residential buildings<br /> * civil weddings <br /> * background music in not for profit organizations’ premises.<br /> <br /> Please note that the above list of non-commercial uses is given by way of example and is therefore not limitative.<br /> <br /> ===Is the use of a musical work by a website on which there are banner advertisements to be considered as commercial or non commercial?===<br /> <br /> Such a use is to be considered commercial, whether these banners generate revenues or merely help cover costs.<br /> <br /> ===What happens when my work is used commercially?===<br /> <br /> The pilot to which SACEM and CC have agreed requires that any commercial use falls out of the scope of the pilot. SACEM will license and collect royalties on behalf of SACEM members for all forms of use that fall outside the scope of the Creative Commons Non-Commercial Licenses pursuant to the terms of the pilot.<br /> <br /> ===What happens when my NC-licensed work is used together with works that are not licensed under an NC license (“mixed use”)?===<br /> <br /> SACEM will also collect royalties for works licensed by SACEM members under one of the Creative Commons Non-Commercial Licenses whenever such works are used by the same entity in the framework of the same event and/or activity with works under SACEM management that are not so licensed. For example, where an association loi 1901 plays, at an annual meeting, works licensed by a SACEM member under a Creative Commons Non-Commercial License and works of SACEM members that are not licensed under a Creative Commons license then SACEM will be entitled to collect royalties for both categories of works.<br /> <br /> Why this pilot?<br /> <br /> As an authors’ society, SACEM manages the works of its members, authors, composers and publishers and collects royalties from all kinds of users of musical works in order to distribute them among its members. Creative Commons has developed a number of standard licenses that allow authors to make available their works free of charge as long as some conditions are met. This allows them to take advantage of free online distribution and to allow their fans to build upon these works by remixing them or integrating them into other works. Until now SACEM did not allow its members to use Creative Commons licenses. With this pilot SACEM and Creative Commons want to make it possible for SACEM members to use Creative Commons licenses for non-commercial distribution of their works and at the same time have SACEM continue to license and collect royalties for all other (commercial) uses of these works. The pilot aims to provide more flexibility to authors who are members of SACEM. <br /> <br /> ===How long will the pilot last?===<br /> <br /> The pilot will run for a period of 18 months starting on the 1st of January 2012 and ending on the 30th of June 2013.<br /> <br /> ===What happens to the CC-licensed works after the end of the pilot?===<br /> <br /> At the end of the pilot period, SACEM members must cease to opt for Creative Commons Non-Commercial (NC) licenses for additional works, in the absence of an extension of the pilot (which is not guaranteed to occur). However works that have been placed under a Creative Commons license during the pilot can continue to be used in accordance with the terms of the license and of the pilot, after the end of the pilot. We are hoping that the pilot will lead to a more structured solution that allows SACEM members to make use of Creative Commons license after the pilot has ended.<br /> <br /> ===I don’t want my works CC-licensed anymore. What can I do?===<br /> <br /> It is not possible to revoke a CC-license. CC licenses apply for the duration of the author’s rights.<br /> <br /> ===How can I contribute to making this pilot successful?===<br /> <br /> As a SACEM member you can contribute to the pilot by making use of the added flexibility that the pilot provides. If you take part in the pilot by applying CC NC licenses to (some of) your works, we are interested in your feedback. You can make comments and report your individual experiences to [mailto:pilote@creativecommons.fr Creative Commons France] or [http://www.sacem.fr/eptic SACEM] <br /> <br /> ===I am not a member of SACEM, what does this mean for me?=== <br /> <br /> If you are not a SACEM member, then this pilot does not affect your ability to apply any CC license you wish to your music (as long as you have permission from all other rights-holders that may have contributed). If you wish to reserve commercial rights and thus benefit from SACEM’s strength in collecting royalties for commercial uses along with the strength of Creative Commons in enabling the free distribution of music, then you should consider becoming a member of SACEM and use one of the NC licenses.<br /> <br /> You can find more information about the Creative Commons licenses [http://creativecommons.fr/licences/ here]<br /> <br /> '''NOTE:''' These FAQs have been jointly prepared by SACEM and CC’s affiliate in France solely for the purpose of providing general information about the pilot. These FAQs do not constitute legal advice, and cannot be relied upon as legal advice. These FAQs may not contain all of the information that you need to make a decision and/or use Creative Commons licenses. If you have questions or are in doubt about the pilot, you should contact SACEM [http://www.sacem.fr/eptic here] , and/or consult the [http://www.sacem.fr/cms/site/en/home/creators-publishers/creative-commons-engl/sacem-creative-commons-pilot terms of the pilot]</div>

Paulkeller https://wiki.creativecommons.org/index.php?title=SACEM-FAQ&diff=54725 2012-01-09T12:23:26Z

<p>Paulkeller: /* How can I contribute to making this pilot successful? */</p> <hr /> <div>===I am a member of SACEM, how can I participate in the pilot?===<br /> <br /> The pilot enables you to make available some of your works under the terms of one of the three Creative Commons licenses that allow non-commercial distribution (see below). Before you can apply a license to your works you need to make sure that you have permission from any other author, composer or publisher for the work in question, bearing in mind that if you want to use a recorded performance of the work, the rights holders of the neighboring rights will also have to agree to licensing the work under the CC license in question. <br /> <br /> Once you have made sure that you have permission from all authors, composers and publishers for the work in question, you need to let SACEM know which work you want to CC-license and choose your license. You can do this by logging into your sacem.fr account and by following these 4 simple steps in the “Select your works in CC” application : 1) Select the work for which you want to opt for a Creative Commons Non Commercial license, 2) Select one of the 3 Creative Commons Non Commercial licenses, 3) Accept the pilot’s conditions and 4) Confirm your acceptance of the pilot’s conditions.<br /> <br /> After you have chosen your license you will be presented with instructions on how to apply the license to the licensed work. Once you have done this you can distribute the work under the terms of the license, for example by making it available online. <br /> <br /> ===Which Creative Commons licenses can I apply to my work?=== <br /> <br /> You can choose one of the following licenses that allow non-commercial uses of the licensed work: <br /> <br /> * Attribution-NonCommercial (CC BY-NC 3.0 (France)) This license lets others remix, tweak, and build upon your work non-commercially, and although creators of new adapted works must also acknowledge you and be licensed for non-commercial use only, they don’t have to license their derivative works on the same terms.<br /> * Attribution-NonCommercial-ShareAlike (CC BY-NC-SA 3.0 (France)) This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.<br /> * Attribution-NonCommercial-NoDerivs (CC BY-NC-ND 3.0 (France)) This license is the most restrictive of the three licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.<br /> <br /> <br /> ===Why can I only use one of the three Non Commercial (NC) licenses?===<br /> <br /> The pilot combines SACEM’s strength in collecting royalties from users of musical works with the strengths of Creative Commons in enabling the free distribution of music under open licensing terms. For works that are licensed as part of this pilot SACEM will only collect royalties for commercial uses unless the non-commercial use is part of a “mixed use” as described below. The works can be freely used and distributed for non-commercial purposes (as defined by the pilot terms, explained below) under the terms of one of the three NC licenses. Allowing free non-commercial use of these works creates more flexibility for authors wishing to promote their works or encourage their fans to distribute and/or remix their works. <br /> <br /> Given that the primary purpose of SACEM is to collect royalties for uses of the works of its members, it has been decided to focus in this pilot on the use of the Creative Commons licenses that exclude commercial uses of such works. <br /> <br /> ===What uses of the licensed works are considered to be commercial uses?=== <br /> <br /> For works that are licensed by SACEM members as part of this pilot under one of the Creative Commons Non-Commercial Licenses, the following uses are deemed to be commercial (and thus not allowed under the NC licenses and subject to prior license from SACEM and payment of a royalty to SACEM):<br /> <br /> * any use of the work by a for-profit entity;<br /> * any use of the work giving rise to any compensation, whether financial or other, whatever the form, the reason and the motive and whoever the beneficiary;<br /> * any use of the work in order to promote or in connection with the promotion of products or services whatsoever and for the benefit of whomever;<br /> * any use of the work by broadcasting entities as well as in workplaces, stores and retail spaces;<br /> * any use of the work in restaurants, bars, cafes, concert venues and other hospitality establishments;<br /> * any use of the work by an entity as part or in connection with revenue generating activities;<br /> * any exchange of the licensed work for other copyrighted works by means of digital file-sharing or otherwise but only when there are advertising or sponsorship receipts, whether direct or indirect, or payment of any kind in connection with the exchange of copyrighted works.<br /> <br /> These uses fall outside the scope of the Creative Commons Non-Commercial Licenses for purposes of this pilot, and SACEM will continue to license these uses and collect royalties related to them.<br /> <br /> ===What uses are considered to be non-commercial uses?===<br /> <br /> The following uses are to be considered as non-commercial subject to their “mixed use” (please see hereinafter) provided no payment is made or revenue of any kind generated, whether to the benefit of the concerned right holder or of a third party:<br /> <br /> * Broadcasting on blogs, websites;<br /> * File sharing;<br /> * Streaming or downloadings of a right holder’s works licensed under a Creative Commons Non-Commercial License;<br /> * Promotional recordings of a right holder’s works licensed under a Creative Commons Non-Commercial License ; <br /> * Public broadcasting of such recordings;<br /> * Public performances of a right holder’s works licensed under a Creative Commons Non-Commercial License, provided no expenses are incurred for e.g. artistic fees, lights, sound, venue …, such as :<br /> * concerts whatever the venue (churches, homes, concert halls, public events, informal gatherings, etc….)<br /> * street performances<br /> * seminars and conferences<br /> * schools (except educational purposes)<br /> * background music in common grounds of residential buildings<br /> * civil weddings <br /> * background music in not for profit organizations’ premises.<br /> <br /> Please note that the above list of non-commercial uses is given by way of example and is therefore not limitative.<br /> <br /> ===Is the use of a musical work by a website on which there are banner advertisements to be considered as commercial or non commercial?===<br /> <br /> Such a use is to be considered commercial, whether these banners generate revenues or merely help cover costs.<br /> <br /> ===What happens when my work is used commercially?===<br /> <br /> The pilot to which SACEM and CC have agreed requires that any commercial use falls out of the scope of the pilot. SACEM will license and collect royalties on behalf of SACEM members for all forms of use that fall outside the scope of the Creative Commons Non-Commercial Licenses pursuant to the terms of the pilot.<br /> <br /> ===What happens when my NC-licensed work is used together with works that are not licensed under an NC license (“mixed use”)?===<br /> <br /> SACEM will also collect royalties for works licensed by SACEM members under one of the Creative Commons Non-Commercial Licenses whenever such works are used by the same entity in the framework of the same event and/or activity with works under SACEM management that are not so licensed. For example, where an association loi 1901 plays, at an annual meeting, works licensed by a SACEM member under a Creative Commons Non-Commercial License and works of SACEM members that are not licensed under a Creative Commons license then SACEM will be entitled to collect royalties for both categories of works.<br /> <br /> Why this pilot?<br /> <br /> As an authors’ society, SACEM manages the works of its members, authors, composers and publishers and collects royalties from all kinds of users of musical works in order to distribute them among its members. Creative Commons has developed a number of standard licenses that allow authors to make available their works free of charge as long as some conditions are met. This allows them to take advantage of free online distribution and to allow their fans to build upon these works by remixing them or integrating them into other works. Until now SACEM did not allow its members to use Creative Commons licenses. With this pilot SACEM and Creative Commons want to make it possible for SACEM members to use Creative Commons licenses for non-commercial distribution of their works and at the same time have SACEM continue to license and collect royalties for all other (commercial) uses of these works. The pilot aims to provide more flexibility to authors who are members of SACEM. <br /> <br /> ===How long will the pilot last?===<br /> <br /> The pilot will run for a period of 18 months starting on the 1st of January 2012 and ending on the 30th of June 2013.<br /> <br /> ===What happens to the CC-licensed works after the end of the pilot?===<br /> <br /> At the end of the pilot period, SACEM members must cease to opt for Creative Commons Non-Commercial (NC) licenses for additional works, in the absence of an extension of the pilot (which is not guaranteed to occur). However works that have been placed under a Creative Commons license during the pilot can continue to be used in accordance with the terms of the license and of the pilot, after the end of the pilot. We are hoping that the pilot will lead to a more structured solution that allows SACEM members to make use of Creative Commons license after the pilot has ended.<br /> <br /> ===I don’t want my works CC-licensed anymore. What can I do?===<br /> <br /> It is not possible to revoke a CC-license. CC licenses apply for the duration of the author’s rights.<br /> <br /> ===How can I contribute to making this pilot successful?===<br /> <br /> As a SACEM member you can contribute to the pilot by making use of the added flexibility that the pilot provides. If you take part in the pilot by applying CC NC licenses to (some of) your works, we are interested in your feedback. You can make comments and report your individual experiences to [mailto:pilote@creativecommons.fr Creative Commons France] or [http://www.sacem.fr/eptic SACEM] <br /> <br /> ===I am not a member of SACEM, what does this mean for me?=== <br /> <br /> If you are not a SACEM member, then this pilot does not affect your ability to apply any CC license you wish to your music (as long as you have permission from all other rights-holders that may have contributed). If you wish to reserve commercial rights and thus benefit from SACEM’s strength in collecting royalties for commercial uses along with the strength of Creative Commons in enabling the free distribution of music, then you should consider becoming a member of SACEM and use one of the NC licenses.<br /> <br /> You can find more information about the Creative Commons licenses [http://creativecommons.fr/licences/ here]<br /> <br /> NOTE: These FAQs have been jointly prepared by SACEM and CC’s affiliate in France solely for the purpose of providing general information about the pilot. These FAQs do not constitute legal advice, and cannot be relied upon as legal advice. These FAQs may not contain all of the information that you need to make a decision and/or use Creative Commons licenses. If you have questions or are in doubt about the pilot, you should contact SACEM [http://www.sacem.fr/eptic here] , and/or consult the [http://www.sacem.fr/cms/site/en/home/creators-publishers/creative-commons-engl/sacem-creative-commons-pilot terms of the pilot]</div>

Paulkeller https://wiki.creativecommons.org/index.php?title=SACEM-FAQ&diff=54724 2012-01-09T12:20:33Z

<p>Paulkeller: /* How can I contribute to making this pilot successful? */</p> <hr /> <div>===I am a member of SACEM, how can I participate in the pilot?===<br /> <br /> The pilot enables you to make available some of your works under the terms of one of the three Creative Commons licenses that allow non-commercial distribution (see below). Before you can apply a license to your works you need to make sure that you have permission from any other author, composer or publisher for the work in question, bearing in mind that if you want to use a recorded performance of the work, the rights holders of the neighboring rights will also have to agree to licensing the work under the CC license in question. <br /> <br /> Once you have made sure that you have permission from all authors, composers and publishers for the work in question, you need to let SACEM know which work you want to CC-license and choose your license. You can do this by logging into your sacem.fr account and by following these 4 simple steps in the “Select your works in CC” application : 1) Select the work for which you want to opt for a Creative Commons Non Commercial license, 2) Select one of the 3 Creative Commons Non Commercial licenses, 3) Accept the pilot’s conditions and 4) Confirm your acceptance of the pilot’s conditions.<br /> <br /> After you have chosen your license you will be presented with instructions on how to apply the license to the licensed work. Once you have done this you can distribute the work under the terms of the license, for example by making it available online. <br /> <br /> ===Which Creative Commons licenses can I apply to my work?=== <br /> <br /> You can choose one of the following licenses that allow non-commercial uses of the licensed work: <br /> <br /> * Attribution-NonCommercial (CC BY-NC 3.0 (France)) This license lets others remix, tweak, and build upon your work non-commercially, and although creators of new adapted works must also acknowledge you and be licensed for non-commercial use only, they don’t have to license their derivative works on the same terms.<br /> * Attribution-NonCommercial-ShareAlike (CC BY-NC-SA 3.0 (France)) This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.<br /> * Attribution-NonCommercial-NoDerivs (CC BY-NC-ND 3.0 (France)) This license is the most restrictive of the three licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.<br /> <br /> <br /> ===Why can I only use one of the three Non Commercial (NC) licenses?===<br /> <br /> The pilot combines SACEM’s strength in collecting royalties from users of musical works with the strengths of Creative Commons in enabling the free distribution of music under open licensing terms. For works that are licensed as part of this pilot SACEM will only collect royalties for commercial uses unless the non-commercial use is part of a “mixed use” as described below. The works can be freely used and distributed for non-commercial purposes (as defined by the pilot terms, explained below) under the terms of one of the three NC licenses. Allowing free non-commercial use of these works creates more flexibility for authors wishing to promote their works or encourage their fans to distribute and/or remix their works. <br /> <br /> Given that the primary purpose of SACEM is to collect royalties for uses of the works of its members, it has been decided to focus in this pilot on the use of the Creative Commons licenses that exclude commercial uses of such works. <br /> <br /> ===What uses of the licensed works are considered to be commercial uses?=== <br /> <br /> For works that are licensed by SACEM members as part of this pilot under one of the Creative Commons Non-Commercial Licenses, the following uses are deemed to be commercial (and thus not allowed under the NC licenses and subject to prior license from SACEM and payment of a royalty to SACEM):<br /> <br /> * any use of the work by a for-profit entity;<br /> * any use of the work giving rise to any compensation, whether financial or other, whatever the form, the reason and the motive and whoever the beneficiary;<br /> * any use of the work in order to promote or in connection with the promotion of products or services whatsoever and for the benefit of whomever;<br /> * any use of the work by broadcasting entities as well as in workplaces, stores and retail spaces;<br /> * any use of the work in restaurants, bars, cafes, concert venues and other hospitality establishments;<br /> * any use of the work by an entity as part or in connection with revenue generating activities;<br /> * any exchange of the licensed work for other copyrighted works by means of digital file-sharing or otherwise but only when there are advertising or sponsorship receipts, whether direct or indirect, or payment of any kind in connection with the exchange of copyrighted works.<br /> <br /> These uses fall outside the scope of the Creative Commons Non-Commercial Licenses for purposes of this pilot, and SACEM will continue to license these uses and collect royalties related to them.<br /> <br /> ===What uses are considered to be non-commercial uses?===<br /> <br /> The following uses are to be considered as non-commercial subject to their “mixed use” (please see hereinafter) provided no payment is made or revenue of any kind generated, whether to the benefit of the concerned right holder or of a third party:<br /> <br /> * Broadcasting on blogs, websites;<br /> * File sharing;<br /> * Streaming or downloadings of a right holder’s works licensed under a Creative Commons Non-Commercial License;<br /> * Promotional recordings of a right holder’s works licensed under a Creative Commons Non-Commercial License ; <br /> * Public broadcasting of such recordings;<br /> * Public performances of a right holder’s works licensed under a Creative Commons Non-Commercial License, provided no expenses are incurred for e.g. artistic fees, lights, sound, venue …, such as :<br /> * concerts whatever the venue (churches, homes, concert halls, public events, informal gatherings, etc….)<br /> * street performances<br /> * seminars and conferences<br /> * schools (except educational purposes)<br /> * background music in common grounds of residential buildings<br /> * civil weddings <br /> * background music in not for profit organizations’ premises.<br /> <br /> Please note that the above list of non-commercial uses is given by way of example and is therefore not limitative.<br /> <br /> ===Is the use of a musical work by a website on which there are banner advertisements to be considered as commercial or non commercial?===<br /> <br /> Such a use is to be considered commercial, whether these banners generate revenues or merely help cover costs.<br /> <br /> ===What happens when my work is used commercially?===<br /> <br /> The pilot to which SACEM and CC have agreed requires that any commercial use falls out of the scope of the pilot. SACEM will license and collect royalties on behalf of SACEM members for all forms of use that fall outside the scope of the Creative Commons Non-Commercial Licenses pursuant to the terms of the pilot.<br /> <br /> ===What happens when my NC-licensed work is used together with works that are not licensed under an NC license (“mixed use”)?===<br /> <br /> SACEM will also collect royalties for works licensed by SACEM members under one of the Creative Commons Non-Commercial Licenses whenever such works are used by the same entity in the framework of the same event and/or activity with works under SACEM management that are not so licensed. For example, where an association loi 1901 plays, at an annual meeting, works licensed by a SACEM member under a Creative Commons Non-Commercial License and works of SACEM members that are not licensed under a Creative Commons license then SACEM will be entitled to collect royalties for both categories of works.<br /> <br /> Why this pilot?<br /> <br /> As an authors’ society, SACEM manages the works of its members, authors, composers and publishers and collects royalties from all kinds of users of musical works in order to distribute them among its members. Creative Commons has developed a number of standard licenses that allow authors to make available their works free of charge as long as some conditions are met. This allows them to take advantage of free online distribution and to allow their fans to build upon these works by remixing them or integrating them into other works. Until now SACEM did not allow its members to use Creative Commons licenses. With this pilot SACEM and Creative Commons want to make it possible for SACEM members to use Creative Commons licenses for non-commercial distribution of their works and at the same time have SACEM continue to license and collect royalties for all other (commercial) uses of these works. The pilot aims to provide more flexibility to authors who are members of SACEM. <br /> <br /> ===How long will the pilot last?===<br /> <br /> The pilot will run for a period of 18 months starting on the 1st of January 2012 and ending on the 30th of June 2013.<br /> <br /> ===What happens to the CC-licensed works after the end of the pilot?===<br /> <br /> At the end of the pilot period, SACEM members must cease to opt for Creative Commons Non-Commercial (NC) licenses for additional works, in the absence of an extension of the pilot (which is not guaranteed to occur). However works that have been placed under a Creative Commons license during the pilot can continue to be used in accordance with the terms of the license and of the pilot, after the end of the pilot. We are hoping that the pilot will lead to a more structured solution that allows SACEM members to make use of Creative Commons license after the pilot has ended.<br /> <br /> ===I don’t want my works CC-licensed anymore. What can I do?===<br /> <br /> It is not possible to revoke a CC-license. CC licenses apply for the duration of the author’s rights.<br /> <br /> ===How can I contribute to making this pilot successful?===<br /> <br /> As a SACEM member you can contribute to the pilot by making use of the added flexibility that the pilot provides. If you take part in the pilot by applying CC NC licenses to (some of) your works, we are interested in your feedback. You can make comments and report your individual experiences to Creative Commons France [mailto:pilote@creativecommons.fr] or [http://www.sacem.fr/eptic|SACEM] <br /> <br /> I am not a member of SACEM, what does this mean for me? <br /> <br /> If you are not a SACEM member, then this pilot does not affect your ability to apply any CC license you wish to your music (as long as you have permission from all other rights-holders that may have contributed). If you wish to reserve commercial rights and thus benefit from SACEM’s strength in collecting royalties for commercial uses along with the strength of Creative Commons in enabling the free distribution of music, then you should consider becoming a member of SACEM and use one of the NC licenses.<br /> <br /> You can find more information about the Creative Commons licenses here : http://creativecommons.fr/licences/<br /> <br /> NOTE: These FAQs have been jointly prepared by SACEM and CC’s affiliate in France solely for the purpose of providing general information about the pilot. These FAQs do not constitute legal advice, and cannot be relied upon as legal advice. These FAQs may not contain all of the information that you need to make a decision and/or use Creative Commons licenses. If you have questions or are in doubt about the pilot, you should contact SACEM at http://www.sacem.fr/eptic , and/or consult the terms of the pilot &lt; http://www.sacem.fr/cms/site/en/home/creators-publishers/creative-commons-engl/sacem-creative-commons-pilot</div>

Paulkeller https://wiki.creativecommons.org/index.php?title=SACEM-FAQ&diff=54723 2012-01-09T12:19:52Z

<p>Paulkeller: </p> <hr /> <div>===I am a member of SACEM, how can I participate in the pilot?===<br /> <br /> The pilot enables you to make available some of your works under the terms of one of the three Creative Commons licenses that allow non-commercial distribution (see below). Before you can apply a license to your works you need to make sure that you have permission from any other author, composer or publisher for the work in question, bearing in mind that if you want to use a recorded performance of the work, the rights holders of the neighboring rights will also have to agree to licensing the work under the CC license in question. <br /> <br /> Once you have made sure that you have permission from all authors, composers and publishers for the work in question, you need to let SACEM know which work you want to CC-license and choose your license. You can do this by logging into your sacem.fr account and by following these 4 simple steps in the “Select your works in CC” application : 1) Select the work for which you want to opt for a Creative Commons Non Commercial license, 2) Select one of the 3 Creative Commons Non Commercial licenses, 3) Accept the pilot’s conditions and 4) Confirm your acceptance of the pilot’s conditions.<br /> <br /> After you have chosen your license you will be presented with instructions on how to apply the license to the licensed work. Once you have done this you can distribute the work under the terms of the license, for example by making it available online. <br /> <br /> ===Which Creative Commons licenses can I apply to my work?=== <br /> <br /> You can choose one of the following licenses that allow non-commercial uses of the licensed work: <br /> <br /> * Attribution-NonCommercial (CC BY-NC 3.0 (France)) This license lets others remix, tweak, and build upon your work non-commercially, and although creators of new adapted works must also acknowledge you and be licensed for non-commercial use only, they don’t have to license their derivative works on the same terms.<br /> * Attribution-NonCommercial-ShareAlike (CC BY-NC-SA 3.0 (France)) This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.<br /> * Attribution-NonCommercial-NoDerivs (CC BY-NC-ND 3.0 (France)) This license is the most restrictive of the three licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.<br /> <br /> <br /> ===Why can I only use one of the three Non Commercial (NC) licenses?===<br /> <br /> The pilot combines SACEM’s strength in collecting royalties from users of musical works with the strengths of Creative Commons in enabling the free distribution of music under open licensing terms. For works that are licensed as part of this pilot SACEM will only collect royalties for commercial uses unless the non-commercial use is part of a “mixed use” as described below. The works can be freely used and distributed for non-commercial purposes (as defined by the pilot terms, explained below) under the terms of one of the three NC licenses. Allowing free non-commercial use of these works creates more flexibility for authors wishing to promote their works or encourage their fans to distribute and/or remix their works. <br /> <br /> Given that the primary purpose of SACEM is to collect royalties for uses of the works of its members, it has been decided to focus in this pilot on the use of the Creative Commons licenses that exclude commercial uses of such works. <br /> <br /> ===What uses of the licensed works are considered to be commercial uses?=== <br /> <br /> For works that are licensed by SACEM members as part of this pilot under one of the Creative Commons Non-Commercial Licenses, the following uses are deemed to be commercial (and thus not allowed under the NC licenses and subject to prior license from SACEM and payment of a royalty to SACEM):<br /> <br /> * any use of the work by a for-profit entity;<br /> * any use of the work giving rise to any compensation, whether financial or other, whatever the form, the reason and the motive and whoever the beneficiary;<br /> * any use of the work in order to promote or in connection with the promotion of products or services whatsoever and for the benefit of whomever;<br /> * any use of the work by broadcasting entities as well as in workplaces, stores and retail spaces;<br /> * any use of the work in restaurants, bars, cafes, concert venues and other hospitality establishments;<br /> * any use of the work by an entity as part or in connection with revenue generating activities;<br /> * any exchange of the licensed work for other copyrighted works by means of digital file-sharing or otherwise but only when there are advertising or sponsorship receipts, whether direct or indirect, or payment of any kind in connection with the exchange of copyrighted works.<br /> <br /> These uses fall outside the scope of the Creative Commons Non-Commercial Licenses for purposes of this pilot, and SACEM will continue to license these uses and collect royalties related to them.<br /> <br /> ===What uses are considered to be non-commercial uses?===<br /> <br /> The following uses are to be considered as non-commercial subject to their “mixed use” (please see hereinafter) provided no payment is made or revenue of any kind generated, whether to the benefit of the concerned right holder or of a third party:<br /> <br /> * Broadcasting on blogs, websites;<br /> * File sharing;<br /> * Streaming or downloadings of a right holder’s works licensed under a Creative Commons Non-Commercial License;<br /> * Promotional recordings of a right holder’s works licensed under a Creative Commons Non-Commercial License ; <br /> * Public broadcasting of such recordings;<br /> * Public performances of a right holder’s works licensed under a Creative Commons Non-Commercial License, provided no expenses are incurred for e.g. artistic fees, lights, sound, venue …, such as :<br /> * concerts whatever the venue (churches, homes, concert halls, public events, informal gatherings, etc….)<br /> * street performances<br /> * seminars and conferences<br /> * schools (except educational purposes)<br /> * background music in common grounds of residential buildings<br /> * civil weddings <br /> * background music in not for profit organizations’ premises.<br /> <br /> Please note that the above list of non-commercial uses is given by way of example and is therefore not limitative.<br /> <br /> ===Is the use of a musical work by a website on which there are banner advertisements to be considered as commercial or non commercial?===<br /> <br /> Such a use is to be considered commercial, whether these banners generate revenues or merely help cover costs.<br /> <br /> ===What happens when my work is used commercially?===<br /> <br /> The pilot to which SACEM and CC have agreed requires that any commercial use falls out of the scope of the pilot. SACEM will license and collect royalties on behalf of SACEM members for all forms of use that fall outside the scope of the Creative Commons Non-Commercial Licenses pursuant to the terms of the pilot.<br /> <br /> ===What happens when my NC-licensed work is used together with works that are not licensed under an NC license (“mixed use”)?===<br /> <br /> SACEM will also collect royalties for works licensed by SACEM members under one of the Creative Commons Non-Commercial Licenses whenever such works are used by the same entity in the framework of the same event and/or activity with works under SACEM management that are not so licensed. For example, where an association loi 1901 plays, at an annual meeting, works licensed by a SACEM member under a Creative Commons Non-Commercial License and works of SACEM members that are not licensed under a Creative Commons license then SACEM will be entitled to collect royalties for both categories of works.<br /> <br /> Why this pilot?<br /> <br /> As an authors’ society, SACEM manages the works of its members, authors, composers and publishers and collects royalties from all kinds of users of musical works in order to distribute them among its members. Creative Commons has developed a number of standard licenses that allow authors to make available their works free of charge as long as some conditions are met. This allows them to take advantage of free online distribution and to allow their fans to build upon these works by remixing them or integrating them into other works. Until now SACEM did not allow its members to use Creative Commons licenses. With this pilot SACEM and Creative Commons want to make it possible for SACEM members to use Creative Commons licenses for non-commercial distribution of their works and at the same time have SACEM continue to license and collect royalties for all other (commercial) uses of these works. The pilot aims to provide more flexibility to authors who are members of SACEM. <br /> <br /> ===How long will the pilot last?===<br /> <br /> The pilot will run for a period of 18 months starting on the 1st of January 2012 and ending on the 30th of June 2013.<br /> <br /> ===What happens to the CC-licensed works after the end of the pilot?===<br /> <br /> At the end of the pilot period, SACEM members must cease to opt for Creative Commons Non-Commercial (NC) licenses for additional works, in the absence of an extension of the pilot (which is not guaranteed to occur). However works that have been placed under a Creative Commons license during the pilot can continue to be used in accordance with the terms of the license and of the pilot, after the end of the pilot. We are hoping that the pilot will lead to a more structured solution that allows SACEM members to make use of Creative Commons license after the pilot has ended.<br /> <br /> ===I don’t want my works CC-licensed anymore. What can I do?===<br /> <br /> It is not possible to revoke a CC-license. CC licenses apply for the duration of the author’s rights.<br /> <br /> ===How can I contribute to making this pilot successful?===<br /> <br /> As a SACEM member you can contribute to the pilot by making use of the added flexibility that the pilot provides. If you take part in the pilot by applying CC NC licenses to (some of) your works, we are interested in your feedback. You can make comments and report your individual experiences to Creative Commons France [mailto:pilote@creativecommons.fr] or [SACEM | http://www.sacem.fr/eptic] <br /> <br /> I am not a member of SACEM, what does this mean for me? <br /> <br /> If you are not a SACEM member, then this pilot does not affect your ability to apply any CC license you wish to your music (as long as you have permission from all other rights-holders that may have contributed). If you wish to reserve commercial rights and thus benefit from SACEM’s strength in collecting royalties for commercial uses along with the strength of Creative Commons in enabling the free distribution of music, then you should consider becoming a member of SACEM and use one of the NC licenses.<br /> <br /> You can find more information about the Creative Commons licenses here : http://creativecommons.fr/licences/<br /> <br /> NOTE: These FAQs have been jointly prepared by SACEM and CC’s affiliate in France solely for the purpose of providing general information about the pilot. These FAQs do not constitute legal advice, and cannot be relied upon as legal advice. These FAQs may not contain all of the information that you need to make a decision and/or use Creative Commons licenses. If you have questions or are in doubt about the pilot, you should contact SACEM at http://www.sacem.fr/eptic , and/or consult the terms of the pilot &lt; http://www.sacem.fr/cms/site/en/home/creators-publishers/creative-commons-engl/sacem-creative-commons-pilot</div>

Paulkeller https://wiki.creativecommons.org/index.php?title=SACEM-FAQ&diff=54722 2012-01-09T12:15:47Z

<p>Paulkeller: Created page with &quot;==I am a member of SACEM, how can I participate in the pilot?== The pilot enables you to make available some of your works under the terms of one of the three Creative Commons l...&quot;</p> <hr /> <div>==I am a member of SACEM, how can I participate in the pilot?==<br /> <br /> The pilot enables you to make available some of your works under the terms of one of the three Creative Commons licenses that allow non-commercial distribution (see below). Before you can apply a license to your works you need to make sure that you have permission from any other author, composer or publisher for the work in question, bearing in mind that if you want to use a recorded performance of the work, the rights holders of the neighboring rights will also have to agree to licensing the work under the CC license in question. <br /> <br /> Once you have made sure that you have permission from all authors, composers and publishers for the work in question, you need to let SACEM know which work you want to CC-license and choose your license. You can do this by logging into your sacem.fr account and by following these 4 simple steps in the “Select your works in CC” application : 1) Select the work for which you want to opt for a Creative Commons Non Commercial license, 2) Select one of the 3 Creative Commons Non Commercial licenses, 3) Accept the pilot’s conditions and 4) Confirm your acceptance of the pilot’s conditions.<br /> <br /> After you have chosen your license you will be presented with instructions on how to apply the license to the licensed work. Once you have done this you can distribute the work under the terms of the license, for example by making it available online. <br /> <br /> ==Which Creative Commons licenses can I apply to my work?== <br /> <br /> You can choose one of the following licenses that allow non-commercial uses of the licensed work: <br /> <br /> * Attribution-NonCommercial (CC BY-NC 3.0 (France)) This license lets others remix, tweak, and build upon your work non-commercially, and although creators of new adapted works must also acknowledge you and be licensed for non-commercial use only, they don’t have to license their derivative works on the same terms.<br /> * Attribution-NonCommercial-ShareAlike (CC BY-NC-SA 3.0 (France)) This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.<br /> * Attribution-NonCommercial-NoDerivs (CC BY-NC-ND 3.0 (France)) This license is the most restrictive of the three licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.<br /> <br /> <br /> ==Why can I only use one of the three Non Commercial (NC) licenses?==<br /> <br /> The pilot combines SACEM’s strength in collecting royalties from users of musical works with the strengths of Creative Commons in enabling the free distribution of music under open licensing terms. For works that are licensed as part of this pilot SACEM will only collect royalties for commercial uses unless the non-commercial use is part of a “mixed use” as described below. The works can be freely used and distributed for non-commercial purposes (as defined by the pilot terms, explained below) under the terms of one of the three NC licenses. Allowing free non-commercial use of these works creates more flexibility for authors wishing to promote their works or encourage their fans to distribute and/or remix their works. <br /> <br /> Given that the primary purpose of SACEM is to collect royalties for uses of the works of its members, it has been decided to focus in this pilot on the use of the Creative Commons licenses that exclude commercial uses of such works. <br /> <br /> What uses of the licensed works are considered to be commercial uses? <br /> <br /> For works that are licensed by SACEM members as part of this pilot under one of the Creative Commons Non-Commercial Licenses, the following uses are deemed to be commercial (and thus not allowed under the NC licenses and subject to prior license from SACEM and payment of a royalty to SACEM):<br /> <br /> • any use of the work by a for-profit entity;<br /> • any use of the work giving rise to any compensation, whether financial or other, whatever the form, the reason and the motive and whoever the beneficiary;<br /> • any use of the work in order to promote or in connection with the promotion of products or services whatsoever and for the benefit of whomever;<br /> • any use of the work by broadcasting entities as well as in workplaces, stores and retail spaces;<br /> • any use of the work in restaurants, bars, cafes, concert venues and other hospitality establishments;<br /> • any use of the work by an entity as part or in connection with revenue generating activities;<br /> • any exchange of the licensed work for other copyrighted works by means of digital file-sharing or otherwise but only when there are advertising or sponsorship receipts, whether direct or indirect, or payment of any kind in connection with the exchange of copyrighted works.<br /> <br /> These uses fall outside the scope of the Creative Commons Non-Commercial Licenses for purposes of this pilot, and SACEM will continue to license these uses and collect royalties related to them.<br /> <br /> <br /> What uses are considered to be non-commercial uses?<br /> <br /> The following uses are to be considered as non-commercial subject to their “mixed use” (please see hereinafter) provided no payment is made or revenue of any kind generated, whether to the benefit of the concerned right holder or of a third party:<br /> <br /> • Broadcasting on blogs, websites;<br /> • File sharing;<br /> • Streaming or downloadings of a right holder’s works licensed under a Creative Commons Non-Commercial License;<br /> • Promotional recordings of a right holder’s works licensed under a Creative Commons Non-Commercial License ; <br /> • Public broadcasting of such recordings;<br /> • Public performances of a right holder’s works licensed under a Creative Commons Non-Commercial License, provided no expenses are incurred for e.g. artistic fees, lights, sound, venue …, such as :<br /> - concerts whatever the venue (churches, homes, concert halls, public events, informal gatherings, etc….)<br /> - street performances<br /> - seminars and conferences<br /> - schools (except educational purposes)<br /> - background music in common grounds of residential buildings<br /> - civil weddings <br /> - background music in not for profit organizations’ premises.<br /> <br /> Please note that the above list of non-commercial uses is given by way of example and is therefore not limitative.<br /> <br /> Is the use of a musical work by a website on which there are banner advertisements to be considered as commercial or non commercial?<br /> <br /> Such a use is to be considered commercial, whether these banners generate revenues or merely help cover costs.<br /> <br /> What happens when my work is used commercially?<br /> <br /> The pilot to which SACEM and CC have agreed requires that any commercial use falls out of the scope of the pilot. SACEM will license and collect royalties on behalf of SACEM members for all forms of use that fall outside the scope of the Creative Commons Non-Commercial Licenses pursuant to the terms of the pilot.<br /> <br /> <br /> What happens when my NC-licensed work is used together with works that are not licensed under an NC license (“mixed use”)?<br /> <br /> SACEM will also collect royalties for works licensed by SACEM members under one of the Creative Commons Non-Commercial Licenses whenever such works are used by the same entity in the framework of the same event and/or activity with works under SACEM management that are not so licensed. For example, where an association loi 1901 plays, at an annual meeting, works licensed by a SACEM member under a Creative Commons Non-Commercial License and works of SACEM members that are not licensed under a Creative Commons license then SACEM will be entitled to collect royalties for both categories of works.<br /> <br /> Why this pilot?<br /> <br /> As an authors’ society, SACEM manages the works of its members, authors, composers and publishers and collects royalties from all kinds of users of musical works in order to distribute them among its members. Creative Commons has developed a number of standard licenses that allow authors to make available their works free of charge as long as some conditions are met. This allows them to take advantage of free online distribution and to allow their fans to build upon these works by remixing them or integrating them into other works. Until now SACEM did not allow its members to use Creative Commons licenses. With this pilot SACEM and Creative Commons want to make it possible for SACEM members to use Creative Commons licenses for non-commercial distribution of their works and at the same time have SACEM continue to license and collect royalties for all other (commercial) uses of these works. The pilot aims to provide more flexibility to authors who are members of SACEM. <br /> <br /> How long will the pilot last?<br /> <br /> The pilot will run for a period of 18 months starting on the 1st of January 2012 and ending on the 30th of June 2013.<br /> <br /> What happens to the CC-licensed works after the end of the pilot?<br /> <br /> At the end of the pilot period, SACEM members must cease to opt for Creative Commons Non-Commercial (NC) licenses for additional works, in the absence of an extension of the pilot (which is not guaranteed to occur). However works that have been placed under a Creative Commons license during the pilot can continue to be used in accordance with the terms of the license and of the pilot, after the end of the pilot. We are hoping that the pilot will lead to a more structured solution that allows SACEM members to make use of Creative Commons license after the pilot has ended.<br /> <br /> I don’t want my works CC-licensed anymore. What can I do?<br /> <br /> It is not possible to revoke a CC-license. CC licenses apply for the duration of the author’s rights.<br /> <br /> How can I contribute to making this pilot successful?<br /> <br /> As a SACEM member you can contribute to the pilot by making use of the added flexibility that the pilot provides. If you take part in the pilot by applying CC NC licenses to (some of) your works, we are interested in your feedback. You can make comments and report your individual experiences to Creative Commons France &lt;pilote@creativecommons.fr&gt; or SACEM &lt; http://www.sacem.fr/eptic&gt;. <br /> <br /> I am not a member of SACEM, what does this mean for me? <br /> <br /> If you are not a SACEM member, then this pilot does not affect your ability to apply any CC license you wish to your music (as long as you have permission from all other rights-holders that may have contributed). If you wish to reserve commercial rights and thus benefit from SACEM’s strength in collecting royalties for commercial uses along with the strength of Creative Commons in enabling the free distribution of music, then you should consider becoming a member of SACEM and use one of the NC licenses.<br /> <br /> You can find more information about the Creative Commons licenses here : http://creativecommons.fr/licences/<br /> <br /> NOTE: These FAQs have been jointly prepared by SACEM and CC’s affiliate in France solely for the purpose of providing general information about the pilot. These FAQs do not constitute legal advice, and cannot be relied upon as legal advice. These FAQs may not contain all of the information that you need to make a decision and/or use Creative Commons licenses. If you have questions or are in doubt about the pilot, you should contact SACEM at http://www.sacem.fr/eptic , and/or consult the terms of the pilot &lt; http://www.sacem.fr/cms/site/en/home/creators-publishers/creative-commons-engl/sacem-creative-commons-pilot</div>

Paulkeller https://wiki.creativecommons.org/index.php?title=Collecting_Society_Projects/France&diff=54721 2012-01-09T12:14:40Z

<p>Paulkeller: </p> <hr /> <div>also see the [[SACEM-FAQ]]<br /> <br /> ==Parties Involved==<br /> CC-France, CC-HQ, Sacem<br /> <br /> ==Objectives==<br /> <br /> <br /> ==How does it work==<br /> <br /> <br /> ==Definition (Non)Commercial==<br /> <br /> <br /> ==Experiences (so far)==<br /> <br /> <br /> ==Additional Information==<br /> <br /> <br /> '''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''</div>

Paulkeller https://wiki.creativecommons.org/index.php?title=Collecting_Society_Projects/France&diff=54720 2012-01-09T12:12:51Z

<p>Paulkeller: /* Parties Involved */</p> <hr /> <div>==Parties Involved==<br /> CC-France, CC-HQ, Sacem<br /> <br /> ==Objectives==<br /> <br /> <br /> ==How does it work==<br /> <br /> <br /> ==Definition (Non)Commercial==<br /> <br /> <br /> ==Experiences (so far)==<br /> <br /> <br /> ==Additional Information==<br /> <br /> <br /> '''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''</div>

Paulkeller https://wiki.creativecommons.org/index.php?title=Collecting_Society_Projects&diff=54719 2012-01-09T12:12:14Z

<p>Paulkeller: </p> <hr /> <div>{{Project}}<br /> <br /> This page collects information about the interaction between various Creative Commons jurisdiction projects and collecting societies. It provides an overview of jurisdictions where Collecting Society members can use Creative Commons licenses ('[[#Projects|Projects]]') and of jurisdictions where there are talks between the jurisdiction project and a collecting society in order to achieve this goal ('[[#Negotiations|Negotiations]]'). <br /> <br /> == Priorities ==<br /> <br /> # Increase usage of CC license in jurisdiction<br /> # Increase legal certainty for musicians wishing to use CC licenses<br /> # Increase profitability of CC license users<br /> # Support non-exclusive collecting societies<br /> <br /> '''NOTE: When interacting with Collecting Society representatives it is important to be cordial with them and provide information about Creative Commons usage (see [[Case_Studies|case studies]], [[Documentation|documentation]] and [[Metrics|metrics]]) and integrating Creative Commons licenses (see: [[CCPlus|CC+]], [[CcREL]] and [[Web_Integration|web integration]]). Be be mindful of the overall [[#Priorities|priorities]] and ensure that you are in line with the arrangements made as part of ongoing [[#Projects|projects]]'''<br /> <br /> ==Projects==<br /> <br /> * [[Collecting Society Projects/Netherlands]]: pilot project between CC Netherlands and [http://www.bumastemra.nl/en-US/Home.htm BUMA/STEMRA] (Collecting society for composers and songwriters) launched on 23 august 2007 and currently running.<br /> * [[Collecting Society Projects/Denmark]]: trail agreed between [http://www.koda.dk/english KODA] (Collecting society for composers, songwriters and music publishers) launced on 31 january 2008 and currently running.<br /> * [[Collecting Society Projects/Sweden]]: On 27 may [http://www.stim.se/stim/prod/stimv4eng.nsf STIM] (Collecting society for composers, songwriters and music publishers) announced a two year trail that allows for their members to use CC-NC licenses. Currently running without involvement by CC-Sweden.<br /> * [[Collecting Society Projects/France]] (page is currently empty): Pilot project between CC-France and [http://www.sacem.fr/WportailSacem/jsp/ep/home.html SACEM] (Collecting Society for original music composers, authors and publishers)<br /> <br /> ==Negotiations==<br /> <br /> * [[Collecting Society Projects/Italy]] (page is currently empty): There are currently negotiations between CC-Italy and [http://www.siae.it/index.asp SIAE] (Italian Society of Authors and Publishers, representing all sorts of authors and publishers (not only in the field of music))<br /> * [[Collecting Society Projects/Australia]] There are currently negotiations between CC-Australia and [http://www.apra-amcos.com.au APRA] (Collecting Society for original music composers, authors and publishers)<br /> * [[Collecting Society Projects/Germany]] (page is currently empty): There are currently negotiations between CC-Germany and [http://www.vgwort.de/ VG-Wort] (Collecting Society for authors of literary, journalistic and scientific works) <br /> <br /> === links (to be moved elsewhere) ===<br /> <br /> * APRA &quot;Creative Commons&quot; page, http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp<br /> * APRA CEO Brett Cottle's article on ArtsHub, http://www.artshub.com.au/au/news.asp?sId=70075<br /> * Opt APRA, http://www.optapra.net<br /> * Elliott Bledsoe's blog entry after the CCau Music Forum, http://ccelliott.blogspot.com/2007/11/post-music-industry-forum-reflections.html<br /> * Reform APRA MySpace with 'I support reforms for APRA' pledges from Australian musicians, http://www.myspace.com/optoutofapra<br /> <br /> * Improbable Match: Open Licences And Collecting Societies In Europe, http://www.ip-watch.org/weblog/index.php?p=1291</div>

Paulkeller https://wiki.creativecommons.org/index.php?title=Collecting_Society_Projects/Netherlands&diff=50808 2011-06-15T11:17:44Z

<p>Paulkeller: /* Additional Information */</p> <hr /> <div>==Parties Involved==<br /> <br /> [http://www.creativecommons.nl Creative Commons Netherlands] is a joint venture between Knowledgeland, Waag Society and the Institute for Information Law (IViR) in cooperation with Creative Commons International, a not-for-profit organization, founded in 2001, that promotes the creative re-use of intellectual and artistic works. <br /> <br /> [http://www.bumastemra.nl Buma/Stemra] represents the interests of domestic and foreign music authors and publishers in the Netherlands. Buma/Stemra’s core task is to exploit music copyrights (i.e. collect and distribute royalties) and manage them for its affiliated composers, lyricists and music publishers.<br /> <br /> ==Objectives==<br /> <br /> The principal reason for this pilot is to offer musicians more flexibility in distributing their works. The pilot is meant as a test to see whether it is useful in practice to combine the systems of Buma/Stemra and Creative Commons.<br /> <br /> ==How does it work==<br /> <br /> In order to publish works under a creative commons license Buma/Stemra members participating in the pilot need to undertake 5 steps: <br /> <br /> 1. First of all, it is important to ensure that the permission of all rights holders has been obtained. The fact is that, aside from the composer and/or the lyricist, there may be all kinds of rights holders, such as co-authors, an arranger or publishers. A work may only be distributed under a CC license subject to the permission of all rights holders. <br /> <br /> 2. In order to take part in the pilot, the musician has to be a member of Buma/Stemra. As a member you transfer the exploitation of your copyrights on your works to Buma/ Stemra, thereby enabling Buma/Stemra to collect the copyright royalties whenever third parties record or use your works. Musicians who are not yet a member of Buma/ Stemra may take out a membership and then proceed to follow the same procedure in order to release parts of their repertoire under a Creative Commons License. <br /> <br /> 3. The musician in question then indicates to Buma/Stemra which works he/she would like to distribute under a Creative Commons License. You do so (per work) through the Buma/Stemra website on which detailed instructions and special conditions can be found. Buma/Stemra then knows for which works they need not send an invoice within the scope of the pilot.<br /> <br /> 4. Next, the musician selects one of the three available licenses for non-commercial use on the Creative Commons website:<br /> * use of the works while attributing the work to you; <br /> * use of the works while attributing the work to you, but without any adaptations, such as remixes, being allowed; <br /> * use of the work while attributing the work to you, whereby the work may be adapted by third parties, subject to the condition that the remix is also made available under the same condition. <br /> <br /> 5. Finally, the work may be published online (or offline) for distribution and reproduction.<br /> <br /> ==Definition (Non)Commercial==<br /> <br /> Within the scope of the pilot between Creative Commons Netherlands and Buma/Stemra, ‘commercial use’ should be taken to mean the following: <br /> <br /> Every use of the Work by for-profit institutions is qualified as ‘commercial use’.<br /> <br /> In addition, within the scope of the pilot, distributing or publicly performing or making available online the Work against payment or other financial compensation (including the use of the work in combination with ads, publicity actions or other similar activities intended to generate income for the user or a third party) is qualified as ‘commercial use’.<br /> <br /> Within the scope of the pilot, ‘commercial use’ also includes the distribution or public performance or having broadcasting organisations make the Work available online, as well as using the Work in hotel and catering establishments, work, sales and retail spaces. This also applies to organisations that use music in or in addition to the performance of their duties, such as, for example, churches, schools (including dancing schools), institutions for welfare work, etc. Separate licenses are available from Buma/Stemra for such kinds of use.<br /> <br /> source: [http://creativecommons.nl/bumapilot/070823factsheet_en_web.pdf Fact Sheet Pilot Creative Commons Netherlands and Buma/Stemra]<br /> <br /> ==Experiences (so far)==<br /> <br /> <br /> ==Additional Information==<br /> <br /> * Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/7622 Dutch Collecting Societies Welcome CC]<br /> * [http://creativecommons.nl/bumapilot/070823factsheet_en_web.pdf Fact Sheet Pilot Creative Commons Netherlands and Buma/Stemra]<br /> * Press Release: [http://creativecommons.nl/bumapilot/070823persbericht_en_web.pdf More opportunities for music authors to promote their own music]<br /> * Evaluation Report: [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf August 2010 Evaluation of the Creative Commons Buma/Stemra pilot by Paul Keller (Creative Commons Nederland) &amp; Andy Zondervan (Buma/Stemra)]<br /> <br /> <br /> '''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''</div>

Paulkeller https://wiki.creativecommons.org/index.php?title=Government_use_of_Creative_Commons&diff=45106 2010-12-10T12:30:07Z

<p>Paulkeller: /* Netherlands */</p> <hr /> <div>&lt;div style=&quot;display:block;margin-bottom:20px;clear:both;margin-right:20px;&quot;&gt;<br /> &lt;h2&gt;Featured Government Case Studies&lt;/h2&gt;<br /> &lt;br/&gt;{{#ask: [[Category:Casestudy]][[Tag::government]]|?Case study title|?Description|?Image Header|link=none|format=template|template=Explorebox|limit=3|sort=Case study title|order=random|searchlabel=See more Government Case Studies...}}<br /> &lt;/div&gt;<br /> <br /> Currently this is a scratchpad for referencing known government uses of CC licensing and public domain tools (and government recommendations of same). Please add to the list and turn compelling uses into [[Case Studies]].<br /> <br /> Examples are needed for national/federal, state/provincial and local/city/county governments (or their equivalents) as well is inter-governmental bodies such as the European Union and United Nations.<br /> __TOC__<br /> == Jurisdiction-Specific ==<br /> === Armenia ===<br /> * [http://www.president.am/president/cover/eng/ Official website of the Armenian President]. CC BY-ND 3.0 Unported.<br /> <br /> === Australia ===<br /> * Australian Parliament. The Parliament’s central web portal http://www.aph.gov.au houses the most important documents of the Australian Federal Government including all bills, committee reports and, most importantly, the Hansard transcript of Parliamentary Sittings, and the portal will be published under a Creative Commons BY-NC-ND Version 3.0 Australian license.<br /> * Australian budget delivered May 12, 2010 was [http://www.budget.gov.au/2010-11/content/bp1/html/bp1_prelims.htm released] under a Creative Commons Attribution licence. Also the [http://gov2.net.au/report/ Gov 2.0 response] and the [http://www.dbcde.gov.au/broadband/national_broadband_network/national_broadband_network_implementation_study NBN Implementation Study] <br /> * government data - three of the largest sources of Australian government data sets - [http://www.abs.gov.au Australian Bureau of Statistics], [http://www.ga.gov.au/ Geoscience Australia] and the still beta [http://data.australia.gov.au/ data.australia.gov.au] - are all licensed by default under [http://creativecommons.org/licenses/by/2.5/au/ CC BY 2.5 Australia] and/or [http://creativecommons.org/licenses/by/3.0/au/ CC BY 3.0 Australia] . Together these sites provide free access to all of Australia's census data, official geoscientific information and knowledge, and other miscellaneous government data (such as the location of public toilets). The [http://www.abs.gov.au/websitedbs/D3310114.nsf/Home/%C2%A9+Copyright?opendocument#from-banner=GB ABS] and [http://www.ga.gov.au/copyright.jsp Geoscience Australia] have detailed copyright and attribution guidelines, to assist with user implementation. data.australia.gov.au played a major role in the [http://mashupaustralia.org/ Mashup Australia] competition run by Australia's [http://gov2.net.au/ Government 2.0 Taskforce]. <br /> ** over 50 datasets released on data.australia.gov.au http://data.australia.gov.au/ for the Mashup Australia contest: http://mashupaustralia.org/<br /> * [http://www.bom.gov.au/water/ Water Information] - the Australian [http://www.bom.gov.au Bureau of Meteorology] has [http://creativecommons.org.au/node/269 launched] the official website of its Improving Water Information Program with a default [http://creativecommons.org/licenses/by/3.0/au/ CC BY 3.0 Australia] licence. This aggregates hundreds of other government departments' and agencies' information into the National Water Account. They have a range of [http://www.bom.gov.au/water/regulations/cc/disseminating.shtml explanatory materials] about the licence and are building licensing tools and metadata into their [http://www.bom.gov.au/water/awris.shtml Australian Water Resources Information System].<br /> * [http://www.pool.org.au ABC Pool] - this initiative of Australia's largest public broadcaster, the [http://www.abc.net.au Australian Broadcasting Corporation] (ABC), is releasing material from the ABC archives for reuse under CC licences. It's first major release has been as part of the [http://www.pool.org.au/genepool Gene Pool project], celebrating Charles Darwin's Centenary.<br /> * [http://www.nla.gov.au National Library of Australia] - various [http://www.nla.gov.au/policy/cdp/ policy materials] <br /> * [http://www.powerhousemuseum.com Powerhouse Museum] - releases a large range of material under CC, including its [http://www.powerhousemuseum.com/imageservices/ photo of the day], [http://play.powerhousemuseum.com/ downloadable pdfs] from its Play program and the museum's general [http://www.creativecommons.org.au/node/225 collection information and data].<br /> * [http://www.qm.qld.gov.au/ Queensland Museum] - [http://creativecommons.org.au/node/270 releases] [http://commons.wikimedia.org/wiki/Category:A_E_%22Bert%22_Roberts_plate_glass_photo_collection photographs] from its collection on [http://commons.wikimedia.org/wiki/Main_Page Wiki Commons] under [http://creativecommons.org/licenses/by-sa/3.0 CC BY-SA] .<br /> * NSW Department of Education and Training - [http://www.smartcopying.edu.au/scw/go/pid/939 Dynamic Calculus': Teaching Resource] <br /> * Aged Care Queensland's [http://creativecommons.org.au/weblog/entry/247 eMentoring Handbook] <br /> * National Copyright Unit - [http://www.smartcopying.edu.au/scw/go/pid/956 Creative Commons for Educators fact sheets] produced for the Smartcopying website in conjunction with Creative Commons Australia. <br /> * Department of Broadband, Communication and the Digital Economy - [https://www.staysmartonline.gov.au/budd-e/common/info/copyright.html Budd:e E-security Education Package]. The Budd:e package won Best Children's interactive media and digital content at the 2010 [http://www.aimia.com.au/i-cms?page=1.36.7000.7001 AIMIA Awards].<br /> * [http://www.mosman.nsw.gov.au/ Mosman Municipal Council]'s [http://mosmanroundtable.net/ces Community Engagement Strategy] is released under a Creative Commons licence and includes as a key priority “to promote the use and dissemination of Council’s materials while retaining Council’s rights of authorship”.<br /> * Realising Our Broadband Future forum (Dec 2009), DBCDE hosted a wiki to gather input from participants whihc was all CC BY-NC-SA licensed http://www.broadbandfuture.gov.au/webcasts.html<br /> * Australian Government Information Management Office has CC licensed its blog: http://agimo.govspace.gov.au/ and the Government 2.0 showcase http://showcase.govspace.gov.au/<br /> '''Australian government reports recommending CC usage'''<br /> * [http://www.finance.gov.au/publications/gov20taskforcereport/index.html Engage: Getting on with Government 2.0] - report of the Australian [http://gov2.net.au Government 2.0 Taskforce]<br /> * [http://www.finance.gov.au/publications/govresponse20report/doc/Government-Response-to-Gov-2-0-Report.pdf Government Response to the Report of the Government 2.0 Taskforce] - agreement in principle that Creative Commons Attribution (CC BY) should be the default licence for all PSI<br /> * [http://www.gilf.gov.au Government Information and Licensing Framework] - a Queensland Government strategy on open access and use of information <br /> * [http://www.innovation.gov.au/innovationreview/Pages/home.aspx Venturous Australia: the National Innovation Review] - report recommends government use of CC licences, and is released under CC <br /> * [http://creativecommons.org.au/node/250 Victorian Government's Economic Development Committee] recommends CC licensing for public sector information.<br /> * Department of Broadband, Communications and the Digital Economy (DBCDE) published the Australia's Digital Economy: Future Directions paper under a CC BY-NC-ND in July 2009: http://www.dbcde.gov.au/digital_economy/future_directions_of_the_digital_economy/australias_digital_economy_future_directions<br /> * National Broadband Network Implementation Study http://www.dbcde.gov.au/broadband/national_broadband_network/national_broadband_network_implementation_study was released by DBCDE as a wiki under a CC BY-NC-SA license. Wiki taken down now, but was tweeted: http://twitter.com/miakgarlick/status/13470301666<br /> * DBCDE published two reports on its website under CC BY: http://www.dbcde.gov.au/digital_economy/benefits_of_digital_economy_from_nbn <br /> * Treasury released the Pre-Election Economic and Fiscal Outlook 2010 under CC BY: http://www.treasury.gov.au/documents/1858/PDF/PEFO_2010.pdf<br /> <br /> === Bulgaria ===<br /> * [http://www.president.bg/main.php Bulgarian President]. CC BY ND 2.5 Bulgaria. <br /> * [http://www.prb.bg Chief Prosecutor of the Republic of Bulgaria]. CC BY 2.5 Bulgaria<br /> * [http://www.mfa.bg Bulgarian Foreign Ministry]. CC BY ND 2.5 Bulgaria.<br /> <br /> === Chile ===<br /> * [http://www.gobiernodechile.cl Chilean Government Official Site], whose site is licensed under CC BY 2.0 Chile.<br /> * [http://www.bcn.cl The Library of the National Congress], whose site is licensed under CC BY NC SA 2.0 Chile.<br /> * [http://www.guiaweb.cl/ The Guidelines for Governmental Websites] and [http://www.observatoriodeusabilidad.cl its Observatory], run by the Ministry of Economy, are licensed under CC BY NC SA 2.0 Chile.<br /> <br /> === Colombia ===<br /> * [http://www.siac.net.co/Home.php?opc=2 Official website of the Colombian Biodiversity Information System depending from the Ministry of Environment].<br /> <br /> === Czech Republic ===<br /> * [http://wiki.creativecommons.org/Case_Studies/RVP_Metodicky_Portal RVP Metodicky Portal] is an educational portal to Czech open educational resources (OER) licensed under [http://creativecommons.org/licenses/by-nc-sa/3.0/cz/ CC Attribution-Noncommercial-ShareAlike] and [http://creativecommons.org/licenses/by-nc-nd/3.0/cz/ CC Attribution-Noncommercial-NoDerivatives]. It is a government-funded initiative by the Czech Republic and the European Social Fund, and is run as part of a research project by the Institute of Education in Prague and the National Institute of Vocational Education.<br /> <br /> === Greece ===<br /> * http://primeminister.gr CC BY 3.0 Greece<br /> * http://www.opengov.gr/ CC BY 3.0 Greece<br /> * http://geodata.gov.gr/geodata/ CC BY-SA 3.0 Greece<br /> * http://opengeodata.gr CC BY 3.0 Greece, first implementation of the INSPIRE directive<br /> * http://antiproedros.gov.gr CC BY 3.0 Greece records the public sector workforce in accordance to the IMF rules<br /> <br /> === Guatemala ===<br /> * http://www.flickr.com/photos/gobiernodeguatemala/ under CC BY-NC-SA generic<br /> <br /> === Italy ===<br /> * http://poliziadistato.it/ The official website of the italian police, CC BY NC ND 2.5 IT<br /> * http://dati.piemonte.it/ The official open government data portal of the Regional Government of the Piedmont Region in Italy<br /> ** CC BY 2.5 Italy for content of the website <br /> ** CC0 for available databases (all to date: Oct 8, 2010)<br /> <br /> === Korea ===<br /> * http://www.president.go.kr/ The Office of the President web site, CC BY NC ND 2.0 KR<br /> * http://blog.naver.com/mb_nomics The Official Blog of the President, CC BY NC ND 2.0 Kr<br /> * http://wiki.creativecommons.org/Case_Studies/KOCW Korea Open Courseware run by the Korea Education and Research Information Service (KERIS) http://en.wikipedia.org/wiki/KERIS_(Korea_Education_and_Research_Information_Service)<br /> <br /> ===Mexico===<br /> * President Felipe Calderon Website, BY NC ND 2.5 Mexico. http://www.presidencia.gob.mx <br /> * National Sports Comission http://www.conade.gob.mx<br /> *[http://www.sip.gob.mx/guiafinal.pdf Federal Government guide for website building] recommends the use CC licenses<br /> <br /> === Netherlands ===<br /> * the [http://creativecommons.org/publicdomain/zero/1.0/ CC0 Public domain dedication] is used as the default copyright policy of the Dutch national government's primary website [http://www.rijksoverheid.nl www.rijksoverheid.nl]. Since 2010 this website combines al public information published by the Dutch government and has replaced the websites of individual ministeries and agencies. Everything that is available on www.rijskoverheid.nl is available [http://www.rijksoverheid.nl/copyright under CC0 unless otherwise indicated]. <br /> <br /> * Creative Commons Netherlands has published a study on [[Media:Creativecommons-licensing-for-public-sector-information_eng.pdf|Creative Commons Licensing for the Public Sector]] (pdf)<br /> <br /> === New Zealand ===<br /> * [http://www.e.govt.nz/policy/nzgoal NZ Government Open Access and Licensing (NZGOAL) framework] standardises the licensing of government copyright works for re-use using Creative Commons licences and recommends the use of ‘no-known rights’ statements for non-copyright material. It is widely recognised that re-use of this material by individuals and organisations may have significant creative and economic benefit for New Zealand. Was released for public discussion on August 27, 2009 and approved by Cabinet on July 5, 2010. The framework will enable greater access to many public sector works by encouraging State Services agencies to license material for reuse on liberal terms, and recommends Creative Commons as an important tool in this process. <br /> * The [http://www.mfe.govt.nz/issues/climate/lucas/data/land-use-mapping.html Ministry for the Environment’s Land Cover Database and the Land Environments New Zealand classification] has been released under a [http://creativecommons.org/licenses/by/3.0/nz Creative Commons Attribution 3.0 New Zealand licence] on the [http://koordinates.com/ Koordinates] website - http://www.creativecommons.org.nz/news_and_events/news/koordinates_showcases_govt_cc_datasets<br /> <br /> === Poland ===<br /> * [http://www.equal.org.pl/baza.php?lang=pl Equal Program projects database] - Polish Ministry of Regional Development has required materials produced in the scope of the EQUAL program, collected in a Project Database on the Ministry site, to be licensed under a Creative Commons license.<br /> * [http://www.mg.gov.pl/ Polish Ministry of Economy] is publishing content on its website under a CC BY SA 3.0 Poland license.<br /> <br /> === Portugal ===<br /> * President Prof. Dr. Aníbal Cavaco Silva official photostream under CC BY 2.0 Generic: http://www.flickr.com/photos/cavacosilva/<br /> * President Prof. Dr. Aníbal Cavaco Silva's announcement on running for reelection. Audio on SoundCloud under CC BY 3.0: http://soundcloud.com/cavacosilva2011<br /> <br /> === Russian Federation ===<br /> * All materials (fotos, texts, videos, audios, etc.) of [http://kremlin.ru/eng/ Kremlin.ru (Official Website of President of the Russian Federation)], Creative Commons Attribution 3.0 Unported (CC-BY 3.0 Unported)<br /> ** [http://upload.wikimedia.org/wikipedia/commons/d/db/Kremlin_authorisation-English.pdf Letter of authorisation from the Press Secretary to the President of the Russian Federation allowing use of Kremlin.ru materials under the Creative Commons Attribution 3.0 Unported licence (PDF, English, 3 October 2008)]<br /> ** [http://commons.wikimedia.org/wiki/Template:Kremlin.ru Template on Wikimedia Commons (English and Russian)]<br /> <br /> === Spain ===<br /> * [http://www.gencat.cat/web/meugencat/documents/20101116_GUIA_USOS_XARXA_ENG.pdf Style and usage guide of the Government of Catalonia’s social networks] under a Creative Commons 3.0 Attribution License.<br /> * Statistical information on the [http://www.idescat.cat/en/ Statistical Institute of Catalonia] site is licensed by default under [http://www.idescat.cat/en/idescat/sistemaestadistic/ciutadans/avislegal.html CC BY 3.0 Spain].<br /> * http://www.slideshare.net/justicia/the-use-of-creative-commons-licences-in-the-ministry-of-justice-of-the-government-of-catalonia/<br /> * The Basque government opened a portal called Open Data Euskadi http://opendata.euskadi.net/ that uses CC BY 3.0 Spain.<br /> <br /> === United Kingdom ===<br /> * [http://data.gov.uk/ data.gov.uk], including all affiliated websites such as [http://www.ordnancesurvey.co.uk/oswebsite/opendata/licence/ Ordinance Survey's] maps. &quot;aligned to be interoperable with any Creative Commons Attribution 3.0 Licence&quot; [http://data.gov.uk/terms-and-conditions]<br /> <br /> === United States ===<br /> <br /> ==== Federal ====<br /> * Works by the US federal government are automatically part of the [[public domain]] in the US as stipulated by http://www.copyright.gov/title17/92chap1.html#105<br /> * [http://www.whitehouse.gov/copyright White House web site], President Barack Obama, CC BY 3.0 US<br /> * [http://change.gov/about/copyright_policy President-Elect Transition Team, Barack Obama and Joseph Biden]. CC BY 3.0 Unported. (Not an official federal government site, but an election team site, hence not required to be public domain.)<br /> * The U.S. Department of Education has made OER an invitational priority in their [http://www.grants.gov/search/downloadAtt.do;jsessionid=ynkyLyCpLNWvymvqBplJQYrwRGGlGtdR9gZtncFYJgjm2hTFSJZb!-2132130105?attId=40947 Ready to Learn] (PDF) and [http://www2.ed.gov/legislation/FedRegister/announcements/2010-1/032310h.pdf Ready to Teach] (PDF) grants.<br /> * The U.S. Department of Education has included open educational resources in their [http://www.federalregister.gov/articles/2010/08/05/2010-19296/secretarys-priorities-for-discretionary-grant-programs Notice of Proposed Priorities] for discretionary grant funding. Essentially, if the priorities are adopted, it could mean that grant seekers who include open educational resources as a component of an application for funding from the Department of Education could receive priority.<br /> <br /> ==== State ====<br /> * [[New York State Senate]], Senate Content, CC-BY-NC-ND with CC+ allowing non-political fundraising use of content.<br /> * [http://leg1.state.va.us/cgi-bin/legp504.exe?091+ful+CHAP0791 State of Virginia], legislation that indicates a preference for state-funded materials to be released with a CC (or equivalent open) license.<br /> <br /> ==== Local government ====<br /> * [http://recoverysf.org/intranet/RecoverySF/ RecoverySF], CC BY 3.0 US.<br /> <br /> == Intergovernmental Organizations ==<br /> <br /> === European Cultural Foundation ===<br /> * The [http://www.eurocult.org/ European Cultural Foundation's] project [http://www.labforculture.org/ Labforculture.org] releases materials under a CC BY-NC-ND license.<br /> <br /> === European Union ===<br /> <br /> * http://www.communia-project.eu/about COMMUNIA - The European Thematic Network on the Digital Public Domain, funded by the European Commission (the executive of the European Union), CC-BY-SA (Unported)[http://www.sale-nfl-jerseys.com/]<br /> * European Cultural Foundation - http://www.labforculture.org/<br /> <br /> === Inter-American Development Bank ===<br /> <br /> * The [http://www.iadb.org/ Inter-American Development Bank] is requiring the adoption of Creative Commons by the organizations that receive funding from the Bank in the context of the FOMIN (Fondo Multiateral de Inversiones) initiatives, particularly the ICT4BUS, a fund that promotes the adoption of e-commerce in the American continent, which has financed more that thirty initiatives in Brazil, Argentina, Chile, Nicaragua and other Latin American countries. Banks require those initiative to use the GPL to license any software developed by organizations receiving support from the bank, and CC to license the documentation related with those computer programs, such as user manuals.<br /> <br /> === United Nations ===<br /> <br /> * UNESCO OER documentation and toolkits - http://oerwiki.iiep-unesco.org/<br /> * United Nations University OpenCourseWare - http://ocw.unu.edu/Courses_listing<br /> * United Nations University Media Studio - http://mediastudio.unu.edu/en/about/<br /> * United Nations Development Programme (UNDP) Knowledge Platform - http://logosundp.org/; http://logosundp.org/about/terms<br /> * The UNDP Virtual School for Latin America and the Caribbean - http://www.escuelapnud.org/<br /> <br /> [[Category:Lists of CC use by jurisdiction]]</div>

Paulkeller https://wiki.creativecommons.org/index.php?title=Government_use_of_Creative_Commons&diff=45105 2010-12-10T12:26:39Z

<p>Paulkeller: /* Netherlands */</p> <hr /> <div>&lt;div style=&quot;display:block;margin-bottom:20px;clear:both;margin-right:20px;&quot;&gt;<br /> &lt;h2&gt;Featured Government Case Studies&lt;/h2&gt;<br /> &lt;br/&gt;{{#ask: [[Category:Casestudy]][[Tag::government]]|?Case study title|?Description|?Image Header|link=none|format=template|template=Explorebox|limit=3|sort=Case study title|order=random|searchlabel=See more Government Case Studies...}}<br /> &lt;/div&gt;<br /> <br /> Currently this is a scratchpad for referencing known government uses of CC licensing and public domain tools (and government recommendations of same). Please add to the list and turn compelling uses into [[Case Studies]].<br /> <br /> Examples are needed for national/federal, state/provincial and local/city/county governments (or their equivalents) as well is inter-governmental bodies such as the European Union and United Nations.<br /> __TOC__<br /> == Jurisdiction-Specific ==<br /> === Armenia ===<br /> * [http://www.president.am/president/cover/eng/ Official website of the Armenian President]. CC BY-ND 3.0 Unported.<br /> <br /> === Australia ===<br /> * Australian Parliament. The Parliament’s central web portal http://www.aph.gov.au houses the most important documents of the Australian Federal Government including all bills, committee reports and, most importantly, the Hansard transcript of Parliamentary Sittings, and the portal will be published under a Creative Commons BY-NC-ND Version 3.0 Australian license.<br /> * Australian budget delivered May 12, 2010 was [http://www.budget.gov.au/2010-11/content/bp1/html/bp1_prelims.htm released] under a Creative Commons Attribution licence. Also the [http://gov2.net.au/report/ Gov 2.0 response] and the [http://www.dbcde.gov.au/broadband/national_broadband_network/national_broadband_network_implementation_study NBN Implementation Study] <br /> * government data - three of the largest sources of Australian government data sets - [http://www.abs.gov.au Australian Bureau of Statistics], [http://www.ga.gov.au/ Geoscience Australia] and the still beta [http://data.australia.gov.au/ data.australia.gov.au] - are all licensed by default under [http://creativecommons.org/licenses/by/2.5/au/ CC BY 2.5 Australia] and/or [http://creativecommons.org/licenses/by/3.0/au/ CC BY 3.0 Australia] . Together these sites provide free access to all of Australia's census data, official geoscientific information and knowledge, and other miscellaneous government data (such as the location of public toilets). The [http://www.abs.gov.au/websitedbs/D3310114.nsf/Home/%C2%A9+Copyright?opendocument#from-banner=GB ABS] and [http://www.ga.gov.au/copyright.jsp Geoscience Australia] have detailed copyright and attribution guidelines, to assist with user implementation. data.australia.gov.au played a major role in the [http://mashupaustralia.org/ Mashup Australia] competition run by Australia's [http://gov2.net.au/ Government 2.0 Taskforce]. <br /> ** over 50 datasets released on data.australia.gov.au http://data.australia.gov.au/ for the Mashup Australia contest: http://mashupaustralia.org/<br /> * [http://www.bom.gov.au/water/ Water Information] - the Australian [http://www.bom.gov.au Bureau of Meteorology] has [http://creativecommons.org.au/node/269 launched] the official website of its Improving Water Information Program with a default [http://creativecommons.org/licenses/by/3.0/au/ CC BY 3.0 Australia] licence. This aggregates hundreds of other government departments' and agencies' information into the National Water Account. They have a range of [http://www.bom.gov.au/water/regulations/cc/disseminating.shtml explanatory materials] about the licence and are building licensing tools and metadata into their [http://www.bom.gov.au/water/awris.shtml Australian Water Resources Information System].<br /> * [http://www.pool.org.au ABC Pool] - this initiative of Australia's largest public broadcaster, the [http://www.abc.net.au Australian Broadcasting Corporation] (ABC), is releasing material from the ABC archives for reuse under CC licences. It's first major release has been as part of the [http://www.pool.org.au/genepool Gene Pool project], celebrating Charles Darwin's Centenary.<br /> * [http://www.nla.gov.au National Library of Australia] - various [http://www.nla.gov.au/policy/cdp/ policy materials] <br /> * [http://www.powerhousemuseum.com Powerhouse Museum] - releases a large range of material under CC, including its [http://www.powerhousemuseum.com/imageservices/ photo of the day], [http://play.powerhousemuseum.com/ downloadable pdfs] from its Play program and the museum's general [http://www.creativecommons.org.au/node/225 collection information and data].<br /> * [http://www.qm.qld.gov.au/ Queensland Museum] - [http://creativecommons.org.au/node/270 releases] [http://commons.wikimedia.org/wiki/Category:A_E_%22Bert%22_Roberts_plate_glass_photo_collection photographs] from its collection on [http://commons.wikimedia.org/wiki/Main_Page Wiki Commons] under [http://creativecommons.org/licenses/by-sa/3.0 CC BY-SA] .<br /> * NSW Department of Education and Training - [http://www.smartcopying.edu.au/scw/go/pid/939 Dynamic Calculus': Teaching Resource] <br /> * Aged Care Queensland's [http://creativecommons.org.au/weblog/entry/247 eMentoring Handbook] <br /> * National Copyright Unit - [http://www.smartcopying.edu.au/scw/go/pid/956 Creative Commons for Educators fact sheets] produced for the Smartcopying website in conjunction with Creative Commons Australia. <br /> * Department of Broadband, Communication and the Digital Economy - [https://www.staysmartonline.gov.au/budd-e/common/info/copyright.html Budd:e E-security Education Package]. The Budd:e package won Best Children's interactive media and digital content at the 2010 [http://www.aimia.com.au/i-cms?page=1.36.7000.7001 AIMIA Awards].<br /> * [http://www.mosman.nsw.gov.au/ Mosman Municipal Council]'s [http://mosmanroundtable.net/ces Community Engagement Strategy] is released under a Creative Commons licence and includes as a key priority “to promote the use and dissemination of Council’s materials while retaining Council’s rights of authorship”.<br /> * Realising Our Broadband Future forum (Dec 2009), DBCDE hosted a wiki to gather input from participants whihc was all CC BY-NC-SA licensed http://www.broadbandfuture.gov.au/webcasts.html<br /> * Australian Government Information Management Office has CC licensed its blog: http://agimo.govspace.gov.au/ and the Government 2.0 showcase http://showcase.govspace.gov.au/<br /> '''Australian government reports recommending CC usage'''<br /> * [http://www.finance.gov.au/publications/gov20taskforcereport/index.html Engage: Getting on with Government 2.0] - report of the Australian [http://gov2.net.au Government 2.0 Taskforce]<br /> * [http://www.finance.gov.au/publications/govresponse20report/doc/Government-Response-to-Gov-2-0-Report.pdf Government Response to the Report of the Government 2.0 Taskforce] - agreement in principle that Creative Commons Attribution (CC BY) should be the default licence for all PSI<br /> * [http://www.gilf.gov.au Government Information and Licensing Framework] - a Queensland Government strategy on open access and use of information <br /> * [http://www.innovation.gov.au/innovationreview/Pages/home.aspx Venturous Australia: the National Innovation Review] - report recommends government use of CC licences, and is released under CC <br /> * [http://creativecommons.org.au/node/250 Victorian Government's Economic Development Committee] recommends CC licensing for public sector information.<br /> * Department of Broadband, Communications and the Digital Economy (DBCDE) published the Australia's Digital Economy: Future Directions paper under a CC BY-NC-ND in July 2009: http://www.dbcde.gov.au/digital_economy/future_directions_of_the_digital_economy/australias_digital_economy_future_directions<br /> * National Broadband Network Implementation Study http://www.dbcde.gov.au/broadband/national_broadband_network/national_broadband_network_implementation_study was released by DBCDE as a wiki under a CC BY-NC-SA license. Wiki taken down now, but was tweeted: http://twitter.com/miakgarlick/status/13470301666<br /> * DBCDE published two reports on its website under CC BY: http://www.dbcde.gov.au/digital_economy/benefits_of_digital_economy_from_nbn <br /> * Treasury released the Pre-Election Economic and Fiscal Outlook 2010 under CC BY: http://www.treasury.gov.au/documents/1858/PDF/PEFO_2010.pdf<br /> <br /> === Bulgaria ===<br /> * [http://www.president.bg/main.php Bulgarian President]. CC BY ND 2.5 Bulgaria. <br /> * [http://www.prb.bg Chief Prosecutor of the Republic of Bulgaria]. CC BY 2.5 Bulgaria<br /> * [http://www.mfa.bg Bulgarian Foreign Ministry]. CC BY ND 2.5 Bulgaria.<br /> <br /> === Chile ===<br /> * [http://www.gobiernodechile.cl Chilean Government Official Site], whose site is licensed under CC BY 2.0 Chile.<br /> * [http://www.bcn.cl The Library of the National Congress], whose site is licensed under CC BY NC SA 2.0 Chile.<br /> * [http://www.guiaweb.cl/ The Guidelines for Governmental Websites] and [http://www.observatoriodeusabilidad.cl its Observatory], run by the Ministry of Economy, are licensed under CC BY NC SA 2.0 Chile.<br /> <br /> === Colombia ===<br /> * [http://www.siac.net.co/Home.php?opc=2 Official website of the Colombian Biodiversity Information System depending from the Ministry of Environment].<br /> <br /> === Czech Republic ===<br /> * [http://wiki.creativecommons.org/Case_Studies/RVP_Metodicky_Portal RVP Metodicky Portal] is an educational portal to Czech open educational resources (OER) licensed under [http://creativecommons.org/licenses/by-nc-sa/3.0/cz/ CC Attribution-Noncommercial-ShareAlike] and [http://creativecommons.org/licenses/by-nc-nd/3.0/cz/ CC Attribution-Noncommercial-NoDerivatives]. It is a government-funded initiative by the Czech Republic and the European Social Fund, and is run as part of a research project by the Institute of Education in Prague and the National Institute of Vocational Education.<br /> <br /> === Greece ===<br /> * http://primeminister.gr CC BY 3.0 Greece<br /> * http://www.opengov.gr/ CC BY 3.0 Greece<br /> * http://geodata.gov.gr/geodata/ CC BY-SA 3.0 Greece<br /> * http://opengeodata.gr CC BY 3.0 Greece, first implementation of the INSPIRE directive<br /> * http://antiproedros.gov.gr CC BY 3.0 Greece records the public sector workforce in accordance to the IMF rules<br /> <br /> === Guatemala ===<br /> * http://www.flickr.com/photos/gobiernodeguatemala/ under CC BY-NC-SA generic<br /> <br /> === Italy ===<br /> * http://poliziadistato.it/ The official website of the italian police, CC BY NC ND 2.5 IT<br /> * http://dati.piemonte.it/ The official open government data portal of the Regional Government of the Piedmont Region in Italy<br /> ** CC BY 2.5 Italy for content of the website <br /> ** CC0 for available databases (all to date: Oct 8, 2010)<br /> <br /> === Korea ===<br /> * http://www.president.go.kr/ The Office of the President web site, CC BY NC ND 2.0 KR<br /> * http://blog.naver.com/mb_nomics The Official Blog of the President, CC BY NC ND 2.0 Kr<br /> * http://wiki.creativecommons.org/Case_Studies/KOCW Korea Open Courseware run by the Korea Education and Research Information Service (KERIS) http://en.wikipedia.org/wiki/KERIS_(Korea_Education_and_Research_Information_Service)<br /> <br /> ===Mexico===<br /> * President Felipe Calderon Website, BY NC ND 2.5 Mexico. http://www.presidencia.gob.mx <br /> * National Sports Comission http://www.conade.gob.mx<br /> *[http://www.sip.gob.mx/guiafinal.pdf Federal Government guide for website building] recommends the use CC licenses<br /> <br /> === Netherlands ===<br /> * the [http://creativecommons.org/publicdomain/zero/1.0/ CC0 Public domain dedication] is used as the default copyright policy of the Dutch national government's primary website [http://www.rijksoverheid.nl www.rijksoverheid.nl]. Since 2010 this website combines al public information published by the Dutch gouvernement and has replaced the websites of individual ministeries and agencies. Everything that is available on www.rijskoverheid.nl is available [http://www.rijksoverheid.nl/copyright under CC0 unless otherwise indicated]. <br /> <br /> * Creative Commons Netherlands has published a study on [[Media:Creativecommons-licensing-for-public-sector-information_eng.pdf|Creative Commons Licensing for the Public Sector]] (pdf)<br /> <br /> === New Zealand ===<br /> * [http://www.e.govt.nz/policy/nzgoal NZ Government Open Access and Licensing (NZGOAL) framework] standardises the licensing of government copyright works for re-use using Creative Commons licences and recommends the use of ‘no-known rights’ statements for non-copyright material. It is widely recognised that re-use of this material by individuals and organisations may have significant creative and economic benefit for New Zealand. Was released for public discussion on August 27, 2009 and approved by Cabinet on July 5, 2010. The framework will enable greater access to many public sector works by encouraging State Services agencies to license material for reuse on liberal terms, and recommends Creative Commons as an important tool in this process. <br /> * The [http://www.mfe.govt.nz/issues/climate/lucas/data/land-use-mapping.html Ministry for the Environment’s Land Cover Database and the Land Environments New Zealand classification] has been released under a [http://creativecommons.org/licenses/by/3.0/nz Creative Commons Attribution 3.0 New Zealand licence] on the [http://koordinates.com/ Koordinates] website - http://www.creativecommons.org.nz/news_and_events/news/koordinates_showcases_govt_cc_datasets<br /> <br /> === Poland ===<br /> * [http://www.equal.org.pl/baza.php?lang=pl Equal Program projects database] - Polish Ministry of Regional Development has required materials produced in the scope of the EQUAL program, collected in a Project Database on the Ministry site, to be licensed under a Creative Commons license.<br /> * [http://www.mg.gov.pl/ Polish Ministry of Economy] is publishing content on its website under a CC BY SA 3.0 Poland license.<br /> <br /> === Portugal ===<br /> * President Prof. Dr. Aníbal Cavaco Silva official photostream under CC BY 2.0 Generic: http://www.flickr.com/photos/cavacosilva/<br /> * President Prof. Dr. Aníbal Cavaco Silva's announcement on running for reelection. Audio on SoundCloud under CC BY 3.0: http://soundcloud.com/cavacosilva2011<br /> <br /> === Russian Federation ===<br /> * All materials (fotos, texts, videos, audios, etc.) of [http://kremlin.ru/eng/ Kremlin.ru (Official Website of President of the Russian Federation)], Creative Commons Attribution 3.0 Unported (CC-BY 3.0 Unported)<br /> ** [http://upload.wikimedia.org/wikipedia/commons/d/db/Kremlin_authorisation-English.pdf Letter of authorisation from the Press Secretary to the President of the Russian Federation allowing use of Kremlin.ru materials under the Creative Commons Attribution 3.0 Unported licence (PDF, English, 3 October 2008)]<br /> ** [http://commons.wikimedia.org/wiki/Template:Kremlin.ru Template on Wikimedia Commons (English and Russian)]<br /> <br /> === Spain ===<br /> * [http://www.gencat.cat/web/meugencat/documents/20101116_GUIA_USOS_XARXA_ENG.pdf Style and usage guide of the Government of Catalonia’s social networks] under a Creative Commons 3.0 Attribution License.<br /> * Statistical information on the [http://www.idescat.cat/en/ Statistical Institute of Catalonia] site is licensed by default under [http://www.idescat.cat/en/idescat/sistemaestadistic/ciutadans/avislegal.html CC BY 3.0 Spain].<br /> * http://www.slideshare.net/justicia/the-use-of-creative-commons-licences-in-the-ministry-of-justice-of-the-government-of-catalonia/<br /> * The Basque government opened a portal called Open Data Euskadi http://opendata.euskadi.net/ that uses CC BY 3.0 Spain.<br /> <br /> === United Kingdom ===<br /> * [http://data.gov.uk/ data.gov.uk], including all affiliated websites such as [http://www.ordnancesurvey.co.uk/oswebsite/opendata/licence/ Ordinance Survey's] maps. &quot;aligned to be interoperable with any Creative Commons Attribution 3.0 Licence&quot; [http://data.gov.uk/terms-and-conditions]<br /> <br /> === United States ===<br /> <br /> ==== Federal ====<br /> * Works by the US federal government are automatically part of the [[public domain]] in the US as stipulated by http://www.copyright.gov/title17/92chap1.html#105<br /> * [http://www.whitehouse.gov/copyright White House web site], President Barack Obama, CC BY 3.0 US<br /> * [http://change.gov/about/copyright_policy President-Elect Transition Team, Barack Obama and Joseph Biden]. CC BY 3.0 Unported. (Not an official federal government site, but an election team site, hence not required to be public domain.)<br /> * The U.S. Department of Education has made OER an invitational priority in their [http://www.grants.gov/search/downloadAtt.do;jsessionid=ynkyLyCpLNWvymvqBplJQYrwRGGlGtdR9gZtncFYJgjm2hTFSJZb!-2132130105?attId=40947 Ready to Learn] (PDF) and [http://www2.ed.gov/legislation/FedRegister/announcements/2010-1/032310h.pdf Ready to Teach] (PDF) grants.<br /> * The U.S. Department of Education has included open educational resources in their [http://www.federalregister.gov/articles/2010/08/05/2010-19296/secretarys-priorities-for-discretionary-grant-programs Notice of Proposed Priorities] for discretionary grant funding. Essentially, if the priorities are adopted, it could mean that grant seekers who include open educational resources as a component of an application for funding from the Department of Education could receive priority.<br /> <br /> ==== State ====<br /> * [[New York State Senate]], Senate Content, CC-BY-NC-ND with CC+ allowing non-political fundraising use of content.<br /> * [http://leg1.state.va.us/cgi-bin/legp504.exe?091+ful+CHAP0791 State of Virginia], legislation that indicates a preference for state-funded materials to be released with a CC (or equivalent open) license.<br /> <br /> ==== Local government ====<br /> * [http://recoverysf.org/intranet/RecoverySF/ RecoverySF], CC BY 3.0 US.<br /> <br /> == Intergovernmental Organizations ==<br /> <br /> === European Cultural Foundation ===<br /> * The [http://www.eurocult.org/ European Cultural Foundation's] project [http://www.labforculture.org/ Labforculture.org] releases materials under a CC BY-NC-ND license.<br /> <br /> === European Union ===<br /> <br /> * http://www.communia-project.eu/about COMMUNIA - The European Thematic Network on the Digital Public Domain, funded by the European Commission (the executive of the European Union), CC-BY-SA (Unported)[http://www.sale-nfl-jerseys.com/]<br /> * European Cultural Foundation - http://www.labforculture.org/<br /> <br /> === Inter-American Development Bank ===<br /> <br /> * The [http://www.iadb.org/ Inter-American Development Bank] is requiring the adoption of Creative Commons by the organizations that receive funding from the Bank in the context of the FOMIN (Fondo Multiateral de Inversiones) initiatives, particularly the ICT4BUS, a fund that promotes the adoption of e-commerce in the American continent, which has financed more that thirty initiatives in Brazil, Argentina, Chile, Nicaragua and other Latin American countries. Banks require those initiative to use the GPL to license any software developed by organizations receiving support from the bank, and CC to license the documentation related with those computer programs, such as user manuals.<br /> <br /> === United Nations ===<br /> <br /> * UNESCO OER documentation and toolkits - http://oerwiki.iiep-unesco.org/<br /> * United Nations University OpenCourseWare - http://ocw.unu.edu/Courses_listing<br /> * United Nations University Media Studio - http://mediastudio.unu.edu/en/about/<br /> * United Nations Development Programme (UNDP) Knowledge Platform - http://logosundp.org/; http://logosundp.org/about/terms<br /> * The UNDP Virtual School for Latin America and the Caribbean - http://www.escuelapnud.org/<br /> <br /> [[Category:Lists of CC use by jurisdiction]]</div>

Paulkeller https://wiki.creativecommons.org/index.php?title=Legalcode_errata&diff=34481 2010-05-07T08:25:12Z

<p>Paulkeller: /* by, by-nc, by-nc-nd, by-nd, by-sa 3.0 nl */</p> <hr /> <div>Despite our best efforts, spelling errors and other errata are sometimes included in the published legal code for licenses. Creative Commons publishes [http://en.wikipedia.org/wiki/Sha1 SHA1] [http://en.wikipedia.org/wiki/Hash_function checksums] for legal code, which allows people who receive a copy of the license to easily verify this it has not been tampered with. Therefore Creative Commons does not amend legal code once published.<br /> <br /> Creative Commons is planning an errata service which will allow us to record and report the typographical errata for a license without modifying the document itself. This service is currently under development, and will launch at some time in the future (probably 2010). Until that time, this wiki page collects known errata for license legal code. If you discover a spelling error on a license, please record it here. The information on this page will be integrated in the errata service at launch time.<br /> <br /> = Recurring bugs =<br /> <br /> == by-sa with by-nc-sa as example compatible port ==<br /> Found in (at least, pending further review). See section 4(b) or 4(β) in the Greece license:<br /> * by-sa 3.0 gr<br /> * by-sa 3.0 ph<br /> * by-sa 2.5 ca (en and fr)<br /> * by-sa 2.0 at<br /> * by-sa 2.0 ca (en and fr)<br /> * by-sa 2.0 de<br /> * by-sa 2.0 fr<br /> <br /> == Header color-coding not correct ==<br /> The headers of the legalcode are color-coded to indicate the relative openness of the licenses. A green header means more open, and this is only applied to the BY and BY-SA licenses. The BY-NC, BY-NC-ND, BY-NC-SA and BY-ND legalcode should have a yellow header.<br /> <br /> === Has a green header, but should be yellow: ===<br /> * by-nc, by-nc-nd, by-nc-sa, by-nd 3.0 gt (Guatemala)<br /> * by-nc, by-nc-sa, by-nc-nd, by-nd 3.0 ec (Ecuador)<br /> * by-nc, by-nc-sa, by-nc-nd, by-nd 3.0 lu (Luxembourg)<br /> <br /> === Has a yellow header, but should be green: ===<br /> * by, by-sa 3.0 gr (Greece)<br /> <br /> == &quot;Creative Commons Compatible License&quot; Clause ==<br /> In BY SA licenses, the &quot;Creative Commons Compatible License&quot; clause in Section 1 should make reference to &quot;Unported&quot; license, as in the example from BY SA 3.0 US: &quot;(ii) explicitly permits the relicensing of derivatives of works made available under that license under this License or either a Creative Commons ''unported'' license or a Creative Commons jurisdiction license with the same License Elements as this License.&quot; (italics added)<br /> <br /> Licenses without reference to Unported:<br /> * by-sa 3.0 ph<br /> * by-sa 3.0 nz<br /> * by-sa 3.0 no<br /> * by-sa 3.0 ro<br /> <br /> = Individual license errata =<br /> == by 3.0 us ==<br /> http://creativecommons.org/licenses/by/3.0/us/legalcode<br /> <br /> Section (3) b. includes two semicolons (;).<br /> &quot;...or a modification could indicate &quot;The original work has been modified.&quot;;;&quot;<br /> <br /> == by-sa 3.0 us ==<br /> <br /> Section 4(a) (about mid paragraph), the sentence &quot;You may not impose any technological measures on the Work that restrict the ability of a recipient of the Work from You to exercise '''of''' the rights granted to that recipient under the terms of the License.&quot; The bolded word &quot;of&quot; should not be there.<br /> <br /> == all 3.0 es (Spain) --<br /> <br /> Missing jurisdiction flag<br /> <br /> == by 2.0 de ==<br /> http://creativecommons.org/licenses/by/2.0/de/legalcode<br /> &lt;pre&gt;<br /> (1) Lizenzvertrag:<br /> <br /> &lt; UNTER DER VORAUSSETZUNGEIN, DASS<br /> ---<br /> &gt; UNTER DER VORAUSSETZUNG EIN, DASS<br /> <br /> (2) Definitionen:<br /> <br /> &lt; f. f. Unter dem „Schutzgegenstand&quot;wird<br /> &lt; verstanden<br /> ---<br /> &gt; f. Unter dem „Schutzgegenstand&quot; wird<br /> &gt; verstanden.<br /> <br /> (3) Gewährleistung:<br /> <br /> &lt; vereinbart,,<br /> ---<br /> &gt; vereinbart,<br /> <br /> (4) Schlussbestimmungen:<br /> <br /> &lt; a. a. Jedes Mal<br /> ---<br /> &gt; a. Jedes Mal<br /> <br /> (5)<br /> <br /> &lt; HAT CREATIVE COMMONS ALL RECHTE [...]<br /> &lt; LIZENSGEBERS [...]<br /> &lt; KENIE VERTRAGSPARTEI [...]<br /> &lt; ÜBREEINSTIMMUNG<br /> ---<br /> &gt; HAT CREATIVE COMMONS ALLE RECHTE [...]<br /> &gt; LIZENZGEBERS [...]<br /> &gt; DARF KEINE VERTRAGSPARTEI [...]<br /> &gt; ÜBEREINSTIMMUNG<br /> &lt;/pre&gt;<br /> <br /> == by-nd and by-nc-nd 3.0 unported ==<br /> http://creativecommons.org/licenses/by-nd/3.0/legalcode<br /> http://creativecommons.org/licenses/by-nc-nd/3.0/legalcode<br /> * The last paragraph of section 3 makes reference to a section 8(f), which doesn't actually exist. Instead, it should refer to section 8(e).<br /> <br /> == by-sa 3.0 unported ==<br /> http://creativecommons.org/licenses/by-sa/3.0/legalcode<br /> * 1(b) cites 1(f), should cite 1(h)<br /> * 1(b) says Adaption is defined '''above''', not below as the text states.<br /> * 4(c) has a spelling error: &quot;(iv) , consistent with Ssection 3(b)&quot;<br /> <br /> == every 3.0 license other than by-nc-sa ==<br /> 5.<br /> is &quot;MERCHANTIBILITY&quot; - should be &quot;MERCHANTABILITY&quot;<br /> <br /> inconsitency: BYNCSA states:&quot;THIS EXCLUSION MAY NOT&quot;, every other license states &quot;SUCH EXCLUSION MAY NOT&quot;<br /> <br /> == cc byncsa, cc bysa, cc by ==<br /> <br /> 4.c. compensation in *con-nection* with the exchange of copyrighted works.<br /> <br /> <br /> should be connection, without hyphen?<br /> <br /> == cc byncsa vs. cc bysa ==<br /> <br /> 1. <br /> 4(b): (i) the terms of this License;<br /> <br /> 4(b): the terms of: (i) this License; <br /> <br /> 2.<br /> granted by Licensor are hereby reserved, *including but not limited to the rights described in Section 4(e)*.<br /> <br /> granted by Licensor are hereby reserved. [part missing] <br /> <br /> == cc byncsa vs. other licenses ==<br /> <br /> 5. UNLESS OTHERWISE MUTUALLY AGREED TO BY THE PARTIES IN WRITING AND TO THE FULLEST EXTENT PERMITTED BY APPLICABLE LAW, LICENSOR<br /> <br /> 5. UNLESS OTHERWISE MUTUALLY AGREED TO BY THE PARTIES IN WRITING, LICENSOR<br /> <br /> [part missing] <br /> <br /> == cc bysa, cc bync vs. other licenses ==<br /> <br /> For the avoidance of doubt, this trademark restriction does not form part of *this* License.<br /> <br /> For the avoidance of doubt, this trademark restriction does not form part of *the* License.<br /> <br /> == cc byncsa vs. cc bync ==<br /> <br /> 3.d.: ... including but not limited to the rights *described* in Section 4(e).<br /> <br /> 3.d.: ...including but not limited to the rights *set forth* in Section 4(d).<br /> <br /> == by-sa 2.0 it ==<br /> http://creativecommons.org/licenses/by-sa/2.0/it/legalcode<br /> * 4(b) is a repeat of 4(a)<br /> * corrected in http://creativecommons.org/licenses/by-sa/2.5/it/legalcode<br /> <br /> == devnations 2.0 (retired) ==<br /> http://creativecommons.org/licenses/devnations/3.0/legalcode<br /> * economy is misspelled<br /> <br /> == by, by-nc, by-nc-nd, by-nd, by-sa 2.0 fr ==<br /> All of these license have a section 5(a)(i) that references a non-existent section 4(e). The by-nc-sa license is not affected and this is probably a by-product of the fact that the by-nc-sa license is usually the template for all the others.<br /> <br /> <br /> == by, by-nc, by-nc-nd, by-nc-sa, by-nd, by-sa 3.0 nl ==<br /> <br /> In the last sentence of section 3 the word 'beschikt' is misspelled (as 'beschickt')</div>

Paulkeller https://wiki.creativecommons.org/index.php?title=Legalcode_errata&diff=34480 2010-05-07T08:24:43Z

<p>Paulkeller: /* Individual license errata */</p> <hr /> <div>Despite our best efforts, spelling errors and other errata are sometimes included in the published legal code for licenses. Creative Commons publishes [http://en.wikipedia.org/wiki/Sha1 SHA1] [http://en.wikipedia.org/wiki/Hash_function checksums] for legal code, which allows people who receive a copy of the license to easily verify this it has not been tampered with. Therefore Creative Commons does not amend legal code once published.<br /> <br /> Creative Commons is planning an errata service which will allow us to record and report the typographical errata for a license without modifying the document itself. This service is currently under development, and will launch at some time in the future (probably 2010). Until that time, this wiki page collects known errata for license legal code. If you discover a spelling error on a license, please record it here. The information on this page will be integrated in the errata service at launch time.<br /> <br /> = Recurring bugs =<br /> <br /> == by-sa with by-nc-sa as example compatible port ==<br /> Found in (at least, pending further review). See section 4(b) or 4(β) in the Greece license:<br /> * by-sa 3.0 gr<br /> * by-sa 3.0 ph<br /> * by-sa 2.5 ca (en and fr)<br /> * by-sa 2.0 at<br /> * by-sa 2.0 ca (en and fr)<br /> * by-sa 2.0 de<br /> * by-sa 2.0 fr<br /> <br /> == Header color-coding not correct ==<br /> The headers of the legalcode are color-coded to indicate the relative openness of the licenses. A green header means more open, and this is only applied to the BY and BY-SA licenses. The BY-NC, BY-NC-ND, BY-NC-SA and BY-ND legalcode should have a yellow header.<br /> <br /> === Has a green header, but should be yellow: ===<br /> * by-nc, by-nc-nd, by-nc-sa, by-nd 3.0 gt (Guatemala)<br /> * by-nc, by-nc-sa, by-nc-nd, by-nd 3.0 ec (Ecuador)<br /> * by-nc, by-nc-sa, by-nc-nd, by-nd 3.0 lu (Luxembourg)<br /> <br /> === Has a yellow header, but should be green: ===<br /> * by, by-sa 3.0 gr (Greece)<br /> <br /> == &quot;Creative Commons Compatible License&quot; Clause ==<br /> In BY SA licenses, the &quot;Creative Commons Compatible License&quot; clause in Section 1 should make reference to &quot;Unported&quot; license, as in the example from BY SA 3.0 US: &quot;(ii) explicitly permits the relicensing of derivatives of works made available under that license under this License or either a Creative Commons ''unported'' license or a Creative Commons jurisdiction license with the same License Elements as this License.&quot; (italics added)<br /> <br /> Licenses without reference to Unported:<br /> * by-sa 3.0 ph<br /> * by-sa 3.0 nz<br /> * by-sa 3.0 no<br /> * by-sa 3.0 ro<br /> <br /> = Individual license errata =<br /> == by 3.0 us ==<br /> http://creativecommons.org/licenses/by/3.0/us/legalcode<br /> <br /> Section (3) b. includes two semicolons (;).<br /> &quot;...or a modification could indicate &quot;The original work has been modified.&quot;;;&quot;<br /> <br /> == by-sa 3.0 us ==<br /> <br /> Section 4(a) (about mid paragraph), the sentence &quot;You may not impose any technological measures on the Work that restrict the ability of a recipient of the Work from You to exercise '''of''' the rights granted to that recipient under the terms of the License.&quot; The bolded word &quot;of&quot; should not be there.<br /> <br /> == all 3.0 es (Spain) --<br /> <br /> Missing jurisdiction flag<br /> <br /> == by 2.0 de ==<br /> http://creativecommons.org/licenses/by/2.0/de/legalcode<br /> &lt;pre&gt;<br /> (1) Lizenzvertrag:<br /> <br /> &lt; UNTER DER VORAUSSETZUNGEIN, DASS<br /> ---<br /> &gt; UNTER DER VORAUSSETZUNG EIN, DASS<br /> <br /> (2) Definitionen:<br /> <br /> &lt; f. f. Unter dem „Schutzgegenstand&quot;wird<br /> &lt; verstanden<br /> ---<br /> &gt; f. Unter dem „Schutzgegenstand&quot; wird<br /> &gt; verstanden.<br /> <br /> (3) Gewährleistung:<br /> <br /> &lt; vereinbart,,<br /> ---<br /> &gt; vereinbart,<br /> <br /> (4) Schlussbestimmungen:<br /> <br /> &lt; a. a. Jedes Mal<br /> ---<br /> &gt; a. Jedes Mal<br /> <br /> (5)<br /> <br /> &lt; HAT CREATIVE COMMONS ALL RECHTE [...]<br /> &lt; LIZENSGEBERS [...]<br /> &lt; KENIE VERTRAGSPARTEI [...]<br /> &lt; ÜBREEINSTIMMUNG<br /> ---<br /> &gt; HAT CREATIVE COMMONS ALLE RECHTE [...]<br /> &gt; LIZENZGEBERS [...]<br /> &gt; DARF KEINE VERTRAGSPARTEI [...]<br /> &gt; ÜBEREINSTIMMUNG<br /> &lt;/pre&gt;<br /> <br /> == by-nd and by-nc-nd 3.0 unported ==<br /> http://creativecommons.org/licenses/by-nd/3.0/legalcode<br /> http://creativecommons.org/licenses/by-nc-nd/3.0/legalcode<br /> * The last paragraph of section 3 makes reference to a section 8(f), which doesn't actually exist. Instead, it should refer to section 8(e).<br /> <br /> == by-sa 3.0 unported ==<br /> http://creativecommons.org/licenses/by-sa/3.0/legalcode<br /> * 1(b) cites 1(f), should cite 1(h)<br /> * 1(b) says Adaption is defined '''above''', not below as the text states.<br /> * 4(c) has a spelling error: &quot;(iv) , consistent with Ssection 3(b)&quot;<br /> <br /> == every 3.0 license other than by-nc-sa ==<br /> 5.<br /> is &quot;MERCHANTIBILITY&quot; - should be &quot;MERCHANTABILITY&quot;<br /> <br /> inconsitency: BYNCSA states:&quot;THIS EXCLUSION MAY NOT&quot;, every other license states &quot;SUCH EXCLUSION MAY NOT&quot;<br /> <br /> == cc byncsa, cc bysa, cc by ==<br /> <br /> 4.c. compensation in *con-nection* with the exchange of copyrighted works.<br /> <br /> <br /> should be connection, without hyphen?<br /> <br /> == cc byncsa vs. cc bysa ==<br /> <br /> 1. <br /> 4(b): (i) the terms of this License;<br /> <br /> 4(b): the terms of: (i) this License; <br /> <br /> 2.<br /> granted by Licensor are hereby reserved, *including but not limited to the rights described in Section 4(e)*.<br /> <br /> granted by Licensor are hereby reserved. [part missing] <br /> <br /> == cc byncsa vs. other licenses ==<br /> <br /> 5. UNLESS OTHERWISE MUTUALLY AGREED TO BY THE PARTIES IN WRITING AND TO THE FULLEST EXTENT PERMITTED BY APPLICABLE LAW, LICENSOR<br /> <br /> 5. UNLESS OTHERWISE MUTUALLY AGREED TO BY THE PARTIES IN WRITING, LICENSOR<br /> <br /> [part missing] <br /> <br /> == cc bysa, cc bync vs. other licenses ==<br /> <br /> For the avoidance of doubt, this trademark restriction does not form part of *this* License.<br /> <br /> For the avoidance of doubt, this trademark restriction does not form part of *the* License.<br /> <br /> == cc byncsa vs. cc bync ==<br /> <br /> 3.d.: ... including but not limited to the rights *described* in Section 4(e).<br /> <br /> 3.d.: ...including but not limited to the rights *set forth* in Section 4(d).<br /> <br /> == by-sa 2.0 it ==<br /> http://creativecommons.org/licenses/by-sa/2.0/it/legalcode<br /> * 4(b) is a repeat of 4(a)<br /> * corrected in http://creativecommons.org/licenses/by-sa/2.5/it/legalcode<br /> <br /> == devnations 2.0 (retired) ==<br /> http://creativecommons.org/licenses/devnations/3.0/legalcode<br /> * economy is misspelled<br /> <br /> == by, by-nc, by-nc-nd, by-nd, by-sa 2.0 fr ==<br /> All of these license have a section 5(a)(i) that references a non-existent section 4(e). The by-nc-sa license is not affected and this is probably a by-product of the fact that the by-nc-sa license is usually the template for all the others.<br /> <br /> <br /> == by, by-nc, by-nc-nd, by-nd, by-sa 3.0 nl ==<br /> <br /> In the last sentence of section 3 the word 'beschikt' is misspelled (as 'beschickt')</div>

Paulkeller