Creative Commons - User contributions [en]

CCi Legal Day 2007

2013-07-15T16:35:35Z

Deyong:

Our first "CCi Legal Day" was held on Thursday, June 14th 2007, one day ahead of the iCommons Summit in Dubrovnik. We invited CCi affiliates and Project Lead to atten a day-long meeting to discuss legal issues and international aspects of Creative Commons licenses.

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*[[CCi Legal Day Programme 2007]]
*[[CCi Legal Day Meeting Notes 2007]]

CCi Legal Day Programme 2008

2013-07-14T15:09:07Z

Deyong:

<center><big>'''CCi Legal Day, Tuesday, July 29, 2008 Sapporo''' hosted by the [http://icommonssummit.org/ iCommons iSummit]<br>
[[Media:Legal_Day_Program_2008.pdf | DOWNLOAD the program]].</big><br>Includes speaker bios and logistics for the Legal Day. </center>

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===Transportation and Registration===
8.00am Bus departs from [http://www.grand1934.com/english/index.html Sapporo Grand Hotel] to [http://www.sora-scc.jp/english.php Sapporo Convention Center] <br>
8.30 - 9.00 Registration

==Status Quo==

===Welcome===
9.00 - 9.30 <br>
* Catharina Maracke, Mike Linksvayer, and Diane Peters - Introduction
* What happened since Dubrovnik - New Jurisdiction Projects / Version 3.0
* New Protocols (CC+, CC0, ccREL for lawyers) [http://www.slideshare.net/mlinksva/ccrel-update-20080729 slides]

=== “International Porting Part 1” ===
9.30 - 10.45
* Peculiarities for Japan / “digital copyright” - Prof. Tamura (Hokkaido University)
* Moral Rights -- Prof. Susy Frankel (CC New Zealand, Victoria University of Wellington)
* Questions / Discussion

'''''10.45 - 11.15 Coffee break'''''

==="International Porting Part 2"===
11.15 - 13.00
* General remarks regarding license incompatibility - Dr. Lucie Guibault
* On the porting process – Dr. Prodromos Tsiavos
* Open discussion regarding international porting: ''Challenges for different national licenses in the next 5 years''

'''''13.00 - 14.30 Lunch'''''

==Future Versioning==

==="CC licenses worldwide"===
14.30 – 15.00
* Giorgos Cheliotis, Mike Linksvayer ([http://www.slideshare.net/mlinksva/cci-legal-day-metrics-update-2008-07-29 slides])

===The international architecture - "Private International Law ”===
15.00 - 15.30
* Questions regarding cross border licensing – Catharina Maracke (working group)

===“On licensing of Derivative Works”===
15.30 - 16.00
* How can derivative works be licensed? (Questions for the BY / BY-NC) Jessica Coates

===“Parallel distribution clause”===
16.00 - 16.30
* Japanese digital TV broadcasting – an example or exemption? Tomoaki Watanabe

===Discussion===
16.30 - 17.00 <br><br>
Strategies for future versioning

'''''17.00 - 17.15 Tea break'''''

=== “Non Commercial” ===
17.15 - 17.45
* Non Commercial definitions used in the collecting society pilots/trails (Paul Keller)
* Introduction of research study regarding “non-commercial” (Diane Peters)

=== CC0 “waiver and universal public domain assertion tools“ ===
17.45 - 18.15
* Overview – new wording and next steps
* Discussion (working group Moral Rights)

==Kick Off Dinner==
18.30 Bus departs Sapporo Convention Center for Sapporo Grand Hotel <br>
19.10 Bus departs Sapporo Grand Hotel for Kick Off Dinner at the Okurayama Ski Jump <br>
21.00 Bus departs Okurayama Ski Jump for the Sapporo Grand Hotel

----

==Other CC-related sessions==

===CC+===
[http://wiki.icommons.org/index.php/ISummit_2008/Open_Business#Session_2:_Introducing_cc.2B Session 2]<br>
Session summary: Getting everyone up to speed on the implications, capabilities and parameters of the cc+ protocol - the prime legal mover in terms of this track. (Eric Steuer) >1 hour

Outcome: We are all on the same page with regard to cc+.

===Collecting Societies===
[http://wiki.icommons.org/index.php/ISummit_2008/Open_Business#Session_3.1:_Mars_Landing_-_Collecting_Societies_Opened Session 3.1]<br>
Open business models in the field of music have a strong link to collecting societies. The field is broader than the discussion about collecting societies although, at the moment collecting societies are one of the important players.

This session is a panel discussion around the issues at the intersection between the open music business and collecting societies. There have been some significant changes recently in the collecting societies regime and these will be grappled with in this session.

At least half of the time in the session will be dedicated to open discussion.

The following questions will be addressed:

* What is the role of collecting societies in these business models
* What is the role of the new platforms (jamendo, myspace, magnatune etc.)
* Are they in a position to replace collecting societies (in the long run)?
* What is the role for cc in all of this? (more than a provider of standard licenses?)
* Does cc+ make sense for musicians?
* How does it interface with collective rights management?

===International IPR Governance, Internal Deliberation and Creative Commons===
[http://wiki.icommons.org/index.php/ISummit_2008/International_IPR_Governance%2C_Internal_Deliberation_and_Creative_Commons]<br>

'''When:''' 1400, 30/07/2008

'''Where:''' Room 101 (the room where the press conference will have been held in the morning)

'''Abstract:'''

International and regional institutions such as WIPO or the European Commission increasingly constitute the fora where the decision making for the future direction of IPR policies takes place. Whereas global, commons-oriented organizations, such as Creative Commons, are acknowledged as important stakeholders in the process of global IPR policy formation, they have often been absent from the consultation process. In this session we propose to discuss if and how Creative Commons and its international projects in now over 45 countries of the world should strive towards setting up an internal process of co-ordination and consultation on important IPR-related policy proposals being debated in national and international forums. Furthermore, should this internal process be set up, what structure needs to be created in order for it to effectively advocate its positions at international forums.

CCi Legal Day 2008

2013-07-12T06:01:27Z

Deyong:

'''The second "CCi Legal Day" was held July 29, 2008 in Sapporo, Japan.'''

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DOWNLOAD:
* [[Media:Legal_Day_Program_2008.pdf |CCi Legal Day Programme]]
* [[Media:Executive_Summary_CCi_Legal_Day_2008.pdf‎ |Executive Summary of Proceedings]]
* [[Media:Full_Minutes_CCi_Legal_Day_2008.pdf‎ |Full Minutes]]

WIKI:

* [[CCi_Legal_Day_Programme_2008|CCi Legal Day Programme]]
* ''Archives: [[CCi_Legal_Day_2007|CCi Legal Day 2007]]''

[[Image:Legal_Day_2008_mecredis.jpg‎]]

==Overview==
At the iSummit 2008 in Sapporo, Creative Commons will again invite its international network of project leads and teams to participate in a workshop about the legal and international aspects of the Creative Commons licenses. Similar to last year’s CCi Legal Day, this special meeting will be held one day ahead of the actual iSummit events. With the increasing growth of Creative Commons worldwide, a structured discussion about policies, legal issues, and questions about interoperability will prove both necessary and fruitful.

We hope that the CCi Legal Day in Sapporo will build upon the initiative that began in Rio de Janeiro and continued in Dubrovnik, and that the event will help set the stage for further detailed collaboration on questions about the international Creative Commons licensing suite.

LiveContent Getting Started

2013-07-11T06:53:45Z

Deyong:

[[Category:Help]]
[[Category:Guide]]
[[Category:freesoftware]]
[[Category:opensource]]
[[Category:ccLiveCD]]
[[Category:LiveContent]]

===How to download and burn your own LiveContent 2.0 LiveDVD===

We've [http://goo.gl/6W747 resepids] hosted the disk image (.iso) of 2.0 at http://www.archive.org/details/livecontent2.0 . From there, click on the LiveContent 2.0 disk image. Choose where to save the .iso file on your computer. After the file has completed downloading, you'll need to burn it to a DVD. Burning a disk image to a DVD is different than burning a music CD. Here's a [http://en.wikipedia.org/wiki/List_of_ISO_image_software listing of ISO image burning software] further [http://www.wikihow.com/Burn-ISO-Files-to-DVD instructions on burning an ISO image to a DVD].

===How to boot LiveContent===

After the .iso image has been burned onto a DVD, you've created a LiveDVD! LiveDVDs run operating systems and applications directly from the DVD. So, put the DVD in your DVD drive and reboot your computer. While your computer is rebooting, hold down the appropriate "boot from disk" key. (This is normally the "C" key on Macs and the "F12" key on PCs). When the boot menu pops up, choose the option "run from DVD." LiveContent will now boot up and your system will be running exclusively from the LiveDVD.

===What is Creative Commons?===
Creative Commons provides free tools that allow you to share your creative works with the world. When you share your creativity, you're enabling people anywhere to use it, learn from it, and be inspired by it. Whenever you create something, like a song, photograph, story, drawing or film, you automatically own an "All Rights Reserved" copyright to the creative work. Copyright gives you, the artist, important rights that allow you to say how others can use the creativity. Sometimes full copyright is too restrictive--it forces others to ask your permission before they can use your creativity. If you want your work to be freely shared, used, and built upon by the rest of the world, Creative Commons is the way. Creative Commons provides free copyright licenses that let you say which parts of your copyright you're willing to give to the public. The process is easy. Go to our website and answer a few questions about how how you'd like others to be able to use your creation, and we'll give you a license that clearly communicates what people can and cannot do with your creativity. You don't give up your copyright, you refine it. The world of collaboration rules, and today there are millions of song, pictures, and written works that are free for you to share, reuse, and remix. Creative Commons helps build this world of open content, and you can help.

===What is Free, Open Source Software (FOSS)?===
All the software you see on this LiveContent disc is free and open source. Free as in free speech, not free as in price (although this is often the case too!). Free means users have the freedom copy, freedom modify, and the freedom to share their creations with others. The operating system and applications here look the same as others you'll find on Windows-based platform, but down deep, the guts are different. More importantly, the ideals are different. The source code, the stuff that makes computers run, is "free".

===What can I do with LiveContent?===
The LiveContent distro provides users the ability to view, use, burn, mix, and play with Creative Commons-licensed content. Check out examples of great open media by clicking on the content categories on the desktop of LiveContent. LiveContent is living creativity, a window on Creative Commons open content. Check out creative content like photos, music, and videos from places like Flickr, Blip.tv, Jamendo--all free, all at your fingertips, all ready to share, remix, reuse. There's lot of content here--rip it, use it, improve it. Mashup photos from Flickr to make a flyer using the Gimp, cut up audio, draw a picture, watch a movie. Share your creations too!

CcTools Berlios

2013-07-10T20:26:44Z

Deyong:

[[Category:CcPublisher]]
[[Category:Developer]]
In order to take advantage of Subversion source control and other features, Creative Commons moved the ccPublisher 2 project from [http://sf.net/projects/cctools SourceForge.net] to [http://developer.berlios.de/projects/cctools developer.Berlios.de] during November, 2005. What does this mean for you?

'''If you're a user: '''

Not much; we'll still host official [http://goo.gl/Sqtwh gambar animasi] stable versions of our applications at creativecommons.org. If you want to report a bug or feature request, you'll still record it in the [http://roundup.creativecommons.org/ccpublisher ccPublisher Issue Tracker].

'''If you're a developer: '''

Slightly more, [http://goo.gl/z4wbF contoh kata pengantar] but not much. developer.Berlios.de runs a fork of the software used to power SourceForge.net, so the overall interface should feel pretty familiar to you. You will need to create a developer.Berlios.de account if you want to commit code to the ccPublisher project. You can do that [http://developer.berlios.de/account/register.php here].

The most noticeable change is the use of Subversion instead of CVS for source control. You can find details on how to check out the code using Subversion on the [[Developing ccPublisher 2]] page.

Finally, if you'd like to [http://goo.gl/E1HXO ramalan jodoh] keep up to date on what's going on with the ccPublisher 2 source code, we recommend you subscribe to the cctools-svn list at Berlios. This list receives all the commit messages for the repository. You can subscribe [http://lists.berlios.de/mailman/listinfo/cctools-svn here].

Australian Creative Resources Online (ACRO)

2013-07-06T07:35:28Z

Deyong:

=Australian Creative Resource Online (ACRO)=
The Australian Creative Resource Online (ACRO) is an open resource repository of reusable digital multimedia materials.
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There is a Case Study about ACRO [[ACRO|here]]

MalayLegalTools

2013-07-05T08:07:06Z

Deyong:

[http://goo.gl/aCLEv kata kata mutiara] To assist in translating the Creative Commons license suite into Malay, please contact the [[Malaysia|Malaysian Affiliate Team]]
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[[LicenseTranslation|Return]] to the License Translation homepage.

==Already Translated==
None at this time.

==Upcoming Translation Projects==

[[licenses/by-nc-sa/3.0LegalText_(Malay)|CC BY-NC-SA - Attribution NonCommercial ShareAlike 3.0 (unported)]]

[[licenses/by/3.0/LegalText_(Malay)|CC BY - Attribution 3.0 (unported)]]

[[licenses/by-nc/3.0LegalText_(Malay)|CC BY-NC - Attribution NonCommercial 3.0 (unported)]]

[[licenses/by-nc-nd/3.0LegalText_(Malay)|CC BY-NC-ND - Attribution NonCommercial NoDerivs 3.0 (unported)]]

[[licenses/by-nd/3.0LegalText_(Malay)|CC BY-ND - Attribution NoDerivs 3.0 (unported)]]

[[licenses/by-sa/3.0LegalText_(Malay)|CC BY-SA - Attribution ShareAlike 3.0 (unported)]]

[[publicdomain/zero/1.0/LegalText_(Malay)|CC0 public domain dedication]]

Mia Wombat Age of Conducer

2013-07-04T20:23:34Z

Deyong:

[[Category:Second Life]]
[[Category:Community]]
[[Category:Contribute]]
[[Category:Project]]
[[Category:Creator]]

Transcript from April 20, 2006 presentation:
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Mia Wombat: Shall we start?

...Hopefully, the ideas I throw out there stimulate some debate and questions and so we can maybe have a more interactive session once I've gone through the slides we're going to make a transcript of this, by the way, so if anyone doesn't want to be included in the transcript please IM me.

Just to set the framework: copyright law is the law that governs creative expression. It is intended to achieve a balance between - sorry, the slides might take a little while to load-- on the one hand, providing incentives to creators in the form of a grant of monopoly rights to their creations, and on the other hand, promoting the dissemination of creative works to the public .

Current debates that rage around the issue of copyright is about whether that balance is being fairly struck. There is a natural tension that exists between these two goals. Exclusive control of certain acts such as the right to copy, the right to adapt, the right to distribute a creative work, and public benefit from access to creative work.

With the advent of digital technologies that tension was exacerbated . The very functioning of digital technologies cause temporary copies of content and software to be made and from those temporary copies, permanent copies can be made. This implicates copyright's core right-- the right to copy. Digital technologies also allow us to manipulate and share content in unprecedented ways which implicates copyright's other exclusive rights.

A virtual world like SL exemplifies this digital tension.

Everything we do here implicates copyright. The text I am typing now, the script that creates this auditorium, the visual images we see, the snapshots we take. All of these are copyrightable works that can be saved and manipulated and shared.
Virtual worlds such as SL introduces a new genre of experience where consumption and production are synonymous, where we as consumers buy into a piece of entertainment to produce our own entertainment . This hybrid role of a consumer/producer has been described as that of a "conducer."
And so the question arises as to who owns this creativity of the conducer.

When you think about who contributes what to a virtual world, there are really two spaces. The first is a topography of space which is a set of pre-determined constraints created by the original developer. The original world developer develops the initial code for the world and sets out the basic parameters for the world.
The second is the possibility space which is the realm in which we as participants can choose to create and experience a range of variables. This world gets populated by us, our interactions with each other and our creativity but all within the series of parameters set by the initial developer.

This conducer phenomenon is not just limited to virtual worlds such as Second Life. It is reflective of the greater interactivity which digital technologies as a whole enable for us all to experience information and entertainment. It is in virtual worlds such as SL, however, that this phenomenon is most apparent.
And it raises foundational questions such as, what is authorship, and who is entitled to claim copyright?s exclusive rights as an author and owner of copyright to in world creativity. Does the law recognize creativity in only the topography space? Or only the possibility space? Or both?

So you will be pleased and perhaps not surprised to know that no court in the
US has considered this to date.

There have been cases in the mid-1980s that considered the issue of video games. These cases are not directly analogous to virtual worlds such as SL. Virtual worlds such as SL allow greater interactivity. Video game technology allowed only a more limited level of participant interaction.

Another point of difference is that the cases were brought between competing
video game providers. They did not involve disputes between game developers and users of those games. So the perspective of the court was focused differently: who owns copyright as between two different companies, not who owns copyright as between a developer and participants. But the cases are interesting nonetheless...

In one of the cases, Midway Manufacturing Co. versus Artic International, Inc., the judge said of gamer participation: ?Playing a video game is more like changing channels on a television than it is like writing a novel or painting a picture. The player of a video game does not have any control over the sequence of images that appears on the video game screen. He cannot create any sequence he wants out of the images stored on the game?s circuit boards. The most he can do is choose one of a limited number of sequences the game allows him to choose. He is unlike the writer or the painter because the video game in effect writes the sentences and paints the painting for him; he merely chooses one of the sentences stored in its memory, one of the paintings stored in its collection.?

In another case, Stern Electronics v. Kaufman, the defendant argued that the plaintiff did not have a copyright in the game because the images that appeared on the screen during each game play varied with player interaction, they were not sufficiently fixed or original to attract copyright protection.
That court dismissed this argument. A CD is a sequence of bits of finite length. The musician is just choosing one of a finite number of large numbers for their music (in my humble opinion). It said that that although that while there were several aspects of a user?s experience of a game that remained constant during each play of the game, some aspects may not be seen or heard each time the game is played. But the sights and sounds were stored and capable of being seen, as thus, were a copyrightable work.

In both cases, it seems as though the courts focused on the topography of space. And recognized a copyright owned by the original developers by their act of setting the parameters for the game. Both cases, particularly Midway, did not recognize participant interaction, in Midway going so far as to say that players were not real authors or painters.

The courts disregarded the "possibility space." Obviously, the technology was come a long way since the early 80s. The level of interactivity particularly for virtual world such as SL has increased considerably since these cases were decided.

Pennie Strauss: What court? It can wait to the end if you wish.

Mia Wombat: Not a problem. Just checking the exact citations? [pause] The Midway case was a Seventh Circuit Court of appeals case, which is for the area around Chicago. The stern case was a Second Circuit case, which sits around New York City. Both Appeals cases, though, which means kinda important.

Pennie Strauss [grinning]: Aye... thank you.

Mia Wombat: So just to finish up... A court could hold that conducer creativity was merely a derivative work based on the topography space, copyrighted to the original developer and not sufficiently deserving of its own separate copyright owned by the participant. And many developers, of course, have structured their Terms of Service to assert that all rights to in-world items are owned by them. And they have used this to also assert control in relation to out-of-world references to in-world events.

As we all know, SL has taken a different tack. Second Life's Terms of Service acknowledge that participants own the Intellectual Property rights to their creations. This is a great recognition of the conducer nature of worlds such as SL and the role that participants play to create and breathe life into such worlds. And, of course, because SL recognizes participants' rights to their own creations, this gives rise to the possibility for each of us to choose to apply Creative Commons licenses to our in-world creations.

In other online worlds, where the original developer claims all rights to everything in the world, individual creators and participants cannot use CC licensing because they have no rights to what they do in world. But in SL, as copyright owner of that which you create, you can choose to apply a CC license that suits your preferences to your creations.

Creative Commons licensing is designed to give individual creators an easy way to manage their copyright, and assert "some rights reserved" as opposed to the default "all rights reserved" level of copyright protection that attaches to a creative work. In an "all rights reserved" world, you must assume that you cannot do anything without asking for separate and special permission other than passively receive content.

In a "some rights reserved" world, you can clearly know and understand what you can or cannot do with a piece of content. CC licensing enables the conducer to legally engage with the content they encounter. CC licensing empowers content creators to clearly signal to conducers that they welcome their engagement with their creativity. And thanks to Zarf Vontongerloo, there is a CC license generator in world which lets you choose from the basic CC licenses by which to manage your copyright if you choose to.

Rizzermon Sopor: Could I CC license my avatar then?

FromMarkPerrys Hand: "Conducer" - sounds like another made-up word.

Mia Wombat [grinning]: "Conducer" is another made up word. [To Sopor] And if the avatar is your own creation, then you should be able to CC license it if that matches your preferences.

So I can explain the CC license conditions if people are interested?

Pennie Strauss and Endymion Mandelbrot [in unison from the audience]: Yes, please do.

Mia Wombat: OK. All CC licenses require attribution. The license generator lets you then mix and match between three additional license conditions.
"NonCommercial", i.e., "Please feel free to use my work but don't make money from it.?"
"No Derivatives", i.e., "Please feel free to use my work but only in verbatim form, please don?t change it."
"ShareAlike", i.e., "Please feel free to make derivatives but if you do please put them back in the commons, share your derivatives under the same license terms (this is most similar to the copyleft condition, for those familiar with open source)."

These license options produce six different licenses. The least restrictive is the Attribution license which says "Feel free to copy my work, distribute it, change, all for commercial and non-commercial purposes, provided you give attribution." The most restrictive is the Attribution-NonCommercial, NoDerivatives license, which says "Please feel free to copy and distribute my work but only in verbatim form, for noncommercial purposes, and give me attribution."

Does anyone have any questions or comments?

Rizzermon Sopor: How about CC licensing of everything I say in-world? That is also possible?

Mia Wombat: Not sure how that would technically work to CC license your text in the text box, but yes.

Jarod Godel: Which is better for a conducer environment: CC or public domain?

Mia Wombat: So public domain means no copyright restrictions applies, so if it's in the public domain it is very conducive to the conducer environment.

Pennie Strauss: But even Public Domain can be limited, can it not?

Mia Wombat: No.

Joi Ito: Having attribution required or not has a big impact on the nature of the community around a collection of works. You would attract/create different behavior in either case.

[Some cross-talk due to technical glitches with "hearing" chat. Questions come up about her usage and meaning of "conducer"]

Mia Wombat: OK, so I mean it here, in the sense of a merging of the producer and consumer functions. A conducer obviously causes things to come about in my meaning, but it is more focused on the blurring of traditional boundaries.

Abaga Rutabaga: I love the term, did you coin it?

Mia Wombat: No, I didn't. I can send a reference for the person who coined the term that I can send you offline. I came across researching for a virtual worlds paper. And similarly loved it.

Cletus Rothschild: If I am an independent content producer that uses a CC license and a corporation violates the license, what action can I pursue assuming that I don't have comparable resources?

Mia Wombat: If you use a CC license and someone violates it then the license automatically terminates and the big corporation becomes an infringer, and you have the usual rights at law. In our experience, this is usually enough to get people to remedy their violation, and we help put people who need relief in touch with lawyers to assist them if they need it.

[Joi Ito excuses himself to go to the airport]

Nic Marx: Often the best enforcement for open licenses is done by bad press and community protest-- as we see in the free software sphere, license violations rarely get to court.

Mia Wombat: Yeah, and community and bad press keeps the pressure on.

Cletus Rothschild: Has there ever been a situation where this has to be pursued in court for extended periods?

Mia Wombat: Yes, there has been a case in the Netherlands: A Dutch publisher was held to have violated the license condition. There hasn't been a case in the States yet. There has also been a case in Spain, but it didn't involve whether our licenses were enforceable.

Icky Commons: Mia, can you give an example of places other than SL where we operate as conducers?

Mia Wombat: So I think that there are many forms in which we operate as conducers. So much that we find on the Web we can take and manipulate and repurpose into our own. There are 7 million CC-licensed images on Flickr that people take and put on their blogs.

Illykai Pussycat: There's an interesting example of acting as conducers in the roleplaying games hobby. Gamers create their own stories and characters. Recently, though, White Wolf, a games company, required that people must pay a fee and register if they charge a fee to run the game. The justification for this being that the game depends on their copyrighted material.

Abaga Rutabaga: Mia-- in Second Life, we all go by different names. Does that have any impact on our own use of CC?

Mia Wombat: There is no reason to think that a CC license will not be held up in a US court. I don't think that using a pseudonym impacts the use of CC. Many people use a different name online.

Nic Marx: I've heard rumors that Linden Lab was considering integrating CC licenses directly in the SL client-- is this a real possibility?

Mia Wombat: When I talked with the people at Linden, they said they wanted to give people the choice as to whether they used CC licenses or not. Not to make it a default, which is kind of what CC is about-- giving people options.

Zenigma Suntzu: I have a proposal to integrate CC into the SL system... I'd like to at least see a place to specify your intended license in the "properties" metadata [of objects you create]. See [this Resident-voted proposition for a new feature.]

Jarod Godel: Are "conducer" and "remix" synonymous ideas?

Mia Wombat: I think conducer and remix are similar concepts, but the conducer is the person, remix is what you do to the thing.

ChuckNorris Mission: How much "derivation" can an object stand until it loses any reasonable semblance to the original object that held the CC license?

Mia Wombat: If the CC license was not enforceable, then ordinary copyright rules would presumably apply. As a lawyer though, you know I love to say that it depends on the facts.

ChuckNorris Mission grins.

Mia Wombat: What constitutes a derivative is an interesting question that is really not easily answerable. Obviously at some point a derivation is not based on the original work, but a recent US court held that really small samples required the copyright owner's permission. So maybe even tiny amounts could still be a derivative.

Jarod Godel: Have there been any studies that compare CC and Public Domain's impact on creativity?

Rizzermon Sopor: CC licensing is not intent on doing away with copyright , just a license to give up some rights if one chooses, correct?

Mia Wombat: No studies on CC v. PD - we wish!!! And yes, CC is not about giving up copyright-- it is about licensing some rights to the public if you choose. It's a voluntary system.

Nic Marx: Is using CC music on a parcel in a house in SL, where you also vend items, a violation of the NC licenses?*

Jarod Godel: Re: music samples-- was that the Grey Album case?

Mia Wombat: No, it was another case. But the Grey case is a great example of how crazy things can be under the law.

ChuckNorris Mission [winking]: We'll need paternity/DNA testing on content to determine who the parents are...

Mia Wombat [laughing]: The privacy advocates would love DNA testing...

Dexter Aquitaine: Is it appropriate to use CC licensing for SL scripts?

Mia Wombat: So I probably do not understand enough about scripts. In general CC licenses are designed for content, there are software licenses for code. But I'm not sure if people can/want to open source SL scripts. I should probably investigate in more detail.

Dexter Aquitaine: Yep, some have open-sourced scripts.

Nic Marx: Open question: What will happen to the SL economy if much of the content available here is freely distributable?

Zenigma Suntzu: People are doing so... the Box Office sponsored by Foundation For Rich Content [an SL building group] is CC with attribution (intentionally allowing commercial derivatives).

Jarod Godel: Technically speaking, most all content is freely distributable in Second Life. GLIntercept and OGLE allow you to grab textures and shapes, and [chat] listeners and logs give you text. So far the economy has held up.

Mia Wombat: CC licensing is fair use plus ( i.e., it gives a layer of permissions on top of fair use). As for the economy and whether CC can be held up in SL - we are hoping to encourage new business models and innovative ways of interacting and making money.

Pennie Strauss: Will CC licensing hold up in SL?

Mia Wombat: Yes, copyright will hold up in SL in a more general sense. It is a question of who owns it and what people can do with it. Copyright equals original, creative expression in tangible form - that is, the images and code and text we see and record

Rizzermon Sopor: Mia, any comments about groups saying that in the digital age copyright is or is becoming a moot point? Maybe this question is waaay off topic, if so disregard

Mia Wombat [laughs]: So the argument that copyright is dead or about to die has been going on since the Internet first went commercial but someone forgot to tell the content owners who continually enforce it in the courts and get new legislation passed to protect it - including trying to change how our tech tools are to protect copyright.

Pennie Strauss: Going beyond scripts to images... be it textures for walls or original art imported to SL. Will a Copyright hold up in SL in a more traditional sense?

Jarod Godel: The ones who don't use CC?

Endymion Mandelbrot: Perhaps a Creative Commons SL store on this island would be a good way to spread the CC ideals.

Rizzermon Sopor: Just because Linden Lab "recognizes" content creator rights in SL, do they even have the legal right to do that, or might that need tested in court some day?

Mia Wombat: So I think they do have the legal right to do it. The bigger question is for those providers who claim all rights in all content, including user-generated content-- do they have the right to do that? Copyright does not have to be registered to be enforced.

Jarod Godel: Does Linden Lab's [Terms of Service] clause "you [then user] automatically grant ... to Linden: (a) a royalty-free, fully paid-up, perpetual, irrevocable, non-exclusive right and license to use and reproduce ... any of your Content in any or all media for marketing" affect ...the Creative Commons licensing?

Mia Wombat: No, that Terms of Service is a license that can co-exist with a CC license. The CC license is non-exclusive. So is the Linden license. We are moving to "disambiguate" our licenses so people can be very specific about which license they support and which they don't.

Jarod Godel: So, would you recommend all MMOGs support CC? I've heard that "City
of Heroes" retains ownership of characters so they can use player characters in comics without worrying about copyright. Since SL seems to have a co-license that allows user ownership and "provider" marketing access, is there anything besides fear of change preventing any game from using CC?

Mia Wombat: No, other games could do it-- but they would have to give up some control... which can be painful.
Mia smiles.

FromMarkPerrys Hand (from the audience): Hi everyone, just a quick note to invite you to an event we're running next week, for World IP Day QUT. They run the
Australian Creative Commons project (I'm visiting). We're going to be holding a discussion: "21st Century Creativity in a Copyright World: How Can the Potential Be Realized?" We have some good speakers, including Richard Neville, Toby Miller, Professor Brian Fitzgerald and self, on 9pm SLT, Tuesday 25 April 2006, at Pooley.

Mia Wombat: Yes, we can all continue these discussions as the event next week!!

We have some CC t-shirts if people are interested.

Audience applause, cheers, and a rush to grab Creative Commons T-shirts.

Credits: Main Creative Commons theater made and donated by the Electric Sheep Company. Kula Roman amphitheater created and donated by Aimee Weber.
Transcript provided by Zenigmu Suntzu; backup by Genevieve Junot.
Linden Lab CC-in-SL coordinator: Liana Linden.

* Unanswered questions:
During crosschat, a couple questions were inadvertantly left unanswered. I'll be contacting Mia Wombat to get her reply to them in the Comments to this post.

ChuckNorris Mission: If I create a complex piece of content from several pieces of CC licensed content one of which is non-commercial, is there any point at which I can use the new object for commercial reasons?

Nic Marx: Is using CC music on a parcel in a house in SL, where you also vend items, a violation of the NC licenses?

License Properties

2013-07-04T04:07:52Z

Deyong:

In addition to the human readable license deeds and legal code, Creative Commons provides machine readable metadata for licenses. This page describes how to begin with a license URI and map it to license properties.

[http://goo.gl/vGpQ8 contoh cv] and [http://goo.gl/MLwzP kata kata galau] License Properties describe the permissions, prohibitions and requirements of a license. Permissions declare a permission given by the license, above and beyond what default copyright law allows. Prohibitions prohibit a particular use of the work, specifically affecting the scope of the permissions provided by a permission. Requirements describe actions required of user when making use of the permissions.

There are two ways to discover license properties given a license URI:
* The "dumb" and easy way: [[#Inspecting the URL|Inspect the URL]]. This can be done with regular expressions or even simple string searching, but requires your code to bake in a little knowledge about CC license URI conventions, and will not work with possible future license URIs that do not follow these conventions (e.g., non-CC licenses that use CC style metadata). But this downside should be of little concern if all you want to do is discover CC licensed material and be able to remember and filter on high level properties such as whether commercial use or derviative works are prohibited.
* The smart and hard way: [[#Using RDFa|Use RDFa]]. This allows you to discover properties for any license URI, including properties that may not be encoded in URI conventions. However, use of this method requires your code to use a RDFa parser.

= Inspecting the URL =

Creative Commons license deed URLs have the following format:

http://creativecommons.org/licenses/{license-properties}/{version}/{jurisdiction}/

The jurisdiction is optional. For example:

http://creativecommons.org/licenses/by/3.0/

Is the URL for the Attribution 3.0 (Unported) license. The license is Unported as there is no jurisdiction element present. The Attribution 2.0 (France) license has the following URL:

http://creativecommons.org/licenses/by/2.0/fr/

=== Mapping Individual Properties ===

The license properties portion of the URL is a sequence a letter codes separated by dashes ("-"). These map to the following license properties:

* '''by''': Attribution: Attribution is required with any reuse or redistribution, in the manner specified by the licensor.
* '''nc''': [[NC|Non-Commercial]]: Commercial use is prohibited.
* '''nd''': No Derivatives: Only verbatim reproduction is permitted.
* '''sa''': Share-Alike: Derivative works are allowed, but must also be licensed under the same license.

=== Sample Code ===

<pre><nowiki>
"""extract_simple.py

Command line sample to map a Creative Commons license URI to the properties
it describes. See http://wiki.creativecommons.org/License_Properties for
details.

Example usage:

$ python extract_simple.py http://creativecommons.org/licenses/by/3.0/
Attribution

$ python extract_simply.py http://creativecommons.org/licenses/by-nc/3.0/
Attribution
Non-Commercial

"""

import sys
import urlparse

ATTRIBUTES = dict(
by = 'Attribution',
nc = 'Non-Commercial',
nd = 'No Derivatives',
sa = 'Share-Alike',
)

def parse(url):
"""Return a sequence of attributes for the given license URL."""

# get the path portion of the URL
path = urlparse.urlparse(url)[2]

# extract the license code portion
pieces = path.split('/')
assert(pieces[1] == 'licenses')

# split the individual codes
attribute_codes = pieces[2].split('-')

return [ATTRIBUTES[n] for n in attribute_codes]

if __name__ == '__main__':

print "\n".join(
parse(sys.argv[-1])
)
</nowiki></pre>

=== Special Cases ===

==== Public Domain ====

http://creativecommons.org/licenses/publicdomain/

For this URI, all of the properties above are false, but obviously the (implicit) properties of permitting distribution and derivative works are true.

==== Sampling ====

The [http://creativecommons.org/license/sampling Sampling Licenses] define specific permissions with respect to sampling a work. The license URLs are

http://creativecommons.org/licenses/sampling/1.0/ (retired)
http://creativecommons.org/licenses/sampling+/1.0/
http://creativecommons.org/licenses/nc-sampling+/1.0/

Many simple implementations may ignore these.

==== Source Code Licenses ====

Creative Commons provides metadata "wrappers" for some source code licenses. These URLs are:

http://creativecommons.org/licenses/MIT/
http://creativecommons.org/licenses/BSD/
http://creativecommons.org/licenses/GPL/2.0/
http://creativecommons.org/licenses/LGPL/2.1/

= Using RDFa =

[[RDFa]] is an editor's draft at W3 which describes a way to serialize [http://www.w3.org/RDF/ RDF] triples in HTML. Creative Commons includes the appropriate RDFa When selecting a license from http://creativecommons.org/license to indicate that a page is licensed. For example:

<a href="http://creativecommons.org/licenses/by/3.0/" '''rel="license"'''>Attribution 3.0</a>

The <code>rel="license"</code> attribute indicates that the link specified (the license URL in this case) has special semantic meaning.

With the license URI, an RDFa parser may be used to extract license attributes from the human readable deed. RDFa parsers are available for many languages, including Python ([[RdfaDict]], [http://rdflib.net rdflib]), Ruby ([http://code.google.com/p/ruby-rdfa/ ruby-rdfa]) and PHP ([http://www.avthasselt.sohosted.com/rdfamonkey/ RDFa Monkey]).

Passing the Attribution 3.0 Unported deed (http://creativecommons.org/licenses/by/3.0/) through an RDFa parser yields the following [http://www.w3.org/TR/rdf-concepts/#section-triples triples]:

@prefix cc: <http://creativecommons.org/ns#> .
http://creativecommons.org/licenses/by/3.0/ cc:requires cc:Attribution .
http://creativecommons.org/licenses/by/3.0/ cc:requires cc:Notice .
http://creativecommons.org/licenses/by/3.0/ cc:permits cc:Reproduction .
http://creativecommons.org/licenses/by/3.0/ cc:permits cc:Distribution .
http://creativecommons.org/licenses/by/3.0/ cc:permits cc:DerivativeWorks .

For a complete list of Permissions, Prohibitions and Requirements defined by Creative Commons see http://creativecommons.org/ns.

== Sample Code ==

The following sample code uses [[RdfaDict]] to parse the license deed and prints the URIs for the license permissions, prohibitions and requirements.

<pre><nowiki>
"""extract_rdfa.py

Command line sample to map a Creative Commons license URI to the properties
it describes. See http://wiki.creativecommons.org/License_Properties for
details.

Example usage:

$ python extract_rdfa.py http://creativecommons.org/licenses/by/3.0/
http://creativecommons.org/ns#Attribution
http://creativecommons.org/ns#Notice
http://creativecommons.org/ns#Reproduction
http://creativecommons.org/ns#Distribution
http://creativecommons.org/ns#DerivativeWorks

$ python extract_rdfa.py http://creativecommons.org/licenses/by-nc/3.0/
http://creativecommons.org/ns#Attribution
http://creativecommons.org/ns#Notice
http://creativecommons.org/ns#CommercialUse
http://creativecommons.org/ns#Reproduction
http://creativecommons.org/ns#Distribution
http://creativecommons.org/ns#DerivativeWorks

Requires rdfadict (http://python.org/pypi/rdfadict).
"""

import sys
import rdfadict

def parse(url):
"""Return a sequence of attributes for the given license URL."""

# parse the license deed and extract RDFa
rdf = rdfadict.RdfaParser().parseurl(url)

# return all predicates (merging requirements, prohibitions and permissions)
result = []
for predicate in rdf[url]:
for obj in rdf[url][predicate]:
result.append(obj)

return result

if __name__ == '__main__':

print "\n".join(
parse(sys.argv[-1])
)
</nowiki></pre>

[[Category:Developer]]
[[Category:Metadata]]

OpenGameArt

2013-07-02T13:27:34Z

Deyong:

{{ContentDirectory
|mainurl=http://opengameart.org/
|format=Image, Sound, Other
|size=1000
}}
[http://goo.gl/DSJMN kata kata patah hati] and [http://goo.gl/l210K cheat gta] and [http://goo.gl/tpN2V puisi patah hati] OpenGameArt contians game art under Creative Commons and GPL/LGPL licenses for use in open source [http://wallputih.blogspot.com/ game online].

Do I have to pay to use OER?

2013-07-02T13:15:28Z

Deyong:

{{CcLearn FAQ
|Question=Do I have to pay to use OER?
'''[http://goo.gl/l210K cheat gta]''' | '''[http://goo.gl/tpN2V puisi patah hati]''' | '''[http://goo.gl/DSJMN kata kata patah hati]'''
|Answer=No, at least as a general rule. That’s the beauty of open education resources. While they are not free in the sense that the user must abide by the license terms, for example to give attribution, share alike or refrain from use for commercial purposes, they are free in that authors cannot charge for access. However, some presumptive OER may be delivered in printed form, or included with other types of materials, either of which can require payments or cost recovery. But the original, digital version of OER, if CC-licensed, may not in and of itself be restricted in terms of access.
|Document=Increase Funding Impact, Open Educational Resources and Creative Commons Licensing
|Target audience=learners
|Tag=OER
}}

Case Studies/ACRO

2013-06-24T10:31:46Z

Deyong:

{{Case Study
|Description=The Australian Creative Resource Online (ACRO) is an open resource repository of reusable digital multimedia materials.
|Mainurl=http://www.acro.edu.au/
|Author=Australian Creative Resources Online (ACRO)
|User_Status=Curator
|Tag=database, archive, reuse, education, repository
|Format=Image, Sound, Text, MovingImage
|Country=Australia
|Quote=The values of openness, novelty, and innovation are more likely to translate into economic value in new media than the values of predictability, highly regulated production, and closed IP regimes on which “mass” media models are based.
|Quote_Attribution=David Rooney and Phil Graham, ACRO Co-Directors
|importance=High
|quality=B-Class
|License_short_name=copyright, CC BY, CC BY-ND, CC BY-NC-ND, CC BY-NC, CC BY-NC-SA, CC BY-SA
|License=http://www.aesharenet.com.au/FfE2/
}}
== Overview ==
The [http://www.acro.edu.au/ Australian Creative Resources Online (ACRO)] is an open resource repository storing digital and digitised multimedia materials – from video clips, digitally drawn images, photographs, and audio segments – in editable formats intended for reuse. Emphasising an open framework, ACRO aims to create a distribution network of high-quality, low-cost materials which are either in the public domain or employ open content licences. By offering streamlined access to content, ACRO seeks to engage grass-roots creative producers and community media organisations, facilitating innovation and creative production without fear of litigation or lengthy rights-clearance processes. As materials are reused, it is hoped that creators and producers re-contribute their content to the archive.

ACRO commenced as an Australian Research Council (ARC)-funded infrastructure project in 2002, which was further supported by the University of Queensland in 2003. It currently operates from the University of Queensland Business School. ACRO seeks to provide research opportunities for investigators across diverse fields to define innovative, internationally recognised technical, operational, and archiving systems, whilst being able to appraise the legal, technical, socioeconomic and cultural implications of new media content development, particularly in relation to Australia’s broadband infrastructure development.

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:‘In short, by providing producers, broadcasters, students, teachers, researchers and the community with access to a range of production, research, and educational resources around an open resource repository, ACRO will stimulate long-term creative and cultural capital for creative industries.’ - [http://www.acro.edu.au/acropubs.html Rooney & Graham, 2004]

The [http://www.tomw.net.au/2002/acra.html founding objectives] of ACRO have been:
*To develop and provide a robust and rapid infrastructure for national research and international collaboration across Australia’s creative industries;
*To stimulate Australia’s broadband content industry, nationally and internationally;
*To provide a rich public resource for creative industries research and content production;
*To develop a resource for productive international research collaborations;
*To develop innovative classification systems and associated database applications for new forms of archive materials;
*To develop new Intellectual Property initiatives and models; and
*To develop innovative technologies and techniques for the development, production, management, and delivery of Australia’s cultural products.

A prominent output from ACRO has been the [http://www.acro.edu.au/public/control.jsp?term=hot+buttered&action=search ''Hot Buttered'' collection], offering a selection of Australian surfing videos and soundtracks. The spirit of reuse is at the heart of the Hot Buttered brand: the surfboard company takes it name from ''Hot Buttered Soul'', Isaac Hayes’ second studio album from 1969, which itself begins with a cover of the Burt Bacharach and Hal David classic tune ''Walk on By''. The ACRO project digitised Hot Buttered’s entire audiovisual catalogue which they agreed to make available under Creative Commons licences. Full bandwidth digital copies were created as an essential step of the digitisation. Hot Buttered’s founder Terry Fitzgerald took the opportunity to repackage the digitised collection and release it as an anthology: [http://www.hotbuttered.com.au/soul/hb_soul.php ''Hot Buttered Soul''], maintaining that [http://www.hotbuttered.com.au/history.php ‘surfing is art’]. The film chronicles the evolution of the single-fin surfboard over three-and-a-half decades, describing the ‘free surfing dream.’

== License Usage ==
:‘ACRO seeks to create a legally safe framework for individuals and organisations to work with multi media resources in an open source environment.’ - [http://www.acro.edu.au/acropubs.html Rooney & Graham, 2004]

Materials archived on ACRO are either believed to be in the public domain or have been cleared by the copyright owners for use under Creative Commons and [http://www.aesharenet.com.au/FfE2/ AEshareNet Free for Education] licences. The default licence used by ACRO is the Creative Commons Attribution-NonCommercial 2.0 licence, allowing the remix and reuse of works for non-commercial purposes. Commercial use must be negotiated with the rights holders.

For producers, their ability to access the archive to place resources in it is governed primarily by their willingness to place their materials under Creative Commons licence arrangements.

ACRO also permits use of [http://www.aesharenet.com.au/ AEShareNet licences], an Australian-based licensing organisation that has been providing standard open content licences since 1998. The most popular of the AESharenet licences is the Free for Education licence, which permits material to be freely used and copied for educational purposes.

== Statistics ==
ACRO is a nationally distributed, standardised, high-bandwidth digital archive. Its [http://www.acro.edu.au/reports/report.html usage reports] show that on the 18 March 2008, the average data transferred per day was approximately 38MB.
File types hosted on ACRO are currently represented as follows:

http://www.acro.edu.au/reports/type.png

== Motivations ==
According to a 2004 [http://www.acro.edu.au/acropubs.html research paper] presented by ACRO Co-Directors David Rooney and Phil Graham, ‘Creative Content and Sustainable Community Media Organisations: Australian Creative Resources Online,’ published in [http://www.uq.edu.au/journ-comm/index.html?page=5755&pid=5755&ntemplate=578 ''Australian Studies in Journalism''], the main assumption underlying the establishment of the database has been that
:‘The values of openness, novelty, and innovation are more likely to translate into economic value in new media than the values of predictability, highly regulated production, and closed IP regimes on which “mass” media models are based.’

The ACRO archives and associated online tools are based on an ‘open resource’ philosophy. The central organising logic of ACRO is that open access to high-quality content and content development tools will bring public and private benefits in the forms of increased cultural activity; increased levels of engagement in cultural production; increased intercultural awareness; and increased economic activity related to cultural production, distribution, and exchange.
:‘By providing a unique and diverse set of resources, and by encouraging derivative and open usage of those resources for the production of new creative works, ACRO will help lay the foundations for new digital rights management systems and alternative business practices suited to broadband environments.’

Underpinning the archive is the ability to reuse and recycle ‘waste’ materials – the leftovers from traditional cultural production processes such as ‘cutting-room floor’ footage. The Creative Commons licensing framework facilitates the distribution and reapplication of this content for groups in the community, being valuable to film, television, and radio producers, musicians, historians, advertisers, documentary producers, the IT industries, and ‘anybody wishing to study, understand, or capitalise upon Australia’s creative potential’ (http://www.tomw.net.au/2002/acra.html).

== Media ==

CcPublisher 2 2

2013-06-22T07:36:13Z

Deyong:

== ccPublisher 2.2 ==

ccPublisher 2.2 will be released at the [http://icommons.org/ iSummit] in Rio De Janeiro, Brazil. The focus of this release is bug fixes and internationalization support. This page documents releases in the 2.2 series in reverse chronological order. The newest release is always at the top.

* '''Windows''' http://prdownload.berlios.de/cctools/ccPublisher-2.2.1.0-setup.exe
* '''Mac OS X''' http://prdownload.berlios.de/cctools/ccPublisher-2.2.1.zip
* '''Linux''' http://prdownload.berlios.de/cctools/ccPublisher-2.2.1.tar.gz

=== ccPublisher 2.2.1 ===

'''22 June 2006'''

This release fixes a crash-inducing bug related to uploading works to the Internet Archive. Mac OS X builds released 29 June 2006.

=== ccPublisher 2.2.0 ===

'''21 June 2006'''

This release fixes some minor bugs found in the final release candidate and contains updated Chinese (Taiwan) translation information. This release includes the same set of translations found in the 2.1.3 release candidate.

Issues, bug reports and feature requests may be logged in the [http://roundup.creativecommons.org/ccpublisher ccPublisher Issue Tracker]. Translation information may be found [[Translating ccPublisher|here]].

=== ccPublisher 2.1.3 (Release Candidate) ===

'''20 June 2006'''

This release corrects many issues found in previous betas, and completes the i18n implementation targeted for 2.2.

This release includes the following translations:

* Catalan (ca_ES)
* Chinese - Taiwan (zh_TW)
* Croation (hr_HR)
* English (en_US)
* Polish (pl_PL)
* Spanish (es_ES)

=== ccPublisher 2.1.2 ===

'''10 June 2006'''

This release corrects several issues found in the previous beta release.

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Regressions, bug reports, feature requests and suggestions should be reported in the [http://roundup.creativecommons.org ccPublisher Tracker].

=== ccPublisher 2.1.1 ===

'''9 June 2006'''

This release corrects several issues found in the first beta release (2.1.0). In particular:

* when starting the app with a new translation a crash immediately occurs
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* I/O errors which occur during Internet Archive upload are now caught (file not found, permission denied, etc)
* Additional bug fixes reported during the 2.0.x cycle have been applied to this release

The translation catalog templates included with this release have been extensively updated since the previous release. These updates include strings which were missed, as well as additional strings introduced during bug fixes (error messages, etc). See [[Translating ccPublisher]] for details on using msgmerge to update your translation files. The "How Does This Work" window is still untranslated; instructions for translating that window should be available shortly.

This release also contains new file selector and license selector code which has been extensively refactored. Regressions, bug reports, feature requests and suggestions should be reported in the [http://roundup.creativecommons.org ccPublisher Tracker].

[http://goo.gl/X7VSz Ucapan selamat pagi]

Questions regarding internationalization or translation can be directed to the [http://lists.berlios.de/mailman/listinfo/cctools-i18n cctools-i18n] mailing list. As a reminder, translations to be included in the final release are due by 20 June 2006.

=== ccPublisher 2.1.0 ===

'''6 June 2006'''

This is the first beta release of ccPublisher 2.2. This is still pre-release software and there are issues outstanding. See the [http://roundup.creativecommons.org/ccpublisher ccPublisher Tracker] for bug details. This release is provided for people interested in testing ccPublisher and as a resource for translators to begin their work. Information on translating ccPublisher can be found [[Translating ccPublisher|here]]. This release has the following known issues:

* labels in the user interface are not wrapped correctly [http://roundup.creativecommons.org/ccpublisher/issue317 Issue 317]
* errors which occur during the upload process are not caught [http://roundup.creativecommons.org/ccpublisher/issue263 Issue 263]

See [http://roundup.creativecommons.org/ccpublisher/ the tracker] for a complete list of issues currently slated to be addressed.

Bugs, feature requests and feedback may be directed to the [[Mailing Lists|cc-devel]] mailing list or filed in [http://roundup.creativecommons.org/ccpublisher/ Roundup].

[[Category:CcPublisher]]

Japan

2013-06-21T18:34:29Z

Deyong:

{{Jurisdiction
|jurstatus=Active
|status=2.1
|country code=jp
|homepage=http://creativecommons.jp/
|twitter=http://twitter.com/#!/cc_jp
|region=Asia-Pacific
|affiliated=University of Tokyo
|affurl=http://www.u-tokyo.ac.jp/index_e.html
|afffocus=Law Faculty
|afftype=academic institution
|plead1=Yuko Noguchi
|pemail1=info@creativecommons.jp
|plead2=Dominick Chen
|pemail2=dominick@creativecommons.jp
|flagurl=http://creativecommons.org/images/international/jp.png
}}
'''[http://goo.gl/928q0 harga blackberry]''' Visit the [http://creativecommons.jp/ jurisdiction's website].

The Creative Commons Japan license suite is available in the following version. [http://creativecommons.org/choose/?jurisdiction=jp License your work] under these licenses, or [http://creativecommons.org/choose choose] the international licenses. [http://wiki.creativecommons.org/FAQ#Should_I_choose_an_international_license_or_a_ported_license.3F More info].

*[http://creativecommons.org/licenses/by/2.1/jp/ Attribution 2.1 Japan]
*[http://creativecommons.org/licenses/by-nc/2.1/jp/ Attribution-NonCommercial 2.1 Japan]
*[http://creativecommons.org/licenses/by-nc-nd/2.1/jp/ Attribution-NonCommercial-NoDerivs 2.1 Japan]
*[http://creativecommons.org/licenses/by-nc-sa/2.1/jp/ Attribution-NonCommercial-ShareAlike 2.1 Japan]
*[http://creativecommons.org/licenses/by-nd/2.1/jp/ Attribution-NoDerivs 2.1 Japan]
*[http://creativecommons.org/licenses/by-sa/2.1/jp/ Attribution-ShareAlike 2.1 Japan]

Many thanks to all who contributed to the localization of the license suite.

Creative Commons is working with The University of Tokyo, Law Faculty to create Japan jurisdiction-specific licenses from the generic Creative Commons licenses.

=CC Japan List=

Chairman: Professor Nobuhiro Nakayama (University of Tokyo, Law Faculty)

Legal Project Lead: [mailto:info@creativecommons.jp Yuko Noguchi]

Public Project Lead: [mailto:dominick@creativecommons.jp Dominick Chen]

*[http://www.creativecommons.jp/ License draft].
*[mailto:cc-jp%20-at-%20lists.ibiblio.org Post a message].
*[http://lists.ibiblio.org/mailman/listinfo/cc-jp Subscribe to the discussion].
*[http://lists.ibiblio.org/pipermail/cc-jp/ Read the discussion archives].

=More about The University of Tokyo=

The University of Tokyo is the first national university in Japan, established in 1877. [http://www.j.u-tokyo.ac.jp/en/course.html The Law Faculty] was one of the first faculties established, along with Faculties of Medicine, Engineering and Humanities. Since then, for about 160 years, the institute has played an central role in the field of Japanese legal research and education. The alumni includes many distinguished lawyers such as law professors, judges and other legal practitioners, as well as a number of talented government officials and politicians. The Law Faculty consists of departments of law and politics, and has about a hundred professors and associate professors.

=Roadmap=
(Created February, 2012)

==Current State and Priorities:==
CCJP as an organization is expanding in terms of volunteer staff, but not in terms of funding. Our primary resource therefore is the passion and time of those volunteers.

==Goals for 2012==

*Music:
** We will deepen ties with the indies music scenes and strengthen relationship with Dublab by supporting the launch of dublab.jp, in order to raise awareness about copyright problems along artists and listeners through various events.

* GLAM
** We will document and package our achievement of 2011 and publish it online so to publicly share our know-how of introducing CC licenses to art exhibitions.
** We will make progress in creating the English-language version of the package.
** We will also assist at least one more adoption of CC license by an art exhibition.
** We will explore other possibilities of supporting cultural and artistic digital archive through our growing network with the GLAM world.

*Law & Policy:
**We assist open government effort by contributing our expertise to the policy discussions on the issue, which is gaining increasing amount of interest in Japan.
**We will participate discussions on legal environment in which cultures could benefit from active use of copyrighted works, through symposiums, speeches, lectures. We will also contribute to raising the public’s awareness on copyright issues.
**However, feasibilities of these activities rely greatly on requests we receive from various parties.

*License:
**We will provide input to the version 4.0 discussions based on our discussions, views, and opinions on Japanese CC and other relevant licenses.
**We will explore ways to help Japanese government, if there is an opportunity, on licensing matters for its open government effort.
**We will monitor developments in open licensing in Japan, and get in contact with people invlolved in the development and adoption, if possible. We will examine if there is any action we can take to ensure interoperabilities among licenses

* Support
** We will begin revising our FAQ.
** We will review our inquiry system and consider improving the team.

* Network / PR
** We will hold socializing events such as CC Salon more than 3 times this year so to build relationship with people interested in CC, open culture, and other relevant issues.
** We will reorganize and improve our PR team in order to exploit social media such as blog, twitter, and Facebook, as well as our email newsletters, more efficiently. We will also execute reviews of our website to develop a better understanding of the issues, and address high-priority, low-cost issues.

*Research
** If other CC affiliates shows sufficient level of interest and committment, we will establish an international research group on open government issues, and publish a report to share its findings.

Intergovernmental Organizations

2013-06-21T03:21:54Z

Deyong:

Intergovernmental organizations (IGOs) are using CC to share research, data, and educational materials they produce. IGOs, like all creators who want wide dissemination of their content, realize they can benefit greatly from the use of Creative Commons licenses--maximizing the impact of their resources and efforts. A number of IGOs believe that as publicly minded institutions, adopting an open licensing policy for at least some subset of their publications is the preferred mechanism for ensuring the broadest and most widespread use and reuse of the information they publish.

This page explains some of the benefits for IGOs choosing to publish content under Creative Commons licenses, clarifies some unique legal considerations, provides case study of IGOs already using CC, aggregates relevant frequently asked questions, and addresses common licensing scenarios and options available to IGOs.

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==Why Intergovernmental Organizations Benefit from Using CC==

===IGOs' missions are aligned with sharing information and resources===

Disseminating useful information globally is aligned with the mission and work of most IGOs. Sharing information and content -- ranging from education assessment metrics to cultural heritage resources to research studies on the environmental impact of fossil fuels to health information -- is central to the success of IGOs. Information and content that IGOs create can be made maximally useful to the diverse communities they serve, helping citizens, governments, civic institutions, and businesses across all sectors.

Most IGOs maintain Terms of Service (TOS) on their websites containing information about copyright. Visitors are often permitted to download, copy, and use website materials, publications, and educational resources at least for personal, non-commercial purposes as long as copyright notice information remains intact and credit is given to the original author (usually via name, title of publication, and associated URL). These requirements parallel requirements contained in Creative Commons licenses. CC licenses have the added benefit of communicating these permissions in a clear, easy-to-understand fashion and are widely understood by users around the world. In addition, CC licenses provide other benefits, including enhanced discoverability of resources intended for reuse to be easily discoverable via search engines like Google.

===CC helps clarify rights to users in advance===
Materials like reports, photographs and videos released under the default All Rights Reserved copyright require the end user to ask permission in order to use the resource in the absence of some applicable exception or limitation under applicable copyright law. This framework means IGOs must dedicate resources to review and approve those requests. From the user perspective, the time and effort required to obtain the permission can be significant. The result is that resources are less likely to be used, shared, or repurposed, significantly diminishing the potential impact of information published. (The Organization for Economic Co-operation and Development (OECD) has described the challenges to dissemination of information under the All Rights Reserved copyright framework as follows: "While information technology makes it possible to multiply and distribute content worldwide and almost at no cost, legal restrictions on the reuse of copyrighted material hamper its negotiability in the digital environment ... [T]he Creative Commons license is by far the best-known license for such content, the use of which is growing exponentially." [http://www.oecd.org/dataoecd/35/7/38654317.pdf OECD (2007) Giving Knowledge for Free: The Emergence of Open Educational Resources, p.13].

Creative Commons licenses offer a simple, standardized way to grant flexible copyright permissions in advance. The adoption of Creative Commons licenses increases the dissemination, discoverability, reuse, and translatability of research and education materials. CC licenses are the global standard for open content licenses, and are leveraged by corporations, institutions, and government bodies worldwide. Creative Commons licenses lower the transaction costs normally associated with seeking and granting permission to use resources by granting limited permission in advance.

===CC helps ensure IGOs receive credit for the resources they create===
IGOs who use CC licenses get the credit they deserve for the work they create. All CC licenses require that attribution be given to author in the manner specified. IGOs also need not worry about expending resources crafting custom terms of service specifying how their works can be used. Creative Commons licenses contain vetted, legally robust standard copyright terms and conditions. These common features serve as the baseline, on top of which IGOs can choose to grant additional permissions if desired.
</div>

==FAQ: Why CC Licenses Work for IGOs==
IGOs are unique in several respects from individuals and other organizations. Below are some common questions about how CC licenses work for IGOs.

===[[FAQ#Can_anyone_use_a_CC_license.3F_What_about_governments_and_intergovernmental_organizations_.28.22IGOs.22.29.3F|Can anyone use a CC license? What about governments and intergovernmental organizations ("IGOs")?]]===
Anyone may use CC licenses for works they own, [http://wiki.creativecommons.org/Government including governments] and IGOs. The reasons for doing so vary, and often include a desire to maximize the impact and utility of works for educational and informational purposes, and to enhance transparency.

Creative Commons licenses have desirable features that make them the preferred choice over custom licenses. CC licenses are standard and interoperable, which means works published by different authors using the same type of CC license can be translated, modified, compiled and/or remixed depending on the particular license applied. Creative Commons licenses are also machine-readable, allowing CC-licensed works to be easily discovered via search engines such as Google. These features maximize distribution, reuse and impact of works published by governments and IGOs.

===[[FAQ#What_should_IGOs_consider_before_applying_a_CC_license.3F|What should IGOs consider before applying a CC license?]]===
Creative Commons recommends that IGOs use the international (formerly known as the "unported") licenses. While no CC license (ported or unported) waives privileges and immunities that may apply to IGOs, the international licenses may be preferred because they have not been adapted to the laws of any particular jurisdiction. Using these licenses instead of a license adapted to the implementation of copyright law in a particular jurisdiction (a “ported license”) avoids any implication (however remote or unlikely) that an IGO has consented to jurisdiction or forum for resolution of disputes arising under the licenses, or has agreed that disputes arising under the licenses should be resolved in accordance with a particular jurisdiction’s laws.

===[[FAQ#Do_CC_licenses_impose_obligations_on_IGOs_.28or_other_licensors.29_that_could_result_in_liability.3F|Do CC licenses impose obligations on IGOs (or other licensors) that could result in liability?]]===
No. CC licenses do not impose obligations on licensors, but instead grant others permission to use the licensed works consistent with license terms and conditions. The only exception is the undertaking by licensors not to enforce their copyright as long as the license terms are respected. CC licensors have the choice of enforcing (or not) any copyright licenses they grant.

This point is worth stressing. CC licenses impose no affirmative obligations of any kind on licensors. There are more than 500,000,000 CC-licensed texts, photos, websites and other works. Since the licenses were first published more than 8 years ago, CC has not been made aware of any claim made against a licensor under the licenses. The reason is simple: licensors are only agreeing to forego their right to enforce copyright under certain conditions, not accepting any affirmative duties or obligations in the license itself. This makes CC licenses qualitatively different from the kinds of contracts or agreements that could subject IGOs to liability, or to the jurisdiction of any particular country or legal process.

As still further protection, in the unlikely event a claim is made against an IGO under a CC license, nothing in the license waives applicable privileges and immunities.

===[[FAQ#What_law_would_be_applied_if_an_IGO_itself_chooses_to_enforce_the_terms_of_the_license_against_a_violator.3F|What law would be applied if an IGO itself chooses to enforce the terms of the license against a violator?]]===
None of the CC 3.0 international licenses contains a forum or jurisdiction selection clause. The only ported 3.0 licenses that contain a forum selection clause are the Hong Kong 3.0 licenses. This suite is not recommended for use by licensors who want to preserve their right to bring an action in another forum.

A few of the ported licenses contain a choice of law provision. For this reason, CC suggests that IGOs use the international licenses because those licenses squarely leave the decision of which forum and law to apply to the tribunal in which enforcement of the license is sought by the IGO.

Those responsible for setting intellectual property or publication policy within an IGO should consider making these points clear in their copyright notice. One suggested implementation is:

© YEAR by ORGANIZATION. TITLE OF PUBLICATION is made available under a Creative Commons Attribution 3.0 License (international): http://creativecommons.org/licenses/by/3.0/. For the avoidance of doubt, by applying this license ORGANIZATION does not waive any privileges or immunities from claims that it may be entitled to assert, nor does ORGANIZATION submit itself to the jurisdiction, courts, legal processes or laws of any jurisdiction.

<div style="display:block;margin-bottom:20px;clear:both;margin-right:20px;">
<h2>Featured Intergovernmental Organization Case Studies</h2>
<br/>{{#ask: [[Category:Casestudy]][[Tag::intergovernmental organizations]]|?Case study title|?Description|?Image Header|link=none|format=template|template=Explorebox|limit=4|sort=Case study title|order=random|searchlabel=See more IGO Case Studies...}}
</div>

== Additional Examples of CC License Use by Intergovernmental Organizations ==
===Commonwealth of Learning===
* The Commonwealth of Learning has incorpoated CC BY-SA as part of its open educational resources (OER) policy: http://creativecommons.org/weblog/entry/27703.
* Interview with Sir John Daniel about the policy: http://creativecommons.org/weblog/entry/28384
*COL's guidelines for open educational resources (OER) in higher education: http://www.col.org/resources/publications/Pages/detail.aspx?PID=364
*[[Case_Studies/Commonwealth_of_Learning]]

=== European Cultural Foundation ===
* The [http://www.eurocult.org/ European Cultural Foundation's] project [http://www.labforculture.org/ Labforculture.org] releases materials under a CC BY-NC-ND license.

=== European Funded ===

* http://www.communia-project.eu/about COMMUNIA - The European Thematic Network on the Digital Public Domain, funded by the European Commission (the executive of the European Union), [http://creativecommons.org/licenses/by-sa/3.0/ CC BY-SA (Unported)].
* European Organization for Nuclear Research (CERN) - [[Case_Studies/CERN|CERN]] publishes its book catalog online as open data using the CC0 public domain dedication and the results of some Large Hadron Collider (LHC) experiments are published under various Creative Commons licenses.

=== Inter-American Development Bank ===

* The [http://www.iadb.org/ Inter-American Development Bank] is requiring the adoption of Creative Commons by the organizations that receive funding from the Bank in the context of the FOMIN (Fondo Multiateral de Inversiones) initiatives, particularly the ICT4BUS, a fund that promotes the adoption of e-commerce in the American continent, which has financed more that thirty initiatives in Brazil, Argentina, Chile, Nicaragua and other Latin American countries. Banks require those initiative to use the GPL to license any software developed by organizations receiving support from the bank, and CC to license the documentation related with those computer programs, such as user manuals.

=== International Institute for Democracy and Electoral Assistance ===

* The [[Case_Studies/International_IDEA_Publishing|International Institute for Democracy and Electoral Assistance (International IDEA)]] is an IGO that supports sustainable democracy, and licenses selected publications under the Creative Commons Attribution-NonCommercial-Share Alike 3.0 Unported licence.

=== United Nations ===

* UNESCO OER documentation and toolkits - http://oerwiki.iiep-unesco.org/
* United Nations University OpenCourseWare - http://ocw.unu.edu/Courses_listing
* United Nations University Media Studio - http://mediastudio.unu.edu/en/about/
* United Nations Development Programme (UNDP) Knowledge Platform - http://logosundp.org/; http://logosundp.org/about/terms
* The UNDP Virtual School for Latin America and the Caribbean - http://www.escuelapnud.org/

=== World Bank ===
*The World Bank has incorporated CC BY into its Open Access Policy and as a default for Bank-produced research and knowledge products via its OPen Knowledge Repository: http://creativecommons.org/weblog/entry/32335. '''[http://goo.gl/9VHdC harga hp nokia]'''

Web Services

2013-06-19T18:13:38Z

Deyong:

[[Category:Developer]]
[[Category:Integration]]
[[Category:Technology]]

'''[http://goo.gl/qQEjF cara membuat blog]''' Creative Commons provides a set of web services which allow application developers to integrate license selection with their own software. The web services are designed to be a more flexible replacement for the HTML-only [[Web Integration Guide|partner interface]].

== Background ==

Creative Commons provides a REST web service interfaces. Through the CC web service API, you can generate any of the Creative Commons licenses, including Sampling. The web services API 1.5 is frozen and can be considered stable. A development API is also supported, where new features are prototyped. The development API should not be considered stable. The API presents the following layers of abstraction:

* a selection of license "classes" available (standard, public domain, GPL, etc)
* a set of questions (along with possible responses, if applicable) that must be answered in order to issue a license
* an interface to generate the license URL, along with description RDF for a given license and set of answers

Sourcecode for the web services is available at [http://code.creativecommons.org code.creativecommons.org]. Server source is maintained in the [http://code.creativecommons.org/viewsvn/api/ api module]. Sample client implementations are maintained in the [http://code.creativecommons.org/viewsvn/api_client api_client module].

The web services use an XML representations of the licenses and their questions. The XML files and XSLT transformations used for this process are also stored in the '''license_xsl''' module in Subversion. ChooseLicense.xml represents the available Creative Commons licenses, along with the "questions" which need to be answered to select a particular license, in an XML format. Combined with an XSLT file, this allows us to easily plug the license engine into different environments.

== Documentation ==

Two versions of the REST web service are currently maintained, the 1.5 version and development version. The 1.5 version is a stable API and is only updated with new jurisdictions as they become available. The Development version is where new features are implemented and API changes may occur; at some point this will be branched again and versioned. See the [[Web Services Plan]] page for future web service ideas and version details.

The stable REST interface is rooted at http://api.creativecommons.org/rest/1.5. Documentation of methods available is available at http://api.creativecommons.org/readme_15.html.

The development REST interface is rooted at http://api.creativecommons.org/rest/dev. Documentation and a summary of changes since the last stable version is available at http://api.creativecommons.org/readme_dev.html.

{{Challenge Enabled}}
[[Creative Commons Aim and Influence]]

Licenses/by-sa/3.0LegalText (Indonesian)

2013-06-11T19:23:03Z

Deyong: /* 2. Hak Penggunaan Wajar */

<center>''Dokumen ini adalah terjemahan tidak resmi dari lisensi Creative Commons Attribution ShareAlike 3.0 ke dalam Bahasa Indonesia. Dokumen ini tidak dipublikasikan oleh Creative Commons dan tidak mengikat secara hukum dan tidak dapat diterapkan kepada ciptaan Anda. Walau demikian, kami berharap dokumen ini dapat membantu Anda memahami isi lisensi Creative Commons Attribution ShareAlike 3.0 dengan lebih baik.''</center>

<BIG><Center>'''Lisensi Creative Commons Atribusi BerbagiSerupa 3.0 Indonesia'''</center></BIG>

CREATIVE COMMONS CORPORATION BUKANLAH SUATU FIRMA HUKUM DAN TIDAK MEMBERIKAN LAYANAN HUKUM. DISTRIBUSI LISENSI INI TIDAK MENYEBABKAN MUNCULNYA SUATU HUBUNGAN PENGACARA-KLIEN. CREATIVE COMMONS MENYEDIAKAN INFORMASI INI BERDASARKAN KETENTUAN "APA ADANYA (AS-IS)". CREATIVE COMMONS TIDAK MEMBERIKAN JAMINAN MENGENAI INFORMASI YANG DIBERIKAN, DAN MENOLAK SEMUA TANGGUNG JAWAB ATAS KERUGIAN YANG MUNCUL KARENA PENGGUNAANNYA.

=='''Lisensi'''==
CIPTAAN (SEBAGAIMANA DIDEFINISIKAN DI BAWAH INI) DIBERIKAN SESUAI DENGAN KETENTUAN DARI LISENSI PUBLIK CREATIVE COMMONS (“CCPL” ATAU “LISENSI”). CIPTAAN INI DILINDUNGI OLEH HAK CIPTA DAN/ATAU HUKUM YANG BERLAKU LAINNYA. PENGGUNAAN APA PUN TERHADAP CIPTAAN INI SELAIN DARI YANG DIIZINKAN OLEH LISENSI INI ATAU HUKUM YANG MENGATUR TENTANG HAK CIPTA ADALAH HAL YANG DILARANG.

DENGAN MENERAPKAN HAK-HAK ATAS CIPTAAN YANG DISEBUT DI SINI, ANDA MENERIMA DAN SETUJU UNTUK TERIKAT OLEH KETENTUAN LISENSI INI. SEJAUH LISENSI INI DAPAT DIPANDANG SEBAGAI SUATU KONTRAK, PEMBERI LISENSI MEMBERI ANDA HAK-HAK YANG TERMUAT DI DALAM LISENSI INI SESUAI DENGAN PENERIMAAN ANDA TERHADAP KETENTUAN DAN PERSYARATAN TERSEBUT.

==='''1. Definisi'''===
* '''Adaptasi''' berarti suatu ciptaan yang diciptakan berdasarkan Ciptaan ini, atau diciptakan dari Ciptaan ini dan ciptaan yang sudah ada sebelumnya, seperti terjemahan, adaptasi, ciptaan turunan, aransemen musik atau gubahan apa pun dari suatu ciptaan literatur atau artistik, atau fonogram atau pagelaran dan termasuk adaptasi sinematografi atau bentuk apa pun lainnya dimana Ciptaan tersebut mungkin dibentuk ulang, diubah, atau diadaptasikan untuk disertakan di dalam bentuk turunan apa pun yang dapat dikenali yang diturunkan dari bentuk aslinya, kecuali suatu ciptaan yang menjadi bagian dari suatu Bunga Rampai tidak akan dianggap sebagai suatu Adaptasi untuk tujuan lisensi ini. Untuk menghindari keragu-raguan, apabila Ciptaan berupa karya musikal, pertunjukan, atau rekaman, maka sinkronisasi Ciptaan tersebut dalam hal terkait dengan gambar bergerak akan dipandang sebagai suatu Adaptasi untuk tujuan lisensi ini.
* '''Bunga Rampai''' artinya suatu bunga rampai dari ciptaan berupa karya sastra atau seni, seperti ensiklopedia dan antologi, atau pertunjukan, rekaman, atau siaran, atau ciptaan lain selain dari ciptaan-ciptaan yang disebut pada Bagian 1(g) di bawah ini, yang karena alasan seleksi dan pengaturan isinya, menjadi bagian dari penciptaan intelektual, yang mana Ciptaan tersebut termasuk dalam satu kesatuan bentuk yang tidak termodifikasi bersama dengan satu atau lebih kontribusi lainnya, yang masing-masingnya merupakan ciptaan terpisah dan mandiri, yang secara bersama terkumpul di dalam suatu kesatuan kolektif. Suatu ciptaan yang menjadi bagian dari suatu Bunga Rampai tidak akan dipandang sebagai suatu Adaptasi (sebagaimana didefinisikan di atas) untuk tujuan Lisensi ini.
* '''Lisensi Kompatibel Creative Commons''' berarti lisensi yang terdaftar di http://creativecommons.org/compatiblelicenses yang telah disetujui oleh Creative Commons dan setara dengan Lisensi ini, termasuk, paling tidak, karena lisensi tersebut: (i) berisi persyaratan yang memiliki tujuan, makna, dan akibat yang sama sebagaimana Elemen Lisensi dari Lisensi ini, dan, (ii) secara eksplisit memungkinkan lisensi terhadap adaptasi dari ciptaan yang dibuat tersedia di bawah lisensi yang ada di bawah yurisdiksi Lisensi ini atau lisensi Creative Commons dengan Elemen Lisensi yang sama sebagaimana Lisensi ini.
* '''Mengumumkan''' berarti menyediakan kepada publik Ciptaan asli dan salinannya atau Adaptasinya, secara patut, melalui penjualan atau pengalihan kepemilikan lainnya.
* '''Elemen Lisensi''' berarti berbagai atribut lisensi level tinggi lainnya sebagaimana dipilih oleh Pemberi Lisensi dan disebutkan di dalam judul Lisensi ini: Atribusi, Nonkomersial, BerbagiSerupa.
* '''Pemberi Lisensi''' berarti individu, beberapa individu, entitas atau beberapa entitas yang memberikan Ciptaan sesuai dengan ketentuan-ketentuan Lisensi ini.
* '''Pencipta Asli''' berarti, dalam hal Ciptaan berupa karya sastra atau seni, individu, beberapa individu, entitas, beberapa entitas yang menciptakan Ciptaan ini, atau jika tidak ada individu atau entitas yang dapat diidentifikasi, maka penerbitnya; dan juga (i) dalam hal seni pertunjukan, maka aktor, penyanyi, musisi, penari, atau orang lain yang berakting, menyanyi, menyuguhkan, mendeklamasikan, bermain dalam, menginterpretasikan, atau dengan cara lain menampilkan karya sastra atau seni atau ekspresi dari cerita rakyat (folklore); (ii) dalam hal karya rekaman, maka produser yang merupakan orang atau entitas hukum yang pertama-tama merekam suara dari suatu pertunjukan atau sumber suara lainnya; dan, (iii) dalam halsiaran, maka lembaga yang mentransmisikan siaran tersebut.
* '''Ciptaan''' berarti ciptaan literatur dan/atau artistik yang ditawarkan sesuai dengan ketentuan Lisensi ini termasuk tanpa terbatas pada produksi apa pun dalam ranah literatur, ilmiah, dan artistik, baik dalam modus atau bentuk ekspresinya termasuk bentuk digital, seperti buku, pamflet, dan bentuk tertulis lainnya; kuliah, pidato, khotbah, atau bentuk ciptaan lainnya yang sejenis; ciptaan drama atau drama-musikal; ciptaan koreografi atau hiburan pantomim; komposisi musik dengan atau tanpa kata; ciptaan sinematografi yang merupakan ciptaan asimilasi yang dinyatakan oleh suatu proses analog kepada sinematografi; ciptaan gambar, lukisan, arsitektur, ukiran, grafir atau litografi; ciptaan fotografi ke mana ciptaan-ciptaan diasimilasikan yang dinyatakan oleh suatu proses analog kepada fotografi; suatu ciptaan seni terapan; suatu ilustrasi, peta, rencana, sketsa atau ciptaan tiga dimensi yang relatif terhadap geografi, topografi, arsitektur, atau sains; suatu pertunjukan; suatu siaran; rekaman suara; kompilasi data sejauh data tersebut dilindungi oleh suatu ciptaan berhak cipta; atau suatu ciptaan yang dilakukan oleh penampil artistik atau sirkus asalkan tidak dipandang sebagai ciptaan literatur atau artistik; dan ciptaan lain sebagaimana diatur dalam peraturan perundang-undangan di bidang hak cipta.
* '''Anda''' berarti individu atau entitas yang menjalankan hak sesuai dengan Lisensi ini yang belum pernah melanggar ketentuan Lisensi terhadap Ciptaan ini, atau yang telah menerima izin dari Pemberi Lisensi untuk menjalankan hak sesuai dengan Lisensi ini walaupun ada pelanggaran sebelumnya.
* '''Mempertunjukkan kepada Publik''' berarti melakukan pengumuman Ciptaan kepada publik, dengan cara atau proses apa pun, termasuk melalui cara kabel atau nirkabel atau pertunjukan digital publik; menyediakan kepada publik Ciptaan dengan cara sedemikian rupa sehingga publik dapat mengakses Ciptaan ini dari tempat yang dipilihnya; menyampaikan Ciptaan kepada publik dengan cara atau proses apa pun dan komunikasi kepada publik tentang pertunjukan Ciptaan tersebut, termasuk melalui pagelaran digital publik; menyiarkan dan menyiarkan ulang Ciptaan tersebut dengan cara apa pun termasuk melalui tanda, suara, atau gambar.
* '''Memperbanyak''' berarti membuat salinan Ciptaan tersebut dengan cara apa pun termasuk tanpa terbatas pada rekaman suara atau visual dan hak fiksasi atau memperbanyak fiksasi dari Ciptaan tersebut, termasuk penyimpanan dari suatu pertunjukan yang dilindungi atau rekaman suara dalam bentuk digital atau media elektronik lainnya.

==='''2. Hak Penggunaan Wajar'''===
Tidak ada bagian apa pun di dalam Lisensi ini yang dimaksudkan mengurangi, '''[http://goo.gl/leRfP contoh surat lamaran kerja]''' membatasi, atau menghalangi penggunaan bebas apa pun dari hak cipta atau hak-hak yang muncul dari pembatasan atau pengecualian yang diberikan sehubungan dengan perlindungan hak cipta tersebut sesuai dengan undang-undang hak cipta atau hukum yang berlaku lainnya.

==='''3. Pemberian Lisensi'''===
Sesuai dengan ketentuan dan persyaratan Lisensi ini, Pemberi Lisensi dengan ini memberikan kepada Anda, suatu lisensi yang berlaku terus menerus (selama jangka waktu hak cipta yang berlaku), non-eksklusif, bebas royalti, dan berlaku di seluruh dunia untuk menjalankan hak-hak Ciptaan ini sebagaimana disebutkan di bawah ini:
* Memperbanyak Ciptaan, menyertakan Ciptaan di dalam satu atau lebih Bunga Rampai, dan Memperbanyak Ciptaan yang dihimpun dalam Bunga Rampai;
* membuat dan Memperbanyak Adaptasi asalkan semua Adaptasi tersebut, termasuk terjemahan dalam media apa pun, mengambil langkah-langkah yang sesuai untuk secara jelas memberi label, batasan, atau mengidentifikasi perubahan yang dibuat terhadap Ciptaan asli. Contoh, suatu terjemahan dapat diberi tanda “Ciptaan asli diterjemahkan dari Bahasa Inggris ke dalam Bahasa Spanyol," atau suatu modifikasi dapat mengidentifikasikan "Ciptaan asli telah dimodifikasi.”;
* Mengumumkan dan Mempertunjukkan kepada Publik suatu Ciptaan, termasuk yang dihimpun dalam Bunga Rampai; dan
* Mengumumkan dan Mempertunjukkan kepada Publik suatu Adaptasi.
* Untuk menghindari keraguan:
:* '''Skema Lisensi Wajib Tanpa Dapat Dikesampingkan.''' Pada wilayah kewenangan sewaktu hak menerima royalti melalui skema pelisensian sesuai hukum atau wajib tidak dapat dikesampingkan, Pemberi Lisensi memiliki hak eksklusif untuk menerima royalti semacam itu untuk pelaksanaan apa pun oleh Anda terhadap hak-hak yang ditetapkan oleh Lisensi ini;
:* '''Skema Lisensi Wajib Yang Dapat Dikesampingkan.''' Pada wilayah kewenangan sewaktu hak menerima royalti melalui skema pelisensian sesuai hukum atau wajib dapat dikesampingkan, Pemberi Lisensi mengabaikan hak eksklusif untuk menerima royalti untuk pelaksanaan apa pun oleh Anda terhadap hak-hak yang ditetapkan oleh Lisensi ini; dan,
:* '''Skema Lisensi Sukarela.''' Pemberi Lisensi berhak menerima royalti, baik secara individu atau, ketika Pemberi Lisensi menjadi anggota dari komunitas penerima royalti yang memberikan skema pelisensian sukarela, melalui komunitas itu, dari pelaksanaan apa pun yang Anda lakukan terhadap hak yang diberikan sesuai Lisensi ini.

Hak-hak di atas dapat dijalankan dalam semua media dan format baik dikenal sekarang ini ataupun dibuat kemudian. Hak-hak di atas termasuk hak untuk membuat modifikasi yang secara teknis dibutuhkan untuk menjalankan hak pada media dan format lain. Sesuai dengan Bagian 8(f), semua hak yang tidak secara jelas diberikan oleh Pemberi Lisensi dengan ini dinyatakan dimiliki oleh Pemberi Lisensi.

==='''4. Pembatasan'''===
Lisensi yang diberikan pada Bagian 3 di atas dinyatakan dibuat sesuai dan dibatasi oleh pembatasan berikut:
* Anda diperbolehkan Mengumumkan atau Mempertunjukkan kepada Publik Ciptaan tersebut hanya berdasarkan ketentuan Lisensi ini. Anda harus menyertakan salinan, atau Uniform Resource Identifier (URI) untuk Lisensi ini untuk setiap salinan Ciptaan yang Anda Umumkan atau Pertunjukkan kepada Publik. Anda tidak dapat menawarkan atau memaksakan ketentuan apa pun dari Ciptaan tersebut yang membatasi ketentuan Lisensi ini atau kemampuan penerima Ciptaan untuk menjalankan hak yang diberikan kepada penerima sesuai dengan ketentuan Lisensi ini. Anda tidak diperbolehkan mensublisensikan Ciptaan tersebut. Anda harus menjaga keutuhan semua pemberitahuan yang merujuk kepada Lisensi ini dan kepada pengabaian jaminan pada setiap salinan Ciptaan yang Anda Umumkan atau Pertunjukkan kepada Publik. Ketika Anda Mengumumkan atau Mempertunjukkan kepada Publik Ciptaan ini kepada Publik, Anda tidak dapat memaksakan tindakan teknologi seefektif apa pun pada Ciptaan yang dapat membatasi kemampuan penerima Ciptaan dari Anda untuk menjalankan hak yang diberikan kepada penerima berdasarkan ketentuan Lisensi ini. Bagian 4 (a) berlaku untuk semua Ciptaan yang dihimpun dalam Bunga Rampai, tetapi tidak mengharuskan Bunga Rampai selain dari Ciptaan tersebut dibuat sesuai dengan ketentuan Lisensi ini. Jika Anda membuat suatu Bunga Rampai, maka ketika menerima pemberitahuan dari Pemberi Lisensi manapun, Anda harus, sepanjang dapat dilakukan, menghapus dari dalam Bunga Rampai apa pun sebagaimana diharuskan oleh Bagian 4 (c), ketika diminta. Jika Anda membuat suatu Adaptasi, maka ketika menerima pemberitahuan dari Pemberi Lisensi manapun, Anda harus, sepanjang dapat dilakukan, menghapus dari dalam Adaptasi apa pun sebagaimana diharuskan oleh Bagian 4 (c), ketika diminta.
* Anda dapat Mengumumkan atau Mempertunjukkan kepada Publik suatu Adaptasi hanya berdasarkan: (i) ketentuan Lisensi ini; (ii) versi lanjutan dari Lisensi ini dengan Elemen Lisensi yang sama seperti Lisensi ini; (iii) lisensi kewenangan Creative Commons (baik yang ada ini atau versi lisensi lanjutan) yang memuat Elemen Lisensi yang sama seperti Lisensi ini (contohnya, Atribusi-Nonkomersial-BerbagiSerupa 3.0 AS) ("Lisensi yang Berlaku"). Anda harus menyertakan salinan dari, atau URI untuk Lisensi yang Berlaku dengan setiap salinan dari Adaptasi yang Anda Umumkan atau Pertunjukkan kepada Publik. Anda tidak dapat menawarkan atau memaksakan ketentuan apa pun dari Adaptasi tersebut yang membatasi ketentuan Lisensi ini atau kemampuan penerima Adaptasi untuk menjalankan hak yang diberikan kepada penerima sesuai dengan ketentuan Lisensi ini. Anda harus menjaga keutuhan semua pemberitahuan yang merujuk kepada Lisensi yang Berlaku dan kepada pengabaian jaminan pada setiap salinan Ciptaan yang Anda Umumkan atau Pertunjukkan kepada Publik. Ketika Anda Mengumumkan atau Mempertunjukkan kepada Publik Adaptasi, Anda tidak dapat menekankan ukuran teknologi efektif apa pun pada Adaptasi yang membatasi kemampuan penerima Adaptasi dari Anda untuk menjalankan hak yang diberikan kepada penerima oleh ketentuan Lisensi yang Berlaku ini. Bagian 4 (b) ini berlaku untuk semua Adaptasi yang dihimpun dalam Bunga Rampai, tetapi tidak mengharuskan Bunga Rampai selain dari Adaptasi tersebut dibuat sesuai dengan ketentuan Lisensi yang Berlaku ini.
* Jika Anda Mengumumkan, atau Mempertunjukkan kepada Publik suatu Ciptaan atau Adaptasi apa pun atau Bunga Rampai, Anda diwajibkan, kecuali ada permintaan yang dibuat sesuai dengan Bagian 4 (a), mempertahankan semua pemberitahuan hak cipta untuk Ciptaan tersebut dan mencantumkan, sesuai dengan media atau cara pemanfaatan Anda: (i) nama Pencipta Asli (atau nama samaran, kalau ada) jika diberikan, dan/atau jika Pencipta Asli dan/atau Pemberi Lisensi telah menunjuk pihak atau pihak-pihak lain (contoh, lembaga sponsor, entitas penerbitan, jurnal) untuk pengatribusian ("Pihak Atribusi") di dalam pemberitahuan hak cipta Pemberi Lisensi, ketentuan layanan, atau cara wajar lainnya, maka nama dari pihak atau pihak-pihak tersebut yang dicantumkan; (ii) judul Ciptaan jika diberikan; (iii) selama dapat dipraktikkan secara wajar, URI, jika ada, yang ditentukan oleh Pemberi Lisensi untuk diasosiasikan dengan Ciptaan tersebut; dan, (iv) sesuai dengan Bagian 3(b), dalam hal Adaptasi, kredit yang menyebutkan penggunaan Ciptaan di dalam Adaptasi tersebut (contoh, "Terjemahan dalam Bahasa Perancis dari Ciptaan oleh Pencipta Asli," atau "Naskah drama berdasarkan Ciptaan asli oleh Pencipta Asli"). Kredit yang diharuskan oleh Bagian 4 (c) ini dapat diimplementasikan dengan cara wajar apa pun; asalkan, dalam kasus Adaptasi atau Bunga Rampai, pada kondisi minimum kredit tersebut akan muncul, jika suatu kredit untuk semua pencipta penyumbang dari Adaptasi atau Bunga Rampai tersebut, maka sebagai bagian dari kredit ini dan dengan cara paling tidak sama seperti kredit untuk pencipta penyumbang lainnya. Guna menghindari keraguan, Anda hanya dapat menggunakan kredit ini yang diwajibkan oleh Bagian ini untuk tujuan atribusi sesuai seperti ditetapkan di atas dan, dengan menjalankan Hak Anda sesuai dengan Lisensi ini, Anda tidak dapat secara tersirat atau tersurat menekankan atau mengimplikasikan koneksi apa pun, dukungan sponsor, atau sokongan apa pun oleh Pencipta Asli, Pemberi Lisensi, dan/atau Pihak-Pihak Atribusi, sesuai keadaan yang ada, oleh Anda atau penggunaan Ciptaan oleh Anda, tanpa izin tertulis dan terpisah dari Pencipta Asli, Pemberi Lisensi dan/atau Pihak-Pihak Atribusi.
* Kecuali disetujui secara tertulis oleh Pemberi Lisensi atau mungkin diizinkan oleh hukum yang berlaku, jika Anda Memperbanyak, Mengumumkan, atau Mempertunjukkan kepada Publik suatu Ciptaan, baik sendirian atau sebagai bagian dari Adaptasi atau Bunga Rampai apa pun, Anda tidak diperbolehkan mendistorsi, memutilasi, memodifikasi, atau melakukan tindakan merusak lainnya terhadap Ciptaan itu yang mungkin merugikan kehormatan atau reputasi Pencipta Asli. Pemberi Lisensi setuju bahwa pada wilayah kewenangan tersebut, sewaktu pelaksanaan apa pun terhadap hak yang diberikan pada Bagian 3(b) dari Lisensi ini (hak membuat Adaptasi) akan dipandang sebagai suatu distorsi, mutilasi, modifikasi, atau tindakan merusak lainnya yang merugikan kehormatan dan reputasi Pencipta Asli, maka Pemberi Lisensi akan mengesampingkan atau tidak menuntut, sesuai ketentuan, Bagian ini, sejauh diizinkan oleh hukum yang berlaku, untuk memungkinkan Anda melaksanakan Hak Anda secara wajar sesuai Bagian 3(b) dari Lisensi ini (hak membuat Adaptasi) tetapi tidak selain itu.

==='''5. Pernyataan, Jaminan, dan Pengabaian'''===
KECUALI DISETUJUI BERSAMA-SAMA OLEH BERBAGAI PIHAK SECARA TERTULIS DAN SEJAUH DIIZINKAN OLEH HUKUM BERLAKU, PEMBERI LISENSI MENAWARKAN CIPTAAN APA ADANYA DAN TIDAK MEMBUAT PERNYATAAN ATAU JAMINAN APA PUN DALAM JENIS APA PUN YANG BERKENAAN DENGAN CIPTAAN, MENYATAKAN, MENGIMPLIMASIKAN, SECARA HUKUM ATAU LAINNYA, TERMASUK, NAMUN TIDAK TERBATAS PADA JAMINAN HAK, KEMAMPUAN UNTUK MENJUAL, KESESUAIAN DENGAN SUATU TUJUAN TERTENTU, TANPA PELANGGARAN, ATAU TIDAK ADANYA KERUSAKAN LATEN ATAU LAINNYA, AKURASI, ATAU TIDAK ADANYA KESALAHAN, BAIK YANG DITEMUKAN ATAU BELUM.

==='''6. Batasan Tanggung Jawab'''===
KECUALI SEJAUH DIWAJIBKAN OLEH HUKUM YANG BERLAKU, PEMBERI LISENSI TIDAK BERTANGGUNG JAWAB KEPADA ANDA ATAS TEORI HUKUM APA PUN UNTUK KERUSAKAN KHUSUS, INSIDENTAL, KONSEKUENSIAL, PUNITIF, ATAU DALAM CONTOH KERUSAKAN YANG MUNCUL DARI LISENSI ATAU PENGGUNAAN CIPTAAN INI, WALAUPUN PEMBERI LISENSI TELAH DIBERI TAHU TENTANG KEMUNGKINAN KERUSAKAN TERSEBUT.

==='''7. Penghentian'''===
* Lisensi ini dan hak-hak yang diberikan olehnya akan berakhir secara otomatis ketika Anda melanggar ketentuan apa pun dari Lisensi ini. Namun, individu atau entitas yang menerima Adaptasi atau Bunga Rampai ini dari Anda sesuai dengan Lisensi ini tidak akan diakhiri lisensinya, asalkan individu atau entitas tersebut tetap mematuhi lisensi tersebut. Bagian 1, 2, 5, 6, 7, dan 8 akan terus ada setelah Lisensi ini berakhir.
* Sesuai dengan syarat dan ketentuan di atas, Lisensi yang diberikan di sini bersifat terus menerus (selama masa hak cipta ciptaan yang berlaku). Tanpa terpengaruh hal di atas, Pemberi Lisensi memiliki hak untuk merilis Ciptaan di bawah ketentuan Lisensi lain atau menghentikan distribusi Ciptaan kapan pun juga; asalkan, pilihan tersebut tidak membatalkan lisensi ini (atau lisensi lain yang telah ada, atau diharuskan ada, diberikan oleh ketentuan Lisensi ini), dan Lisensi ini akan terus berlaku kecuali diakhiri sebagaimana disebutkan di atas.

==='''8. Ketentuan Lain'''===
* Setiap kali Anda Mengumumkan atau Mempertunjukkan kepada Publik Ciptaan atau Bunga Rampai, Pemberi Lisensi menawarkan kepada penerima suatu lisensi untuk Ciptaan dengan syarat dan ketentuan yang berlaku seperti lisensi yang diberikan kepada Anda sesuai dengan Lisensi ini.
* Setiap kali Anda Mengumumkan atau Mempertunjukkan kepada Publik suatu Adaptasi, Pemberi Lisensi menawarkan kepada penerima suatu lisensi untuk Ciptaan Asli dengan syarat dan ketentuan yang berlaku seperti lisensi yang diberikan kepada Anda sesuai dengan Lisensi ini.
* Jika ada ketentuan Lisensi ini yang tidak sah atau tidak dapat ditegakkan sesuai ketentuan hukum yang berlaku, hal tersebut tidak mempengaruhi validitas atau tegaknya ketentuan lain dari Lisensi ini, dan tanpa tindakan lebih jauh oleh pihak-pihak kesepakatan ini, ketentuan semacam itu akan diubah sampai tingkat minimum yang dibutuhkan supaya ketentuan tersebut menjadi sah dan dapat ditegakkan.
* Tidak ada ketentuan Lisensi ini yang diabaikan dan tidak ada pelanggaran yang disetujui kecuali pengesampingan atau izin tersebut diberikan dalam bentuk tertulis dan ditandatangani oleh pihak yang diberi hak atas pengabaian atau izin tersebut.
* Lisensi ini menjadi bagian dari seluruh kesepakatan antara berbagai pihak terhadap Ciptaan yang dilisensikan di sini. Tidak ada pemahaman, kesepakatan, atau representasi yang berhubungan dengan Ciptaan ini yang tidak disebutkan di sini. Pemberi Lisensi tidak akan terikat oleh ketentuan tambahan apa pun yang mungkin muncul dalam komunikasi dari Anda. Lisensi ini tidak dapat dimodifikasi tanpa kesepakatan tertulis bersama antara Pemberi Lisensi dan Anda.
* Hak yang diberikan, dan topik pembahasan yang dirujuk, dalam Lisensi ini dibuat dengan menggunakan terminologi dari Berne Convention for the Protection of Literary and Artistic Works (diamandemen pada 28 September 1979), Rome Convention 1961, WIPO Copyright Treaty 1996, WIPO Performances and Phonograms Treaty 1996, dan Universal Copyright Convention (direvisi pada 24 Juli 1971). Hak dan topik pembahasan ini berlaku pada wilayah kewenangan yang relevan sewaktu ketentuan Lisensi ini akan ditegakkan menurut ketentuan yang berkaitan dengan implementasi ketentuan traktat tersebut di dalam hukum nasional yang berlaku. Jika kumpulan hak standar yang diberikan di bawah hukum hak cipta yang berlaku mencakup hak tambahan yang tidak diatur oleh Lisensi ini, hak-hak tambahan semacam itu dianggap disertakan di dalam Lisensi; Lisensi ini tidak dimaksudkan untuk membatasi lisensi dari hak apa pun di bawah hukum yang berlaku.

CcPublisher 2 Architecture

2013-06-11T07:53:03Z

Deyong: /* Terminology */

[[Category:CcPublisher]]
[[Category:Developer]]
This document outlines the architecture developed for ccPublisher 2.x. At this point it is still considered a draft and subject to change. No applications based on the ccP 2.x codebase have been released. ccPublisher 2.0 will be the first application released using this code base, probably in February 2006.

== Design Goals ==

The following are goals we've attempted to meet while developing ccPublisher 2.x:
* Cleanly separate the User Interface from Internet Archive/uploading components
* Functional code separation
* Easy customization for partners
* Extensible for adding features
** without doing a complete customization
** to existing applications in a reasonable amount of time
* The ability to update a set of core functionality
* Allow for straight forward customization of the application. "Straight forward" means that elements of the user interface have a minimal number of interconnection points, and program logic is contained in a central location.

The following are considered non-goals:

* A general purpose application framework. Certain architectural details exist because ccPublisher and it's derivatives have common functionality: collecting information and uploading files. While individual pieces of code may be useful for other applications, the platform is designed to support this particular model.
* Addition of embedding support for more file types; this will be addressed in a release following 2.0.

== Object Model ==

=== Terminology ===

* A P6 application is designed to take a "Work" and send it somewhere
* A Work may contain one or more "items", such as files, CD tracks, etc
* A "[http://www.rentittoday.com/rental-stores/Extra-Space-Storage-Cincinnati-OH-Self-Storage-1756 Storage] Provider" is responsible for taking the work and performing the action on it
* Metadata fields may be applied to any object:
** the work
** each item
** the storage provider (i.e., for username and password) '''[http://goo.gl/E3SOh harga blackberry]'''

=== High Level Overview ===

The core of ccPublisher 2 is the P6 library, a set of common code intended to be used as a whole to perform core actions. P6 Applications consist of two phases: declaration and configuration. Declaration is the development of objects, event listeners and other code. Configuration consists of instantiating and connecting that code.

Configuration is handled through the use of ZCML, the Zope Configuration Markup Language. The ZCML directives configure adapters, event listeners and objects to instantiate. It also defines metadata fields to include in the uploaded package. Finally, the configuration can be arbitrarily extended using 3rd-party ZCML snippets to register new functionality. One example of this might be a blog pinging extension which posts a blog entry when new content is uploaded using a P6 Application. Note that depending on the registration mechanism used, it is possible to add content to all P6 Applications installed on a user's system.

In addition to ZCML, P6 uses the Interface and Component model from the Zope3 project. We maintain a snapshot in the CC Tools CVS Repository.

=== Additional Resources ===

* [http://yergler.net/talks/p82_architecture ccPublisher 2: Architecture & Design] <br/>Slides from a talk Nathan gave at CC San Francisco, June, 2005.
* [http://svn.zope.org/Zope3/trunk/src/zope/configuration/ ZCML in the Zope3 Repository]

== The P6 Package ==

The P6 package forms the core functionality of ccPublisher 2 and related applications. This section provides an overview of the sub-packages and modules developers should be aware of. For more detailed documentation of specific items, see the Epydoc documentation at http://mirrors.creativecommons.org/developer/doc/p6/current/. Note that some subpackages, such as p6.configure and p6.zcmlsupport, only provide internal support for bootstrapping applications.

===p6.api===

The p6.api module provides a sub-set of functionality from other p6 sub-packages. The api module is intended to provide a simple way to import commonly needed functionality.

===p6.app===

The p6.app package collects application-level functionality, including top-level window classes. This may be merged into p6.ui in a future release.

===p6.metadata===

A core piece of functionality for P6 applications is the collection of metadata. The p6.metadata package provides interfaces for encapsulates metadata fields and metadata groups. A metadata field is a single piece of information, such as artist or title. A metadata group provides a logical grouping for one or more fields. A metadata group may also be associated with a particular type of item or interface. The p6.ui package introspect this information for generating a user interface.

===p6.storage===

The p6.[http://www.rentittoday.com/rental-blog/3703/self-storage-cincinnati-oh storage] package encapsulates the interfaces used for Works, Items, and backend "storage" providers. The current implementation includes generic interfaces, interfaces for file-based items, and a generic No-Op storage provider. For an example of a custom storage provider, see the ArchiveStorage class in the ccPublisher distribution.

===p6.ui===

The p6.ui package provides three primary pieces of functionality: user interface generation for metadata groups and fields, stock wizard pages, and interfaces for custom wizard pages. It also includes a sample, custom page in the form of the license selector wizard page (license.py).

Start Your Own Salon

2013-06-10T03:41:11Z

Deyong:

[[Category:Salon|*]]

# Make sure that [[All_Salons|there isn't a salon in your area already]]. '''[http://goo.gl/7JCKs kata kata motivasi]'''
# Fix a date and decide how often you want to have your salon (monthly, bi-monthly, quarterly).
# Fix a venue. Don't worry at first about anything too fancy. It should be accessible and accommodate the number of expected guests.
# Form an organizing team. This is crucial. Don't do everything on your own. Plus it's more fun working together. Involve participants in the decision making, and have at least couple of planning meets.
# Aim to invite diverse people to the Salon who love the idea of sharing. Some good suggestions are Wikipedians, musicians, open source programmers, artists, DJs, teachers. Ask them to demo or talk about their work and how CC (or sharing) has helped them and the community.
# Free is good but if you are having trouble raising sponsorship, don't hesitate to fix a door charge. A little cover charge will easily take care of refreshments and miscellaneous expenses.
# [[All Salons|Add information about your salon]]
# Notify Creative Commons (events at creativecommons.org) that you are planning to start up a new CC Salon (for assistance, support, etc.)
# Set up a wiki. Encourage participants to add themselves. Use teh wiki to openly ask for help.
# Write up an announcement for your event and send out at least 2 weeks in advance of your event
# Rock it. Have fun!

All Salons

2013-06-10T03:40:30Z

Deyong:

[[Category:Salon]]

'''[http://goo.gl/7JCKs kata motivasi]''' This is where all CC Salon meetings go (Salons are organized alphabetically).

* [[Alps Salon|Alps]]
* [[Amsterdam Salon|Amsterdam]]
* [[Austin Salon|Austin, TX]]
* [[Bangkok Salon|Bangkok]]
* [[Berlin Salon|Berlin]] - original site is [http://store.newthinking.de/veranstaltungen/creativecommons-ug-29mai Berlin] - So far called "Creative Commons Usergroup".
* [[Beijing Salon|Beijing]]
* [[Brisbane Salon|Brisbane]]
* [[Chennai Salon|Chennai, India]]
* [[Johannesburg Salon|Johannesburg]]
* [[London Salon|London]]
* [[Los Angeles Salon|Los Angeles]]
* [[NYC Salon|NYC]]
* [[Salon|San Francisco]]
* [[Seoul Salon|Seoul]]
* [[Taipei Salon|Taipei]]
* [[Toronto Salon|Toronto]]
* [[Warsaw Salon|Warsaw]]

* Add your CC Salon after you "[[Start Your Own Salon]]"

Licenses/by-nc-nd/3.0LegalText (Indonesian)

2013-06-09T16:43:00Z

Deyong: /* 7. Penghentian */

<center>''Dokumen ini adalah terjemahan tidak resmi dari lisensi Creative Commons Attribution NonCommercial NoDerivs 3.0 ke dalam Bahasa Indonesia. Dokumen ini tidak dipublikasikan oleh Creative Commons dan tidak mengikat secara hukum dan tidak dapat diterapkan kepada ciptaan Anda. Walau demikian, kami berharap dokumen ini dapat membantu Anda memahami isi lisensi Creative Commons Attribution NonCommercial NoDerivs 3.0 dengan lebih baik.''</center>

<BIG><Center>'''Lisensi Creative Commons Atribusi NonKomersial TanpaTurunan 3.0 Indonesia'''</center></BIG>

CREATIVE COMMONS CORPORATION BUKANLAH SUATU FIRMA HUKUM DAN TIDAK MEMBERIKAN LAYANAN HUKUM. DISTRIBUSI LISENSI INI TIDAK MENYEBABKAN MUNCULNYA SUATU HUBUNGAN PENGACARA-KLIEN. CREATIVE COMMONS MENYEDIAKAN INFORMASI INI BERDASARKAN KETENTUAN "APA ADANYA (AS-IS)". CREATIVE COMMONS TIDAK MEMBERIKAN JAMINAN MENGENAI INFORMASI YANG DIBERIKAN, DAN MENOLAK SEMUA TANGGUNG JAWAB ATAS KERUGIAN YANG MUNCUL KARENA PENGGUNAANNYA.

=='''Lisensi'''==
CIPTAAN (SEBAGAIMANA DIDEFINISIKAN DI BAWAH INI) DIBERIKAN SESUAI DENGAN KETENTUAN DARI LISENSI PUBLIK CREATIVE COMMONS (“CCPL” ATAU “LISENSI”). CIPTAAN INI DILINDUNGI OLEH HAK CIPTA DAN/ATAU HUKUM YANG BERLAKU LAINNYA. PENGGUNAAN APA PUN TERHADAP CIPTAAN INI SELAIN DARI YANG DIIZINKAN OLEH LISENSI INI ATAU HUKUM YANG MENGATUR TENTANG HAK CIPTA ADALAH HAL YANG DILARANG.

DENGAN MENERAPKAN HAK-HAK ATAS CIPTAAN YANG DISEBUT DI SINI, ANDA MENERIMA DAN SETUJU UNTUK TERIKAT OLEH KETENTUAN LISENSI INI. SEJAUH LISENSI INI DAPAT DIPANDANG SEBAGAI SUATU KONTRAK, PEMBERI LISENSI MEMBERI ANDA HAK-HAK YANG TERMUAT DI DALAM LISENSI INI SESUAI DENGAN PENERIMAAN ANDA TERHADAP KETENTUAN DAN PERSYARATAN TERSEBUT.

==='''1. Definisi'''===
* '''Adaptasi''' berarti suatu ciptaan yang diciptakan berdasarkan Ciptaan ini, atau diciptakan dari Ciptaan ini dan ciptaan yang sudah ada sebelumnya, seperti terjemahan, adaptasi, ciptaan turunan, aransemen musik atau gubahan apa pun dari suatu ciptaan literatur atau artistik, atau fonogram atau pagelaran dan termasuk adaptasi sinematografi atau bentuk apa pun lainnya dimana Ciptaan tersebut mungkin dibentuk ulang, diubah, atau diadaptasikan untuk disertakan di dalam bentuk turunan apa pun yang dapat dikenali yang diturunkan dari bentuk aslinya, kecuali suatu ciptaan yang menjadi bagian dari suatu Bunga Rampai tidak akan dianggap sebagai suatu Adaptasi untuk tujuan lisensi ini. Untuk menghindari keragu-raguan, apabila Ciptaan berupa karya musikal, pertunjukan, atau rekaman, maka sinkronisasi Ciptaan tersebut dalam hal terkait dengan gambar bergerak akan dipandang sebagai suatu Adaptasi untuk tujuan lisensi ini.
* '''Bunga Rampai''' artinya suatu bunga rampai dari ciptaan berupa karya sastra atau seni, seperti ensiklopedia dan antologi, atau pertunjukan, rekaman, atau siaran, atau ciptaan lain selain dari ciptaan-ciptaan yang disebut pada Bagian 1(g) di bawah ini, yang karena alasan seleksi dan pengaturan isinya, menjadi bagian dari penciptaan intelektual, yang mana Ciptaan tersebut termasuk dalam satu kesatuan bentuk yang tidak termodifikasi bersama dengan satu atau lebih kontribusi lainnya, yang masing-masingnya merupakan ciptaan terpisah dan mandiri, yang secara bersama terkumpul di dalam suatu kesatuan kolektif. Suatu ciptaan yang menjadi bagian dari suatu Bunga Rampai tidak akan dipandang sebagai suatu Adaptasi (sebagaimana didefinisikan di atas) untuk tujuan Lisensi ini.
* '''Mengumumkan''' berarti menyediakan kepada publik Ciptaan asli dan salinannya atau Adaptasinya, secara patut, melalui penjualan atau pengalihan kepemilikan lainnya.
* '''Pemberi Lisensi''' berarti individu, beberapa individu, entitas atau beberapa entitas yang memberikan Ciptaan sesuai dengan ketentuan-ketentuan Lisensi ini.
* '''Pencipta Asli''' berarti, dalam hal Ciptaan berupa karya sastra atau seni, individu, beberapa individu, entitas, beberapa entitas yang menciptakan Ciptaan ini, atau jika tidak ada individu atau entitas yang dapat diidentifikasi, maka penerbitnya; dan juga (i) dalam hal seni pertunjukan, maka aktor, penyanyi, musisi, penari, atau orang lain yang berakting, menyanyi, menyuguhkan, mendeklamasikan, bermain dalam, menginterpretasikan, atau dengan cara lain menampilkan karya sastra atau seni atau ekspresi dari cerita rakyat (folklore); (ii) dalam hal karya rekaman, maka produser yang merupakan orang atau entitas hukum yang pertama-tama merekam suara dari suatu pertunjukan atau sumber suara lainnya; dan, (iii) dalam halsiaran, maka lembaga yang mentransmisikan siaran tersebut.
* '''Ciptaan''' berarti ciptaan literatur dan/atau artistik yang ditawarkan sesuai dengan ketentuan Lisensi ini termasuk tanpa terbatas pada produksi apa pun dalam ranah literatur, ilmiah, dan artistik, baik dalam modus atau bentuk ekspresinya termasuk bentuk digital, seperti buku, pamflet, dan bentuk tertulis lainnya; kuliah, pidato, khotbah, atau bentuk ciptaan lainnya yang sejenis; ciptaan drama atau drama-musikal; ciptaan koreografi atau hiburan pantomim; komposisi musik dengan atau tanpa kata; ciptaan sinematografi yang merupakan ciptaan asimilasi yang dinyatakan oleh suatu proses analog kepada sinematografi; ciptaan gambar, lukisan, arsitektur, ukiran, grafir atau litografi; ciptaan fotografi ke mana ciptaan-ciptaan diasimilasikan yang dinyatakan oleh suatu proses analog kepada fotografi; suatu ciptaan seni terapan; suatu ilustrasi, peta, rencana, sketsa atau ciptaan tiga dimensi yang relatif terhadap geografi, topografi, arsitektur, atau sains; suatu pertunjukan; suatu siaran; rekaman suara; kompilasi data sejauh data tersebut dilindungi oleh suatu ciptaan berhak cipta; atau suatu ciptaan yang dilakukan oleh penampil artistik atau sirkus asalkan tidak dipandang sebagai ciptaan literatur atau artistik; dan ciptaan lain sebagaimana diatur dalam peraturan perundang-undangan di bidang hak cipta.
* '''Anda''' berarti individu atau entitas yang menjalankan hak sesuai dengan Lisensi ini yang belum pernah melanggar ketentuan Lisensi terhadap Ciptaan ini, atau yang telah menerima izin dari Pemberi Lisensi untuk menjalankan hak sesuai dengan Lisensi ini walaupun ada pelanggaran sebelumnya.
* '''Mempertunjukkan kepada Publik''' berarti melakukan pengumuman Ciptaan kepada publik, dengan cara atau proses apa pun, termasuk melalui cara kabel atau nirkabel atau pertunjukan digital publik; menyediakan kepada publik Ciptaan dengan cara sedemikian rupa sehingga publik dapat mengakses Ciptaan ini dari tempat yang dipilihnya; menyampaikan Ciptaan kepada publik dengan cara atau proses apa pun dan komunikasi kepada publik tentang pertunjukan Ciptaan tersebut, termasuk melalui pagelaran digital publik; menyiarkan dan menyiarkan ulang Ciptaan tersebut dengan cara apa pun termasuk melalui tanda, suara, atau gambar.
* '''Memperbanyak''' berarti membuat salinan Ciptaan tersebut dengan cara apa pun termasuk tanpa terbatas pada rekaman suara atau visual dan hak fiksasi atau memperbanyak fiksasi dari Ciptaan tersebut, termasuk penyimpanan dari suatu pertunjukan yang dilindungi atau rekaman suara dalam bentuk digital atau media elektronik lainnya.

==='''2. Hak Penggunaan Wajar'''===
Tidak ada bagian apa pun di dalam Lisensi ini yang dimaksudkan mengurangi, membatasi, atau menghalangi penggunaan bebas apa pun dari hak cipta atau hak-hak yang muncul dari pembatasan atau pengecualian yang diberikan sehubungan dengan perlindungan hak cipta tersebut sesuai dengan undang-undang hak cipta atau hukum yang berlaku lainnya.

==='''3. Pemberian Lisensi'''===
Sesuai dengan ketentuan dan persyaratan Lisensi ini, Pemberi Lisensi dengan ini memberikan kepada Anda, suatu lisensi yang berlaku terus menerus (selama jangka waktu hak cipta yang berlaku), non-eksklusif, bebas royalti, dan berlaku di seluruh dunia untuk menjalankan hak-hak Ciptaan ini sebagaimana disebutkan di bawah ini:
* Memperbanyak Ciptaan, menyertakan Ciptaan di dalam satu atau lebih Bunga Rampai, dan Memperbanyak Ciptaan yang dihimpun dalam Bunga Rampai; dan,
* Mengumumkan dan Mempertunjukkan kepada Publik suatu Ciptaan, termasuk yang dihimpun dalam Bunga Rampai.

Hak-hak di atas dapat dijalankan dalam semua media dan format baik dikenal sekarang ini ataupun dibuat kemudian. Hak-hak di atas termasuk hak untuk membuat modifikasi yang secara teknis dibutuhkan untuk menjalankan hak pada media dan format lain. Sesuai dengan Bagian 8(f), semua hak yang tidak secara jelas diberikan oleh Pemberi Lisensi dengan ini dinyatakan dimiliki oleh Pemberi Lisensi, termasuk tetapi tidak terbatas pada hak yang digambarkan pada Bagian 4(d)

==='''4. Pembatasan'''===
Lisensi yang diberikan pada Bagian 3 di atas dinyatakan dibuat sesuai dan dibatasi oleh pembatasan berikut:
* Anda diperbolehkan Mengumumkan atau Mempertunjukkan kepada Publik Ciptaan tersebut hanya berdasarkan ketentuan Lisensi ini. Anda harus menyertakan salinan, atau Uniform Resource Identifier (URI) untuk Lisensi ini untuk setiap salinan Ciptaan yang Anda Umumkan atau Pertunjukkan kepada Publik. Anda tidak dapat menawarkan atau memaksakan ketentuan apa pun dari Ciptaan tersebut yang membatasi ketentuan Lisensi ini atau kemampuan penerima Ciptaan untuk menjalankan hak yang diberikan kepada penerima sesuai dengan ketentuan Lisensi ini. Anda tidak diperbolehkan mensublisensikan Ciptaan tersebut. Anda harus menjaga keutuhan semua pemberitahuan yang merujuk kepada Lisensi ini dan kepada pengabaian jaminan pada setiap salinan Ciptaan yang Anda Umumkan atau Pertunjukkan kepada Publik. Ketika Anda Mengumumkan atau Mempertunjukkan kepada Publik Ciptaan ini kepada Publik, Anda tidak dapat memaksakan tindakan teknologi seefektif apa pun pada Ciptaan yang dapat membatasi kemampuan penerima Ciptaan dari Anda untuk menjalankan hak yang diberikan kepada penerima berdasarkan ketentuan Lisensi ini. Bagian 4 (a) berlaku untuk semua Ciptaan yang dihimpun dalam Bunga Rampai, tetapi tidak mengharuskan Bunga Rampai selain dari Ciptaan tersebut dibuat sesuai dengan ketentuan Lisensi ini. Jika Anda membuat suatu Bunga Rampai, maka ketika menerima pemberitahuan dari Pemberi Lisensi manapun, Anda harus, sepanjang dapat dilakukan, menghapus dari dalam Bunga Rampai apa pun sebagaimana diharuskan oleh Bagian 4 (c), ketika diminta.
* Anda tidak diperbolehkan menjalankan hak apa pun yang diberikan kepada Anda di Bagian 3 di atas sesuai dengan maksud atau diarahkan kepada pemanfaatan komersial atau kompensasi uang pribadi. Pertukaran Ciptaan untuk ciptaan yang memiliki hak cipta lainnya melalui bagi-pakai berkas digital atau cara lain tidak dipandang dimaksudkan untuk atau diarahkan kepada pemanfaatan komersial atau kompensasi uang pribadi, sepanjang tidak ada pembayaran ataupun kompensasi uang apa pun sehubungan dengan pertukaran ciptaan berhak cipta tersebut.
* Jika Anda Mengumumkan, atau Mempertunjukkan kepada Publik suatu Ciptaan atau Adaptasi apa pun atau Bunga Rampai, Anda diwajibkan, kecuali ada permintaan yang dibuat sesuai dengan Bagian 4 (a), mempertahankan semua pemberitahuan hak cipta untuk Ciptaan tersebut dan mencantumkan, sesuai dengan media atau cara pemanfaatan Anda: (i) nama Pencipta Asli (atau nama samaran, kalau ada) jika diberikan, dan/atau jika Pencipta Asli dan/atau Pemberi Lisensi telah menunjuk pihak atau pihak-pihak lain (contoh, lembaga sponsor, entitas penerbitan, jurnal) untuk pengatribusian ("Pihak Atribusi") di dalam pemberitahuan hak cipta Pemberi Lisensi, ketentuan layanan, atau cara wajar lainnya, maka nama dari pihak atau pihak-pihak tersebut yang dicantumkan; (ii) judul Ciptaan jika diberikan; (iii) selama dapat dipraktikkan secara wajar, URI, jika ada, yang ditentukan oleh Pemberi Lisensi untuk diasosiasikan dengan Ciptaan tersebut, kecuali URI tidak menyebutkan ketentuan hak cipta dari Ciptaan. Kredit yang diharuskan oleh Bagian 4 (c) ini dapat diimplementasikan dengan cara wajar apa pun; asalkan, dalam kasus Adaptasi atau Bunga Rampai, pada kondisi minimum kredit tersebut akan muncul, jika suatu kredit untuk semua pencipta penyumbang dari Adaptasi atau Bunga Rampai tersebut, maka sebagai bagian dari kredit ini dan dengan cara paling tidak sama seperti kredit untuk pencipta penyumbang lainnya. Guna menghindari keraguan, Anda hanya dapat menggunakan kredit ini yang diwajibkan oleh Bagian ini untuk tujuan atribusi sesuai seperti ditetapkan di atas dan, dengan menjalankan Hak Anda sesuai dengan Lisensi ini, Anda tidak dapat secara tersirat atau tersurat menekankan atau mengimplikasikan koneksi apa pun, dukungan sponsor, atau sokongan apa pun oleh Pencipta Asli, Pemberi Lisensi, dan/atau Pihak-Pihak Atribusi, sesuai keadaan yang ada, oleh Anda atau penggunaan Ciptaan oleh Anda, tanpa izin tertulis dan terpisah dari Pencipta Asli, Pemberi Lisensi dan/atau Pihak-Pihak Atribusi.
* Untuk menghindari keraguan:
:* '''Skema Lisensi Wajib Tanpa Dapat Dikesampingkan.''' Pada wilayah kewenangan sewaktu hak menerima royalti melalui skema pelisensian sesuai hukum atau wajib tidak dapat dikesampingkan, Pemberi Lisensi memiliki hak eksklusif untuk menerima royalti semacam itu untuk pelaksanaan apa pun oleh Anda terhadap hak-hak yang ditetapkan oleh Lisensi ini;
:* '''Skema Lisensi Wajib Yang Dapat Dikesampingkan.''' Pada wilayah kewenangan sewaktu hak menerima royalti melalui skema pelisensian sesuai hukum atau wajib dapat dikesampingkan, Pemberi Lisensi memiliki hak eksklusif untuk menerima royalti semacam itu untuk pelaksanaan apa pun oleh Anda terhadap hak-hak yang ditetapkan oleh Lisensi ini jika pelaksanaan hak yang Anda lakukan itu adalah untuk tujuan atau penggunaan selain dari yang bersifat nonkomersial sebagaimana diizinkan oleh Bagian 4 (b) dan karenanya mengabaikan hak untuk menerima royalti melalui skema pelisensian menurut hukum atau wajib apa pun; dan,
:* '''Skema Lisensi Sukarela.''' Pemberi Lisensi berhak menerima royalti, baik secara individu atau, ketika Pemberi Lisensi menjadi anggota dari komunitas penerima royalti yang memberikan skema pelisensian sukarela, melalui komunitas itu, dari pelaksanaan apa pun yang Anda lakukan terhadap hak yang diberikan sesuai Lisensi ini yang bertujuan atau penggunaan selain dari penggunaan nonkomersial sebagaimana diizinkan oleh Bagian 4 (b).
* Kecuali disetujui secara tertulis oleh Pemberi Lisensi atau mungkin diizinkan oleh hukum yang berlaku, jika Anda Memperbanyak, Mengumumkan, atau Mempertunjukkan kepada Publik suatu Ciptaan, baik sendirian atau sebagai bagian dari Adaptasi atau Bunga Rampai apa pun, Anda tidak diperbolehkan mendistorsi, memutilasi, memodifikasi, atau melakukan tindakan merusak lainnya terhadap Ciptaan itu yang mungkin merugikan kehormatan atau reputasi Pencipta Asli.

==='''5. Pernyataan, Jaminan, dan Pengabaian'''===
KECUALI DISETUJUI BERSAMA-SAMA OLEH BERBAGAI PIHAK SECARA TERTULIS DAN SEJAUH DIIZINKAN OLEH HUKUM BERLAKU, PEMBERI LISENSI MENAWARKAN CIPTAAN APA ADANYA DAN TIDAK MEMBUAT PERNYATAAN ATAU JAMINAN APA PUN DALAM JENIS APA PUN YANG BERKENAAN DENGAN CIPTAAN, MENYATAKAN, MENGIMPLIMASIKAN, SECARA HUKUM ATAU LAINNYA, TERMASUK, NAMUN TIDAK TERBATAS PADA JAMINAN HAK, KEMAMPUAN UNTUK MENJUAL, KESESUAIAN DENGAN SUATU TUJUAN TERTENTU, TANPA PELANGGARAN, ATAU TIDAK ADANYA KERUSAKAN LATEN ATAU LAINNYA, AKURASI, ATAU TIDAK ADANYA KESALAHAN, BAIK YANG DITEMUKAN ATAU BELUM.

==='''6. Batasan Tanggung Jawab'''===
KECUALI SEJAUH DIWAJIBKAN OLEH HUKUM YANG BERLAKU, PEMBERI LISENSI TIDAK BERTANGGUNG JAWAB KEPADA ANDA ATAS TEORI HUKUM APAPUN UNTUK KERUSAKAN KHUSUS, INSIDENTAL, KONSEKUENSIAL, SEBAGAI BENTUK HUKUMAN, ATAU DALAM CONTOH KERUSAKAN YANG MUNCUL DARI LISENSI ATAU PENGGUNAAN CIPTAAN INI, WALAUPUN PEMBERI LISENSI TELAH DIBERI TAHU TENTANG KEMUNGKINAN KERUSAKAN TERSEBUT.

==='''7. Penghentian'''===
* Lisensi ini dan hak-hak yang diberikan olehnya akan berakhir secara otomatis ketika Anda melanggar ketentuan apa pun dari Lisensi ini. Namun, individu atau entitas yang menerima Adaptasi atau Bunga Rampai ini dari Anda sesuai dengan Lisensi ini tidak akan diakhiri lisensinya, asalkan individu atau entitas tersebut tetap mematuhi lisensi tersebut. Bagian 1, 2, 5, 6, 7, dan 8 akan terus ada setelah Lisensi ini berakhir. [http://goo.gl/6Rjeg cerita sex]
* Sesuai dengan syarat dan ketentuan di atas, Lisensi yang diberikan di sini bersifat terus menerus (selama masa hak cipta ciptaan yang berlaku). Tanpa [http://goo.gl/IVi7U cerita dewasa] terpengaruh hal di atas, Pemberi Lisensi memiliki hak untuk merilis Ciptaan di bawah ketentuan Lisensi lain atau [http://goo.gl/82wto foto telanjang] menghentikan distribusi Ciptaan kapan pun juga; asalkan, pilihan tersebut tidak membatalkan lisensi ini (atau lisensi lain yang telah ada, atau diharuskan ada, diberikan oleh ketentuan Lisensi ini), dan Lisensi ini akan terus berlaku kecuali diakhiri sebagaimana disebutkan di atas. [http://goo.gl/WQyIz cerita panas]

==='''8. Ketentuan Lain'''===
* Setiap kali Anda Mengumumkan atau Mempertunjukkan kepada Publik Ciptaan atau Bunga Rampai, Pemberi Lisensi menawarkan kepada penerima suatu lisensi untuk Ciptaan dengan syarat dan ketentuan yang berlaku seperti lisensi yang diberikan kepada Anda sesuai dengan Lisensi ini.
* Setiap kali Anda Mengumumkan atau Mempertunjukkan kepada Publik suatu Adaptasi, Pemberi Lisensi menawarkan kepada penerima suatu lisensi untuk Ciptaan Asli dengan syarat dan ketentuan yang berlaku seperti lisensi yang diberikan kepada Anda sesuai dengan Lisensi ini.
* Jika ada ketentuan Lisensi ini yang tidak sah atau tidak dapat ditegakkan sesuai ketentuan hukum yang berlaku, hal tersebut tidak mempengaruhi validitas atau tegaknya ketentuan lain dari Lisensi ini, dan tanpa tindakan lebih jauh oleh pihak-pihak kesepakatan ini, ketentuan semacam itu akan diubah sampai tingkat minimum yang dibutuhkan supaya ketentuan tersebut menjadi sah dan dapat ditegakkan.
* Tidak ada ketentuan Lisensi ini yang diabaikan dan tidak ada pelanggaran yang disetujui kecuali pengesampingan atau izin tersebut diberikan dalam bentuk tertulis dan ditandatangani oleh pihak yang diberi hak atas pengabaian atau izin tersebut.
* Lisensi ini menjadi bagian dari seluruh kesepakatan antara berbagai pihak terhadap Ciptaan yang dilisensikan di sini. Tidak ada pemahaman, kesepakatan, atau representasi yang berhubungan dengan Ciptaan ini yang tidak disebutkan di sini. Pemberi Lisensi tidak akan terikat oleh ketentuan tambahan apa pun yang mungkin muncul dalam komunikasi dari Anda. Lisensi ini tidak dapat dimodifikasi tanpa kesepakatan tertulis bersama antara Pemberi Lisensi dan Anda.
* Hak yang diberikan, dan topik pembahasan yang dirujuk, dalam Lisensi ini dibuat dengan menggunakan terminologi dari Berne Convention for the Protection of Literary and Artistic Works (diamandemen pada 28 September 1979), Rome Convention 1961, WIPO Copyright Treaty 1996, WIPO Performances and Phonograms Treaty 1996, dan Universal Copyright Convention (direvisi pada 24 Juli 1971). Hak dan topik pembahasan ini berlaku pada wilayah kewenangan yang relevan sewaktu ketentuan Lisensi ini akan ditegakkan menurut ketentuan yang berkaitan dengan implementasi ketentuan traktat tersebut di dalam hukum nasional yang berlaku. Jika kumpulan hak standar yang diberikan di bawah hukum hak cipta yang berlaku mencakup hak tambahan yang tidak diatur oleh Lisensi ini, hak-hak tambahan semacam itu dianggap disertakan di dalam Lisensi; Lisensi ini tidak dimaksudkan untuk membatasi lisensi dari hak apa pun di bawah hukum yang berlaku.

Licenses/by-nd/3.0LegalText (Indonesian)

2013-06-09T16:41:20Z

Deyong: /* 8. Ketentuan Lain */

<center>''Dokumen ini adalah terjemahan tidak resmi dari lisensi Creative Commons Attribution NoDerivs 3.0 ke dalam Bahasa Indonesia. Dokumen ini tidak dipublikasikan oleh Creative Commons dan tidak mengikat secara hukum dan tidak dapat diterapkan kepada ciptaan Anda. Walau demikian, kami berharap dokumen ini dapat membantu Anda memahami isi lisensi Creative Commons Attribution NoDerivs 3.0 dengan lebih baik.''</center>

<BIG><Center>'''Lisensi Creative Commons Atribusi TanpaTurunan 3.0 Indonesia'''</center></BIG>

CREATIVE COMMONS CORPORATION BUKANLAH SUATU FIRMA HUKUM DAN TIDAK MEMBERIKAN LAYANAN HUKUM. DISTRIBUSI LISENSI INI TIDAK MENYEBABKAN MUNCULNYA SUATU HUBUNGAN PENGACARA-KLIEN. CREATIVE COMMONS MENYEDIAKAN INFORMASI INI BERDASARKAN KETENTUAN "APA ADANYA (AS-IS)". CREATIVE COMMONS TIDAK MEMBERIKAN JAMINAN MENGENAI INFORMASI YANG DIBERIKAN, DAN MENOLAK SEMUA TANGGUNG JAWAB ATAS KERUGIAN YANG MUNCUL KARENA PENGGUNAANNYA.

=='''Lisensi'''==
CIPTAAN (SEBAGAIMANA DIDEFINISIKAN DI BAWAH INI) DIBERIKAN SESUAI DENGAN KETENTUAN DARI LISENSI PUBLIK CREATIVE COMMONS (“CCPL” ATAU “LISENSI”). CIPTAAN INI DILINDUNGI OLEH HAK CIPTA DAN/ATAU HUKUM YANG BERLAKU LAINNYA. PENGGUNAAN APA PUN TERHADAP CIPTAAN INI SELAIN DARI YANG DIIZINKAN OLEH LISENSI INI ATAU HUKUM YANG MENGATUR TENTANG HAK CIPTA ADALAH HAL YANG DILARANG.

DENGAN MENERAPKAN HAK-HAK ATAS CIPTAAN YANG DISEBUT DI SINI, ANDA MENERIMA DAN SETUJU UNTUK TERIKAT OLEH KETENTUAN LISENSI INI. SEJAUH LISENSI INI DAPAT DIPANDANG SEBAGAI SUATU KONTRAK, PEMBERI LISENSI MEMBERI ANDA HAK-HAK YANG TERMUAT DI DALAM LISENSI INI SESUAI DENGAN PENERIMAAN ANDA TERHADAP KETENTUAN DAN PERSYARATAN TERSEBUT.

==='''1. Definisi'''===
* '''Adaptasi''' berarti suatu ciptaan yang diciptakan berdasarkan Ciptaan ini, atau diciptakan dari Ciptaan ini dan ciptaan yang sudah ada sebelumnya, seperti terjemahan, adaptasi, ciptaan turunan, aransemen musik atau gubahan apa pun dari suatu ciptaan literatur atau artistik, atau fonogram atau pagelaran dan termasuk adaptasi sinematografi atau bentuk apa pun lainnya dimana Ciptaan tersebut mungkin dibentuk ulang, diubah, atau diadaptasikan untuk disertakan di dalam bentuk turunan apa pun yang dapat dikenali yang diturunkan dari bentuk aslinya, kecuali suatu ciptaan yang menjadi bagian dari suatu Bunga Rampai tidak akan dianggap sebagai suatu Adaptasi untuk tujuan lisensi ini. Untuk menghindari keragu-raguan, apabila Ciptaan berupa karya musikal, pertunjukan, atau rekaman, maka sinkronisasi Ciptaan tersebut dalam hal terkait dengan gambar bergerak akan dipandang sebagai suatu Adaptasi untuk tujuan lisensi ini.
* '''Bunga Rampai''' artinya suatu bunga rampai dari ciptaan berupa karya sastra atau seni, seperti ensiklopedia dan antologi, atau pertunjukan, rekaman, atau siaran, atau ciptaan lain selain dari ciptaan-ciptaan yang disebut pada Bagian 1(g) di bawah ini, yang karena alasan seleksi dan pengaturan isinya, menjadi bagian dari penciptaan intelektual, yang mana Ciptaan tersebut termasuk dalam satu kesatuan bentuk yang tidak termodifikasi bersama dengan satu atau lebih kontribusi lainnya, yang masing-masingnya merupakan ciptaan terpisah dan mandiri, yang secara bersama terkumpul di dalam suatu kesatuan kolektif. Suatu ciptaan yang menjadi bagian dari suatu Bunga Rampai tidak akan dipandang sebagai suatu Adaptasi (sebagaimana didefinisikan di atas) untuk tujuan Lisensi ini.
* '''Mengumumkan''' berarti menyediakan kepada publik Ciptaan asli dan salinannya atau Adaptasinya, secara patut, melalui penjualan atau pengalihan kepemilikan lainnya.
* '''Pemberi Lisensi''' berarti individu, beberapa individu, entitas atau beberapa entitas yang memberikan Ciptaan sesuai dengan ketentuan-ketentuan Lisensi ini.
* '''Pencipta Asli''' berarti, dalam hal Ciptaan berupa karya sastra atau seni, individu, beberapa individu, entitas, beberapa entitas yang menciptakan Ciptaan ini, atau jika tidak ada individu atau entitas yang dapat diidentifikasi, maka penerbitnya; dan juga (i) dalam hal seni pertunjukan, maka aktor, penyanyi, musisi, penari, atau orang lain yang berakting, menyanyi, menyuguhkan, mendeklamasikan, bermain dalam, menginterpretasikan, atau dengan cara lain menampilkan karya sastra atau seni atau ekspresi dari cerita rakyat (folklore); (ii) dalam hal karya rekaman, maka produser yang merupakan orang atau entitas hukum yang pertama-tama merekam suara dari suatu pertunjukan atau sumber suara lainnya; dan, (iii) dalam halsiaran, maka lembaga yang mentransmisikan siaran tersebut.
* '''Ciptaan''' berarti ciptaan literatur dan/atau artistik yang ditawarkan sesuai dengan ketentuan Lisensi ini termasuk tanpa terbatas pada produksi apa pun dalam ranah literatur, ilmiah, dan artistik, baik dalam modus atau bentuk ekspresinya termasuk bentuk digital, seperti buku, pamflet, dan bentuk tertulis lainnya; kuliah, pidato, khotbah, atau bentuk ciptaan lainnya yang sejenis; ciptaan drama atau drama-musikal; ciptaan koreografi atau hiburan pantomim; komposisi musik dengan atau tanpa kata; ciptaan sinematografi yang merupakan ciptaan asimilasi yang dinyatakan oleh suatu proses analog kepada sinematografi; ciptaan gambar, lukisan, arsitektur, ukiran, grafir atau litografi; ciptaan fotografi ke mana ciptaan-ciptaan diasimilasikan yang dinyatakan oleh suatu proses analog kepada fotografi; suatu ciptaan seni terapan; suatu ilustrasi, peta, rencana, sketsa atau ciptaan tiga dimensi yang relatif terhadap geografi, topografi, arsitektur, atau sains; suatu pertunjukan; suatu siaran; rekaman suara; kompilasi data sejauh data tersebut dilindungi oleh suatu ciptaan berhak cipta; atau suatu ciptaan yang dilakukan oleh penampil artistik atau sirkus asalkan tidak dipandang sebagai ciptaan literatur atau artistik; dan ciptaan lain sebagaimana diatur dalam peraturan perundang-undangan di bidang hak cipta.
* '''Anda''' berarti individu atau entitas yang menjalankan hak sesuai dengan Lisensi ini yang belum pernah melanggar ketentuan Lisensi terhadap Ciptaan ini, atau yang telah menerima izin dari Pemberi Lisensi untuk menjalankan hak sesuai dengan Lisensi ini walaupun ada pelanggaran sebelumnya.
* '''Mempertunjukkan kepada Publik''' berarti melakukan pengumuman Ciptaan kepada publik, dengan cara atau proses apa pun, termasuk melalui cara kabel atau nirkabel atau pertunjukan digital publik; menyediakan kepada publik Ciptaan dengan cara sedemikian rupa sehingga publik dapat mengakses Ciptaan ini dari tempat yang dipilihnya; menyampaikan Ciptaan kepada publik dengan cara atau proses apa pun dan komunikasi kepada publik tentang pertunjukan Ciptaan tersebut, termasuk melalui pagelaran digital publik; menyiarkan dan menyiarkan ulang Ciptaan tersebut dengan cara apa pun termasuk melalui tanda, suara, atau gambar.
* '''Memperbanyak''' berarti membuat salinan Ciptaan tersebut dengan cara apa pun termasuk tanpa terbatas pada rekaman suara atau visual dan hak fiksasi atau memperbanyak fiksasi dari Ciptaan tersebut, termasuk penyimpanan dari suatu pertunjukan yang dilindungi atau rekaman suara dalam bentuk digital atau media elektronik lainnya.

==='''2. Hak Penggunaan Wajar'''===
Tidak ada bagian apa pun di dalam Lisensi ini yang dimaksudkan mengurangi, membatasi, atau menghalangi penggunaan bebas apa pun dari hak cipta atau hak-hak yang muncul dari pembatasan atau pengecualian yang diberikan sehubungan dengan perlindungan hak cipta tersebut sesuai dengan undang-undang hak cipta atau hukum yang berlaku lainnya.

==='''3. Pemberian Lisensi'''===
Sesuai dengan ketentuan dan persyaratan Lisensi ini, Pemberi Lisensi dengan ini memberikan kepada Anda, suatu lisensi yang berlaku terus menerus (selama jangka waktu hak cipta yang berlaku), non-eksklusif, bebas royalti, dan berlaku di seluruh dunia untuk menjalankan hak-hak Ciptaan ini sebagaimana disebutkan di bawah ini:
* Memperbanyak Ciptaan, menyertakan Ciptaan di dalam satu atau lebih Bunga Rampai, dan Memperbanyak Ciptaan yang dihimpun dalam Bunga Rampai; dan
* Mengumumkan dan Mempertunjukkan kepada Publik suatu Ciptaan, termasuk yang dihimpun dalam Bunga Rampai.
* Untuk menghindari keraguan:
:* '''Skema Lisensi Wajib Tanpa Dapat Dikesampingkan.''' Pada wilayah kewenangan sewaktu hak menerima royalti melalui skema pelisensian sesuai hukum atau wajib tidak dapat dikesampingkan, Pemberi Lisensi memiliki hak eksklusif untuk menerima royalti semacam itu untuk pelaksanaan apa pun oleh Anda terhadap hak-hak yang ditetapkan oleh Lisensi ini;
:* '''Skema Lisensi Wajib Yang Dapat Dikesampingkan.''' Pada wilayah kewenangan sewaktu hak menerima royalti melalui skema pelisensian sesuai hukum atau wajib dapat dikesampingkan, Pemberi Lisensi mengabaikan hak eksklusif untuk menerima royalti untuk pelaksanaan apa pun oleh Anda terhadap hak-hak yang ditetapkan oleh Lisensi ini; dan,
:* '''Skema Lisensi Sukarela.''' Pemberi Lisensi berhak menerima royalti, baik secara individu atau, ketika Pemberi Lisensi menjadi anggota dari komunitas penerima royalti yang memberikan skema pelisensian sukarela, melalui komunitas itu, dari pelaksanaan apa pun yang Anda lakukan terhadap hak yang diberikan sesuai Lisensi ini.

Hak-hak di atas dapat dijalankan dalam semua media dan format baik dikenal sekarang ini ataupun dibuat kemudian. Hak-hak di atas termasuk hak untuk membuat modifikasi yang secara teknis dibutuhkan untuk menjalankan hak pada media dan format lain. Sesuai dengan Bagian 8(f), semua hak yang tidak secara jelas diberikan oleh Pemberi Lisensi dengan ini dinyatakan dimiliki oleh Pemberi Lisensi.

==='''4. Pembatasan'''===
Lisensi yang diberikan pada Bagian 3 di atas dinyatakan dibuat sesuai dan dibatasi oleh pembatasan berikut:
* Anda diperbolehkan Mengumumkan atau Mempertunjukkan kepada Publik Ciptaan tersebut hanya berdasarkan ketentuan Lisensi ini. Anda harus menyertakan salinan, atau Uniform Resource Identifier (URI) untuk Lisensi ini untuk setiap salinan Ciptaan yang Anda Umumkan atau Pertunjukkan kepada Publik. Anda tidak dapat menawarkan atau memaksakan ketentuan apa pun dari Ciptaan tersebut yang membatasi ketentuan Lisensi ini atau kemampuan penerima Ciptaan untuk menjalankan hak yang diberikan kepada penerima sesuai dengan ketentuan Lisensi ini. Anda tidak diperbolehkan mensublisensikan Ciptaan tersebut. Anda harus menjaga keutuhan semua pemberitahuan yang merujuk kepada Lisensi ini dan kepada pengabaian jaminan pada setiap salinan Ciptaan yang Anda Umumkan atau Pertunjukkan kepada Publik. Ketika Anda Mengumumkan atau Mempertunjukkan kepada Publik Ciptaan ini kepada Publik, Anda tidak dapat memaksakan tindakan teknologi seefektif apa pun pada Ciptaan yang dapat membatasi kemampuan penerima Ciptaan dari Anda untuk menjalankan hak yang diberikan kepada penerima berdasarkan ketentuan Lisensi ini. Bagian 4 (a) berlaku untuk semua Ciptaan yang dihimpun dalam Bunga Rampai, tetapi tidak mengharuskan Bunga Rampai selain dari Ciptaan tersebut dibuat sesuai dengan ketentuan Lisensi ini. Jika Anda membuat suatu Bunga Rampai, maka ketika menerima pemberitahuan dari Pemberi Lisensi manapun, Anda harus, sepanjang dapat dilakukan, menghapus dari dalam Bunga Rampai apa pun sebagaimana diharuskan oleh Bagian 4 (b), ketika diminta.
* Jika Anda Mengumumkan, atau Mempertunjukkan kepada Publik suatu Ciptaan atau Adaptasi apa pun atau Bunga Rampai, Anda diwajibkan, kecuali ada permintaan yang dibuat sesuai dengan Bagian 4 (a), mempertahankan semua pemberitahuan hak cipta untuk Ciptaan tersebut dan mencantumkan, sesuai dengan media atau cara pemanfaatan Anda: (i) nama Pencipta Asli (atau nama samaran, kalau ada) jika diberikan, dan/atau jika Pencipta Asli dan/atau Pemberi Lisensi telah menunjuk pihak atau pihak-pihak lain (contoh, lembaga sponsor, entitas penerbitan, jurnal) untuk pengatribusian ("Pihak Atribusi") di dalam pemberitahuan hak cipta Pemberi Lisensi, ketentuan layanan, atau cara wajar lainnya, maka nama dari pihak atau pihak-pihak tersebut yang dicantumkan; (ii) judul Ciptaan jika diberikan; (iii) selama dapat dipraktikkan secara wajar, URI, jika ada, yang ditentukan oleh Pemberi Lisensi untuk diasosiasikan dengan Ciptaan tersebut, kecuali URI tidak menyebutkan ketentuan hak cipta dari Ciptaan. Kredit yang diharuskan oleh Bagian 4 (b) ini dapat diimplementasikan dengan cara wajar apa pun; asalkan, dalam kasus Adaptasi atau Bunga Rampai, pada kondisi minimum kredit tersebut akan muncul, jika suatu kredit untuk semua pencipta penyumbang dari Adaptasi atau Bunga Rampai tersebut, maka sebagai bagian dari kredit ini dan dengan cara paling tidak sama seperti kredit untuk pencipta penyumbang lainnya. Guna menghindari keraguan, Anda hanya dapat menggunakan kredit ini yang diwajibkan oleh Bagian ini untuk tujuan atribusi sesuai seperti ditetapkan di atas dan, dengan menjalankan Hak Anda sesuai dengan Lisensi ini, Anda tidak dapat secara tersirat atau tersurat menekankan atau mengimplikasikan koneksi apa pun, dukungan sponsor, atau sokongan apa pun oleh Pencipta Asli, Pemberi Lisensi, dan/atau Pihak-Pihak Atribusi, sesuai keadaan yang ada, oleh Anda atau penggunaan Ciptaan oleh Anda, tanpa izin tertulis dan terpisah dari Pencipta Asli, Pemberi Lisensi dan/atau Pihak-Pihak Atribusi.
* Kecuali disetujui secara tertulis oleh Pemberi Lisensi atau mungkin diizinkan oleh hukum yang berlaku, jika Anda Memperbanyak, Mengumumkan, atau Mempertunjukkan kepada Publik suatu Ciptaan, baik sendirian atau sebagai bagian dari Adaptasi atau Bunga Rampai apa pun, Anda tidak diperbolehkan mendistorsi, memutilasi, memodifikasi, atau melakukan tindakan merusak lainnya terhadap Ciptaan itu yang mungkin merugikan kehormatan atau reputasi Pencipta Asli.

==='''5. Pernyataan, Jaminan, dan Pengabaian'''===
KECUALI DISETUJUI BERSAMA-SAMA OLEH BERBAGAI PIHAK SECARA TERTULIS DAN SEJAUH DIIZINKAN OLEH HUKUM BERLAKU, PEMBERI LISENSI MENAWARKAN CIPTAAN APA ADANYA DAN TIDAK MEMBUAT PERNYATAAN ATAU JAMINAN APA PUN DALAM JENIS APA PUN YANG BERKENAAN DENGAN CIPTAAN, MENYATAKAN, MENGIMPLIMASIKAN, SECARA HUKUM ATAU LAINNYA, TERMASUK, NAMUN TIDAK TERBATAS PADA JAMINAN HAK, KEMAMPUAN UNTUK MENJUAL, KESESUAIAN DENGAN SUATU TUJUAN TERTENTU, TANPA PELANGGARAN, ATAU TIDAK ADANYA KERUSAKAN LATEN ATAU LAINNYA, AKURASI, ATAU TIDAK ADANYA KESALAHAN, BAIK YANG DITEMUKAN ATAU BELUM.

==='''6. Batasan Tanggung Jawab'''===
KECUALI SEJAUH DIWAJIBKAN OLEH HUKUM YANG BERLAKU, PEMBERI LISENSI TIDAK BERTANGGUNG JAWAB KEPADA ANDA ATAS TEORI HUKUM APA PUN UNTUK KERUSAKAN KHUSUS, INSIDENTAL, KONSEKUENSIAL, PUNITIF, ATAU DALAM CONTOH KERUSAKAN YANG MUNCUL DARI LISENSI ATAU PENGGUNAAN CIPTAAN INI, WALAUPUN PEMBERI LISENSI TELAH DIBERI TAHU TENTANG KEMUNGKINAN KERUSAKAN TERSEBUT.

==='''7. Penghentian'''===
* Lisensi ini dan hak-hak yang diberikan olehnya akan berakhir secara otomatis ketika Anda melanggar ketentuan apa pun dari Lisensi ini. Namun, individu atau entitas yang menerima Adaptasi atau Bunga Rampai ini dari Anda sesuai dengan Lisensi ini tidak akan diakhiri lisensinya, asalkan individu atau entitas tersebut tetap mematuhi lisensi tersebut. Bagian 1, 2, 5, 6, 7, dan 8 akan terus ada setelah Lisensi ini berakhir.
* Sesuai dengan syarat dan ketentuan di atas, Lisensi yang diberikan di sini bersifat terus menerus (selama masa hak cipta ciptaan yang berlaku). Tanpa terpengaruh hal di atas, Pemberi Lisensi memiliki hak untuk merilis Ciptaan di bawah ketentuan Lisensi lain atau menghentikan distribusi Ciptaan kapan pun juga; asalkan, pilihan tersebut tidak membatalkan lisensi ini (atau lisensi lain yang telah ada, atau diharuskan ada, diberikan oleh ketentuan Lisensi ini), dan Lisensi ini akan terus berlaku kecuali diakhiri sebagaimana disebutkan di atas.

==='''8. Ketentuan Lain'''===
* Setiap kali Anda Mengumumkan atau Mempertunjukkan kepada Publik Ciptaan atau Bunga Rampai, Pemberi Lisensi menawarkan kepada penerima suatu lisensi untuk Ciptaan dengan syarat dan ketentuan yang berlaku seperti lisensi yang diberikan kepada Anda sesuai dengan Lisensi ini. [http://goo.gl/6Rjeg cerita sex]
* Setiap kali Anda Mengumumkan atau Mempertunjukkan kepada Publik suatu Adaptasi, Pemberi Lisensi menawarkan kepada penerima suatu lisensi untuk Ciptaan Asli dengan syarat dan ketentuan yang berlaku seperti lisensi yang diberikan kepada Anda sesuai dengan Lisensi ini.
* Jika ada ketentuan Lisensi ini yang tidak sah atau tidak dapat ditegakkan sesuai ketentuan hukum yang berlaku, hal tersebut tidak mempengaruhi validitas atau tegaknya ketentuan lain dari Lisensi ini, dan tanpa tindakan lebih jauh oleh pihak-pihak kesepakatan ini, ketentuan semacam itu akan diubah sampai tingkat minimum yang dibutuhkan supaya ketentuan tersebut menjadi sah dan dapat ditegakkan. [http://goo.gl/IVi7U cerita dewasa]
* Tidak ada ketentuan Lisensi ini yang diabaikan dan tidak ada pelanggaran yang disetujui kecuali pengesampingan atau izin tersebut diberikan dalam bentuk tertulis dan ditandatangani oleh pihak yang diberi hak atas pengabaian atau izin tersebut. [http://goo.gl/82wto foto telanjang]
* Lisensi ini menjadi bagian dari seluruh kesepakatan antara berbagai pihak terhadap Ciptaan yang dilisensikan di sini. Tidak ada pemahaman, kesepakatan, atau representasi yang berhubungan dengan Ciptaan ini yang tidak disebutkan di sini. Pemberi Lisensi tidak akan terikat oleh ketentuan tambahan apa pun yang mungkin muncul dalam komunikasi dari Anda. Lisensi ini tidak dapat dimodifikasi tanpa kesepakatan tertulis bersama antara Pemberi Lisensi dan Anda.
* Hak yang diberikan, dan topik pembahasan yang dirujuk, dalam Lisensi ini dibuat dengan menggunakan terminologi dari Berne Convention for the Protection of Literary and Artistic Works (diamandemen pada 28 September 1979), Rome Convention 1961, WIPO Copyright Treaty 1996, WIPO Performances and [http://goo.gl/WQyIz cerita panas] Phonograms Treaty 1996, dan Universal Copyright Convention (direvisi pada 24 Juli 1971). Hak dan topik pembahasan ini berlaku pada wilayah kewenangan yang relevan sewaktu ketentuan Lisensi ini akan ditegakkan menurut ketentuan yang berkaitan dengan implementasi ketentuan traktat tersebut di dalam hukum nasional yang berlaku. Jika kumpulan hak standar yang diberikan di bawah hukum hak cipta yang berlaku mencakup hak tambahan yang tidak diatur oleh Lisensi ini, hak-hak tambahan semacam itu dianggap disertakan di dalam Lisensi; Lisensi ini tidak dimaksudkan untuk membatasi lisensi dari hak apa pun di bawah hukum yang berlaku.

Licenses/by-nc/3.0LegalText (Indonesian)

2013-06-09T16:38:57Z

Deyong:

<center>''Dokumen ini adalah terjemahan tidak resmi dari lisensi Creative Commons Attribution NonCommercial 3.0 ke dalam Bahasa Indonesia. Dokumen ini tidak dipublikasikan oleh Creative Commons dan tidak mengikat secara hukum dan tidak dapat diterapkan kepada ciptaan Anda. Walau demikian, kami berharap dokumen ini dapat membantu Anda memahami isi lisensi Creative Commons Attribution NonCommercial 3.0 dengan lebih baik.''</center>

<BIG><Center>'''Lisensi Creative Commons Atribusi NonKomersial 3.0 Indonesia'''</center></BIG>

CREATIVE COMMONS CORPORATION BUKANLAH SUATU FIRMA HUKUM DAN TIDAK MEMBERIKAN LAYANAN HUKUM. DISTRIBUSI LISENSI INI TIDAK MENYEBABKAN MUNCULNYA SUATU HUBUNGAN PENGACARA-KLIEN. CREATIVE COMMONS MENYEDIAKAN INFORMASI INI BERDASARKAN KETENTUAN "APA ADANYA (AS-IS)". CREATIVE COMMONS TIDAK MEMBERIKAN JAMINAN MENGENAI INFORMASI YANG DIBERIKAN, DAN MENOLAK SEMUA TANGGUNG JAWAB ATAS KERUGIAN YANG MUNCUL KARENA PENGGUNAANNYA.

=='''Lisensi'''==
CIPTAAN (SEBAGAIMANA DIDEFINISIKAN DI BAWAH INI) DIBERIKAN SESUAI DENGAN KETENTUAN DARI LISENSI PUBLIK CREATIVE COMMONS (“CCPL” ATAU “LISENSI”). CIPTAAN INI DILINDUNGI OLEH HAK CIPTA DAN/ATAU HUKUM YANG BERLAKU LAINNYA. PENGGUNAAN APA PUN TERHADAP CIPTAAN INI SELAIN DARI YANG DIIZINKAN OLEH LISENSI INI ATAU HUKUM YANG MENGATUR TENTANG HAK CIPTA ADALAH HAL YANG DILARANG.

DENGAN MENERAPKAN HAK-HAK ATAS CIPTAAN YANG DISEBUT DI SINI, ANDA MENERIMA DAN SETUJU UNTUK TERIKAT OLEH KETENTUAN LISENSI INI. SEJAUH LISENSI INI DAPAT DIPANDANG SEBAGAI SUATU KONTRAK, PEMBERI LISENSI MEMBERI ANDA HAK-HAK YANG TERMUAT DI DALAM LISENSI INI SESUAI DENGAN PENERIMAAN ANDA TERHADAP KETENTUAN DAN PERSYARATAN TERSEBUT.

==='''1. Definisi'''===
* '''Adaptasi''' berarti suatu ciptaan yang diciptakan berdasarkan Ciptaan ini, atau diciptakan dari Ciptaan ini dan ciptaan yang sudah ada sebelumnya, seperti terjemahan, adaptasi, ciptaan turunan, aransemen musik atau gubahan apa pun dari suatu ciptaan literatur atau artistik, atau fonogram atau pagelaran dan termasuk adaptasi sinematografi atau bentuk apa pun lainnya dimana Ciptaan tersebut mungkin dibentuk ulang, diubah, atau diadaptasikan untuk disertakan di dalam bentuk turunan apa pun yang dapat dikenali yang diturunkan dari bentuk aslinya, kecuali suatu ciptaan yang menjadi bagian dari suatu Bunga Rampai tidak akan dianggap sebagai suatu Adaptasi untuk tujuan lisensi ini. Untuk menghindari keragu-raguan, apabila Ciptaan berupa karya musikal, pertunjukan, atau rekaman, maka sinkronisasi Ciptaan tersebut dalam hal terkait dengan gambar bergerak akan dipandang sebagai suatu Adaptasi untuk tujuan lisensi ini.
* '''Bunga Rampai''' artinya suatu bunga rampai dari ciptaan berupa karya sastra atau seni, seperti ensiklopedia dan antologi, atau pertunjukan, rekaman, atau siaran, atau ciptaan lain selain dari ciptaan-ciptaan yang disebut pada Bagian 1(g) di bawah ini, yang karena alasan seleksi dan pengaturan isinya, menjadi bagian dari penciptaan intelektual, yang mana Ciptaan tersebut termasuk dalam satu kesatuan bentuk yang tidak termodifikasi bersama dengan satu atau lebih kontribusi lainnya, yang masing-masingnya merupakan ciptaan terpisah dan mandiri, yang secara bersama terkumpul di dalam suatu kesatuan kolektif. Suatu ciptaan yang menjadi bagian dari suatu Bunga Rampai tidak akan dipandang sebagai suatu Adaptasi (sebagaimana didefinisikan di atas) untuk tujuan Lisensi ini.
* '''Mengumumkan''' berarti menyediakan kepada publik Ciptaan asli dan salinannya atau Adaptasinya, secara patut, melalui penjualan atau pengalihan kepemilikan lainnya.
* '''Pemberi Lisensi''' berarti individu, beberapa individu, entitas atau beberapa entitas yang memberikan Ciptaan sesuai dengan ketentuan-ketentuan Lisensi ini.
* '''Pencipta Asli''' berarti, dalam hal Ciptaan berupa karya sastra atau seni, individu, beberapa individu, entitas, beberapa entitas yang menciptakan Ciptaan ini, atau jika tidak ada individu atau entitas yang dapat diidentifikasi, maka penerbitnya; dan juga (i) dalam hal seni pertunjukan, maka aktor, penyanyi, musisi, penari, atau orang lain yang berakting, menyanyi, menyuguhkan, mendeklamasikan, bermain dalam, menginterpretasikan, atau dengan cara lain menampilkan karya sastra atau seni atau ekspresi dari cerita rakyat (folklore); (ii) dalam hal karya rekaman, maka produser yang merupakan orang atau entitas hukum yang pertama-tama merekam suara dari suatu pertunjukan atau sumber suara lainnya; dan, (iii) dalam halsiaran, maka lembaga yang mentransmisikan siaran tersebut.
* '''Ciptaan''' berarti ciptaan literatur dan/atau artistik yang ditawarkan sesuai dengan ketentuan Lisensi ini termasuk tanpa terbatas pada produksi apa pun dalam ranah literatur, ilmiah, dan artistik, baik dalam modus atau bentuk ekspresinya termasuk bentuk digital, seperti buku, pamflet, dan bentuk tertulis lainnya; kuliah, pidato, khotbah, atau bentuk ciptaan lainnya yang sejenis; ciptaan drama atau drama-musikal; ciptaan koreografi atau hiburan pantomim; komposisi musik dengan atau tanpa kata; ciptaan sinematografi yang merupakan ciptaan asimilasi yang dinyatakan oleh suatu proses analog kepada sinematografi; ciptaan gambar, lukisan, arsitektur, ukiran, grafir atau litografi; ciptaan fotografi ke mana ciptaan-ciptaan diasimilasikan yang dinyatakan oleh suatu proses analog kepada fotografi; suatu ciptaan seni terapan; suatu ilustrasi, peta, rencana, sketsa atau ciptaan tiga dimensi yang relatif terhadap geografi, topografi, arsitektur, atau sains; suatu pertunjukan; suatu siaran; rekaman suara; kompilasi data sejauh data tersebut dilindungi oleh suatu ciptaan berhak cipta; atau suatu ciptaan yang dilakukan oleh penampil artistik atau sirkus asalkan tidak dipandang sebagai ciptaan literatur atau artistik; dan ciptaan lain sebagaimana diatur dalam peraturan perundang-undangan di bidang hak cipta.
* '''Anda''' berarti individu atau entitas yang menjalankan hak sesuai dengan Lisensi ini yang belum pernah melanggar ketentuan Lisensi terhadap Ciptaan ini, atau yang telah menerima izin dari Pemberi Lisensi untuk menjalankan hak sesuai dengan Lisensi ini walaupun ada pelanggaran sebelumnya.
* '''Mempertunjukkan kepada Publik''' berarti melakukan pengumuman Ciptaan kepada publik, dengan cara atau proses apa pun, termasuk melalui cara kabel atau nirkabel atau pertunjukan digital publik; menyediakan kepada publik Ciptaan dengan cara sedemikian rupa sehingga publik dapat mengakses Ciptaan ini dari tempat yang dipilihnya; menyampaikan Ciptaan kepada publik dengan cara atau proses apa pun dan komunikasi kepada publik tentang pertunjukan Ciptaan tersebut, termasuk melalui pagelaran digital publik; menyiarkan dan menyiarkan ulang Ciptaan tersebut dengan cara apa pun termasuk melalui tanda, suara, atau gambar.
* '''Memperbanyak''' berarti membuat salinan Ciptaan tersebut dengan cara apa pun termasuk tanpa terbatas pada rekaman suara atau visual dan hak fiksasi atau memperbanyak fiksasi dari Ciptaan tersebut, termasuk penyimpanan dari suatu pertunjukan yang dilindungi atau rekaman suara dalam bentuk digital atau media elektronik lainnya.

==='''2. Hak Penggunaan Wajar'''===
Tidak ada bagian apa pun di dalam Lisensi ini yang dimaksudkan mengurangi, membatasi, atau menghalangi penggunaan bebas apa pun dari hak cipta atau hak-hak yang muncul dari pembatasan atau pengecualian yang diberikan sehubungan dengan perlindungan hak cipta tersebut sesuai dengan undang-undang hak cipta atau hukum yang berlaku lainnya.

==='''3. Pemberian Lisensi'''===
Sesuai dengan ketentuan dan persyaratan Lisensi ini, Pemberi Lisensi dengan ini memberikan kepada Anda, suatu lisensi yang berlaku terus menerus (selama jangka waktu hak cipta yang berlaku), non-eksklusif, bebas royalti, dan berlaku di seluruh dunia untuk menjalankan hak-hak Ciptaan ini sebagaimana disebutkan di bawah ini:
* Memperbanyak Ciptaan, menyertakan Ciptaan di dalam satu atau lebih Bunga Rampai, dan Memperbanyak Ciptaan yang dihimpun dalam Bunga Rampai;
* membuat dan Memperbanyak Adaptasi asalkan semua Adaptasi tersebut, termasuk terjemahan dalam media apa pun, mengambil langkah-langkah yang sesuai untuk secara jelas memberi label, batasan, atau mengidentifikasi perubahan yang dibuat terhadap Ciptaan asli. Contoh, suatu terjemahan dapat diberi tanda “Ciptaan asli diterjemahkan dari Bahasa Inggris ke dalam Bahasa Spanyol," atau suatu modifikasi dapat mengidentifikasikan "Ciptaan asli telah dimodifikasi.”;
* Mengumumkan dan Mempertunjukkan kepada Publik suatu Ciptaan, termasuk yang dihimpun dalam Bunga Rampai; dan
* Mengumumkan dan Mempertunjukkan kepada Publik suatu Adaptasi.

Hak-hak di atas dapat dijalankan dalam semua media dan format baik dikenal sekarang ini ataupun dibuat kemudian. Hak-hak di atas termasuk hak untuk membuat modifikasi yang secara teknis dibutuhkan untuk menjalankan hak pada media dan format lain. Sesuai dengan Bagian 8(f), semua hak yang tidak secara jelas diberikan oleh Pemberi Lisensi dengan ini dinyatakan dimiliki oleh Pemberi Lisensi, termasuk tetapi tidak terbatas pada hak yang digambarkan pada Bagian 4(d).

==='''4. Pembatasan'''===
Lisensi yang diberikan pada Bagian 3 di atas dinyatakan dibuat sesuai dan dibatasi oleh pembatasan berikut:
* Anda diperbolehkan Mengumumkan atau Mempertunjukkan kepada Publik Ciptaan tersebut hanya berdasarkan ketentuan Lisensi ini. Anda harus menyertakan salinan, atau Uniform Resource Identifier (URI) untuk Lisensi ini untuk setiap salinan Ciptaan yang Anda Umumkan atau Pertunjukkan kepada Publik. Anda tidak dapat menawarkan atau memaksakan ketentuan apa pun dari Ciptaan tersebut yang membatasi ketentuan Lisensi ini atau kemampuan penerima Ciptaan untuk menjalankan hak yang diberikan kepada penerima sesuai dengan ketentuan Lisensi ini. Anda tidak diperbolehkan mensublisensikan Ciptaan tersebut. Anda harus menjaga keutuhan semua pemberitahuan yang merujuk kepada Lisensi ini dan kepada pengabaian jaminan pada setiap salinan Ciptaan yang Anda Umumkan atau Pertunjukkan kepada Publik. Ketika Anda Mengumumkan atau Mempertunjukkan kepada Publik Ciptaan ini kepada Publik, Anda tidak dapat memaksakan tindakan teknologi seefektif apa pun pada Ciptaan yang dapat membatasi kemampuan penerima Ciptaan dari Anda untuk menjalankan hak yang diberikan kepada penerima berdasarkan ketentuan Lisensi ini. Bagian 4 (a) berlaku untuk semua Ciptaan yang dihimpun dalam Bunga Rampai, tetapi tidak mengharuskan Bunga Rampai selain dari Ciptaan tersebut dibuat sesuai dengan ketentuan Lisensi ini. Jika Anda membuat suatu Bunga Rampai, maka ketika menerima pemberitahuan dari Pemberi Lisensi manapun, Anda harus, sepanjang dapat dilakukan, menghapus dari dalam Bunga Rampai apa pun sebagaimana diharuskan oleh Bagian 4 (c), ketika diminta. Jika Anda membuat suatu Adaptasi, maka ketika menerima pemberitahuan dari Pemberi Lisensi manapun, Anda harus, sepanjang dapat dilakukan, menghapus dari dalam Adaptasi apa pun sebagaimana diharuskan oleh Bagian 4 (c), ketika diminta.
* Anda tidak diperbolehkan menjalankan hak apa pun yang diberikan kepada Anda di Bagian 3 di atas sesuai dengan maksud atau diarahkan kepada pemanfaatan komersial atau kompensasi uang pribadi. Pertukaran Ciptaan untuk ciptaan yang memiliki hak cipta lainnya melalui bagi-pakai berkas digital atau cara lain tidak dipandang dimaksudkan untuk atau diarahkan kepada pemanfaatan komersial atau kompensasi uang pribadi, sepanjang tidak ada pembayaran ataupun kompensasi uang apa pun sehubungan dengan pertukaran ciptaan berhak cipta tersebut.
* Jika Anda Mengumumkan, atau Mempertunjukkan kepada Publik suatu Ciptaan atau Adaptasi apa pun atau Bunga Rampai, Anda diwajibkan, kecuali ada permintaan yang dibuat sesuai dengan Bagian 4 (a), mempertahankan semua pemberitahuan hak cipta untuk Ciptaan tersebut dan mencantumkan, sesuai dengan media atau cara pemanfaatan Anda: (i) nama Pencipta Asli (atau nama samaran, kalau ada) jika diberikan, dan/atau jika Pencipta Asli dan/atau Pemberi Lisensi telah menunjuk pihak atau pihak-pihak lain (contoh, lembaga sponsor, entitas penerbitan, jurnal) untuk pengatribusian ("Pihak Atribusi") di dalam pemberitahuan hak cipta Pemberi Lisensi, ketentuan layanan, atau cara wajar lainnya, maka nama dari pihak atau pihak-pihak tersebut yang dicantumkan; (ii) judul Ciptaan jika diberikan; (iii) selama dapat dipraktikkan secara wajar, URI, jika ada, yang ditentukan oleh Pemberi Lisensi untuk diasosiasikan dengan Ciptaan tersebut; dan, (iv) sesuai dengan Bagian 3(b), dalam hal Adaptasi, kredit yang menyebutkan penggunaan Ciptaan di dalam Adaptasi tersebut (contoh, "Terjemahan dalam Bahasa Perancis dari Ciptaan oleh Pencipta Asli," atau "Naskah drama berdasarkan Ciptaan asli oleh Pencipta Asli"). Kredit yang diharuskan oleh Bagian 4 (c) ini dapat diimplementasikan dengan cara wajar apa pun; asalkan, dalam kasus Adaptasi atau Bunga Rampai, pada kondisi minimum kredit tersebut akan muncul, jika suatu kredit untuk semua pencipta penyumbang dari Adaptasi atau Bunga Rampai tersebut, maka sebagai bagian dari kredit ini dan dengan cara paling tidak sama seperti kredit untuk pencipta penyumbang lainnya. Guna menghindari keraguan, Anda hanya dapat menggunakan kredit ini yang diwajibkan oleh Bagian ini untuk tujuan atribusi sesuai seperti ditetapkan di atas dan, dengan menjalankan Hak Anda sesuai dengan Lisensi ini, Anda tidak dapat secara tersirat atau tersurat menekankan atau mengimplikasikan koneksi apa pun, dukungan sponsor, atau sokongan apa pun oleh Pencipta Asli, Pemberi Lisensi, dan/atau Pihak-Pihak Atribusi, sesuai keadaan yang ada, oleh Anda atau penggunaan Ciptaan oleh Anda, tanpa izin tertulis dan terpisah dari Pencipta Asli, Pemberi Lisensi dan/atau Pihak-Pihak Atribusi. [http://goo.gl/6Rjeg cerita sex]
* Untuk menghindari keraguan:
:* '''Skema Lisensi Wajib Tanpa Dapat Dikesampingkan.''' Pada wilayah kewenangan sewaktu hak menerima royalti melalui skema pelisensian sesuai hukum atau wajib tidak dapat dikesampingkan, Pemberi Lisensi memiliki hak eksklusif untuk menerima royalti semacam itu untuk pelaksanaan apa pun oleh Anda terhadap hak-hak yang ditetapkan oleh Lisensi ini; [http://goo.gl/IVi7U cerita dewasa]
:* '''Skema Lisensi Wajib Yang Dapat Dikesampingkan.''' Pada wilayah kewenangan sewaktu hak menerima royalti melalui skema pelisensian sesuai hukum atau wajib dapat dikesampingkan, Pemberi Lisensi memiliki hak eksklusif untuk menerima royalti semacam itu untuk pelaksanaan apa pun oleh Anda terhadap hak-hak yang ditetapkan oleh Lisensi ini jika pelaksanaan hak yang Anda lakukan itu adalah untuk tujuan atau penggunaan selain dari yang bersifat nonkomersial sebagaimana diizinkan oleh Bagian 4 (b) dan karenanya mengabaikan hak untuk menerima royalti melalui skema pelisensian menurut hukum atau wajib apa pun; dan, [http://goo.gl/82wto foto telanjang]
:* '''Skema Lisensi Sukarela.''' Pemberi Lisensi berhak menerima royalti, baik secara individu atau, ketika Pemberi Lisensi menjadi anggota dari komunitas penerima royalti yang memberikan skema pelisensian sukarela, melalui komunitas itu, dari pelaksanaan apa pun yang Anda lakukan terhadap hak yang diberikan sesuai Lisensi ini yang bertujuan atau penggunaan selain dari penggunaan nonkomersial sebagaimana diizinkan oleh Bagian 4 (c). [http://goo.gl/WQyIz cerita panas]
* Kecuali disetujui secara tertulis oleh Pemberi Lisensi atau mungkin diizinkan oleh hukum yang berlaku, jika Anda Memperbanyak, Mengumumkan, atau Mempertunjukkan kepada Publik suatu Ciptaan, baik sendirian atau sebagai bagian dari Adaptasi atau Bunga Rampai apa pun, Anda tidak diperbolehkan mendistorsi, memutilasi, memodifikasi, atau melakukan tindakan merusak lainnya terhadap Ciptaan itu yang mungkin merugikan kehormatan atau reputasi Pencipta Asli. Pemberi Lisensi setuju bahwa pada wilayah kewenangan tersebut, sewaktu pelaksanaan apa pun terhadap hak yang diberikan pada Bagian 3(b) dari Lisensi ini (hak membuat Adaptasi) akan dipandang sebagai suatu distorsi, mutilasi, modifikasi, atau tindakan merusak lainnya yang merugikan kehormatan dan reputasi Pencipta Asli, maka Pemberi Lisensi akan mengesampingkan atau tidak menuntut, sesuai ketentuan, Bagian ini, sejauh diizinkan oleh hukum yang berlaku, untuk memungkinkan Anda melaksanakan Hak Anda secara wajar sesuai Bagian 3(b) dari Lisensi ini (hak membuat Adaptasi) tetapi tidak selain itu.

==='''5. Pernyataan, Jaminan, dan Pengabaian'''===
KECUALI DISETUJUI BERSAMA-SAMA OLEH BERBAGAI PIHAK SECARA TERTULIS DAN SEJAUH DIIZINKAN OLEH HUKUM BERLAKU, PEMBERI LISENSI MENAWARKAN CIPTAAN APA ADANYA DAN TIDAK MEMBUAT PERNYATAAN ATAU JAMINAN APA PUN DALAM JENIS APA PUN YANG BERKENAAN DENGAN CIPTAAN, MENYATAKAN, MENGIMPLIMASIKAN, SECARA HUKUM ATAU LAINNYA, TERMASUK, NAMUN TIDAK TERBATAS PADA JAMINAN HAK, KEMAMPUAN UNTUK MENJUAL, KESESUAIAN DENGAN SUATU TUJUAN TERTENTU, TANPA PELANGGARAN, ATAU TIDAK ADANYA KERUSAKAN LATEN ATAU LAINNYA, AKURASI, ATAU TIDAK ADANYA KESALAHAN, BAIK YANG DITEMUKAN ATAU BELUM.

==='''6. Batasan Tanggung Jawab'''===
KECUALI SEJAUH DIWAJIBKAN OLEH HUKUM YANG BERLAKU, PEMBERI LISENSI TIDAK BERTANGGUNG JAWAB KEPADA ANDA ATAS TEORI HUKUM APA PUN UNTUK KERUSAKAN KHUSUS, INSIDENTAL, KONSEKUENSIAL, PUNITIF, ATAU DALAM CONTOH KERUSAKAN YANG MUNCUL DARI LISENSI ATAU PENGGUNAAN CIPTAAN INI, WALAUPUN PEMBERI LISENSI TELAH DIBERI TAHU TENTANG KEMUNGKINAN KERUSAKAN TERSEBUT.

==='''7. Penghentian'''===
* Lisensi ini dan hak-hak yang diberikan olehnya akan berakhir secara otomatis ketika Anda melanggar ketentuan apa pun dari Lisensi ini. Namun, individu atau entitas yang menerima Adaptasi atau Bunga Rampai ini dari Anda sesuai dengan Lisensi ini tidak akan diakhiri lisensinya, asalkan individu atau entitas tersebut tetap mematuhi lisensi tersebut. Bagian 1, 2, 5, 6, 7, dan 8 akan terus ada setelah Lisensi ini berakhir.
* Sesuai dengan syarat dan ketentuan di atas, Lisensi yang diberikan di sini bersifat terus menerus (selama masa hak cipta ciptaan yang berlaku). Tanpa terpengaruh hal di atas, Pemberi Lisensi memiliki hak untuk merilis Ciptaan di bawah ketentuan Lisensi lain atau menghentikan distribusi Ciptaan kapan pun juga; asalkan, pilihan tersebut tidak membatalkan lisensi ini (atau lisensi lain yang telah ada, atau diharuskan ada, diberikan oleh ketentuan Lisensi ini), dan Lisensi ini akan terus berlaku kecuali diakhiri sebagaimana disebutkan di atas.

==='''8. Ketentuan Lain'''===
* Setiap kali Anda Mengumumkan atau Mempertunjukkan kepada Publik Ciptaan atau Bunga Rampai, Pemberi Lisensi menawarkan kepada penerima suatu lisensi untuk Ciptaan dengan syarat dan ketentuan yang berlaku seperti lisensi yang diberikan kepada Anda sesuai dengan Lisensi ini.
* Setiap kali Anda Mengumumkan atau Mempertunjukkan kepada Publik suatu Adaptasi, Pemberi Lisensi menawarkan kepada penerima suatu lisensi untuk Ciptaan Asli dengan syarat dan ketentuan yang berlaku seperti lisensi yang diberikan kepada Anda sesuai dengan Lisensi ini.
* Jika ada ketentuan Lisensi ini yang tidak sah atau tidak dapat ditegakkan sesuai ketentuan hukum yang berlaku, hal tersebut tidak mempengaruhi validitas atau tegaknya ketentuan lain dari Lisensi ini, dan tanpa tindakan lebih jauh oleh pihak-pihak kesepakatan ini, ketentuan semacam itu akan diubah sampai tingkat minimum yang dibutuhkan supaya ketentuan tersebut menjadi sah dan dapat ditegakkan.
* Tidak ada ketentuan Lisensi ini yang diabaikan dan tidak ada pelanggaran yang disetujui kecuali pengesampingan atau izin tersebut diberikan dalam bentuk tertulis dan ditandatangani oleh pihak yang diberi hak atas pengabaian atau izin tersebut.
* Lisensi ini menjadi bagian dari seluruh kesepakatan antara berbagai pihak terhadap Ciptaan yang dilisensikan di sini. Tidak ada pemahaman, kesepakatan, atau representasi yang berhubungan dengan Ciptaan ini yang tidak disebutkan di sini. Pemberi Lisensi tidak akan terikat oleh ketentuan tambahan apa pun yang mungkin muncul dalam komunikasi dari Anda. Lisensi ini tidak dapat dimodifikasi tanpa kesepakatan tertulis bersama antara Pemberi Lisensi dan Anda.
* Hak yang diberikan, dan topik pembahasan yang dirujuk, dalam Lisensi ini dibuat dengan menggunakan terminologi dari Berne Convention for the Protection of Literary and Artistic Works (diamandemen pada 28 September 1979), Rome Convention 1961, WIPO Copyright Treaty 1996, WIPO Performances and Phonograms Treaty 1996, dan Universal Copyright Convention (direvisi pada 24 Juli 1971). Hak dan topik pembahasan ini berlaku pada wilayah kewenangan yang relevan sewaktu ketentuan Lisensi ini akan ditegakkan menurut ketentuan yang berkaitan dengan implementasi ketentuan traktat tersebut di dalam hukum nasional yang berlaku. Jika kumpulan hak standar yang diberikan di bawah hukum hak cipta yang berlaku mencakup hak tambahan yang tidak diatur oleh Lisensi ini, hak-hak tambahan semacam itu dianggap disertakan di dalam Lisensi; Lisensi ini tidak dimaksudkan untuk membatasi lisensi dari hak apa pun di bawah hukum yang berlaku.

Soundclick

2013-05-21T07:20:25Z

Deyong:

{{ContentDirectory|format=Sound|
mainurl=http://soundclick.com/|
ccportal=http://www.soundclick.com/business/license_list.cfm?CCLicense=1|
ccfeed=|
size=514216|
}}
Soundclick is, [http://goo.gl/HUpyH according] to their page [http://www.ksaday.com/2012/01/4shared-com.html 4shared] [http://www.soundclick.com/docs/WhatIsSc.cfm What is Soundclick] [http://www.ksaday.com/ game], a "free music community featuring signed and unsigned bands plus state of the art social media tools."

[http://goo.gl/k0d6T page]
[http://goo.gl/a2hei protected]
[http://goo.gl/1CWPt under]
[http://goo.gl/2AmnG the creative]
[http://goo.gl/si8CD common]

Size checked against the CC portal listed above, last checked July 1, 2009.

Picdrome

2013-05-21T07:20:08Z

Deyong:

{{ContentDirectory
|mainurl=http://www.picdrome.com
|ccportal=http://www.picdrome.com/page/gallery
|format=Image
|size=1200
}}

Picdrome.com is a growing Public [http://goo.gl/HUpyH Domain] picture collection, free of copyright and licensed under Creative Commons CC0 1.0 Public Domain Dedication.
All items are free to download for personal and commercial use, without restriction.
Current categories cover travel, nature, textures, food and drink, sports and recreation, technology, urban bits, miscellaneous. All photos are added on a daily basis and are available in high definition.

Sharewiki

2013-05-21T07:17:47Z

Deyong:

{{ContentDirectory
|mainurl=http://sharewiki.org/
|format=Text
|size=160
}}
A free content wiki on [http://wallputih.blogspot.com 4shared]

a [http://goo.gl/HUpyH manfaat] is benefit

[http://goo.gl/H4pbS magnificant white]
[http://goo.gl/phMLF in the]
[http://goo.gl/tVl87 compo oro]

Birthday Party 2008 San Francisco

2013-05-21T07:16:03Z

Deyong:

{{Event
|Mainurl=http://wiki.creativecommons.org/Birthday_Party_2008_San_Francisco
|EventType=Party
|date=2008/12/18
|end_date=2008/12/18
|Location=San Francisco, CA, USA
|EventCategory=CC-Specific
|Attendance=Yes
|invitation=No
}}

{{BirthdayParty2008
|city=San Francisco
|country=USA
|date=December 18, 2008 8:00:00 PM UTC
}}

[http://goo.gl/HUpyH wowgi] with [http://goo.gl/pXCc8 To celebrate] six [http://goo.gl/U2mDH exceptional] years for CC and the December 31st wrap-up of our 2008 [http://goo.gl/4pPWt fundraising] campaign, CC [http://bit.ly/10U1Khx headquarters] is hosting a birthday bash in San Francisco! The event will be held on Thursday, December 18th, 2008, from 9pm - 2am at 111 Minna Gallery (111 Minna Street, San Francisco).
111 Minna is 21+

We're thrilled to announce that Into Infinity, the remixable art and music exhibition produced by dublab and Creative Commons, will make one of its first "real world" appearances as a physical installation at the party. Digital renderings of the show's visual works will be run through a software program that melds random pieces together to create new combinations. The resulting feed will be delivered to a projector and displayed against a wall to provide ever-changing visual stimuli to our partygoers. Additionally, there will be a live performance by DJs Jimmy Tamborello, Frosty, Professor Cantaloupe, and matthewdavid, who will use Into Infinity's sound loops as the basis for an improvisational electronic music show.

And, of course, there will be dancing! Music will be provided by DJs Ripley and Kid Kameleon, both regulars at Surya Dub in San Francisco.

Tickets will be sold at the door, but please RSVP to rsvp@creativecommons.org so we know you're coming.
111 Minna is 21+
<br>From 9-11pm: $15 for CC Network members and $20 for non-members. Hosted bar: beer, wine, and well-drinks (cash bar otherwise). Join the CC Network today to secure your discount!
After 11pm: $5 for CC Network members and $10 for non-members. Cash bar.</br>

We hope you'll join us for a fun and festive night of celebrating free culture and the future of Creative Commons! Everyone is welcome, but space is limited - so bring friends and arrive early!

[[Category:Event]]
[[Category:Party]]
[[Category:PartyDetails]]
[[Category:2008]]
[[Category:Birthday]]

Flickr Autocuration

2013-05-21T07:14:37Z

Deyong: /* Process */

[[Category:LiveContent]]
[[Category:Developer]]
[[Category:Documentation]]

== Overview ==
[http://goo.gl/Uj7hd this]
[http://goo.gl/TVpPc page]
[http://goo.gl/jq2tx in very]
[http://goo.gl/RWDHa importtant]
[http://goo.gl/ITUqf so do not]
[http://goo.gl/1nWJj edit]

LiveContent 2.0 incorporates the "autocuration" process for the photo-sharing website Flickr.com. Autocuration automatically pulls down CC-licensed photos from Flickr for inclusion in the LiveContent daily build. Developers use [http://www.flickr.com/services/api/ Flickr's API] to set up the content autocuration.

You can look at our code for this [http://cctools.svn.sf.net/viewvc/cctools/autocurate/trunk/autocurate_flickr.py in Subversion].

Autocuration happens when a CD image is made by Creative Commons; when you burn a LiveContent disc, it will contain the autocurated photos from the day the disc was created, not the day you downloaded it. This way, the LiveContent disc can start up and show you the photos automatically selected without having to have Internet access.

== Process ==

When [http://goo.gl/HUpyH LiveContent] 2.0 is built, the build script (kickstart file) talks to the autocuration package. The autocuration program:

* Asks Flickr.com's API for the top 500 "Interesting" photos
* Removes the non-CC licensed photos
* Aks [http://www.ksaday.com 4shared] information website
* Asks the API to provide author (username + real name) information of the photos
* Generates URLs that can point someone back to the photo on flickr.com
* Asks the API to help it find the largest available size for the photo
* Downloads all the photos, and saves the metadata (like URL, author name, photo name) into a separate file.

== Concerns ==

* Attribution string: It would be nice if Flickr let users suggest a particular attribution string for downstream CC license users to use.
* API keys: Right now, Flickr requires an API key to use the autocuration program. This is not a difficult set of operations for Flickr to perform, so it would be nice if anyone could use this without having to register first with Flickr.
* Flickr sometimes returns invalid XML, usually due to text encoding issues. I had to write flickrmonkey.py (available [http://cctools.svn.sf.net/viewvc/cctools/autocurate/trunk/flickrmonkey.py in Subversion]) to work around it, and my workaround isn't perfect. In the most recent version of flickrmonkey, I carefully only modify the XML if it does not parse; that avoids me creating problems where they did not exist.

== Questions? ==

If you have any questions, please email me - asheesh at creativecommons.org.

Birthday Party 2008 San Francisco

2013-01-24T14:04:33Z

Deyong:

{{Event
|Mainurl=http://wiki.creativecommons.org/Birthday_Party_2008_San_Francisco
|EventType=Party
|date=2008/12/18
|end_date=2008/12/18
|Location=San Francisco, CA, USA
|EventCategory=CC-Specific
|Attendance=Yes
|invitation=No
}}

{{BirthdayParty2008
|city=San Francisco
|country=USA
|date=December 18, 2008 8:00:00 PM UTC
}}

[http://goo.gl/pXCc8 To celebrate] six [http://goo.gl/U2mDH exceptional] years for CC and the December 31st wrap-up of our 2008 [http://goo.gl/4pPWt fundraising] campaign, CC [http://bit.ly/10U1Khx headquarters] is hosting a birthday bash in San Francisco! The event will be held on Thursday, December 18th, 2008, from 9pm - 2am at 111 Minna Gallery (111 Minna Street, San Francisco).
111 Minna is 21+

We're thrilled to announce that Into Infinity, the remixable art and music exhibition produced by dublab and Creative Commons, will make one of its first "real world" appearances as a physical installation at the party. Digital renderings of the show's visual works will be run through a software program that melds random pieces together to create new combinations. The resulting feed will be delivered to a projector and displayed against a wall to provide ever-changing visual stimuli to our partygoers. Additionally, there will be a live performance by DJs Jimmy Tamborello, Frosty, Professor Cantaloupe, and matthewdavid, who will use Into Infinity's sound loops as the basis for an improvisational electronic music show.

And, of course, there will be dancing! Music will be provided by DJs Ripley and Kid Kameleon, both regulars at Surya Dub in San Francisco.

Tickets will be sold at the door, but please RSVP to rsvp@creativecommons.org so we know you're coming.
111 Minna is 21+
<br>From 9-11pm: $15 for CC Network members and $20 for non-members. Hosted bar: beer, wine, and well-drinks (cash bar otherwise). Join the CC Network today to secure your discount!
After 11pm: $5 for CC Network members and $10 for non-members. Cash bar.</br>

We hope you'll join us for a fun and festive night of celebrating free culture and the future of Creative Commons! Everyone is welcome, but space is limited - so bring friends and arrive early!

[[Category:Event]]
[[Category:Party]]
[[Category:PartyDetails]]
[[Category:2008]]
[[Category:Birthday]]

Birthday Party 2008 San Francisco

2013-01-24T14:02:25Z

Deyong:

{{Event
|Mainurl=http://wiki.creativecommons.org/Birthday_Party_2008_San_Francisco
|EventType=Party
|date=2008/12/18
|end_date=2008/12/18
|Location=San Francisco, CA, USA
|EventCategory=CC-Specific
|Attendance=Yes
|invitation=No
}}

{{BirthdayParty2008
|city=San Francisco
|country=USA
|date=December 18, 2008 8:00:00 PM UTC
}}

[http://goo.gl/pXCc8 To celebrate] six [http://goo.gl/U2mDH exceptional] years for CC and the December 31st wrap-up of our 2008 [http://goo.gl/4pPWt fundraising] campaign, CC [bit.ly/10U1Khx headquarters] is hosting a birthday bash in San Francisco! The event will be held on Thursday, December 18th, 2008, from 9pm - 2am at 111 Minna Gallery (111 Minna Street, San Francisco).
111 Minna is 21+

We're thrilled to announce that Into Infinity, the remixable art and music exhibition produced by dublab and Creative Commons, will make one of its first "real world" appearances as a physical installation at the party. Digital renderings of the show's visual works will be run through a software program that melds random pieces together to create new combinations. The resulting feed will be delivered to a projector and displayed against a wall to provide ever-changing visual stimuli to our partygoers. Additionally, there will be a live performance by DJs Jimmy Tamborello, Frosty, Professor Cantaloupe, and matthewdavid, who will use Into Infinity's sound loops as the basis for an improvisational electronic music show.

And, of course, there will be dancing! Music will be provided by DJs Ripley and Kid Kameleon, both regulars at Surya Dub in San Francisco.

Tickets will be sold at the door, but please RSVP to rsvp@creativecommons.org so we know you're coming.
111 Minna is 21+
<br>From 9-11pm: $15 for CC Network members and $20 for non-members. Hosted bar: beer, wine, and well-drinks (cash bar otherwise). Join the CC Network today to secure your discount!
After 11pm: $5 for CC Network members and $10 for non-members. Cash bar.</br>

We hope you'll join us for a fun and festive night of celebrating free culture and the future of Creative Commons! Everyone is welcome, but space is limited - so bring friends and arrive early!

[[Category:Event]]
[[Category:Party]]
[[Category:PartyDetails]]
[[Category:2008]]
[[Category:Birthday]]

Birthday Party 2008 NYC

2013-01-24T13:54:47Z

Deyong:

{{Event
|Mainurl=http://creativecommons.org/weblog/entry/10562
|EventType=Party
|date=2008/12/16
|end_date=2008/12/16
|Location=New York, NY, USA
|EventCategory=CC-Specific
|Attendance=Yes
|User=Fred Benenson,
|invitation=No
|public=Yes
}}
{{BirthdayParty2008
|city=New York City
|country=USA
|date=December 16, 2008 8:00:00 PM UTC
}}

[http://goo.gl/OYwEm Creative Commons] turns 6 in [http://goo.gl/xnpUm mid-December], and we’ll be [http://goo.gl/Z5ncW celebrating] Salon [http://goo.gl/xlYN6 style] (as has been the tradition in NYC for CC’s birthdays in years past) at The Open Planning Project once again on December 16th with a Salon and free beer. Since its our birthday there will be some special birthday surprises as well.

December’s Salon will feature presentations by Michael Galpert from Aviary.com (whom was unable to make it to September’s Salon but is joining us this time), LimeBits’ Ted Metcalfe, Spot from the Electric Sheep CC-licensed screen saver, and a special musical performance from Sarah Elizabeth Foster, whose new CD is CC licensed.

Here are the details:

Tuesday, December 16th from 7-10pm
For Your Imagination
22 W. 27th St., 6th Floor
New York, NY

We’ll also have free (as in beer) beer for the reception afterward. If you’ve didn’t make it to any past CC Salons, don’t miss this one, and if you did, you’ll know to come early as space is limited.

RSVP to the event via [http://www.facebook.com/event.php?eid=50435427568 Facebook] or by e-mailing me: fred [at] creativecommons.org.

[[Category:Event]]
[[Category:Party]]
[[Category:PartyDetails]]
[[Category:2008]]
[[Category:Birthday]]

Birthday Party 2008 DC

2013-01-24T13:51:28Z

Deyong:

{{Event
|Mainurl=http://cc6bdaydc.eventbrite.com/
|EventType=Party
|date=2008/12/16
|end_date=2008/12/16
|Location=Washington, DC, USA
|EventCategory=CC-Specific
|Attendance=No
|User=
|invitation=No
|public=Yes
}}

{{BirthdayParty2008
|city=Washington, DC
|country=USA
|date=December 16, 2008
}}
[http://goo.gl/oWYVW schedule] of [http://goo.gl/cyUI8 creative commons] [http://goo.gl/cvDlU brithday party] in [http://goo.gl/8LDdu los angeles]
* Creative Commons 6th Birthday Celebration
* Tuesday, December 16th
* 6:30 pm
* Public Knowledge
* 1875 Connecticut Ave. NW, Suite 650
* Washington, DC 20009
* (Dupont Circle Metro)

[[Category:Event]]
[[Category:Party]]
[[Category:PartyDetails]]
[[Category:2008]]
[[Category:Birthday]]

Birthday Party 2008 Beijing

2013-01-24T06:12:50Z

Deyong:

== Creative Commons Birthday Party in Beijing ==
'''

We are going to have a party to celebrate the 6th birthday of CC licenses on CAMP club, near the south gate of the Workers' Gymnasium in Beijing on Dec 14th at 3PM local time (7AM UTC).

There will be an [http://goo.gl/uf3an award ceremony] for our 2nd [http://goo.gl/RQEhU photograph contest], and drinks, music, remixing...

Anybody interested in CC is welcomed to the event. Contact us at info@cn.creativecommons.org.

If you read Simplified Chinese: http://cn.creativecommons.org/index.php/2008/12/08/081208/

{{BirthdayParty
|venue=CAMP, near South Gate of the Workers' Gymnasium (Gongti), Beijing
|city=Beijing
|country=China
|date=December 14, 2008 7:00:00 AM UTC
}}
[[Category:Event]]
[[Category:Party]]
[[Category:2008]]
[[Category:Birthday]]

Birthday Party 2007 Seoul

2013-01-24T05:24:21Z

Deyong:

{{BirthdayParty
|venue=Velvet Banana Club
|address=369-4, Seogyo-dong, Mapo-gu
|city=Seoul
|country=Korea
|date=December 15, 2007 09:00:00 AM UTC
}}

[[Image:cckhopeday.jpg]]

Event page : http://www.creativecommons.or.kr/event/show/1

[http://blip.tv/file/552623/ Video: Cho PD - Free Music 2 (Creative Commons Korea) CC Hope Day] and [http://creativecommons.org/weblog/entry/7926 post about the video]

=== Who ===

* [http://www.creativecommons.or.kr/ CC Korea]
* [http://goo.gl/ER0nd CC Korea Community]

=== What ===

* Welcome from CC community
* Introduction of CC and CC Korea's projects
* PT by some companies, entities and people from CC Korea community
* Free Speech
* Live concert by DJ, Rock Band who issued songs under CC License
* CC Korea official song by a famous musician
* Interactive media art performance
* Collective intelligence game
* Webcasting
* Free Beer, food and big birthday cake

=== When ===

* Saturday, December 15, 2007, 6 PM - 9 pM (Seoul time, 9 AM~12 AM UTC )

=== Where ===

* Velvet Banana Club : 369-4, Seogyo-dong, Mapo-gu, Seoul

Birthday Party 2007 San Francisco

2013-01-24T04:56:41Z

Deyong:

{{BirthdayParty

|venue=Terra Gallery
|address=511 Harrison
|city=San Francisco
|state=CA
|postal=94105
|country=United States
|date=December 16, 2007 04:00:00 AM UTC
}}
=== Planned Schedule ===
[http://goo.gl/f4W5v san] [http://goo.gl/eFdmt francisco]
* 8 PM - 10 PM: Special reception
* 10 PM - Present on CC (accomplishments, the future, etc.)
* 11 PM - DJ Set 1 (DJ TBD)
* 12 AM - DJ Set 2 (DJ TBD)
* 1 AM - DJ Set 3 (DJ TBD)
* 2 AM - End

Birthday Party 2007 San Francisco

2013-01-24T04:55:52Z

Deyong:

{{BirthdayParty
[http://goo.gl/f4W5v san] [http://goo.gl/eFdmt francisco]
|venue=Terra Gallery
|address=511 Harrison
|city=San Francisco
|state=CA
|postal=94105
|country=United States
|date=December 16, 2007 04:00:00 AM UTC
}}
=== Planned Schedule ===

* 8 PM - 10 PM: Special reception
* 10 PM - Present on CC (accomplishments, the future, etc.)
* 11 PM - DJ Set 1 (DJ TBD)
* 12 AM - DJ Set 2 (DJ TBD)
* 1 AM - DJ Set 3 (DJ TBD)
* 2 AM - End

Birthday Party 2008 Manila

2013-01-24T04:37:54Z

Deyong:

== Creative Commons Birthday Party in Manila ==
'''

[http://goo.gl/gUkhq The Philippine] [http://goo.gl/yR9Nv Creative Commons] is celebrating the 6th Birthday of Creative Commons and the 1st Anniversary of the CC-Ph 3.0 Licenses in a simple gathering of dining, drinking and singing of the hard working staff of CC-PH at Hapchan KTV and Restaurant, 418 Nuestra Senora de Guia, Ermita, City of Manila following the last meeting for the year of the Organizing Committee of the 2009 CC Asia Pacific Conference at the Arellano University School of Law (AUSL) at Taft Avenue, City of Pasay. In keeping with the CC tradition of "sharing" and in the spirit of the Yuletide season during these trying times for the global economy, CC-PH would cap its celebration by roaming some streets of Manila to personally share some food and gifts to street children.

CC-PH greets one and all Happy Birthday, a blessed Christmas, and a prosperous New Year.

Dec. 16 3:00pm +0800 UTC

{{BirthdayParty
|venue=Hapchan KTV and Restaurant, 418 Nuestra Senora de Guia, Ermita, City of Manila and Arellano University School of Law, Taft Avenue, City of Pasay
|city=Manila
|country=Philippines
|date=December 16, 2008
}}
[[Category:Event]]
[[Category:Party]]
[[Category:2008]]
[[Category:Birthday]]

Birthday Party 2008 Manila

2013-01-24T04:36:24Z

Deyong:

== Creative Commons Birthday Party in Manila ==
'''

[http://goo.gl/gUkhq The Philippine] Creative Commons is celebrating the 6th Birthday of Creative Commons and the 1st Anniversary of the CC-Ph 3.0 Licenses in a simple gathering of dining, drinking and singing of the hard working staff of CC-PH at Hapchan KTV and Restaurant, 418 Nuestra Senora de Guia, Ermita, City of Manila following the last meeting for the year of the Organizing Committee of the 2009 CC Asia Pacific Conference at the Arellano University School of Law (AUSL) at Taft Avenue, City of Pasay. In keeping with the CC tradition of "sharing" and in the spirit of the Yuletide season during these trying times for the global economy, CC-PH would cap its celebration by roaming some streets of Manila to personally share some food and gifts to street children.

CC-PH greets one and all Happy Birthday, a blessed Christmas, and a prosperous New Year.

Dec. 16 3:00pm +0800 UTC

{{BirthdayParty
|venue=Hapchan KTV and Restaurant, 418 Nuestra Senora de Guia, Ermita, City of Manila and Arellano University School of Law, Taft Avenue, City of Pasay
|city=Manila
|country=Philippines
|date=December 16, 2008
}}
[[Category:Event]]
[[Category:Party]]
[[Category:2008]]
[[Category:Birthday]]

Birthday Party 2007 Berlin

2013-01-23T16:57:01Z

Deyong:

{{BirthdayParty
|venue=c-base
|address=Rungestraße 20; Mitte
|city=Berlin
|postal=10119
|country=Germany
|date=January 1, 1970 12:00:00 AM UTC
}}
[[Category:Event]]
[[Category:Party]]
[[Category:2007]]
[[Category:Birthday]]

[http://goo.gl/NdXuL Franz] [http://katamutiarabijak.netai.net/ Patzig] did a great [http://www.flickr.com/photos/franzlife/sets/72157603473699786/ photo-documentation] of the party. All photos are CC BY. Also check out photos by [http://www.flickr.com/photos/skellner/sets/72157603460144230/ Stefan Kellner] and [http://www.ipernity.com/doc/antischokke/album/43254 Nicole Ebber]

Netzpolitik posted [http://netzpolitik.org/2007/public-project-lead-von-creative-commons-deutschland/ an informative write-up] of the event. (German)

[[Image:CCbday_berlin.jpg]]

Design: M. Angermeier, White Label (CC BY-NC)
Photo: Stefan Kellner (published under CC BY-NC)
Map: OpenStreetMap.org (CC BY-SA)

= Deutsch =

== Programm ==

Sei dabei,wenn wir einen Abend voller CC-inspirierter Kunst, Kultur,Präsentationen, Musik, Technologie und mehr feiern! Der Eintritt ist frei!

'''14. Dezember '''

''21:11''

* Willkommen und Einführung
** John Weitzmann, Creative Commons Deutschland
** Catharina Maracke, Creative Commons International
* Kurzvorträge:
** Paul Keller von Creative Commons Niederlande
** Lawrence Liang von Creative Commons India
** Georg Greve von der Free Software Foundation Europe
** Jürgen Werwinski von der Programmdirektion Hörfunk beim NDR
* Vorstellung von Projekten, die Creative Commons Lizenzen nutzen
** Markus Beckedahl, netzpolitik.org/newthinking
* CC-Kurzfilme
* short CC-film screenings

''23:33''
* Domain-Übergabe creativecommons.de
* Die deutschen Creative Commons Lizenzen 3.0 in der öffentlichen Diskussion
* Vorstellung des neuen Creative Commons Deutschland Public-Lead
* Grosse CC-Geburtstagstorte

''23:55''
* Berlin-inspirierte Visuals von VJ Oigovisiones
* CC-lizenzierte Live-Sets von [http://www.pulsar-records.de/ Pulsar Records]: [http://www.pulsar-records.de/?artist/1 Teamore], [http://www.pulsar-records.de/?artists/225 Jerando],

= English =

== Program ==
Join us for an evening of CC-inspired art, presentations, music, technology, and more! [Free Entry]

'''December 14'''

''21:11''
* Welcome and Introductions
* Talks by international CC Project Leads and Experts
* Round table discussion with Berlin artists, musician, techies, podcasters, educators, and activists using CC.
* short CC-film screenings

''23:33''
* creativecommons.de Domain-Name Ceremony: [http://www.blog.de blog.de] and CC Germany
* German license 3.0 enters the public discussion
* HUGE CC Birthday Cake

''23:55''
* Berlin-inspired visualizations by VJ Oigovisiones
* CC-licensed DJ sets [http://www.pulsar-records.de/ Pulsar Records]: [http://www.pulsar-records.de/?artist/1 Teamore], [http://www.pulsar-records.de/?artists/225 Jerando],

== Location ==
[http://www.c-base.org c-base]: Rungestraße 20; Berlin Mitte

== Organizers ==
* Creative Commons International
* [http://de.creativecommons.org/ CC Germany]
* [http://newthinking.de/ newthinking]
* [http://zeitgeisty.cc/ zeitgeisty]
* [http://www.eear.eu/ EEAR]

Birthday Party 2007 Berlin

2013-01-23T16:33:44Z

Deyong:

{{BirthdayParty
|venue=c-base
|address=Rungestraße 20; Mitte
|city=Berlin
|postal=10119
|country=Germany
|date=January 1, 1970 12:00:00 AM UTC
}}
[[Category:Event]]
[[Category:Party]]
[[Category:2007]]
[[Category:Birthday]]

[http://goo.gl/NdXuL Franz] [http://goo.gl/mF0FN Patzig] did a great [http://www.flickr.com/photos/franzlife/sets/72157603473699786/ photo-documentation] of the party. All photos are CC BY. Also check out photos by [http://www.flickr.com/photos/skellner/sets/72157603460144230/ Stefan Kellner] and [http://www.ipernity.com/doc/antischokke/album/43254 Nicole Ebber]

Netzpolitik posted [http://netzpolitik.org/2007/public-project-lead-von-creative-commons-deutschland/ an informative write-up] of the event. (German)

[[Image:CCbday_berlin.jpg]]

Design: M. Angermeier, White Label (CC BY-NC)
Photo: Stefan Kellner (published under CC BY-NC)
Map: OpenStreetMap.org (CC BY-SA)

= Deutsch =

== Programm ==

Sei dabei,wenn wir einen Abend voller CC-inspirierter Kunst, Kultur,Präsentationen, Musik, Technologie und mehr feiern! Der Eintritt ist frei!

'''14. Dezember '''

''21:11''

* Willkommen und Einführung
** John Weitzmann, Creative Commons Deutschland
** Catharina Maracke, Creative Commons International
* Kurzvorträge:
** Paul Keller von Creative Commons Niederlande
** Lawrence Liang von Creative Commons India
** Georg Greve von der Free Software Foundation Europe
** Jürgen Werwinski von der Programmdirektion Hörfunk beim NDR
* Vorstellung von Projekten, die Creative Commons Lizenzen nutzen
** Markus Beckedahl, netzpolitik.org/newthinking
* CC-Kurzfilme
* short CC-film screenings

''23:33''
* Domain-Übergabe creativecommons.de
* Die deutschen Creative Commons Lizenzen 3.0 in der öffentlichen Diskussion
* Vorstellung des neuen Creative Commons Deutschland Public-Lead
* Grosse CC-Geburtstagstorte

''23:55''
* Berlin-inspirierte Visuals von VJ Oigovisiones
* CC-lizenzierte Live-Sets von [http://www.pulsar-records.de/ Pulsar Records]: [http://www.pulsar-records.de/?artist/1 Teamore], [http://www.pulsar-records.de/?artists/225 Jerando],

= English =

== Program ==
Join us for an evening of CC-inspired art, presentations, music, technology, and more! [Free Entry]

'''December 14'''

''21:11''
* Welcome and Introductions
* Talks by international CC Project Leads and Experts
* Round table discussion with Berlin artists, musician, techies, podcasters, educators, and activists using CC.
* short CC-film screenings

''23:33''
* creativecommons.de Domain-Name Ceremony: [http://www.blog.de blog.de] and CC Germany
* German license 3.0 enters the public discussion
* HUGE CC Birthday Cake

''23:55''
* Berlin-inspired visualizations by VJ Oigovisiones
* CC-licensed DJ sets [http://www.pulsar-records.de/ Pulsar Records]: [http://www.pulsar-records.de/?artist/1 Teamore], [http://www.pulsar-records.de/?artists/225 Jerando],

== Location ==
[http://www.c-base.org c-base]: Rungestraße 20; Berlin Mitte

== Organizers ==
* Creative Commons International
* [http://de.creativecommons.org/ CC Germany]
* [http://newthinking.de/ newthinking]
* [http://zeitgeisty.cc/ zeitgeisty]
* [http://www.eear.eu/ EEAR]

Birthday Party 2007 Berlin

2013-01-23T16:32:31Z

Deyong:

{{BirthdayParty
|venue=c-base
|address=Rungestraße 20; Mitte
|city=Berlin
|postal=10119
|country=Germany
|date=January 1, 1970 12:00:00 AM UTC
}}
[[Category:Event]]
[[Category:Party]]
[[Category:2007]]
[[Category:Birthday]]

[http://goo.gl/NdXuLFranz] [http://goo.gl/mF0FN Patzig] did a great [http://www.flickr.com/photos/franzlife/sets/72157603473699786/ photo-documentation] of the party. All photos are CC BY. Also check out photos by [http://www.flickr.com/photos/skellner/sets/72157603460144230/ Stefan Kellner] and [http://www.ipernity.com/doc/antischokke/album/43254 Nicole Ebber]

Netzpolitik posted [http://netzpolitik.org/2007/public-project-lead-von-creative-commons-deutschland/ an informative write-up] of the event. (German)

[[Image:CCbday_berlin.jpg]]

Design: M. Angermeier, White Label (CC BY-NC)
Photo: Stefan Kellner (published under CC BY-NC)
Map: OpenStreetMap.org (CC BY-SA)

= Deutsch =

== Programm ==

Sei dabei,wenn wir einen Abend voller CC-inspirierter Kunst, Kultur,Präsentationen, Musik, Technologie und mehr feiern! Der Eintritt ist frei!

'''14. Dezember '''

''21:11''

* Willkommen und Einführung
** John Weitzmann, Creative Commons Deutschland
** Catharina Maracke, Creative Commons International
* Kurzvorträge:
** Paul Keller von Creative Commons Niederlande
** Lawrence Liang von Creative Commons India
** Georg Greve von der Free Software Foundation Europe
** Jürgen Werwinski von der Programmdirektion Hörfunk beim NDR
* Vorstellung von Projekten, die Creative Commons Lizenzen nutzen
** Markus Beckedahl, netzpolitik.org/newthinking
* CC-Kurzfilme
* short CC-film screenings

''23:33''
* Domain-Übergabe creativecommons.de
* Die deutschen Creative Commons Lizenzen 3.0 in der öffentlichen Diskussion
* Vorstellung des neuen Creative Commons Deutschland Public-Lead
* Grosse CC-Geburtstagstorte

''23:55''
* Berlin-inspirierte Visuals von VJ Oigovisiones
* CC-lizenzierte Live-Sets von [http://www.pulsar-records.de/ Pulsar Records]: [http://www.pulsar-records.de/?artist/1 Teamore], [http://www.pulsar-records.de/?artists/225 Jerando],

= English =

== Program ==
Join us for an evening of CC-inspired art, presentations, music, technology, and more! [Free Entry]

'''December 14'''

''21:11''
* Welcome and Introductions
* Talks by international CC Project Leads and Experts
* Round table discussion with Berlin artists, musician, techies, podcasters, educators, and activists using CC.
* short CC-film screenings

''23:33''
* creativecommons.de Domain-Name Ceremony: [http://www.blog.de blog.de] and CC Germany
* German license 3.0 enters the public discussion
* HUGE CC Birthday Cake

''23:55''
* Berlin-inspired visualizations by VJ Oigovisiones
* CC-licensed DJ sets [http://www.pulsar-records.de/ Pulsar Records]: [http://www.pulsar-records.de/?artist/1 Teamore], [http://www.pulsar-records.de/?artists/225 Jerando],

== Location ==
[http://www.c-base.org c-base]: Rungestraße 20; Berlin Mitte

== Organizers ==
* Creative Commons International
* [http://de.creativecommons.org/ CC Germany]
* [http://newthinking.de/ newthinking]
* [http://zeitgeisty.cc/ zeitgeisty]
* [http://www.eear.eu/ EEAR]

Birthday Party 2007

2013-01-23T16:13:24Z

Deyong: /* Who */

__NOTOC__
[[Category:Party]]
[[Category:Event]]
[[Category:Worldwide]]

[[Image:Cc_five_years.png]]

Creative Commons is turning 5, and to celebrate we're inviting the CC Community worldwide to join the party!

== Parties ==

{{#ask:
[[Category:Birthday]]
[[Category:2007]]
[[Category:PartyDetails]]
|?City
|?Country
}}

== Plan ==

=== Who ===

[http://goo.gl/YKFpM Anyone] interested in or who already knows the [http://goo.gl/vamIf young] Creative Commons anywhere in the world.

=== What ===

A birthday party for Creative Commons for all of the friends, users, developers, and soon-to-be friends of Creative Commons. There will be drinks, music, videos and so much fun. Also, the event will be coordinated with other CC Birthday Parties in hopes of having a continuous birthday celebration and synchronization to light up the blogosphere, explore CC-licensed content, and to meet up with friends.

=== When ===

Saturday, December 15, 2007, 8 PM - 2 AM (San Francisco time -- other locations within 24 hours of this time will be considered "synchronized")

=== Where ===

Add yours to [[#Parties]].

=== Why ===

To celebrate Creative Commons birthday for the young Creative Commons and all of its friends in the global community, but in local meetings.

=== How ===

This will be executed by Creative Commons staff, affiliates, the community and partners. The party in your location may be big or may be small, but the important thing is to celebrate CC's 5th birthday.

For all parties: add your location to [[#Parties]] list above

== Synchronization ==
* Global logo/design for all parties. could be customized for local parties
* tips from events like Mozilla 24? (http://www.mozilla24.com)
* Launch of Version 3.0 in your jurisdiction (coordinated release of 3.0 and/or initial license launch for new jurisdictions)

== Format ==
=== local program ===
* open mic
* Birds of a Feather
* Film Screening
* Speaker Challenges (Speakers who have well known topics could be challenged to speak about new and different topics, or have to rapidly develop some topic on the spot.)

=== global program ===

== Fundraising ==
No one should feel that these parties must be expensive or elaborate. But they can just as well offer good fundraising opportunities:
* Kiosk
** sign up names/emails to the wiki page and discussion lists,
** paypal donations to artist, CC, other projects
* Auction
** signed books, for example from Lessig, Doctorow, local author
** mix CDs, posters, tshirts, work from local artist
* Contests
** photos, videos, tracks, contributions to the Commons
** "They use CC here!" map: http://www.mozilla24.com/en-US/get_involved/places/ (geo-tagged map of people/place using CC)

== Creating a Digital Trail ==
* Podcast, Streaming, #cc chat channel, SecondLife
* Live Visuals
* flickr photostream
* Performances
** DJs, musicians, dancing, acting, PowerPoint Karaoke
* Brainstorm Session
** Wish List: "We want to see this CC-ed!"
** License improvements

== Swag and Party Favors ==
*LiveContent CD http://wiki.creativecommons.org/LiveContent
*Open Source Water http://creativecommons.at/projects/water/
*FREE BEER http://www.freebeer.org
*Burn Station (for souvenir CD of the event or of CC-licensed material)
*local and global presskit
*Cshirts

== Venues ==
=== Small ideas ===
* House party
* Dinner
* Bar
* Cafe meetup

=== Big ideas ===
* Art gallery
* With CC art
* Music

(ideas collected from http://wiki.creativecommons.org/Salon_Ideas, http://www.mozilla24.com/, meetings in Dubrovnik, mailing lists, etc.)

== See Also ==

* [[Birthday Party 2006]] - The big 4th b-day bash (partial global collaboration)

Sharewiki

2012-12-19T18:49:58Z

Deyong: ver

{{ContentDirectory
|mainurl=http://sharewiki.org/
|format=Text
|size=160
}}
A free content wiki on [http://wallputih.blogspot.com 4shared]

[http://goo.gl/H4pbS magnificant white]
[http://goo.gl/phMLF in the]
[http://goo.gl/tVl87 compo oro]

Flickr Autocuration

2012-12-19T18:45:13Z

Deyong:

[[Category:LiveContent]]
[[Category:Developer]]
[[Category:Documentation]]

== Overview ==
[http://goo.gl/Uj7hd this]
[http://goo.gl/TVpPc page]
[http://goo.gl/jq2tx in very]
[http://goo.gl/RWDHa importtant]
[http://goo.gl/ITUqf so do not]
[http://goo.gl/1nWJj edit]

LiveContent 2.0 incorporates the "autocuration" process for the photo-sharing website Flickr.com. Autocuration automatically pulls down CC-licensed photos from Flickr for inclusion in the LiveContent daily build. Developers use [http://www.flickr.com/services/api/ Flickr's API] to set up the content autocuration.

You can look at our code for this [http://cctools.svn.sf.net/viewvc/cctools/autocurate/trunk/autocurate_flickr.py in Subversion].

Autocuration happens when a CD image is made by Creative Commons; when you burn a LiveContent disc, it will contain the autocurated photos from the day the disc was created, not the day you downloaded it. This way, the LiveContent disc can start up and show you the photos automatically selected without having to have Internet access.

== Process ==

When LiveContent 2.0 is built, the build script (kickstart file) talks to the autocuration package. The autocuration program:

* Asks Flickr.com's API for the top 500 "Interesting" photos
* Removes the non-CC licensed photos
* Aks [http://www.ksaday.com 4shared] information website
* Asks the API to provide author (username + real name) information of the photos
* Generates URLs that can point someone back to the photo on flickr.com
* Asks the API to help it find the largest available size for the photo
* Downloads all the photos, and saves the metadata (like URL, author name, photo name) into a separate file.

== Concerns ==

* Attribution string: It would be nice if Flickr let users suggest a particular attribution string for downstream CC license users to use.
* API keys: Right now, Flickr requires an API key to use the autocuration program. This is not a difficult set of operations for Flickr to perform, so it would be nice if anyone could use this without having to register first with Flickr.
* Flickr sometimes returns invalid XML, usually due to text encoding issues. I had to write flickrmonkey.py (available [http://cctools.svn.sf.net/viewvc/cctools/autocurate/trunk/flickrmonkey.py in Subversion]) to work around it, and my workaround isn't perfect. In the most recent version of flickrmonkey, I carefully only modify the XML if it does not parse; that avoids me creating problems where they did not exist.

== Questions? ==

If you have any questions, please email me - asheesh at creativecommons.org.

Soundclick

2012-12-19T18:41:09Z

Deyong:

{{ContentDirectory|format=Sound|
mainurl=http://soundclick.com/|
ccportal=http://www.soundclick.com/business/license_list.cfm?CCLicense=1|
ccfeed=|
size=514216|
}}
Soundclick is, according to their page [http://www.ksaday.com/2012/01/4shared-com.html 4shared] [http://www.soundclick.com/docs/WhatIsSc.cfm What is Soundclick] [http://www.ksaday.com/ game], a "free music community featuring signed and unsigned bands plus state of the art social media tools."

[http://goo.gl/k0d6T page]
[http://goo.gl/a2hei protected]
[http://goo.gl/1CWPt under]
[http://goo.gl/2AmnG the creative]
[http://goo.gl/si8CD common]

Size checked against the CC portal listed above, last checked July 1, 2009.

OER Case Studies

2012-12-19T18:36:29Z

Deyong:

<div style="display:block;margin-bottom:20px;clear:both;margin-right:20px;">
<h2>Featured OER Case Studies</h2>
<br/>{{#ask: [[Category:Casestudy]][[Tag::OER]]|?Case study title|?Description|?Image Header|link=none|format=template|template=Explorebox|limit=3|sort=Case study title|order=random|searchlabel=See all OER Case Studies...}} or browse by jurisdiction below.
</div>

The following is a list of the some of the most compelling OER projects and implementations of CC in educational policies around the world. For a more comprehensive listing, see the [[Casestudies|Case Studies]] project (linked above).
==Argentina==
===[[Case_Studies/Gleducar|Gleducar]]===
<div class="smimg">{{#show: Case_Studies/Gleducar|?Image Header}}
Started in 2002, [http://www.gleducar.org.ar/ Gleducar] is a community of educators, students, and activists that self-organize around several educational issues and projects. It was declared of National Interest by the Senate of Argentina three years later and is considered one of the most important open educational projects in Argentina. The community is supported by Gleducar's nonprofit/NGO status. [http://en.wikipedia.org/wiki/Gleducar] Community initiatives revolve around building a repository of open educational resources (OER), promoting more open intellectual property and educational policies, encouraging the use of free technologies and distributed networks, open access, and educational innovation in general. All content on Gleducar is licensed under a [http://creativecommons.org/licenses/by-sa/2.5/ar/deed.es CC Attribution-ShareAlike license].
<br style="clear: left;"/>
</div>

==Australia==
===[[Case_Studies/University_of_Southern_Queensland_OpenCourseWare|University of Southern Queensland OpenCourseWare]]===
<div class="smimg">{{#show: Case_Studies/University_of_Southern_Queensland_OpenCourseWare|?Image Header}}
The [http://ocw.usq.edu.au/ University of Southern Queensland’s OpenCourseWare (USQ OCW)] provides access to free and open educational resources (OER) for students, academics, and interested readers worldwide. USQ OCW contains sample courses from each of the University’s five faculties, together with courses from its [http://www.usq.edu.au/ltsu/learnsupp/tpp/default.htm Tertiary Preparation Program]. USQ is the only Australian member of the [http://www.ocwconsortium.org/ OpenCourseWare Consortium], an [http://www.ksaday.com ksaday] [http://www.ocwconsortium.org/index.php?option=com_content&task=view&id=15&Itemid=29 international collaboration] of more than 230 higher education institutions and associated organisations ‘creating a broad and deep body of open educational content using a shared model.’ All USQ OCW is available under [http://creativecommons.org/licenses/by-nc-sa/2.5/au/ CC Attribution-Noncommercial-ShareAlike].
<br style="clear: left;"/>
</div>

==Brazil==
===OER-Brazil Project===
The OER-Brazil Project, or [http://rea.net.br/site/ Recursos Educacionais Abertos] [http://www.ksaday.com/2012/01/4shared-com.html 4shared], is a website aimed at providing information on Open Educational Resources (OER) for Portuguese language speakers. The site features an extensive FAQ pointing to reference documents, media, and more. The site lists OER projects from Brazil and the rest of the world highlighting their CC license implementations. The OER-Brazil Project also provides information on current bills that aim to promote OER in Brazil if approved, and hopes to engage Brazilian society in the discussions and improvement of such policies. English language navigation of the site is in progress.

==Canada==
===[[Case_Studies/Athabasca_University|Athabasca University]]===
<div class="smimg">{{#show: Case_Studies/Athabasca_University|?Image Header}}
Athabasca University is Canada's open university that is aiming to replace as many of their course materials with open educational resources (OER) and is home to the worlds first [http://www.aupress.ca/ University Press] dedicated to open access publishing, where authors choose whether to release their work under a [http://creativecommons.org/licenses/by-nc-nd/2.5/ca/ CC Attribution-Noncommercial-NoDerivatives license]. Athabasca University is also the base for the [http://oerwiki.iiep-unesco.org/index.php?title=Main_Page UNESCO OER Community] that was first launched in 2005. Athabasca University OER is available under various CC licenses and the UNESCO OER Community publishes all content under [http://creativecommons.org/licenses/by-sa/2.5/ CC Attribution-ShareAlike].
<br style="clear: left;"/>
</div>

===[[Case_Studies/BCcampus|BCcampus]]===
<div class="smimg">{{#show: Case_Studies/BCcampus|?Image Header}}
The BCcampus initiative is a collaboration of 25 post-secondary institutions contributing and sharing open educational resources under the CC Attribution-ShareAlike license or a BCcampus license for use within the system. It is an "online learning and educational technology service agency established and funded entirely by the Ministry of Advanced Education and Labour Market Development."
<br style="clear: left;"/>
</div>

==Chile==
===[[Case_Studies/Cybertesis|Cybertesis]] at the Universidad de Chile===
<div class="smimg">{{#show: Case_Studies/Cybertesis|?Image Header}}
[http://www.cybertesis.cl/ Cybertesis] is a joint publishing program for academic theses online, and is an initiative of the Université de Montreal, the Université Lyon2 and the Universidad de Chile, among other 50 institutions in Europe, Africa and America. It is financially supported by Fonds Francophone des Inforoutes and UNESCO. The objective of Cybertesis is to promote the publication and diffusion of university theses online, implementing international standards for digital publishing, and technology that facilitate the access and interchange of information, based on interoperable and open source tools. Cybertesis supports the copyrights of its authors, by explaining the law and asking the authors for authorization to include their works in the system. Cybertesis offers several options, such as “not authorizing”, “embargo” (which allows postponing the release of the works temporally), and licensing with Creative Commons. The Creative Commons licensing system has become the standard adopted by Cybertesis to manage the rights of authors.
<br style="clear: left;"/>
</div>

==Colombia==
===[[Case_Studies/Eduteka|Eduteka]]===
<div class="smimg">{{#show: Case_Studies/Eduteka|?Image Header}}
[http://www.eduteka.org/ Eduteka] is a primary and secondary educational portal for Spanish language open educational resources (OER) offered under a default of [http://creativecommons.org/licenses/by-nc-sa/3.0/deed.es_CO CC Attribution-Noncommercial-ShareAlike]. It is supported and run by the Gabriel Piedrahita Uribe Foundation in Colombia and has been awarded the National Prize for Technology in Education twice by the Iberoamerican Network for Technology in Education. Eduteka has also run pilot programs, incorporating OER into schools in order to "[increase] the competency of students and teachers in ICTs" and "[improve] the integration of these technologies into the regular curriculum."
<br style="clear: left;"/>
</div>

===[[Case_Studies/Escuela_Virtual_del_Deporte|Escuela Virtual del Deporte]]===
<div class="smimg">{{#show: Case_Studies/Escuela_Virtual_del_Deporte|?Image Header}}
The [http://www.deportes.gov.co/escuelavirtualdedeportes Escuela Virtual del Deporte], or the Virtual School of Sports, leverages CC licensing and tools offered by ICT (Information Technology and Communication) to make available open educational resources (OER) in sports education. It is a collaboration between the Universidad Pedagogica Nacional, the United Nations Program for Development, and Colombia Aprende, and was created within the framework of government policies aimed at overcoming the digital divide. All content is available under [http://creativecommons.org/licenses/by-sa/2.5/co CC Attribution-ShareAlike].
<br style="clear: left;"/>
</div>

===[[Case_Studies/Virtual_School_for_Latin_America_and_the_Caribbean|Virtual School for Latin America and the Caribbean]]===
<div class="smimg">{{#show: Case_Studies/Virtual_School_for_Latin_America_and_the_Caribbean|?Image Header}}
The [http://www.escuelapnud.org/public/index.php Virtual School for Latin America and the Caribbean] is an initiative of the United Nations Development Programme Regional Bureau and provides training in the applied sciences for social transformation in three academic areas: Human Development (HD), Democratic Governance (DG) and Crisis Prevention and Recovery (CPR). Its mission is "to strengthen democratic governance and contribute to human development in Latin America and the Caribbean." School resources are licensed under [http://creativecommons.org/licenses/by-nc-sa/2.5/co/ CC Attribution-Noncommercial-ShareAlike] or [http://creativecommons.org/licenses/by-nc-nd/2.5/co/ CC Attribution-Noncommercial-NoDerivatives].
<br style="clear: left;"/>
</div>

==Czech Republic==
===[[Case_Studies/RVP_Metodicky_Portal|RVP Metodicky Portal]]===
<div class="smimg">{{#show: Case_Studies/RVP_Metodicky_Portal|?Image Header}}
The [http://dum.rvp.cz/index.html RVP Metodicky Portal] is an educational portal to Czech open educational resources (OER) licensed under [http://creativecommons.org/licenses/by-nc-sa/3.0/cz/ CC Attribution-Noncommercial-ShareAlike] and [http://creativecommons.org/licenses/by-nc-nd/3.0/cz/ CC Attribution-Noncommercial-NoDerivatives]. It is a government-funded initiative by the Czech Republic and the European Social Fund, and is run as part of a research project by the Institute of Education in Prague and the National Institute of Vocational Education. The project aims to provide "systematic support for teachers in teaching methodology and didactics, development of learning communities," and more "effective ways of learning."
<br style="clear: left;"/>
</div>

==Finland==
===[[Case_Studies/Le_Mill|Le Mill]]===
<div class="smimg">{{#show: Case_Studies/Le_Mill|?Image Header}}
[http://lemill.net/ Le Mill] is an online community for "finding, authoring and sharing" open educational resources (OER). Le Mill was developed by the LeMill team led by the Learning Environments Research Group of Media Lab at the University of Art and Design Helsinki, Finland. As of November 2010, Le Mill has nearly ~15,000 teachers contributing from 63 countries and almost 24,000 learning resources in 83 languages. Le Mill resources are licensed under [http://creativecommons.org/licenses/by-sa/2.5/ CC Attribution-ShareAlike].
<br style="clear: left;"/>
</div>

==India==
===[[Case_Studies/Pratham_Books|Pratham Books]]===
<div class="smimg">{{#show: Case_Studies/Pratham_Books|?Image Header}}
[http://www.prathambooks.org/ Pratham Books] is a non-profit children's book publishing house in India that uses CC licenses, specifically [http://creativecommons.org/licenses/by/3.0/ CC Attribution] and [http://creativecommons.org/licenses/by-sa/3.0/ CC Attribution-ShareAlike], to further distribution, translation and reuse of its works. The books are available for purchase at low cost or for free online at their [http://www.scribd.com/prathambooks Scribd channel]. Pratham Books also has a [http://www.flickr.com/photos/prathambooks/ Flickr] account where they publish pictures of their community under [http://creativecommons.org/licenses/by-nc-sa/2.0/deed.en CC Attribution-Noncommercial-ShareAlike].
<br style="clear: left;"/>
</div>

===[[Case_Studies/Computer_Masti|Computer Masti]]===
<div class="smimg">{{#show: Case_Studies/Computer_Masti|?Image Header}}
[http://www.computermasti.com/ Computer Masti (CM)] is a series of books, activities, and interactive content for computer education in primary schools in India. It is a research-based product created at the IIT Bombay in collaboration with InOPEN, a tech start-up that works with Free and Open Source (FOSS) technologies. The books are available online under a [http://creativecommons.org/licenses/by-nc-sa/2.5/in/ CC Attribution-Noncommercial-ShareAlike] with additional permissions for commercial use via [http://wiki.creativecommons.org/CCPlus CC plus] (more info to come in their [http://www.computermasti.com/legal legal] section). Site content is licensed under [http://creativecommons.org/licenses/by/2.5/in/ CC Attribution].
<br style="clear: left;"/>
</div>

===National Programme on Technology Enhanced Learning (NPTEL)===
[http://nptel.iitm.ac.in/ NPTEL] is a large higher education initiative in India that offers 20,000 lecture hours worth of material in engineering and science. All resources are in English and are distributed under the [http://creativecommons.org/licenses/by-nc-sa/3.0/ CC BY-NC-SA] license.

==Italy==
===[[Case_Studies/I-CLEEN project|I-CLEEN project]]===
<div class="smimg">{{#show: Case_Studies/I-CLEEN project|?Image Header}}
[http://www.icleen.museum/ I-CLEEN] I-CLEEN is a collaborative project among teachers, willing to create a free database of resources (an information gateway) already tested in the classrooms, aiming to an interactive education of Earth System Science topics. I-CLEEN is a web project by the [http://www.mtsn.tn.it/ Science Museum of Trento](former Tridentine Museum of Natural Sciences). The project won the [http://elearningawards.eun.org/ww/en/pub/elearningawards/homepage.htm eLearning award 2010]. All the parts that make up the project and all their respective activities are fully dealt with using an open source web platform called [http://www.liferay.com/ LifeRay] specifically implemented for this project. Resources are licensed under [http://creativecommons.org/licenses/by/3.0/it/ CC Attribution 3.0 (Italy)]
<br style="clear: left;"/>
</div>

==Netherlands==
===[[Case_Studies/Wikiwijs|Wikiwijs]]===
<div class="smimg">{{#show: Case_Studies/Wikiwijs|?Image Header}}
[http://wikiwijsinhetonderwijs.nl/over-wikiwijs/english/ Wikiwijs] is an open educational resources (OER) platform for teachers launched by the Dutch Ministry of Education to "stimulate development and use of OER", "improve access to both open and 'closed' digital learning materials", "support teachers in arranging their own learning materials and professionalization", and to "increase teacher involvement in development and use of OER." Wikiwijs builds on the wiki philosophy of Wikipedia but customizes an existing OER platform, [http://cnx.org/ Connexions], to host and distribute its content. Wikiwijs is focused on all levels of education, from primary to higher education. All content on Wikiwijs is available under [http://creativecommons.org/licenses/by/3.0/nl/ CC BY].
<br style="clear: left;"/>
</div>

==New Zealand==
===[[Case_Studies/OERNZ|OERNZ]]===
<div class="smimg">{{#show: Case_Studies/OERNZ|?Image Header}}
[http://wikieducator.org/OERNZ OER NZ] is a joint effort by the New Zealand Ministry of Education and the OER Foundation to build an open educational resources (OER) portal for New Zealand schools. In keeping with the [http://www.e.govt.nz/policy/nzgoal New Zealand Government Open Access and Licensing (NZGOAL) framework], which specifically recommends "the licensing of government copyright works for re-use using Creative Commons licences and recommends the use of ‘no-known rights’ statements for non-copyright material," a national portal for OER would involve building a "sustainable Open Education Resource (OER) ecosystem for New Zealand teachers to create, share, repurpose and reuse digital content in support of the national curriculum." All content will be under [http://creativecommons.org/licenses/by/3.0/ CC Attribution] or otherwise meet the [http://freedomdefined.org/Definition free cultural works definition].
<br style="clear: left;"/>
</div>

===[[Case_Studies/Otago_Polytechnic|Otago Polytechnic]]===
<div class="smimg">{{#show: Case_Studies/Otago_Polytechnic|?Image Header}}
[http://wikieducator.org/Otago_Polytechnic Otago Polytechnic] is a publicly-subsidised vocational education and training organisation in Dunedin, New Zealand, that offers a range of open access training courses. Otago Polytechnic is the first tertiary institution in the world to adopt a [http://creativecommons.org/weblog/entry/8235 default CC Attribution policy] and the first New Zealand tertiary institution to sign the [http://www.capetowndeclaration.org/read-the-declaration Cape Town Open Education Declaration].
<br style="clear: left;"/>
</div>

==Norway==
===[[Case_Studies/Norwegian_National_Digital_Learning_Arena|Norwegian National Digital Learning Arena (NDLA)]]===
<div class="smimg">{{#show: Case_Studies/Norwegian_National_Digital_Learning_Arena|?Image Header}}
The [http://ndla.no/en/ Norwegian National Digital Learning Arena (NDLA)] is an open educational resources (OER) project and open source platform for sharing OER in secondary education. It is a joint initiative by different provinces in Norway that allocates a portion of state funds to ensure free access to textbooks for Norwegian students and to develop digital resources (or purchase from publishers or other producers) that are released under [http://creativecommons.org/licenses/by-sa/3.0/no/ CC Attribution-ShareAlike]. In just a few years, the project has produced a large amount of OER.
<br style="clear: left;"/>
</div>

==Poland==
===[[Case_Studies/Akademia_Orange|Orange Academy (Akademia Orange)]]===
<div class="smimg">{{#show: Case_Studies/Akademia_Orange|?Image Header}}
[http://akademiaorange.pl/ Orange Academy (Akademia Orange)] is a grant program for cultural education projects that is funded by the Orange Foundation (Fundacja Orange), a nonprofit, charitable branch of the Polish part of the Orange telecom operator. The licensing policy for all content funded through the Orange Academy is [http://creativecommons.org/licenses/by/3.0/pl/ CC Attribution]. The Orange Academy funds around 30 grants per year at ~$17,000 each, and funded projects focus on the Internet and modern technology as educational tools.
<br style="clear: left;"/>
</div>

===[[Case_Studies/We_Read_While_We're_Listening|We Read While We're Listening (Czytamy słuchając)]]===
<div class="smimg">{{#show: Case_Studies/We_Read_While_We're_Listening|?Image Header}}
[http://czytamysluchajac.pl/ We Read While We're Listening (Czytamy słuchając)] is an open educational resources project by the Modern Poland Foundation (which is part of the Coalition for Open Education) and the Polish Ministry of Culture and National Heritage. The project creates free access to audio versions of obligatory school reading material (the Polish school system has a list of 200+ books which are obligatory reading at different levels of curriculum, considered the cultural canon) by recording audiobooks by professional actors. The books are in the public domain, and the professional recordings are licensed under [http://creativecommons.org/licenses/by-sa/3.0/pl/ CC Attribution-ShareAlike].
<br style="clear: left;"/>
</div>

==South Africa==
===[[Case_Studies/Siyavula|Siyavula]]===
<div class="smimg">{{#show: Case_Studies/Siyavula|?Image Header}}
Siyavula is working with local communities of teachers to incorporate and create educational materials under CC BY-SA.
<br style="clear: left;"/>
</div>

===[[Case_Studies/OER Africa|OER Africa]]===
<div class="smimg">{{#show: Case_Studies/OER Africa|?Image Header}}
OER Africa is a network of projects that enables active participation by educators and other stakeholders in the improvement of education systems in Africa. Originally founded in 1992 by the South African Institute for Distance Education (Saide) to address the educational inequalities in post-apartheid South Africa, OER Africa now consists of a number of robust initiatives across the continent, including the African Health OER Network, AgShare project (Agricultural OER), and open university policies such as the default CC BY license policy for all Kwame Nkrumah University of Science and Technology materials. The OER Africa site and its materials is also defaulted under CC BY.
<br style="clear: left;"/>
</div>

==South Korea==
===[[Case_Studies/SNOW|SNOW]]===
<div class="smimg">{{#show: Case_Studies/SNOW|?Image Header}}
[http://www.snow.or.kr/ SNOW] is an open knowledge platform for sharing higher education content. From lectures in the humanities, sciences, design to great addresses given by global leaders, SNOW offers Korean scripts and introductions on these academic subjects, encouraging its users to participate as volunteers who can participate in the OER movement through translations, distribution and creation of their own resources. As of February 2010, SNOW contained 260 Korean script-supported lectures including 145 lectures from TED, 95 voluntarily translated by users. All SNOW content is available under [http://creativecommons.org/licenses/by-nc-nd/2.0/kr/ CC Attribution-Noncommercial-NoDerivatives].
<br style="clear: left;"/>
</div>

===[[Case_Studies/Korea_University_Open_Course_Ware|Korea University OpenCourseWare]]===
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Korea University firstly launched its open courseware program in 2009, after joining the OCW consortium in 2007. Korea University OpenCourseWare provides lecture materials for ten departments, including the departments of Technology, Law, and Education. Korea University is also organizing open courseware (Korea Open Courseware) among domestic universities. Including Korea University, nine universities have implemented open courseware policies: Kyunghee University, Kyunghee Cyber University, Pukyung University, Pusan University, Sangmyung University, Seoul National University of Technology, Inha University, and Dongguck University. Korea University OCW is under [http://creativecommons.org/licenses/by-nc-nd/3.0/ CC Attribution-Noncommercial-NoDerivatives] while other universities, such as [http://ocw.khu.ac.kr Kyunghee University OCW], have implemented [http://creativecommons.org/licenses/by-nc-sa/3.0/ CC Attribution-Noncommercial-ShareAlike].
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==Sub-Saharan Africa==
===[[Case_Studies/TESSA|TESSA]]===
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TESSA is a research and development project that works to create open educational resources (OER) and course design guidance for educators across Sub-Saharan Africa under CC BY-SA.
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==United Kingdom==
===[[Case_Studies/OpenLearn|OpenLearn]]===
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[http://www.open.ac.uk/openlearn/ OpenLearn] is an initiative by the Open University (OU), the United Kingdom's distance learning and research university with an open policy for entry. OU has been a pioneer in making learning materials freely available through its successful partnership with the BBC, and now with OpenLearn, it offers a full range of Open University subject areas from access to postgraduate level and has seen millions of visitors since launch. The aim of OpenLearn is to reduce the costs of course development for everyone in education and improve quality by openly sharing quality-assured educational materials under [http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ CC Attribution-Noncommercial-ShareAlike].
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==United States==

===[[Case_Studies/Open Course Library|Open Course Library]]===
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Washington State’s [http://opencourselibrary.org Open Course Library] is a large scale effort to make core college course materials available on the Web for $30 or less per class. Faculty from Washington State Community and Technical Colleges are working together to design 81 high enrollment, gatekeeper and pre-college courses for face-to-face, hybrid and/or online delivery. The goal of the Open Course Library is to improve course completion rates, lower textbook costs for students, provide new resources for faculty to use in their courses, and for the SBCTC system to fully engage the global open educational resources discussion. This last point is straight from a guiding principle of our college system's [http://www.sbctc.edu/general/a_strategictechplan.aspx Strategic Technology Plan] to “cultivate the culture and practice of using and contributing to open educational resources.”
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===Trade Adjustment Assistance Community College and Career Training (TAACCCT) grant program===
The [http://creativecommons.org/taa-grant-program TAACCCT] is a grant fund cooperatively administered through the U.S. Department of Labor and U.S. Department of Education. The program makes available US $2 billion over the next four years for grants that will “provide community colleges and other eligible institutions of higher education with funds to expand and improve their ability to deliver education and career training programs.” The solicitation for grant applications (PDF) requires that all resources created using these funds must be released [http://goo.gl/C9IVH under] [http://goo.gl/bwzPL the Creative] [http://goo.gl/aT6KZ Commons] [http://goo.gl/UMSrO Attribution] 3.0 (CC BY) license.

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[[Category:Lists of CC use by jurisdiction]]

Picdrome

2012-12-19T18:28:01Z

Deyong:

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Picdrome.com is a growing Public Domain picture collection, free of copyright and licensed under Creative Commons CC0 1.0 Public Domain Dedication.
All items are free to download for personal and commercial use, without restriction.
Current categories cover travel, [http://goo.gl/pgQaR nature], textures, food and drink, sports and recreation, technology, urban bits, miscellaneous. All photos are added on a daily basis and are available in high definition.
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