Creative Commons - User contributions [en]

Sharing Creative Works

2010-07-15T18:10:27Z

Cameron Parkins: /* Copyright Notice */

{{Sharing Creative Works
|num= 01
|text= <center> ''Creative Commons presents'' <br />
<big>Sharing Creative Works</big> <br />
''An Illustrated Primer''<br />
by [[User:Alex Roberts |Alex Roberts]], [[User:Rebecca Rojer|Rebecca Rojer]], & [[User:Jon Phillips|Jon Phillips]]
</center>
}}

{{Infobox|
<big>NEW! View and download a PDF of ''[http://www.scribd.com/doc/2227656/creativecommonssharingcreativeworkseng Sharing Creative Works]''</big>
}}

''Sharing Creative Works'' is a new comic about Creative Commons. It aims to explain the basics of CC licensing as simply as possible to a general audience, including children. To make remixes and translations as easy as possible, the original artwork is in SVG format and all the assets are available for [http://mirrors.creativecommons.org/comics/sharingcreativeworks/sharingcreativeworks.zip download]. Please contribute!

This comic will also serve as the foundation of the documentation for the [[OLPC| Sugar Licensing Activity]], our collaboration with [http://www.laptop.org One Laptop Per Child]. The final documentation and activity will be customized for each country's distribution, so please let us know if you have suggestions for making this document as culturally accessible as possible.

Please share your feedback on the talk page, either of this index or the pages of specific panels. Or, download the [http://mirrors.creativecommons.org/comics/sharingcreativeworks/sharingcreativeworks.zip assets] to make your own changes. Please upload user remixes/translations to their own wiki page and [[#User_Remixes_.26_Translations |link ]] to them below. Thanks!

<big>[[Sharing Creative Works 1 | Read the Comic!]]</big>

<big>[http://mirrors.creativecommons.org/comics/sharingcreativeworks/sharingcreativeworks.pdf Download the PDF]</big>

===Credits===
* Art by [[User:Alex Roberts |Alex Roberts]] & [[User:Rebecca Rojer |Rebecca Rojer]]
* Text by [[User:Rebecca Rojer |Rebecca Rojer]], [[User:Jon Phillips|Jon Phillips]] & [[User:Alex Roberts |Alex Roberts]]
* Thanks to [[User:paulproteus |Asheesh Laroia]], [[User:Virginia Rutledge |Virginia Rutledge]], [[User:Ahrash Bissell |Ahrash Bissell]], [[User: Mike Linksvayer |Mike Linksvayer]], [[User: Eric Steuer |Eric Steuer]], [[User:Diane Cabell |Diane Cabell]], & [[User:Lawrence_Lessig |Lawrence Lessig]]

=== Copyright Notice ===
This comic is in the [http://creativecommons.org/publicdomain/zero/1.0/ public domain]. Please cite Creative Commons and link to this page when providing attribution.

However, please note that the CC logo is a registered trademark of Creative Commons. Creative Commons also claims trademarks on its license buttons. For more information, please review our [http://creativecommons.org/policies trademark policies].

===Assets===
* [http://mirrors.creativecommons.org/comics/sharingcreativeworks/sharingcreativeworks.pdf PDF] of the entire comic
* [http://mirrors.creativecommons.org/comics/sharingcreativeworks/sharingcreativeworks.zip ZIP] archive of:
** the original SVG images
** high quality PNG images
** the script in plain text
** the [http://www.scribus.org Scribus] document used to generate the PDF

===Index===
<gallery>
Image:Sharing creative works_IMG-01.png|[[Sharing Creative Works 1 | Page 1]] ([[Media:Sharing creative works_IMG-01.svg |svg]])
Image:Sharing creative works_IMG-02.png|[[Sharing Creative Works 2 | Page 2]] ([[Media:Sharing creative works_IMG-02.svg |svg]])
Image:Sharing creative works_IMG-03.png|[[Sharing Creative Works 3 | Page 3]] ([[Media:Sharing creative works_IMG-03.svg |svg]])
Image:Sharing creative works_IMG-04.png|[[Sharing Creative Works 4 | Page 4]] ([[Media:Sharing creative works_IMG-04.svg |svg]])
Image:Sharing creative works_IMG-05.png|[[Sharing Creative Works 5 | Page 5]] ([[Media:Sharing creative works_IMG-05.svg |svg]])
Image:Sharing creative works_IMG-06.png|[[Sharing Creative Works 6 | Page 6]] ([[Media:Sharing creative works_IMG-06.svg |svg]])
Image:Sharing creative works_IMG-07.png|[[Sharing Creative Works 7 | Page 7]] ([[Media:Sharing creative works_IMG-07.svg |svg]])
Image:Sharing creative works_IMG-08.png|[[Sharing Creative Works 8 | Page 8]] ([[Media:Sharing creative works_IMG-08.svg |svg]])
Image:Sharing creative works_IMG-09.png|[[Sharing Creative Works 9 | Page 9]] ([[Media:Sharing creative works_IMG-09.svg |svg]])
Image:Sharing creative works_IMG-10.png|[[Sharing Creative Works 10 | Page 10]] ([[Media:Sharing creative works_IMG-10.svg |svg]])
Image:Sharing creative works_IMG-11.png|[[Sharing Creative Works 11 | Page 11]] ([[Media:Sharing creative works_IMG-11.svg |svg]])
Image:Sharing creative works_IMG-12.png|[[Sharing Creative Works 12 | Page 12]] ([[Media:Sharing creative works_IMG-12.svg |svg]])
Image:Sharing creative works_IMG-13.png|[[Sharing Creative Works 13 | Page 13]] ([[Media:Sharing creative works_IMG-13.svg |svg]])
Image:Sharing creative works_IMG-14.png|[[Sharing Creative Works 14 | Page 14]] ([[Media:Sharing creative works_IMG-14.svg |svg]])
Image:Sharing creative works_IMG-15.png|[[Sharing Creative Works 15 | Page 15]] ([[Media:Sharing creative works_IMG-15.svg |svg]])
Image:Sharing creative works_IMG-16.png|[[Sharing Creative Works 16 | Page 16]] ([[Media:Sharing creative works_IMG-16.svg |svg]])
Image:Sharing creative works_IMG-17.png|[[Sharing Creative Works 17 | Page 17]] ([[Media:Sharing creative works_IMG-17.svg |svg]])
Image:Sharing creative works_IMG-18.png|[[Sharing Creative Works 18 | Page 18]] ([[Media:Sharing creative works_IMG-18.svg |svg]])
Image:Sharing creative works_IMG-19.png|[[Sharing Creative Works 19 | Page 19]] ([[Media:Sharing creative works_IMG-19.svg |svg]])
Image:Sharing creative works_IMG-20.png|[[Sharing Creative Works 20 | Page 20]] ([[Media:Sharing creative works_IMG-20.svg |svg]])
Image:Sharing creative works_IMG-21.png|[[Sharing Creative Works 21 | Page 21]] ([[Media:Sharing creative works_IMG-21.svg |svg]])
Image:Sharing creative works_IMG-22.png|[[Sharing Creative Works 22 | Page 22]] ([[Media:Sharing creative works_IMG-22.svg |svg]])
</gallery>

== User Remixes & Translations ==
Please link to your remixes and translations here!

* Narrated video version (English): [http://youtube.com/watch?v=mAk9H1N8beU '''YouTube''']
* Norwegian: ''Å dele det man skaper''. [http://www.creativecommons.no/info/com_scw/ Slides+text], [http://blip.tv/file/2638914 narrated videocast].
* French: [http://framablog.org/index.php/post/2008/03/11/education-b2i-creative-commons Sharing Creative Works (par l'équipe Framalang du site Framasoft)]
* Italian: [http://nilocram.altervista.org/spip/article.php3?id_article=134 Condividere le proprie creazioni. Una guida illustrata alle Creative Commons ]
* Sweden: [http://kollakallan.skolverket.se/upphovsratt/creativecommons/attdela Att dela med sig av det man skapar]
* Traditional Chinese 華語 (臺灣): [http://www.slideshare.net/bobchao/sharing-creative-works-zh-tw 分享創造力]
* Arabic العربية: [[Ar:مشاركة_الأعمال_الإبداعية|مشاركة_الأعمال_الإبداعية]]
* Español: [http://www.conbronca.org/files/trabajocreativo.ogv Video subtitulado (15M)] y [http://www.conbronca.org/files/trabajocreativo.tar.bz2 archivos para modificarlo con Cinelerra (27M)]. El mismo video para [http://www.vimeo.com/5418020 ver online]

Staff/2010-07-14

2010-07-13T15:50:43Z

Cameron Parkins:

== Call info ==

== Staff Updates ==

== Mike Linksvayer ==

*Returned from COMMUNIA and Wikimania; will report on both during meeting
*SingularityU open source panel

== Allison Domicone ==

* Catalyst campaign wrap-up: working on putting together giving analysis that includes 2009 fundraising campaign and Catalyst Campaign.
* Continued prep for fall fundraising campaign: working out T-shirt order, reviewing design, plans to leverage community in support of CC; put together a brief for potential copywriter.
* worked with Melissa to organize files and other development resources in preparation for her move.
* SF salon last Tuesday: went well, did follow-up and discussed with development/design/communications how to continue to improve for future.
* Mailings: continuing to improve & make more strategic the mailings we send to our community
* Ongoing: volunteer coordination
* Preparing to be offline starting July 17 for 2 weeks

== Timothy Vollmer ==

* comments to nick shockey about SPARC/R2RC website
* OER policy interview with Lisa Petrides posted - http://creativecommons.org/weblog/entry/22608
* other bloggin - http://creativecommons.org/weblog/entry/22712
* drafted but on hold "CC and 'some rights reserved' marking blog post
* attended USTPO-NTIA symposium on Copyright Policy, Creativity & Innovation in the Internet Economy
* briefing for Melanie and Alex for their meeting at Hewlett re: California Free Digital Textbook Initiative
* followup with RE: FDTI meeting, esp. with brian bridges from CLRN
* working on sketching out potential CC materials for OER policy toolkit
* attended grant workshops on proposal writing and budgeting
* met up with with Smithsonian Commons' Michael Edson on OER
* update the Learning Beyond Textbooks website with new language, waiting for others to edit
* iNACOL k-12 OER survey closed - 88 respondents, now will analyze with Sunnie Kim
* phone call with David Witzel, others from Environmental Defense Fund RE: OER in business sustainability
* attending their small meeting in DC July 20
* sent ideas for CC superheroes to allison
* oer advocacy coalition working group biweekly phone call

== Michelle Thorne ==
* COMMUNIA and Wikimania as well. Will support Mike in summary during call.
** CC Europe meeting
** meetings re: Europeana, collecting societies
** panel at WM about CC affiliate network and collaboration with WM chapters/communities: http://piratepad.net/opera
* Catalyst Grants closed with 134 submission, almost $50K raised: http://wiki.creativecommons.org/Grants
** review to begin this week
* Ongoing upgrade of affiliate documents with Diane & Aurelia: http://wiki.creativecommons.org/International

== Jane Park ==

*music/culture blogs outreach
*Film Annex Web TV embeds for wiki and blog post
*pursuing a couple OER policy interviews w/K-12 educators
*social media plan, met w/Cameron and delegated upkeep (FB & twitter chatter)
*revising /Marking/Creators (in draft first) to make it more user friendly and to integrate relevant ccLearn docs
*helped tvol out w/ looking up cc license use for training materials
*P2PU feedback on ongoing projects and developments
*other feedback/tasks/news/blogs/tweets/etc.
this week:
*going to help lila on by-nc/other license pages msging

== Aurelia J. Schultz ==

* Affiliate Program Improvements w/ Michelle and Diane: Posting updated MOU and policies to the wiki for public comment (see http://wiki.creativecommons.org/International)
* Catalyst Grants: Formal review starting soon
* Database with Alex and Reg: Giving feedback when I can be of help
* HR with Jen - very happy to be full time now :)

== Cameron Parkins ==

* Working w/ JP on finalizing social media plan for immediate future (to be later revised)
* Updated attribution info on video pages
* Organizing ES contacts
* Assisting JP w/ updating marking best practices doc
* General outreach/feedback for a variety of groups
* General blog/microblog

Staff/2010-06-30

2010-06-29T00:02:42Z

Cameron Parkins: /* Staff Updates */

== Call info ==

== Staff Updates ==

=== Nathan Kinkade ===
* I have finally finished finding, resolving and cleaning up the data for several bugs in CiviCRM and our custom one-click donation code.
* I just lately upgraded our Drupal install to version 6.17 (from 6.15). Drupal runs http://support.creativecommons.org. Still need to upgrade a couple modules.
* I'm currently upgrading our WordPress install (runs creativecommons.org) to version 3.0, and am working through some potential problems with our theme and/or a custom plugin that isn't working with the latest version.
* Mentoring a Google Summer of Code student developing a [http://labs.creativecommons.org/2010/05/24/gsoc-project-introduction-cc-wordpress-plugin/ CC WordPress plugin].
* Answering emails to info@creativecommons.org

=== Cameron Parkins ===

* Finished design primer
* Met w/ Creative Migration about integrating CC-licensing across their distribution plan for documentary work
* Originating contacts for ease of use
* Assisting with various fundraising tasks AD delegates me
* Worked w/ Protagonize to help flesh out CC licensing options
* Assisted TicTacDo w/ licensing questions
* ASCAP web roundup assistance for ES

Case Studies/Sita Sings The Blues

2009-12-01T03:12:03Z

Cameron Parkins:

{{Case Study
|Description='''Sita Sings the Blues''' is a musical, animated personal interpretation of the Indian epic the Ramayana released under a CC Attribution-Share Alike license.
|Quote=I want my film to reach the widest audience. It costs money to run a theater; it costs money to manufacture DVDs; it costs money to make and distribute 35mm film prints. It’s essential I allow people to make money distributing Sita these ways and others; otherwise, no one will do it. So I eschewed the “non commercial” license. Share Alike would “protect” the work from ever being locked up [...] a Share Alike license eliminates the corporate abuse everyone’s so afraid of, while it encourages entrepreneurship and innovation. Everyone wins, especially the artist!
|Quote_Attribution=Nina Paley
|Image_Header=http://creativecommons.org/wp-content/uploads/2009/05/05ramsitagods.jpg
|Image_attribution=RamSitaGods
|Image_license=http://creativecommons.org/licenses/by-sa/3.0/
|Mainurl=http://www.archive.org/details/SitaStills
|Author=Nina Paley
|User_Status=Creator
|Tag=cinema, animation
|License short name=CC BY-SA
|License=http://creativecommons.org/licenses/by-sa/3.0/
|Format=MovingImage
|Country=United States
}}
== Overview ==

'''Sita Sings the Blues''' is an animated feature-length film from Nina Paley. It has achieved wide levels of success, both commercially and in press, without the help of traditional press methods or large studio backing. Released under a CC Attribution-Share Alike license, the film is a prime example of 'open-source cinema'.

You can read more about the film at the [http://www.sitasingstheblues.com/faq.html '''Sita Sings The Blues''' FAQ].

== License Usage ==

'''Sita Sings The Blues''' is released under a [http://creativecommons.org/licenses/by-sa/3.0/ CC Attribution-Share Alike license], a decision Paley came to after her experience trying to license Annette Hanshaw's music.

== Motivations ==

Paley describes her motivation for using a CC BY-SA license at length in her featured interview at [http://creativecommons.org/weblog/entry/14760 creativecommons.org]:

<blockquote>
I want my film to reach the widest audience. It costs money to run a theater; it costs money to manufacture DVDs; it costs money to make and distribute 35mm film prints. It’s essential I allow people to make money distributing Sita these ways and others; otherwise, no one will do it. So I eschewed the “non commercial” license. Share Alike would “protect” the work from ever being locked up. It’s better than Public Domain; works are routinely removed from the Public Domain via privatized derivatives (just try making your own Pinocchio). I didn’t want some corporation locking up a play or TV show based on Sita. They are certainly welcome to make derivative works, and make money from them; in fact I encourage this. But they may not sue or punish anyone for sharing those works.
<br /><br />
I looked to the Free Software movement as a model. The CC BY-SA license most closely resembles the GNU GPL, which is the foundation of Free Software. People make plenty of money in Free Software; there’s no reason they can’t do the same in Free Culture, except for those pernicious “non commercial” licenses. A Share Alike license eliminates the corporate abuse everyone’s so afraid of, while it encourages entrepreneurship and innovation. Everyone wins, especially the artist!
</blockquote>

== Profit Breakdown ==

via [http://blogs.wsj.com/digits/2009/11/23/how-to-make-55000-by-giving-away-your-work/ '''The Wall Street Journal''']:

* Total donations from people who appreciate her giving out free content: $23,000
* Profits from her online store which sells merchandise and DVDs: $19,000
* Theatrical distribution revenues: $3,000 (out of total box office tally of $22,350)
* Additional DVD distribution: $3,000
* Broadcast television distribution: $3,000
* Revenue from Central Cinema in Seattle which showed the film: $4,000
* Grand total: $55,000

Case Studies/Sita Sings The Blues

2009-12-01T03:05:40Z

Cameron Parkins: /* Motivations */

Case Studies/Sita Sings The Blues

2009-12-01T03:05:24Z

Cameron Parkins:

{{Case Study
|Description='''Sita Sings the Blues''' is a musical, animated personal interpretation of the Indian epic the Ramayana released under a CC Attribution-Share Alike license.
|Quote=I want my film to reach the widest audience. It costs money to run a theater; it costs money to manufacture DVDs; it costs money to make and distribute 35mm film prints. It’s essential I allow people to make money distributing Sita these ways and others; otherwise, no one will do it. So I eschewed the “non commercial” license. Share Alike would “protect” the work from ever being locked up [...] a Share Alike license eliminates the corporate abuse everyone’s so afraid of, while it encourages entrepreneurship and innovation. Everyone wins, especially the artist!
|Quote_Attribution=Nina Paley
|Image_Header=http://creativecommons.org/wp-content/uploads/2009/05/05ramsitagods.jpg
|Image_attribution=RamSitaGods
|Image_license=http://creativecommons.org/licenses/by-sa/3.0/
|Mainurl=http://www.archive.org/details/SitaStills
|Author=Nina Paley
|User_Status=Creator
|Tag=cinema, animation
|License short name=CC BY-SA
|License=http://creativecommons.org/licenses/by-sa/3.0/
|Format=MovingImage
|Country=United States
}}
== Overview ==

'''Sita Sings the Blues''' is an animated feature-length film from Nina Paley. It has achieved wide levels of success, both commercially and in press, without the help of traditional press methods or large studio backing. Released under a CC Attribution-Share Alike license, the film is a prime example of 'open-source cinema'.

You can read more about the film at the [http://www.sitasingstheblues.com/faq.html '''Sita Sings The Blues''' FAQ].

== License Usage ==

'''Sita Sings The Blues''' is released under a [http://creativecommons.org/licenses/by-sa/3.0/ CC Attribution-Share Alike license], a decision Paley came to after her experience trying to license Annette Hanshaw's music.

== Motivations ==

Paley describes her motivation for using a CC BY-SA license at length in her featured interview at [http://creativecommons.org/weblog/entry/14760 creativecommons.org]:

<blockquote>
I want my film to reach the widest audience. It costs money to run a theater; it costs money to manufacture DVDs; it costs money to make and distribute 35mm film prints. It’s essential I allow people to make money distributing Sita these ways and others; otherwise, no one will do it. So I eschewed the “non commercial” license. Share Alike would “protect” the work from ever being locked up. It’s better than Public Domain; works are routinely removed from the Public Domain via privatized derivatives (just try making your own Pinocchio). I didn’t want some corporation locking up a play or TV show based on Sita. They are certainly welcome to make derivative works, and make money from them; in fact I encourage this. But they may not sue or punish anyone for sharing those works.
<br />
I looked to the Free Software movement as a model. The CC BY-SA license most closely resembles the GNU GPL, which is the foundation of Free Software. People make plenty of money in Free Software; there’s no reason they can’t do the same in Free Culture, except for those pernicious “non commercial” licenses. A Share Alike license eliminates the corporate abuse everyone’s so afraid of, while it encourages entrepreneurship and innovation. Everyone wins, especially the artist!
</blockquote>

Case Studies/Sita Sings The Blues

2009-12-01T03:04:04Z

Cameron Parkins: Created page with '{{Case Study |Description=Sita Sings the Blues is a musical, animated personal interpretation of the Indian epic the Ramayana released under a CC Attribution-Share Alike license.…'

{{Case Study
|Description=Sita Sings the Blues is a musical, animated personal interpretation of the Indian epic the Ramayana released under a CC Attribution-Share Alike license.
|Quote=I want my film to reach the widest audience. It costs money to run a theater; it costs money to manufacture DVDs; it costs money to make and distribute 35mm film prints. It’s essential I allow people to make money distributing Sita these ways and others; otherwise, no one will do it. So I eschewed the “non commercial” license. Share Alike would “protect” the work from ever being locked up [...] a Share Alike license eliminates the corporate abuse everyone’s so afraid of, while it encourages entrepreneurship and innovation. Everyone wins, especially the artist!
|Quote_Attribution=Nina Paley
|Image_Header=http://creativecommons.org/wp-content/uploads/2009/05/05ramsitagods.jpg
|Image_attribution=RamSitaGods
|Image_license=http://creativecommons.org/licenses/by-sa/3.0/
|Mainurl=http://www.archive.org/details/SitaStills
|Author=Nina Paley
|User_Status=Creator
|Tag=cinema, animation
|License short name=CC BY-SA
|License=http://creativecommons.org/licenses/by-sa/3.0/
|Format=MovingImage
|Country=United States
}}
== Overview ==

'''Sita Sings the Blues''' is an animated feature-length film from Nina Paley. It has achieved wide levels of success, both commercially and in press, without the help of traditional press methods or large studio backing. Released under a CC Attribution-Share Alike license, the film is a prime example of 'open-source cinema'.

You can read more about the film at the [http://www.sitasingstheblues.com/faq.html '''Sita Sings The Blues''' FAQ].

== License Usage ==

'''Sita Sings The Blues''' is released under a [http://creativecommons.org/licenses/by-sa/3.0/ CC Attribution-Share Alike license], a decision Paley came to after her experience trying to license Annette Hanshaw's music.

== Motivations ==

Paley describes her motivation for using a CC BY-SA license at length in her featured interview at [http://creativecommons.org/weblog/entry/14760 creativecommons.org]:

<blockquote>
I want my film to reach the widest audience. It costs money to run a theater; it costs money to manufacture DVDs; it costs money to make and distribute 35mm film prints. It’s essential I allow people to make money distributing Sita these ways and others; otherwise, no one will do it. So I eschewed the “non commercial” license. Share Alike would “protect” the work from ever being locked up. It’s better than Public Domain; works are routinely removed from the Public Domain via privatized derivatives (just try making your own Pinocchio). I didn’t want some corporation locking up a play or TV show based on Sita. They are certainly welcome to make derivative works, and make money from them; in fact I encourage this. But they may not sue or punish anyone for sharing those works.

I looked to the Free Software movement as a model. The CC BY-SA license most closely resembles the GNU GPL, which is the foundation of Free Software. People make plenty of money in Free Software; there’s no reason they can’t do the same in Free Culture, except for those pernicious “non commercial” licenses. A Share Alike license eliminates the corporate abuse everyone’s so afraid of, while it encourages entrepreneurship and innovation. Everyone wins, especially the artist!
</blockquote>

Blip.tv

2009-11-19T20:16:42Z

Cameron Parkins:

{{ContentDirectory
|mainurl=http://blip.tv
|ccportal=http://blip.tv/posts?sort=popularity&license=1%2C6%2C7%2C2%2C3%2C4%2C5&page=1
|ccfeed=http://blip.tv/rss?sort=popularity;page=1;date=;s=posts;license=1%2C6%2C7%2C2%2C3%2C4%2C5
|apiportal=http://blip.tv/about/api/
|format=MovingImage
|size=574247
}}

2009-08-26T18:01:08Z

Cameron Parkins: Created page with '== Best Practices for Marking Content with CC Licensing: Users == When reusing a CC-licensed work, either as pure sharing or as a derivative work, it is your legal obligation to…'

== Best Practices for Marking Content with CC Licensing: Users ==

When reusing a CC-licensed work, either as pure sharing or as a derivative work, it is your legal obligation to include what license is being used, as well as obeying by the license conditions provided by the licensor (content owner/creator). From our [http://wiki.creativecommons.org/FAQ FAQ]:
{| cellspacing="5" cellpadding="10" style="padding: 2%;margin:0em 0em 1em 0em; border:1px dotted red; background:#eee; width:100%"
|
If you are using a work licensed under one of our core licenses, then the proper way of accrediting your use of a work when you're making a verbatim use is: (1) to keep intact any copyright notices for the Work; (2) credit the author, licensor and/or other parties (such as a wiki or journal) in the manner they specify; (3) the title of the Work; and (4) the URL for the work if applicable.
|}
*Example: This work, "My Awesome Photo," is copyright (c) 2009 Greg Grossmeier and made available under a Creative Commons Attribution-ShareAlike license: http://creativecommons.org/licenses/by-sa/3.0/

You also need to provide the URL for the Creative Commons license selected with each copy of the work that you make available.

If you are making a derivative use of a work licensed under one of our core licenses, in addition to the above, you need to identify that your work is a derivative work, ie. “This is a Finnish translation of the [original work] by [author]” or “Screenplay based on [original work] by [author].”

=== Crediting in Video ===

Adding the appropriate credit information to you videos could be as simple as a list of the works used at the end with their associated license. Eg:

{| cellspacing="5" cellpadding="10" style="padding: 2%;margin:0em 0em 1em 0em; border:1px; background:#eee; width:100%"
|

This video features the following songs-

“Desaprendere (Treatment)” by fourstones, available under a Creative Commons Attribution-Noncommercial license.

“Some Other Song” by fourstones, available under a Creative Commons Attribution license.

|}

If possible it is desirable to make the title, author, and license a link the viewer can follow.

=== Crediting in Text ===

A similar format to the Video example above would be sufficient with the added ability to create links for text available online.

=== Crediting in Audio ===

If available online provide a "credit list" of material used and follow the above Text guidelines.

=== Crediting in Images ===

If available online provide a "credit list" of material used and follow the above Text guidelines.

== Download Markers ==
* For images & documents:
** [[CC_markers | Official CC Markers]]
** [[User_submitted_markers | User Submitted Markers]]
* For audio:
** [http://creativecommons.org/podcasting CC Podcast Plugs]
* For video:
** [[CC_video_bumpers | Official CC Bumpers]]
** [[User_submitted_bumpers | User Submitted Bumpers]]

== More Technical ==

We also have a [[Marking_works|document about marking works that is more technical]].

== External Guides and Fact Sheets ==

* [http://mollykleinman.com Molly Kleinman's] excellent, easy to read article [http://mollykleinman.com/2008/08/15/cc-howto-1-how-to-attribute-a-creative-commons-licensed-work/ CC HowTo #1: How to Attribute a Creative Commons licensed work] - includes illustrative examples.

Marking your work with a CC license

2009-08-26T18:00:10Z

Cameron Parkins:

2009-08-24T23:10:47Z

Cameron Parkins:

Marking

2009-08-24T23:07:19Z

Cameron Parkins: /* Best Practices for Marking Content with CC Licensing */

Translate

2009-06-08T19:33:08Z

Cameron Parkins: /* Videos */

[[Category:i18n]]

There are several opportunities for translators to get involved with Creative Commons projects.

Creative Commons uses [http://translate.sourceforge.net/wiki/pootle/index Pootle] to manage translations for the web site and our open source software projects. '''We wrote a [[Translating with Pootle|set of tutorials on using Pootle for translations]].''' Information on translating using [[Translating PO Files|gettext and poEdit]] is also available.

== creativecommons.org ==

'''Check out the video tutorials in our [[Translating with Pootle]] guide!'''

The license engine, deeds and legal code hosted at creativecommons.org are all translated directly by CC [http://creativecommons.org/international/ jurisdiction partner institutions]. While there are usually people at the partner institutions who handle these translations, you can suggest translations for them using our [http://translate.creativecommons.org Pootle server].

'''For CC Project Leads'''<br>
To set up translations for your jurisdiction's language(s), please:<br>
1) Select one or more people to manage your translations<br>
2) Each translator should create an account as described below<br>
3) Email the translator usernames to CC CTO Nathan Yergler<br>

'''For Translators'''<br>
1) Go to [http://translate.creativecommons.org http://translate.creativecommons.org] and create an account<br>
2) After confirming your email address, log in to your account<br>
3) Click the "My account" link in the upper right, and then click "Change options"<br>
4) In the "My Languages" list, select all languages which you will be translating for and click "Save Changes"<br>

If you have not yet been approved to make translations in your language, and would like to contribute, please [[Contact|contact us]], and we'll put you in touch with the appropriate administrators.

== wiki.creativecommons.org ==

We'd like every page on this wiki to be translated into as many languages as possible. See [[CcWiki:Translate]] for details.

== Videos ==

Learn about Creative Commons with [http://support.creativecommons.org/videos/ CC videos].

You can translate the subtitles of [http://dotsub.com/view/user/creativecommons our videos on dotsub.com].

Source assets for '''A Shared Culture''', '''Wanna Work Together''', '''Get Creative''', '''Reticulum Rex''', '''Media that Matters''', '''Mayer and Bettle''', and '''Mayer and Bettle: 2''' videos are available to enable translation. You can find the downloads at the following locations:

=== A Shared Culture ===

* [http://blip.tv/file/get/Commonscreative-ASharedCulture944.mov Quicktime] (web)
* [http://blip.tv/file/get/Commonscreative-ASharedCulture211.ogv Ogg Theora] (HD)
* [http://beta.legaltorrents.com/torrents/205-creative-commons---a-shared-culture Original Video] (Torrent)
* [http://mirrors.creativecommons.org/audio/asharedculture_dialogue.aif Dialogue Audio]
* [http://mirrors.creativecommons.org/audio/asharedculture_soundtrack.aif Soundtrack Audio]
* [http://creativecommons.org/videos/a-shared-culture Images]

=== Wanna Work Together ===
* [http://mirrors.creativecommons.org/wwt-sources/animation.tar.bz2 Animation]
* [http://mirrors.creativecommons.org/wwt-sources/archive.tar.bz2 Archive]
* [http://mirrors.creativecommons.org/wwt-sources/audio.tar.bz2 Audio]
* [http://mirrors.creativecommons.org/wwt-sources/docs.tar.bz2 Docs]
* [http://mirrors.creativecommons.org/wwt-sources/dvd.tar.bz2 DVD]
* [http://mirrors.creativecommons.org/wwt-sources/wannaworktogether_dv.mov Quicktime (DV)]
* [http://mirrors.creativecommons.org/wwt-sources/wannaworktogether.mov Quicktime]

=== Get Creative ===

* [http://mirrors.creativecommons.org/getcreative/Creative_Commons_-_Get_Creative.fla Original Flash File]
* [http://mirrors.creativecommons.org/getcreative/Creative_Commons_-_Get_Creative.swf Flash Movie]
* [http://mirrors.creativecommons.org/getcreative/Creative_Commons_-_Get_Creative.mov Quicktime]
* [http://mirrors.creativecommons.org/getcreative/Creative_Commons_-_Get_Creative.ogg Ogg Theora Video]
* [http://mirrors.creativecommons.org/getcreative/cc.getcreative.bgm.zip Background Music]
* [http://mirrors.creativecommons.org/getcreative/cc.getcreative.script.txt Script]
* [http://mirrors.creativecommons.org/movingimages/get_creative.zip All Assets (ZIP)]

=== Reticulum Rex ===

* [http://mirrors.creativecommons.org/reticulum_rex/Creative_Commons_-_Remix_Culture.fla Original Flash File]
* [http://mirrors.creativecommons.org/reticulum_rex/cc.remixculture.101906.mov Quicktime]
* [http://mirrors.creativecommons.org/reticulum_rex/Creative_Commons_-_Remix_Culture.mpeg MPEG]
* [http://mirrors.creativecommons.org/reticulum_rex/Creative_Commons_-_Remix_Culture.ogg Ogg Theora Audio]
* [http://mirrors.creativecommons.org/reticulum_rex/Commons.sit Video Font]
* [http://mirrors.creativecommons.org/movingimages/reticulum_rex.zip All Assets (ZIP)]

=== Media that Matters ===

* [http://blip.tv/file/get/Commonscreative-MediaThatMattersACCCaseStudy347.m4v h.264 M4V File] (Web)
* [http://blip.tv/file/get/Commonscreative-MediaThatMattersACCCaseStudy206.ogg Ogg Theora] (Web)
* [http://beta.legaltorrents.com/torrents/321-media-that-matters---a-cc-case-study Uncompressed Quicktime] (1.13gb .torrent)
* [http://mirrors.creativecommons.org/movingimages/arts_engine_assets.zip Additional Video Assets]

=== Mayer and Bettle ===

* [http://creativecommons.org.au/materials/ccau.mov Quicktime Video]
* [http://creativecommons.org.au/materials/ccau-train-script.doc Script]
* [http://creativecommons.org.au/materials/CC-AU_ANIM_SRC.zip All Assets]

=== Mayer and Bettle: 2 ===

* [http://www.engagemedia.org/Members/elliottb/videos/CC_0408_512x288_lo_PAL.flv Flash File]
* [http://creativecommons.org.au/materials/Mayerandbettle2_script.doc Script]

==Open source projects==

Our open source project translations are maintained on our [http://translate.creativecommons.org Pootle server]. Create an account there and start translating!

Translate

2009-06-08T19:32:31Z

Cameron Parkins: /* Videos */

[[Category:i18n]]

There are several opportunities for translators to get involved with Creative Commons projects.

Creative Commons uses [http://translate.sourceforge.net/wiki/pootle/index Pootle] to manage translations for the web site and our open source software projects. '''We wrote a [[Translating with Pootle|set of tutorials on using Pootle for translations]].''' Information on translating using [[Translating PO Files|gettext and poEdit]] is also available.

== creativecommons.org ==

'''Check out the video tutorials in our [[Translating with Pootle]] guide!'''

The license engine, deeds and legal code hosted at creativecommons.org are all translated directly by CC [http://creativecommons.org/international/ jurisdiction partner institutions]. While there are usually people at the partner institutions who handle these translations, you can suggest translations for them using our [http://translate.creativecommons.org Pootle server].

'''For CC Project Leads'''<br>
To set up translations for your jurisdiction's language(s), please:<br>
1) Select one or more people to manage your translations<br>
2) Each translator should create an account as described below<br>
3) Email the translator usernames to CC CTO Nathan Yergler<br>

'''For Translators'''<br>
1) Go to [http://translate.creativecommons.org http://translate.creativecommons.org] and create an account<br>
2) After confirming your email address, log in to your account<br>
3) Click the "My account" link in the upper right, and then click "Change options"<br>
4) In the "My Languages" list, select all languages which you will be translating for and click "Save Changes"<br>

If you have not yet been approved to make translations in your language, and would like to contribute, please [[Contact|contact us]], and we'll put you in touch with the appropriate administrators.

== wiki.creativecommons.org ==

We'd like every page on this wiki to be translated into as many languages as possible. See [[CcWiki:Translate]] for details.

== Videos ==

Learn about Creative Commons with [http://support.creativecommons.org/videos/ CC videos].

Source assets for '''A Shared Culture''', '''Wanna Work Together''', '''Get Creative''', '''Reticulum Rex''', '''Media that Matters''', '''Mayer and Bettle''', and '''Mayer and Bettle: 2''' videos are available to enable translation. You can find the downloads at the following locations:

=== A Shared Culture ===

* [http://blip.tv/file/get/Commonscreative-ASharedCulture944.mov Quicktime] (web)
* [http://blip.tv/file/get/Commonscreative-ASharedCulture211.ogv Ogg Theora] (HD)
* [http://beta.legaltorrents.com/torrents/205-creative-commons---a-shared-culture Original Video] (Torrent)
* [http://mirrors.creativecommons.org/audio/asharedculture_dialogue.aif Dialogue Audio]
* [http://mirrors.creativecommons.org/audio/asharedculture_soundtrack.aif Soundtrack Audio]
* [http://creativecommons.org/videos/a-shared-culture Images]

=== Wanna Work Together ===
* [http://mirrors.creativecommons.org/wwt-sources/animation.tar.bz2 Animation]
* [http://mirrors.creativecommons.org/wwt-sources/archive.tar.bz2 Archive]
* [http://mirrors.creativecommons.org/wwt-sources/audio.tar.bz2 Audio]
* [http://mirrors.creativecommons.org/wwt-sources/docs.tar.bz2 Docs]
* [http://mirrors.creativecommons.org/wwt-sources/dvd.tar.bz2 DVD]
* [http://mirrors.creativecommons.org/wwt-sources/wannaworktogether_dv.mov Quicktime (DV)]
* [http://mirrors.creativecommons.org/wwt-sources/wannaworktogether.mov Quicktime]

=== Get Creative ===

* [http://mirrors.creativecommons.org/getcreative/Creative_Commons_-_Get_Creative.fla Original Flash File]
* [http://mirrors.creativecommons.org/getcreative/Creative_Commons_-_Get_Creative.swf Flash Movie]
* [http://mirrors.creativecommons.org/getcreative/Creative_Commons_-_Get_Creative.mov Quicktime]
* [http://mirrors.creativecommons.org/getcreative/Creative_Commons_-_Get_Creative.ogg Ogg Theora Video]
* [http://mirrors.creativecommons.org/getcreative/cc.getcreative.bgm.zip Background Music]
* [http://mirrors.creativecommons.org/getcreative/cc.getcreative.script.txt Script]
* [http://mirrors.creativecommons.org/movingimages/get_creative.zip All Assets (ZIP)]

=== Reticulum Rex ===

* [http://mirrors.creativecommons.org/reticulum_rex/Creative_Commons_-_Remix_Culture.fla Original Flash File]
* [http://mirrors.creativecommons.org/reticulum_rex/cc.remixculture.101906.mov Quicktime]
* [http://mirrors.creativecommons.org/reticulum_rex/Creative_Commons_-_Remix_Culture.mpeg MPEG]
* [http://mirrors.creativecommons.org/reticulum_rex/Creative_Commons_-_Remix_Culture.ogg Ogg Theora Audio]
* [http://mirrors.creativecommons.org/reticulum_rex/Commons.sit Video Font]
* [http://mirrors.creativecommons.org/movingimages/reticulum_rex.zip All Assets (ZIP)]

=== Media that Matters ===

* [http://blip.tv/file/get/Commonscreative-MediaThatMattersACCCaseStudy347.m4v h.264 M4V File] (Web)
* [http://blip.tv/file/get/Commonscreative-MediaThatMattersACCCaseStudy206.ogg Ogg Theora] (Web)
* [http://beta.legaltorrents.com/torrents/321-media-that-matters---a-cc-case-study Uncompressed Quicktime] (1.13gb .torrent)
* [http://mirrors.creativecommons.org/movingimages/arts_engine_assets.zip Additional Video Assets]

=== Mayer and Bettle ===

* [http://creativecommons.org.au/materials/ccau.mov Quicktime Video]
* [http://creativecommons.org.au/materials/ccau-train-script.doc Script]
* [http://creativecommons.org.au/materials/CC-AU_ANIM_SRC.zip All Assets]

=== Mayer and Bettle: 2 ===

* [http://www.engagemedia.org/Members/elliottb/videos/CC_0408_512x288_lo_PAL.flv Flash File]
* [http://creativecommons.org.au/materials/Mayerandbettle2_script.doc Script]

You can also translate the subtitles of [http://dotsub.com/view/user/creativecommons our videos on dotsub.com].

==Open source projects==

Our open source project translations are maintained on our [http://translate.creativecommons.org Pootle server]. Create an account there and start translating!

2009-04-03T19:43:31Z

Cameron Parkins:

{{Case Study
|Description=Brad Sucks, a CC license using pop/rock musician, is one of the most remixed artists over at ccMixter - he runs an active blog, interacts with fans directly, and released his latest album Out Of It for free online and under a CC BY-SA license.
|Quote=Well, I resisted officially CC licensing my stuff for a long time, I thought it was unnecessary and a bunch of legal stuff I didn’t think anyone wanted to care about. But now I think the CC license is simply a shortcut to telling people “hey, go ahead”. While I had clearly said on my website “do whatever you like”, people would constantly ask me for permission anyway, which was strange to me. I think CC licenses, the entire open attitude is absolutely essential for artists that don’t have huge promotion budgets. Without the money to force advertising and radio play down people’s throats, you have to rely on the good will of your fans spreading your music for you. And if you handcuff them by making it illegal, I think you’re doing yourself a real disservice.
|Quote_Attribution=Brad Sucks
|Image_Header=http://creativecommons.org/wp-content/uploads/2008/09/outofit-cover.jpg
|Image_attribution=CC BY
|Image_license=http://creativecommons.org/licenses/by/3.0/
|Mainurl=http://www.bradsucks.net/
|Author=Brad Sucks
|User_Status=Creator
|Tag=music
|License short name=CC BY-SA
|License=http://creativecommons.org/licenses/by-sa/3.0/
|Format=Sound
|Country=USA
}}
Read our full [http://creativecommons.org/weblog/entry/9750 Featured Commoner Interview] with Brad Sucks to learn more.