Creative Commons - User contributions [en]

Affiliate Calls/Q2 2010

2010-06-07T06:41:55Z

CCID-paul: /* RSVP/Attendees */

==Time & Date==
Thursday, June 10th:
16:00 San Francisco
23:00 GMT
Friday, June 11th:
08:00 Seoul/Tokyo
([http://www.timeanddate.com/worldclock/fixedtime.html?day=10&month=6&year=2010&hour=23&min=0&sec=0&p1=0 time zone planner])

== Call Details==
TBA

== RSVP/Attendees ==
(add your name here by June 4th if you plan to join)
# [[User:Mike Linksvayer|Mike Linksvayer]] 16:38, 25 May 2010 (UTC)
# Diane Peters (HQ)
# Joi Ito (HQ)
# --[[User:Michelle Thorne|Michelle Thorne]] 10:13, 26 May 2010 (UTC)
# Federico Morando (CC-IT)
# Jane Hornibrook (CC New Zealand)
# [[User:Nathan Yergler|Nathan Yergler]]
# Rafik Dammak (Tunisia)
# Melissa Reeder (HQ)
# Alberto Cerda (CC Chile)
# Tyng-Ruey Chuang (CC Taiwan) [note: 80% certainty]
# Tomoaki Watanabe (CC Japan)
# Pindar Wong (CC HK)
# John Weitzmann (CC DE)
# Carolina Botero (CC CO)
# ALek Tarkowski (CC PL)
# Ronaldo Lemos (CC BR)
# [[User:Paul Keller|Paul Keller]] (CC-NL)

==Q1 2010 Call Notes==
See [[Affiliate_Calls/Q1_2010]]

==Q2 2010 Agenda==

===Welcome and Meeting Overview===
===CC-HQ Board and Staff Updates===
===Program Updates===
* Catalyst Grant Program
* Public Patent License
* Translation Plans
* Intern Program
* Affiliates
**MOU Revisions
**Affiliate and Porting Guidelines and Policies
**Board Composition and Reporting

===Affiliate Updates===
* Asia-Pacific Conference (CC Korea)
* OCWC meeting and Vietnam launch (CC Columbia)
* Others

User:CCID-paul

2010-06-07T06:41:02Z

CCID-paul: /* Contact */

Paul Keller is Public Project Lead for Creative Commons Netherlands and Collecting Societies Liason for Creative Commons.

==Current wiki projects==

* [[Collecting_Society_Projects|Collecting Society Projects]]

==Contact==

* you can contact me at paul <at> creativecommons <dot> org or pk <at> kl <dot> nl

User:CCID-paul

2010-06-07T06:40:09Z

CCID-paul: /* Contact */

Paul Keller is Public Project Lead for Creative Commons Netherlands and Collecting Societies Liason for Creative Commons.

==Current wiki projects==

* [[Collecting_Society_Projects|Collecting Society Projects]]

==Contact==

* you can contact me at [[mailto:paul@creativecommons.org|paul <at> creativecommons <dot> org]] or [[mailto:pk@kl.nl|pk <at> kl <dot> nl]]

User:CCID-paul

2010-06-07T06:39:02Z

CCID-paul: /* Current wiki projects */

Paul Keller is Public Project Lead for Creative Commons Netherlands and Collecting Societies Liason for Creative Commons.

==Current wiki projects==

* [[Collecting_Society_Projects|Collecting Society Projects]]

==Contact==

* you can contact me at [[mailto:paul@creativecommons.org]] or [[mailto:pk@kl.nl]]

User:CCID-paul

2010-06-07T06:38:33Z

CCID-paul: /* Contact */

Paul Keller is Public Project Lead for Creative Commons Netherlands and Collecting Societies Liason for Creative Commons.

==Current wiki projects==

* [[Collecting Society Projects|Collecting_Society_Projects]]

==Contact==

* you can contact me at [[mailto:paul@creativecommons.org]] or [[mailto:pk@kl.nl]]

User:CCID-paul

2010-06-07T06:37:53Z

CCID-paul: /* Contact */

User:CCID-paul

2010-06-07T06:37:16Z

CCID-paul: /* Contact */

User:CCID-paul

2010-06-07T06:36:38Z

CCID-paul: /* Current wiki projects */

User:CCID-paul

2010-06-07T06:35:33Z

CCID-paul: Created page with 'Paul Keller is Public Project Lead for Creative Commons Netherlands and Collecting Societies Liason for Creative Commons. ==Current wiki projects== * [[Collecting_Society_Proje…'

Paul Keller is Public Project Lead for Creative Commons Netherlands and Collecting Societies Liason for Creative Commons.

==Current wiki projects==

* [[Collecting_Society_Projects]]

Affiliate Calls/Q2 2010

2010-06-07T06:32:57Z

CCID-paul: /* RSVP/Attendees */

==Time & Date==
Thursday, June 10th:
16:00 San Francisco
23:00 GMT
Friday, June 11th:
08:00 Seoul/Tokyo
([http://www.timeanddate.com/worldclock/fixedtime.html?day=10&month=6&year=2010&hour=23&min=0&sec=0&p1=0 time zone planner])

== Call Details==
TBA

== RSVP/Attendees ==
(add your name here by June 4th if you plan to join)
# [[User:Mike Linksvayer|Mike Linksvayer]] 16:38, 25 May 2010 (UTC)
# Diane Peters (HQ)
# Joi Ito (HQ)
# --[[User:Michelle Thorne|Michelle Thorne]] 10:13, 26 May 2010 (UTC)
# Federico Morando (CC-IT)
# Jane Hornibrook (CC New Zealand)
# [[User:Nathan Yergler|Nathan Yergler]]
# Rafik Dammak (Tunisia)
# Melissa Reeder (HQ)
# Alberto Cerda (CC Chile)
# Tyng-Ruey Chuang (CC Taiwan) [note: 80% certainty]
# Tomoaki Watanabe (CC Japan)
# Pindar Wong (CC HK)
# John Weitzmann (CC DE)
# Carolina Botero (CC CO)
# ALek Tarkowski (CC PL)
# Ronaldo Lemos (CC BR)
# Paul Keller (CC NL)

==Q1 2010 Call Notes==
See [[Affiliate_Calls/Q1_2010]]

==Q2 2010 Agenda==

===Welcome and Meeting Overview===
===CC-HQ Board and Staff Updates===
===Program Updates===
* Catalyst Grant Program
* Public Patent License
* Translation Plans
* Intern Program
* Affiliates
**MOU Revisions
**Affiliate and Porting Guidelines and Policies
**Board Composition and Reporting

===Affiliate Updates===
* Asia-Pacific Conference (CC Korea)
* OCWC meeting and Vietnam launch (CC Columbia)
* Others

Collecting Society Projects/Sweden

2009-06-27T14:09:55Z

CCID-paul: /* Objectives */

==Parties Involved==

[http://www.stim.se/stim/prod/stimv4eng.nsf STIM] the Swedish Performing Rights Society - protects the interests of authors and publishers of music in Sweden. On their behalf, STIM administers and licences rights to music and text. Through its international network, STIM also represents rights to the worldwide repertoire of musical works. In addition, STIM promotes the creation and dissemination of new Swedish music (from the STIM website).

[http://www.creativecommons.se/ CC Sweden] is currently '''not''' involved in this project.

==Objectives==

Currently unclear the only available information about the project is the original press release [http://www.stim.se/stim/prod/stimv4eng.nsf/alldocuments/74363AA9DA65B087C12575C5004710D4 on the STIM website]

==How does it work==

==Definition (Non)Commercial==

==Experiences (so far)==

==Additional Information==

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Sweden

2009-06-27T14:07:24Z

CCID-paul: /* Parties Involved */

==Parties Involved==

[http://www.stim.se/stim/prod/stimv4eng.nsf STIM] the Swedish Performing Rights Society - protects the interests of authors and publishers of music in Sweden. On their behalf, STIM administers and licences rights to music and text. Through its international network, STIM also represents rights to the worldwide repertoire of musical works. In addition, STIM promotes the creation and dissemination of new Swedish music (from the STIM website).

[http://www.creativecommons.se/ CC Sweden] is currently '''not''' involved in this project.

==Objectives==

==How does it work==

==Definition (Non)Commercial==

==Experiences (so far)==

==Additional Information==

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Sweden

2009-06-27T14:03:55Z

CCID-paul: /* Parties Involved */

==Parties Involved==

[http://www.stim.se/stim/prod/stimv4eng.nsf STIM] the Swedish Performing Rights Society - protects the interests of authors and publishers of music in Sweden. On their behalf, STIM administers and licences rights to music and text. Through its international network, STIM also represents rights to the worldwide repertoire of musical works. In addition, STIM promotes the creation and dissemination of new Swedish music (from the STIM website).

CC Sweden is currently not involved in this project

see the original press release [http://www.stim.se/stim/prod/stimv4eng.nsf/alldocuments/74363AA9DA65B087C12575C5004710D4 on the STIM website]

==Objectives==

==How does it work==

==Definition (Non)Commercial==

==Experiences (so far)==

==Additional Information==

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Sweden

2009-06-27T13:56:35Z

CCID-paul: /* Parties Involved */

==Parties Involved==

STIM

see the original press release [http://www.stim.se/stim/prod/stimv4eng.nsf/alldocuments/74363AA9DA65B087C12575C5004710D4 on the STIM website]

==Objectives==

==How does it work==

==Definition (Non)Commercial==

==Experiences (so far)==

==Additional Information==

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Sweden

2009-06-27T13:56:00Z

CCID-paul: /* Parties Involved */

==Parties Involved==

STIM

see the original at [http://www.stim.se/stim/prod/stimv4eng.nsf/alldocuments/74363AA9DA65B087C12575C5004710D4]

==Objectives==

==How does it work==

==Definition (Non)Commercial==

==Experiences (so far)==

==Additional Information==

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Australia

2009-06-15T11:36:17Z

CCID-paul: Created page with '==Parties Involved== ==Objectives== ==How does it work== ==Definition (Non)Commercial== ==Experiences (so far)== ==Additional Information== '''Go back to [[Collecting...'

==Parties Involved==

==Objectives==

==How does it work==

==Definition (Non)Commercial==

==Experiences (so far)==

==Additional Information==

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/France

2009-06-15T11:35:24Z

Collecting Society Projects/Germany

2009-06-15T11:34:33Z

Collecting Society Projects/Italy

2009-06-15T11:32:25Z

Collecting Society Projects/Sweden

2009-06-15T11:29:54Z

Collecting Society Projects/Netherlands

2009-06-10T19:45:57Z

CCID-paul: /* Objectives */

==Parties Involved==

[http://www.creativecommons.nl Creative Commons Netherlands] is a joint venture between Knowledgeland, Waag Society and the Institute for Information Law (IViR) in cooperation with Creative Commons International, a not-for-profit organization, founded in 2001, that promotes the creative re-use of intellectual and artistic works.

[http://www.bumastemra.nl Buma/Stemra] represents the interests of domestic and foreign music authors and publishers in the Netherlands. Buma/Stemra’s core task is to exploit music copyrights (i.e. collect and distribute royalties) and manage them for its affiliated composers, lyricists and music publishers.

==Objectives==

The principal reason for this pilot is to offer musicians more flexibility in distributing their works. The pilot is meant as a test to see whether it is useful in practice to combine the systems of Buma/Stemra and Creative Commons.

==How does it work==

In order to publish works under a creative commons license Buma/Stemra members participating in the pilot need to undertake 5 steps:

1. First of all, it is important to ensure that the permission of all rights holders has been obtained. The fact is that, aside from the composer and/or the lyricist, there may be all kinds of rights holders, such as co-authors, an arranger or publishers. A work may only be distributed under a CC license subject to the permission of all rights holders.

2. In order to take part in the pilot, the musician has to be a member of Buma/Stemra. As a member you transfer the exploitation of your copyrights on your works to Buma/ Stemra, thereby enabling Buma/Stemra to collect the copyright royalties whenever third parties record or use your works. Musicians who are not yet a member of Buma/ Stemra may take out a membership and then proceed to follow the same procedure in order to release parts of their repertoire under a Creative Commons License.

3. The musician in question then indicates to Buma/Stemra which works he/she would like to distribute under a Creative Commons License. You do so (per work) through the Buma/Stemra website on which detailed instructions and special conditions can be found. Buma/Stemra then knows for which works they need not send an invoice within the scope of the pilot.

4. Next, the musician selects one of the three available licenses for non-commercial use on the Creative Commons website:
* use of the works while attributing the work to you;
* use of the works while attributing the work to you, but without any adaptations, such as remixes, being allowed;
* use of the work while attributing the work to you, whereby the work may be adapted by third parties, subject to the condition that the remix is also made available under the same condition.

5. Finally, the work may be published online (or offline) for distribution and reproduction.

==Definition (Non)Commercial==

Within the scope of the pilot between Creative Commons Netherlands and Buma/Stemra, ‘commercial use’ should be taken to mean the following:

Every use of the Work by for-profit institutions is qualified as ‘commercial use’.

In addition, within the scope of the pilot, distributing or publicly performing or making available online the Work against payment or other financial compensation (including the use of the work in combination with ads, publicity actions or other similar activities intended to generate income for the user or a third party) is qualified as ‘commercial use’.

Within the scope of the pilot, ‘commercial use’ also includes the distribution or public performance or having broadcasting organisations make the Work available online, as well as using the Work in hotel and catering establishments, work, sales and retail spaces. This also applies to organisations that use music in or in addition to the performance of their duties, such as, for example, churches, schools (including dancing schools), institutions for welfare work, etc. Separate licenses are available from Buma/Stemra for such kinds of use.

source: [http://creativecommons.nl/bumapilot/070823factsheet_en_web.pdf Fact Sheet Pilot Creative Commons Netherlands and Buma/Stemra]

==Experiences (so far)==

==Additional Information==

* Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/7622 Dutch Collecting Societies Welcome CC]
* [http://creativecommons.nl/bumapilot/070823factsheet_en_web.pdf Fact Sheet Pilot Creative Commons Netherlands and Buma/Stemra]
* Press Release: [http://creativecommons.nl/bumapilot/070823persbericht_en_web.pdf More opportunities for music authors to promote their own music]

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Netherlands

2009-06-10T19:43:52Z

CCID-paul: /* How does it work */

==Parties Involved==

[http://www.creativecommons.nl Creative Commons Netherlands] is a joint venture between Knowledgeland, Waag Society and the Institute for Information Law (IViR) in cooperation with Creative Commons International, a not-for-profit organization, founded in 2001, that promotes the creative re-use of intellectual and artistic works.

[http://www.bumastemra.nl Buma/Stemra] represents the interests of domestic and foreign music authors and publishers in the Netherlands. Buma/Stemra’s core task is to exploit music copyrights (i.e. collect and distribute royalties) and manage them for its affiliated composers, lyricists and music publishers.

==Objectives==

==How does it work==

In order to publish works under a creative commons license Buma/Stemra members participating in the pilot need to undertake 5 steps:

1. First of all, it is important to ensure that the permission of all rights holders has been obtained. The fact is that, aside from the composer and/or the lyricist, there may be all kinds of rights holders, such as co-authors, an arranger or publishers. A work may only be distributed under a CC license subject to the permission of all rights holders.

2. In order to take part in the pilot, the musician has to be a member of Buma/Stemra. As a member you transfer the exploitation of your copyrights on your works to Buma/ Stemra, thereby enabling Buma/Stemra to collect the copyright royalties whenever third parties record or use your works. Musicians who are not yet a member of Buma/ Stemra may take out a membership and then proceed to follow the same procedure in order to release parts of their repertoire under a Creative Commons License.

3. The musician in question then indicates to Buma/Stemra which works he/she would like to distribute under a Creative Commons License. You do so (per work) through the Buma/Stemra website on which detailed instructions and special conditions can be found. Buma/Stemra then knows for which works they need not send an invoice within the scope of the pilot.

4. Next, the musician selects one of the three available licenses for non-commercial use on the Creative Commons website:
* use of the works while attributing the work to you;
* use of the works while attributing the work to you, but without any adaptations, such as remixes, being allowed;
* use of the work while attributing the work to you, whereby the work may be adapted by third parties, subject to the condition that the remix is also made available under the same condition.

5. Finally, the work may be published online (or offline) for distribution and reproduction.

==Definition (Non)Commercial==

Within the scope of the pilot between Creative Commons Netherlands and Buma/Stemra, ‘commercial use’ should be taken to mean the following:

Every use of the Work by for-profit institutions is qualified as ‘commercial use’.

In addition, within the scope of the pilot, distributing or publicly performing or making available online the Work against payment or other financial compensation (including the use of the work in combination with ads, publicity actions or other similar activities intended to generate income for the user or a third party) is qualified as ‘commercial use’.

Within the scope of the pilot, ‘commercial use’ also includes the distribution or public performance or having broadcasting organisations make the Work available online, as well as using the Work in hotel and catering establishments, work, sales and retail spaces. This also applies to organisations that use music in or in addition to the performance of their duties, such as, for example, churches, schools (including dancing schools), institutions for welfare work, etc. Separate licenses are available from Buma/Stemra for such kinds of use.

source: [http://creativecommons.nl/bumapilot/070823factsheet_en_web.pdf Fact Sheet Pilot Creative Commons Netherlands and Buma/Stemra]

==Experiences (so far)==

==Additional Information==

* Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/7622 Dutch Collecting Societies Welcome CC]
* [http://creativecommons.nl/bumapilot/070823factsheet_en_web.pdf Fact Sheet Pilot Creative Commons Netherlands and Buma/Stemra]
* Press Release: [http://creativecommons.nl/bumapilot/070823persbericht_en_web.pdf More opportunities for music authors to promote their own music]

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Netherlands

2009-06-10T19:40:02Z

CCID-paul: /* How does it work */

==Parties Involved==

[http://www.creativecommons.nl Creative Commons Netherlands] is a joint venture between Knowledgeland, Waag Society and the Institute for Information Law (IViR) in cooperation with Creative Commons International, a not-for-profit organization, founded in 2001, that promotes the creative re-use of intellectual and artistic works.

[http://www.bumastemra.nl Buma/Stemra] represents the interests of domestic and foreign music authors and publishers in the Netherlands. Buma/Stemra’s core task is to exploit music copyrights (i.e. collect and distribute royalties) and manage them for its affiliated composers, lyricists and music publishers.

==Objectives==

==How does it work==

It takes five steps to offer a work under a Creative Commons license:

# First of all, it is important to ensure that the permission of all rights holders has been obtained. The fact is that, aside from the composer and/or the lyricist, there may be all kinds of rights holders, such as co-authors, an arranger or publishers. A work may only be distributed under a CC license subject to the permission of all rights holders.

# In order to take part in the pilot, the musician has to be a member of Buma/Stemra. As a member you transfer the exploitation of your copyrights on your works to Buma/ Stemra, thereby enabling Buma/Stemra to collect the copyright royalties whenever third parties record or use your works. Musicians who are not yet a member of Buma/ Stemra may take out a membership and then proceed to follow the same procedure in order to release parts of their repertoire under a Creative Commons License.

# The musician in question then indicates to Buma/Stemra which works he/she would like to distribute under a Creative Commons License. You do so (per work) through the Buma/Stemra website on which detailed instructions and special conditions can be found. Buma/Stemra then knows for which works they need not send an invoice within the scope of the pilot.

# Next, the musician selects one of the three available licenses for non-commercial use on the Creative Commons website:
## use of the works while attributing the work to you;
## use of the works while attributing the work to you, but without any adaptations, such as remixes, being allowed;
## use of the work while attributing the work to you, whereby the work may be adapted by third parties, subject to the condition that the remix is also made available under the same condition.
# Finally, the work may be published online (or offline) for distribution and reproduction.

==Definition (Non)Commercial==

Within the scope of the pilot between Creative Commons Netherlands and Buma/Stemra, ‘commercial use’ should be taken to mean the following:

Every use of the Work by for-profit institutions is qualified as ‘commercial use’.

In addition, within the scope of the pilot, distributing or publicly performing or making available online the Work against payment or other financial compensation (including the use of the work in combination with ads, publicity actions or other similar activities intended to generate income for the user or a third party) is qualified as ‘commercial use’.

Within the scope of the pilot, ‘commercial use’ also includes the distribution or public performance or having broadcasting organisations make the Work available online, as well as using the Work in hotel and catering establishments, work, sales and retail spaces. This also applies to organisations that use music in or in addition to the performance of their duties, such as, for example, churches, schools (including dancing schools), institutions for welfare work, etc. Separate licenses are available from Buma/Stemra for such kinds of use.

source: [http://creativecommons.nl/bumapilot/070823factsheet_en_web.pdf Fact Sheet Pilot Creative Commons Netherlands and Buma/Stemra]

==Experiences (so far)==

==Additional Information==

* Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/7622 Dutch Collecting Societies Welcome CC]
* [http://creativecommons.nl/bumapilot/070823factsheet_en_web.pdf Fact Sheet Pilot Creative Commons Netherlands and Buma/Stemra]
* Press Release: [http://creativecommons.nl/bumapilot/070823persbericht_en_web.pdf More opportunities for music authors to promote their own music]

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Netherlands

2009-06-10T19:36:52Z

CCID-paul: /* Parties Involved */

Collecting Society Projects/Netherlands

2009-06-10T19:36:40Z

CCID-paul: /* Parties Involved */

==Parties Involved==

[http://www.creativecommons.nl] Creative Commons Netherlands] is a joint venture between Knowledgeland, Waag Society and the Institute for Information Law (IViR) in cooperation with Creative Commons International, a not-for-profit organization, founded in 2001, that promotes the creative re-use of intellectual and artistic works.

[http://www.bumastemra.nl Buma/Stemra] represents the interests of domestic and foreign music authors and publishers in the Netherlands. Buma/Stemra’s core task is to exploit music copyrights (i.e. collect and distribute royalties) and manage them for its affiliated composers, lyricists and music publishers.

==Objectives==

==How does it work==

==Definition (Non)Commercial==

Within the scope of the pilot between Creative Commons Netherlands and Buma/Stemra, ‘commercial use’ should be taken to mean the following:

Every use of the Work by for-profit institutions is qualified as ‘commercial use’.

In addition, within the scope of the pilot, distributing or publicly performing or making available online the Work against payment or other financial compensation (including the use of the work in combination with ads, publicity actions or other similar activities intended to generate income for the user or a third party) is qualified as ‘commercial use’.

Within the scope of the pilot, ‘commercial use’ also includes the distribution or public performance or having broadcasting organisations make the Work available online, as well as using the Work in hotel and catering establishments, work, sales and retail spaces. This also applies to organisations that use music in or in addition to the performance of their duties, such as, for example, churches, schools (including dancing schools), institutions for welfare work, etc. Separate licenses are available from Buma/Stemra for such kinds of use.

source: [http://creativecommons.nl/bumapilot/070823factsheet_en_web.pdf Fact Sheet Pilot Creative Commons Netherlands and Buma/Stemra]

==Experiences (so far)==

==Additional Information==

* Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/7622 Dutch Collecting Societies Welcome CC]
* [http://creativecommons.nl/bumapilot/070823factsheet_en_web.pdf Fact Sheet Pilot Creative Commons Netherlands and Buma/Stemra]
* Press Release: [http://creativecommons.nl/bumapilot/070823persbericht_en_web.pdf More opportunities for music authors to promote their own music]

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Denmark

2009-06-10T19:32:11Z

CCID-paul: /* Parties Involved */

==Parties Involved==

[http://creativecommons.dk Creative Commons Danmark] is a collaboration between the law department at Copenhagen Business School and a network of volunteers. Creative Commons Denmark is part of Creative Commons, a not-for-profit organization founded in 2001 that promotes the creative re-use of intellectual and artistic works.

[http://www.koda.dk KODA] (Danish Authors’ Society) is a non-profit rights management society with approximately 32,000 members: composers, songwriters, lyricists and music publishers.

==Objectives==

==How does it work==

==Definition (Non)Commercial==

'''NOTE: The following is a translation of the guidelines agreed on by KODA and CC-Denmark in the context of their collaboration. These guidelines have been drawn up specifically for use of the cc licenses by koda members and are without prejudice for other cc entities.'''

Guidelines for clarification of the term ”Non-Commercial” in Creative Commons License Agreements

===The License Agreement===

It appears from the Creative Commons License Agreement that if the Licensor has chosen the license element “Non-Commercial”, the Licensee has no right to exercise any of the rights acquired under the License Agreement in a manner that is primarily intended for or directed toward commercial advantage or private monetary compensation. The exchange of the work for other copyrighted works by means of digital file sharing or other methods is not to be considered in violation of this term provided there is no payment of any monetary compensation in connection with the exchange of copyrighted works.

Furthermore, it appears from the Creative Commons License Agreement that the term “Non-Commercial” in connection with public performance does not include public performance that has a primarily commercial purpose. In this context performance with the purpose of generating profits to individuals is regarded as having a commercial purpose. This principle also applies to the copying of works.

===Guidelines for interpretation===

'''1. “Non-Commercial user”'''

In order for the use of works to be regarded as “Non-Commercial” the person, organisation etc. using the work must qualify as a “Non-Commercial user”. A “Non-Commercial user” is

# An individual
# A non-profit educational institution or a public library
# A non-profit organisation, institution etc. that meets the requirements for qualification as a benevolent or charitable organisation according to sections 8 A (deduction of charitable gifts) and 12(3) (deduction of ongoing payments) of the Danish Tax Assessment Act

Furthermore, a technical supporter, e.g. a copy shop, an Internet Service Provider or other service provider, acting on behalf of a “Non-Commercial user” as defined under nos. 1-3 shall be regarded as a “Non-Commercial user”.

'''2. “Advertising etc.”'''

a) In order for the use of a work to be regarded as Non-Commercial it must also meet the following requirement: that the work is not used in connection with advertising, sponsorship or promotion of the products or services of third parties.

b) If the set-up of a website requires users to click through webpages containing advertisements etc. relating to the products or services of third parties in order to gain access to a Creative Commons licensed work, the use of the work shall be regarded as commercial.

'''3. “Remuneration as a condition of use”'''

a) Concerning services
i. If a consideration in money or money’s worth is received for a service provided in connection with a Creative Commons licensed work, the use of the work does not qualify as Non-Commercial.

ii. This does not apply if remuneration is received for a service provided (e.g. by a copy shop) to and on behalf of a user and this service is of limited significance and subsidiary to the use of the licensed work (e.g. a compendium for a course at an educational institution).

b) Concerning works
i. If a consideration in money or money’s worth is received in connection with the use of a Creative Commons licensed work, the use of the work does not qualify as Non-Commercial.

ii. If a Creative Commons licensed work is used in connection with a request for voluntary contributions (donations, supporting membership or the like) for the benefit of an individual, an educational institution or a non-profit organisation, the use of the work qualifies as Non-Commercial.

==Experiences (so far)==

==Additional Information==

* Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/8012 Danish Collecting Society KODA teams up with CC Denmark]
* Press Release: [http://www.creativecommons.dk/?page_id=12 Danish collecting society KODA teams up with CC Denmark]

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Denmark

2009-06-10T19:29:39Z

CCID-paul: /* Additional Information */

==Parties Involved==

==Objectives==

==How does it work==

==Definition (Non)Commercial==

'''NOTE: The following is a translation of the guidelines agreed on by KODA and CC-Denmark in the context of their collaboration. These guidelines have been drawn up specifically for use of the cc licenses by koda members and are without prejudice for other cc entities.'''

Guidelines for clarification of the term ”Non-Commercial” in Creative Commons License Agreements

===The License Agreement===

It appears from the Creative Commons License Agreement that if the Licensor has chosen the license element “Non-Commercial”, the Licensee has no right to exercise any of the rights acquired under the License Agreement in a manner that is primarily intended for or directed toward commercial advantage or private monetary compensation. The exchange of the work for other copyrighted works by means of digital file sharing or other methods is not to be considered in violation of this term provided there is no payment of any monetary compensation in connection with the exchange of copyrighted works.

Furthermore, it appears from the Creative Commons License Agreement that the term “Non-Commercial” in connection with public performance does not include public performance that has a primarily commercial purpose. In this context performance with the purpose of generating profits to individuals is regarded as having a commercial purpose. This principle also applies to the copying of works.

===Guidelines for interpretation===

'''1. “Non-Commercial user”'''

In order for the use of works to be regarded as “Non-Commercial” the person, organisation etc. using the work must qualify as a “Non-Commercial user”. A “Non-Commercial user” is

# An individual
# A non-profit educational institution or a public library
# A non-profit organisation, institution etc. that meets the requirements for qualification as a benevolent or charitable organisation according to sections 8 A (deduction of charitable gifts) and 12(3) (deduction of ongoing payments) of the Danish Tax Assessment Act

Furthermore, a technical supporter, e.g. a copy shop, an Internet Service Provider or other service provider, acting on behalf of a “Non-Commercial user” as defined under nos. 1-3 shall be regarded as a “Non-Commercial user”.

'''2. “Advertising etc.”'''

a) In order for the use of a work to be regarded as Non-Commercial it must also meet the following requirement: that the work is not used in connection with advertising, sponsorship or promotion of the products or services of third parties.

b) If the set-up of a website requires users to click through webpages containing advertisements etc. relating to the products or services of third parties in order to gain access to a Creative Commons licensed work, the use of the work shall be regarded as commercial.

'''3. “Remuneration as a condition of use”'''

a) Concerning services
i. If a consideration in money or money’s worth is received for a service provided in connection with a Creative Commons licensed work, the use of the work does not qualify as Non-Commercial.

ii. This does not apply if remuneration is received for a service provided (e.g. by a copy shop) to and on behalf of a user and this service is of limited significance and subsidiary to the use of the licensed work (e.g. a compendium for a course at an educational institution).

b) Concerning works
i. If a consideration in money or money’s worth is received in connection with the use of a Creative Commons licensed work, the use of the work does not qualify as Non-Commercial.

ii. If a Creative Commons licensed work is used in connection with a request for voluntary contributions (donations, supporting membership or the like) for the benefit of an individual, an educational institution or a non-profit organisation, the use of the work qualifies as Non-Commercial.

==Experiences (so far)==

==Additional Information==

* Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/8012 Danish Collecting Society KODA teams up with CC Denmark]
* Press Release: [http://www.creativecommons.dk/?page_id=12 Danish collecting society KODA teams up with CC Denmark]

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Denmark

2009-06-10T19:26:12Z

CCID-paul: /* Definition (Non)Commercial */

==Parties Involved==

==Objectives==

==How does it work==

==Definition (Non)Commercial==

'''NOTE: The following is a translation of the guidelines agreed on by KODA and CC-Denmark in the context of their collaboration. These guidelines have been drawn up specifically for use of the cc licenses by koda members and are without prejudice for other cc entities.'''

Guidelines for clarification of the term ”Non-Commercial” in Creative Commons License Agreements

===The License Agreement===

It appears from the Creative Commons License Agreement that if the Licensor has chosen the license element “Non-Commercial”, the Licensee has no right to exercise any of the rights acquired under the License Agreement in a manner that is primarily intended for or directed toward commercial advantage or private monetary compensation. The exchange of the work for other copyrighted works by means of digital file sharing or other methods is not to be considered in violation of this term provided there is no payment of any monetary compensation in connection with the exchange of copyrighted works.

Furthermore, it appears from the Creative Commons License Agreement that the term “Non-Commercial” in connection with public performance does not include public performance that has a primarily commercial purpose. In this context performance with the purpose of generating profits to individuals is regarded as having a commercial purpose. This principle also applies to the copying of works.

===Guidelines for interpretation===

'''1. “Non-Commercial user”'''

In order for the use of works to be regarded as “Non-Commercial” the person, organisation etc. using the work must qualify as a “Non-Commercial user”. A “Non-Commercial user” is

# An individual
# A non-profit educational institution or a public library
# A non-profit organisation, institution etc. that meets the requirements for qualification as a benevolent or charitable organisation according to sections 8 A (deduction of charitable gifts) and 12(3) (deduction of ongoing payments) of the Danish Tax Assessment Act

Furthermore, a technical supporter, e.g. a copy shop, an Internet Service Provider or other service provider, acting on behalf of a “Non-Commercial user” as defined under nos. 1-3 shall be regarded as a “Non-Commercial user”.

'''2. “Advertising etc.”'''

a) In order for the use of a work to be regarded as Non-Commercial it must also meet the following requirement: that the work is not used in connection with advertising, sponsorship or promotion of the products or services of third parties.

b) If the set-up of a website requires users to click through webpages containing advertisements etc. relating to the products or services of third parties in order to gain access to a Creative Commons licensed work, the use of the work shall be regarded as commercial.

'''3. “Remuneration as a condition of use”'''

a) Concerning services
i. If a consideration in money or money’s worth is received for a service provided in connection with a Creative Commons licensed work, the use of the work does not qualify as Non-Commercial.

ii. This does not apply if remuneration is received for a service provided (e.g. by a copy shop) to and on behalf of a user and this service is of limited significance and subsidiary to the use of the licensed work (e.g. a compendium for a course at an educational institution).

b) Concerning works
i. If a consideration in money or money’s worth is received in connection with the use of a Creative Commons licensed work, the use of the work does not qualify as Non-Commercial.

ii. If a Creative Commons licensed work is used in connection with a request for voluntary contributions (donations, supporting membership or the like) for the benefit of an individual, an educational institution or a non-profit organisation, the use of the work qualifies as Non-Commercial.

==Experiences (so far)==

==Additional Information==

* Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/8012 Danish Collecting Society KODA teams up with CC Denmark]

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Denmark

2009-06-10T19:23:26Z

CCID-paul: /* Definition (Non)Commercial */

==Parties Involved==

==Objectives==

==How does it work==

==Definition (Non)Commercial==

Guidelines for clarification of the term ”Non-Commercial” in Creative Commons License Agreements

===The License Agreement===

It appears from the Creative Commons License Agreement that if the Licensor has chosen the license element “Non-Commercial”, the Licensee has no right to exercise any of the rights acquired under the License Agreement in a manner that is primarily intended for or directed toward commercial advantage or private monetary compensation. The exchange of the work for other copyrighted works by means of digital file sharing or other methods is not to be considered in violation of this term provided there is no payment of any monetary compensation in connection with the exchange of copyrighted works.

Furthermore, it appears from the Creative Commons License Agreement that the term “Non-Commercial” in connection with public performance does not include public performance that has a primarily commercial purpose. In this context performance with the purpose of generating profits to individuals is regarded as having a commercial purpose. This principle also applies to the copying of works.

===Guidelines for interpretation===

'''1. “Non-Commercial user”'''

In order for the use of works to be regarded as “Non-Commercial” the person, organisation etc. using the work must qualify as a “Non-Commercial user”. A “Non-Commercial user” is

# An individual
# A non-profit educational institution or a public library
# A non-profit organisation, institution etc. that meets the requirements for qualification as a benevolent or charitable organisation according to sections 8 A (deduction of charitable gifts) and 12(3) (deduction of ongoing payments) of the Danish Tax Assessment Act

Furthermore, a technical supporter, e.g. a copy shop, an Internet Service Provider or other service provider, acting on behalf of a “Non-Commercial user” as defined under nos. 1-3 shall be regarded as a “Non-Commercial user”.

'''2. “Advertising etc.”'''

a) In order for the use of a work to be regarded as Non-Commercial it must also meet the following requirement: that the work is not used in connection with advertising, sponsorship or promotion of the products or services of third parties.

b) If the set-up of a website requires users to click through webpages containing advertisements etc. relating to the products or services of third parties in order to gain access to a Creative Commons licensed work, the use of the work shall be regarded as commercial.

'''3. “Remuneration as a condition of use”'''

a) Concerning services
i. If a consideration in money or money’s worth is received for a service provided in connection with a Creative Commons licensed work, the use of the work does not qualify as Non-Commercial.

ii. This does not apply if remuneration is received for a service provided (e.g. by a copy shop) to and on behalf of a user and this service is of limited significance and subsidiary to the use of the licensed work (e.g. a compendium for a course at an educational institution).

b) Concerning works
i. If a consideration in money or money’s worth is received in connection with the use of a Creative Commons licensed work, the use of the work does not qualify as Non-Commercial.

ii. If a Creative Commons licensed work is used in connection with a request for voluntary contributions (donations, supporting membership or the like) for the benefit of an individual, an educational institution or a non-profit organisation, the use of the work qualifies as Non-Commercial.

==Experiences (so far)==

==Additional Information==

* Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/8012 Danish Collecting Society KODA teams up with CC Denmark]

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Netherlands

2009-06-10T19:18:04Z

CCID-paul: /* Additional Information */

==Parties Involved==

==Objectives==

==How does it work==

==Definition (Non)Commercial==

Within the scope of the pilot between Creative Commons Netherlands and Buma/Stemra, ‘commercial use’ should be taken to mean the following:

Every use of the Work by for-profit institutions is qualified as ‘commercial use’.

In addition, within the scope of the pilot, distributing or publicly performing or making available online the Work against payment or other financial compensation (including the use of the work in combination with ads, publicity actions or other similar activities intended to generate income for the user or a third party) is qualified as ‘commercial use’.

Within the scope of the pilot, ‘commercial use’ also includes the distribution or public performance or having broadcasting organisations make the Work available online, as well as using the Work in hotel and catering establishments, work, sales and retail spaces. This also applies to organisations that use music in or in addition to the performance of their duties, such as, for example, churches, schools (including dancing schools), institutions for welfare work, etc. Separate licenses are available from Buma/Stemra for such kinds of use.

source: [http://creativecommons.nl/bumapilot/070823factsheet_en_web.pdf Fact Sheet Pilot Creative Commons Netherlands and Buma/Stemra]

==Experiences (so far)==

==Additional Information==

* Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/7622 Dutch Collecting Societies Welcome CC]
* [http://creativecommons.nl/bumapilot/070823factsheet_en_web.pdf Fact Sheet Pilot Creative Commons Netherlands and Buma/Stemra]
* Press Release: [http://creativecommons.nl/bumapilot/070823persbericht_en_web.pdf More opportunities for music authors to promote their own music]

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Netherlands

2009-06-10T19:17:42Z

CCID-paul: /* Additional Information */

==Parties Involved==

==Objectives==

==How does it work==

==Definition (Non)Commercial==

Within the scope of the pilot between Creative Commons Netherlands and Buma/Stemra, ‘commercial use’ should be taken to mean the following:

Every use of the Work by for-profit institutions is qualified as ‘commercial use’.

In addition, within the scope of the pilot, distributing or publicly performing or making available online the Work against payment or other financial compensation (including the use of the work in combination with ads, publicity actions or other similar activities intended to generate income for the user or a third party) is qualified as ‘commercial use’.

Within the scope of the pilot, ‘commercial use’ also includes the distribution or public performance or having broadcasting organisations make the Work available online, as well as using the Work in hotel and catering establishments, work, sales and retail spaces. This also applies to organisations that use music in or in addition to the performance of their duties, such as, for example, churches, schools (including dancing schools), institutions for welfare work, etc. Separate licenses are available from Buma/Stemra for such kinds of use.

source: [http://creativecommons.nl/bumapilot/070823factsheet_en_web.pdf Fact Sheet Pilot Creative Commons Netherlands and Buma/Stemra]

==Experiences (so far)==

==Additional Information==

* Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/7622 Dutch Collecting Societies Welcome CC]
* [http://creativecommons.nl/bumapilot/070823factsheet_en_web.pdf Fact Sheet Pilot Creative Commons Netherlands and Buma/Stemra]
* [http://creativecommons.nl/bumapilot/070823persbericht_en_web.pdf Press Release: More opportunities for music authors to promote their own music]

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Netherlands

2009-06-10T19:15:21Z

CCID-paul: /* Definition (Non)Commercial */

==Parties Involved==

==Objectives==

==How does it work==

==Definition (Non)Commercial==

Within the scope of the pilot between Creative Commons Netherlands and Buma/Stemra, ‘commercial use’ should be taken to mean the following:

Every use of the Work by for-profit institutions is qualified as ‘commercial use’.

In addition, within the scope of the pilot, distributing or publicly performing or making available online the Work against payment or other financial compensation (including the use of the work in combination with ads, publicity actions or other similar activities intended to generate income for the user or a third party) is qualified as ‘commercial use’.

Within the scope of the pilot, ‘commercial use’ also includes the distribution or public performance or having broadcasting organisations make the Work available online, as well as using the Work in hotel and catering establishments, work, sales and retail spaces. This also applies to organisations that use music in or in addition to the performance of their duties, such as, for example, churches, schools (including dancing schools), institutions for welfare work, etc. Separate licenses are available from Buma/Stemra for such kinds of use.

source: [http://creativecommons.nl/bumapilot/070823factsheet_en_web.pdf Fact Sheet Pilot Creative Commons Netherlands and Buma/Stemra]

==Experiences (so far)==

==Additional Information==

* Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/7622 Dutch Collecting Societies Welcome CC]

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Netherlands

2009-06-10T19:10:18Z

CCID-paul: /* Definition (Non)Commercial */

==Parties Involved==

==Objectives==

==How does it work==

==Definition (Non)Commercial==

Within the scope of the pilot between Creative Commons Netherlands and Buma/Stemra, ‘commercial use’ should be taken to mean the following:

Every use of the Work by for-profit institutions is qualified as ‘commercial use’.

In addition, within the scope of the pilot, distributing or publicly performing or making available online the Work against payment or other financial compensation (including the use of the work in combination with ads, publicity actions or other similar activities intended to generate income for the user or a third party) is qualified as ‘commercial use’.

Within the scope of the pilot, ‘commercial use’ also includes the distribution or public performance or having broadcasting organisations make the Work available online, as well as using the Work in hotel and catering establishments, work, sales and retail spaces. This also applies to organisations that use music in or in addition to the performance of their duties, such as, for example, churches, schools (including dancing schools), institutions for welfare work, etc. Separate licenses are available from Buma/Stemra for such kinds of use.

==Experiences (so far)==

==Additional Information==

* Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/7622 Dutch Collecting Societies Welcome CC]

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects

2009-06-09T12:13:01Z

CCID-paul: /* Priorities */

{{Project}}

This page collects information about the interaction between various creative commons jurisdiction projects and collecting societies. It provides an overview of jurisdictions where Collecting Society members can use Creative Commons licenses ('[[#Projects|Projects]]') and of jurisdictions where there are talks between the jurisdiction project and a collecting society in order to archive this goal ('[[#Negotiations|Negotiations]]').

== Priorities ==

# Increase usage of CC license usage in jurisdiction
# Increase profitability of cc license users
# Support non-exclusive collecting societies

'''NOTE: When interacting with Collecting Society representatives it is important to be cordial with them and provide information about Creative Commons usage (see [[Case_Studies|case studies]], [[Documentation|documentation]] and [[Metrics|metrics]]) and integrating Creative Commons licenses (see: [[CCPlus|CC+]], [[CcREL]] and [[Web_Integration|web integration]]). Be be mindful of the overall [[#Priorities|priorities]] and ensure that you are in line with the arrangements made as part of ongoing [[#Projects|projects]]'''

==Projects==

* [[Netherlands]]: pilot project between CC Netherlands and [http://www.bumastemra.nl/en-US/Home.htm BUMA/STEMRA] (Collecting society for composers and songwriters) launched on 23 august 2007 and currently running.
* [[Denmark]]: trail agreed between [http://www.koda.dk/english KODA] (Collecting society for composers, songwriters and music publishers) launced on 31 january 2008 and currently running.
* [[Sweden]]: On 27 may [http://www.stim.se/stim/prod/stimv4eng.nsf STIM] (Collecting society for composers, songwriters and music publishers) announced a two year trail that allows for their members to use CC-NC licenses. Currently running without involvement by CC-Sweden.

==Negotiations==

* [[Italy]]: There are currently negotiations between CC-Italy and [http://www.siae.it/index.asp SIAE] (Italian Society of Authors and Publishers, representing all sorts of authors and publishers (not only in the field of music))
* [[France]]: There are currently negotiations between CC-France and [http://www.sacem.fr/WportailSacem/jsp/ep/home.html SACEM] (Collecting Society for original music composers, authors and publishers)
* [[Australia]] There are currently negotiations between CC-Australia and [http://www.apra-amcos.com.au APRA] (Collecting Society for original music composers, authors and publishers)
* [[Germany]]: There are currently negotiations between CC-Germany and [http://www.vgwort.de/ VG-Wort] (Collecting Society for authors of literary, journalistic and scientific works)

=== links (to be moved eleswhere) ===

* APRA "Creative Commons" page, http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp
* APRA CEO Brett Cottle's article on ArtsHub, http://www.artshub.com.au/au/news.asp?sId=70075
* Opt APRA, http://www.optapra.net
* Elliott Bledsoe's blog entry after the CCau Music Forum, http://ccelliott.blogspot.com/2007/11/post-music-industry-forum-reflections.html
* Reform APRA MySpace with 'I support reforms for APRA' pledges from Australian musicians, http://www.myspace.com/optoutofapra

* Improbable Match: Open Licences And Collecting Societies In Europe, http://www.ip-watch.org/weblog/index.php?p=1291

Collecting Society Projects

2009-06-08T21:35:45Z

CCID-paul: /* Priorities */

{{Project}}

This page collects information about the interaction between various creative commons jurisdiction projects and collecting societies. It provides an overview of jurisdictions where Collecting Society members can use Creative Commons licenses ('[[#Projects|Projects]]') and of jurisdictions where there are talks between the jurisdiction project and a collecting society in order to archive this goal ('[[#Negotiations|Negotiations]]').

== Priorities ==

# Increase usage of CC license usage in jurisdiction
# Increase profitability of cc license users
# Support non-exclusive collecting societies

'''NOTE: While many copyright holders work with Collecting Societies, it is important to be cordial with collecting societies and provide information about Creative Commons usage (see [[Case_Studies|case studies]], [[Documentation|documentation]] and [[Metrics|metrics]]) and integrating Creative Commons licenses (see: [[CCPlus|CC+]], [[CcREL]] and [[Web_Integration|web integration]]). Be be mindful of the overall [[#Priorities|priorities]] and ensure that you are in line with the arrangements made as part of ongoing [[#Projects|projects]]'''

==Projects==

* [[Netherlands]]: pilot project between CC Netherlands and [http://www.bumastemra.nl/en-US/Home.htm BUMA/STEMRA] (Collecting society for composers and songwriters) launched on 23 august 2007 and currently running.
* [[Denmark]]: trail agreed between [http://www.koda.dk/english KODA] (Collecting society for composers, songwriters and music publishers) launced on 31 january 2008 and currently running.
* [[Sweden]]: On 27 may [http://www.stim.se/stim/prod/stimv4eng.nsf STIM] (Collecting society for composers, songwriters and music publishers) announced a two year trail that allows for their members to use CC-NC licenses. Currently running without involvement by CC-Sweden.

==Negotiations==

* [[Italy]]: There are currently negotiations between CC-Italy and [http://www.siae.it/index.asp SIAE] (Italian Society of Authors and Publishers, representing all sorts of authors and publishers (not only in the field of music))
* [[France]]: There are currently negotiations between CC-France and [http://www.sacem.fr/WportailSacem/jsp/ep/home.html SACEM] (Collecting Society for original music composers, authors and publishers)
* [[Australia]] There are currently negotiations between CC-Australia and [http://www.apra-amcos.com.au APRA] (Collecting Society for original music composers, authors and publishers)
* [[Germany]]: There are currently negotiations between CC-Germany and [http://www.vgwort.de/ VG-Wort] (Collecting Society for authors of literary, journalistic and scientific works)

=== links (to be moved eleswhere) ===

* APRA "Creative Commons" page, http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp
* APRA CEO Brett Cottle's article on ArtsHub, http://www.artshub.com.au/au/news.asp?sId=70075
* Opt APRA, http://www.optapra.net
* Elliott Bledsoe's blog entry after the CCau Music Forum, http://ccelliott.blogspot.com/2007/11/post-music-industry-forum-reflections.html
* Reform APRA MySpace with 'I support reforms for APRA' pledges from Australian musicians, http://www.myspace.com/optoutofapra

* Improbable Match: Open Licences And Collecting Societies In Europe, http://www.ip-watch.org/weblog/index.php?p=1291

Collecting Society Projects

2009-06-08T21:26:30Z

CCID-paul: /* Projects */

{{Project}}

This page collects information about the interaction between various creative commons jurisdiction projects and collecting societies. It provides an overview of jurisdictions where Collecting Society members can use Creative Commons licenses ('[[#Projects|Projects]]') and of jurisdictions where there are talks between the jurisdiction project and a collecting society in order to archive this goal ('[[#Negotiations|Negotiations]]').

== Priorities ==

# Increase usage of CC license usage in jurisdiction
# Increase profitability of cc license users
# Support non-exclusive collecting societies

'''NOTE: While many copyright holders work with Collecting Societies, it is important to be cordial with collecting societies and provide [[#Information|information]] about [[#Technology|integrating]] Creative Commons licenses, but be mindful of overall [[#Priorities]].'''

==Projects==

* [[Netherlands]]: pilot project between CC Netherlands and [http://www.bumastemra.nl/en-US/Home.htm BUMA/STEMRA] (Collecting society for composers and songwriters) launched on 23 august 2007 and currently running.
* [[Denmark]]: trail agreed between [http://www.koda.dk/english KODA] (Collecting society for composers, songwriters and music publishers) launced on 31 january 2008 and currently running.
* [[Sweden]]: On 27 may [http://www.stim.se/stim/prod/stimv4eng.nsf STIM] (Collecting society for composers, songwriters and music publishers) announced a two year trail that allows for their members to use CC-NC licenses. Currently running without involvement by CC-Sweden.

==Negotiations==

* [[Italy]]: There are currently negotiations between CC-Italy and [http://www.siae.it/index.asp SIAE] (Italian Society of Authors and Publishers, representing all sorts of authors and publishers (not only in the field of music))
* [[France]]: There are currently negotiations between CC-France and [http://www.sacem.fr/WportailSacem/jsp/ep/home.html SACEM] (Collecting Society for original music composers, authors and publishers)
* [[Australia]] There are currently negotiations between CC-Australia and [http://www.apra-amcos.com.au APRA] (Collecting Society for original music composers, authors and publishers)
* [[Germany]]: There are currently negotiations between CC-Germany and [http://www.vgwort.de/ VG-Wort] (Collecting Society for authors of literary, journalistic and scientific works)

=== links (to be moved eleswhere) ===

* APRA "Creative Commons" page, http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp
* APRA CEO Brett Cottle's article on ArtsHub, http://www.artshub.com.au/au/news.asp?sId=70075
* Opt APRA, http://www.optapra.net
* Elliott Bledsoe's blog entry after the CCau Music Forum, http://ccelliott.blogspot.com/2007/11/post-music-industry-forum-reflections.html
* Reform APRA MySpace with 'I support reforms for APRA' pledges from Australian musicians, http://www.myspace.com/optoutofapra

* Improbable Match: Open Licences And Collecting Societies In Europe, http://www.ip-watch.org/weblog/index.php?p=1291

Collecting Society Projects/Netherlands

2009-06-08T21:12:40Z

CCID-paul: /* Additional Information */

==Parties Involved==

==Objectives==

==How does it work==

==Definition (Non)Commercial==

==Experiences (so far)==

==Additional Information==

* Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/7622 Dutch Collecting Societies Welcome CC]

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Denmark

2009-06-08T21:10:37Z

==Parties Involved==

==Objectives==

==How does it work==

==Definition (Non)Commercial==

==Experiences (so far)==

==Additional Information==

* Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/8012 Danish Collecting Society KODA teams up with CC Denmark]

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Netherlands

2009-06-08T21:08:39Z

CCID-paul: /* Additional Information */

==Parties Involved==

==Objectives==

==How does it work==

==Definition (Non)Commercial==

==Experiences (so far)==

==Additional Information==

* Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/8012 Danish Collecting Society KODA teams up with CC Denmark]

'''Go back to [[Collecting_Society_Projects|collecting society projects overview page]]'''

Collecting Society Projects/Netherlands

2009-06-08T21:07:25Z

CCID-paul:

==Parties Involved==

==Objectives==

==How does it work==

==Definition (Non)Commercial==

==Experiences (so far)==

==Additional Information==

* Announcement on the cc-blog: [http://creativecommons.org/weblog/entry/8012 Danish Collecting Society KODA teams up with CC Denmark]

Go back to [[Collecting_Society_Projects]] overview.

Collecting Society Projects/Netherlands

2009-06-08T21:05:50Z

CCID-paul:

==Parties Involved==

==Objectives==

==How does it work==

==Definition (Non)Commercial==

==Experiences (so far)==

==Additional Information==

Go back to [[Collecting_society_projects]] overview

Collecting Society Projects/Netherlands

2009-06-08T21:03:54Z

CCID-paul: Created page with '==Parties Involved== ==Objectives== ==How does it work== ==Definition (Non)Commercial== ==Experiences (so far)== ==Additional Information=='

==Parties Involved==

==Objectives==

==How does it work==

==Definition (Non)Commercial==

==Experiences (so far)==

==Additional Information==

Collecting Society Projects

2009-06-08T21:01:00Z

CCID-paul:

Collecting Society Projects

2009-06-08T20:59:47Z

CCID-paul: /* Links */

{{Project}}

This page collects information about the interaction between various creative commons jurisdiction projects and collecting societies. It provides an overview of jurisdictions where Collecting Society members can use Creative Commons licenses ('[[#Projects|Projects]]') and of jurisdictions where there are talks between the jurisdiction project and a collecting society in order to archive this goal ('[[#Negotiations|Negotiations]]').

== Priorities ==

# Increase usage of CC license usage in jurisdiction
# Increase profitability of cc license users
# Support non-exclusive collecting societies

'''NOTE: While many copyright holders work with Collecting Societies, it is important to be cordial with collecting societies and provide [[#Information|information]] about [[#Technology|integrating]] Creative Commons licenses, but be mindful of overall [[#Priorities]].'''

==Projects==

* [[Netherlands]]: pilot project between CC Netherlands and BUMA/STEMRA (Collecting society for composers and songwriters) launched on 23 august 2007 and currently running.
* [[Denmark]]: trail agreed between KODA (Collecting society for composers, songwriters and music publishers) launced on 31 january 2008 and currently running.
* [[Sweden]]: On 27 may STIM (Collecting society for composers, songwriters and music publishers) announced a two year trail that allows for their members to use CC-NC licenses. Currently running without involvement by CC-Sweden.

=== CC Denmark / KODA ===

'''Lead''': Henrik Moltke

===

==== Links ====

* add one...

=== CC Australia ===

'''Leads''': Elliott Bledsoe, Jessica Coates, Brian Fitzgerald

==== Links ====

* APRA "Creative Commons" page, http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp
* APRA CEO Brett Cottle's article on ArtsHub, http://www.artshub.com.au/au/news.asp?sId=70075
* Opt APRA, http://www.optapra.net
* Elliott Bledsoe's blog entry after the CCau Music Forum, http://ccelliott.blogspot.com/2007/11/post-music-industry-forum-reflections.html
* Reform APRA MySpace with 'I support reforms for APRA' pledges from Australian musicians, http://www.myspace.com/optoutofapra

=== CC Hong Kong ===

'''Lead''': Rebecca MacKinnon

==== Links ====

* add one...

=== CC France ===

'''Leads''': Melanie Dulong de Rosnay and Francois Dechelle

==== Links ====

* Improbable Match: Open Licences And Collecting Societies In Europe, http://www.ip-watch.org/weblog/index.php?p=1291

Collecting Society Projects

2009-06-08T20:59:30Z

CCID-paul: /* Projects */

{{Project}}

This page collects information about the interaction between various creative commons jurisdiction projects and collecting societies. It provides an overview of jurisdictions where Collecting Society members can use Creative Commons licenses ('[[#Projects|Projects]]') and of jurisdictions where there are talks between the jurisdiction project and a collecting society in order to archive this goal ('[[#Negotiations|Negotiations]]').

== Priorities ==

# Increase usage of CC license usage in jurisdiction
# Increase profitability of cc license users
# Support non-exclusive collecting societies

'''NOTE: While many copyright holders work with Collecting Societies, it is important to be cordial with collecting societies and provide [[#Information|information]] about [[#Technology|integrating]] Creative Commons licenses, but be mindful of overall [[#Priorities]].'''

==Projects==

* [[Netherlands]]: pilot project between CC Netherlands and BUMA/STEMRA (Collecting society for composers and songwriters) launched on 23 august 2007 and currently running.
* [[Denmark]]: trail agreed between KODA (Collecting society for composers, songwriters and music publishers) launced on 31 january 2008 and currently running.
* [[Sweden]]: On 27 may STIM (Collecting society for composers, songwriters and music publishers) announced a two year trail that allows for their members to use CC-NC licenses. Currently running without involvement by CC-Sweden.

==== Links ====

* http://jamyoung.wordpress.com/2007/10/16/bumastemra-creative-commons/
* http://www.bumastemra.nl/en-US/OverBumaStemra/Actueel/Buma+Stemra+and+Creative+Commons+Nederland+are+starting+a+pilot.htm
* http://www.bumastemra.nl/en-US/Pers/Persberichten/pilot+CC.htm

=== CC Denmark / KODA ===

'''Lead''': Henrik Moltke

===

==== Links ====

* add one...

=== CC Australia ===

'''Leads''': Elliott Bledsoe, Jessica Coates, Brian Fitzgerald

==== Links ====

* APRA "Creative Commons" page, http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp
* APRA CEO Brett Cottle's article on ArtsHub, http://www.artshub.com.au/au/news.asp?sId=70075
* Opt APRA, http://www.optapra.net
* Elliott Bledsoe's blog entry after the CCau Music Forum, http://ccelliott.blogspot.com/2007/11/post-music-industry-forum-reflections.html
* Reform APRA MySpace with 'I support reforms for APRA' pledges from Australian musicians, http://www.myspace.com/optoutofapra

=== CC Hong Kong ===

'''Lead''': Rebecca MacKinnon

==== Links ====

* add one...

=== CC France ===

'''Leads''': Melanie Dulong de Rosnay and Francois Dechelle

==== Links ====

* Improbable Match: Open Licences And Collecting Societies In Europe, http://www.ip-watch.org/weblog/index.php?p=1291

Collecting Society Projects

2009-06-08T20:50:31Z

CCID-paul:

Collecting Society Projects

2009-06-08T20:49:57Z

CCID-paul: /* Ongoing Projects */

Collecting Society Projects

2009-06-08T20:49:36Z

CCID-paul: started resturcturing the information on this page

Collecting Society Projects

2009-06-08T20:46:17Z

CCID-paul:

Collecting Society Projects

2009-06-08T20:42:05Z

CCID-paul:

{{Project}}

== Priorities ==

# Increase usage of CC license usage in jurisdiction
# Increase profitability of cc license users
# Support non-exclusive collecting societies

'''NOTE: While many copyright holders work with Collecting Societies, it is important to be cordial with collecting societies and provide [[#Information|information]] about [[#Technology|integrating]] Creative Commons licenses, but be mindful of overall [[#Priorities]].'''

== Ongoing Projects ==

=== Netherlands: CC Netherlands / BUMA/STEMRA ===

'''Lead''': Paul Keller

==== Links ====

* http://jamyoung.wordpress.com/2007/10/16/bumastemra-creative-commons/
* http://www.bumastemra.nl/en-US/OverBumaStemra/Actueel/Buma+Stemra+and+Creative+Commons+Nederland+are+starting+a+pilot.htm
* http://www.bumastemra.nl/en-US/Pers/Persberichten/pilot+CC.htm

=== CC Denmark / KODA ===

'''Lead''': Henrik Moltke

===

==== Links ====

* add one...

=== CC Australia ===

'''Leads''': Elliott Bledsoe, Jessica Coates, Brian Fitzgerald

==== Links ====

* APRA "Creative Commons" page, http://www.apra.com.au/writers/forms_and_guidelines/creative_commons.asp
* APRA CEO Brett Cottle's article on ArtsHub, http://www.artshub.com.au/au/news.asp?sId=70075
* Opt APRA, http://www.optapra.net
* Elliott Bledsoe's blog entry after the CCau Music Forum, http://ccelliott.blogspot.com/2007/11/post-music-industry-forum-reflections.html
* Reform APRA MySpace with 'I support reforms for APRA' pledges from Australian musicians, http://www.myspace.com/optoutofapra

=== CC Hong Kong ===

'''Lead''': Rebecca MacKinnon

==== Links ====

* add one...

=== CC France ===

'''Leads''': Melanie Dulong de Rosnay and Francois Dechelle

==== Links ====

* Improbable Match: Open Licences And Collecting Societies In Europe, http://www.ip-watch.org/weblog/index.php?p=1291