Creative Commons - User contributions [en]

Grants/remixablemedia.com - tracking the re-use of media across productions

2010-06-30T01:09:36Z

Michela Ledwidge:

{{Grant Application
|Project Title=remixablemedia.com - a database tracking re-use media across productions
|applicants=MOD Productions
|contact person=Michela Ledwidge
|coordinator=Mish Sparks
|start date=2010/08/30
|end date=2011/01/30
|Affiliation=Rack&Pin http://rackandpin.com
|Mainurl=http://remixable.wikia.com/wiki/Remixable_Media,http://www.youtube.com/user/modfilmsnet
|Affiliated=Yes
|description=remixablemedia.com is proposed as an open source web database for publishing, distributing and promoting media metadata from productions that have chosen to use open digital asset libraries.

It will create for the first time a centrally accessible and purpose-built library (or hub) tracking relationships between titles (e.g. influences, media file remixes, data sequence edits, character references).

The key benefit is that it will reduce the cost of sharing professionally produced production assets with the wider community.

It therefore promotes open media data mash-ups and facilitates take-up of remix culture across Story productions (eg films, transmedia), parallel to game community sites like moddb.com, which track game MODs.

The project supports all media types including non-narrative forms but will be seeded with data from open story productions (e.g Sanctuary from MOD Films, Big Buck Bunny from the Blender Consortium).
|output=The project output would be a new online database that provides access to remixable media titles and metadata. As part of the project the database will be populated with comprehensive data on two Creative Commons licensed films and cross-referenced to work derived from these productions.
|community=The project targets the media community, particularly film-makers (e.g. audio-visualists, live cinema practitioners) who look for high quality digital assets for use in their work and who seek to share their own work. The project will showcase popular open media projects and derived content to illustrate that the remix paradigm can apply to high quality work. It complements existing open media portals by providing a distinctive visualisation of remix trends and a greater focus on professionally produced narrative work.

The remixable media community relies on informal and non-structured repositories of content metadata as few businesses see the value of sharing professional content metadata with the public. Professional practitioners in the media space who use open licensing will benefit from being able to demonstrate the openness of their projects on an asset library level. It will help facilitate such individuals and organisations to be high profile evangelists for CC.
|community relationship=MOD Productions (Australia) and MOD Films (UK) are media companies heavily invested in open media production and R&D.

MOD Productions co-founder Michela Ledwidge has over 6 years experience developing open media processes and prototypes. She was the first film-maker to use Creative Commons licenses on a 35mm film production, Sanctuary (2005) with union cast and crew. This unreleased 10min CC-licensed coming-of-age / sci-fi film has over 1 TB of cleared assets ranging from script, storyboards and concept art through to 35mm film rushes. This title is an exemplar of how CC-licensing can co-exist with professional media production and we are keen to make all of this material available to other media creators as part of the remixablemedia.com project.
http://modfilms.com/sanctuary

In 2006 we built modfilms.net as a database prototype of the ideas to be extended in this proposed project. Lessons learned from the modfilms.net project, and the legacy database, will be applied to remixablemedia.com

http://www.flickr.com/photos/michela/2378608324/

remixable.tv (2007) was our early prototype to test license-agnostic media publishing and distribution.

http://www.flickr.com/photos/michela/2740634022/in/photostream/

In 2008 Michela created the University of Sydney's Remixable Media post-graduate unit of study and she has an extensive global network of collaborators, media producer peers and graduate students interested in and receptive to CC principles.

Since 2007 Rack&Pin has provided cloud services for media productions based on the above research and development. This project will be partly supported by Rack&Pin ongoing.
|measurement=Key performance indicators of the project will be the Google Ranking of the term remixable media, the number of registered projects, the number of registered users and the number of 'remix' derived titles registered.
|participants=In the first six months we expect at least 50 productions to be registered and over 300 active participants. We will use our existing network across All Rights Reserved, Some Rights Reserved content creators, and Public Domain contributors to promote the benefits of the system to track reversioning for creative and business purposes (e.g. promotional mashups).
|impact=The project will promote and showcase professional media projects that have contributed part or all of their media asset library to the commons. It will highlight the creative reuse of legally remixable media assets from larger team projects, as well as individual work. This will help legitimise Creative Commons as a tool for professional content creators and help tackle negative perceptions of CC licensing. The database will clearly associate project assets with their license terms to help raise awareness of CC mission and tools.
|tech needs=remixablemedia.com will be an open source application prototype built with off-the-shelf wiki and web content management python frameworks (e.g. django). Python is the de-facto standard language support by professional media software tools. All source code will be published on github. The database will be populated by users uploading their content metadata.

We are experienced digital content producers and architects, professionally employed in this sector since the earliest days of the web (1993). Source code from existing prototypes will be contributed to the new project. The grant will fund core web database development and online publishing of the Sanctuary and Big Buck Bunny asset library as sample metadata. We have extensive experience designing sustainable online systems (e.g. National Library of Australia, BBC, Department of Trade and Industry UK, Reuters) and will focus on core metadata provision so that other sites can easily mashup the contents of this database.
|challenges=Many professional storytellers and storytelling businesses are opposed to CC licensing and will view any data (especially that involving narrative remixing) as a threat to their livelihood. Many remixers do not want to acknowledge their re-use of existing media fearing legal action or challenges to their authorship. We will use completed open film productions as seed content. We will target already identified early adopters of open licensing and prominent remixers who clearly attribute their sources. The platform will showcase the positive benefits of remix culture to both source and remix creators. The site will provide researchers with a new category of metrics to support CC case studies - i.e. re-use patterns across all media types, particularly with reference to emerging transmedia story universes.

The user-generated content of the database will be subject to spamming efforts. Verified users will be granted additional moderation privileges (like the Slashdot community) to de-centralise and crowdsource any moderation requirements. This will also help minimise administrative overheads.
|sustainability=remixablemedia.com will be an open source component provided through Rack&Pin - a software-as-a-service startup company that provides open source and proprietary cloud services for media productions. It will be skinnable by any other organisation. Remixable media is also core to the MOD Productions ongoing business. Michela Ledwidge is writing a book on remixable media which tracks the reuse of influences above and beyond actual assets through popular culture. This project will be incorporated into the curriculum of the Remixable Media postgraduate unity of study offered by the University of Sydney.
|scalability=Better appreciation of media interconnectivity can encourage more creators to pass on the benefits of remix culture to resource-poor peers.
remixablemedia.com can be an exemplar for other communities. This database is designed for all media types including static images, moving images, music and text. This project is technically scalable as it only hosts media metadata not the actual media files (for which hosting will be available through Rack&Pin and other open media repositories) so the overheads of maintaining service are low. Furthermore the interface is wiki-based to allow privileged users to refine functionality without significant manual intervention.
|resource needs=MOD Films has previously invested significantly in developing prototypes and collating data for this project. However we now require endorsement and investment from the CC network to enable development of this resource.

We would like Creative Commons to support the media strategy for the launch of the project by approving use of Creative Commons logo and representative's quotes in media releases (submitted for approval in advance) and by providing links to remixablemedia.com from CC's website.
|communication=We use 'remixable' and 'remixable films' as hashtags to form groups and forums on most social networks to communicate with the community. We use Twitter and Facebook in tandem with blog postings to announce new developments. We maintain Friendfeed and Soup.io aggregators (e.g. http://remixable.soup.io) to automatically compile information across disparate sources.
|budget=Remixablemedia.com CC grant budget.xls
|legal=Yes
}}

Grants/remixablemedia.com - tracking the re-use of media across productions

2010-06-29T23:52:23Z

Michela Ledwidge:

{{Grant Application
|Project Title=remixablemedia.com - a database tracking re-use media across productions
|applicants=MOD Productions
|contact person=Michela Ledwidge
|coordinator=Mish Sparks
|start date=2010/08/30
|end date=2011/01/30
|Affiliation=Rack&Pin http://rackandpin.com
|Mainurl=http://remixable.wikia.com/wiki/Remixable_Media,http://www.youtube.com/user/modfilmsnet
|Affiliated=No
|description=remixablemedia.com is proposed as an open source web database for publishing, distributing and promoting media metadata from productions that have chosen to use open digital asset libraries.

It will create for the first time a centrally accessible and purpose-built library (or hub) tracking relationships between titles (e.g. influences, media file remixes, data sequence edits, character references).

The key benefit is that it will reduce the cost of sharing professionally produced production assets with the wider community.

It therefore promotes open media data mash-ups and facilitates take-up of remix culture across Story productions (eg films, transmedia), parallel to game community sites like moddb.com, which track game MODs.

The project supports all media types including non-narrative forms but will be seeded with data from open story productions (e.g Sanctuary from MOD Films, Big Buck Bunny from the Blender Consortium).
|output=The project output would be a new online database that provides access to remixable media titles and metadata. As part of the project the database will be populated with comprehensive data on two Creative Commons licensed films and cross-referenced to work derived from these productions.
|community=The project targets the media community, particularly film-makers (e.g. audio-visualists, live cinema practitioners) who look for high quality digital assets for use in their work and who seek to share their own work. The project will showcase popular open media projects and derived content to illustrate that the remix paradigm can apply to high quality work. It complements existing open media portals by providing a distinctive visualisation of remix trends and a greater focus on professionally produced narrative work.

The remixable media community relies on informal and non-structured repositories of content metadata as few businesses see the value of sharing professional content metadata with the public. Professional practitioners in the media space who use open licensing will benefit from being able to demonstrate the openness of their projects on an asset library level. It will help facilitate such individuals and organisations to be high profile evangelists for CC.
|community relationship=MOD Productions (Australia) and MOD Films (UK) are media companies heavily invested in open media production and R&D.

MOD Productions co-founder Michela Ledwidge has over 6 years experience developing open media processes and prototypes. She was the first film-maker to use Creative Commons licenses on a 35mm film production, Sanctuary (2005) with union cast and crew. This unreleased 10min CC-licensed coming-of-age / sci-fi film has over 1 TB of cleared assets ranging from script, storyboards and concept art through to 35mm film rushes. This title is an exemplar of how CC-licensing can co-exist with professional media production and we are keen to make all of this material available to other media creators as part of the remixablemedia.com project.
http://modfilms.com/sanctuary

In 2006 we built modfilms.net as a database prototype of the ideas to be extended in this proposed project. Lessons learned from the modfilms.net project, and the legacy database, will be applied to remixablemedia.com

http://www.flickr.com/photos/michela/2378608324/

remixable.tv (2007) was our early prototype to test license-agnostic media publishing and distribution.

http://www.flickr.com/photos/michela/2740634022/in/photostream/

In 2008 Michela created the University of Sydney's Remixable Media post-graduate unit of study and she has an extensive global network of collaborators, media producer peers and graduate students interested in and receptive to CC principles.

Since 2007 Rack&Pin has provided cloud services for media productions based on the above research and development. This project will be partly supported by Rack&Pin ongoing.
|measurement=Key performance indicators of the project will be the Google Ranking of the term remixable media, the number of registered projects, the number of registered users and the number of 'remix' derived titles registered.
|participants=In the first six months we expect at least 50 productions to be registered and over 300 active participants. We will use our existing network across All Rights Reserved, Some Rights Reserved content creators, and Public Domain contributors to promote the benefits of the system to track reversioning for creative and business purposes (e.g. promotional mashups).
|impact=The project will promote and showcase professional media projects that have contributed part or all of their media asset library to the commons. It will highlight the creative reuse of legally remixable media assets from larger team projects, as well as individual work. This will help legitimise Creative Commons as a tool for professional content creators and help tackle negative perceptions of CC licensing. The database will clearly associate project assets with their license terms to help raise awareness of CC mission and tools.
|tech needs=remixablemedia.com will be an open source application prototype built with off-the-shelf wiki and web content management python frameworks (e.g. django). Python is the de-facto standard language support by professional media software tools. All source code will be published on github. The database will be populated by users uploading their content metadata.

We are experienced digital content producers and architects, professionally employed in this sector since the earliest days of the web (1993). Source code from existing prototypes will be contributed to the new project. The grant will fund core web database development and online publishing of the Sanctuary and Big Buck Bunny asset library as sample metadata. We have extensive experience designing sustainable online systems (e.g. National Library of Australia, BBC, Department of Trade and Industry UK, Reuters) and will focus on core metadata provision so that other sites can easily mashup the contents of this database.
|challenges=Many professional storytellers and storytelling businesses are opposed to CC licensing and will view any data (especially that involving narrative remixing) as a threat to their livelihood. Many remixers do not want to acknowledge their re-use of existing media fearing legal action or challenges to their authorship. We will use completed open film productions as seed content. We will target already identified early adopters of open licensing and prominent remixers who clearly attribute their sources. The platform will showcase the positive benefits of remix culture to both source and remix creators. The site will provide researchers with a new category of metrics to support CC case studies - i.e. re-use patterns across all media types, particularly with reference to emerging transmedia story universes.

The user-generated content of the database will be subject to spamming efforts. Verified users will be granted additional moderation privileges (like the Slashdot community) to de-centralise and crowdsource any moderation requirements. This will also help minimise administrative overheads.
|sustainability=remixablemedia.com will be an open source component provided through Rack&Pin - a software-as-a-service startup company that provides open source and proprietary cloud services for media productions. It will be skinnable by any other organisation. Remixable media is also core to the MOD Productions ongoing business. Michela Ledwidge is writing a book on remixable media which tracks the reuse of influences above and beyond actual assets through popular culture. This project will be incorporated into the curriculum of the Remixable Media postgraduate unity of study offered by the University of Sydney.
|scalability=Better appreciation of media interconnectivity can encourage more creators to pass on the benefits of remix culture to resource-poor peers.
remixablemedia.com can be an exemplar for other communities. This database
is designed for all media types including static images, moving images, music and text. This project is technically scalable as it only hosts media metadata not the actual media files (for which hosting will be available through Rack&Pin and other open media repositories) so the overheads of maintaining service are low. Furthermore the interface is wiki-based to allow privileged users to refine functionality without significant manual intervention.
|resource needs=MOD Films has previously invested significantly in developing prototypes and collating data for this project. However we now require endorsement and investment from the CC network to enable development of this resource.

We would like Creative Commons to support the media strategy for the launch of the project by approving use of Creative Commons logo and representative's quotes in media releases (submitted for approval in advance) and by providing links to remixablemedia.com from CC's website.
|communication=We use 'remixable' and 'remixable films' as hashtags to form groups and forums on most social networks to communicate with the community. We use Twitter and Facebook in tandem with blog postings to announce new developments. We maintain Friendfeed and Soup.io aggregators (e.g. http://remixable.soup.io) to automatically compile information across disparate sources.
|budget=Remixablemedia.com CC grant budget.xls
|legal=Yes
}}

File:Remixablemedia.com CC grant budget.xls

2010-06-29T23:38:04Z

Michela Ledwidge:

Grants/remixablemedia.com - tracking the re-use of media across productions

2010-06-29T23:00:57Z

Michela Ledwidge:

{{Grant Application
|Project Title=remixablemedia.com - an assets library of re-use media across productions
|applicants=MOD Productions
|contact person=Michela Ledwidge
|coordinator=Mish Sparks
|start date=2010/08/30
|end date=2011/01/30
|Affiliation=Rack&Pin http://rackandpin.wordpress.com
|Mainurl=http://remixable.wikia.com/wiki/Remixable_Media,http://www.youtube.com/user/modfilmsnet
|Affiliated=No
|description=remixablemedia.com is proposed as an open source web database for publishing, distributing and promoting media metadata from productions that have chosen to use open digital asset libraries.

It will create for the first time a centrally accessible and purpose-built library or hub tracking relationships between transmedia titles (e.g. influences, media file remixes, data sequence edits, character references).

The key benefit is that it will reduce the cost of sharing professionally produced production assets with the wider community.

It therefore promotes open media data mash-ups and facilitates take-up of remix culture across Story productions (eg films), parrallel to game community sites like moddb.com, which track game MODs.

The project supports all media types including non-narrative forms but will be seeded with open story productions (e.g Sanctuary from MOD Films, Big Buck Bunny from the Blender Consortium).
|output=The project output would be a new online database or online repository that provides access to remixable media titles and information about them. As part of the project the database will be populated with at least two Creative Commons licensed film asset libraries and cross-referenced to work derived from these productions.
|community=The project targets the media community, particularly film-makers (e.g. audio-visualists, live cinema practitioners) who look for high quality digital assets for use in their work and who seek to share their own work. The project will showcase popular open media projects and derived content to illustrate that the remix paradigm can apply to high quality work. It complements existing open media portals by providing a distinctive visualisation of remix trends and a greater focus on professionally produced narrative work.
|community relationship=MOD Productions (Australia) and MOD Films (UK) are media companies heavily invested in open media production and R&D.

MOD Productions co-founder Michela Ledwidge has over 6 years experience developing open media processes and prototypes. She was the first film-maker to use Creative Commons licenses on a 35mm film production, Sanctuary (2005) with union cast and crew. This unreleased 10min CC-licensed coming-of-age / sci-fi film has over 1 TB of cleared assets ranging from script, storyboards and concept art through to 35mm film rushes. This title is an exemplar of how CC-licensing can co-exist with professional media production and we are keen to make all of this material available to other media creators as part of the remixablemedia.com project.
http://modfilms.com/sanctuary

In 2006 we built modfilms.net as a database prototype of the ideas to be extended in this proposed project. Lessons learned from the modfilms.net project will be applied to remixablemedia.com

http://www.flickr.com/photos/michela/2378608324/

remixable.tv (2007) was our early prototype to test license-agnostic media publishing and distribution.

http://www.flickr.com/photos/michela/2740634022/in/photostream/

In 2008 Michela created the University of Sydney's Remixable Media post-graduate unit of study and she has an extensive global network of collaborators, media producer peers and graduate students interested in and receptive to CC principles.
|measurement=Key performance indicators of the project will be the Google Ranking of the term remixable media, the number of registered projects, the number of registered users and the numer of 'remix' derived titles registered.
|participants=In the first six months we expect at least 50 productions to be registered and over 300 active participants. We will use our existing network across All Rights Reserved and Some Rights Reserved content creators to promote the benefits of the system to track reversioning for creative and business purposes (e.g. promotional mashups).
|impact=The project will promote and showcase professional media projects that have contributed part or all of their media asset library to the commons. It will highlight the creative reuse of legally remixable media assets from larger team projects, as well as individual work. This will help legitimise Creative Commons as a tool for professional content creators and help tackle negative perceptions of CC licensing.
|tech needs=remixablemedia.com will be an open source application prototype built with the django framework with source published on github. We are experienced digital content producers, professionally employed in this sector since the earliest days of the web (1993). Source code from existing prototypes will be contributed to the new project. The grant will fund core web database development and online publishing of the Sanctuary asset library as sample content.
|challenges=Many professional storytellers and storytelling businesses are opposed to CC licensing and will view any data on narrative remixing as a threat to their livelihood. Many remixers do not want to acknowledge their re-use of existing media fearing legal action or challenges to their authorship. We will use completed open film productions as seed content. We will target early adoptors of open licensing and prominent remixers who attribute their sources. The platform will showcase the positive benefits of remix culture to both source and remix creators. The site will provide researchers with a new category of metrics to support CC case studies - re-use patterns across all media types, particularly with reference to transmedia story universes.
|sustainability=remixablemedia.com will be an open source component provided through Rack&Pin - a software-as-a-service startup company that provides open source and proprietary cloud services for media productions. Remixable media is also core to the MOD Productions ongoing business. Michela Ledwidge is writing a book on remixable media which tracks the reuse of influences above and beyond actual assets through popular culture. This project will be incorporated into the curriculum of the Remixable Media postgraduate unity of study offered by the University of Sydney.
|scalability=Remixable media is a frame through which to view all the world's media, not just CC licensed content. Better appreciation of media interconnectivity can encourage more creators to pass on the benefits of remix culture to resource-poor peers. remixablemedia.com can be an exemplar for other communities.
|resource needs=We would like Creative Commons to support the media strategy for the launch of the project by approving use of Creative Commons logo and representative's quotes in media releases (submitted for approval in advance) and by providing links to remixablemedia.com from CC's website.
|communication=We use 'remixable' and 'remixable films' as hashtags to form groups and forums on most social networks to communicate with the community. We use Twitter and Facebook in tandem with blog postings to announce new developments. We maintain Friendfeed and Soup.io aggregators (e.g. http://remixable.soup.io) to automatically compile information across disparate sources.
|legal=Yes
}}

Grants/remixablemedia.com - tracking the re-use of media across productions

2010-06-29T13:22:24Z

Michela Ledwidge:

{{Grant Application
|Project Title=remixablemedia.com - tracking the re-use of media across productions
|applicants=MOD Productions
|contact person=Michela Ledwidge
|coordinator=Mish Sparks
|start date=2010/08/30
|end date=2011/01/30
|Affiliation=Rack&Pin
|Mainurl=http://remixable.wikia.com/wiki/Remixable_Media,http://www.youtube.com/user/modfilmsnet
|Affiliated=No
|description=remixablemedia.com is an open source web database tool for publishing, distributing and promoting media metadata from productions with open digital asset libraries. The platform's unique selling point is that it tracks the relationships between transmedia titles (e.g. influences, media file remixes, data sequence edits, character references). It promotes open media APIs and visualises the spread of remix culture across Story (e.g. film MODs) in the same way as game community sites like moddb.com track game MODs. The project focuses on open story productions (e.g Sanctuary from MOD Films, Big Buck Bunny from the Blender Consortium) but supports all media types including non-narrative forms.
|output=The project output would be a new online database that provides access and information to remixable media - online repositories of at least two Creative Commons licensed film asset libraries and cross-referenced to work derived from these productions.
|community=The project targets the remixable media community particularly film-makers (e.g. AVJs, live cinema practitioners) who look for high quality digital assets for use in their projects and seek to share their own work. The project will showcase the most popular open media projects and derived content to illustrate that the remix paradigm is not limited to amateurish work. It complements existing open media portals by providing a distinctive visualisation of remix trends and a greater focus on professionally produced narrative work.
|community relationship=MOD Productions (Australia) and MOD Films (UK) are media companies heavily invested in open media production and R&D.

MOD Productions co-founder Michela Ledwidge has been developing open media processes and prototypes for over 6 years. She created the University of Sydney's Remixable Media post-graduate unit and was the first film-maker to use Creative Commons licenses on a 35mm film production Sanctuary (2005) with union cast and crew. This unreleased 10min CC-licensed sci-fi film Sanctuary has over 1 TB of cleared assets ranging from script, storyboards, concept arts through to 35mm film rushes. Sanctuary, the first phase of the sci-fi story universe now known as Head Bin, is an exemplar of how CC-licensing can co-exist with professional media productions.
http://modfilms.com/sanctuary

modfilms.net (2006) was an early database prototype of ideas to be explored in this project. The project was too early and lessons learned from the exercise will be applied to remixablemedia.com

http://www.flickr.com/photos/michela/2378608324/

remixable.tv (2007) was an early prototype built to test license-agnostic media publishing and distribution.

http://www.flickr.com/photos/michela/2740634022/in/photostream/
|measurement=Key performance indicators of the project will be the Google Ranking of the term remixable media, the number of registered projects, the number of registered users and the numer of 'remix' derived titles registered.
|participants=We expect around 100 productions to be registered in the first six months and over 500 active participants. We will use our existing network across All Rights Reserved and Some Rights Reserved content creators to promote the benefits of the system to track reversioning for creative and business purposes (e.g. promotional mashups).
|impact=The project will promote and showcase professional media projects that have contributed part or all of their media asset library to the commons. It will highlight the creative reuse of legally remixable media assets from larger team projects, as well as individual work. This will help legitimise Creative Commons as a tool for professional content creators and help tackle negative perceptions of CC licensing.
|tech needs=remixablemedia.com will be an open source application prototype built with the django framework with source published on github. We are an experienced digital content house with experience stemming back to the earliest days of the web (1993). Source code from existing prototypes will be contributed to the new project. The grant will fund core web database development and online publishing of the Sanctuary asset library as sample content.
|challenges=Many professional storytellers and storytelling businesses are opposed to CC licensing and will view any data on narrative remixing as a threat to their livelihood. Many remixers do not want to acknowledge their re-use of existing media fearing legal action or challenges to their authorship. We will use completed open film productions as seed content. We will target early adoptors of open licensing and prominent remixers who attribute their sources. The platform will showcase the positive benefits of remix culture to both source and remix creators. The site will provide researchers with a new category of metrics to support CC case studies - reuse patterns across all media types, particularly with reference to transmedia story universes.
|sustainability=remixablemedia.com will be an open source component provided through Rack&Pin - a software-as-a-service startup that provides open source and proprietary cloud services for media productions. Remixable media is also core to the MOD Productions ongoing business. Michela Ledwidge is writing a book on remixable media which tracks the reuse of influences let alone actual assets through popular culture. This project will be incorporated into the curriculum of the Remixable Media postgraduate unity of study offered by the University of Sydney.
|scalability=Remixable media is a frame through which to view all the world's media, not just CC licensed content. Better appreciation of media interconnectivity can encourage more creators to pass on the benefits of remix culture to the less privileged. remixablemedia.com can be an exemplar for other communities.
|resource needs=We would like Creative Commons to provide links to the project through marketing coverage and promotion in the lead up to the launch of the project.
|communication=We use 'remixable' and 'remixable films' as hashtags to form groups and forums on most social networks to communicate with the community. We use Twitter and Facebook in tandem with blog postings to announce new developments. We maintain Friendfeed and Soup.io aggregators (e.g. http://remixable.soup.io) to automatically compile information across disparate sources.
|legal=Yes
}}

Grants/remixablemedia.com - tracking the re-use of media across productions

2010-06-29T13:14:28Z

Michela Ledwidge:

{{Grant Application
|Project Title=remixablemedia.com - tracking the re-use of media across productions
|applicants=MOD Productions
|contact person=Michela Ledwidge
|coordinator=Mish Sparks
|start date=2010/08/30
|end date=2011/01/30
|Affiliation=Rack&Pin
|Mainurl=http://remixable.wikia.com/wiki/Remixable_Media,http://www.youtube.com/user/modfilmsnet
|Affiliated=No
|description=remixablemedia.com is an open source web database tool for publishing, distributing and promoting media metadata from productions with open digital asset libraries. The platform's unique selling point is that it tracks the relationships between titles (e.g. influences, media file remixes, data sequence edits, character references). It promotes open media APIs and visualises the spread of remix culture across Story (e.g. film MODs) in the same way as game community sites like moddb.com track game MODs. The project focuses on open story productions (e.g Sanctuary from MOD Films, Big Buck Bunny from the Blender Consortium) but supports all media types including non-narrative forms.
|output=The project output would be a new online database that provides access and information to remixable media - online repositories of at least two Creative Commons licensed film asset libraries and cross-referenced to work derived from these productions.
|community=The project targets the remixable media community particularly film-makers (e.g. AVJs, live cinema practitioners) who look for high quality digital assets for use in their projects and seek to share their own work. The project will showcase the most popular open media projects and derived content to illustrate that the remix paradigm is not limited to amateurish work. It complements existing open media portals by providing a distinctive visualisation of remix trends and a greater focus on professionally produced narrative work.
|community relationship=MOD Productions (Australia) and MOD Films (UK) are media companies heavily invested in open media production and R&D.

MOD Productions co-founder Michela Ledwidge has been developing open media processes and prototypes for over 6 years. She created the University of Sydney's Remixable Media post-graduate unit and was the first film-maker to use Creative Commons licenses on a 35mm film production Sanctuary (2005) with union cast and crew. This unreleased 10min CC-licensed sci-fi film Sanctuary has over 1 TB of cleared assets ranging from script, storyboards, concept arts through to 35mm film rushes. Sanctuary, the first phase of the sci-fi story universe now known as Head Bin, is an exemplar of how CC-licensing can co-exist with professional media productions.
http://modfilms.com/sanctuary

modfilms.net (2006) was an early database prototype of ideas to be explored in this project. The project was too early and lessons learned from the exercise will be applied to remixablemedia.com

http://www.flickr.com/photos/michela/2378608324/

remixable.tv (2007) was an early prototype built to test license-agnostic media publishing and distribution.

http://www.flickr.com/photos/michela/2740634022/in/photostream/
|measurement=Key performance indicators of the project will be the Google Ranking of the term remixable media, the number of registered projects, the number of registered users and the numer of 'remix' derived titles registered.
|participants=We expect around 100 productions to be registered in the first six months and over 500 active participants. We will use our existing network across All Rights Reserved and Some Rights Reserved content creators to promote the benefits of the system to track reversioning for creative and business purposes (e.g. promotional mashups).
|impact=The project will promote and showcase professional media projects that have contributed part or all of their media asset library to the commons. It will highlight the creative reuse of legally remixable media assets from larger team projects, as well as individual work. This will help legitimise Creative Commons as a tool for professional content creators and help tackle negative perceptions of CC licensing.
|tech needs=remixablemedia.com will be an open source application prototype built with the django framework with source published on github. We are an experienced digital content house with experience stemming back to the earliest days of the web (1993). Source code from existing prototypes will be contributed to the new project. The grant will fund core web database development and online publishing of the Sanctuary asset library as sample content.
|challenges=Many professional storytellers and storytelling businesses are opposed to CC licensing and will view any data on narrative remixing as a threat to their livelihood. We will use completed open film productions as seed content. The platform will showcase the positive benefits of remix culture and provide researchers with a new category of metrics to support CC case studies - reuse patterns across all media types.
|sustainability=remixablemedia.com will be an open source component provided through Rack&Pin - a software-as-a-service startup that provides open source and proprietary cloud services for media productions. Remixable media is also core to the MOD Productions ongoing business. Michela Ledwidge is writing a book on remixable media which tracks the reuse of influences let alone actual assets through popular culture. This project will be incorporated into the curriculum of the Remixable Media postgraduate unity of study offered by the University of Sydney.
|scalability=Remixable media is a frame through which to view all the world's media, not just CC licensed content. Better appreciation of media interconnectivity can encourage more creators to pass on the benefits of remix culture to the less privileged. remixablemedia.com can be an exemplar for other communities.
|resource needs=We would like Creative Commons to provide links to the project through marketing coverage and promotion in the lead up to the launch of the project.
|communication=We use 'remixable' and 'remixable films' as hashtags to form groups and forums on most social networks to communicate with the community. We use Twitter and Facebook in tandem with blog postings to announce new developments. We maintain Friendfeed and Soup.io aggregators (e.g. http://remixable.soup.io) to automatically compile information across disparate sources.
|legal=Yes
}}

Grants/remixablemedia.com - tracking the re-use of media across productions

2010-06-29T12:41:39Z

Michela Ledwidge: Created page with '{{Grant Application |Project Title=remixablemedia.com - tracking the re-use of media across productions |applicants=MOD Productions |contact person=Michela Ledwidge |coordinator=…'

{{Grant Application
|Project Title=remixablemedia.com - tracking the re-use of media across productions
|applicants=MOD Productions
|contact person=Michela Ledwidge
|coordinator=Mish Sparks
|start date=2010/08/30
|end date=2011/01/30
|Affiliation=Rack&Pin
|Mainurl=http://remixable.wikia.com/wiki/Remixable_Media,http://www.youtube.com/user/modfilmsnet
|Affiliated=No
|description=remixablemedia.com is an open source web database for publishing, distributing and promoting media metadata from productions with open digital asset libraries. The platform's unique selling point is that it tracks the relationships between titles (e.g. influences, media file remixes, data sequence edits, character references). It promotes open media APIs and visualises the spread of remix culture across Story (e.g. film MODs) in the same way as game community sites like moddb.com track game MODs. The project focuses on open story productions (e.g Sanctuary from MOD Films, Big Buck Bunny from the Blender Consortium) but supports all media types including non-narrative forms.
|output=The project output would be an online database that provides access and information to the online repositories of at least two Creative Commons licensed film asset libraries and cross-referenced to work derived from these productions.
|community=The project targets the remixable media community particularly film-makers (e.g. AVJs, live cinema practitioners) who look for high quality digital assets for use in their projects and seek to share their own work. The project will showcase the most popular open media projects and derived content to illustrate that the remix paradigm is not limited to amateurish work. It complements existing open media portals by providing a distinctive visualisation of remix trends and a greater focus on professionally produced narrative work.
|community relationship=MOD Productions (Australia) and MOD Films (UK) are media companies heavily invested in open media production and R&D.

MOD Productions co-founder Michela Ledwidge has been developing open media processes and prototypes for over 6 years. She created the University of Sydney's Remixable Media post-graduate unit and was the first film-maker to use Creative Commons licenses on a 35mm film production Sanctuary (2005) with union cast and crew. This unreleased 10min CC-licensed sci-fi film Sanctuary has over 1 TB of cleared assets ranging from script, storyboards, concept arts through to 35mm film rushes. Sanctuary, the first phase of the sci-fi story universe now known as Head Bin, is an exemplar of how CC-licensing can co-exist with professional media productions.
http://modfilms.com/sanctuary

modfilms.net (2006) was an early database prototype of ideas to be explored in this project. The project was too early and lessons learned from the exercise will be applied to remixablemedia.com

http://www.flickr.com/photos/michela/2378608324/

remixable.tv (2007) was an early prototype built to test license-agnostic media publishing and distribution.

http://www.flickr.com/photos/michela/2740634022/in/photostream/
|measurement=Key performance indicators of the project will be the Google Ranking of the term remixable media, the number of registered projects, the number of registered users and the numer of 'remix' derived titles registered.
|participants=We expect around 100 productions to be registered in the first six months and over 500 active participants. We will use our existing network across All Rights Reserved and Some Rights Reserved content creators to promote the benefits of the system to track reversioning for marketing purposes (e.g. promotional mashups) as well as for
|impact=The project will promote and showcase projects that have contributed part or all of their media asset library to the commons. It will highlight the creative reuse of legally remixable professional media assets. This will help legitimise Creative Commons productions and demonstrate that quality and CC licensing is not mutually exclusive.
|tech needs=remixablemedia.com uses open source software (e.g. django). We
|challenges=The notion that all media is technically remixable is
|sustainability=remixablemedia.com will be an open source project hosted by Rack&Pin - a software-as-a-service startup that provides cloud services for media productions.
|scalability=Remixable media is a frame through which to view all the world's media.
|resource needs=We would like Creative Commons to provide links to the project and marketing support at the launch of the project.
|communication=We use 'remixable' as a hashtag to form groups and forums on most social networks to communicate with the community. Increasingly we use Twitter, Facebook in tandem with blog postings to announce new developments. We maintain Friendfeed and Soup.io aggregators (e.g. http://remixable.soup.io) to automatically compile information across disparate sources.
|legal=Yes
}}