Creative Commons - User contributions [en]

France

2014-05-18T11:49:39Z

Melanieddr:

{{Jurisdiction
|jurstatus=Active
|status=3.0
|country code=fr
|homepage=http://creativecommons.fr/
|mailing list=mailto:cc-fr@lists.ibiblio.org
|twitter=http://fr.twitter.com/#!/cc_france
|social=http://www.facebook.com/pages/Creative-Commons-FR-officiel/141722085902494?v=wall
|mailing=CERSA
10 rue Thenard
75005 Paris
|region=Europe
|affiliated=Research Center in Administrative Science (CERSA)
|affurl=http://www.cersa.org/
|afftype=academic institution
|plead1=Danièle Bourcier
|pemail1=ccfr@ibiblio.org
|ptitle1=Scientific Project Lead
|plead2=Melanie Dulong de Rosnay
|ptitle2=Legal Project Lead
|plead3=Primavera De Filippi
|ptitle3=Legal experts
|plead4=Lara Beswick
|ptitle4=Music & Art communities
|plead5=Isabelle Ramade
|ptitle5=Open Education Resources
|teamsize=6
|flagurl=http://creativecommons.org/images/international/fr.png
}}
The 3.0 French licenses are live!
Please view the license draft [[France 3.0 Draft|here]] and see the discussion comments [[Talk:France 3.0 Draft|here]].

Visit the [http://creativecommons.fr/ jurisdiction's website].

The Creative Commons France license suite is available in version 3.0. [http://creativecommons.org/choose/?jurisdiction=fr License your work] under these licenses, or [http://creativecommons.org/choose choose] the international licenses. [http://wiki.creativecommons.org/FAQ#Should_I_choose_an_international_license_or_a_ported_license.3F More info].

Many thanks to all who contributed to the localization of the license suite.

Creative Commons is working with [http://www.cersa.org/ CERSA] to create France jurisdiction-specific licenses from the generic Creative Commons licenses.

=CC France List=

Project Lead: [mailto:ccfr@ibiblio.org Danièle Bourcier]

*[http://mirrors.creativecommons.org/international/fr/translated-license.pdf License Draft 1.0]
*[http://mirrors.creativecommons.org/international/fr/english-changes.pdf English explanation of substantive legal changes 1.0]
*[http://fr.creativecommons.org/ Creative Commons France website]
*[mailto:cc-fr%20-at-%20lists.ibiblio.org Post a message]
*[http://lists.ibiblio.org/mailman/listinfo/cc-fr/ Subscribe to the discussion]
*[http://lists.ibiblio.org/pipermail/cc-fr/ Read the discussion archives]

=More about CERSA=

Founded in 1967, the Research Center in Administrative Science (CERSA) is a joint research institute of the University of Paris 2 and the National Center for Scientific Research (CNRS). Dedicated to the study of administrative phenomena at all levels, CERSA is host to researchers in public law, political science and sociology. The research group in Information Technologies, Law and Linguistics (IDL) works on Information Technologies regulation, governance, normative process and legal modelling. It also develops cognitive interfaces and applications within local and European projects and networks.

For more information about CERSA, visit http://www.cersa.org/

[[Collecting Society Projects/France]]

=Affiliate Team Roadmap=

* Date submitted: 22 December 2010
* Timespan of this roadmap: 2011

== Team information ==
Jurisdiction: France

Complete list of all members of the Affiliate Team, their roles, and field(s) of expertise
*Danièle Bourcier, Scientific project lead
*Primavera De Filippi, Legal expert
*Lara Beswick, Music & Art communities
*Isabelle Ramade, Open Education Resources
* Camille Domange, Institutional Relations

*Melanie Dulong de Rosnay, former legal project lead, special advisor to the team

Date of earliest MOU in jurisdiction: 2003

Self-Identified Region(s), i.e. Europe, Africa, Asia-Pacific, Latin America, North America, Arab world: Europe

Why do you identify yourself as being part of the listed region(s)? CC France members participate to CC Europe meetings.

==Vision==

* Why is Creative Commons important for the jurisdiction? Because France recently enacted two controversial law with regard to author's rights. There is also a stronger need to counter the growing powers of the SACEM.

* What do you think makes a successful jurisdiction project? To participate to the current debate against the growing powers assigned to the SACEM. For instance, to help reach an agreement with the SACEM.

* How do you see the jurisdiction project contributing to the CC Affiliate Network? Reporting on problems and reports on the experiences in France. To strengthen the relationships and to create a community with other CC jurisdictions.

===Community===

* Describe the communities that are currently active in the project.
Public Sector Information, Press, Music, Photography, Libraries.
** How will you continue to engage with these communities?
CC Salons, discussions and common research projects.

* Describe the communities (existing or new) that you plan to focus on during the timeframe covered by this roadmap?
Public Sector Information, Scientific communities, Education community, Wikimedia, Libraries.
** How do you plan to engage with these communities?
CC Salons, meetings, discussions and common research projects. Communication through the CC-FR website.

==Priority Goals==

1. Focus-area: Develop the core team by integrating new members and creating an advisory board. Raise funds.
* Why is it important? It will reinforce the project by giving more resources and ideas.
* Which communities will benefit? All communities, especially those who are not in the field of expertise of current team members
2. Focus-area: Education. Scientific publications and data. Public sector information.
* Why is it important? Science and education will advance quicker if resources are available under clear and open conditions. It is also important to re-establish and develop new links with institutions in France which has a long tradition of public sector and where CC can make an impact. In general, it is important to develop access to and dissemination of knowledge.
* Which communities will benefit? Researchers and educators in France, Europe and other countries. National and local governments and cultural institutions that will be approached for the benefit of the entire society.
3. Focus-area: Music Collecting Societies
* Why is it important? In order for artists to be able to benefit from the system of collecting societies, as well as the visibility they can derive from CC licenses. Also in order to remove misunderstandings.
* Which communities will benefit? Music community, industry and institutions in France, and eventually in other countries if we manage to reach an agreement case which could have spill-over effects.

==Project Outputs==

The outputs we plan to complete are as follows:

===1. Focus-area===
*Project Output: Integrate new team members and organize the work. Seek grants. Invite advisory board members and have a first meeting to define priorities. Transfer the website to Wordpress and finish the translations.
*Expected start date - Expected date of completion: 1-1-2011 / 30-6-2011
*Team Member(s) Responsible: Danièle and Melanie
*How will this output help achieve your goals? It will help reinforce and structure the project by providing more resources and visibility.
===2. Focus-area===
*Project Output: Meetings with researchers and stakeholders. Organize a workshop
*Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011
*Team Member(s) Responsible: Melanie and Francois
*How will this output help achieve your goals? Analysis of Open Science and Open Education movements in France needs structuration.
===3. Focus-area===
* Project Output: Meetings with institutions. A promotional video
* Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011
* Team Member(s) Responsible: Danièle, Primavera and Meritxell
* How will this output help achieve your goals?
Explain open licensing to institutions and to the public
===4. Focus-area===
* Project Output: meetings with SACEM
* Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011
* Team Member(s) Responsible: Danièle, Melanie and Lara
* How will this output help achieve your goals?
To make CC licenses compatible with collecting societies

==Metrics==

* How will you measure and evaluate your impact on focus-area 1?
**Number of new team members
**Representativity of advisory board members
* How will you measure and evaluate your impact on focus-area 2/3?
**Number of projects released under CC in the scientific/educational context (althought we do not consider this a goal per se).
**Awareness of CC licences in the scientific/educational context.
**Overall satisfaction of people who released their works under a CC licence.
* How will you measure and evaluate your impact on focus-area 4?
**a SACEM agreement
**the overall satisfaction of artists, in terms of financial returns.

==Resources Required==

===People===
* What human resources or expertise must the team seek out or add to your existing resources, if any, in order to achieve your priority goals? The team is complete : team members raised from 2 to 6. We need to create a board.
** How will you involve these people? Every one is a volunteer, taking upon their work and leisure time to work for CC-FR.

===Technology===
* What technology resources must the team seek out or add to your existing resources, if any, in order to achieve your priority goals? Video-cameras, laptops, and other goodies.
** How will you obtain these technology resources?
maybe after asking Santa Claus.

===Other===
* What other resources must the team seek out or add to all the other resources, if any, in order to achieve your priority goals? The possibility to find spaces to organize our CC salons.
Fundings for hotel / travel expenses for inviting people.
** How will you obtain these other resources? (that is the question)
Sponsorship maybe? And write grant applications.

==Sustainability and Scalability==

* How will you ensure your goals will be completed if unforeseen circumstances interrupt the project, such as changes in the leadership of the project or outputs taking longer to complete than anticipated? Improve team communication, share password and important information with each other.

* How will you communicate the project's on-going progress and setbacks within the jurisdiction and the CC Affiliate Network? (e.g. email list updates, meetings, press releases). website, mailing list and blogs.

* How will you document the project so that others may replicate or learn from your efforts? Raise money to collectively write a best-practices guide & case studies with the other CC teams.

==Collaboration==

** How could the jurisdiction's plans help drive or support other jurisdictions' activities? Case studies
** What are other jurisdictions doing that might support or contribute to the project? Case studies and best practices

* Would you be interested in mentoring new jurisdiction teams? Yes

* Conversely, would you be interested in having a mentor from a more experienced jurisdiction team? Yes

===Regional===

* Suggest three possible projects on which you can collaborate with other teams on a regional level. If you are not yet involved with the regional network, please contact the regional spokesperson (if any) or notify CC HQ to put you in touch with others.
CC Europe
Communia follow-up
CC Collecting Societies Working Group

** How do you plan to contribute to these projects?

==Translation==

* In what language(s) will you promote CC in the jurisdiction and why? French is the official language of France
** In which of these languages are licenses already available? CC0? In France, in progress
** Into which of the remaining languages do you intend to translate the licenses? CC0? French

==Misc.==

* Any additional comments? The structure of the roadmap is difficult to follow and some questions are not applicable to our case, sorry we did not answer 100% of the questions and happy to further discuss.

Global Summit 2013/Logistics

2013-08-21T02:58:54Z

Melanieddr: /* Record shops */

== Summit venue ==

The Global Summit will take place at the [https://en.wikipedia.org/wiki/Centro_Cultural_General_San_Mart%C3%ADn Centro Cultural General San Martín], located on Sarmiento 1551, between Paraná and Montevideo streets, in the City of Buenos Aires. The Center is located in the heart of the city and it is a walking distance from the hotel.

[[Image:Mapa_CCSM.png|link=https://maps.google.com.ar/maps?q=Sarmiento+1551,+Capital+Federal&hl=es&ie=UTF8&sll=-38.452918,-63.598921&sspn=36.170671,86.044922&oq=Sarmiento+1551,+capital&hnear=Sarmiento+1551,+San+Nicol%C3%A1s,+Buenos+Aires&t=m&z=16]]

More information about the Summit venue, and venues for other Summit events, can be found on the [[Global_Summit_2013/Venues | Venues]] page.

== Accommodation ==

CC staff and sponsored attendees to the Summit will be staying at the following hotel, which is a 10 minute walk from the venue:

[http://www.ibis.com/gb/hotel-3251-ibis-buenos-aires/index.shtml IBIS CONGRESSO]

HIPOLITO YRIGOYEN 1592

CAPITAL FEDERAL

1089 - BUENOS AIRES

ARGENTINA

TEL : (+54)11/ 53005555

FAX : (+54)11/ 53005566

GENERAL INFORMATION: H3251@ACCOR.COM

CONTACT ADDRESS FOR CC SUMMIT: Andrea Gago, h3251-sl@accor.com. When writing to her, please, specifically say that you are within the CC Global Summit group, even if CC is not funding your accommodation.

GPS: S 34° 36' 40.01'' W 58° 23' 20.89''

The venue is located in the center of Buenos Aires, and there are many hotels in the immediate vicinity available through hotel booking sites such as Expedia, hotel.com and booking.com.

== General information about Buenos Aires ==

* [https://en.wikipedia.org/wiki/Buenos_Aires Wikipedia article on Buenos Aires]
* [https://en.wikivoyage.org/wiki/Buenos_aires Wikivoyage article on Buenos Aires]

== Getting to and from the airport ==

You can check the information available in [http://en.wikivoyage.org/wiki/Buenos_Aires#Get_in WikiVoyage].

We have put together a google document for those people wanting to [https://docs.google.com/a/creativecommons.org/spreadsheet/ccc?key=0AqbVDkEWrYlQdHV4RkRYQ1dVRjRRanliS0NWMlFLN2c#gid=0 share rides] to and from the airport. There are separate sheets for arrivals and departures. It is your responsibility to arrange a meet up time and place. Please only add your details here if you are willing to be contacted directly by others on the list.

=== By bus - recommended ===

We strongly recommend you to hire the service of [http://www.tiendaleon.com.ar/home/home.asp# Manuel Tienda León]. If you arrive to Ezeiza international airport, you can take the service from there that will leave you in Madero Av. and San Martín, where you will find Plaza San Martín. They also run a service from Jorge Newbery. This is the distance between the place you are going to be left from Manuel Tienda León Service and the hotel:

[[File:AvMaderoIBIS.png]]

From there, you have different options to the hotel.

=== By subway ===

Take the subway, line C, in Retiro station (terminal station), until Diagonal Norte station, where you have two different lines to make combination: line B and line D. There you'll have to take line B (Carlos Pellegrini station) in direction to Los Incas, until Uruguay or Callao (they are at the same distance from the hotel). You can also walk from Diagonal Norte to the hotel, it's a nice walk through Corrientes Av. and Callao Av.

=== By taxi ===

You can take a cab on the intersection of Madero Av. and San Martín, and it should cost you around 30-40 argentinean pesos. In Argentina the tariff is fixed by an automatic system that you can see in front of the passenger's seat.

== Getting around Buenos Aires ==

=== Subway maps ===

* [https://en.wikipedia.org/wiki/Buenos_Aires_Underground Buenos Aires subway information]
* [https://upload.wikimedia.org/wikipedia/commons/5/5f/Subtes-2015.svg Subway map]

=== Bus routes and maps ===

* [http://www.omnilineas.com/argentina/buenos-aires/city-bus/ Buenos Aires bus routes - interactive]

=== Bus and subway tickets ===
Public transport in Buenos Aires does have a transit card named SUBE - but in order to get it you may need to have a worker ID provided by the government. you can find a map of places to purchase SUBE [http://www.sube.gob.ar/centros-de-obtencion-sube/ here].

So the best way to purchase tickets is to simply pay cash. You can pay on the bus with coins. The cheapest ticket is 1.50 and it goes up to 2.25 pesos depending on the distance you travel.

If you prefer the subway, you can buy passes separately, each 2.50; you can also buy 5 passes or 10 in the same ticket.

== Record shops ==

One block away from the conference venue, Silbando Discos, selection from Argentine and International independant music, inside Centro Cultural de la Cooperacion, Corrientes 1543, open 12:30 - 21:00

== Food, drink, entertainment in Buenos Aires ==
* enter information here

== Visa requirements ==

Here you will find a detailed list of countries that need Visa to get into Argentina. However, you should confirm this information on the website of the [http://www.mininterior.gov.ar/tramites/migraciones/tramMIGRegimenVisas.php?idName=tram&idNameSubMenu=tramMigraciones&idNameSubMenuDer=tramMIGRegimenVisas Minister of Interior and Transport of Argentina]. If you determine you do need a visa, you may request a visa support letter from Creative Commons and the conference organisers [https://docs.google.com/a/creativecommons.org/forms/d/1kdRXbjEsrraRRfMxOUoIhkUIIx5hvSSGffMOdtv6JMw/viewform here].

{| class="wikitable" border="1" align = "center" style="width: 60%;"
! Country
! Diplomatic or service passport
! Standard or regular passport
|- align = "center"
| '''Australia'''
| style="background:Violet" align = "center" | Yes
| No
|-
| Austria
| No
| No
|-
| '''Azerbaijan'''
| No
| style="background:Violet" align="center" | Yes
|-
| Belgium
| No
| No
|-
| Brazil
| No
| No
|-
| Bulgaria
| No
| No
|-
| '''Canada'''
| style="background:Violet" align="center" | Yes
| No
|-
| Chile
| No
| No
|-
| '''China Mainland'''
| No
| style="background:Violet" align="center" | Yes
|-
| Colombia
| No
| No
|-
| Costa Rica
| No
| No
|-
| Croatia
| No
| No
|-
| Cszech Republic
| No
| No
|-
| Denmark
| No
| No
|-
| Ecuador
| No
| No
|-
| '''Egypt'''
| No
| style="background:Violet" align="center" | Yes
|-
| Estonia
| No
| No
|-
| Finland
| No
| No
|-
| France
| No
| No
|-
| '''Georgia'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Germany
| No
| No
|-
| Greece
| No
| No
|-
| Guatemala
| No
| No
|-
| Hong Kong
| No
| No
|-
| Hungary
| No
| No
|-
| Iceland
| No
| No
|-
| '''Indonesia'''
| No
| style="background:Violet" align="center" | Yes
|-
| '''Ireland'''
| style="background:Violet" align="center" | Yes
| No
|-
| Israel
| No
| No
|-
| Italy
| No
| No
|-
| Japan
| No
| No
|-
| '''Kenya'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| '''Lebanon'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Lithuania
| No
| No
|-
| Luxembourg
| No
| No
|-
| Macau
| No
| No
|-
| '''Macedonia'''
| style="background:Violet" align="center" | Yes
| No
|-
| Malaysia
| No
| No
|-
| Mexico
| No
| No
|-
| Netherlands
| No
| No
|-
| New Zealand
| No
| No
|-
| '''Nigeria'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Norway
| No
| No
|-
| Paraguay
| No
| No
|-
| Peru
| No
| No
|-
| '''Philippines'''
| No
| style="background:Violet" align="center" | Yes
|-
| Poland
| No
| No
|-
| Portugal
| No
| No
|-
| '''Puerto Rico'''
| style="background:Violet" align="center" | Yes
| No
|-
| '''Qatar'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Romania
| No
| No
|-
| Russia
| No
| No
|-
| '''Rwanda'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Serbia
| No
| No
|-
| Singapore
| No
| No
|-
| Slovakia
| No
| No
|-
| Slovenia
| No
| No
|-
| South Africa
| No
| No
|-
| South Korea
| No
| No
|-
| Spain
| No
| No
|-
| Sweden
| No
| No
|-
| Switzerland
| No
| No
|-
| '''Syria'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| '''Taiwan'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| '''Tanzania'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Thailand
| No
| No
|-
| UK: England and Wales
| No
| No
|-
| UK: Scotland
| No
| No
|-
| '''Uganda'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Uruguay
| No
| No
|-
| Ukraine
| No
| No
|-
| Venezuela
| No
| No
|-
| '''Vietnam'''
| No
| style="background:Violet" align="center" | Yes
|- bgcolor = "Lavender"
|}

Global Summit 2013/Logistics

2013-08-21T02:57:35Z

Melanieddr: /* Record shops */

== Summit venue ==

The Global Summit will take place at the [https://en.wikipedia.org/wiki/Centro_Cultural_General_San_Mart%C3%ADn Centro Cultural General San Martín], located on Sarmiento 1551, between Paraná and Montevideo streets, in the City of Buenos Aires. The Center is located in the heart of the city and it is a walking distance from the hotel.

[[Image:Mapa_CCSM.png|link=https://maps.google.com.ar/maps?q=Sarmiento+1551,+Capital+Federal&hl=es&ie=UTF8&sll=-38.452918,-63.598921&sspn=36.170671,86.044922&oq=Sarmiento+1551,+capital&hnear=Sarmiento+1551,+San+Nicol%C3%A1s,+Buenos+Aires&t=m&z=16]]

More information about the Summit venue, and venues for other Summit events, can be found on the [[Global_Summit_2013/Venues | Venues]] page.

== Accommodation ==

CC staff and sponsored attendees to the Summit will be staying at the following hotel, which is a 10 minute walk from the venue:

[http://www.ibis.com/gb/hotel-3251-ibis-buenos-aires/index.shtml IBIS CONGRESSO]

HIPOLITO YRIGOYEN 1592

CAPITAL FEDERAL

1089 - BUENOS AIRES

ARGENTINA

TEL : (+54)11/ 53005555

FAX : (+54)11/ 53005566

GENERAL INFORMATION: H3251@ACCOR.COM

CONTACT ADDRESS FOR CC SUMMIT: Andrea Gago, h3251-sl@accor.com. When writing to her, please, specifically say that you are within the CC Global Summit group, even if CC is not funding your accommodation.

GPS: S 34° 36' 40.01'' W 58° 23' 20.89''

The venue is located in the center of Buenos Aires, and there are many hotels in the immediate vicinity available through hotel booking sites such as Expedia, hotel.com and booking.com.

== General information about Buenos Aires ==

* [https://en.wikipedia.org/wiki/Buenos_Aires Wikipedia article on Buenos Aires]
* [https://en.wikivoyage.org/wiki/Buenos_aires Wikivoyage article on Buenos Aires]

== Getting to and from the airport ==

You can check the information available in [http://en.wikivoyage.org/wiki/Buenos_Aires#Get_in WikiVoyage].

We have put together a google document for those people wanting to [https://docs.google.com/a/creativecommons.org/spreadsheet/ccc?key=0AqbVDkEWrYlQdHV4RkRYQ1dVRjRRanliS0NWMlFLN2c#gid=0 share rides] to and from the airport. There are separate sheets for arrivals and departures. It is your responsibility to arrange a meet up time and place. Please only add your details here if you are willing to be contacted directly by others on the list.

=== By bus - recommended ===

We strongly recommend you to hire the service of [http://www.tiendaleon.com.ar/home/home.asp# Manuel Tienda León]. If you arrive to Ezeiza international airport, you can take the service from there that will leave you in Madero Av. and San Martín, where you will find Plaza San Martín. They also run a service from Jorge Newbery. This is the distance between the place you are going to be left from Manuel Tienda León Service and the hotel:

[[File:AvMaderoIBIS.png]]

From there, you have different options to the hotel.

=== By subway ===

Take the subway, line C, in Retiro station (terminal station), until Diagonal Norte station, where you have two different lines to make combination: line B and line D. There you'll have to take line B (Carlos Pellegrini station) in direction to Los Incas, until Uruguay or Callao (they are at the same distance from the hotel). You can also walk from Diagonal Norte to the hotel, it's a nice walk through Corrientes Av. and Callao Av.

=== By taxi ===

You can take a cab on the intersection of Madero Av. and San Martín, and it should cost you around 30-40 argentinean pesos. In Argentina the tariff is fixed by an automatic system that you can see in front of the passenger's seat.

== Getting around Buenos Aires ==

=== Subway maps ===

* [https://en.wikipedia.org/wiki/Buenos_Aires_Underground Buenos Aires subway information]
* [https://upload.wikimedia.org/wikipedia/commons/5/5f/Subtes-2015.svg Subway map]

=== Bus routes and maps ===

* [http://www.omnilineas.com/argentina/buenos-aires/city-bus/ Buenos Aires bus routes - interactive]

=== Bus and subway tickets ===
Public transport in Buenos Aires does have a transit card named SUBE - but in order to get it you may need to have a worker ID provided by the government. you can find a map of places to purchase SUBE [http://www.sube.gob.ar/centros-de-obtencion-sube/ here].

So the best way to purchase tickets is to simply pay cash. You can pay on the bus with coins. The cheapest ticket is 1.50 and it goes up to 2.25 pesos depending on the distance you travel.

If you prefer the subway, you can buy passes separately, each 2.50; you can also buy 5 passes or 10 in the same ticket.

== Record shops ==

One block away from the conference venue, Silbando Discos, selection from Argentine and International independant music
Inside Centro Cultural de la Cooperacion, Corrientes 1543, open 12:30 - 21:00

== Food, drink, entertainment in Buenos Aires ==
* enter information here

== Visa requirements ==

Here you will find a detailed list of countries that need Visa to get into Argentina. However, you should confirm this information on the website of the [http://www.mininterior.gov.ar/tramites/migraciones/tramMIGRegimenVisas.php?idName=tram&idNameSubMenu=tramMigraciones&idNameSubMenuDer=tramMIGRegimenVisas Minister of Interior and Transport of Argentina]. If you determine you do need a visa, you may request a visa support letter from Creative Commons and the conference organisers [https://docs.google.com/a/creativecommons.org/forms/d/1kdRXbjEsrraRRfMxOUoIhkUIIx5hvSSGffMOdtv6JMw/viewform here].

{| class="wikitable" border="1" align = "center" style="width: 60%;"
! Country
! Diplomatic or service passport
! Standard or regular passport
|- align = "center"
| '''Australia'''
| style="background:Violet" align = "center" | Yes
| No
|-
| Austria
| No
| No
|-
| '''Azerbaijan'''
| No
| style="background:Violet" align="center" | Yes
|-
| Belgium
| No
| No
|-
| Brazil
| No
| No
|-
| Bulgaria
| No
| No
|-
| '''Canada'''
| style="background:Violet" align="center" | Yes
| No
|-
| Chile
| No
| No
|-
| '''China Mainland'''
| No
| style="background:Violet" align="center" | Yes
|-
| Colombia
| No
| No
|-
| Costa Rica
| No
| No
|-
| Croatia
| No
| No
|-
| Cszech Republic
| No
| No
|-
| Denmark
| No
| No
|-
| Ecuador
| No
| No
|-
| '''Egypt'''
| No
| style="background:Violet" align="center" | Yes
|-
| Estonia
| No
| No
|-
| Finland
| No
| No
|-
| France
| No
| No
|-
| '''Georgia'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Germany
| No
| No
|-
| Greece
| No
| No
|-
| Guatemala
| No
| No
|-
| Hong Kong
| No
| No
|-
| Hungary
| No
| No
|-
| Iceland
| No
| No
|-
| '''Indonesia'''
| No
| style="background:Violet" align="center" | Yes
|-
| '''Ireland'''
| style="background:Violet" align="center" | Yes
| No
|-
| Israel
| No
| No
|-
| Italy
| No
| No
|-
| Japan
| No
| No
|-
| '''Kenya'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| '''Lebanon'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Lithuania
| No
| No
|-
| Luxembourg
| No
| No
|-
| Macau
| No
| No
|-
| '''Macedonia'''
| style="background:Violet" align="center" | Yes
| No
|-
| Malaysia
| No
| No
|-
| Mexico
| No
| No
|-
| Netherlands
| No
| No
|-
| New Zealand
| No
| No
|-
| '''Nigeria'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Norway
| No
| No
|-
| Paraguay
| No
| No
|-
| Peru
| No
| No
|-
| '''Philippines'''
| No
| style="background:Violet" align="center" | Yes
|-
| Poland
| No
| No
|-
| Portugal
| No
| No
|-
| '''Puerto Rico'''
| style="background:Violet" align="center" | Yes
| No
|-
| '''Qatar'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Romania
| No
| No
|-
| Russia
| No
| No
|-
| '''Rwanda'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Serbia
| No
| No
|-
| Singapore
| No
| No
|-
| Slovakia
| No
| No
|-
| Slovenia
| No
| No
|-
| South Africa
| No
| No
|-
| South Korea
| No
| No
|-
| Spain
| No
| No
|-
| Sweden
| No
| No
|-
| Switzerland
| No
| No
|-
| '''Syria'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| '''Taiwan'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| '''Tanzania'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Thailand
| No
| No
|-
| UK: England and Wales
| No
| No
|-
| UK: Scotland
| No
| No
|-
| '''Uganda'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Uruguay
| No
| No
|-
| Ukraine
| No
| No
|-
| Venezuela
| No
| No
|-
| '''Vietnam'''
| No
| style="background:Violet" align="center" | Yes
|- bgcolor = "Lavender"
|}

Global Summit 2013/Logistics

2013-08-21T02:56:04Z

Melanieddr:

== Summit venue ==

The Global Summit will take place at the [https://en.wikipedia.org/wiki/Centro_Cultural_General_San_Mart%C3%ADn Centro Cultural General San Martín], located on Sarmiento 1551, between Paraná and Montevideo streets, in the City of Buenos Aires. The Center is located in the heart of the city and it is a walking distance from the hotel.

[[Image:Mapa_CCSM.png|link=https://maps.google.com.ar/maps?q=Sarmiento+1551,+Capital+Federal&hl=es&ie=UTF8&sll=-38.452918,-63.598921&sspn=36.170671,86.044922&oq=Sarmiento+1551,+capital&hnear=Sarmiento+1551,+San+Nicol%C3%A1s,+Buenos+Aires&t=m&z=16]]

More information about the Summit venue, and venues for other Summit events, can be found on the [[Global_Summit_2013/Venues | Venues]] page.

== Accommodation ==

CC staff and sponsored attendees to the Summit will be staying at the following hotel, which is a 10 minute walk from the venue:

[http://www.ibis.com/gb/hotel-3251-ibis-buenos-aires/index.shtml IBIS CONGRESSO]

HIPOLITO YRIGOYEN 1592

CAPITAL FEDERAL

1089 - BUENOS AIRES

ARGENTINA

TEL : (+54)11/ 53005555

FAX : (+54)11/ 53005566

GENERAL INFORMATION: H3251@ACCOR.COM

CONTACT ADDRESS FOR CC SUMMIT: Andrea Gago, h3251-sl@accor.com. When writing to her, please, specifically say that you are within the CC Global Summit group, even if CC is not funding your accommodation.

GPS: S 34° 36' 40.01'' W 58° 23' 20.89''

The venue is located in the center of Buenos Aires, and there are many hotels in the immediate vicinity available through hotel booking sites such as Expedia, hotel.com and booking.com.

== General information about Buenos Aires ==

* [https://en.wikipedia.org/wiki/Buenos_Aires Wikipedia article on Buenos Aires]
* [https://en.wikivoyage.org/wiki/Buenos_aires Wikivoyage article on Buenos Aires]

== Getting to and from the airport ==

You can check the information available in [http://en.wikivoyage.org/wiki/Buenos_Aires#Get_in WikiVoyage].

We have put together a google document for those people wanting to [https://docs.google.com/a/creativecommons.org/spreadsheet/ccc?key=0AqbVDkEWrYlQdHV4RkRYQ1dVRjRRanliS0NWMlFLN2c#gid=0 share rides] to and from the airport. There are separate sheets for arrivals and departures. It is your responsibility to arrange a meet up time and place. Please only add your details here if you are willing to be contacted directly by others on the list.

=== By bus - recommended ===

We strongly recommend you to hire the service of [http://www.tiendaleon.com.ar/home/home.asp# Manuel Tienda León]. If you arrive to Ezeiza international airport, you can take the service from there that will leave you in Madero Av. and San Martín, where you will find Plaza San Martín. They also run a service from Jorge Newbery. This is the distance between the place you are going to be left from Manuel Tienda León Service and the hotel:

[[File:AvMaderoIBIS.png]]

From there, you have different options to the hotel.

=== By subway ===

Take the subway, line C, in Retiro station (terminal station), until Diagonal Norte station, where you have two different lines to make combination: line B and line D. There you'll have to take line B (Carlos Pellegrini station) in direction to Los Incas, until Uruguay or Callao (they are at the same distance from the hotel). You can also walk from Diagonal Norte to the hotel, it's a nice walk through Corrientes Av. and Callao Av.

=== By taxi ===

You can take a cab on the intersection of Madero Av. and San Martín, and it should cost you around 30-40 argentinean pesos. In Argentina the tariff is fixed by an automatic system that you can see in front of the passenger's seat.

== Getting around Buenos Aires ==

=== Subway maps ===

* [https://en.wikipedia.org/wiki/Buenos_Aires_Underground Buenos Aires subway information]
* [https://upload.wikimedia.org/wikipedia/commons/5/5f/Subtes-2015.svg Subway map]

=== Bus routes and maps ===

* [http://www.omnilineas.com/argentina/buenos-aires/city-bus/ Buenos Aires bus routes - interactive]

=== Bus and subway tickets ===
Public transport in Buenos Aires does have a transit card named SUBE - but in order to get it you may need to have a worker ID provided by the government. you can find a map of places to purchase SUBE [http://www.sube.gob.ar/centros-de-obtencion-sube/ here].

So the best way to purchase tickets is to simply pay cash. You can pay on the bus with coins. The cheapest ticket is 1.50 and it goes up to 2.25 pesos depending on the distance you travel.

If you prefer the subway, you can buy passes separately, each 2.50; you can also buy 5 passes or 10 in the same ticket.

== Record shops ==

One block away from the conference venue, Silbando Discos
Inside Centro Cultural de la Cooperacion, Corrientes 1543
Selection from Argentine and International independant music

== Food, drink, entertainment in Buenos Aires ==
* enter information here

== Visa requirements ==

Here you will find a detailed list of countries that need Visa to get into Argentina. However, you should confirm this information on the website of the [http://www.mininterior.gov.ar/tramites/migraciones/tramMIGRegimenVisas.php?idName=tram&idNameSubMenu=tramMigraciones&idNameSubMenuDer=tramMIGRegimenVisas Minister of Interior and Transport of Argentina]. If you determine you do need a visa, you may request a visa support letter from Creative Commons and the conference organisers [https://docs.google.com/a/creativecommons.org/forms/d/1kdRXbjEsrraRRfMxOUoIhkUIIx5hvSSGffMOdtv6JMw/viewform here].

{| class="wikitable" border="1" align = "center" style="width: 60%;"
! Country
! Diplomatic or service passport
! Standard or regular passport
|- align = "center"
| '''Australia'''
| style="background:Violet" align = "center" | Yes
| No
|-
| Austria
| No
| No
|-
| '''Azerbaijan'''
| No
| style="background:Violet" align="center" | Yes
|-
| Belgium
| No
| No
|-
| Brazil
| No
| No
|-
| Bulgaria
| No
| No
|-
| '''Canada'''
| style="background:Violet" align="center" | Yes
| No
|-
| Chile
| No
| No
|-
| '''China Mainland'''
| No
| style="background:Violet" align="center" | Yes
|-
| Colombia
| No
| No
|-
| Costa Rica
| No
| No
|-
| Croatia
| No
| No
|-
| Cszech Republic
| No
| No
|-
| Denmark
| No
| No
|-
| Ecuador
| No
| No
|-
| '''Egypt'''
| No
| style="background:Violet" align="center" | Yes
|-
| Estonia
| No
| No
|-
| Finland
| No
| No
|-
| France
| No
| No
|-
| '''Georgia'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Germany
| No
| No
|-
| Greece
| No
| No
|-
| Guatemala
| No
| No
|-
| Hong Kong
| No
| No
|-
| Hungary
| No
| No
|-
| Iceland
| No
| No
|-
| '''Indonesia'''
| No
| style="background:Violet" align="center" | Yes
|-
| '''Ireland'''
| style="background:Violet" align="center" | Yes
| No
|-
| Israel
| No
| No
|-
| Italy
| No
| No
|-
| Japan
| No
| No
|-
| '''Kenya'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| '''Lebanon'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Lithuania
| No
| No
|-
| Luxembourg
| No
| No
|-
| Macau
| No
| No
|-
| '''Macedonia'''
| style="background:Violet" align="center" | Yes
| No
|-
| Malaysia
| No
| No
|-
| Mexico
| No
| No
|-
| Netherlands
| No
| No
|-
| New Zealand
| No
| No
|-
| '''Nigeria'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Norway
| No
| No
|-
| Paraguay
| No
| No
|-
| Peru
| No
| No
|-
| '''Philippines'''
| No
| style="background:Violet" align="center" | Yes
|-
| Poland
| No
| No
|-
| Portugal
| No
| No
|-
| '''Puerto Rico'''
| style="background:Violet" align="center" | Yes
| No
|-
| '''Qatar'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Romania
| No
| No
|-
| Russia
| No
| No
|-
| '''Rwanda'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Serbia
| No
| No
|-
| Singapore
| No
| No
|-
| Slovakia
| No
| No
|-
| Slovenia
| No
| No
|-
| South Africa
| No
| No
|-
| South Korea
| No
| No
|-
| Spain
| No
| No
|-
| Sweden
| No
| No
|-
| Switzerland
| No
| No
|-
| '''Syria'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| '''Taiwan'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| '''Tanzania'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Thailand
| No
| No
|-
| UK: England and Wales
| No
| No
|-
| UK: Scotland
| No
| No
|-
| '''Uganda'''
| style="background:Violet" align="center" | Yes
| style="background:Violet" align="center" | Yes
|-
| Uruguay
| No
| No
|-
| Ukraine
| No
| No
|-
| Venezuela
| No
| No
|-
| '''Vietnam'''
| No
| style="background:Violet" align="center" | Yes
|- bgcolor = "Lavender"
|}

Talk:Publicdomain/zero/1.0/LegalText (French)

2013-07-16T09:05:08Z

Melanieddr:

== Message de Creative Commons France, 25 mai 2013, merci de conserver le texte ==

CC0 permet aux auteurs de transférer leurs oeuvres dans le domaine public.
Voici le résumé explicatif : [http://creativecommons.org/publicdomain/zero/1.0/deed.fr]

Après une première traduction par la communauté Framasoft fin 2010 ([http://www.framablog.org/index.php/post/2010/10/15/proposition-traduction-licence-creative-commons-zero-1.0-cc0]) éditée par Creative Commons France et transmise à Creative Commons début 2011, Creative Commons a lancé le processus d'internationalisation de CC0 il y a quelques semaines.

Il ne s'agit pas d'une adaptation juridique, mais d'une traduction linguistique, qui implique donc les pays francophones au delà de la France.
Une période de discussion pour relire et améliorer la traduction avant sa publication est prévue.
Merci d'inscrire ci-dessous vos éventuels commentaires et propositions d'amélioration d'ici le 9 juillet. Nous espérons que le texte sera enfin publié à la rentrée de septembre 2013.
--

Petites coquilles :

OEUVRES (x2) - ŒUVRES

DELIVRÉES (x2) - DÉLIVRÉES

ulterieure - ultérieure

-- autres repérées par Lionel Maurel :

- Fond prend toujours un "s" employé dans ce sens : fonds commun.

- "de redistribuer aussi librement que possible dans n'importe quelle forme" : j'aurais dit plutôt "sous n'importe quelle forme".
--

France

2013-02-10T19:56:52Z

Melanieddr:

{{Jurisdiction
|jurstatus=Active
|status=3.0
|country code=fr
|homepage=http://creativecommons.fr/
|mailing list=mailto:cc-fr@lists.ibiblio.org
|twitter=http://fr.twitter.com/#!/cc_france
|social=http://www.facebook.com/pages/Creative-Commons-FR-officiel/141722085902494?v=wall
|mailing=CERSA
10 rue Thenard
75005 Paris
|region=Europe
|affiliated=Research Center in Administrative Science (CERSA)
|affurl=http://www.cersa.org/
|afftype=academic institution
|plead1=Danièle Bourcier
|pemail1=ccfr@ibiblio.org
|ptitle1=Scientific Project Lead
|plead2=Melanie Dulong de Rosnay
|ptitle2=Legal Project Lead
|plead3=Primavera De Filippi
|ptitle3=Legal experts
|plead4=Lara Beswick
|ptitle4=Music & Art communities
|plead5=Isabelle Ramade
|ptitle5=Open Education Resources
|teamsize=6
|flagurl=http://creativecommons.org/images/international/fr.png
}}
The 3.0 French licenses are live!
Please view the license draft [[France 3.0 Draft|here]] and see the discussion comments [[Talk:France 3.0 Draft|here]].

Visit the [http://creativecommons.fr/ jurisdiction's website].

The Creative Commons France license suite is available in version 3.0. [http://creativecommons.org/choose/?jurisdiction=fr License your work] under these licenses, or [http://creativecommons.org/choose choose] the international licenses. [http://wiki.creativecommons.org/FAQ#Should_I_choose_an_international_license_or_a_ported_license.3F More info].

Many thanks to all who contributed to the localization of the license suite.

Creative Commons is working with [http://www.cersa.org/ CERSA] to create France jurisdiction-specific licenses from the generic Creative Commons licenses.

=CC France List=

Project Lead: [mailto:ccfr@ibiblio.org Danièle Bourcier]

*[http://mirrors.creativecommons.org/international/fr/translated-license.pdf License Draft 1.0]
*[http://mirrors.creativecommons.org/international/fr/english-changes.pdf English explanation of substantive legal changes 1.0]
*[http://fr.creativecommons.org/ Creative Commons France website]
*[mailto:cc-fr%20-at-%20lists.ibiblio.org Post a message]
*[http://lists.ibiblio.org/mailman/listinfo/cc-fr/ Subscribe to the discussion]
*[http://lists.ibiblio.org/pipermail/cc-fr/ Read the discussion archives]

=More about CERSA=

Founded in 1967, the Research Center in Administrative Science (CERSA) is a joint research institute of the University of Paris 2 and the National Center for Scientific Research (CNRS). Dedicated to the study of administrative phenomena at all levels, CERSA is host to researchers in public law, political science and sociology. The research group in Information Technologies, Law and Linguistics (IDL) works on Information Technologies regulation, governance, normative process and legal modelling. It also develops cognitive interfaces and applications within local and European projects and networks.

For more information about CERSA, visit http://www.cersa.org/

[[Collecting Society Projects/France]]

=Affiliate Team Roadmap=

* Date submitted: 22 December 2010
* Timespan of this roadmap: 2011

== Team information ==
Jurisdiction: France

Complete list of all members of the Affiliate Team, their roles, and field(s) of expertise
*Danièle Bourcier, Scientific project lead
*Melanie Dulong de Rosnay, Legal project lead
*Primavera De Filippi & Meritxell Fernandez-Barrera, Legal experts
*Lara Beswick, Music & Art communities
*Isabelle Ramade et Francois Dechelle, Open Education Resources
* Camille Domange, Institutional Relations

Date of earliest MOU in jurisdiction: 2003

Self-Identified Region(s), i.e. Europe, Africa, Asia-Pacific, Latin America, North America, Arab world: Europe

Why do you identify yourself as being part of the listed region(s)? CC France members participate to CC Europe meetings.

==Vision==

* Why is Creative Commons important for the jurisdiction? Because France recently enacted two controversial law with regard to author's rights. There is also a stronger need to counter the growing powers of the SACEM.

* What do you think makes a successful jurisdiction project? To participate to the current debate against the growing powers assigned to the SACEM. For instance, to help reach an agreement with the SACEM.

* How do you see the jurisdiction project contributing to the CC Affiliate Network? Reporting on problems and reports on the experiences in France. To strengthen the relationships and to create a community with other CC jurisdictions.

===Community===

* Describe the communities that are currently active in the project.
Public Sector Information, Press, Music, Photography, Libraries.
** How will you continue to engage with these communities?
CC Salons, discussions and common research projects.

* Describe the communities (existing or new) that you plan to focus on during the timeframe covered by this roadmap?
Public Sector Information, Scientific communities, Education community, Wikimedia, Libraries.
** How do you plan to engage with these communities?
CC Salons, meetings, discussions and common research projects. Communication through the CC-FR website.

==Priority Goals==

1. Focus-area: Develop the core team by integrating new members and creating an advisory board. Raise funds.
* Why is it important? It will reinforce the project by giving more resources and ideas.
* Which communities will benefit? All communities, especially those who are not in the field of expertise of current team members
2. Focus-area: Education. Scientific publications and data. Public sector information.
* Why is it important? Science and education will advance quicker if resources are available under clear and open conditions. It is also important to re-establish and develop new links with institutions in France which has a long tradition of public sector and where CC can make an impact. In general, it is important to develop access to and dissemination of knowledge.
* Which communities will benefit? Researchers and educators in France, Europe and other countries. National and local governments and cultural institutions that will be approached for the benefit of the entire society.
3. Focus-area: Music Collecting Societies
* Why is it important? In order for artists to be able to benefit from the system of collecting societies, as well as the visibility they can derive from CC licenses. Also in order to remove misunderstandings.
* Which communities will benefit? Music community, industry and institutions in France, and eventually in other countries if we manage to reach an agreement case which could have spill-over effects.

==Project Outputs==

The outputs we plan to complete are as follows:

===1. Focus-area===
*Project Output: Integrate new team members and organize the work. Seek grants. Invite advisory board members and have a first meeting to define priorities. Transfer the website to Wordpress and finish the translations.
*Expected start date - Expected date of completion: 1-1-2011 / 30-6-2011
*Team Member(s) Responsible: Danièle and Melanie
*How will this output help achieve your goals? It will help reinforce and structure the project by providing more resources and visibility.
===2. Focus-area===
*Project Output: Meetings with researchers and stakeholders. Organize a workshop
*Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011
*Team Member(s) Responsible: Melanie and Francois
*How will this output help achieve your goals? Analysis of Open Science and Open Education movements in France needs structuration.
===3. Focus-area===
* Project Output: Meetings with institutions. A promotional video
* Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011
* Team Member(s) Responsible: Danièle, Primavera and Meritxell
* How will this output help achieve your goals?
Explain open licensing to institutions and to the public
===4. Focus-area===
* Project Output: meetings with SACEM
* Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011
* Team Member(s) Responsible: Danièle, Melanie and Lara
* How will this output help achieve your goals?
To make CC licenses compatible with collecting societies

==Metrics==

* How will you measure and evaluate your impact on focus-area 1?
**Number of new team members
**Representativity of advisory board members
* How will you measure and evaluate your impact on focus-area 2/3?
**Number of projects released under CC in the scientific/educational context (althought we do not consider this a goal per se).
**Awareness of CC licences in the scientific/educational context.
**Overall satisfaction of people who released their works under a CC licence.
* How will you measure and evaluate your impact on focus-area 4?
**a SACEM agreement
**the overall satisfaction of artists, in terms of financial returns.

==Resources Required==

===People===
* What human resources or expertise must the team seek out or add to your existing resources, if any, in order to achieve your priority goals? The team is complete : team members raised from 2 to 6. We need to create a board.
** How will you involve these people? Every one is a volunteer, taking upon their work and leisure time to work for CC-FR.

===Technology===
* What technology resources must the team seek out or add to your existing resources, if any, in order to achieve your priority goals? Video-cameras, laptops, and other goodies.
** How will you obtain these technology resources?
maybe after asking Santa Claus.

===Other===
* What other resources must the team seek out or add to all the other resources, if any, in order to achieve your priority goals? The possibility to find spaces to organize our CC salons.
Fundings for hotel / travel expenses for inviting people.
** How will you obtain these other resources? (that is the question)
Sponsorship maybe? And write grant applications.

==Sustainability and Scalability==

* How will you ensure your goals will be completed if unforeseen circumstances interrupt the project, such as changes in the leadership of the project or outputs taking longer to complete than anticipated? Improve team communication, share password and important information with each other.

* How will you communicate the project's on-going progress and setbacks within the jurisdiction and the CC Affiliate Network? (e.g. email list updates, meetings, press releases). website, mailing list and blogs.

* How will you document the project so that others may replicate or learn from your efforts? Raise money to collectively write a best-practices guide & case studies with the other CC teams.

==Collaboration==

** How could the jurisdiction's plans help drive or support other jurisdictions' activities? Case studies
** What are other jurisdictions doing that might support or contribute to the project? Case studies and best practices

* Would you be interested in mentoring new jurisdiction teams? Yes

* Conversely, would you be interested in having a mentor from a more experienced jurisdiction team? Yes

===Regional===

* Suggest three possible projects on which you can collaborate with other teams on a regional level. If you are not yet involved with the regional network, please contact the regional spokesperson (if any) or notify CC HQ to put you in touch with others.
CC Europe
Communia follow-up
CC Collecting Societies Working Group

** How do you plan to contribute to these projects?

==Translation==

* In what language(s) will you promote CC in the jurisdiction and why? French is the official language of France
** In which of these languages are licenses already available? CC0? In France, in progress
** Into which of the remaining languages do you intend to translate the licenses? CC0? French

==Misc.==

* Any additional comments? The structure of the roadmap is difficult to follow and some questions are not applicable to our case, sorry we did not answer 100% of the questions and happy to further discuss.

France

2013-02-10T19:55:54Z

Melanieddr:

{{Jurisdiction
|jurstatus=Active
|status=3.0
|country code=fr
|homepage=http://creativecommons.fr/
|mailing list=mailto:cc-fr@lists.ibiblio.org
|twitter=http://fr.twitter.com/#!/cc_france
|social=http://www.facebook.com/pages/Creative-Commons-FR-officiel/141722085902494?v=wall
|mailing=CERSA
10 rue Thenard
75005 Paris
|region=Europe
|affiliated=Research Center in Administrative Science (CERSA)
|affurl=http://www.cersa.org/
|afftype=academic institution
|plead1=Danièle Bourcier
|pemail1=ccfr@ibiblio.org
|ptitle1=Scientific Project Lead
|plead2=Melanie Dulong de Rosnay
|ptitle2=Legal Project Lead
|plead3=Primavera De Filippi and Meritxell Fernandez-Barrera
|ptitle3=Legal experts
|plead4=Lara Beswick
|ptitle4=Music & Art communities
|plead5=Francois Dechelle and Isabelle Ramade
|ptitle5=Open Education Resources
|teamsize=6
|flagurl=http://creativecommons.org/images/international/fr.png
}}
The 3.0 French licenses are live!
Please view the license draft [[France 3.0 Draft|here]] and see the discussion comments [[Talk:France 3.0 Draft|here]].

Visit the [http://creativecommons.fr/ jurisdiction's website].

The Creative Commons France license suite is available in version 3.0. [http://creativecommons.org/choose/?jurisdiction=fr License your work] under these licenses, or [http://creativecommons.org/choose choose] the international licenses. [http://wiki.creativecommons.org/FAQ#Should_I_choose_an_international_license_or_a_ported_license.3F More info].

Many thanks to all who contributed to the localization of the license suite.

Creative Commons is working with [http://www.cersa.org/ CERSA] to create France jurisdiction-specific licenses from the generic Creative Commons licenses.

=CC France List=

Project Lead: [mailto:ccfr@ibiblio.org Danièle Bourcier]

*[http://mirrors.creativecommons.org/international/fr/translated-license.pdf License Draft 1.0]
*[http://mirrors.creativecommons.org/international/fr/english-changes.pdf English explanation of substantive legal changes 1.0]
*[http://fr.creativecommons.org/ Creative Commons France website]
*[mailto:cc-fr%20-at-%20lists.ibiblio.org Post a message]
*[http://lists.ibiblio.org/mailman/listinfo/cc-fr/ Subscribe to the discussion]
*[http://lists.ibiblio.org/pipermail/cc-fr/ Read the discussion archives]

=More about CERSA=

Founded in 1967, the Research Center in Administrative Science (CERSA) is a joint research institute of the University of Paris 2 and the National Center for Scientific Research (CNRS). Dedicated to the study of administrative phenomena at all levels, CERSA is host to researchers in public law, political science and sociology. The research group in Information Technologies, Law and Linguistics (IDL) works on Information Technologies regulation, governance, normative process and legal modelling. It also develops cognitive interfaces and applications within local and European projects and networks.

For more information about CERSA, visit http://www.cersa.org/

[[Collecting Society Projects/France]]

=Affiliate Team Roadmap=

* Date submitted: 22 December 2010
* Timespan of this roadmap: 2011

== Team information ==
Jurisdiction: France

Complete list of all members of the Affiliate Team, their roles, and field(s) of expertise
*Danièle Bourcier, Scientific project lead
*Melanie Dulong de Rosnay, Legal project lead
*Primavera De Filippi & Meritxell Fernandez-Barrera, Legal experts
*Lara Beswick, Music & Art communities
*Isabelle Ramade et Francois Dechelle, Open Education Resources
* Camille Domange, Institutional Relations

Date of earliest MOU in jurisdiction: 2003

Self-Identified Region(s), i.e. Europe, Africa, Asia-Pacific, Latin America, North America, Arab world: Europe

Why do you identify yourself as being part of the listed region(s)? CC France members participate to CC Europe meetings.

==Vision==

* Why is Creative Commons important for the jurisdiction? Because France recently enacted two controversial law with regard to author's rights. There is also a stronger need to counter the growing powers of the SACEM.

* What do you think makes a successful jurisdiction project? To participate to the current debate against the growing powers assigned to the SACEM. For instance, to help reach an agreement with the SACEM.

* How do you see the jurisdiction project contributing to the CC Affiliate Network? Reporting on problems and reports on the experiences in France. To strengthen the relationships and to create a community with other CC jurisdictions.

===Community===

* Describe the communities that are currently active in the project.
Public Sector Information, Press, Music, Photography, Libraries.
** How will you continue to engage with these communities?
CC Salons, discussions and common research projects.

* Describe the communities (existing or new) that you plan to focus on during the timeframe covered by this roadmap?
Public Sector Information, Scientific communities, Education community, Wikimedia, Libraries.
** How do you plan to engage with these communities?
CC Salons, meetings, discussions and common research projects. Communication through the CC-FR website.

==Priority Goals==

1. Focus-area: Develop the core team by integrating new members and creating an advisory board. Raise funds.
* Why is it important? It will reinforce the project by giving more resources and ideas.
* Which communities will benefit? All communities, especially those who are not in the field of expertise of current team members
2. Focus-area: Education. Scientific publications and data. Public sector information.
* Why is it important? Science and education will advance quicker if resources are available under clear and open conditions. It is also important to re-establish and develop new links with institutions in France which has a long tradition of public sector and where CC can make an impact. In general, it is important to develop access to and dissemination of knowledge.
* Which communities will benefit? Researchers and educators in France, Europe and other countries. National and local governments and cultural institutions that will be approached for the benefit of the entire society.
3. Focus-area: Music Collecting Societies
* Why is it important? In order for artists to be able to benefit from the system of collecting societies, as well as the visibility they can derive from CC licenses. Also in order to remove misunderstandings.
* Which communities will benefit? Music community, industry and institutions in France, and eventually in other countries if we manage to reach an agreement case which could have spill-over effects.

==Project Outputs==

The outputs we plan to complete are as follows:

===1. Focus-area===
*Project Output: Integrate new team members and organize the work. Seek grants. Invite advisory board members and have a first meeting to define priorities. Transfer the website to Wordpress and finish the translations.
*Expected start date - Expected date of completion: 1-1-2011 / 30-6-2011
*Team Member(s) Responsible: Danièle and Melanie
*How will this output help achieve your goals? It will help reinforce and structure the project by providing more resources and visibility.
===2. Focus-area===
*Project Output: Meetings with researchers and stakeholders. Organize a workshop
*Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011
*Team Member(s) Responsible: Melanie and Francois
*How will this output help achieve your goals? Analysis of Open Science and Open Education movements in France needs structuration.
===3. Focus-area===
* Project Output: Meetings with institutions. A promotional video
* Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011
* Team Member(s) Responsible: Danièle, Primavera and Meritxell
* How will this output help achieve your goals?
Explain open licensing to institutions and to the public
===4. Focus-area===
* Project Output: meetings with SACEM
* Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011
* Team Member(s) Responsible: Danièle, Melanie and Lara
* How will this output help achieve your goals?
To make CC licenses compatible with collecting societies

==Metrics==

* How will you measure and evaluate your impact on focus-area 1?
**Number of new team members
**Representativity of advisory board members
* How will you measure and evaluate your impact on focus-area 2/3?
**Number of projects released under CC in the scientific/educational context (althought we do not consider this a goal per se).
**Awareness of CC licences in the scientific/educational context.
**Overall satisfaction of people who released their works under a CC licence.
* How will you measure and evaluate your impact on focus-area 4?
**a SACEM agreement
**the overall satisfaction of artists, in terms of financial returns.

==Resources Required==

===People===
* What human resources or expertise must the team seek out or add to your existing resources, if any, in order to achieve your priority goals? The team is complete : team members raised from 2 to 6. We need to create a board.
** How will you involve these people? Every one is a volunteer, taking upon their work and leisure time to work for CC-FR.

===Technology===
* What technology resources must the team seek out or add to your existing resources, if any, in order to achieve your priority goals? Video-cameras, laptops, and other goodies.
** How will you obtain these technology resources?
maybe after asking Santa Claus.

===Other===
* What other resources must the team seek out or add to all the other resources, if any, in order to achieve your priority goals? The possibility to find spaces to organize our CC salons.
Fundings for hotel / travel expenses for inviting people.
** How will you obtain these other resources? (that is the question)
Sponsorship maybe? And write grant applications.

==Sustainability and Scalability==

* How will you ensure your goals will be completed if unforeseen circumstances interrupt the project, such as changes in the leadership of the project or outputs taking longer to complete than anticipated? Improve team communication, share password and important information with each other.

* How will you communicate the project's on-going progress and setbacks within the jurisdiction and the CC Affiliate Network? (e.g. email list updates, meetings, press releases). website, mailing list and blogs.

* How will you document the project so that others may replicate or learn from your efforts? Raise money to collectively write a best-practices guide & case studies with the other CC teams.

==Collaboration==

** How could the jurisdiction's plans help drive or support other jurisdictions' activities? Case studies
** What are other jurisdictions doing that might support or contribute to the project? Case studies and best practices

* Would you be interested in mentoring new jurisdiction teams? Yes

* Conversely, would you be interested in having a mentor from a more experienced jurisdiction team? Yes

===Regional===

* Suggest three possible projects on which you can collaborate with other teams on a regional level. If you are not yet involved with the regional network, please contact the regional spokesperson (if any) or notify CC HQ to put you in touch with others.
CC Europe
Communia follow-up
CC Collecting Societies Working Group

** How do you plan to contribute to these projects?

==Translation==

* In what language(s) will you promote CC in the jurisdiction and why? French is the official language of France
** In which of these languages are licenses already available? CC0? In France, in progress
** Into which of the remaining languages do you intend to translate the licenses? CC0? French

==Misc.==

* Any additional comments? The structure of the roadmap is difficult to follow and some questions are not applicable to our case, sorry we did not answer 100% of the questions and happy to further discuss.

Legal Tools Translation/CC0/French

2013-02-08T19:41:37Z

Melanieddr: Created page with "{{CC0 Translation |jurisdictions=France |coordinationplan=Yes, French is spoken in many jurisdictions. We have been in contact with CC Tunisia who had agreed to participate to..."

{{CC0 Translation
|jurisdictions=France
|coordinationplan=Yes, French is spoken in many jurisdictions.
We have been in contact with CC Tunisia who had agreed to participate to the process, and we indicated to CC HQ that we would appreciate to be put in contact with affiliates of other French-speaking jurisdictions. We know Patrick in Luxembourg but don't know the new leads in Switzerland, Belgium, Canada and other francophone countries in Africa, Middle East and maybe Asia.
|date=2013/02/08
|draftdate=2011/05/04
|publicdate=2013/03/04
|publicenddate=2013/04/04
|end_date=2013/04/26
|process=Due to the urgent need to have a CC0 version in French while the Open Data movement required the use of texts in French for both public and Glam institutions, ODBL had a French version and the French Government was publishing a national Open License, the community (Framasoft) published a non-official draft translation of CC0 on 15 October 2010:
http://www.framablog.org/index.php/post/2010/10/15/proposition-traduction-licence-creative-commons-zero-1.0-cc0

CC France legal team members (Danièle, Melanie and Primavera) revised, edited and submitted a first draft to CC HQ legal team on 4 May 2011. The draft was later published:
http://wiki.creativecommons.org/Publicdomain/zero/1.0/LegalText_%28French%29

The public comment process and request for involvement of other affiliate teams from jurisdictions with the same official or primary language has been submitted in November 2012 to the request by CC HQ for comments on the CC0 Official Translations policy.
We would like to have a public consultation of 30 days as recommended by the policy, augmented to 45 days if needed.
Discussion will take place on CC-France mailing list, on the Discussion page of the CC HQ wiki page hosting the translation first draft, and if needed on the mailing-lists of the other jurisdictions.
We intend to reach out to the other relevant jurisdictions after an introduction by CC HQ. Each affiliate team will be responsible to inform the local communities through mailing-lists and social networks of the public comment period and if they choose to host a discussion on their mailing-list, to moderate it and post comments on the CC-France mailing list or on the Discussion page of the CC HQ wiki page hosting the translation first draft. An emphasis should be put on the fact that the translation is linguistic and not legal.

At the end of the public comment period, CC France team will implement relevant changes to improve the first draft.
|website=http://wiki.creativecommons.org/Publicdomain/zero/1.0/LegalText_%28French%29
|team=CC France team :
Danièle Bourcier
Primavera De Filippi
Camille Domange
Melanie Dulong de Rosnay

|affirm=Yes
|status=In Progress
}}

Book launch of ”The Digital Public Domain: Foundations for an Open Culture”

2012-06-16T06:28:46Z

Melanieddr: Created page with "{{Event |Event Name=Book launch of ”The Digital Public Domain: Foundations for an Open Culture” |Mainurl=http://www.communia-association.org/2012/06/13/book-launch-of-the-..."

{{Event
|Event Name=Book launch of ”The Digital Public Domain: Foundations for an Open Culture”
|Mainurl=http://www.communia-association.org/2012/06/13/book-launch-of-the-digital-public-domain-foundations-for-an-open-culture-brussels-june-18th-1830-2000/
|date=2012/06/18
|end_date=2012/06/18
|Location=Brussels, Belgium,
|EventType=Book launch,
|EventCategory=Communia, Free Culture, Open Access,
}}

Web and culture: open data for museum

2012-06-16T06:25:59Z

Melanieddr: Created page with "{{Event |Event Name=Web and culture: open data for museum |Mainurl=http://www.futur-en-seine.fr/evenement/web-et-culture-les-enjeux-de-demain/ |date=2012/06/19 |end_date=2012/..."

{{Event
|Event Name=Web and culture: open data for museum
|Mainurl=http://www.futur-en-seine.fr/evenement/web-et-culture-les-enjeux-de-demain/
|date=2012/06/19
|end_date=2012/06/19
|Location=Paris, France,
|EventType=Seminar,
|EventCategory=GLAM,
}}

France

2012-02-10T16:22:23Z

Melanieddr: /* Team information */

{{Jurisdiction
|jurstatus=Active
|status=3.0
|country code=fr
|homepage=http://creativecommons.fr/
|mailing list=mailto:cc-fr@lists.ibiblio.org
|twitter=http://fr.twitter.com/#!/cc_france
|social=http://www.facebook.com/pages/Creative-Commons-FR-officiel/141722085902494?v=wall
|mailing=CERSA
10 rue Thenard
75005 Paris
|region=Europe
|affiliated=Research Center in Administrative Science (CERSA)
|affurl=http://www.cersa.org/
|afftype=academic institution
|plead1=Danièle Bourcier
|pemail1=ccfr@ibiblio.org
|ptitle1=Scientific Project Lead
|plead2=Melanie Dulong de Rosnay
|ptitle2=Legal Project Lead
|plead3=Primavera De Filippi and Meritxell Fernandez-Barrera
|ptitle3=Legal experts
|plead4=Lara Beswick
|ptitle4=Music & Art communities
|plead5=Francois Dechelle and Isabelle Ramade
|ptitle5=Open Education Resources
|teamsize=6
|flagurl=http://creativecommons.org/images/international/fr.png
}}
The 3.0 French license draft is available for public comment!
Please view the license draft [[France 3.0 Draft|here]] and contribute to the discussion [[Talk:France 3.0 Draft|her]]e.

Visit the [http://creativecommons.fr/ jurisdiction's website].

The Creative Commons France license suite is available in the following version. [http://creativecommons.org/choose/?jurisdiction=fr License your work] under these licenses, or [http://creativecommons.org/choose choose] the international licenses. [http://wiki.creativecommons.org/FAQ#Should_I_choose_an_international_license_or_a_ported_license.3F More info].

Many thanks to all who contributed to the localization of the license suite.

Creative Commons is working with [http://www.cersa.org/ CERSA] to create France jurisdiction-specific licenses from the generic Creative Commons licenses.

=CC France List=

Project Lead: [mailto:ccfr@ibiblio.org Danièle Bourcier]

*[http://mirrors.creativecommons.org/international/fr/translated-license.pdf License Draft]
*[http://mirrors.creativecommons.org/international/fr/english-changes.pdf English explanation of substantive legal changes]
*[http://fr.creativecommons.org/ Creative Commons France website]
*[mailto:cc-fr%20-at-%20lists.ibiblio.org Post a message]
*[http://lists.ibiblio.org/mailman/listinfo/cc-fr/ Subscribe to the discussion]
*[http://lists.ibiblio.org/pipermail/cc-fr/ Read the discussion archives]

=More about CERSA=

Founded in 1967, the Research Center in Administrative Science (CERSA) is a joint research institute of the University of Paris 2 and the National Center for Scientific Research (CNRS). Dedicated to the study of administrative phenomena at all levels, CERSA is host to researchers in public law, political science and sociology. The research group in Information Technologies, Law and Linguistics (IDL) works on Information Technologies regulation, governance, normative process and legal modelling. It also develops cognitive interfaces and applications within local and European projects and networks.

For more information about CERSA, visit http://www.cersa.org/

[[Collecting Society Projects/France]]

=Affiliate Team Roadmap=

* Date submitted: 22 December 2010
* Timespan of this roadmap: 2011

== Team information ==
Jurisdiction: France

Complete list of all members of the Affiliate Team, their roles, and field(s) of expertise
*Danièle Bourcier, Scientific project lead
*Melanie Dulong de Rosnay, Legal project lead
*Primavera De Filippi & Meritxell Fernandez-Barrera, Legal experts
*Lara Beswick, Music & Art communities
*Isabelle Ramade et Francois Dechelle, Open Education Resources

Date of earliest MOU in jurisdiction: 2003

Self-Identified Region(s), i.e. Europe, Africa, Asia-Pacific, Latin America, North America, Arab world: Europe

Why do you identify yourself as being part of the listed region(s)? CC France members participate to CC Europe meetings.

==Vision==

* Why is Creative Commons important for the jurisdiction? Because France recently enacted two controversial law with regard to author's rights. There is also a stronger need to counter the growing powers of the SACEM.

* What do you think makes a successful jurisdiction project? To participate to the current debate against the growing powers assigned to the SACEM. For instance, to help reach an agreement with the SACEM.

* How do you see the jurisdiction project contributing to the CC Affiliate Network? Reporting on problems and reports on the experiences in France. To strengthen the relationships and to create a community with other CC jurisdictions.

===Community===

* Describe the communities that are currently active in the project.
Public Sector Information, Press, Music, Photography, Libraries.
** How will you continue to engage with these communities?
CC Salons, discussions and common research projects.

* Describe the communities (existing or new) that you plan to focus on during the timeframe covered by this roadmap?
Public Sector Information, Scientific communities, Education community, Wikimedia, Libraries.
** How do you plan to engage with these communities?
CC Salons, meetings, discussions and common research projects. Communication through the CC-FR website.

==Priority Goals==

1. Focus-area: Develop the core team by integrating new members and creating an advisory board. Raise funds.
* Why is it important? It will reinforce the project by giving more resources and ideas.
* Which communities will benefit? All communities, especially those who are not in the field of expertise of current team members
2. Focus-area: Education. Scientific publications and data. Public sector information.
* Why is it important? Science and education will advance quicker if resources are available under clear and open conditions. It is also important to re-establish and develop new links with institutions in France which has a long tradition of public sector and where CC can make an impact. In general, it is important to develop access to and dissemination of knowledge.
* Which communities will benefit? Researchers and educators in France, Europe and other countries. National and local governments and cultural institutions that will be approached for the benefit of the entire society.
3. Focus-area: Music Collecting Societies
* Why is it important? In order for artists to be able to benefit from the system of collecting societies, as well as the visibility they can derive from CC licenses. Also in order to remove misunderstandings.
* Which communities will benefit? Music community, industry and institutions in France, and eventually in other countries if we manage to reach an agreement case which could have spill-over effects.

==Project Outputs==

The outputs we plan to complete are as follows:

===1. Focus-area===
*Project Output: Integrate new team members and organize the work. Seek grants. Invite advisory board members and have a first meeting to define priorities. Transfer the website to Wordpress and finish the translations.
*Expected start date - Expected date of completion: 1-1-2011 / 30-6-2011
*Team Member(s) Responsible: Danièle and Melanie
*How will this output help achieve your goals? It will help reinforce and structure the project by providing more resources and visibility.
===2. Focus-area===
*Project Output: Meetings with researchers and stakeholders. Organize a workshop
*Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011
*Team Member(s) Responsible: Melanie and Francois
*How will this output help achieve your goals? Analysis of Open Science and Open Education movements in France needs structuration.
===3. Focus-area===
* Project Output: Meetings with institutions. A promotional video
* Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011
* Team Member(s) Responsible: Danièle, Primavera and Meritxell
* How will this output help achieve your goals?
Explain open licensing to institutions and to the public
===4. Focus-area===
* Project Output: meetings with SACEM
* Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011
* Team Member(s) Responsible: Danièle, Melanie and Lara
* How will this output help achieve your goals?
To make CC licenses compatible with collecting societies

==Metrics==

* How will you measure and evaluate your impact on focus-area 1?
**Number of new team members
**Representativity of advisory board members
* How will you measure and evaluate your impact on focus-area 2/3?
**Number of projects released under CC in the scientific/educational context (althought we do not consider this a goal per se).
**Awareness of CC licences in the scientific/educational context.
**Overall satisfaction of people who released their works under a CC licence.
* How will you measure and evaluate your impact on focus-area 4?
**a SACEM agreement
**the overall satisfaction of artists, in terms of financial returns.

==Resources Required==

===People===
* What human resources or expertise must the team seek out or add to your existing resources, if any, in order to achieve your priority goals? The team is complete : team members raised from 2 to 6. We need to create a board.
** How will you involve these people? Every one is a volunteer, taking upon their work and leisure time to work for CC-FR.

===Technology===
* What technology resources must the team seek out or add to your existing resources, if any, in order to achieve your priority goals? Video-cameras, laptops, and other goodies.
** How will you obtain these technology resources?
maybe after asking Santa Claus.

===Other===
* What other resources must the team seek out or add to all the other resources, if any, in order to achieve your priority goals? The possibility to find spaces to organize our CC salons.
Fundings for hotel / travel expenses for inviting people.
** How will you obtain these other resources? (that is the question)
Sponsorship maybe? And write grant applications.

==Sustainability and Scalability==

* How will you ensure your goals will be completed if unforeseen circumstances interrupt the project, such as changes in the leadership of the project or outputs taking longer to complete than anticipated? Improve team communication, share password and important information with each other.

* How will you communicate the project's on-going progress and setbacks within the jurisdiction and the CC Affiliate Network? (e.g. email list updates, meetings, press releases). website, mailing list and blogs.

* How will you document the project so that others may replicate or learn from your efforts? Raise money to collectively write a best-practices guide & case studies with the other CC teams.

==Collaboration==

** How could the jurisdiction's plans help drive or support other jurisdictions' activities? Case studies
** What are other jurisdictions doing that might support or contribute to the project? Case studies and best practices

* Would you be interested in mentoring new jurisdiction teams? Yes

* Conversely, would you be interested in having a mentor from a more experienced jurisdiction team? Yes

===Regional===

* Suggest three possible projects on which you can collaborate with other teams on a regional level. If you are not yet involved with the regional network, please contact the regional spokesperson (if any) or notify CC HQ to put you in touch with others.
CC Europe
Communia follow-up
CC Collecting Societies Working Group

** How do you plan to contribute to these projects?

==Translation==

* In what language(s) will you promote CC in the jurisdiction and why? French is the official language of France
** In which of these languages are licenses already available? CC0? In France, in progress
** Into which of the remaining languages do you intend to translate the licenses? CC0? French

==Misc.==

* Any additional comments? The structure of the roadmap is difficult to follow and some questions are not applicable to our case, sorry we did not answer 100% of the questions and happy to further discuss.

France

2012-02-10T15:53:07Z

Melanieddr:

{{Jurisdiction
|jurstatus=Active
|status=3.0
|country code=fr
|homepage=http://creativecommons.fr/
|mailing list=mailto:cc-fr@lists.ibiblio.org
|twitter=http://fr.twitter.com/#!/cc_france
|social=http://www.facebook.com/pages/Creative-Commons-FR-officiel/141722085902494?v=wall
|mailing=CERSA
10 rue Thenard
75005 Paris
|region=Europe
|affiliated=Research Center in Administrative Science (CERSA)
|affurl=http://www.cersa.org/
|afftype=academic institution
|plead1=Danièle Bourcier
|pemail1=ccfr@ibiblio.org
|ptitle1=Scientific Project Lead
|plead2=Melanie Dulong de Rosnay
|ptitle2=Legal Project Lead
|plead3=Primavera De Filippi and Meritxell Fernandez-Barrera
|ptitle3=Legal experts
|plead4=Lara Beswick
|ptitle4=Music & Art communities
|plead5=Francois Dechelle and Isabelle Ramade
|ptitle5=Open Education Resources
|teamsize=6
|flagurl=http://creativecommons.org/images/international/fr.png
}}
The 3.0 French license draft is available for public comment!
Please view the license draft [[France 3.0 Draft|here]] and contribute to the discussion [[Talk:France 3.0 Draft|her]]e.

Visit the [http://creativecommons.fr/ jurisdiction's website].

The Creative Commons France license suite is available in the following version. [http://creativecommons.org/choose/?jurisdiction=fr License your work] under these licenses, or [http://creativecommons.org/choose choose] the international licenses. [http://wiki.creativecommons.org/FAQ#Should_I_choose_an_international_license_or_a_ported_license.3F More info].

Many thanks to all who contributed to the localization of the license suite.

Creative Commons is working with [http://www.cersa.org/ CERSA] to create France jurisdiction-specific licenses from the generic Creative Commons licenses.

=CC France List=

Project Lead: [mailto:ccfr@ibiblio.org Danièle Bourcier]

*[http://mirrors.creativecommons.org/international/fr/translated-license.pdf License Draft]
*[http://mirrors.creativecommons.org/international/fr/english-changes.pdf English explanation of substantive legal changes]
*[http://fr.creativecommons.org/ Creative Commons France website]
*[mailto:cc-fr%20-at-%20lists.ibiblio.org Post a message]
*[http://lists.ibiblio.org/mailman/listinfo/cc-fr/ Subscribe to the discussion]
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=More about CERSA=

Founded in 1967, the Research Center in Administrative Science (CERSA) is a joint research institute of the University of Paris 2 and the National Center for Scientific Research (CNRS). Dedicated to the study of administrative phenomena at all levels, CERSA is host to researchers in public law, political science and sociology. The research group in Information Technologies, Law and Linguistics (IDL) works on Information Technologies regulation, governance, normative process and legal modelling. It also develops cognitive interfaces and applications within local and European projects and networks.

For more information about CERSA, visit http://www.cersa.org/

[[Collecting Society Projects/France]]

=Affiliate Team Roadmap=

* Date submitted: 22 December 2010
* Timespan of this roadmap: 2011

== Team information ==
Jurisdiction: France

Complete list of all members of the Affiliate Team, their roles, and field(s) of expertise
*Danièle Bourcier, Scientific project lead
*Melanie Dulong de Rosnay, Legal project lead
*Primavera De Filippi, Legal expert
*Meritxell Fernandez-Barrera, Legal expert
*Lara Beswick, Music & Art communities
*Francois Dechelle, Open Education Resources

Date of earliest MOU in jurisdiction: 2003

Self-Identified Region(s), i.e. Europe, Africa, Asia-Pacific, Latin America, North America, Arab world: Europe

Why do you identify yourself as being part of the listed region(s)? CC France members participate to CC Europe meetings.

==Vision==

* Why is Creative Commons important for the jurisdiction? Because France recently enacted two controversial law with regard to author's rights. There is also a stronger need to counter the growing powers of the SACEM.

* What do you think makes a successful jurisdiction project? To participate to the current debate against the growing powers assigned to the SACEM. For instance, to help reach an agreement with the SACEM.

* How do you see the jurisdiction project contributing to the CC Affiliate Network? Reporting on problems and reports on the experiences in France. To strengthen the relationships and to create a community with other CC jurisdictions.

===Community===

* Describe the communities that are currently active in the project.
Public Sector Information, Press, Music, Photography, Libraries.
** How will you continue to engage with these communities?
CC Salons, discussions and common research projects.

* Describe the communities (existing or new) that you plan to focus on during the timeframe covered by this roadmap?
Public Sector Information, Scientific communities, Education community, Wikimedia, Libraries.
** How do you plan to engage with these communities?
CC Salons, meetings, discussions and common research projects. Communication through the CC-FR website.

==Priority Goals==

1. Focus-area: Develop the core team by integrating new members and creating an advisory board. Raise funds.
* Why is it important? It will reinforce the project by giving more resources and ideas.
* Which communities will benefit? All communities, especially those who are not in the field of expertise of current team members
2. Focus-area: Education. Scientific publications and data. Public sector information.
* Why is it important? Science and education will advance quicker if resources are available under clear and open conditions. It is also important to re-establish and develop new links with institutions in France which has a long tradition of public sector and where CC can make an impact. In general, it is important to develop access to and dissemination of knowledge.
* Which communities will benefit? Researchers and educators in France, Europe and other countries. National and local governments and cultural institutions that will be approached for the benefit of the entire society.
3. Focus-area: Music Collecting Societies
* Why is it important? In order for artists to be able to benefit from the system of collecting societies, as well as the visibility they can derive from CC licenses. Also in order to remove misunderstandings.
* Which communities will benefit? Music community, industry and institutions in France, and eventually in other countries if we manage to reach an agreement case which could have spill-over effects.

==Project Outputs==

The outputs we plan to complete are as follows:

===1. Focus-area===
*Project Output: Integrate new team members and organize the work. Seek grants. Invite advisory board members and have a first meeting to define priorities. Transfer the website to Wordpress and finish the translations.
*Expected start date - Expected date of completion: 1-1-2011 / 30-6-2011
*Team Member(s) Responsible: Danièle and Melanie
*How will this output help achieve your goals? It will help reinforce and structure the project by providing more resources and visibility.
===2. Focus-area===
*Project Output: Meetings with researchers and stakeholders. Organize a workshop
*Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011
*Team Member(s) Responsible: Melanie and Francois
*How will this output help achieve your goals? Analysis of Open Science and Open Education movements in France needs structuration.
===3. Focus-area===
* Project Output: Meetings with institutions. A promotional video
* Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011
* Team Member(s) Responsible: Danièle, Primavera and Meritxell
* How will this output help achieve your goals?
Explain open licensing to institutions and to the public
===4. Focus-area===
* Project Output: meetings with SACEM
* Expected start date - Expected date of completion: 1-1-2011 / 31-12-2011
* Team Member(s) Responsible: Danièle, Melanie and Lara
* How will this output help achieve your goals?
To make CC licenses compatible with collecting societies

==Metrics==

* How will you measure and evaluate your impact on focus-area 1?
**Number of new team members
**Representativity of advisory board members
* How will you measure and evaluate your impact on focus-area 2/3?
**Number of projects released under CC in the scientific/educational context (althought we do not consider this a goal per se).
**Awareness of CC licences in the scientific/educational context.
**Overall satisfaction of people who released their works under a CC licence.
* How will you measure and evaluate your impact on focus-area 4?
**a SACEM agreement
**the overall satisfaction of artists, in terms of financial returns.

==Resources Required==

===People===
* What human resources or expertise must the team seek out or add to your existing resources, if any, in order to achieve your priority goals? The team is complete : team members raised from 2 to 6. We need to create a board.
** How will you involve these people? Every one is a volunteer, taking upon their work and leisure time to work for CC-FR.

===Technology===
* What technology resources must the team seek out or add to your existing resources, if any, in order to achieve your priority goals? Video-cameras, laptops, and other goodies.
** How will you obtain these technology resources?
maybe after asking Santa Claus.

===Other===
* What other resources must the team seek out or add to all the other resources, if any, in order to achieve your priority goals? The possibility to find spaces to organize our CC salons.
Fundings for hotel / travel expenses for inviting people.
** How will you obtain these other resources? (that is the question)
Sponsorship maybe? And write grant applications.

==Sustainability and Scalability==

* How will you ensure your goals will be completed if unforeseen circumstances interrupt the project, such as changes in the leadership of the project or outputs taking longer to complete than anticipated? Improve team communication, share password and important information with each other.

* How will you communicate the project's on-going progress and setbacks within the jurisdiction and the CC Affiliate Network? (e.g. email list updates, meetings, press releases). website, mailing list and blogs.

* How will you document the project so that others may replicate or learn from your efforts? Raise money to collectively write a best-practices guide & case studies with the other CC teams.

==Collaboration==

** How could the jurisdiction's plans help drive or support other jurisdictions' activities? Case studies
** What are other jurisdictions doing that might support or contribute to the project? Case studies and best practices

* Would you be interested in mentoring new jurisdiction teams? Yes

* Conversely, would you be interested in having a mentor from a more experienced jurisdiction team? Yes

===Regional===

* Suggest three possible projects on which you can collaborate with other teams on a regional level. If you are not yet involved with the regional network, please contact the regional spokesperson (if any) or notify CC HQ to put you in touch with others.
CC Europe
Communia follow-up
CC Collecting Societies Working Group

** How do you plan to contribute to these projects?

==Translation==

* In what language(s) will you promote CC in the jurisdiction and why? French is the official language of France
** In which of these languages are licenses already available? CC0? In France, in progress
** Into which of the remaining languages do you intend to translate the licenses? CC0? French

==Misc.==

* Any additional comments? The structure of the roadmap is difficult to follow and some questions are not applicable to our case, sorry we did not answer 100% of the questions and happy to further discuss.

Scholarship and critique regarding Creative Commons

2011-11-30T08:55:19Z

Melanieddr: /* 2004 */

These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.

==General Articles and Comments Related to CC and CC Related Topics==

===2011===

*Botero, Carolina & Cerda, Alberto. Creative Commons en América Latina: Una perspectiva comparada, in e-colabora “Revista de ciencia, educación, innovación y cultura apoyadas por Redes de Tecnología Avanzada”, Colombia, vol. 1, n. 2, 2011, pp. 1 – 15. [http://publicaciones.renata.edu.co/index.php/RCEC/article/download/43/pdf link]

*Bouchard, Paul. Las promesas de la red y sus implicaciones. Revista de Universidad y Sociedad del Conocimiento, RUSC, Vol. 8, n. 1, 2011, pp. 272-287. [http://rusc.uoc.edu/ojs/index.php/rusc/article/view/v8n1-bouchard/v8n1-bouchard link]

* Carroll MW , 2011 Why Full Open Access Matters. PLoS Biol 9(11): e1001210. doi:10.1371/journal.pbio.1001210 [http://www.plosbiology.org/article/info:doi%2F10.1371%2Fjournal.pbio.1001210 link]

* Anne M. Fitzgerald, Neale Hooper & Cheryl Foong, CC & Government Guide: Using Creative Commons 3.0 Australia Licences on Government Copyright Materials. [http://eprints.qut.edu.au/38364/ link]

*Fewer, David. Analysis of Share-Alike Obligations in Municipal Open Data Licenses. Canada: CIPPIC, 2011. [http://www.cippic.ca/sites/default/files/CIPPIC%20-%20Analysis%20of%20Share-alike%20Obligations.pdf link]

*Hagedorn G, Mietchen D, Morris R, Agosti D, Penev L, Berendsohn W, Hobern D (2011) Creative Commons licenses and the non-commercial condition: Implications for the re-use of biodiversity information. ZooKeys 150: 127-149. [http://www.pensoft.net/journals/zookeys/article/2189/abstract/creative-commons-licenses-and-the-non-commercial-condition-implications-for-the-re-use-of-biodiversity-information link]

*Hietanen, Athukorala, Salovaara, What’s with the Free Images? A Study of Flickr’s Creative Commons Attribution Images, Mind Trek 2011.

===2010===

*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]

* Anne M. Fitzgerald (2010) European Public Sector Information Platform Topic Report No. 13 - State of Play: PSI Reuse in Australia. [http://eprints.qut.edu.au/33206/ link]

* Anne M. Fitzgerald & Kylie M. Pappalardo, Creative Commons and Data. [http://eprints.qut.edu.au/30130/ link]

* Cheryl Foong (2010) Sharing with Creative Commons : a business model for content creators. Platform: Journal of Media and Communication, pp. 64-93. [http://eprints.qut.edu.au/40800/ link]

*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]

*José Manuel Ruiz Gutiérrez, Crowdfunding y Creative Commons: Nuevos Modelos de Financiación y Propiedad Intelectual para la Producción y Distribución de Proyectos Audiovisuales. CDC Cuadernos de Comunicación, ISSN 1988-3153, Nº. 4, 2010, págs. 30-38. [http://cdc.escogranada.com/cdc/wp-content/uploads/2010/12/0404cc.pdf link]

===2009===

*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]

*Herkko Hietanen. Wikimedia Licensing Policy Change – A Conundrum, WIPO magazine November 2009 [http://www.wipo.int/wipo_magazine/en/2009/06/article_0004.html link]

===2008===

* Abelson Hal, Adida Ben, Linksvayer Mike, Yergler Nathan, ccREL: The Creative Commons Rights Expression Language, Communia First Workshop, Torino, January 2008. [http://www.communia-project.eu/node/79 link]

*Dobusch Leonhard, Quack Sigrid, “Epistemic Communities and Social Movements: Transnational Dynamics in the Case of Creative Commons,” MPIfG (Max-Planck Institute for the Study of Societies), Discussion Paper 08/8. [http://www.mpifg.de/pu/dp_abstracts/dp08-8.asp link]

*Melanie Dulong de Rosnay. Check Your Data Freedom: Defining a Taxonomy for Access and Reuse of Life Science Data. Nature Precedings, July 2008. [http://dx.doi.org/10.1038/npre.2008.2083.1 link]

===2007===

*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]

* Mary Wai San Wong, ‘User-Generated Content & the Open Source/Creative Common Movements: Has the Time Come for Users' Rights?’ (2007) [http://ssrn.com/abstract=1022395 Link]

===2006===

*Melanie Dulong de Rosnay, Creative Commons: licencias de contenido abierto para regular trabajos creativos, in Revista de la Asociación de Técnicos de Informática, n. 181, 2006, pp. 28-30. [http://www.ati.es/novatica/2006/181/181-28.pdf link]

*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]

*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]

*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.

*Hietanen Herkko, Dulong de Rosnay Melanie, « Legal Metadata for Semantic Web Applications: Case Creative Commons », Symposium on Digital Semantic Content across Cultures, Paris, the Louvre, May 2006. [http://www.seco.tkk.fi/events/2006/2006-05-04-websemantique/presentations/articles/hietanen-DulongdeRosnay-Legal-Metadata-for-Semantic-Web-Applications.pdf link]

*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]

*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]

*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]

* Kimberlee G. Weatherall, ‘Would you ''ever'' recommend a Creative Commons license?’(2006) Australasian Intellectual Property Resources [http://www.austlii.edu.au/au/other/AIPLRes/2006/4.html Link]

===2005===

* Barker Ed, Duncan Charles, Guadamuz Andres, Hatcher Jordan, Waelde Charlotte, The Common Information Environment and Creative Commons. Final Report to the Common Information Environment Members of a study on the applicability of Creative Commons Licences, 10 October 2005, [http://www.intrallect.com/index.php/intrallect/content/download/632/2631/file/CIE_CC_Final_Report.pdf Link]

*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]

*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]

*Niva Elkin-Koren, Creative Commons: A Skeptical View of a Worthy Pursuit, in Hugenholtz P. Bernt & Guibault Lucie (eds.), The Future of the Public Domain, Kluwer Law International, 2006. [http://ssrn.com/abstract=885466 link]

*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]

*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]

*Andrea Glorioso, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]

*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]

*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]

*Mako-Hill Benjamin, Towards a Standard of Freedom: Creative Commons and the Free Software Movement, july 2005. [http://mako.cc/writing/toward_a_standard_of_freedom.html link]

===2004===

*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]

*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]

*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://creativecommons.fr/activite/publications/international-commons-at-the-digital-age/ link]

*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).

*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]

*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]

===2003===

*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]

*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time).

*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]

*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]

===2002===

*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time).

*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]

==Books & Book Chapters Related to CC and CC Related Topics==

===2010===

* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]

* Anne M. Fitzgerald, Neale Hooper & Brian F. Fitzgerald (2010) The use of Creative Commons licensing to enable open access to public sector information and publicly funded research results : an overview of recent Australian developments. In Bourcier, Danièle, Casanovas, Pompeu, Dulong de Rosnay, Mélanie, & Maracke, Catharina (Eds.) Intelligent Multimedia : Managing Creative Works in a Digital World. European Press Academic Publishing , pp. 151-174. [http://eprints.qut.edu.au/34143/ link]

* Brian F. Fitzgerald (Ed.) (2010) Access to public sector information : law, technology and policy. Sydney University Press, Sydney. [http://eprints.qut.edu.au/34085/ link]

* Anne M. Fitzgerald, Brian F. Fitzgerald & Neale Hooper (2010) Enabling open access to public sector information with Creative Commons Licences : the Australian experience. In Access to Public Sector Information : Law, Technology & Policy. Sydney University Press. [http://eprints.qut.edu.au/29773/ link]

* Anne M. Fitzgerald (2010) Open access and public sector information : policy developments in Australia and key jurisdictions. In Access to Public Sector Information : Law, Technology & Policy. Sydney University Press. [http://eprints.qut.edu.au/31024/ link]

===2008===
*Herkko Hietanen, The Pursuit of Efficient Copyright Licensing—How Some Rights Reserved Attempts to Solve the Problems of All Rights Reserved, PhD. Dissertation, 2008. [http://www.doria.fi/bitstream/handle/10024/42778/isbn9789522147219.pdf?sequence=2 Pdf-link]

===2006===

*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]

===2005===
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]

*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]

*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]

===2004===

*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/publications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)

===2001===

*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784.

*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]

===1999===

*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.

===1997===

*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.

==Law Journal Articles about CC and CC Related Topics==

===2011===

* Herkko Hietanen, “Creative Commons Olympics. How Big Media is Learning to License From Amateur Authors” (2011) 2 Journal of Intellectual Property, Information Technology and E-Commerce Law [http://www.jipitec.eu/issues/jipitec-2-1-2011/2963 Link]

* Catherine Jasserand, “Creative Commons licences and design: Are the two compatible?” (2011) 2 Journal of Intellectual Property, Information Technology and E-Commerce Law [http://www.jipitec.eu/issues/jipitec-2-2-2011/3085 Link]

===2010===

* Cheryl Foong, "Open content licensing of public sector information and the risk of tortious liability for Australian Governments" (2010) 17(2) eLaw Journal, 23-49. [http://eprints.qut.edu.au/42572/ link]

* Catharina Maracke “Creative Commons International: The International License Porting Project” (2010) 1 Journal of Intellectual Property, Information Technology and E-Commerce Law [http://www.jipitec.eu/issues/jipitec-1-1-2010/2417 Link]

* Juan Sebastián Sereno Restrepo, "Contenido generado por usuarios (ugc), wikies y derecho de autor". Revista la propiedad inmaterial, n. 14, 2010, págs. 209-260. [http://foros.uexternado.edu.co/ecoinstitucional/index.php/propin/article/viewFile/2480/2116 Link]

===2009===

*Chen Shun-ling, “To Surpass or to Conform – What are Public Licenses For?”, University of Illinois Journal of Law, Technology & Policy, Issue 1, 2009, 107–139.

* Bas Bloemsaat & Pieter Kleve, ‘Creative Commons: A business model for products nobody wants to buy’ (2009) 23(3) International Review of Law, Computers & Technology 237

===2008===

* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947

===2007===

*Michael Carroll, “Creative Commons as Conversational Copyright,” Villanova Law/Public Policy Research Paper No. 2007-8, in Intellectual Property and Information Wealth: Issues and Practices in the Digital Age, YU Peter K. (Ed.), Vol. 1, New York: Praeger, 2007, 445–61. [http://ssrn.com/abstract=978813 link]

* Jessica Coates, ‘Creative Commons - The Next Generation: Creative Commons licence use five years on’ (2007) 4 SCRIPT-ed (1) 72 [http://www.law.ed.ac.uk/ahrc/script-ed/vol4-1/coates.asp Link]

*Hietanen Herkko, “A License or a Contract, Analyzing the Nature of Creative Commons Licenses,” NIR Nordiskt Immateriellt Rättsskydd (Nordic Intellectual Property Law Review), 2007/6, 76, 516–535. [http://ssrn.com/abstract=1029366 link]

* Lydia Pallas Loren, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 [http://ssrn.com/abstract=957939 link]

* Rafael Sánchez Aristi, Las licencias creative commons: un análisis crítico desde el derecho español. Revista jurídica de deporte y entretenimiento: deportes, juegos de azar, entretenimiento y música, n. 19, 2007, págs. 417-445. [http://www.aranzadi.es/index.php/informacion-juridica/doctrina/civil/las-licencias-creative-commons-un-analisis-critico-desde-el-derecho-espanol link]

===2006===

* Michael W. Carroll, ‘Creative Commons and the New Intermediaries’ (2006) 45 Michigan State Law Review [http://ssrn.com/abstract=782405 Link]

* Andrés Cuevas-Cardenas, Creative Commons: ¿Alternativa a la Propiedad Intelectual en Chile?, Alfa-Redi AR: Revista de Derecho Informático, n. 98, 2006 [http://www.alfa-redi.org/rdi-articulo.shtml?x=7195 Link]

* Séverine Dusollier, The Master's Tools v. The Master's House: Creative Commons v. Copyright, Columbia Journal of Law and the Arts, vol. 29, Spring 2006, p. 101.

* Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).

* Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).

* Raquel Xalabarder Plantada, "Las licencias Creative Commons: ¿una alternativa al copyright?". UOC Papers: revista sobre la sociedad del conocimiento, n. 2, 2006. [http://www.uoc.edu/uocpapers/2/dt/esp/xalabarder.pdf link]

===2005===

*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]

*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005).

*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005).

*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).

===2004===

*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).

*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).

*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).

*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).

*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).

===2003===

*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).

*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).

==Criticisms of/Debate About Creative Commons & CC-related issues==

===2006===

*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]

*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]

*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]

*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]

*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]

===2005===

*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]

*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]

*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]

*Antonio Delgado, "Las 'Licencias Creative Commons'", documento OMPI-SGAE/DA/ASU/05/15, [http://www.wipo.int/edocs/mdocs/lac/es/ompi_sgae_da_asu_05/ompi_sgae_da_asu_05_15.pdf link]

*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]

*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]

*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]

*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]

*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]

*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]

*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]

*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]

*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]

*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]

*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]

*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]

*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]

*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]

*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]

*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]

Scholarship and critique regarding Creative Commons

2011-11-30T08:54:18Z

Melanieddr: /* 2004 */

These articles and comments have been collected to represent the different views about Creative Commons and issues related to Creative Commons. If you know of an article or comment that is not represented here, please add it, or suggest on the talk page. Articles and comments that are suitable for inclusion here are those which somehow progress and contribute to the debate that surrounds CC & CC-related issues.

==General Articles and Comments Related to CC and CC Related Topics==

===2011===

*Botero, Carolina & Cerda, Alberto. Creative Commons en América Latina: Una perspectiva comparada, in e-colabora “Revista de ciencia, educación, innovación y cultura apoyadas por Redes de Tecnología Avanzada”, Colombia, vol. 1, n. 2, 2011, pp. 1 – 15. [http://publicaciones.renata.edu.co/index.php/RCEC/article/download/43/pdf link]

*Bouchard, Paul. Las promesas de la red y sus implicaciones. Revista de Universidad y Sociedad del Conocimiento, RUSC, Vol. 8, n. 1, 2011, pp. 272-287. [http://rusc.uoc.edu/ojs/index.php/rusc/article/view/v8n1-bouchard/v8n1-bouchard link]

* Carroll MW , 2011 Why Full Open Access Matters. PLoS Biol 9(11): e1001210. doi:10.1371/journal.pbio.1001210 [http://www.plosbiology.org/article/info:doi%2F10.1371%2Fjournal.pbio.1001210 link]

* Anne M. Fitzgerald, Neale Hooper & Cheryl Foong, CC & Government Guide: Using Creative Commons 3.0 Australia Licences on Government Copyright Materials. [http://eprints.qut.edu.au/38364/ link]

*Fewer, David. Analysis of Share-Alike Obligations in Municipal Open Data Licenses. Canada: CIPPIC, 2011. [http://www.cippic.ca/sites/default/files/CIPPIC%20-%20Analysis%20of%20Share-alike%20Obligations.pdf link]

*Hagedorn G, Mietchen D, Morris R, Agosti D, Penev L, Berendsohn W, Hobern D (2011) Creative Commons licenses and the non-commercial condition: Implications for the re-use of biodiversity information. ZooKeys 150: 127-149. [http://www.pensoft.net/journals/zookeys/article/2189/abstract/creative-commons-licenses-and-the-non-commercial-condition-implications-for-the-re-use-of-biodiversity-information link]

*Hietanen, Athukorala, Salovaara, What’s with the Free Images? A Study of Flickr’s Creative Commons Attribution Images, Mind Trek 2011.

===2010===

*Melanie Dulong de Rosnay. Creative Commons Licenses Legal Pitfalls: Incompatibilities and Solutions. Amsterdam: Institute for Information Law/Creative Commons Nederland, 2010. [http://www.creativecommons.nl/downloads/101220cc_incompatibilityfinal.pdf link]

* Anne M. Fitzgerald (2010) European Public Sector Information Platform Topic Report No. 13 - State of Play: PSI Reuse in Australia. [http://eprints.qut.edu.au/33206/ link]

* Anne M. Fitzgerald & Kylie M. Pappalardo, Creative Commons and Data. [http://eprints.qut.edu.au/30130/ link]

* Cheryl Foong (2010) Sharing with Creative Commons : a business model for content creators. Platform: Journal of Media and Communication, pp. 64-93. [http://eprints.qut.edu.au/40800/ link]

*Paul Keller (Creative Commons Nederland) & Andy Zondervan (Buma/Stemra). Evaluation of the Creative Commons Buma/Stemra pilot. Amsterdam/Hoofddorp, Augustus 2010. [http://www.creativecommons.nl/downloads/100824evaluation_pilot_en.pdf link]

*José Manuel Ruiz Gutiérrez, Crowdfunding y Creative Commons: Nuevos Modelos de Financiación y Propiedad Intelectual para la Producción y Distribución de Proyectos Audiovisuales. CDC Cuadernos de Comunicación, ISSN 1988-3153, Nº. 4, 2010, págs. 30-38. [http://cdc.escogranada.com/cdc/wp-content/uploads/2010/12/0404cc.pdf link]

===2009===

*Christina Angelopoulos. Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? Amsterdam: Instituut voor Informatierecht, 2009. [http://www.creativecommons.nl/downloads/091201cc_sound_recordings.pdf link]

*Herkko Hietanen. Wikimedia Licensing Policy Change – A Conundrum, WIPO magazine November 2009 [http://www.wipo.int/wipo_magazine/en/2009/06/article_0004.html link]

===2008===

* Abelson Hal, Adida Ben, Linksvayer Mike, Yergler Nathan, ccREL: The Creative Commons Rights Expression Language, Communia First Workshop, Torino, January 2008. [http://www.communia-project.eu/node/79 link]

*Dobusch Leonhard, Quack Sigrid, “Epistemic Communities and Social Movements: Transnational Dynamics in the Case of Creative Commons,” MPIfG (Max-Planck Institute for the Study of Societies), Discussion Paper 08/8. [http://www.mpifg.de/pu/dp_abstracts/dp08-8.asp link]

*Melanie Dulong de Rosnay. Check Your Data Freedom: Defining a Taxonomy for Access and Reuse of Life Science Data. Nature Precedings, July 2008. [http://dx.doi.org/10.1038/npre.2008.2083.1 link]

===2007===

*M.M.M. van Eechoud & B. van der Wal, “Creative commons licensing for public sector information: Opportunities and pitfalls“, Institute for Information Law, 2007. [http://www.ivir.nl/publications/eechoud/CC_PublicSectorInformation_report_v3.pdf link]

* Mary Wai San Wong, ‘User-Generated Content & the Open Source/Creative Common Movements: Has the Time Come for Users' Rights?’ (2007) [http://ssrn.com/abstract=1022395 Link]

===2006===

*Melanie Dulong de Rosnay, Creative Commons: licencias de contenido abierto para regular trabajos creativos, in Revista de la Asociación de Técnicos de Informática, n. 181, 2006, pp. 28-30. [http://www.ati.es/novatica/2006/181/181-28.pdf link]

*Creative Commons Submission in response to the Questions for online consultation released in conjunction with the i2010 Digital Libraries Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions [SEC(2005) 1195]. [http://europa.eu.int/information_society/activities/digital_libraries/consultation/replies/consult_results/cc_a302994.pdf link]

*Digital Rights Management: Report of an Inquiry by the All Party Internet Group [http://www.apig.org.uk/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf link]

*M. Klang. Informational Commons: On creativity, copyright & licenses, Proceedings of European Conference on Information Systems, Göteborg.

*Hietanen Herkko, Dulong de Rosnay Melanie, « Legal Metadata for Semantic Web Applications: Case Creative Commons », Symposium on Digital Semantic Content across Cultures, Paris, the Louvre, May 2006. [http://www.seco.tkk.fi/events/2006/2006-05-04-websemantique/presentations/articles/hietanen-DulongdeRosnay-Legal-Metadata-for-Semantic-Web-Applications.pdf link]

*Remix World: towards a global digital commons [http://www.opendemocracy.net/arts-commons/issue.jsp link]

*A. Rens, Managing Risk and Opportunity in Creative Commons Enterprises, First Monday, volume 11, number 6 (June 2006) [http://firstmonday.org/issues/issue11_6/rens/index.html link]

*Wikipedia Entry on Creative Commons [http://en.wikipedia.org/wiki/Creative_commons link]

* Kimberlee G. Weatherall, ‘Would you ''ever'' recommend a Creative Commons license?’(2006) Australasian Intellectual Property Resources [http://www.austlii.edu.au/au/other/AIPLRes/2006/4.html Link]

===2005===

* Barker Ed, Duncan Charles, Guadamuz Andres, Hatcher Jordan, Waelde Charlotte, The Common Information Environment and Creative Commons. Final Report to the Common Information Environment Members of a study on the applicability of Creative Commons Licences, 10 October 2005, [http://www.intrallect.com/index.php/intrallect/content/download/632/2631/file/CIE_CC_Final_Report.pdf Link]

*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Two: The intellectual property system and freedom of expression and creativity. [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_two_the_intellectual_property#comment50 link]

*Creative Commons comments as part of WIPO Online Forum on Intellectual Property and Information Society, Theme Three: The public domain and open access models of information creation: at odds with the intellectual property system or enabled by it? [http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain#comment53 link]

*Niva Elkin-Koren, Creative Commons: A Skeptical View of a Worthy Pursuit, in Hugenholtz P. Bernt & Guibault Lucie (eds.), The Future of the Public Domain, Kluwer Law International, 2006. [http://ssrn.com/abstract=885466 link]

*Mia Garlick, Creative Humbug? Bah the humbug, let’s get creative! By:Mia Garlick, Creative Commons, [http://www.indicare.org/tiki-print_article.php?articleId=124. link]

*Mia Garlick, A Review of Creative Commons and Science Commons , [http://www.educause.edu/content.asp?page_id=666&ID=ERM05510&bhcp=1. link]

*Andrea Glorioso, gravi (o presunti tali) problemi delle CC, ("The severe (or so believed) problems of CC [licenses]") [http://punto-informatico.it/p.aspx?id=1275360 link]

*H. Hietanen & V. Oksanen, (2005) Legal metadata, open content distribution and collecting societies. [http://www.hiit.fi/u/hietanen/docs/legal_metadata_open_content.pdf link]

*M. Klang (2005). The Digital Commons: Using Licenses to Promote Creativity, Proceedings of Ethicomp. [http://www.ituniv.se/~klang/web/pub/Klangethicomp.pdf link]

*Mako-Hill Benjamin, Towards a Standard of Freedom: Creative Commons and the Free Software Movement, july 2005. [http://mako.cc/writing/toward_a_standard_of_freedom.html link]

===2004===

*Christiane Asschenfeldt, "Copyright and Licensing Issues—The International Commons." In CERN Workshop Series on Innovations in Scholarly Communication: Implementing the Benefits of OAI (OAI3), 12 February-14 February 2004 at CERN, Geneva, Switzerland. Geneva: CERN, 2004. [http://eprints.rclis.org/archive/00000998/ link]

*Brian Fitzgerald, Brian, and Ian Oi, "Free Culture: Cultivating the Creative Commons." (2004). [http://eprints.qut.edu.au/archive/00000122/ link]

*N. Hendriks, (2004) Developing CC Licenses for Dutch Creatives. In Danièle Bourcier and Mélanie Dulong de Rosnay, editors, International Commons at the Digital Age, La création en partage, pages 19-32. Romillat, Paris, 2004. [http://creativecommons.fr/activite/publications/international-commons-at-the-digital-age/ link]

*M. Pawlo, (2004) What is the Meaning of Non-Commercial? in Bourcier D. & Dulong De Rosnay, M. (eds).

*M. Välimäki, M. and H. Hietanen. (2004). The Challenges of Creative Commons Licensing, Computer Law Review, (06):172-177, Dec 2004. [http://www.hiit.fi/u/hietanen/docs/cri06-04_A_Vaelimaeki_Hietanen.pdf link]

*Jonathan B. Weitzman, and Lawrence Lessig. "Open Access and Creative Common Sense." Open Access Now, 10 May 2004. [http://www.biomedcentral.com/openaccess/archive/?page=features&issue=16 link]

===2003===

*"Out of the Way: How the Next Copyright Revolution Can Help the Next Scientific Revolution." PLoS Biology 1, no. 1 (2003): 30-31. [http://www.plosbiology.org/plosonline/?request=get-document&doi=10.1371%2Fjournal.pbio.0000009 link]

*Lawrence Lessig, The Creative Commons, RBL, Tokyo (2003). (No online link available at this time).

*Barbara F. Schloman,"Creative Commons: An Opportunity to Extend the Public Domain." Online Journal of Issues in Nursing, 13 October 2003. [http://www.nursingworld.org/ojin/infocol/info_12.htm link]

*Gary Stix, "Some Rights Reserved." Scientific American 288, no. 3 (2003): 46. [http://www.sciam.com/article.cfm?chanID=sa006&colID=7&articleID=000C2691-4F88-1E40-89E0809EC588EEDF link]

===2002===

*D.C. Denison, "For Creators, An Argument for Alienable Rights." Boston Globe, 22 December 2002, E2. (No online link available at this time).

*Hal Plotkin, "All Hail Creative Commons: Stanford Professor and Author Lawrence Lessig Plans a Legal Insurrection." SFGate.com, 11 February 2002. [http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2002/02/11/creatcom.DTL link]

==Books & Book Chapters Related to CC and CC Related Topics==

===2010===

* Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke (editors), (2010). Intelligent Multimedia. Sharing Creative Works in a Digital World, European Press Academic Publishing, Florence, June 2010, 412 p. ISBN: 9788883980633. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf link to pdf] - [http://www.e-p-a-p.com/publications/bookcard.php?isbn=9788883980633 link to table of contents]

* Anne M. Fitzgerald, Neale Hooper & Brian F. Fitzgerald (2010) The use of Creative Commons licensing to enable open access to public sector information and publicly funded research results : an overview of recent Australian developments. In Bourcier, Danièle, Casanovas, Pompeu, Dulong de Rosnay, Mélanie, & Maracke, Catharina (Eds.) Intelligent Multimedia : Managing Creative Works in a Digital World. European Press Academic Publishing , pp. 151-174. [http://eprints.qut.edu.au/34143/ link]

* Brian F. Fitzgerald (Ed.) (2010) Access to public sector information : law, technology and policy. Sydney University Press, Sydney. [http://eprints.qut.edu.au/34085/ link]

* Anne M. Fitzgerald, Brian F. Fitzgerald & Neale Hooper (2010) Enabling open access to public sector information with Creative Commons Licences : the Australian experience. In Access to Public Sector Information : Law, Technology & Policy. Sydney University Press. [http://eprints.qut.edu.au/29773/ link]

* Anne M. Fitzgerald (2010) Open access and public sector information : policy developments in Australia and key jurisdictions. In Access to Public Sector Information : Law, Technology & Policy. Sydney University Press. [http://eprints.qut.edu.au/31024/ link]

===2008===
*Herkko Hietanen, The Pursuit of Efficient Copyright Licensing—How Some Rights Reserved Attempts to Solve the Problems of All Rights Reserved, PhD. Dissertation, 2008. [http://www.doria.fi/bitstream/handle/10024/42778/isbn9789522147219.pdf?sequence=2 Pdf-link]

===2006===

*Yochai Benkler, (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. ISBN 0300110561. [http://www.benkler.org/wealth_of_networks/index.php/Download_PDFs_of_the_book. link]

===2005===
*Eric von Hippel, (2005). Democratizing Innovation, Cambridge: MIT Press. ISBN 0262002744. [http://web.mit.edu/evhippel/www/democ.htm link]

*Lawrence Lessig, (2005). Free Culture: The Nature and Future of Creativity. New York: Penguin. ISBN 9780143034650. [http://www.free-culture.cc/freeculture.pdf link]

*Kembrew McLeod, (2005). Freedom of Expression (R) : Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday. ISBN 0385513259. [http://www.kembrew.com/books/ link]

===2004===

*Danièle Bourcier, Mélanie Dulong de Rosnay (editors), (2004). International Commons at the Digital Age/La création en partage. Paris: Editions Romillat. ISBN 2878940814. [http://creativecommons.fr/wordpress/wp-content/uploads/2011/05/livre.pdf link to book pdf] - [http://creativecommons.fr/activite/httpccfr-dechelle-netactivitepublications/international-commons-at-the-digital-age/ link to table of contents] (NB. At the time this book was prepared, iCommons referred to the international licensing project currently known as Creative Commons International)

===2001===

*Lawrence Lessig, (2001). The Future of Ideas: The Fate of the Commons in a Connected World. New York: Random House. ISBN 0375505784.

*Kembrew McLeod, (2001). Owning Culture: Authorship, Ownership, and Intellectual Property Law (Popular Culture and Everyday Life). New York: Peter Lang Publishing. ISBN 0820451576. [http://www.kembrew.com/books/ link]

===1999===

*Lawrence Lessig, (1999). Code, and Other Laws of Cyberspace. New York: Basic Books. ISBN 046503912X.

===1997===

*James Boyle (1997). Shamans, Software, and SpleensL Law and the Construction of the Information Society. Cambridge: Harvard University Press. ISBN 0674805232.

==Law Journal Articles about CC and CC Related Topics==

===2011===

* Herkko Hietanen, “Creative Commons Olympics. How Big Media is Learning to License From Amateur Authors” (2011) 2 Journal of Intellectual Property, Information Technology and E-Commerce Law [http://www.jipitec.eu/issues/jipitec-2-1-2011/2963 Link]

* Catherine Jasserand, “Creative Commons licences and design: Are the two compatible?” (2011) 2 Journal of Intellectual Property, Information Technology and E-Commerce Law [http://www.jipitec.eu/issues/jipitec-2-2-2011/3085 Link]

===2010===

* Cheryl Foong, "Open content licensing of public sector information and the risk of tortious liability for Australian Governments" (2010) 17(2) eLaw Journal, 23-49. [http://eprints.qut.edu.au/42572/ link]

* Catharina Maracke “Creative Commons International: The International License Porting Project” (2010) 1 Journal of Intellectual Property, Information Technology and E-Commerce Law [http://www.jipitec.eu/issues/jipitec-1-1-2010/2417 Link]

* Juan Sebastián Sereno Restrepo, "Contenido generado por usuarios (ugc), wikies y derecho de autor". Revista la propiedad inmaterial, n. 14, 2010, págs. 209-260. [http://foros.uexternado.edu.co/ecoinstitucional/index.php/propin/article/viewFile/2480/2116 Link]

===2009===

*Chen Shun-ling, “To Surpass or to Conform – What are Public Licenses For?”, University of Illinois Journal of Law, Technology & Policy, Issue 1, 2009, 107–139.

* Bas Bloemsaat & Pieter Kleve, ‘Creative Commons: A business model for products nobody wants to buy’ (2009) 23(3) International Review of Law, Computers & Technology 237

===2008===

* Van Houweling, Molly Shaffer, "The New Servitudes" . Georgetown Law Journal, Forthcoming Available at SSRN: http://ssrn.com/abstract=1028947

===2007===

*Michael Carroll, “Creative Commons as Conversational Copyright,” Villanova Law/Public Policy Research Paper No. 2007-8, in Intellectual Property and Information Wealth: Issues and Practices in the Digital Age, YU Peter K. (Ed.), Vol. 1, New York: Praeger, 2007, 445–61. [http://ssrn.com/abstract=978813 link]

* Jessica Coates, ‘Creative Commons - The Next Generation: Creative Commons licence use five years on’ (2007) 4 SCRIPT-ed (1) 72 [http://www.law.ed.ac.uk/ahrc/script-ed/vol4-1/coates.asp Link]

*Hietanen Herkko, “A License or a Contract, Analyzing the Nature of Creative Commons Licenses,” NIR Nordiskt Immateriellt Rättsskydd (Nordic Intellectual Property Law Review), 2007/6, 76, 516–535. [http://ssrn.com/abstract=1029366 link]

* Lydia Pallas Loren, "Building a Reliable Semicommons of Creative Works: Enforcement of Creative Commons Licenses and Limited Abandonment of Copyright" . George Mason Law Review, Vol. 14, p. 271, 2007 [http://ssrn.com/abstract=957939 link]

* Rafael Sánchez Aristi, Las licencias creative commons: un análisis crítico desde el derecho español. Revista jurídica de deporte y entretenimiento: deportes, juegos de azar, entretenimiento y música, n. 19, 2007, págs. 417-445. [http://www.aranzadi.es/index.php/informacion-juridica/doctrina/civil/las-licencias-creative-commons-un-analisis-critico-desde-el-derecho-espanol link]

===2006===

* Michael W. Carroll, ‘Creative Commons and the New Intermediaries’ (2006) 45 Michigan State Law Review [http://ssrn.com/abstract=782405 Link]

* Andrés Cuevas-Cardenas, Creative Commons: ¿Alternativa a la Propiedad Intelectual en Chile?, Alfa-Redi AR: Revista de Derecho Informático, n. 98, 2006 [http://www.alfa-redi.org/rdi-articulo.shtml?x=7195 Link]

* Séverine Dusollier, The Master's Tools v. The Master's House: Creative Commons v. Copyright, Columbia Journal of Law and the Arts, vol. 29, Spring 2006, p. 101.

* Andres Guadamuz Gonzalez, Open Science: Open Source Licenses in Scientific Research, 7 N.C. J.L. & Tech. 321(2006).

* Zachary Katz, Pitfalls of Open Licensing: An Analysis of Creative Commons Licensing, 46 IDEA 391 (2006).

* Raquel Xalabarder Plantada, "Las licencias Creative Commons: ¿una alternativa al copyright?". UOC Papers: revista sobre la sociedad del conocimiento, n. 2, 2006. [http://www.uoc.edu/uocpapers/2/dt/esp/xalabarder.pdf link]

===2005===

*Jerry Brito and Bridget Dooling, An Orphan Works Affirmative Defense to Copyright Infringement Actions, 12 Mich. Telecomm. Tech. L. Rev. 75 (2005) [http://www.mttlr.org/voltwelve/brito&dooling.pdf link]

*Niva Elkin-Koren, What Contracts Cannot Do: The Limits of Private Ordering in Facilitiating A Creative Commons, 74 Fordham L. Rev. 375 (November 2005).

*Lawrence B. Solum,Book Review : The Future of Copyright Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. By Lawrence Lessig, 83 Tex. L. Rev. 1137 (2005).

*Matthew Dean Stratton, Will Lessig Succeed in Challenging the CTEA, Post-Eldred?, 15 Fordham Intell. Prop. Media & Ent. L.J. 893 (Spring, 2005).

===2004===

*Anupam Chander and Sunder, Madhavi, The Romance of the Public Domain, 92 Calif. L. Rev. 1331 (2004).

*Lawrence Lessig, Commentary: The Creative Commons, 65 Mont. L. Rev. 1 (Winter, 2004).

*Lawrence Lessig, Free(ing) Culture for Remix, 2004 Utah L. Rev. 961 (2004).

*Robert P. Merges, A New Dynamism in the Public Domain, 71 U. Chi. L. Rev. 183 (Winter 2004).

*Christopher Sprigman, Reform(aliz)ing Copyright, 57 Stan. L. Rev. 485 (November, 2004).

===2003===

*Jeffrey L. Harrison, Creativity or Commons: A Comment on Professor Lessig, 55 Fla. L. Rev. 795 (2003).

*Lawrence Lessig, Dunwoody Distinguished Lecture in law: The Creative Commons, 55 Fla. L. Rev. 763 (2003).

==Criticisms of/Debate About Creative Commons & CC-related issues==

===2006===

*Association Littéraire et Artistique Internationale (ALAI), MEMORANDUM ON CREATIVE COMMONS LICENSES, [http://www.alai-usa.org/Memo%20Creative%20Com%20Licences%20jg%20rev%2022%20jan.doc link]

*Australian Copyright Council, Information Sheet: Creative Commons Licenses, May 2006. [http://www.copyright.org.au/pdf/acc/infosheets_pdf/g094.pdf/download link]

*Niva Elkin-Koren, "Creative Commons: A Skeptical View of a Worthy Pursuit" . THE FUTURE OF THE PUBLIC DOMAIN, P. Bernt Hugenholtz & Lucie Guibault, eds., Kluwer Law International, 2006 Available at SSRN: [http://ssrn.com/abstract=885466 link]

*Mihály Ficsor, "How Did We Arrive Here? The Evolution of Copyright Legislation (the End of?), [http://www.ebu.ch/CMSimages/en/B.1%20M.%20Ficsor_tcm6-43830.pdf link]

*Becky Hogge, "What Moves a Movement," [http://www.opendemocracy.net/media-commons/movement_3686.jsp link]

===2005===

*Australasian Performing Right Association (APRA) position on CC, [http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp link]

*D. M. Berry, & Giles Moss, “On the ‘Creative Commons’: a critique of the commons without commonalty,” Free Software Magazine. No. 5., [http://www.freesoftwaremagazine.com/free_issues/issue_05/commons_without_commonality link]

*D. M. Berry, & Giles Moss,"Libre Commons = Libre Culture + Radical Democracy. [http://www.noemalab.org/sections/ideas/ideas_articles/berry_moss_libre_commons.html link]

*Antonio Delgado, "Las 'Licencias Creative Commons'", documento OMPI-SGAE/DA/ASU/05/15, [http://www.wipo.int/edocs/mdocs/lac/es/ompi_sgae_da_asu_05/ompi_sgae_da_asu_05_15.pdf link]

*John C. Dvorak,“Creative Commons Humbug,” PC Magazine, [http://www.pcmag.com/article2/0,1895,1838251,00.asp link], Dvorak's revised position on CC: [http://www.joegratz.net/archives/2005/10/27/dvorak-recants-on-creative-commons-humbug/ link]

*Sarah Faulder, "What Creative Commons really means for writers," [http://www.apra.com.au/writers/downloads/creative_commons_writers.pdf link]

*Michael Fitzgerald, "Copyleft Hits a Snag," [http://www.technologyreview.com/read_article.aspx?id=16073&ch=infotech link]

*Benjamin Mako Hill, "Towards a Standard of Freedom: Creative Commons and the Free Software Movement," [http://mako.cc/writing/toward_a_standard_of_freedom.html link]

*Geert Lovink and Ned Rossiter, "Dawn of the Organised Networks," FibreCulture Journal Issue 5, [http://journal.fibreculture.org/issue5/lovink_rossiter.html link]

*Media, Entertainment and Arts Alliance (MEAA)'s Media Release: "AFC provides no Sanctuary for Australian performers," [http://modfilms.com/archives/doc/20050330_meaa_pressrelease.pdf link]

*Erik Möller, "The Case for Free Use: Reasons Not to Use a Creative Commons -NC License," [http://intelligentdesigns.net/Licenses/NC link]

*Raymond Nimmer, “Open source license proliferation, a broader view," [http://www.ipinfoblog.com/archives/licensing-law-issues-36-open-source-license-proliferation-a-broader-view.html link]

*Andrew Orlowski, “On Creativity, Computers and Copyright," The Register. [http://www.theregister.co.uk/2005/07/21/creativity/ link]

*Andrew Orlowski, "The Commons Just Isn't Creative," The Register. [http://www.theregister.co.uk/2005/08/29/creativity_computers_copyright_letters/ link]

*Emma Pike, "What you need to know about Creative Commons," [http://www.apra.com.au/writers/downloads/creative_commons.pdf link]

*Emma Pike, "Let's be Clear about Creative Commons," Sound Nation. [http://www.bmr.org/html/news/news55.htm link]

*Evan Prodromou, "debian-legal Summary of Creative Commons 2.0 Licenses," [http://people.debian.org/~evan/ccsummary.html link]

*Response of Australian Performing Rights Association (APRA) to Creative Commons International, Regarding the Application of APRA for Authorization, [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+64474.pdf&trimFileTitle=D05+64474.pdf&trimFileFromVersionId=744729 link]
**Creative Commons International's First Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+61451.pdf&trimFileTitle=D05+61451.pdf&trimFileFromVersionId=744729 link]
**Creative Commons Internationals' Second Submission: [http://www.accc.gov.au/content/trimFile.phtml?trimFileName=D05+70075.pdf&trimFileTitle=D05+70075.pdf&trimFileFromVersionId=744729 link]
**filed as part of the Australian Competition & Consumer Commission's consideration of the Australian Performing Rights Association's application for Authorisation of its input & output arrangements. All documents can be found here: [http://www.accc.gov.au/content/index.phtml/itemId/744728/display/submission. link]

*Richard Stallman, Position on Creative Commons: [http://www.fsf.org/blogs/rms/entry-20050920.html here] and [http://yro.slashdot.org/article.pl?sid=06/02/07/1733220 here]

*Péter Benjamin Tóth, “Creative Humbug: Personal feelings about the Creative Commons licenses," [http://www.indicare.org/tiki-read_article.php?articleId=118 link]