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		<id>https://wiki.creativecommons.org/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=CCID-Jgemetto</id>
		<title>Creative Commons - User contributions [en]</title>
		<link rel="self" type="application/atom+xml" href="https://wiki.creativecommons.org/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=CCID-Jgemetto"/>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/wiki/Special:Contributions/CCID-Jgemetto"/>
		<updated>2026-05-26T13:05:52Z</updated>
		<subtitle>User contributions</subtitle>
		<generator>MediaWiki 1.30.0</generator>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=User:CCID-Jgemetto&amp;diff=117963</id>
		<title>User:CCID-Jgemetto</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=User:CCID-Jgemetto&amp;diff=117963"/>
				<updated>2024-01-26T23:43:30Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: Created page with &amp;quot;I am a free culture activist and member of Creative Commons Uruguay.&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;I am a free culture activist and member of Creative Commons Uruguay.&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117962</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117962"/>
				<updated>2024-01-26T22:39:51Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw_es.png| BY-SA&lt;br /&gt;
Image:By-nc_bw_es.png| BY-NC&lt;br /&gt;
Image:By-nd_bw_es.png| BY-ND&lt;br /&gt;
Image:By-nc-sa_bw_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_bw_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Color simple==&lt;br /&gt;
[[Image:By_color_es.png|720px]]&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_color_es.png| BY&lt;br /&gt;
Image:By-sa_color_es.png| BY-SA&lt;br /&gt;
Image:By-nc_color_es.png| BY-NC&lt;br /&gt;
Image:By-nd_color_es.png| BY-ND&lt;br /&gt;
Image:By-nc-sa_color_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_color_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==En otros idiomas==&lt;br /&gt;
* [[CC video bumpers|Inglés]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Video]]&lt;br /&gt;
[[Category:Marking]]&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=CC_video_bumpers&amp;diff=117961</id>
		<title>CC video bumpers</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=CC_video_bumpers&amp;diff=117961"/>
				<updated>2024-01-26T22:39:02Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Simple Black &amp;amp; White==&lt;br /&gt;
'''New in February 2019''': [https://vimeo.com/album/5791214 Updated Video Bumpers!]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw.png]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw.png| BY ([[Media:By_bw.svg |svg]])&lt;br /&gt;
Image:By-sa_bw.png| BY-SA ([[Media:By-sa_bw.svg |svg]])&lt;br /&gt;
Image:By-nc_bw.png| BY-NC ([[Media:By-nc_bw.svg |svg]]) &lt;br /&gt;
Image:By-nd_bw.png| BY-ND ([[Media:By-nd_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_bw.png| BY-NC-SA ([[Media:By-nc-sa_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-nd_bw.png| BY-NC-ND ([[Media:By-nc-nd_bw.svg |svg]]) &lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Simple Color==&lt;br /&gt;
[[Image:By_color.png]]&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_color.png| BY ([[Media:By_color.svg |svg]])&lt;br /&gt;
Image:By-sa_color.png| BY-SA ([[Media:By-sa_color.svg |svg]])&lt;br /&gt;
Image:By-nc_color.png| BY-NC ([[Media:By-nc_color.svg |svg]]) &lt;br /&gt;
Image:By-nd_color.png| BY-ND ([[Media:By-nd_color.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_color.png| BY-NC-SA ([[Media:By-nc-sa_color.svg |svg]]) &lt;br /&gt;
Image:By-nc-nd_color.png| BY-NC-ND ([[Media:By-nc-nd_color.svg |svg]]) &lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==In other languages==&lt;br /&gt;
* [[Es:Placas de CC para videos|Spanish]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Video]]&lt;br /&gt;
[[Category:Marking]]&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=CC_video_bumpers&amp;diff=117960</id>
		<title>CC video bumpers</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=CC_video_bumpers&amp;diff=117960"/>
				<updated>2024-01-26T22:38:19Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: I add an internal link for the Spanish translated bumpers&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Simple Black &amp;amp; White==&lt;br /&gt;
'''New in February 2019''': [https://vimeo.com/album/5791214 Updated Video Bumpers!]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw.png]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw.png| BY ([[Media:By_bw.svg |svg]])&lt;br /&gt;
Image:By-sa_bw.png| BY-SA ([[Media:By-sa_bw.svg |svg]])&lt;br /&gt;
Image:By-nc_bw.png| BY-NC ([[Media:By-nc_bw.svg |svg]]) &lt;br /&gt;
Image:By-nd_bw.png| BY-ND ([[Media:By-nd_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_bw.png| BY-NC-SA ([[Media:By-nc-sa_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-nd_bw.png| BY-NC-ND ([[Media:By-nc-nd_bw.svg |svg]]) &lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Simple Color==&lt;br /&gt;
[[Image:By_color.png]]&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_color.png| BY ([[Media:By_color.svg |svg]])&lt;br /&gt;
Image:By-sa_color.png| BY-SA ([[Media:By-sa_color.svg |svg]])&lt;br /&gt;
Image:By-nc_color.png| BY-NC ([[Media:By-nc_color.svg |svg]]) &lt;br /&gt;
Image:By-nd_color.png| BY-ND ([[Media:By-nd_color.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_color.png| BY-NC-SA ([[Media:By-nc-sa_color.svg |svg]]) &lt;br /&gt;
Image:By-nc-nd_color.png| BY-NC-ND ([[Media:By-nc-nd_color.svg |svg]]) &lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Video]]&lt;br /&gt;
[[Category:Marking]]&lt;br /&gt;
&lt;br /&gt;
==In other languages==&lt;br /&gt;
* [[Es:Placas de CC para videos|Spanish]]&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117959</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117959"/>
				<updated>2024-01-26T22:33:54Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw_es.png| BY-SA&lt;br /&gt;
Image:By-nc_bw_es.png| BY-NC&lt;br /&gt;
Image:By-nd_bw_es.png| BY-ND&lt;br /&gt;
Image:By-nc-sa_bw_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_bw_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Color simple==&lt;br /&gt;
[[Image:By_color_es.png|720px]]&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_color_es.png| BY&lt;br /&gt;
Image:By-sa_color_es.png| BY-SA&lt;br /&gt;
Image:By-nc_color_es.png| BY-NC&lt;br /&gt;
Image:By-nd_color_es.png| BY-ND&lt;br /&gt;
Image:By-nc-sa_color_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_color_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Video]]&lt;br /&gt;
[[Category:Marking]]&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117958</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117958"/>
				<updated>2024-01-26T22:32:34Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw_es.png| BY-SA&lt;br /&gt;
Image:By-nc_bw_es.png| BY-NC&lt;br /&gt;
Image:By-nd_bw_es.png| BY-ND&lt;br /&gt;
Image:By-nc-sa_bw_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_bw_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Simple Color==&lt;br /&gt;
[[Image:By_color_es.png|720px]]&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_color_es.png| BY&lt;br /&gt;
Image:By-sa_color_es.png| BY-SA&lt;br /&gt;
Image:By-nc_color_es.png| BY-NC&lt;br /&gt;
Image:By-nd_color_es.png| BY-ND&lt;br /&gt;
Image:By-nc-sa_color_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_color_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Video]]&lt;br /&gt;
[[Category:Marking]]&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=File:By-sa_color_es.png&amp;diff=117957</id>
		<title>File:By-sa color es.png</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=File:By-sa_color_es.png&amp;diff=117957"/>
				<updated>2024-01-26T22:32:02Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117956</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117956"/>
				<updated>2024-01-26T22:31:41Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw_es.png| BY-SA&lt;br /&gt;
Image:By-nc_bw_es.png| BY-NC&lt;br /&gt;
Image:By-nd_bw_es.png| BY-ND&lt;br /&gt;
Image:By-nc-sa_bw_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_bw_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Simple Color==&lt;br /&gt;
[[Image:By_color_es.png|720px]]&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_color_es.png| BY&lt;br /&gt;
Image:By-sa_color.png| BY-SA ([[Media:By-sa_color.svg |svg]])&lt;br /&gt;
Image:By-nc_color_es.png| BY-NC&lt;br /&gt;
Image:By-nd_color_es.png| BY-ND&lt;br /&gt;
Image:By-nc-sa_color_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_color_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Video]]&lt;br /&gt;
[[Category:Marking]]&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=File:By-nd_color_es.png&amp;diff=117955</id>
		<title>File:By-nd color es.png</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=File:By-nd_color_es.png&amp;diff=117955"/>
				<updated>2024-01-26T22:31:13Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117954</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117954"/>
				<updated>2024-01-26T22:30:53Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw_es.png| BY-SA&lt;br /&gt;
Image:By-nc_bw_es.png| BY-NC&lt;br /&gt;
Image:By-nd_bw_es.png| BY-ND&lt;br /&gt;
Image:By-nc-sa_bw_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_bw_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Simple Color==&lt;br /&gt;
[[Image:By_color_es.png|720px]]&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_color_es.png| BY&lt;br /&gt;
Image:By-sa_color.png| BY-SA ([[Media:By-sa_color.svg |svg]])&lt;br /&gt;
Image:By-nc_color_es.png| BY-NC&lt;br /&gt;
Image:By-nd_color.png| BY-ND ([[Media:By-nd_color.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_color_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_color_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Video]]&lt;br /&gt;
[[Category:Marking]]&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=File:By-nc-sa_color_es.png&amp;diff=117953</id>
		<title>File:By-nc-sa color es.png</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=File:By-nc-sa_color_es.png&amp;diff=117953"/>
				<updated>2024-01-26T22:30:24Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117952</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117952"/>
				<updated>2024-01-26T22:29:50Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw_es.png| BY-SA&lt;br /&gt;
Image:By-nc_bw_es.png| BY-NC&lt;br /&gt;
Image:By-nd_bw_es.png| BY-ND&lt;br /&gt;
Image:By-nc-sa_bw_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_bw_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Simple Color==&lt;br /&gt;
[[Image:By_color_es.png|720px]]&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_color_es.png| BY&lt;br /&gt;
Image:By-sa_color.png| BY-SA ([[Media:By-sa_color.svg |svg]])&lt;br /&gt;
Image:By-nc_color_es.png| BY-NC&lt;br /&gt;
Image:By-nd_color.png| BY-ND ([[Media:By-nd_color.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_color.png| BY-NC-SA ([[Media:By-nc-sa_color.svg |svg]]) &lt;br /&gt;
Image:By-nc-nd_color_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Video]]&lt;br /&gt;
[[Category:Marking]]&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=File:By-nc-nd_color_es.png&amp;diff=117951</id>
		<title>File:By-nc-nd color es.png</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=File:By-nc-nd_color_es.png&amp;diff=117951"/>
				<updated>2024-01-26T22:29:11Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117950</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117950"/>
				<updated>2024-01-26T22:28:44Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw_es.png| BY-SA&lt;br /&gt;
Image:By-nc_bw_es.png| BY-NC&lt;br /&gt;
Image:By-nd_bw_es.png| BY-ND&lt;br /&gt;
Image:By-nc-sa_bw_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_bw_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Simple Color==&lt;br /&gt;
[[Image:By_color_es.png|720px]]&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_color_es.png| BY&lt;br /&gt;
Image:By-sa_color.png| BY-SA ([[Media:By-sa_color.svg |svg]])&lt;br /&gt;
Image:By-nc_color_es.png| BY-NC&lt;br /&gt;
Image:By-nd_color.png| BY-ND ([[Media:By-nd_color.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_color.png| BY-NC-SA ([[Media:By-nc-sa_color.svg |svg]]) &lt;br /&gt;
Image:By-nc-nd_color.png| BY-NC-ND ([[Media:By-nc-nd_color.svg |svg]]) &lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Video]]&lt;br /&gt;
[[Category:Marking]]&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=File:By-nc_color_es.png&amp;diff=117949</id>
		<title>File:By-nc color es.png</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=File:By-nc_color_es.png&amp;diff=117949"/>
				<updated>2024-01-26T22:28:17Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117948</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117948"/>
				<updated>2024-01-26T22:27:36Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw_es.png| BY-SA&lt;br /&gt;
Image:By-nc_bw_es.png| BY-NC&lt;br /&gt;
Image:By-nd_bw_es.png| BY-ND&lt;br /&gt;
Image:By-nc-sa_bw_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_bw_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Simple Color==&lt;br /&gt;
[[Image:By_color_es.png|720px]]&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_color_es.png| BY&lt;br /&gt;
Image:By-sa_color.png| BY-SA ([[Media:By-sa_color.svg |svg]])&lt;br /&gt;
Image:By-nc_color.png| BY-NC ([[Media:By-nc_color.svg |svg]]) &lt;br /&gt;
Image:By-nd_color.png| BY-ND ([[Media:By-nd_color.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_color.png| BY-NC-SA ([[Media:By-nc-sa_color.svg |svg]]) &lt;br /&gt;
Image:By-nc-nd_color.png| BY-NC-ND ([[Media:By-nc-nd_color.svg |svg]]) &lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Video]]&lt;br /&gt;
[[Category:Marking]]&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117947</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117947"/>
				<updated>2024-01-26T22:27:17Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw_es.png| BY-SA&lt;br /&gt;
Image:By-nc_bw_es.png| BY-NC&lt;br /&gt;
Image:By-nd_bw_es.png| BY-ND&lt;br /&gt;
Image:By-nc-sa_bw_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_bw_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Simple Color==&lt;br /&gt;
[[Image:By_color_es.png]]&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_color_es.png| BY&lt;br /&gt;
Image:By-sa_color.png| BY-SA ([[Media:By-sa_color.svg |svg]])&lt;br /&gt;
Image:By-nc_color.png| BY-NC ([[Media:By-nc_color.svg |svg]]) &lt;br /&gt;
Image:By-nd_color.png| BY-ND ([[Media:By-nd_color.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_color.png| BY-NC-SA ([[Media:By-nc-sa_color.svg |svg]]) &lt;br /&gt;
Image:By-nc-nd_color.png| BY-NC-ND ([[Media:By-nc-nd_color.svg |svg]]) &lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Video]]&lt;br /&gt;
[[Category:Marking]]&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=File:By_color_es.png&amp;diff=117946</id>
		<title>File:By color es.png</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=File:By_color_es.png&amp;diff=117946"/>
				<updated>2024-01-26T22:26:42Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117945</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117945"/>
				<updated>2024-01-26T22:25:54Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw_es.png| BY-SA&lt;br /&gt;
Image:By-nc_bw_es.png| BY-NC&lt;br /&gt;
Image:By-nd_bw_es.png| BY-ND&lt;br /&gt;
Image:By-nc-sa_bw_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_bw_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Simple Color==&lt;br /&gt;
[[Image:By_color.png]]&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_color.png| BY ([[Media:By_color.svg |svg]])&lt;br /&gt;
Image:By-sa_color.png| BY-SA ([[Media:By-sa_color.svg |svg]])&lt;br /&gt;
Image:By-nc_color.png| BY-NC ([[Media:By-nc_color.svg |svg]]) &lt;br /&gt;
Image:By-nd_color.png| BY-ND ([[Media:By-nd_color.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_color.png| BY-NC-SA ([[Media:By-nc-sa_color.svg |svg]]) &lt;br /&gt;
Image:By-nc-nd_color.png| BY-NC-ND ([[Media:By-nc-nd_color.svg |svg]]) &lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Video]]&lt;br /&gt;
[[Category:Marking]]&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117944</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117944"/>
				<updated>2024-01-26T22:03:01Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw_es.png| BY-SA&lt;br /&gt;
Image:By-nc_bw_es.png| BY-NC&lt;br /&gt;
Image:By-nd_bw_es.png| BY-ND&lt;br /&gt;
Image:By-nc-sa_bw_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_bw_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=File:By-sa_bw_es.png&amp;diff=117943</id>
		<title>File:By-sa bw es.png</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=File:By-sa_bw_es.png&amp;diff=117943"/>
				<updated>2024-01-26T22:02:36Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117942</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117942"/>
				<updated>2024-01-26T22:02:10Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw.png| BY-SA ([[Media:By-sa_bw.svg |svg]])&lt;br /&gt;
Image:By-nc_bw_es.png| BY-NC&lt;br /&gt;
Image:By-nd_bw_es.png| BY-ND&lt;br /&gt;
Image:By-nc-sa_bw_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_bw_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=File:By-nd_bw_es.png&amp;diff=117941</id>
		<title>File:By-nd bw es.png</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=File:By-nd_bw_es.png&amp;diff=117941"/>
				<updated>2024-01-26T22:01:35Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117940</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117940"/>
				<updated>2024-01-26T22:01:12Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw.png| BY-SA ([[Media:By-sa_bw.svg |svg]])&lt;br /&gt;
Image:By-nc_bw_es.png| BY-NC&lt;br /&gt;
Image:By-nd_bw.png| BY-ND ([[Media:By-nd_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_bw_es.png| BY-NC-SA&lt;br /&gt;
Image:By-nc-nd_bw_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=File:By-nc-sa_bw_es.png&amp;diff=117939</id>
		<title>File:By-nc-sa bw es.png</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=File:By-nc-sa_bw_es.png&amp;diff=117939"/>
				<updated>2024-01-26T22:00:36Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117938</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117938"/>
				<updated>2024-01-26T22:00:05Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw.png| BY-SA ([[Media:By-sa_bw.svg |svg]])&lt;br /&gt;
Image:By-nc_bw_es.png| BY-NC&lt;br /&gt;
Image:By-nd_bw.png| BY-ND ([[Media:By-nd_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_bw.png| BY-NC-SA ([[Media:By-nc-sa_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-nd_bw_es.png| BY-NC-ND&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=File:By-nc-nd_bw_es.png&amp;diff=117937</id>
		<title>File:By-nc-nd bw es.png</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=File:By-nc-nd_bw_es.png&amp;diff=117937"/>
				<updated>2024-01-26T21:59:25Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117936</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117936"/>
				<updated>2024-01-26T21:58:29Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw.png| BY-SA ([[Media:By-sa_bw.svg |svg]])&lt;br /&gt;
Image:By-nc_bw_es.png| BY-NC&lt;br /&gt;
Image:By-nd_bw.png| BY-ND ([[Media:By-nd_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_bw.png| BY-NC-SA ([[Media:By-nc-sa_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-nd_bw.png| BY-NC-ND ([[Media:By-nc-nd_bw.svg |svg]]) &lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117935</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117935"/>
				<updated>2024-01-26T21:57:38Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw.png| BY-SA ([[Media:By-sa_bw.svg |svg]])&lt;br /&gt;
Image:By-nc_bw.png| BY-NC ([[Media:By-nc_bw.svg |svg]]) &lt;br /&gt;
Image:By-nd_bw.png| BY-ND ([[Media:By-nd_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_bw.png| BY-NC-SA ([[Media:By-nc-sa_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-nd_bw.png| BY-NC-ND ([[Media:By-nc-nd_bw.svg |svg]]) &lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117934</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117934"/>
				<updated>2024-01-26T21:56:52Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By_bw_es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By-nc_bw_es.png| BY&lt;br /&gt;
Image:By-sa_bw.png| BY-SA ([[Media:By-sa_bw.svg |svg]])&lt;br /&gt;
Image:By-nc_bw.png| BY-NC ([[Media:By-nc_bw.svg |svg]]) &lt;br /&gt;
Image:By-nd_bw.png| BY-ND ([[Media:By-nd_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_bw.png| BY-NC-SA ([[Media:By-nc-sa_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-nd_bw.png| BY-NC-ND ([[Media:By-nc-nd_bw.svg |svg]]) &lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=File:By-nc_bw_es.png&amp;diff=117933</id>
		<title>File:By-nc bw es.png</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=File:By-nc_bw_es.png&amp;diff=117933"/>
				<updated>2024-01-26T21:55:34Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117932</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117932"/>
				<updated>2024-01-26T21:54:44Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 ¡Placas para video renovadas! (en inglés)]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By bw es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw.png| BY ([[Media:By_bw.svg |svg]])&lt;br /&gt;
Image:By-sa_bw.png| BY-SA ([[Media:By-sa_bw.svg |svg]])&lt;br /&gt;
Image:By-nc_bw.png| BY-NC ([[Media:By-nc_bw.svg |svg]]) &lt;br /&gt;
Image:By-nd_bw.png| BY-ND ([[Media:By-nd_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_bw.png| BY-NC-SA ([[Media:By-nc-sa_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-nd_bw.png| BY-NC-ND ([[Media:By-nc-nd_bw.svg |svg]]) &lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117931</id>
		<title>Es:Placas de CC para videos</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Placas_de_CC_para_videos&amp;diff=117931"/>
				<updated>2024-01-26T21:53:21Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: I create an Spanish translation of &amp;quot;CC video bumpers&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Blanco y negro simple==&lt;br /&gt;
'''Nuevo en febrero de 2019''': [https://vimeo.com/album/5791214 Updated Video Bumpers!]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Image:By bw es.png|720px]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:By_bw.png| BY ([[Media:By_bw.svg |svg]])&lt;br /&gt;
Image:By-sa_bw.png| BY-SA ([[Media:By-sa_bw.svg |svg]])&lt;br /&gt;
Image:By-nc_bw.png| BY-NC ([[Media:By-nc_bw.svg |svg]]) &lt;br /&gt;
Image:By-nd_bw.png| BY-ND ([[Media:By-nd_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-sa_bw.png| BY-NC-SA ([[Media:By-nc-sa_bw.svg |svg]]) &lt;br /&gt;
Image:By-nc-nd_bw.png| BY-NC-ND ([[Media:By-nc-nd_bw.svg |svg]]) &lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=File:By_bw_es.png&amp;diff=117930</id>
		<title>File:By bw es.png</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=File:By_bw_es.png&amp;diff=117930"/>
				<updated>2024-01-26T21:35:44Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Es:Mejores_pr%C3%A1cticas_para_atribuci%C3%B3n&amp;diff=117929</id>
		<title>Es:Mejores prácticas para atribución</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Es:Mejores_pr%C3%A1cticas_para_atribuci%C3%B3n&amp;diff=117929"/>
				<updated>2024-01-26T21:28:14Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: Corrijo enlace interno&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Puedes utilizar los materiales licenciados con CC, siempre y cuando sigas las condiciones de la licencia. Una condición de todas las licencias CC es la atribución. Aquí puedes encontrar algunos buenos (y no tan buenos) ejemplos de atribución. Nota: Si deseas aprender cómo licenciar tu propio material con CC, entra [[Es:_Marcando_tu_obra_con_una_licencia_CC|aquí]].&lt;br /&gt;
==Ejemplos de atribución==&lt;br /&gt;
&lt;br /&gt;
Aquí hay una foto. A continuación se dan algunos ejemplos de cómo la gente podría dar la respectiva atribución.&lt;br /&gt;
:[[File:8256206923_c77e85319e_n.jpg]]&lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
===Esta es la atribución ideal:===&lt;br /&gt;
&amp;lt;div style=&amp;quot;padding: 1em; margin-bottom: 1em; border: 1px; background-color: #eee; width: 65%;&amp;quot;&amp;gt;&lt;br /&gt;
&amp;quot;[http://www.flickr.com/photos/sixteenmilesofstring/8256206923/in/set-72157632200936657 Celebración del 10° cumpleaños de Creative Commons en San Francisco]&amp;quot; por [http://www.flickr.com/photos/sixteenmilesofstring/ tvol] licenciado bajo [http://creativecommons.org/licenses/by/2.0/ CC BY 2.0]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
''Porque:''&lt;br /&gt;
:¿Título? &amp;quot;Celebración del 10° cumpleaños de Creative Commons en San Francisco&amp;quot;&lt;br /&gt;
:¿Autor? &amp;quot;[http://www.flickr.com/photos/sixteenmilesofstring/ tvol]&amp;quot; - enlazado a su página de perfil &lt;br /&gt;
:¿Fuente? &amp;quot;[http://www.flickr.com/photos/sixteenmilesofstring/8256206923/in/set-72157632200936657 Celebración del 10° cumpleaños de Creative Commons en San Francisco]&amp;quot; - enlazado a su página de perfil Flickr page&lt;br /&gt;
:¿Licencia? &amp;quot;[http://creativecommons.org/licenses/by/2.0/ CC BY 2.0]&amp;quot; - con vinculo a la descripción de la licencia &lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Esta es una muy buena atribución===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;padding: 1em; margin-bottom: 1em; border: 1px; background-color: #eee; width: 65%;&amp;quot;&amp;gt;[http://www.flickr.com/photos/sixteenmilesofstring/8256206923/in/set-72157632200936657 Foto] por Tvol / [http://creativecommons.org/licenses/by/2.0/ CC BY]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
''Porque:''&lt;br /&gt;
:¿Título? El título no está identificado (aunque debería estarlo), pero al menos hay un vínculo a la fuente original.&lt;br /&gt;
:¿Autor? &amp;quot;tvol&amp;quot;&lt;br /&gt;
: ¿Fuente? &amp;quot;[http://www.flickr.com/photos/sixteenmilesofstring/8256206923/in/set-72157632200936657 Foto]&amp;quot; - Linkeado a la página original de Flickr&lt;br /&gt;
: ¿Licencia?  &amp;quot;[http://creativecommons.org/licenses/by/2.0/ CC BY]&amp;quot; - Linkeado a la descripción de la licencia &lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Esta es una atribución incorrecta===&lt;br /&gt;
&amp;lt;div style=&amp;quot;padding: 1em; margin-bottom: 1em; border: 1px; background-color: #eee; width: 65%;&amp;quot;&amp;gt;Photo: Creative Commons&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
''Porque:''&lt;br /&gt;
: ¿Título? No hay título.&lt;br /&gt;
:¿Autor? Creative Commons no es el autor de esta foto. &amp;quot;Creative Commons&amp;quot; es una organización. &lt;br /&gt;
: ¿Fuente? No tiene enlace a la foto original. &lt;br /&gt;
:¿Licencia? No se hace mención de la licencia, y tampoco tiene un enlace a ella. &lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Esta es una buena atribución para material que se ha modificado ligeramente===&lt;br /&gt;
:[[File:8256206923_c77e85319e_n_desaturated.jpg]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;padding: 1em; margin-bottom: 1em; border: 1px; background-color: #eee; width: 65%;&amp;quot;&amp;gt;&amp;quot;[http://www.flickr.com/photos/sixteenmilesofstring/8256206923/in/set-72157632200936657 Celebración de Creative Commons décimo Cumpleaños San Francisco]&amp;quot; por [http://www.flickr.com/photos/sixteenmilesofstring/ tvol], utilizada bajo licencia [http://creativecommons.org/licenses/by/2.0/ CC BY] /  Desaturada de la imagen original.&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
''Porque:''&lt;br /&gt;
:Aparece: Título, autor, origen y, licencia. &lt;br /&gt;
:¿Modificación? &amp;quot;Desaturada de la imagen original&amp;quot; &lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
=== Esta es una buena atribución para el material con el que se ha creado una obra derivada===&lt;br /&gt;
&lt;br /&gt;
:[[File:8256206923_c77e85319e_n_90fied.jpg]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;padding: 1em; margin-bottom: 1em; border: 1px; background-color: #eee; width: 65%;&amp;quot;&amp;gt;Esta obra,, &amp;quot;90fied&amp;quot;, es una obra derivada de&amp;quot;[http://www.flickr.com/photos/sixteenmilesofstring/8256206923/in/set-72157632200936657 &amp;quot;Celebración de Creative Commons décimo Cumpleaños, San Francisco&amp;quot; ]&amp;quot; por [http://www.flickr.com/photos/sixteenmilesofstring/ tvol], utilizada bajo [http://creativecommons.org/licenses/by/2.0/ CC BY]. &amp;quot;90fied&amp;quot; licencia [http://creativecommons.org/licenses/by/2.0/ CC BY] por [Su nombre aquí].&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
''Porque:''&lt;br /&gt;
: Aparece: Título original, autor, fuente y licencia. &lt;br /&gt;
: ¿Derivado de? &amp;quot;Este trabajo,&amp;quot; 90fied &amp;quot;, es una obra derivada de ...&amp;quot; &lt;br /&gt;
: También se indica quién es el autor de la nueva obra.&lt;br /&gt;
&lt;br /&gt;
Nota: Si necesitas obtener una licencia para trabajos derivados, por favor ve a este link y elige tu licencia. [[Marking your work with a CC license]].&lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Esta es una buena atribución para material con múltiples fuentes ===&lt;br /&gt;
&lt;br /&gt;
:[[File:Saylor_marking_example.jpg]]&lt;br /&gt;
&lt;br /&gt;
''Porque::''&lt;br /&gt;
: ¿Título? Los trabajos específicos usados se nombran, por ejemplo &amp;quot;&amp;quot;Box-and-whisker Plots&amp;quot;  &amp;quot;&lt;br /&gt;
: ¿Autor? Se nombran los diferentes autores para cada una de las obras. &lt;br /&gt;
: ¿Fuente? Hay enlaces a los materiales originales para cada uno de los trabajos.&lt;br /&gt;
: ¿Licencia? Todas las licencias (CC Atribución para&amp;quot;Estadísticas de colaboración&amp;quot; y CC Atribución-No comercial-Compartir igual para el video &amp;quot;Khan Academy&amp;quot;) se explican y se vinculan en cada caso &lt;br /&gt;
: Por último, es evidente qué atribución pertenece a qué trabajo. &lt;br /&gt;
&lt;br /&gt;
Puedes visitar Saylor.org &amp;quot;Introducción a las Estadísticas&amp;quot; para ver cómo se marcaron directamente en la página del curso.&lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==&amp;quot;TAOL&amp;quot; Título, Autor, Origen, Licencia==&lt;br /&gt;
Una buena regla es usar el acrónimo TAOL, siglas para Título, Autor, Origen y Licencia.&lt;br /&gt;
&lt;br /&gt;
'''Título''' -  ¿Cuál es el nombre del material?&lt;br /&gt;
:Si se proporcionó un título para el material, inclúyelo. A veces un título no se proporciona; en ese caso, no te preocupes por eso. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Autor''' - ¿A quién pertenece el material?&lt;br /&gt;
:Nombre del autor o autores del material en cuestión. A veces, el licenciante puede querer que des crédito a alguna otra entidad, como una empresa o seudónimo. En algunos casos (bastante escasos), el licenciante puede no querer que se le atribuya la obra en absoluto. En todos estos casos, sólo haz lo que te piden. &lt;br /&gt;
'''Fuente''' - ¿Dónde puedo encontrarlo?&lt;br /&gt;
:Ya que de alguna manera accediste al material, ya sabes dónde encontrarlo. Proporciona la fuente del material para que otros también pueden hacerlo. Puesto que vivimos en la era de Internet, esto suele ser la URL o hipervínculo en el que se encuentra el material. &lt;br /&gt;
&lt;br /&gt;
'''Licencia''' - ¿Cómo lo puedo usar?&lt;br /&gt;
:Estás obviamente utilizando el material de forma gratuita gracias a las licencia CC, así que toma nota de ello. No te limites a decir que el material es Creative Commons, porque eso no dice nada acerca de cómo  se puede utilizar realmente el material. Recuerda que hay seis diferentes tipos de licencias CC ; ¿Cuál es el material con licencia CC y bajo que licencia se encuentra? Da su nombre y proporciona un enlace, por ejemplo:  http://creativecommons.org/licenses/by/4.0/ for CC BY. &lt;br /&gt;
:: →Si el licenciante incluyó una nota de licencia con más información, incluye esa información. &lt;br /&gt;
&lt;br /&gt;
'''Por último, ¿Hay algo más que debería saber antes de usarlo?'''&lt;br /&gt;
: Cuando accedes al material, ¿originalmente no viene con ningún aviso sobre los derechos del autor; uno que se refiera a las limitaciones de garantías; o una notificación de las modificaciones anteriores?  Ese tipo de lenguaje legal es realmente muy importante para los usuarios potenciales del material. La mejor práctica es simplemente retener toda esa información al copiar y pegar esos avisos dando así las atribuciones correspondientes. No lo hagas más complicado de lo que es -- sólo pasa cualquier información que consideres importante.&lt;br /&gt;
:: →  En cuanto a las modificaciones: No olvides dejar en claro si has modificado el trabajo.([[Best_practices_for_attribution#This_is_a_good_attribution_for_material_you_modified_slightly|ejemplo]]). Si estás creando y licenciando una obra  derivada ([[Best_practices_for_attribution#This_is_a_good_attribution_for_material_from_which_you_created_a_derivative_work|ejemplo]]), por favor ve a este link y elige tu licencia CC.  [[Marking your work with a CC license]].&lt;br /&gt;
&lt;br /&gt;
Estas buenas prácticas se basan en los requisitos reales de las licencia CC. Toma nota: El título es un requisito de todos las licencias CC en versión 3.0 o anteriores, opcional para 4.0. Toma nota: El autor, el origen, licencia, y replicar cualquier aviso adicional es un requisito de todas las licencias de CC. Ver [[Best_practices_for_attribution#Devil in the details|El diablo en los detalles]].&lt;br /&gt;
&lt;br /&gt;
===El diablo en los detalles===&lt;br /&gt;
Si tienes alguna duda o pregunta puedes leer los requisitos de las atribuciones completas que son explicados en detalle en el ordenamiento jurídico de cada licencia CC, por ejemplo: http://creativecommons.org/licenses/by/4.0/legalcode#s3a. Esta es una tabla que compara los requisitos detallados en todas las versiones de las licencias CC [[License_Versions#Detailed_attribution_comparison_  ..]]&lt;br /&gt;
&lt;br /&gt;
===No lo hagas demasiado complicado===&lt;br /&gt;
&lt;br /&gt;
Las licencias nos indican que seamos razonables:&lt;br /&gt;
&lt;br /&gt;
:''Usted puede satisfacer las condiciones de (1) y (2) por encima de cualquier forma razonable basado en el medio, que se refiere al contexto en que se utiliza el material autorizado.   Por ejemplo, puedes ser razonable al satisfacer todas o algunas de las condiciones, mediante la retención de un aviso de derecho de autor o proporcionando una URL o hipervínculo asociado con el material autorizado, si el aviso de derecho de autor o de páginas web incluye una parte o la totalidad de la información requerida.''&lt;br /&gt;
&lt;br /&gt;
No hay una sola manera correcta; sólo asegúrate de que la atribución es razonable y apropiada para el medio en el que estás trabajando. Dicho esto, todavía debes incluir los requisitos de atribución de alguna manera, incluso si es sólo es un enlace a una página &amp;quot;Acerca de&amp;quot; que tiene esa información. (Más sobre diferentes soportes [[Marking/Users#Attribution_in_specific_media|abajo]].)&lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Reconocimiento en soportes o medios específicos ==&lt;br /&gt;
Como se indicó anteriormente, las mejores prácticas para la atribución se aplican razonablemente de acuerdo al soporte o medio en el que se está trabajando. Para medios como materiales fuera de línea, vídeo, audio e imágenes, ten en cuenta lo siguiente:&lt;br /&gt;
&lt;br /&gt;
:1. '''Publicando una página web con información sobre atribución.''' Por ejemplo, una página web en la que se encuentre tu grabación de audio, proporciona una lista de créditos del material en donde puedes decir cuál es la licencia que has escogido y dar los créditos correspondientes que se adhieren a las prácticas mencionadas anteriormente. Hacerlo no sólo permite acceder a tú material, sino a todos los materiales atribuidos, para que sean encontrados por los motores de búsqueda y otras herramientas de búsqueda en la web de contenidos CC. Si es posible dentro del medio, crea enlaces al Autor, Origen y, Licencia para que el usuario pueda seguirlos. &lt;br /&gt;
&lt;br /&gt;
:&amp;lt;div style=&amp;quot;padding: 1em; margin-bottom: 1em; border: 1px; background-color: #eee; width: 65%;&amp;quot;&amp;gt;'''Ejemplo:'''&amp;lt;br&amp;gt;Este video usa la canción [http://ccmixter.org/media/files/victor/6374 &amp;quot;Desaprendere (Treatment)&amp;quot;] por [http://fourstones.net/ fourstones], disponible bajo  [http://creativecommons.org/licenses/by-nc/2.5/ Atribución-No comercial].&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:2. '''Menciona los créditos dentro del propio medio o soporte''' Por ejemplo, dar los créditos de un vídeo puede hacerse con una simple lista de los materiales que se utilizaron, con las licencias asociadas en una pantalla, fotograma o al final de un video. Para un audio, puede ser una recitación verbal de los créditos al final de la grabación. &lt;br /&gt;
&lt;br /&gt;
:&amp;lt;div style=&amp;quot;padding: 1em; margin-bottom: 1em; border: 1px; background-color: #eee; width: 65%;&amp;quot;&amp;gt;'''Ejemplo Video 1: ''' &amp;quot;Science Commons&amp;quot; por Jesse Dylan - [https://www.youtube.com/watch?v=hZAcTNFzF-s&amp;amp;feature=youtu.be&amp;amp;t=1m52s ver atribución a partir del minuto 01:52]&amp;lt;br&amp;gt;''' Ejemplo Video 2:''' &amp;quot;Edición de Video y Técnicas de la toma: Estudio de jump cuts, cortes de partido y cortes &amp;quot; vídeo por New Media Rights - [https://www.youtube.com/watch?v=ONMSe_zhq70&amp;amp;feature=youtu.be&amp;amp;t=3m21s ver atribución a partir del minuto 03:21]&amp;lt;br&amp;gt;'''Ejemplo de audio: ''' &amp;quot;Down and Out in the Magic Kingdom&amp;quot;  lectura  en voz alta de los créditos por Cory Doctorow. Masterizado por John Taylor Williams - [http://craphound.com/down/?p=1672 escuchar a la atribución a partir del minuto 17:08]&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Si deseas ver las minucias técnicas ==&lt;br /&gt;
Si realmente quieres ir a los detalles técnicos, tenemos un documento acerca de cómo hacer que los materiales queden acreditados de tal manera que [[Marking_Works_Technical|sean leídos por una máquina]] &lt;br /&gt;
Además, varios grupos están explorando maneras de hacer más fácil la atribución y que a la vez sea legible por máquinas en la web. Estas son algunas de las herramientas que se han desarrollado:&lt;br /&gt;
* [http://openattribute.com/ Open Attribute] - Un plugin para el navegador de Firefox y Chrome que lee los metadatos de la licencia CC en una página web y lo convierte en una atribución para el usuario.&lt;br /&gt;
* [http://commonsmachinery.se/labs/ Commons Machinery] - Una suite de plugins para Firefox y herramientas de oficina abierta que permite copiar y pegar imágenes con la información de la atribución. &lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Otras guías de atribución ==&lt;br /&gt;
&lt;br /&gt;
* [http://foter.com/blog/how-to-attribute-creative-commons-photos/  Cómo Atribuir Fotos CC ] con nota al pie&lt;br /&gt;
* [http://creativecommons.org.au/materials/attribution.pdf La atribución de Material con Creative Commons] (pdf) - Esta publicación de Creative Commons Australia está llena de ejemplos con imágenes coloridas.&lt;br /&gt;
* [http://www.newmediarights.org/guide/how_to/creative_commons/best_practices_creative_commons_attributions Como atribuir obras remezcladas bajo una licencia de Creative Commons] por New Media Rights, ésta proporciona ejemplos del mundo real en diferentes tipos de medios&lt;br /&gt;
[[Category:Marking]]&lt;br /&gt;
[[Category:Licensing]]&lt;br /&gt;
[[Category:Community]]&lt;br /&gt;
[[Category:Media]]&lt;br /&gt;
[[Category:HOWTO]]&lt;br /&gt;
[[Category:Guide]]&lt;br /&gt;
[[Category:Español]]&lt;br /&gt;
{{Best Practice}}&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Kit_de_herramientas_sobre_pol%C3%ADticas_de_licenciamiento_abierto&amp;diff=114485</id>
		<title>Kit de herramientas sobre políticas de licenciamiento abierto</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Kit_de_herramientas_sobre_pol%C3%ADticas_de_licenciamiento_abierto&amp;diff=114485"/>
				<updated>2015-10-12T02:17:35Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Artículo en el blog de CC que describe este kit de herramientas (en inglés): http://creativecommons.org/weblog/entry/46110&lt;br /&gt;
&lt;br /&gt;
Artículo en el blog de CC Uruguay que describe este kit (en español): http://www.creativecommons.uy/facilitando-herramientas-para-impulsar-politicas-publicas-de-licenciamiento-abierto/&lt;br /&gt;
&lt;br /&gt;
Texto original (en inglés) disponible en la Wiki de CC: [[Open Licensing Policy Toolkit]]&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
==Introducción==&lt;br /&gt;
&lt;br /&gt;
La sociedad merece acceder en forma abierta a los materiales digitales educativos, informativos y técnicos financiados por el Estado, dado que pagó por ellos con el dinero de sus impuestos. Al exigir que los receptores de fondos públicos publiquen los materiales financiados por el Estado con una licencia de derecho de autor abierta -y que brinden apoyo para el uso eficiente de dichos materiales- se mejora la calidad de los servicios públicos y se realiza un uso más eficiente de los recursos. Asimismo, se asegura que el dinero de los impuestos que se invierte en la creación de materiales educativos, da como resultado recursos que están disponibles de manera legal y gratuita para que la sociedad los use, los comparta y construya nuevos recursos a partir de ellos.&lt;br /&gt;
&lt;br /&gt;
Actualmente, muchos de los concursos, contratos y acuerdos de cooperación permiten a la entidad receptora mantener todos los derechos reservados y no compartir sus obras con la sociedad que pagó por ellas. Para incrementar el impacto de los fondos públicos, el Estado necesita aproximarse al problema con otra óptica. Creamos un kit de herramientas de 10 puntos claves, desarrollados en base a casos de éxito del sector público y privado, que, de utilizarse en su conjunto, ayudará al gobierno a construir políticas efectivas de licenciamiento abierto.&lt;br /&gt;
&lt;br /&gt;
==Entender por qué una política de licenciamiento abierto es necesaria==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**Muchos materiales educativos valiosos son desarrollados gracias al dinero del contribuyente. Muy frecuentemente estos recursos educativos no son compartidos abiertamente o disponibilizados a la sociedad que pagó por ellos. Las políticas de licenciamiento abierto aseguran que la sociedad tenga un acceso irrestricto a estos recursos, lo cual implica un uso más eficiente del dinero del contribuyente, promueve la reutilización innovadora de los materiales educativos y asegura que estos materiales digitales puedan ser mejorados con el tiempo.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Describir cuál es el mecanismo actualmente existente para el desarrollo y la circulación de contenidos financiados mediante fondos y subvenciones.&lt;br /&gt;
**Llevar a cabo un inventario de los contenidos digitales resultantes de contratos y subvenciones de organismos públicos.&lt;br /&gt;
**Identificar potenciales beneficios clave específicos para su organismo al adoptar una política de licencias abiertas (ver punto n° 3: aprender de otros organismos).&lt;br /&gt;
**Entender y enseñar a los demás por qué las licencias abiertas crean un efecto multiplicador en el impacto de las inversiones públicas.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Qué tipos de educación digital y de materiales educativos crea su organismo?&lt;br /&gt;
**¿Cómo puede su organismo aumentar el impacto, el alcance y la escalabilidad de sus subvenciones y contratos a través de una política de licencias abiertas?&lt;br /&gt;
**¿Cómo está actualmente su organismo solicitando y compartiendo materiales financiados mediante subvenciones?&lt;br /&gt;
**¿Cuál es el retorno de la inversión a su organismo y al público cuando los recursos creados por los receptores de fondos son abiertos?&lt;br /&gt;
&lt;br /&gt;
==Comprender el derecho de autor y las licencias abiertas==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**El derecho de autor es un conjunto de derechos exclusivos concedidos a los autores a partir del momento en que la creatividad se fija en un medio de expresión tangible. Tanto los recursos creados por los funcionarios del Estado como aquellos producidos por receptores de fondos estatales se encuentran bajo derecho de autor. Las licencias de derecho de autor abiertas pueden ser utilizadas en las subvenciones y contratos de organismos públicos con el fin de promover el intercambio y la reutilización de los materiales producidos de acuerdo con la ley de derecho de autor establecida. La mayoría de los programas estatales de licenciamiento abierto utilizan las licencias Creative Commons (CC) (http://creativecommons.org/licenses), ya que CC es el estándar global en licencias abiertas, ampliamente utilizado en el sector de la sociedad civil y en la actividad comercial.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Realizar un taller sobre licencias abiertas.&lt;br /&gt;
**Comprender la diferencia entre las licencias abiertas (como las licencias CC), las licencias para usos estatales, y la titularidad del derecho de autor en manos del Estado.&lt;br /&gt;
**Trabajar con su equipo de gestión de fondos y subvenciones para encontrar y comprender las cláusulas de propiedad intelectual en las subvenciones existentes.&lt;br /&gt;
**Trabajar con su equipo legal para determinar cómo reconocer y señalar adecuadamente los recursos de dominio público.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Qué son las licencias abiertas y cómo funcionan?&lt;br /&gt;
**¿Qué es una licencia para usos estatales y en qué se diferencia de una licencia CC?&lt;br /&gt;
**¿Cómo el derecho de autor afecta las subvenciones y los acuerdos contractuales de su organismo?&lt;br /&gt;
**¿Cómo deberían ser licenciados los recursos creados por los funcionarios del gobierno cuando el objetivo es compartirlos a nivel global?&lt;br /&gt;
&lt;br /&gt;
==Aprender de otros organismos==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**Hay varios organismos estatales que ya han adoptado políticas de licencias abiertas para compartir los recursos educativos producidos por los receptores de fondos y subvenciones. Estos organismos tienen experiencia y han desarrollado materiales de capacitación para su personal y para los receptores de subvenciones. Ellos estarían felices de compartir con su organismo las experiencias de implementación, responder sus preguntas y describir los casos de éxito y los desafíos.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Solicitar y reutilizar materiales de capacitación que otros organismos han creado para capacitar al personal acerca de las políticas de licencias abiertas.&lt;br /&gt;
**Invitar a los organismos, organizaciones sin fines de lucro y otros grupos e individuos con experiencia en licencias abiertas para compartir ideas y experiencias a través de reuniones, seminarios y webconferencias.&lt;br /&gt;
**Revisar las políticas abiertas existentes de otros organismos y comprender las diferencias entre ellas.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Qué otros organismos estatales han adoptado políticas de licencias abiertas y cómo operan?&lt;br /&gt;
**¿Qué estrategias utilizaron otros organismos para conseguir que sus políticas de licencias abiertas fueran redactadas, adoptadas e implementadas?&lt;br /&gt;
**¿Cuál es el proceso dentro de su organismo para proponer e implementar nuevas políticas?&lt;br /&gt;
**¿Quién en su organismo / departamento es responsable de la implementación de una política de licencias abiertas?&lt;br /&gt;
**¿Qué desafíos enfrentaron otros organismos en el desarrollo e implementación de sus políticas de licencias abiertas? ¿Cuáles fueron sus soluciones?&lt;br /&gt;
&lt;br /&gt;
==Escribir su propia política de licencias abiertas==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**Escriba su propia política de licenciamiento abierto (usando un modelo existente) para garantizar el acceso público y la máxima reutilización de los recursos creados a través de fondos, subvenciones y contratos del organismo.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Crear un equipo para la redacción y la implementación de la política de licencias abiertas.&lt;br /&gt;
**Crear una hoja de ruta que el organismo seguirá para crear, adoptar e implementar su propia política de licencias abiertas.&lt;br /&gt;
**Rever y revisar el modelo de política de licencias abiertas de su gobierno, en caso de que exista, para comprender cuáles son las necesidades de su organismo.&lt;br /&gt;
**Su política debe incluir la exigencia de que los receptores de fondos busquen y utilicen los recursos abiertos existentes para ahorrar tiempo, dinero y reducir el esfuerzo duplicado.&lt;br /&gt;
**Obtener retroalimentación sobre el borrador de política de parte de otros organismos y de expertos en políticas abiertas.&lt;br /&gt;
**Adoptar una definición amplia de materiales educativos e informativos.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Dónde encuentro textos modelo de políticas de licencias abiertas?&lt;br /&gt;
**¿Cuáles son los componentes clave para una política de licencias abiertas?&lt;br /&gt;
**¿Cómo debemos determinar si un fondo o una subvención deben ser excluidos de la exigencia de usar licencias abiertas?&lt;br /&gt;
**¿Quiénes en su organismo van a crear, implementar y evaluar la política de licencias abiertas?&lt;br /&gt;
**¿Cómo se va a obtener retroalimentación sobre su borrador de política abierta, de parte del personal del organismo y de expertos de la sociedad civil?&lt;br /&gt;
&lt;br /&gt;
==Añadir la política a los contratos tipo y a los modelos de texto usados en subvenciones==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**Determinar el método más adecuado para integrar la política de licencias abiertas dentro del proceso de formulación de subvenciones de su organismo. Insertar el texto de su política abierta en los modelos de subvenciones y contratos.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Su “equipo de elaboración e implementación de políticas de licencias abiertas” cumple con el proceso de gestión jurídica y de gestión de subvenciones de su organismo para integrar la política de licencias abiertas en los contratos tipo y en los modelos de texto usados en subvenciones.&lt;br /&gt;
**Identificar estrategias y tácticas específicas de su organismo para implementar la política de licencias abiertas.&lt;br /&gt;
**Identificar soluciones para superar las barreras específicas de su organismo.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Cuál es el proceso para adoptar una nueva política en su organismo (por ejemplo, la elaboración de normas, la comisión de políticas, etc.)?&lt;br /&gt;
**¿Qué estrategias podrían utilizarse para conseguir que las políticas abiertas se escriban, adopten y apliquen?&lt;br /&gt;
**¿Qué barreras sería necesario superar para adoptar un cambio de política?&lt;br /&gt;
&lt;br /&gt;
==Entrenar al equipo de su organismo==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**Entrenar al personal del organismo acerca del nuevo requisito de licencias abiertas en las subvenciones: por qué es importante, de qué manera cumple con los objetivos del organismo, la forma en que se implementará y cómo serán apoyados en el proceso.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Identificar al personal del organismo que pueda crear y brindar oportunidades de capacitación, y reunirse con ellos.&lt;br /&gt;
**Hablar con el equipo de informáticos y con el equipo que gestiona las subvenciones acerca de las herramientas y tecnologías a ser usadas para cumplir con los nuevos requerimientos de los fondos.&lt;br /&gt;
**Identificar cursos de formación ya existentes, donde las políticas de licenciamiento abierto puedan ser incorporadas.&lt;br /&gt;
**Crear un plan de formación continua y de soporte para los funcionarios.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Quiénes en mi organismo se dedican a la formación del personal?&lt;br /&gt;
**¿Cuáles son las herramientas y tecnologías que los funcionarios usarán para implementar la política de licenciamiento abierto?&lt;br /&gt;
**¿Cómo puedo integrar la capacitación sobre la política de licencias abiertas dentro de las actividades de educación y comunicación existentes en el organismo?&lt;br /&gt;
**¿Cómo puedo identificar al personal adecuado para asistir a las sesiones de capacitación?&lt;br /&gt;
**¿Cómo proveerá el organismo un apoyo continuo al personal?&lt;br /&gt;
&lt;br /&gt;
==Educar a los beneficiarios de fondos y a los contratistas==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**Educar a los receptores de fondos y a los contratistas sobre el nuevo requisito de licenciamiento abierto: por qué es importante, cómo los puede beneficiar, y cómo se implementará. Comunicar a los receptores de fondos cómo serán apoyados con herramientas y recursos y cómo serán compartidos con el público los materiales resultantes de la subvención.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Ofrecer capacitación explicando la política de licencias abiertas, por medio de talleres, seminarios y folletos.&lt;br /&gt;
**Identificar quién (por ejemplo, la persona a cargo del programa) es responsable de educar a los receptores de fondos / contratistas acerca de la política de licencias abiertas.&lt;br /&gt;
**Proporcionar apoyo a través de correo electrónico y teléfono para responder preguntas de los receptores de fondos.&lt;br /&gt;
**Enseñar a los receptores de fondos la correcta atribución y marcaje de las licencias CC.&lt;br /&gt;
**Desarrollar un proceso para asegurar que el receptor de fondos cumpla la política de licencias abiertas.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Cómo va a trabajar su organismo con los receptores de fondos para que entiendan la nueva política de licencias abiertas?&lt;br /&gt;
**¿Qué recursos y asistencia práctica necesitarán los receptores de fondos? ¿Cómo se van a brindar estos recursos?&lt;br /&gt;
**¿Cómo el personal del organismo va a garantizar el cumplimiento de los requisitos de licenciamiento abierto?&lt;br /&gt;
&lt;br /&gt;
==Proporcionar y promover el acceso libre y gratuito en línea a los recursos abiertos==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**Desarrollar mecanismos para que los materiales con licencias abiertas financiados con fondos estatales estén a disposición del público. Por ejemplo, crear un repositorio de acceso público para albergar los materiales o usar un repositorio ya existente. Promover la disponibilidad de recursos abiertos en el sitio web del organismo, y realizar un seguimiento de la reutilización. Generar indicadores para mostrar cómo se maximiza el impacto y el retorno de la inversión a través del licenciamiento abierto.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Construir o identificar un repositorio abierto existente que pueda albergar los materiales financiados a través de subvenciones y fondos del organismo.&lt;br /&gt;
**Chequear que el repositorio permita: descargas, marcaje de licencias CC, acceso libre sin contraseña, búsqueda y descubrimiento de materiales, preguntas frecuentes para los receptores de fondos, metadatos sobre los contenidos, y otras características requeridas por el organismo.&lt;br /&gt;
**Proporcionar apoyo a los receptores de fondos para que publiquen los materiales financiados con fondos públicos, en formato digital y editable, dentro de un repositorio de acceso público.&lt;br /&gt;
**Desarrollar estrategias y tácticas de comunicación para poner de relieve los recursos financiados con los fondos públicos.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Cuáles son los repositorios abiertos existentes que cumplen con los requisitos del organismo?&lt;br /&gt;
**¿Cuáles son las mejores prácticas para la creación de archivos editables de manera que otros puedan reutilizar el contenido abierto?&lt;br /&gt;
**¿Cómo se va a ayudar a los receptores de fondos para garantizar que los recursos abiertos se cargan en el repositorio?&lt;br /&gt;
**¿Cómo va a promover su organismo los materiales creados por los receptores de fondos para que lleguen ampliamente al público?&lt;br /&gt;
&lt;br /&gt;
==Construir comunidad en torno a los recursos abiertos==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**La construcción de comunidades en línea en torno a los contenidos abiertos compartidos empodera a los receptores de fondos para que revisen y mejoren los recursos; compartan la experiencia, las soluciones y los retos del proyecto; y continúen la colaboración después del final del período de la subvención.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Identificar herramientas comunitarias en línea donde el personal del organismo pueda responder a las preguntas de los receptores de fondos, donde los receptores de fondos puedan apoyarse unos a otros, y donde las soluciones se puedan compartir.&lt;br /&gt;
**Introducir a los receptores de fondos en las comunidades abiertas existentes (de educación, ciencia, bibliotecas, museos, datos, etc.) para facilitar el intercambio de recursos con licencias abiertas.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Qué mecanismos de apoyo comunitarios existen para los receptores de fondos y cómo puede su organismo apoyar y extender estos mecanismos para promover la colaboración fluida y el intercambio de información?&lt;br /&gt;
**¿Qué comunidades abiertas existen que podrían compartir recursos abiertos y experiencias con los receptores de fondos? ¿Cómo va a conectarlos?&lt;br /&gt;
&lt;br /&gt;
==Promover la colaboración dentro y entre organismos==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**Su política de licencias abiertas creará materiales que se podrán utilizar junto con los recursos abiertos existentes, tanto por sus receptores de fondos como por los receptores de fondos de otros organismos. La reutilización de recursos abiertos de otros ahorra tiempo, dinero y reduce la duplicación de esfuerzos. Esto crea una oportunidad para que el gobierno reimagine el intercambio de contenido abierto dentro y entre organismos.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Llevar a cabo una búsqueda de contenido abierto ya existente que sea similar a los productos esperados de la subvención.&lt;br /&gt;
**Identificar programas y proyectos relacionados con el que se piensa llevar a cabo, dentro y entre organismos estatales, para explorar alianzas y colaboraciones de contenido.&lt;br /&gt;
**Anunciar nuevos programas de financiamiento y buscar activamente oportunidades de colaboración.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**Los recursos que su financiación pretende crear ¿ya han sido creados y licenciados libremente?&lt;br /&gt;
**¿Qué pasos puede tomar su organismo para promover una colaboración productiva con otras entidades públicas?&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
==Créditos==&lt;br /&gt;
Kit de herramientas sobre políticas de licenciamiento abierto (BORRADOR). Traducción y adaptación inicial por [http://creativecommons.uy Creative Commons Uruguay]. [https://creativecommons.org/licenses/by-sa/4.0/deed.es CC BY SA 4.0]. De [[Open Licensing Policy Toolkit]] (DRAFT) by [https://creativecommons.org/ Creative Commons]. [https://creativecommons.org/licenses/by/4.0/ CC BY 4.0].&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Kit_de_herramientas_sobre_pol%C3%ADticas_de_licenciamiento_abierto&amp;diff=114484</id>
		<title>Kit de herramientas sobre políticas de licenciamiento abierto</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Kit_de_herramientas_sobre_pol%C3%ADticas_de_licenciamiento_abierto&amp;diff=114484"/>
				<updated>2015-10-12T02:16:24Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: Created page with &amp;quot;Artículo en el blog de CC que describe este kit de herramientas (en inglés): http://creativecommons.org/weblog/entry/46110  Artículo en el blog de CC Uruguay que describe e...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Artículo en el blog de CC que describe este kit de herramientas (en inglés): http://creativecommons.org/weblog/entry/46110&lt;br /&gt;
&lt;br /&gt;
Artículo en el blog de CC Uruguay que describe este kit (en español): http://www.creativecommons.uy/facilitando-herramientas-para-impulsar-politicas-publicas-de-licenciamiento-abierto/&lt;br /&gt;
&lt;br /&gt;
Texto original (en inglés) disponible en la Wiki de CC: [[Editing Open Licensing Policy Toolkit]]&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
==Introducción==&lt;br /&gt;
&lt;br /&gt;
La sociedad merece acceder en forma abierta a los materiales digitales educativos, informativos y técnicos financiados por el Estado, dado que pagó por ellos con el dinero de sus impuestos. Al exigir que los receptores de fondos públicos publiquen los materiales financiados por el Estado con una licencia de derecho de autor abierta -y que brinden apoyo para el uso eficiente de dichos materiales- se mejora la calidad de los servicios públicos y se realiza un uso más eficiente de los recursos. Asimismo, se asegura que el dinero de los impuestos que se invierte en la creación de materiales educativos, da como resultado recursos que están disponibles de manera legal y gratuita para que la sociedad los use, los comparta y construya nuevos recursos a partir de ellos.&lt;br /&gt;
&lt;br /&gt;
Actualmente, muchos de los concursos, contratos y acuerdos de cooperación permiten a la entidad receptora mantener todos los derechos reservados y no compartir sus obras con la sociedad que pagó por ellas. Para incrementar el impacto de los fondos públicos, el Estado necesita aproximarse al problema con otra óptica. Creamos un kit de herramientas de 10 puntos claves, desarrollados en base a casos de éxito del sector público y privado, que, de utilizarse en su conjunto, ayudará al gobierno a construir políticas efectivas de licenciamiento abierto.&lt;br /&gt;
&lt;br /&gt;
==Entender por qué una política de licenciamiento abierto es necesaria==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**Muchos materiales educativos valiosos son desarrollados gracias al dinero del contribuyente. Muy frecuentemente estos recursos educativos no son compartidos abiertamente o disponibilizados a la sociedad que pagó por ellos. Las políticas de licenciamiento abierto aseguran que la sociedad tenga un acceso irrestricto a estos recursos, lo cual implica un uso más eficiente del dinero del contribuyente, promueve la reutilización innovadora de los materiales educativos y asegura que estos materiales digitales puedan ser mejorados con el tiempo.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Describir cuál es el mecanismo actualmente existente para el desarrollo y la circulación de contenidos financiados mediante fondos y subvenciones.&lt;br /&gt;
**Llevar a cabo un inventario de los contenidos digitales resultantes de contratos y subvenciones de organismos públicos.&lt;br /&gt;
**Identificar potenciales beneficios clave específicos para su organismo al adoptar una política de licencias abiertas (ver punto n° 3: aprender de otros organismos).&lt;br /&gt;
**Entender y enseñar a los demás por qué las licencias abiertas crean un efecto multiplicador en el impacto de las inversiones públicas.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Qué tipos de educación digital y de materiales educativos crea su organismo?&lt;br /&gt;
**¿Cómo puede su organismo aumentar el impacto, el alcance y la escalabilidad de sus subvenciones y contratos a través de una política de licencias abiertas?&lt;br /&gt;
**¿Cómo está actualmente su organismo solicitando y compartiendo materiales financiados mediante subvenciones?&lt;br /&gt;
**¿Cuál es el retorno de la inversión a su organismo y al público cuando los recursos creados por los receptores de fondos son abiertos?&lt;br /&gt;
&lt;br /&gt;
==Comprender el derecho de autor y las licencias abiertas==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**El derecho de autor es un conjunto de derechos exclusivos concedidos a los autores a partir del momento en que la creatividad se fija en un medio de expresión tangible. Tanto los recursos creados por los funcionarios del Estado como aquellos producidos por receptores de fondos estatales se encuentran bajo derecho de autor. Las licencias de derecho de autor abiertas pueden ser utilizadas en las subvenciones y contratos de organismos públicos con el fin de promover el intercambio y la reutilización de los materiales producidos de acuerdo con la ley de derecho de autor establecida. La mayoría de los programas estatales de licenciamiento abierto utilizan las licencias Creative Commons (CC) (http://creativecommons.org/licenses), ya que CC es el estándar global en licencias abiertas, ampliamente utilizado en el sector de la sociedad civil y en la actividad comercial.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Realizar un taller sobre licencias abiertas.&lt;br /&gt;
**Comprender la diferencia entre las licencias abiertas (como las licencias CC), las licencias para usos estatales, y la titularidad del derecho de autor en manos del Estado.&lt;br /&gt;
**Trabajar con su equipo de gestión de fondos y subvenciones para encontrar y comprender las cláusulas de propiedad intelectual en las subvenciones existentes.&lt;br /&gt;
**Trabajar con su equipo legal para determinar cómo reconocer y señalar adecuadamente los recursos de dominio público.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Qué son las licencias abiertas y cómo funcionan?&lt;br /&gt;
**¿Qué es una licencia para usos estatales y en qué se diferencia de una licencia CC?&lt;br /&gt;
**¿Cómo el derecho de autor afecta las subvenciones y los acuerdos contractuales de su organismo?&lt;br /&gt;
**¿Cómo deberían ser licenciados los recursos creados por los funcionarios del gobierno cuando el objetivo es compartirlos a nivel global?&lt;br /&gt;
&lt;br /&gt;
==Aprender de otros organismos==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**Hay varios organismos estatales que ya han adoptado políticas de licencias abiertas para compartir los recursos educativos producidos por los receptores de fondos y subvenciones. Estos organismos tienen experiencia y han desarrollado materiales de capacitación para su personal y para los receptores de subvenciones. Ellos estarían felices de compartir con su organismo las experiencias de implementación, responder sus preguntas y describir los casos de éxito y los desafíos.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Solicitar y reutilizar materiales de capacitación que otros organismos han creado para capacitar al personal acerca de las políticas de licencias abiertas.&lt;br /&gt;
**Invitar a los organismos, organizaciones sin fines de lucro y otros grupos e individuos con experiencia en licencias abiertas para compartir ideas y experiencias a través de reuniones, seminarios y webconferencias.&lt;br /&gt;
**Revisar las políticas abiertas existentes de otros organismos y comprender las diferencias entre ellas.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Qué otros organismos estatales han adoptado políticas de licencias abiertas y cómo operan?&lt;br /&gt;
**¿Qué estrategias utilizaron otros organismos para conseguir que sus políticas de licencias abiertas fueran redactadas, adoptadas e implementadas?&lt;br /&gt;
**¿Cuál es el proceso dentro de su organismo para proponer e implementar nuevas políticas?&lt;br /&gt;
**¿Quién en su organismo / departamento es responsable de la implementación de una política de licencias abiertas?&lt;br /&gt;
**¿Qué desafíos enfrentaron otros organismos en el desarrollo e implementación de sus políticas de licencias abiertas? ¿Cuáles fueron sus soluciones?&lt;br /&gt;
&lt;br /&gt;
==Escribir su propia política de licencias abiertas==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**Escriba su propia política de licenciamiento abierto (usando un modelo existente) para garantizar el acceso público y la máxima reutilización de los recursos creados a través de fondos, subvenciones y contratos del organismo.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Crear un equipo para la redacción y la implementación de la política de licencias abiertas.&lt;br /&gt;
**Crear una hoja de ruta que el organismo seguirá para crear, adoptar e implementar su propia política de licencias abiertas.&lt;br /&gt;
**Rever y revisar el modelo de política de licencias abiertas de su gobierno, en caso de que exista, para comprender cuáles son las necesidades de su organismo.&lt;br /&gt;
**Su política debe incluir la exigencia de que los receptores de fondos busquen y utilicen los recursos abiertos existentes para ahorrar tiempo, dinero y reducir el esfuerzo duplicado.&lt;br /&gt;
**Obtener retroalimentación sobre el borrador de política de parte de otros organismos y de expertos en políticas abiertas.&lt;br /&gt;
**Adoptar una definición amplia de materiales educativos e informativos.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Dónde encuentro textos modelo de políticas de licencias abiertas?&lt;br /&gt;
**¿Cuáles son los componentes clave para una política de licencias abiertas?&lt;br /&gt;
**¿Cómo debemos determinar si un fondo o una subvención deben ser excluidos de la exigencia de usar licencias abiertas?&lt;br /&gt;
**¿Quiénes en su organismo van a crear, implementar y evaluar la política de licencias abiertas?&lt;br /&gt;
**¿Cómo se va a obtener retroalimentación sobre su borrador de política abierta, de parte del personal del organismo y de expertos de la sociedad civil?&lt;br /&gt;
&lt;br /&gt;
==Añadir la política a los contratos tipo y a los modelos de texto usados en subvenciones==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**Determinar el método más adecuado para integrar la política de licencias abiertas dentro del proceso de formulación de subvenciones de su organismo. Insertar el texto de su política abierta en los modelos de subvenciones y contratos.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Su “equipo de elaboración e implementación de políticas de licencias abiertas” cumple con el proceso de gestión jurídica y de gestión de subvenciones de su organismo para integrar la política de licencias abiertas en los contratos tipo y en los modelos de texto usados en subvenciones.&lt;br /&gt;
**Identificar estrategias y tácticas específicas de su organismo para implementar la política de licencias abiertas.&lt;br /&gt;
**Identificar soluciones para superar las barreras específicas de su organismo.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Cuál es el proceso para adoptar una nueva política en su organismo (por ejemplo, la elaboración de normas, la comisión de políticas, etc.)?&lt;br /&gt;
**¿Qué estrategias podrían utilizarse para conseguir que las políticas abiertas se escriban, adopten y apliquen?&lt;br /&gt;
**¿Qué barreras sería necesario superar para adoptar un cambio de política?&lt;br /&gt;
&lt;br /&gt;
==Entrenar al equipo de su organismo==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**Entrenar al personal del organismo acerca del nuevo requisito de licencias abiertas en las subvenciones: por qué es importante, de qué manera cumple con los objetivos del organismo, la forma en que se implementará y cómo serán apoyados en el proceso.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Identificar al personal del organismo que pueda crear y brindar oportunidades de capacitación, y reunirse con ellos.&lt;br /&gt;
**Hablar con el equipo de informáticos y con el equipo que gestiona las subvenciones acerca de las herramientas y tecnologías a ser usadas para cumplir con los nuevos requerimientos de los fondos.&lt;br /&gt;
**Identificar cursos de formación ya existentes, donde las políticas de licenciamiento abierto puedan ser incorporadas.&lt;br /&gt;
**Crear un plan de formación continua y de soporte para los funcionarios.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Quiénes en mi organismo se dedican a la formación del personal?&lt;br /&gt;
**¿Cuáles son las herramientas y tecnologías que los funcionarios usarán para implementar la política de licenciamiento abierto?&lt;br /&gt;
**¿Cómo puedo integrar la capacitación sobre la política de licencias abiertas dentro de las actividades de educación y comunicación existentes en el organismo?&lt;br /&gt;
**¿Cómo puedo identificar al personal adecuado para asistir a las sesiones de capacitación?&lt;br /&gt;
**¿Cómo proveerá el organismo un apoyo continuo al personal?&lt;br /&gt;
&lt;br /&gt;
==Educar a los beneficiarios de fondos y a los contratistas==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**Educar a los receptores de fondos y a los contratistas sobre el nuevo requisito de licenciamiento abierto: por qué es importante, cómo los puede beneficiar, y cómo se implementará. Comunicar a los receptores de fondos cómo serán apoyados con herramientas y recursos y cómo serán compartidos con el público los materiales resultantes de la subvención.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Ofrecer capacitación explicando la política de licencias abiertas, por medio de talleres, seminarios y folletos.&lt;br /&gt;
**Identificar quién (por ejemplo, la persona a cargo del programa) es responsable de educar a los receptores de fondos / contratistas acerca de la política de licencias abiertas.&lt;br /&gt;
**Proporcionar apoyo a través de correo electrónico y teléfono para responder preguntas de los receptores de fondos.&lt;br /&gt;
**Enseñar a los receptores de fondos la correcta atribución y marcaje de las licencias CC.&lt;br /&gt;
**Desarrollar un proceso para asegurar que el receptor de fondos cumpla la política de licencias abiertas.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Cómo va a trabajar su organismo con los receptores de fondos para que entiendan la nueva política de licencias abiertas?&lt;br /&gt;
**¿Qué recursos y asistencia práctica necesitarán los receptores de fondos? ¿Cómo se van a brindar estos recursos?&lt;br /&gt;
**¿Cómo el personal del organismo va a garantizar el cumplimiento de los requisitos de licenciamiento abierto?&lt;br /&gt;
&lt;br /&gt;
==Proporcionar y promover el acceso libre y gratuito en línea a los recursos abiertos==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**Desarrollar mecanismos para que los materiales con licencias abiertas financiados con fondos estatales estén a disposición del público. Por ejemplo, crear un repositorio de acceso público para albergar los materiales o usar un repositorio ya existente. Promover la disponibilidad de recursos abiertos en el sitio web del organismo, y realizar un seguimiento de la reutilización. Generar indicadores para mostrar cómo se maximiza el impacto y el retorno de la inversión a través del licenciamiento abierto.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Construir o identificar un repositorio abierto existente que pueda albergar los materiales financiados a través de subvenciones y fondos del organismo.&lt;br /&gt;
**Chequear que el repositorio permita: descargas, marcaje de licencias CC, acceso libre sin contraseña, búsqueda y descubrimiento de materiales, preguntas frecuentes para los receptores de fondos, metadatos sobre los contenidos, y otras características requeridas por el organismo.&lt;br /&gt;
**Proporcionar apoyo a los receptores de fondos para que publiquen los materiales financiados con fondos públicos, en formato digital y editable, dentro de un repositorio de acceso público.&lt;br /&gt;
**Desarrollar estrategias y tácticas de comunicación para poner de relieve los recursos financiados con los fondos públicos.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Cuáles son los repositorios abiertos existentes que cumplen con los requisitos del organismo?&lt;br /&gt;
**¿Cuáles son las mejores prácticas para la creación de archivos editables de manera que otros puedan reutilizar el contenido abierto?&lt;br /&gt;
**¿Cómo se va a ayudar a los receptores de fondos para garantizar que los recursos abiertos se cargan en el repositorio?&lt;br /&gt;
**¿Cómo va a promover su organismo los materiales creados por los receptores de fondos para que lleguen ampliamente al público?&lt;br /&gt;
&lt;br /&gt;
==Construir comunidad en torno a los recursos abiertos==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**La construcción de comunidades en línea en torno a los contenidos abiertos compartidos empodera a los receptores de fondos para que revisen y mejoren los recursos; compartan la experiencia, las soluciones y los retos del proyecto; y continúen la colaboración después del final del período de la subvención.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Identificar herramientas comunitarias en línea donde el personal del organismo pueda responder a las preguntas de los receptores de fondos, donde los receptores de fondos puedan apoyarse unos a otros, y donde las soluciones se puedan compartir.&lt;br /&gt;
**Introducir a los receptores de fondos en las comunidades abiertas existentes (de educación, ciencia, bibliotecas, museos, datos, etc.) para facilitar el intercambio de recursos con licencias abiertas.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**¿Qué mecanismos de apoyo comunitarios existen para los receptores de fondos y cómo puede su organismo apoyar y extender estos mecanismos para promover la colaboración fluida y el intercambio de información?&lt;br /&gt;
**¿Qué comunidades abiertas existen que podrían compartir recursos abiertos y experiencias con los receptores de fondos? ¿Cómo va a conectarlos?&lt;br /&gt;
&lt;br /&gt;
==Promover la colaboración dentro y entre organismos==&lt;br /&gt;
&lt;br /&gt;
*Introducción&lt;br /&gt;
**Su política de licencias abiertas creará materiales que se podrán utilizar junto con los recursos abiertos existentes, tanto por sus receptores de fondos como por los receptores de fondos de otros organismos. La reutilización de recursos abiertos de otros ahorra tiempo, dinero y reduce la duplicación de esfuerzos. Esto crea una oportunidad para que el gobierno reimagine el intercambio de contenido abierto dentro y entre organismos.&lt;br /&gt;
&lt;br /&gt;
*Lista de tareas&lt;br /&gt;
**Llevar a cabo una búsqueda de contenido abierto ya existente que sea similar a los productos esperados de la subvención.&lt;br /&gt;
**Identificar programas y proyectos relacionados con el que se piensa llevar a cabo, dentro y entre organismos estatales, para explorar alianzas y colaboraciones de contenido.&lt;br /&gt;
**Anunciar nuevos programas de financiamiento y buscar activamente oportunidades de colaboración.&lt;br /&gt;
&lt;br /&gt;
*Preguntas clave&lt;br /&gt;
**Los recursos que su financiación pretende crear ¿ya han sido creados y licenciados libremente?&lt;br /&gt;
**¿Qué pasos puede tomar su organismo para promover una colaboración productiva con otras entidades públicas?&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
==Créditos==&lt;br /&gt;
Kit de herramientas sobre políticas de licenciamiento abierto (BORRADOR). Traducción y adaptación inicial por [http://creativecommons.uy Creative Commons Uruguay]. [https://creativecommons.org/licenses/by-sa/4.0/deed.es CC BY SA 4.0]. De [[Open Licensing Policy Toolkit]] (DRAFT) by [https://creativecommons.org/ Creative Commons]. [https://creativecommons.org/licenses/by/4.0/ CC BY 4.0].&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Open_Licensing_Policy_Toolkit&amp;diff=114483</id>
		<title>Open Licensing Policy Toolkit</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Open_Licensing_Policy_Toolkit&amp;diff=114483"/>
				<updated>2015-10-12T01:56:04Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: Added Translations and Adaptations section&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;CC Blog post describing this DRAFT toolkit: http://creativecommons.org/weblog/entry/46110&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
The American people deserve open access to federally funded digital educational, training, and informational materials because they paid for them with tax dollars. By requiring the recipients of federal funds to release publicly funded resources with an open copyright license — and provide support for the efficient use of openly licensed material — we will improve the quality of vital public services and make them more cost efficient. We can ensure that the billions of taxpayer dollars invested in the creation of educational materials produce resources that are freely and legally available to the public to use, share, and build upon.&lt;br /&gt;
&lt;br /&gt;
Today, too many of our grants, contracts and cooperative agreements allow the grantee / contractor to keep all-rights-reserved copyright and not share their work with the public that paid for it. To increase the impact of federal grants, the U.S. Government needs a new approach. We created a toolkit of 10 key points drawn from successful practices from the private sector and government that, if followed together, will help government build effective open licensing policies.&lt;br /&gt;
&lt;br /&gt;
==1: Understand why open licensing policy is needed==&lt;br /&gt;
*introduction&lt;br /&gt;
**Many valuable education and training materials are developed through programs funded with taxpayer dollars. Too often these resources are not broadly shared or made useable to the public that paid for them. Open licensing policies ensure the public has unfettered access to these resources which make more efficient use of limited taxpayer dollars, promotes innovative reuse of education materials, and ensures that public digital assets that can be improved over time.&lt;br /&gt;
*checklist&lt;br /&gt;
**Describe your existing process for grant-funded content development and sharing.&lt;br /&gt;
**Conduct an inventory of digital content resulting from agency grants and contracts.&lt;br /&gt;
**Identify key potential benefits specific to your agency of adopting an open licensing policy (see #3 re: learning from other agencies).&lt;br /&gt;
**Understand and teach others why open licensing creates a multiplier effect for the impact of public investments.&lt;br /&gt;
*key questions&lt;br /&gt;
**What types of digital education and training materials does your agency create?&lt;br /&gt;
**How can your agency increase the impact, reach and scalability of its grants and contracts through an open licensing policy?&lt;br /&gt;
**How is your agency currently soliciting and sharing grant-funded materials?&lt;br /&gt;
**What is the ROI to your agency and to the public when grantee resources are open?&lt;br /&gt;
&lt;br /&gt;
==2: Understand copyright and open licensing==&lt;br /&gt;
*introduction&lt;br /&gt;
**Copyright is a bundle of exclusive rights granted to authors immediately when creativity is fixed in a tangible medium of expression. While resources created by federal government employees do not receive copyright protection, the copyright in resources produced by federal government grantees rests with the grantee. Open copyright licenses, can be used with agency grants and contracts in order to promote the sharing and reuse of grantee and contractor produced resources, consistent with established copyright law. Most government programs use [http://creativecommons.org/licenses Creative Commons (CC) licenses], because CC is the global open licensing standard used broadly throughout the civil and commercial sectors.&lt;br /&gt;
*checklist&lt;br /&gt;
**Run a workshop on open licenses.&lt;br /&gt;
**Understand the difference between open licenses (such as CC licenses), the federal purpose license, and resources created by federal government employees that are in the U.S. public domain.&lt;br /&gt;
**Work with your grants management team to find and understand the IP sections in existing grant templates.&lt;br /&gt;
**Work with your legal team to determine how to properly mark agency created resources in the U.S. public domain.&lt;br /&gt;
*key questions&lt;br /&gt;
**What are open licenses and how do they work?&lt;br /&gt;
**What is a federal purpose license and how is it different than a CC license?&lt;br /&gt;
**How does copyright affect your grant and contract agreements?&lt;br /&gt;
**How should resources created by federal employees be marked if the goal is to share them in the global public domain?&lt;br /&gt;
&lt;br /&gt;
==3: Learn from other agencies==&lt;br /&gt;
*introduction&lt;br /&gt;
**There are multiple federal agencies that have already adopted open licensing policies to share the education and training resources produced by their grant recipients. These agencies have expertise and have developed training materials for their staff and grantees. They are happy to come to your agency and share implementation experiences, answer questions, and describe challenges and successes.&lt;br /&gt;
*checklist&lt;br /&gt;
**Solicit and re-use training materials other agencies have created to train staff about their open license policy&lt;br /&gt;
**Invite agencies, non-profit organizations, and other groups and individuals with open licensing expertise to share ideas and experience via brown bags, webinars and/or conference calls.&lt;br /&gt;
**Review existing agency open policies and understand differences between them.&lt;br /&gt;
*key questions&lt;br /&gt;
**Which other US Federal agencies have adopted open licensing policies and how do they operate?&lt;br /&gt;
**What strategies did other agencies use to get open licensing policies written, adopted and implemented?&lt;br /&gt;
**What is the process within your agency for new policies to be proposed and adopted?&lt;br /&gt;
**Who in your agency / department is responsible for implementing an open licensing policy?&lt;br /&gt;
**What challenges did other agencies experience in the development and implementation of their open licensing policies? What were their solutions?&lt;br /&gt;
&lt;br /&gt;
==4: Write your open licensing policy==&lt;br /&gt;
*introduction&lt;br /&gt;
**Write your open licensing policy–using existing model language–to ensure public access to and maximum reuse of the resources created through agency grants and contracts.&lt;br /&gt;
*checklist&lt;br /&gt;
**Create an open licensing policy drafting and implementation team.&lt;br /&gt;
**Create a roadmap your agency will follow to create, adopt and implement your open licensing policy.&lt;br /&gt;
**Review and revise model U.S. Federal grant open licensing policy language (see Appendix A) to meet the needs of your agency.&lt;br /&gt;
**Your policy should include a requirement that grantees search for and use existing open resources to save time, money and reduce duplicated effort.&lt;br /&gt;
**Get feedback on your draft policy from other agencies and open policy experts.&lt;br /&gt;
**Adopt a broad definition of educational, training, and informational materials.&lt;br /&gt;
*key questions&lt;br /&gt;
**Where do I find model open licensing policy language?&lt;br /&gt;
**What are the key components to an open licensing policy?&lt;br /&gt;
**How should we determine if a grant should be excluded from an open licensing requirement?&lt;br /&gt;
**Which people in your agency will create, implement and evaluate your open licensing policy?&lt;br /&gt;
**How will you get feedback on your draft open policy from agency staff and civil society experts?&lt;br /&gt;
&lt;br /&gt;
==5: Add the policy to your grant and contract boilerplates==&lt;br /&gt;
*introduction&lt;br /&gt;
**Determine the preferred method for integrating the open policy within your agency’s grant making process. Insert open policy language into your grant and contract templates.&lt;br /&gt;
*checklist&lt;br /&gt;
**Your “open licensing policy drafting and implementation team” meets with agency legal and grants management to integrate open licensing policy in grant and contract boilerplates.&lt;br /&gt;
**Identify strategies and tactics specific to your agency to implement open licensing policy.&lt;br /&gt;
**Identify solutions to overcome agency specific barriers.&lt;br /&gt;
*key questions&lt;br /&gt;
**What is the process for adopting a new policy in your agency (e.g., rule making, policy committee, etc.)?&lt;br /&gt;
**What strategies could be used get open policies written, adopted and implemented?&lt;br /&gt;
**What barriers might need to be overcome in order to adopt a policy change?&lt;br /&gt;
&lt;br /&gt;
==6: Train your agency team==&lt;br /&gt;
*introduction&lt;br /&gt;
**Train agency staff about the new open licensing grant requirement, why it’s important, how it meets agency goals, how it will be implemented, and how they will be supported.&lt;br /&gt;
*checklist&lt;br /&gt;
**Identify agency staff that create and deliver training opportunities and meet with them.&lt;br /&gt;
**Talk with IT and grants management team re: tools and technologies used for new grant requirements.&lt;br /&gt;
**Identify where open licensing policy messaging can be inserted into existing agency training and communication.&lt;br /&gt;
**Create plan for ongoing training and staff support.&lt;br /&gt;
*key questions&lt;br /&gt;
**Who in my agency creates and delivers staff professional development?&lt;br /&gt;
**What are (if any) the tools and technologies staff will use to implement the open licensing policy?&lt;br /&gt;
**How can I integrate open licensing policy training into existing agency education and communication activities?&lt;br /&gt;
**How do I identify the right staff to attend training sessions?&lt;br /&gt;
**How will my agency provide ongoing support to staff?&lt;br /&gt;
&lt;br /&gt;
==7: Educate your grantees and contractors==&lt;br /&gt;
*introduction&lt;br /&gt;
**Educate your grantees and contractors about the new open licensing requirement, why it’s important, how it can benefit them, and how it will be implemented. Communicate with grantees how they’ll be supported with tools and resources and how grant deliverables will be shared with the public.&lt;br /&gt;
*checklist&lt;br /&gt;
**Offer training explaining open licensing policy, such as workshops, webinars and handouts explaining open licensing policy.&lt;br /&gt;
**Identify who (e.g., program officer) is responsible for being on point to educate grantees / contractors about the open licensing policy.&lt;br /&gt;
**Provide support via email and phone to answer grantee questions.&lt;br /&gt;
**Teach grantees about proper CC license attribution and marking.&lt;br /&gt;
**Develop a process for ensuring grantee compliance with the open licensing policy.&lt;br /&gt;
*key questions&lt;br /&gt;
**How will your agency work with grantees to understand the new open licensing policy?&lt;br /&gt;
**What resources and hands-on assistance will your grantees need? How will you deliver these resources?&lt;br /&gt;
**How will agency program staff ensure compliance with open licensing requirements? (Does this topic / point need its own section?)&lt;br /&gt;
&lt;br /&gt;
==8: Provide and promote free online access to open resources==&lt;br /&gt;
*introduction&lt;br /&gt;
**Develop mechanisms for making openly licensed grant funded materials available to the public. For example, create a publicly accessible repository to host openly licensed grant funded materials or use an existing one. Promote the availability of open resources on your agency web site and through other agency communications; and track reuse and generate metrics to show how impact and ROI are being maximized through open licensing.&lt;br /&gt;
*checklist&lt;br /&gt;
**Build or identify an existing open repository that can host agency grant funded content.&lt;br /&gt;
**Repository enables: downloads, proper CC marking, free no password access, search and discovery, FAQ for grantees, metadata about content and other features required by agency.&lt;br /&gt;
**Provide support to grantees in publishing completed grant funded digital, editable resources to a publicly accessible repository.&lt;br /&gt;
**Develop communication strategies and tactics for highlighting grant-funded resources.&lt;br /&gt;
*key questions&lt;br /&gt;
**What are the existing open repositories that meet agency requirements?&lt;br /&gt;
**What are the best practices for creating editable files so others may reuse the open content?&lt;br /&gt;
**How will you assist grantees to ensure open resources are uploaded into the repository?&lt;br /&gt;
**How will your agency promote the work of your grantees to the public?&lt;br /&gt;
&lt;br /&gt;
==9: Build community around open resources==&lt;br /&gt;
*introduction&lt;br /&gt;
**Building online communities around shared open content empowers grantees to revise and improve resources; share project expertise, solutions, and challenges; and continue collaboration after the end of the grant period.&lt;br /&gt;
*checklist&lt;br /&gt;
**Identify online community tool(s) where agency staff can answer grantee questions, grantees can support one another, and solutions can be shared.&lt;br /&gt;
**Introduce agency grantees to existing open (education, science, library, museum, data, etc.) communities to facilitate sharing of openly licensed resources.&lt;br /&gt;
*key questions&lt;br /&gt;
**What existing community support mechanisms exist for grantees and how can your agency support and extend these to promote downstream collaboration and information sharing?&lt;br /&gt;
**What open communities exist that could share openly licensed resources and expertise with your grantees? How will you connect them?&lt;br /&gt;
&lt;br /&gt;
==10: Promote collaboration within and across agencies==&lt;br /&gt;
*introduction&lt;br /&gt;
**Your open licensing policy will create materials, which can be used alongside existing open resources by your grantees as well as the grantees of other agencies. Reuse of others’ open resources saves time and money, and reduces duplicated effort. This creates an opportunity for government to reimagine open content sharing within and across agencies.&lt;br /&gt;
*checklist&lt;br /&gt;
**Complete a search for openly licensed content similar to planned grant deliverables.&lt;br /&gt;
**Identify related grant programs and projects within and across federal agencies to explore content collaboration and partnerships.&lt;br /&gt;
**Announce new grant programs and invite opportunities for collaboration.&lt;br /&gt;
*key questions&lt;br /&gt;
**Have the resources your grant intends to create already been built and openly licensed?&lt;br /&gt;
**What steps can your agency take in order to promote productive collaboration with other federal programs?&lt;br /&gt;
 &lt;br /&gt;
==Appendix A: [https://docs.google.com/document/d/1JBBG6RbHLVXMG50ztcGezxiLJDbkFv-_q3XXiJhvNlA/edit Model U.S. Federal Grant Open Licensing Policy Language]==&lt;br /&gt;
&lt;br /&gt;
==Translations and adaptations==&lt;br /&gt;
[[Kit de herramientas sobre políticas de licenciamiento abierto]] (Spanish)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Attribution: Open Licensing Policy Toolkit (DRAFT) by [https://creativecommons.org/ Creative Commons]. [https://creativecommons.org/licenses/by/4.0/ CC BY 4.0].&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=113910</id>
		<title>Uruguay</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=113910"/>
				<updated>2015-05-25T16:52:43Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Jurisdiction&lt;br /&gt;
|jurstatus=Active&lt;br /&gt;
|status=&lt;br /&gt;
|country code=uy&lt;br /&gt;
|homepage=http://www.creativecommons.uy&lt;br /&gt;
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|mailing list=&lt;br /&gt;
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|otherurl=&lt;br /&gt;
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|region=Latin America&lt;br /&gt;
|affiliated=Asociación de Bibliotecólogos del Uruguay&lt;br /&gt;
|affurl=http://www.abu.net.uy/&lt;br /&gt;
|afffocus=Non Profit&lt;br /&gt;
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|affurl5=&lt;br /&gt;
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|plead1=Patricia Díaz&lt;br /&gt;
|pemail1=contacto@creativecommons.uy&lt;br /&gt;
|ptitle1=Legal Leader&lt;br /&gt;
|plead2=Mariana Fossatti&lt;br /&gt;
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|plead3=&lt;br /&gt;
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'''Uruguay''' joins Creative Commons in order to support an open and accessible Internet, to promote the advantages of free knowledge and of sharing the intellectual wealth with the world.&lt;br /&gt;
&lt;br /&gt;
We believe that one of our first missions is the promotion and dissemination at different stages of free or less restrictive licenses than the usual &amp;quot;all rights reserved&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Our team is composed of eleven (11) people whose careers and affiliations are detailed below. We expect to add new people to the team.&lt;br /&gt;
&lt;br /&gt;
=Team information=&lt;br /&gt;
==Team members==&lt;br /&gt;
&lt;br /&gt;
'''Patricia Díaz:''' Attorney dedicated to Free Culture. Currently teaches at the Training Unit (UdelaR), at the Board of Education Training (ANEP) and is involved in projects related to Open Educational Resources. She is completing a Masters in International Relations (Thesis: &amp;quot;Economic Impact of government policies in support of Free Software in MERCOSUR&amp;quot; ). She is the team’s legal advisor.&lt;br /&gt;
&lt;br /&gt;
'''Mariana Fossatti:''' She is a sociologist. She is currently director of Ártica - Centro Cultural 2.0. She focuses on the study and application of ICT and e-learning in culture, education and social organizations. She is co-author of the e-books &amp;quot; Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses .&amp;quot; As a consultant, she has worked with various institutions such as the Ministry of Education and Culture of Uruguay, the FCForum and the Sociedad de las Indias Electrónicas. As a teacher, she has taught on society, new technologies and e -learning in the Centro Latinoamericano de Economía Humana (CLAEH), the University of Salamanca and the Plan Ceibal, among others. In parallel, she does research about visual arts and she develops her own artwork, using with collage techniques and audiovisual remix.&lt;br /&gt;
&lt;br /&gt;
'''Daniel Viñar:''' Engineer, graduated from the Ecole Polytechnique and the School of Telecommunications, France. Currently working on computers and networks at the Universidad de la República (UdelaR). Until 2007, he worked as a consultant in France and countries in Eastern Europe and Latin America. In 2008, in Bolivia, he participated in the re- nationalization of Entel (telecommunications company), and in the development by the Ministry of the Presidency of a proposal of &amp;quot;one computer per child&amp;quot;. He has participated in various free software communities for over ten years.&lt;br /&gt;
&lt;br /&gt;
'''Evelin Heidel:''' Student in Literature at the School of Arts, University of Buenos Aires. Board member of Fundación Vía Libre. Public Leader, Creative Commons Argentina. Latin American Project Lead, &amp;quot;Do It Yourself Bookscanner&amp;quot; Project. She participates in several projects for digitization of cultural heritage, and also in research groups on copyright and access to culture.&lt;br /&gt;
&lt;br /&gt;
'''Jorge Gemetto:''' Co-director, community manager, content curator and blogger at Ártica - Centro Cultural 2.0. Degree in Psychology. Co-author of the e-books &amp;quot;Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses&amp;quot;. He is an author, blogger and free culture activist.&lt;br /&gt;
&lt;br /&gt;
'''Luis Alonzo Fulchi:''' He is a sociologist and works as a computer consultant for the Departamento de Apoyo Técnico Académico (DATA), Universidad de la República (UdelaR). At DATA he has contributed to the development of the Program of Virtual Learning Environments (ProEVA), which provides a network of servers for computer support for teaching and blended learning. He is co-leader of the team that develops LibreQDA, a free software for qualitative analysis in the social sciences.&lt;br /&gt;
&lt;br /&gt;
'''Manuel Podetti:''' Degree in Communication Studies with studies in Media Analysis and Community Management. He specializes in ICT, media, organizational communication and social media. He co-directed Cellfiction, a company specialized in creating multimedia content for mobile. He spent over 9 years as a TV editor and producer. He is currently a communications consultant for the Departamento de Apoyo Técnico Académico (DATA) at the Universidad de la República (UdelaR). He participates in R &amp;amp; D projects related to OER, open textbooks and multimedia technologies. He also co-directs Fluo Communication, a company specialized in corporate communications.&lt;br /&gt;
&lt;br /&gt;
'''Pablo Laguna:''' Student in Sociology, University of Granada (UGR). Participates in a university exchange programme at the Faculty of Social Sciences at the University of the Republic. He is a member of the Board of Directors at Europa Laica and a member of Observatorio del Laicismo. It is a founding member of the Seminar “Otro pensamiento es posible” and “Seminario Galileo Galilei”, both from the UGR which also organizes annually the Conference on Spanish Republicanism.&lt;br /&gt;
&lt;br /&gt;
'''Rodrigo Barbano:''' Software developer specialized in web portals. Advisor on issues of free knowledge, culture and free software at parliamentary level. Manager of the ​ “technology socialism” area at Mate Amargo web magazine. Vice-president of Wikimedia Uruguay and founding member of the Centro de Estudios de Software Libre. He has advocated for the adoption by the Uruguayan government of free licenses for the cultural content produced.&lt;br /&gt;
&lt;br /&gt;
'''Salvador García:''' Musician, actor and teacher. Director of the copyleft record label Vía Láctea Ediciones. Drama teacher specialized in Clown and Physical Theatre. He is a member of the band Limpiando Encontré Monedas, where he works as a composer, guitarist, vocalist and manager. Director of the independent theater company El Embudo Clown.&lt;br /&gt;
&lt;br /&gt;
'''Virginia Rodés:''' Degree in Educational Communication, Virtual Learning Environments specialist, Master of University Teaching. Assistant Professor. Coordinator at Departamento de Apoyo Técnico Académico (DATA), Program of Virtual Learning Environments, Universidad de la República (UdelaR). She does research in various fields related to the development and application of technologies in education. Her area of ​​interest lies in the semantic web applied to education, learning objects, repositories, adaptability, accessibility issues. She has also studied the institutional transformation of higher education in the context of innovation processes based on educational technologies. She is currently involved in several R &amp;amp; D projects related to OER, open textbooks, accessibility and multimedia technologies. She has developed her professional career as a consultant for institutions and organizations in the environmental, healthcare, government and education areas.&lt;br /&gt;
&lt;br /&gt;
==Affiliated institutions and partners==&lt;br /&gt;
&lt;br /&gt;
===Affiliated institution===&lt;br /&gt;
- Asociación de Bibliotecólogos del Uruguay (Uruguayan Association of Librarians) - President: Alicia Ocaso - Web: http://www.abu.net.uy &lt;br /&gt;
&lt;br /&gt;
===Other partner institutions===&lt;br /&gt;
- SciELO Uruguay - Web: http://www.scielo.edu.uy&lt;br /&gt;
&lt;br /&gt;
- Wikimedia Uruguay - Web: http://wikimediauruguay.org&lt;br /&gt;
&lt;br /&gt;
- Ártica - Centro Cultural Online - Web: http://www.articaonline.com&lt;br /&gt;
&lt;br /&gt;
- Vía Láctea Ediciones - Web: http://www.vialacteaediciones.com&lt;br /&gt;
&lt;br /&gt;
===Under Approval (pending)===&lt;br /&gt;
- Universidad de la República - DATA (CSE) - RedEVa - Comisión de Propiedad Intelectual - Web: http://www.universidad.edu.uy&lt;br /&gt;
&lt;br /&gt;
===CC Uruguay participates in:===&lt;br /&gt;
- Red de Propiedad Intelectual (Intellectual Property Network) - Web: http://www.redpi.uy&lt;br /&gt;
&lt;br /&gt;
- Red de Gobierno Abierto (Open Government Network) - Web: http://rga.uy&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=Affiliate Team Roadmap late 2014 - 2015=&lt;br /&gt;
&lt;br /&gt;
==Vision==&lt;br /&gt;
&lt;br /&gt;
We share the conviction that it is necessary to support and promote an alternative cultural model based on the free flow of information and collaboration. This model prioritizes the public interest over individual interest especially in relation to education, science, art and culture, and is made possible by the Creative Commons set of licenses. The simplicity and practicality of the CC licenses facilitate its use as a suitable tool in any kind of academic, artistic or cultural entrepreneurship.&lt;br /&gt;
&lt;br /&gt;
The Creative Commons licenses have already begun to be used in Uruguay mainly in areas related to education and music. We have identified the need for training and guidance to promote a correct use of the licenses and to promote the extension of its use to other areas of culture.&lt;br /&gt;
&lt;br /&gt;
The main factors that determine the success of the project are:&lt;br /&gt;
&lt;br /&gt;
- The commitment of its members to the project.&lt;br /&gt;
&lt;br /&gt;
- Cooperation, networking and interdisciplinary teams.&lt;br /&gt;
&lt;br /&gt;
- The connection of each participant with different actors and institutions in the field of education, the cultural world and various state agencies, which constitutes one of the main strengths of the team.&lt;br /&gt;
&lt;br /&gt;
==Contribution to the CC Affiliate Network==&lt;br /&gt;
&lt;br /&gt;
We have worked in contact with members of CC teams in the region. We received initial support from these teams who have shared their expertise with us. When our team is consolidated, we will be able to provide the same support to other teams.&lt;br /&gt;
&lt;br /&gt;
In recent months we have worked on the Spanish translation of materials about Creative Commons licenses and have participated in some projects with other teams and CC communities.&lt;br /&gt;
&lt;br /&gt;
In November 2013, we organized in Uruguay the local instance of the &amp;quot;Free Music Week&amp;quot;, a joint project with CC Guatemala and CC Costa Rica.&lt;br /&gt;
&lt;br /&gt;
We have also worked on the online course &amp;quot;ABC of copyright for librarians in Latin America&amp;quot;​​, in a team with CC Colombia and CC El Salvador .&lt;br /&gt;
&lt;br /&gt;
By geographical proximity and affinity, we are in daily contact with CC teams of Argentina and Paraguay. We are especially interested in generating instances of dissemination and regional projects.&lt;br /&gt;
&lt;br /&gt;
==Community==&lt;br /&gt;
&lt;br /&gt;
- Educational Community, mainly faculty (ANEP, UdelaR) and students of Tertiary Education. Some of our team members work at UdelaR, the main University of Uruguay, with more than 85% of the universitary students in the country. We are also in contact with teachers at ANEP (Administración Nacional de Educación Pública) through our discussion list.&lt;br /&gt;
&lt;br /&gt;
- Scientific community, researchers, scientific journals and libraries. We have one team member who works at the Asociación de Bibliotecólogos del Uruguay (Librarians Association of Uruguay). We are in close contact with representatives of SciELO Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Free Software Community: some of our team members are free software programmers. We are in close contact with CESoL (Centro de Estudios de Software Libre). We have participated in the FLISOL (Latin American Free Software Installation Festival).&lt;br /&gt;
&lt;br /&gt;
- Wikipedians and Wikimedia community: Some members of CC Uruguay are Wikipedians and also members of Wikimedia Uruguay.&lt;br /&gt;
&lt;br /&gt;
- National musicians: One member of our team coordinates a free music label and is part of the Free Music Labels Network in Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Community of visual artists and new media artists. We have worked together with new media artists at remix workshops.&lt;br /&gt;
&lt;br /&gt;
- State agencies: we have worked together with various State Agencies, like Bicentenario, Centros MEC and Consejo de Derechos de Autor.&lt;br /&gt;
&lt;br /&gt;
- Right to Culture Movement. Some of our team members are also members of that movement. We have worked together in the production of events.&lt;br /&gt;
&lt;br /&gt;
Communication with communities will primarily take place through our discussion list. We will also use our website and Twitter to inform activities and dialogue with the people.&lt;br /&gt;
&lt;br /&gt;
==Priority Goals==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
We plan to keep in touch with each of the communities. Among our first steps, we have implemented the following tools:&lt;br /&gt;
&lt;br /&gt;
- The Uruguay CC website.&lt;br /&gt;
&lt;br /&gt;
- A CC Uruguay Twitter account.&lt;br /&gt;
&lt;br /&gt;
- A discussion list of about 50 people that includes members of the target communities.&lt;br /&gt;
&lt;br /&gt;
We plan to continue adding people from the identified communities to the discussion list in order to exchange information about news, activities and opportunities for collaboration. In addition, we aim to:&lt;br /&gt;
&lt;br /&gt;
- Create and manage a Facebook account.&lt;br /&gt;
&lt;br /&gt;
- Create and manage an institutional email account&lt;br /&gt;
&lt;br /&gt;
- Create and manage a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Additionally, we plan to organize, in conjunction with the Centro Cultural de España, the first edition of the Montevideo Creative Commons Film Festival.&lt;br /&gt;
&lt;br /&gt;
This initial step will serve as the basis for CC Uruguay’s communication and promotion activities. It will also be useful to promote Uruguayan cultural and educational projects using CC licenses, to answer questions from the public and to dialogue with other institutions.&lt;br /&gt;
&lt;br /&gt;
The online community will benefit Uruguayan authors and users, since they will be able to access information about the CC licenses in Uruguay, and may also communicate with the CC team to make questions, suggest activities or collaborations.&lt;br /&gt;
&lt;br /&gt;
The work of authors who use Creative Commons licenses will be promoted on the multiple online spaces of CC Uruguay.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
We are especially interested on advising governmental agencies in order to adopt free licenses for their content, and become involved in the promotion of free licenses.&lt;br /&gt;
&lt;br /&gt;
We have initiated several lines of interaction and work in conjunction with the Ministry of Education and Culture (MEC):&lt;br /&gt;
&lt;br /&gt;
We worked with Wikimedia Uruguay and Bicentennial Project in the release and resettlement generated content in the past two years. We plan to continue this joint work in the following months.&lt;br /&gt;
We contacted members of the CDA - MEC (Copyright Board - Ministry of Education and Culture) for the organization of a Series of Conferences about Creative Commons and Free Culture, as well as a seminar or another type of training instance of copyright for journalists. We plan two instances of seminars in conjunction with the Copyright Board.&lt;br /&gt;
We received the request from the MEC (the “Centros MEC” Area) to assist in the creation of the CCCL Project (in english: Container of Free Community Creations) , which aims to develop an online service to collect and share free artistic and cultural works.&lt;br /&gt;
&lt;br /&gt;
Why is it important?&lt;br /&gt;
&lt;br /&gt;
The State is a great partner and this partnership increases visibility of free licenses. CC makes Uruguay a valid interlocutor on free culture issues, preservation and dissemination of cultural goods produced in the State. By expanding the adoption of these licenses, especially at the level of the Ministry of Education and Culture, the objective conditions are generated to facilitate a change in legislation to license freely the content generated by the State.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The beneficiaries of the material released by the State will be the artists themselves, teachers, public libraries but also to the public in general.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
Uruguay is in a process of discussion on how to improve access to educational materials. In this regard, it is important to promote a model of free production and free access to knowledge, based on CC licenses, as opposed to restrictive models based on the use of technological protection measures and &amp;quot;all rights reserved&amp;quot; models.&lt;br /&gt;
&lt;br /&gt;
The UdelaR has begun the adoption of a model of &amp;quot;Open University&amp;quot;. During the year 2013 the UdelaR has declared the priority of Free Software and Open Formats, has decided that all the research will be Open Access and has also adopted the policy of opening their Educational Resources. During 2014, UdelaR is implementing its Open Access Repository named Colibrí. The CC Uruguay team closely accompanies these processes, encouraging and advising the authorities and commissions that are working in this direction.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The educational community: students, teachers and researchers, who will have greater knowledge about the availability of free materials and about the importance of a model of openness.&lt;br /&gt;
&lt;br /&gt;
==Project Outputs==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
1.1 Project Output&lt;br /&gt;
&lt;br /&gt;
a) Creating and managing the website, an institutional e-mail, a discussion list of CC Uruguay, a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;. (early 2015)&lt;br /&gt;
&lt;br /&gt;
b) Creating and managing CC Uruguay’s accounts in Social Networks (Twitter and Facebook). (mid 2015)&lt;br /&gt;
&lt;br /&gt;
c) First edition of the Montevideo Creative Commons Film Festival. (late 2015)&lt;br /&gt;
&lt;br /&gt;
1.2 Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Luis Alonzo, Daniel Viñar, Jorge Gemetto, Salvador García&lt;br /&gt;
&lt;br /&gt;
1.3 Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of website visits&lt;br /&gt;
&lt;br /&gt;
b) Number of followers on Twitter&lt;br /&gt;
&lt;br /&gt;
c) Number of subscribers of the discussion list&lt;br /&gt;
&lt;br /&gt;
d) Number of followers on Facebook&lt;br /&gt;
&lt;br /&gt;
e) Number of consultations by e-mail&lt;br /&gt;
&lt;br /&gt;
f) Number of films, talks, workshops and attendees at Film Festival.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
2.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Legal advice to the Ministry of Education and Culture and other state agencies to release works under free licenses. This includes at least works of Bicentenario Project and a number of works that won the Fondos Concursables para la Cultura (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) Coordination of at least two instances of seminars in conjunction with the Copyright Board. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Approval and operation of the Container of Free Community Creations by MEC Project (mid 2015)&lt;br /&gt;
&lt;br /&gt;
2.2 . Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Patricia Díaz - Rodrigo Barbano - Mariana Fossatti&lt;br /&gt;
&lt;br /&gt;
2.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of projects concretized with state agencies.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
3.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Completion of at least three open online courses about copyright and free licenses in conjunction with UdelaR. (late 2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) At least two talks and workshops for teachers and librarians about copyright and free licenses. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Fourth edition of the massive open online course &amp;quot;Arts and culture in circulation&amp;quot; in collaboration with Creative Commons Argentina, Ártica - Centro Cultural 2.0, Fundación Vía Libre (Argentina) and TEDIC (Paraguay) . (late 2015)&lt;br /&gt;
&lt;br /&gt;
d) Participation in at least 10 conferences or congresses (2014-2015)&lt;br /&gt;
&lt;br /&gt;
3.2. Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Manuel Podetti - Virginia Rodés - Patricia Díaz&lt;br /&gt;
&lt;br /&gt;
3.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of participants in open online courses.&lt;br /&gt;
&lt;br /&gt;
b) Number of attending lectures and classroom workshops.&lt;br /&gt;
&lt;br /&gt;
c) Quantity and quality of publications and projects on open knowledge and free licenses held by the participants of the courses and workshops.&lt;br /&gt;
&lt;br /&gt;
==Resources Required==&lt;br /&gt;
Main resources such as IT infrastructure and places for the events will be provided by Universidad de la República. The human resources are provided by a volunteer team that is willing to support the effort. &lt;br /&gt;
&lt;br /&gt;
==Sustainability and Scalability==&lt;br /&gt;
The sustainability of the project is run by a team of volunteers. The volunteers are very committed to the objectives. The volunteer group is sufficiently large (11 people) in order to address the objectives even if unforeseen circumstances occur.&lt;br /&gt;
&lt;br /&gt;
==Translation==&lt;br /&gt;
We promote and have adopted CC license in Spanish, because is the official anguage in our country and no other languages are spoken by a considerable proportion of our population.&lt;br /&gt;
&lt;br /&gt;
==Date of earliest MOU in jurisdiction==&lt;br /&gt;
The first MOU was signed in 2014.&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=113909</id>
		<title>Uruguay</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=113909"/>
				<updated>2015-05-25T16:46:14Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Jurisdiction&lt;br /&gt;
|jurstatus=Active&lt;br /&gt;
|status=&lt;br /&gt;
|country code=uy&lt;br /&gt;
|homepage=http://www.creativecommons.uy&lt;br /&gt;
|logourl=http://www.creativecommons.uy/wp-content/uploads/2015/05/cc.logo-principal.jpg&lt;br /&gt;
|mailing list=&lt;br /&gt;
|twitter=https://twitter.com/CCuruguay&lt;br /&gt;
|social=https://www.youtube.com/user/ccuruguay&lt;br /&gt;
|otherurl=&lt;br /&gt;
|mailing=contacto@creativecommons.uy&lt;br /&gt;
|region=Latin America&lt;br /&gt;
|affiliated=Asociación de Bibliotecólogos del Uruguay&lt;br /&gt;
|affurl=http://www.abu.net.uy/&lt;br /&gt;
|afffocus=Non Profit&lt;br /&gt;
|afftype=NGO&lt;br /&gt;
|affiliated2=&lt;br /&gt;
|affurl2=&lt;br /&gt;
|afffocus2=&lt;br /&gt;
|affiliated3=&lt;br /&gt;
|affurl3=&lt;br /&gt;
|afffocus3=&lt;br /&gt;
|affiliated4=&lt;br /&gt;
|affurl4=&lt;br /&gt;
|afffocus4=&lt;br /&gt;
|affiliated5=&lt;br /&gt;
|affurl5=&lt;br /&gt;
|afffocus5=&lt;br /&gt;
|plead1=Patricia Díaz&lt;br /&gt;
|pemail1=contacto@creativecommons.uy&lt;br /&gt;
|ptitle1=Legal Leader&lt;br /&gt;
|plead2=Mariana Fossatti&lt;br /&gt;
|pemail2=contacto@creativecommons.uy&lt;br /&gt;
|ptitle2=Public Leader&lt;br /&gt;
|plead3=&lt;br /&gt;
|pemail3=&lt;br /&gt;
|ptitle3=&lt;br /&gt;
|plead4=&lt;br /&gt;
|pemail4=&lt;br /&gt;
|ptitle4=&lt;br /&gt;
|plead5=&lt;br /&gt;
|pemail5=&lt;br /&gt;
|ptitle5=&lt;br /&gt;
|teamsize=11&lt;br /&gt;
|flagurl=&lt;br /&gt;
|blog=http://www.creativecommons.uy&lt;br /&gt;
}}&lt;br /&gt;
'''Uruguay''' joins Creative Commons in order to support an open and accessible Internet, to promote the advantages of free knowledge and of sharing the intellectual wealth with the world.&lt;br /&gt;
&lt;br /&gt;
We believe that one of our first missions is the promotion and dissemination at different stages of free or less restrictive licenses than the usual &amp;quot;all rights reserved&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Our team is composed of eleven (11) people whose careers and affiliations are detailed below. We expect to add new people to the team.&lt;br /&gt;
&lt;br /&gt;
=Team information=&lt;br /&gt;
==Team members==&lt;br /&gt;
&lt;br /&gt;
'''Patricia Díaz:''' Attorney dedicated to Free Culture. Currently teaches at the Training Unit (UdelaR), at the Board of Education Training (ANEP) and is involved in projects related to Open Educational Resources. She is completing a Masters in International Relations (Thesis: &amp;quot;Economic Impact of government policies in support of Free Software in MERCOSUR&amp;quot; ). She is the team’s legal advisor.&lt;br /&gt;
&lt;br /&gt;
'''Mariana Fossatti:''' She is a sociologist. She is currently director of Ártica - Centro Cultural 2.0. She focuses on the study and application of ICT and e-learning in culture, education and social organizations. She is co-author of the e-books &amp;quot; Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses .&amp;quot; As a consultant, she has worked with various institutions such as the Ministry of Education and Culture of Uruguay, the FCForum and the Sociedad de las Indias Electrónicas. As a teacher, she has taught on society, new technologies and e -learning in the Centro Latinoamericano de Economía Humana (CLAEH), the University of Salamanca and the Plan Ceibal, among others. In parallel, she does research about visual arts and she develops her own artwork, using with collage techniques and audiovisual remix.&lt;br /&gt;
&lt;br /&gt;
'''Daniel Viñar:''' Engineer, graduated from the Ecole Polytechnique and the School of Telecommunications, France. Currently working on computers and networks at the Universidad de la República (UdelaR). Until 2007, he worked as a consultant in France and countries in Eastern Europe and Latin America. In 2008, in Bolivia, he participated in the re- nationalization of Entel (telecommunications company), and in the development by the Ministry of the Presidency of a proposal of &amp;quot;one computer per child&amp;quot;. He has participated in various free software communities for over ten years.&lt;br /&gt;
&lt;br /&gt;
'''Evelin Heidel:''' Student in Literature at the School of Arts, University of Buenos Aires. Board member of Fundación Vía Libre. Public Leader, Creative Commons Argentina. Latin American Project Lead, &amp;quot;Do It Yourself Bookscanner&amp;quot; Project. She participates in several projects for digitization of cultural heritage, and also in research groups on copyright and access to culture.&lt;br /&gt;
&lt;br /&gt;
'''Jorge Gemetto:''' Co-director, community manager, content curator and blogger at Ártica - Centro Cultural 2.0. Degree in Psychology. Co-author of the e-books &amp;quot;Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses&amp;quot;. He is an author, blogger and free culture activist.&lt;br /&gt;
&lt;br /&gt;
'''Luis Alonzo Fulchi:''' He is a sociologist and works as a computer consultant for the Departamento de Apoyo Técnico Académico (DATA), Universidad de la República (UdelaR). At DATA he has contributed to the development of the Program of Virtual Learning Environments (ProEVA), which provides a network of servers for computer support for teaching and blended learning. He is co-leader of the team that develops LibreQDA, a free software for qualitative analysis in the social sciences.&lt;br /&gt;
&lt;br /&gt;
'''Manuel Podetti:''' Degree in Communication Studies with studies in Media Analysis and Community Management. He specializes in ICT, media, organizational communication and social media. He co-directed Cellfiction, a company specialized in creating multimedia content for mobile. He spent over 9 years as a TV editor and producer. He is currently a communications consultant for the Departamento de Apoyo Técnico Académico (DATA) at the Universidad de la República (UdelaR). He participates in R &amp;amp; D projects related to OER, open textbooks and multimedia technologies. He also co-directs Fluo Communication, a company specialized in corporate communications.&lt;br /&gt;
&lt;br /&gt;
'''Pablo Laguna:''' Student in Sociology, University of Granada (UGR). Participates in a university exchange programme at the Faculty of Social Sciences at the University of the Republic. He is a member of the Board of Directors at Europa Laica and a member of Observatorio del Laicismo. It is a founding member of the Seminar “Otro pensamiento es posible” and “Seminario Galileo Galilei”, both from the UGR which also organizes annually the Conference on Spanish Republicanism.&lt;br /&gt;
&lt;br /&gt;
'''Rodrigo Barbano:''' Software developer specialized in web portals. Advisor on issues of free knowledge, culture and free software at parliamentary level. Manager of the ​ “technology socialism” area at Mate Amargo web magazine. Vice-president of Wikimedia Uruguay and founding member of the Centro de Estudios de Software Libre. He has advocated for the adoption by the Uruguayan government of free licenses for the cultural content produced.&lt;br /&gt;
&lt;br /&gt;
'''Salvador García:''' Musician, actor and teacher. Director of the copyleft record label Vía Láctea Ediciones. Drama teacher specialized in Clown and Physical Theatre. He is a member of the band Limpiando Encontré Monedas, where he works as a composer, guitarist, vocalist and manager. Director of the independent theater company El Embudo Clown.&lt;br /&gt;
&lt;br /&gt;
'''Virginia Rodés:''' Degree in Educational Communication, Virtual Learning Environments specialist, Master of University Teaching. Assistant Professor. Coordinator at Departamento de Apoyo Técnico Académico (DATA), Program of Virtual Learning Environments, Universidad de la República (UdelaR). She does research in various fields related to the development and application of technologies in education. Her area of ​​interest lies in the semantic web applied to education, learning objects, repositories, adaptability, accessibility issues. She has also studied the institutional transformation of higher education in the context of innovation processes based on educational technologies. She is currently involved in several R &amp;amp; D projects related to OER, open textbooks, accessibility and multimedia technologies. She has developed her professional career as a consultant for institutions and organizations in the environmental, healthcare, government and education areas.&lt;br /&gt;
&lt;br /&gt;
==Affiliated institutions and partners==&lt;br /&gt;
&lt;br /&gt;
===Affiliated institution===&lt;br /&gt;
- Asociación de Bibliotecólogos del Uruguay (Uruguayan Association of Librarians) - President: Alicia Ocaso - Web: http://www.abu.net.uy &lt;br /&gt;
&lt;br /&gt;
===Other partner institutions===&lt;br /&gt;
- SciELO Uruguay - Web: http://www.scielo.edu.uy&lt;br /&gt;
&lt;br /&gt;
- Wikimedia Uruguay - Web: http://wikimediauruguay.org&lt;br /&gt;
&lt;br /&gt;
- Ártica - Centro Cultural Online - Web: http://www.articaonline.com&lt;br /&gt;
&lt;br /&gt;
- Vía Láctea Ediciones - Web: http://www.vialacteaediciones.com&lt;br /&gt;
&lt;br /&gt;
===Under Approval (pending)===&lt;br /&gt;
- Universidad de la República - DATA (CSE) - RedEVa - Comisión de Propiedad Intelectual - Web: http://www.universidad.edu.uy&lt;br /&gt;
&lt;br /&gt;
===CC Uruguay participates in:===&lt;br /&gt;
- Red de Propiedad Intelectual (Intellectual Property Network) - Web: http://www.redpi.uy&lt;br /&gt;
&lt;br /&gt;
- Red de Gobierno Abierto (Open Government Network) - Web: http://rga.uy&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=Affiliate Team Roadmap late 2014 - 2015=&lt;br /&gt;
&lt;br /&gt;
==Vision==&lt;br /&gt;
&lt;br /&gt;
We share the conviction that it is necessary to support and promote an alternative cultural model based on the free flow of information and collaboration. This model prioritizes the public interest over individual interest especially in relation to education, science, art and culture, and is made possible by the Creative Commons set of licenses. The simplicity and practicality of the CC licenses facilitate its use as a suitable tool in any kind of academic, artistic or cultural entrepreneurship.&lt;br /&gt;
&lt;br /&gt;
The Creative Commons licenses have already begun to be used in Uruguay mainly in areas related to education and music. We have identified the need for training and guidance to promote a correct use of the licenses and to promote the extension of its use to other areas of culture.&lt;br /&gt;
&lt;br /&gt;
The main factors that determine the success of the project are:&lt;br /&gt;
&lt;br /&gt;
- The commitment of its members to the project.&lt;br /&gt;
&lt;br /&gt;
- Cooperation, networking and interdisciplinary teams.&lt;br /&gt;
&lt;br /&gt;
- The connection of each participant with different actors and institutions in the field of education, the cultural world and various state agencies, which constitutes one of the main strengths of the team.&lt;br /&gt;
&lt;br /&gt;
==Contribution to the CC Affiliate Network==&lt;br /&gt;
&lt;br /&gt;
We have worked in contact with members of CC teams in the region. We received initial support from these teams who have shared their expertise with us. When our team is consolidated, we will be able to provide the same support to other teams.&lt;br /&gt;
&lt;br /&gt;
In recent months we have worked on the Spanish translation of materials about Creative Commons licenses and have participated in some projects with other teams and CC communities.&lt;br /&gt;
&lt;br /&gt;
In November 2013, we organized in Uruguay the local instance of the &amp;quot;Free Music Week&amp;quot;, a joint project with CC Guatemala and CC Costa Rica.&lt;br /&gt;
&lt;br /&gt;
We have also worked on the online course &amp;quot;ABC of copyright for librarians in Latin America&amp;quot;​​, in a team with CC Colombia and CC El Salvador .&lt;br /&gt;
&lt;br /&gt;
By geographical proximity and affinity, we are in daily contact with CC teams of Argentina and Paraguay. We are especially interested in generating instances of dissemination and regional projects.&lt;br /&gt;
&lt;br /&gt;
==Community==&lt;br /&gt;
&lt;br /&gt;
- Educational Community, mainly faculty (ANEP, UdelaR) and students of Tertiary Education. Some of our team members work at UdelaR, the main University of Uruguay, with more than 85% of the universitary students in the country. We are also in contact with teachers at ANEP (Administración Nacional de Educación Pública) through our discussion list.&lt;br /&gt;
&lt;br /&gt;
- Scientific community, researchers, scientific journals and libraries. We have one team member who works at the Asociación de Bibliotecólogos del Uruguay (Librarians Association of Uruguay). We are in close contact with representatives of SciELO Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Free Software Community: some of our team members are free software programmers. We are in close contact with CESoL (Centro de Estudios de Software Libre). We have participated in the FLISOL (Latin American Free Software Installation Festival).&lt;br /&gt;
&lt;br /&gt;
- Wikipedians and Wikimedia community: Some members of CC Uruguay are Wikipedians and also members of Wikimedia Uruguay.&lt;br /&gt;
&lt;br /&gt;
- National musicians: One member of our team coordinates a free music label and is part of the Free Music Labels Network in Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Community of visual artists and new media artists. We have worked together with new media artists at remix workshops.&lt;br /&gt;
&lt;br /&gt;
- State agencies: we have worked together with various State Agencies, like Bicentenario, Centros MEC and Consejo de Derechos de Autor.&lt;br /&gt;
&lt;br /&gt;
- Right to Culture Movement. Some of our team members are also members of that movement. We have worked together in the production of events.&lt;br /&gt;
&lt;br /&gt;
Communication with communities will primarily take place through our discussion list. We will also use our website and Twitter to inform activities and dialogue with the people.&lt;br /&gt;
&lt;br /&gt;
==Priority Goals==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
We plan to keep in touch with each of the communities. Among our first steps, we have implemented the following tools:&lt;br /&gt;
&lt;br /&gt;
- The Uruguay CC website.&lt;br /&gt;
&lt;br /&gt;
- A CC Uruguay Twitter account.&lt;br /&gt;
&lt;br /&gt;
- A discussion list of about 50 people that includes members of the target communities.&lt;br /&gt;
&lt;br /&gt;
We plan to continue adding people from the identified communities to the discussion list in order to exchange information about news, activities and opportunities for collaboration. In addition, we aim to:&lt;br /&gt;
&lt;br /&gt;
- Create and manage a Facebook account.&lt;br /&gt;
&lt;br /&gt;
- Create and manage an institutional email account&lt;br /&gt;
&lt;br /&gt;
- Create and manage a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Additionally, we plan to organize, in conjunction with the Centro Cultural de España, the first edition of the Montevideo Creative Commons Film Festival.&lt;br /&gt;
&lt;br /&gt;
This initial step will serve as the basis for CC Uruguay’s communication and promotion activities. It will also be useful to promote Uruguayan cultural and educational projects using CC licenses, to answer questions from the public and to dialogue with other institutions.&lt;br /&gt;
&lt;br /&gt;
The online community will benefit Uruguayan authors and users, since they will be able to access information about the CC licenses in Uruguay, and may also communicate with the CC team to make questions, suggest activities or collaborations.&lt;br /&gt;
&lt;br /&gt;
The work of authors who use Creative Commons licenses will be promoted on the multiple online spaces of CC Uruguay.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
We are especially interested on advising governmental agencies in order to adopt free licenses for their content, and become involved in the promotion of free licenses.&lt;br /&gt;
&lt;br /&gt;
We have initiated several lines of interaction and work in conjunction with the Ministry of Education and Culture (MEC):&lt;br /&gt;
&lt;br /&gt;
We worked with Wikimedia Uruguay and Bicentennial Project in the release and resettlement generated content in the past two years. We plan to continue this joint work in the following months.&lt;br /&gt;
We contacted members of the CDA - MEC (Copyright Board - Ministry of Education and Culture) for the organization of a Series of Conferences about Creative Commons and Free Culture, as well as a seminar or another type of training instance of copyright for journalists. We plan two instances of seminars in conjunction with the Copyright Board.&lt;br /&gt;
We received the request from the MEC (the “Centros MEC” Area) to assist in the creation of the CCCL Project (in english: Container of Free Community Creations) , which aims to develop an online service to collect and share free artistic and cultural works.&lt;br /&gt;
&lt;br /&gt;
Why is it important?&lt;br /&gt;
&lt;br /&gt;
The State is a great partner and this partnership increases visibility of free licenses. CC makes Uruguay a valid interlocutor on free culture issues, preservation and dissemination of cultural goods produced in the State. By expanding the adoption of these licenses, especially at the level of the Ministry of Education and Culture, the objective conditions are generated to facilitate a change in legislation to license freely the content generated by the State.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The beneficiaries of the material released by the State will be the artists themselves, teachers, public libraries but also to the public in general.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
Uruguay is in a process of discussion on how to improve access to educational materials. In this regard, it is important to promote a model of free production and free access to knowledge, based on CC licenses, as opposed to restrictive models based on the use of technological protection measures and &amp;quot;all rights reserved&amp;quot; models.&lt;br /&gt;
&lt;br /&gt;
The UdelaR has begun the adoption of a model of &amp;quot;Open University&amp;quot;. During the year 2013 the UdelaR has declared the priority of Free Software and Open Formats, has decided that all the research will be Open Access and has also adopted the policy of opening their Educational Resources. During 2014, UdelaR is implementing its Open Access Repository named Colibrí. The CC Uruguay team closely accompanies these processes, encouraging and advising the authorities and commissions that are working in this direction.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The educational community: students, teachers and researchers, who will have greater knowledge about the availability of free materials and about the importance of a model of openness.&lt;br /&gt;
&lt;br /&gt;
==Project Outputs==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
1.1 Project Output&lt;br /&gt;
&lt;br /&gt;
a) Creating and managing the website, an institutional e-mail, a discussion list of CC Uruguay, a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;. (early 2015)&lt;br /&gt;
&lt;br /&gt;
b) Creating and managing CC Uruguay’s accounts in Social Networks (Twitter and Facebook). (mid 2015)&lt;br /&gt;
&lt;br /&gt;
c) First edition of the Montevideo Creative Commons Film Festival. (late 2015)&lt;br /&gt;
&lt;br /&gt;
1.2 Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Luis Alonzo, Daniel Viñar, Jorge Gemetto, Salvador García&lt;br /&gt;
&lt;br /&gt;
1.3 Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of website visits&lt;br /&gt;
&lt;br /&gt;
b) Number of followers on Twitter&lt;br /&gt;
&lt;br /&gt;
c) Number of subscribers of the discussion list&lt;br /&gt;
&lt;br /&gt;
d) Number of followers on Facebook&lt;br /&gt;
&lt;br /&gt;
e) Number of consultations by e-mail&lt;br /&gt;
&lt;br /&gt;
f) Number of films, talks, workshops and attendees at Film Festival.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
2.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Legal advice to the Ministry of Education and Culture and other state agencies to release works under free licenses. This includes at least works of Bicentenario Project and a number of works that won the Fondos Concursables para la Cultura (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) Coordination of at least two instances of seminars in conjunction with the Copyright Board. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Approval and operation of the Container of Free Community Creations by MEC Project (mid 2015)&lt;br /&gt;
&lt;br /&gt;
2.2 . Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Patricia Díaz - Rodrigo Barbano - Mariana Fossatti&lt;br /&gt;
&lt;br /&gt;
2.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of projects concretized with state agencies.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
3.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Completion of at least three open online courses about copyright and free licenses in conjunction with UdelaR. (late 2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) At least two talks and workshops for teachers and librarians about copyright and free licenses. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Fourth edition of the massive open online course &amp;quot;Arts and culture in circulation&amp;quot; in collaboration with Creative Commons Argentina, Ártica - Centro Cultural 2.0, Fundación Vía Libre (Argentina) and TEDIC (Paraguay) . (late 2015)&lt;br /&gt;
&lt;br /&gt;
d) Participation in at least 10 conferences or congresses (2014-2015)&lt;br /&gt;
&lt;br /&gt;
3.2. Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Manuel Podetti - Virginia Rodés - Patricia Díaz&lt;br /&gt;
&lt;br /&gt;
3.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of participants in open online courses.&lt;br /&gt;
&lt;br /&gt;
b) Number of attending lectures and classroom workshops.&lt;br /&gt;
&lt;br /&gt;
c) Quantity and quality of publications and projects on open knowledge and free licenses held by the participants of the courses and workshops.&lt;br /&gt;
&lt;br /&gt;
==Resources Required==&lt;br /&gt;
Main resources such as IT infrastructure and places for the events will be provided by Universidad de la República. The human resources are provided by a volunteer team that is willing to support the effort. &lt;br /&gt;
&lt;br /&gt;
==Sustainability and Scalability==&lt;br /&gt;
The sustainability of the project is run by a team of volunteers. The volunteers are very committed to the objectives. The volunteer group is sufficiently large (11 people) in order to address the objectives even if unforeseen circumstances occur.&lt;br /&gt;
&lt;br /&gt;
==Translation==&lt;br /&gt;
We promote and have adopted CC license in Spanish, because is the official anguage in our country and no other languages are spoken by a considerable proportion of our population.&lt;br /&gt;
&lt;br /&gt;
==Date of earliest MOU in jurisdiction==&lt;br /&gt;
The first MOU was signed in 2014.&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=113908</id>
		<title>Uruguay</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=113908"/>
				<updated>2015-05-25T16:39:11Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Jurisdiction&lt;br /&gt;
|jurstatus=Active&lt;br /&gt;
|status=&lt;br /&gt;
|country code=uy&lt;br /&gt;
|homepage=http://www.creativecommons.uy&lt;br /&gt;
|logourl=http://www.creativecommons.uy/wp-content/uploads/2013/11/LogoCCUY.jpg&lt;br /&gt;
|mailing list=&lt;br /&gt;
|twitter=https://twitter.com/CCuruguay&lt;br /&gt;
|social=https://www.youtube.com/user/ccuruguay&lt;br /&gt;
|otherurl=&lt;br /&gt;
|mailing=contacto@creativecommons.uy&lt;br /&gt;
|region=Latin America&lt;br /&gt;
|affiliated=Asociación de Bibliotecólogos del Uruguay&lt;br /&gt;
|affurl=http://www.abu.net.uy/&lt;br /&gt;
|afffocus=Non Profit&lt;br /&gt;
|afftype=NGO&lt;br /&gt;
|affiliated2=&lt;br /&gt;
|affurl2=&lt;br /&gt;
|afffocus2=&lt;br /&gt;
|affiliated3=&lt;br /&gt;
|affurl3=&lt;br /&gt;
|afffocus3=&lt;br /&gt;
|affiliated4=&lt;br /&gt;
|affurl4=&lt;br /&gt;
|afffocus4=&lt;br /&gt;
|affiliated5=&lt;br /&gt;
|affurl5=&lt;br /&gt;
|afffocus5=&lt;br /&gt;
|plead1=Patricia Díaz&lt;br /&gt;
|pemail1=contacto@creativecommons.uy&lt;br /&gt;
|ptitle1=Legal Leader&lt;br /&gt;
|plead2=Mariana Fossatti&lt;br /&gt;
|pemail2=contacto@creativecommons.uy&lt;br /&gt;
|ptitle2=Public Leader&lt;br /&gt;
|plead3=&lt;br /&gt;
|pemail3=&lt;br /&gt;
|ptitle3=&lt;br /&gt;
|plead4=&lt;br /&gt;
|pemail4=&lt;br /&gt;
|ptitle4=&lt;br /&gt;
|plead5=&lt;br /&gt;
|pemail5=&lt;br /&gt;
|ptitle5=&lt;br /&gt;
|teamsize=11&lt;br /&gt;
|flagurl=&lt;br /&gt;
|blog=http://www.creativecommons.uy&lt;br /&gt;
}}&lt;br /&gt;
'''Uruguay''' joins Creative Commons in order to support an open and accessible Internet, to promote the advantages of free knowledge and of sharing the intellectual wealth with the world.&lt;br /&gt;
&lt;br /&gt;
We believe that one of our first missions is the promotion and dissemination at different stages of free or less restrictive licenses than the usual &amp;quot;all rights reserved&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Our team is composed of eleven (11) people whose careers and affiliations are detailed below. We expect to add new people to the team.&lt;br /&gt;
&lt;br /&gt;
=Team information=&lt;br /&gt;
==Team members==&lt;br /&gt;
&lt;br /&gt;
'''Patricia Díaz:''' Attorney dedicated to Free Culture. Currently teaches at the Training Unit (UdelaR), at the Board of Education Training (ANEP) and is involved in projects related to Open Educational Resources. She is completing a Masters in International Relations (Thesis: &amp;quot;Economic Impact of government policies in support of Free Software in MERCOSUR&amp;quot; ). She is the team’s legal advisor.&lt;br /&gt;
&lt;br /&gt;
'''Mariana Fossatti:''' She is a sociologist. She is currently director of Ártica - Centro Cultural 2.0. She focuses on the study and application of ICT and e-learning in culture, education and social organizations. She is co-author of the e-books &amp;quot; Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses .&amp;quot; As a consultant, she has worked with various institutions such as the Ministry of Education and Culture of Uruguay, the FCForum and the Sociedad de las Indias Electrónicas. As a teacher, she has taught on society, new technologies and e -learning in the Centro Latinoamericano de Economía Humana (CLAEH), the University of Salamanca and the Plan Ceibal, among others. In parallel, she does research about visual arts and she develops her own artwork, using with collage techniques and audiovisual remix.&lt;br /&gt;
&lt;br /&gt;
'''Daniel Viñar:''' Engineer, graduated from the Ecole Polytechnique and the School of Telecommunications, France. Currently working on computers and networks at the Universidad de la República (UdelaR). Until 2007, he worked as a consultant in France and countries in Eastern Europe and Latin America. In 2008, in Bolivia, he participated in the re- nationalization of Entel (telecommunications company), and in the development by the Ministry of the Presidency of a proposal of &amp;quot;one computer per child&amp;quot;. He has participated in various free software communities for over ten years.&lt;br /&gt;
&lt;br /&gt;
'''Evelin Heidel:''' Student in Literature at the School of Arts, University of Buenos Aires. Board member of Fundación Vía Libre. Public Leader, Creative Commons Argentina. Latin American Project Lead, &amp;quot;Do It Yourself Bookscanner&amp;quot; Project. She participates in several projects for digitization of cultural heritage, and also in research groups on copyright and access to culture.&lt;br /&gt;
&lt;br /&gt;
'''Jorge Gemetto:''' Co-director, community manager, content curator and blogger at Ártica - Centro Cultural 2.0. Degree in Psychology. Co-author of the e-books &amp;quot;Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses&amp;quot;. He is an author, blogger and free culture activist.&lt;br /&gt;
&lt;br /&gt;
'''Luis Alonzo Fulchi:''' He is a sociologist and works as a computer consultant for the Departamento de Apoyo Técnico Académico (DATA), Universidad de la República (UdelaR). At DATA he has contributed to the development of the Program of Virtual Learning Environments (ProEVA), which provides a network of servers for computer support for teaching and blended learning. He is co-leader of the team that develops LibreQDA, a free software for qualitative analysis in the social sciences.&lt;br /&gt;
&lt;br /&gt;
'''Manuel Podetti:''' Degree in Communication Studies with studies in Media Analysis and Community Management. He specializes in ICT, media, organizational communication and social media. He co-directed Cellfiction, a company specialized in creating multimedia content for mobile. He spent over 9 years as a TV editor and producer. He is currently a communications consultant for the Departamento de Apoyo Técnico Académico (DATA) at the Universidad de la República (UdelaR). He participates in R &amp;amp; D projects related to OER, open textbooks and multimedia technologies. He also co-directs Fluo Communication, a company specialized in corporate communications.&lt;br /&gt;
&lt;br /&gt;
'''Pablo Laguna:''' Student in Sociology, University of Granada (UGR). Participates in a university exchange programme at the Faculty of Social Sciences at the University of the Republic. He is a member of the Board of Directors at Europa Laica and a member of Observatorio del Laicismo. It is a founding member of the Seminar “Otro pensamiento es posible” and “Seminario Galileo Galilei”, both from the UGR which also organizes annually the Conference on Spanish Republicanism.&lt;br /&gt;
&lt;br /&gt;
'''Rodrigo Barbano:''' Software developer specialized in web portals. Advisor on issues of free knowledge, culture and free software at parliamentary level. Manager of the ​ “technology socialism” area at Mate Amargo web magazine. Vice-president of Wikimedia Uruguay and founding member of the Centro de Estudios de Software Libre. He has advocated for the adoption by the Uruguayan government of free licenses for the cultural content produced.&lt;br /&gt;
&lt;br /&gt;
'''Salvador García:''' Musician, actor and teacher. Director of the copyleft record label Vía Láctea Ediciones. Drama teacher specialized in Clown and Physical Theatre. He is a member of the band Limpiando Encontré Monedas, where he works as a composer, guitarist, vocalist and manager. Director of the independent theater company El Embudo Clown.&lt;br /&gt;
&lt;br /&gt;
'''Virginia Rodés:''' Degree in Educational Communication, Virtual Learning Environments specialist, Master of University Teaching. Assistant Professor. Coordinator at Departamento de Apoyo Técnico Académico (DATA), Program of Virtual Learning Environments, Universidad de la República (UdelaR). She does research in various fields related to the development and application of technologies in education. Her area of ​​interest lies in the semantic web applied to education, learning objects, repositories, adaptability, accessibility issues. She has also studied the institutional transformation of higher education in the context of innovation processes based on educational technologies. She is currently involved in several R &amp;amp; D projects related to OER, open textbooks, accessibility and multimedia technologies. She has developed her professional career as a consultant for institutions and organizations in the environmental, healthcare, government and education areas.&lt;br /&gt;
&lt;br /&gt;
==Affiliated institutions and partners==&lt;br /&gt;
&lt;br /&gt;
===Affiliated institution===&lt;br /&gt;
- Asociación de Bibliotecólogos del Uruguay (Uruguayan Association of Librarians) - President: Alicia Ocaso - Web: http://www.abu.net.uy &lt;br /&gt;
&lt;br /&gt;
===Other partner institutions===&lt;br /&gt;
- SciELO Uruguay - Web: http://www.scielo.edu.uy&lt;br /&gt;
&lt;br /&gt;
- Wikimedia Uruguay - Web: http://wikimediauruguay.org&lt;br /&gt;
&lt;br /&gt;
- Ártica - Centro Cultural Online - Web: http://www.articaonline.com&lt;br /&gt;
&lt;br /&gt;
- Vía Láctea Ediciones - Web: http://www.vialacteaediciones.com&lt;br /&gt;
&lt;br /&gt;
===Under Approval (pending)===&lt;br /&gt;
- Universidad de la República - DATA (CSE) - RedEVa - Comisión de Propiedad Intelectual - Web: http://www.universidad.edu.uy&lt;br /&gt;
&lt;br /&gt;
===CC Uruguay participates in:===&lt;br /&gt;
- Red de Propiedad Intelectual (Intellectual Property Network) - Web: http://www.redpi.uy&lt;br /&gt;
&lt;br /&gt;
- Red de Gobierno Abierto (Open Government Network) - Web: http://rga.uy&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=Affiliate Team Roadmap late 2014 - 2015=&lt;br /&gt;
&lt;br /&gt;
==Vision==&lt;br /&gt;
&lt;br /&gt;
We share the conviction that it is necessary to support and promote an alternative cultural model based on the free flow of information and collaboration. This model prioritizes the public interest over individual interest especially in relation to education, science, art and culture, and is made possible by the Creative Commons set of licenses. The simplicity and practicality of the CC licenses facilitate its use as a suitable tool in any kind of academic, artistic or cultural entrepreneurship.&lt;br /&gt;
&lt;br /&gt;
The Creative Commons licenses have already begun to be used in Uruguay mainly in areas related to education and music. We have identified the need for training and guidance to promote a correct use of the licenses and to promote the extension of its use to other areas of culture.&lt;br /&gt;
&lt;br /&gt;
The main factors that determine the success of the project are:&lt;br /&gt;
&lt;br /&gt;
- The commitment of its members to the project.&lt;br /&gt;
&lt;br /&gt;
- Cooperation, networking and interdisciplinary teams.&lt;br /&gt;
&lt;br /&gt;
- The connection of each participant with different actors and institutions in the field of education, the cultural world and various state agencies, which constitutes one of the main strengths of the team.&lt;br /&gt;
&lt;br /&gt;
==Contribution to the CC Affiliate Network==&lt;br /&gt;
&lt;br /&gt;
We have worked in contact with members of CC teams in the region. We received initial support from these teams who have shared their expertise with us. When our team is consolidated, we will be able to provide the same support to other teams.&lt;br /&gt;
&lt;br /&gt;
In recent months we have worked on the Spanish translation of materials about Creative Commons licenses and have participated in some projects with other teams and CC communities.&lt;br /&gt;
&lt;br /&gt;
In November 2013, we organized in Uruguay the local instance of the &amp;quot;Free Music Week&amp;quot;, a joint project with CC Guatemala and CC Costa Rica.&lt;br /&gt;
&lt;br /&gt;
We have also worked on the online course &amp;quot;ABC of copyright for librarians in Latin America&amp;quot;​​, in a team with CC Colombia and CC El Salvador .&lt;br /&gt;
&lt;br /&gt;
By geographical proximity and affinity, we are in daily contact with CC teams of Argentina and Paraguay. We are especially interested in generating instances of dissemination and regional projects.&lt;br /&gt;
&lt;br /&gt;
==Community==&lt;br /&gt;
&lt;br /&gt;
- Educational Community, mainly faculty (ANEP, UdelaR) and students of Tertiary Education. Some of our team members work at UdelaR, the main University of Uruguay, with more than 85% of the universitary students in the country. We are also in contact with teachers at ANEP (Administración Nacional de Educación Pública) through our discussion list.&lt;br /&gt;
&lt;br /&gt;
- Scientific community, researchers, scientific journals and libraries. We have one team member who works at the Asociación de Bibliotecólogos del Uruguay (Librarians Association of Uruguay). We are in close contact with representatives of SciELO Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Free Software Community: some of our team members are free software programmers. We are in close contact with CESoL (Centro de Estudios de Software Libre). We have participated in the FLISOL (Latin American Free Software Installation Festival).&lt;br /&gt;
&lt;br /&gt;
- Wikipedians and Wikimedia community: Some members of CC Uruguay are Wikipedians and also members of Wikimedia Uruguay.&lt;br /&gt;
&lt;br /&gt;
- National musicians: One member of our team coordinates a free music label and is part of the Free Music Labels Network in Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Community of visual artists and new media artists. We have worked together with new media artists at remix workshops.&lt;br /&gt;
&lt;br /&gt;
- State agencies: we have worked together with various State Agencies, like Bicentenario, Centros MEC and Consejo de Derechos de Autor.&lt;br /&gt;
&lt;br /&gt;
- Right to Culture Movement. Some of our team members are also members of that movement. We have worked together in the production of events.&lt;br /&gt;
&lt;br /&gt;
Communication with communities will primarily take place through our discussion list. We will also use our website and Twitter to inform activities and dialogue with the people.&lt;br /&gt;
&lt;br /&gt;
==Priority Goals==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
We plan to keep in touch with each of the communities. Among our first steps, we have implemented the following tools:&lt;br /&gt;
&lt;br /&gt;
- The Uruguay CC website.&lt;br /&gt;
&lt;br /&gt;
- A CC Uruguay Twitter account.&lt;br /&gt;
&lt;br /&gt;
- A discussion list of about 50 people that includes members of the target communities.&lt;br /&gt;
&lt;br /&gt;
We plan to continue adding people from the identified communities to the discussion list in order to exchange information about news, activities and opportunities for collaboration. In addition, we aim to:&lt;br /&gt;
&lt;br /&gt;
- Create and manage a Facebook account.&lt;br /&gt;
&lt;br /&gt;
- Create and manage an institutional email account&lt;br /&gt;
&lt;br /&gt;
- Create and manage a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Additionally, we plan to organize, in conjunction with the Centro Cultural de España, the first edition of the Montevideo Creative Commons Film Festival.&lt;br /&gt;
&lt;br /&gt;
This initial step will serve as the basis for CC Uruguay’s communication and promotion activities. It will also be useful to promote Uruguayan cultural and educational projects using CC licenses, to answer questions from the public and to dialogue with other institutions.&lt;br /&gt;
&lt;br /&gt;
The online community will benefit Uruguayan authors and users, since they will be able to access information about the CC licenses in Uruguay, and may also communicate with the CC team to make questions, suggest activities or collaborations.&lt;br /&gt;
&lt;br /&gt;
The work of authors who use Creative Commons licenses will be promoted on the multiple online spaces of CC Uruguay.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
We are especially interested on advising governmental agencies in order to adopt free licenses for their content, and become involved in the promotion of free licenses.&lt;br /&gt;
&lt;br /&gt;
We have initiated several lines of interaction and work in conjunction with the Ministry of Education and Culture (MEC):&lt;br /&gt;
&lt;br /&gt;
We worked with Wikimedia Uruguay and Bicentennial Project in the release and resettlement generated content in the past two years. We plan to continue this joint work in the following months.&lt;br /&gt;
We contacted members of the CDA - MEC (Copyright Board - Ministry of Education and Culture) for the organization of a Series of Conferences about Creative Commons and Free Culture, as well as a seminar or another type of training instance of copyright for journalists. We plan two instances of seminars in conjunction with the Copyright Board.&lt;br /&gt;
We received the request from the MEC (the “Centros MEC” Area) to assist in the creation of the CCCL Project (in english: Container of Free Community Creations) , which aims to develop an online service to collect and share free artistic and cultural works.&lt;br /&gt;
&lt;br /&gt;
Why is it important?&lt;br /&gt;
&lt;br /&gt;
The State is a great partner and this partnership increases visibility of free licenses. CC makes Uruguay a valid interlocutor on free culture issues, preservation and dissemination of cultural goods produced in the State. By expanding the adoption of these licenses, especially at the level of the Ministry of Education and Culture, the objective conditions are generated to facilitate a change in legislation to license freely the content generated by the State.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The beneficiaries of the material released by the State will be the artists themselves, teachers, public libraries but also to the public in general.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
Uruguay is in a process of discussion on how to improve access to educational materials. In this regard, it is important to promote a model of free production and free access to knowledge, based on CC licenses, as opposed to restrictive models based on the use of technological protection measures and &amp;quot;all rights reserved&amp;quot; models.&lt;br /&gt;
&lt;br /&gt;
The UdelaR has begun the adoption of a model of &amp;quot;Open University&amp;quot;. During the year 2013 the UdelaR has declared the priority of Free Software and Open Formats, has decided that all the research will be Open Access and has also adopted the policy of opening their Educational Resources. During 2014, UdelaR is implementing its Open Access Repository named Colibrí. The CC Uruguay team closely accompanies these processes, encouraging and advising the authorities and commissions that are working in this direction.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The educational community: students, teachers and researchers, who will have greater knowledge about the availability of free materials and about the importance of a model of openness.&lt;br /&gt;
&lt;br /&gt;
==Project Outputs==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
1.1 Project Output&lt;br /&gt;
&lt;br /&gt;
a) Creating and managing the website, an institutional e-mail, a discussion list of CC Uruguay, a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;. (early 2015)&lt;br /&gt;
&lt;br /&gt;
b) Creating and managing CC Uruguay’s accounts in Social Networks (Twitter and Facebook). (mid 2015)&lt;br /&gt;
&lt;br /&gt;
c) First edition of the Montevideo Creative Commons Film Festival. (late 2015)&lt;br /&gt;
&lt;br /&gt;
1.2 Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Luis Alonzo, Daniel Viñar, Jorge Gemetto, Salvador García&lt;br /&gt;
&lt;br /&gt;
1.3 Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of website visits&lt;br /&gt;
&lt;br /&gt;
b) Number of followers on Twitter&lt;br /&gt;
&lt;br /&gt;
c) Number of subscribers of the discussion list&lt;br /&gt;
&lt;br /&gt;
d) Number of followers on Facebook&lt;br /&gt;
&lt;br /&gt;
e) Number of consultations by e-mail&lt;br /&gt;
&lt;br /&gt;
f) Number of films, talks, workshops and attendees at Film Festival.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
2.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Legal advice to the Ministry of Education and Culture and other state agencies to release works under free licenses. This includes at least works of Bicentenario Project and a number of works that won the Fondos Concursables para la Cultura (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) Coordination of at least two instances of seminars in conjunction with the Copyright Board. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Approval and operation of the Container of Free Community Creations by MEC Project (mid 2015)&lt;br /&gt;
&lt;br /&gt;
2.2 . Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Patricia Díaz - Rodrigo Barbano - Mariana Fossatti&lt;br /&gt;
&lt;br /&gt;
2.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of projects concretized with state agencies.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
3.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Completion of at least three open online courses about copyright and free licenses in conjunction with UdelaR. (late 2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) At least two talks and workshops for teachers and librarians about copyright and free licenses. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Fourth edition of the massive open online course &amp;quot;Arts and culture in circulation&amp;quot; in collaboration with Creative Commons Argentina, Ártica - Centro Cultural 2.0, Fundación Vía Libre (Argentina) and TEDIC (Paraguay) . (late 2015)&lt;br /&gt;
&lt;br /&gt;
d) Participation in at least 10 conferences or congresses (2014-2015)&lt;br /&gt;
&lt;br /&gt;
3.2. Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Manuel Podetti - Virginia Rodés - Patricia Díaz&lt;br /&gt;
&lt;br /&gt;
3.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of participants in open online courses.&lt;br /&gt;
&lt;br /&gt;
b) Number of attending lectures and classroom workshops.&lt;br /&gt;
&lt;br /&gt;
c) Quantity and quality of publications and projects on open knowledge and free licenses held by the participants of the courses and workshops.&lt;br /&gt;
&lt;br /&gt;
==Resources Required==&lt;br /&gt;
Main resources such as IT infrastructure and places for the events will be provided by Universidad de la República. The human resources are provided by a volunteer team that is willing to support the effort. &lt;br /&gt;
&lt;br /&gt;
==Sustainability and Scalability==&lt;br /&gt;
The sustainability of the project is run by a team of volunteers. The volunteers are very committed to the objectives. The volunteer group is sufficiently large (11 people) in order to address the objectives even if unforeseen circumstances occur.&lt;br /&gt;
&lt;br /&gt;
==Translation==&lt;br /&gt;
We promote and have adopted CC license in Spanish, because is the official anguage in our country and no other languages are spoken by a considerable proportion of our population.&lt;br /&gt;
&lt;br /&gt;
==Date of earliest MOU in jurisdiction==&lt;br /&gt;
The first MOU was signed in 2014.&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=113907</id>
		<title>Uruguay</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=113907"/>
				<updated>2015-05-25T16:21:30Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Jurisdiction&lt;br /&gt;
|jurstatus=Active&lt;br /&gt;
|status=&lt;br /&gt;
|country code=uy&lt;br /&gt;
|homepage=http://www.creativecommons.uy&lt;br /&gt;
|logourl=http://www.creativecommons.uy/wp-content/uploads/2013/11/LogoCCUY.jpg&lt;br /&gt;
|mailing list=&lt;br /&gt;
|twitter=https://twitter.com/CCuruguay&lt;br /&gt;
|social=https://www.youtube.com/user/ccuruguay&lt;br /&gt;
|otherurl=&lt;br /&gt;
|mailing=contacto@creativecommons.uy&lt;br /&gt;
|region=Latin America&lt;br /&gt;
|affiliated=Asociación de Bibliotecólogos del Uruguay&lt;br /&gt;
|affurl=http://www.abu.net.uy/&lt;br /&gt;
|afffocus=Non Profit&lt;br /&gt;
|afftype=NGO&lt;br /&gt;
|affiliated2=&lt;br /&gt;
|affurl2=&lt;br /&gt;
|afffocus2=&lt;br /&gt;
|affiliated3=&lt;br /&gt;
|affurl3=&lt;br /&gt;
|afffocus3=&lt;br /&gt;
|affiliated4=&lt;br /&gt;
|affurl4=&lt;br /&gt;
|afffocus4=&lt;br /&gt;
|affiliated5=&lt;br /&gt;
|affurl5=&lt;br /&gt;
|afffocus5=&lt;br /&gt;
|plead1=Patricia Díaz&lt;br /&gt;
|pemail1=contacto@creativecommons.uy&lt;br /&gt;
|ptitle1=Legal Leader&lt;br /&gt;
|plead2=Mariana Fossatti&lt;br /&gt;
|pemail2=contacto@creativecommons.uy&lt;br /&gt;
|ptitle2=Public Leader&lt;br /&gt;
|plead3=&lt;br /&gt;
|pemail3=&lt;br /&gt;
|ptitle3=&lt;br /&gt;
|plead4=&lt;br /&gt;
|pemail4=&lt;br /&gt;
|ptitle4=&lt;br /&gt;
|plead5=&lt;br /&gt;
|pemail5=&lt;br /&gt;
|ptitle5=&lt;br /&gt;
|teamsize=11&lt;br /&gt;
|flagurl=&lt;br /&gt;
|blog=http://www.creativecommons.uy&lt;br /&gt;
}}&lt;br /&gt;
'''Uruguay''' joins Creative Commons in order to support an open and accessible Internet, to promote the advantages of free knowledge and of sharing the intellectual wealth with the world.&lt;br /&gt;
&lt;br /&gt;
We believe that one of our first missions is the promotion and dissemination at different stages of free or less restrictive licenses than the usual &amp;quot;all rights reserved&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Our team is composed of eleven (11) people whose careers and affiliations are detailed below. We expect to add new people to the team.&lt;br /&gt;
&lt;br /&gt;
=Team information=&lt;br /&gt;
==Team members==&lt;br /&gt;
&lt;br /&gt;
'''Patricia Díaz:''' Attorney dedicated to Free Culture. Currently teaches at the Training Unit (UdelaR), at the Board of Education Training (ANEP) and is involved in projects related to Open Educational Resources. She is completing a Masters in International Relations (Thesis: &amp;quot;Economic Impact of government policies in support of Free Software in MERCOSUR&amp;quot; ). She is the team’s legal advisor.&lt;br /&gt;
&lt;br /&gt;
'''Mariana Fossatti:''' She is a sociologist. She is currently director of Ártica - Centro Cultural 2.0. She focuses on the study and application of ICT and e-learning in culture, education and social organizations. She is co-author of the e-books &amp;quot; Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses .&amp;quot; As a consultant, she has worked with various institutions such as the Ministry of Education and Culture of Uruguay, the FCForum and the Sociedad de las Indias Electrónicas. As a teacher, she has taught on society, new technologies and e -learning in the Centro Latinoamericano de Economía Humana (CLAEH), the University of Salamanca and the Plan Ceibal, among others. In parallel, she does research about visual arts and she develops her own artwork, using with collage techniques and audiovisual remix.&lt;br /&gt;
&lt;br /&gt;
'''Daniel Viñar:''' Engineer, graduated from the Ecole Polytechnique and the School of Telecommunications, France. Currently working on computers and networks at the Universidad de la República (UdelaR). Until 2007, he worked as a consultant in France and countries in Eastern Europe and Latin America. In 2008, in Bolivia, he participated in the re- nationalization of Entel (telecommunications company), and in the development by the Ministry of the Presidency of a proposal of &amp;quot;one computer per child&amp;quot;. He has participated in various free software communities for over ten years.&lt;br /&gt;
&lt;br /&gt;
'''Evelin Heidel:''' Student in Literature at the School of Arts, University of Buenos Aires. Board member of Fundación Vía Libre. Public Leader, Creative Commons Argentina. Latin American Project Lead, &amp;quot;Do It Yourself Bookscanner&amp;quot; Project. She participates in several projects for digitization of cultural heritage, and also in research groups on copyright and access to culture.&lt;br /&gt;
&lt;br /&gt;
'''Jorge Gemetto:''' Co-director, community manager, content curator and blogger at Ártica - Centro Cultural 2.0. Degree in Psychology. Co-author of the e-books &amp;quot;Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses&amp;quot;. He is an author, blogger and free culture activist.&lt;br /&gt;
&lt;br /&gt;
'''Luis Alonzo Fulchi:''' He is a sociologist and works as a computer consultant for the Departamento de Apoyo Técnico Académico (DATA), Universidad de la República (UdelaR). At DATA he has contributed to the development of the Program of Virtual Learning Environments (ProEVA), which provides a network of servers for computer support for teaching and blended learning. He is co-leader of the team that develops LibreQDA, a free software for qualitative analysis in the social sciences.&lt;br /&gt;
&lt;br /&gt;
'''Manuel Podetti:''' Degree in Communication Studies with studies in Media Analysis and Community Management. He specializes in ICT, media, organizational communication and social media. He co-directed Cellfiction, a company specialized in creating multimedia content for mobile. He spent over 9 years as a TV editor and producer. He is currently a communications consultant for the Departamento de Apoyo Técnico Académico (DATA) at the Universidad de la República (UdelaR). He participates in R &amp;amp; D projects related to OER, open textbooks and multimedia technologies. He also co-directs Fluo Communication, a company specialized in corporate communications.&lt;br /&gt;
&lt;br /&gt;
'''Pablo Laguna:''' Student in Sociology, University of Granada (UGR). Participates in a university exchange programme at the Faculty of Social Sciences at the University of the Republic. He is a member of the Board of Directors at Europa Laica and a member of Observatorio del Laicismo. It is a founding member of the Seminar “Otro pensamiento es posible” and “Seminario Galileo Galilei”, both from the UGR which also organizes annually the Conference on Spanish Republicanism.&lt;br /&gt;
&lt;br /&gt;
'''Rodrigo Barbano:''' Software developer specialized in web portals. Advisor on issues of free knowledge, culture and free software at parliamentary level. Manager of the ​ “technology socialism” area at Mate Amargo web magazine. Vice-president of Wikimedia Uruguay and founding member of the Centro de Estudios de Software Libre. He has advocated for the adoption by the Uruguayan government of free licenses for the cultural content produced.&lt;br /&gt;
&lt;br /&gt;
'''Salvador García:''' Musician, actor and teacher. Director of the copyleft record label Vía Láctea Ediciones. Drama teacher specialized in Clown and Physical Theatre. He is a member of the band Limpiando Encontré Monedas, where he works as a composer, guitarist, vocalist and manager. Director of the independent theater company El Embudo Clown.&lt;br /&gt;
&lt;br /&gt;
'''Virginia Rodés:''' Degree in Educational Communication, Virtual Learning Environments specialist, Master of University Teaching. Assistant Professor. Coordinator at Departamento de Apoyo Técnico Académico (DATA), Program of Virtual Learning Environments, Universidad de la República (UdelaR). She does research in various fields related to the development and application of technologies in education. Her area of ​​interest lies in the semantic web applied to education, learning objects, repositories, adaptability, accessibility issues. She has also studied the institutional transformation of higher education in the context of innovation processes based on educational technologies. She is currently involved in several R &amp;amp; D projects related to OER, open textbooks, accessibility and multimedia technologies. She has developed her professional career as a consultant for institutions and organizations in the environmental, healthcare, government and education areas.&lt;br /&gt;
&lt;br /&gt;
==Affiliated institutions and partners==&lt;br /&gt;
&lt;br /&gt;
===Affiliated institution===&lt;br /&gt;
- Asociación de Bibliotecólogos del Uruguay (Uruguayan Association of Librarians) - President: Alicia Ocaso - Web: http://www.abu.net.uy &lt;br /&gt;
&lt;br /&gt;
===Other partner institutions===&lt;br /&gt;
- SciELO Uruguay - Web: http://www.scielo.edu.uy&lt;br /&gt;
&lt;br /&gt;
- Wikimedia Uruguay - Web: http://wikimediauruguay.org&lt;br /&gt;
&lt;br /&gt;
- Ártica - Centro Cultural Online - Web: http://www.articaonline.com&lt;br /&gt;
&lt;br /&gt;
- Vía Láctea Ediciones - Web: http://www.vialacteaediciones.com&lt;br /&gt;
&lt;br /&gt;
===Under Approval (pending)===&lt;br /&gt;
- Universidad de la República - DATA (CSE) - RedEVa - Comisión de Propiedad Intelectual - Web: http://www.universidad.edu.uy&lt;br /&gt;
&lt;br /&gt;
===CC Uruguay participates in:===&lt;br /&gt;
- Red de Propiedad Intelectual (Intellectual Property Network) - Web: http://www.redpi.uy&lt;br /&gt;
&lt;br /&gt;
- Red de Gobierno Abierto (Open Government Network) - Web: http://rga.uy&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=Affiliate Team Roadmap late 2014 - 2015=&lt;br /&gt;
&lt;br /&gt;
==Vision==&lt;br /&gt;
&lt;br /&gt;
We share the conviction that it is necessary to support and promote an alternative cultural model based on the free flow of information and collaboration. This model prioritizes the public interest over individual interest especially in relation to education, science, art and culture, and is made possible by the Creative Commons set of licenses. The simplicity and practicality of the CC licenses facilitate its use as a suitable tool in any kind of academic, artistic or cultural entrepreneurship.&lt;br /&gt;
&lt;br /&gt;
The Creative Commons licenses have already begun to be used in Uruguay mainly in areas related to education and music. We have identified the need for training and guidance to promote a correct use of the licenses and to promote the extension of its use to other areas of culture.&lt;br /&gt;
&lt;br /&gt;
The main factors that determine the success of the project are:&lt;br /&gt;
&lt;br /&gt;
- The commitment of its members to the project.&lt;br /&gt;
&lt;br /&gt;
- Cooperation, networking and interdisciplinary teams.&lt;br /&gt;
&lt;br /&gt;
- The connection of each participant with different actors and institutions in the field of education, the cultural world and various state agencies, which constitutes one of the main strengths of the team.&lt;br /&gt;
&lt;br /&gt;
==Contribution to the CC Affiliate Network==&lt;br /&gt;
&lt;br /&gt;
We have worked in contact with members of CC teams in the region. We received initial support from these teams who have shared their expertise with us. When our team is consolidated, we will be able to provide the same support to other teams.&lt;br /&gt;
&lt;br /&gt;
In recent months we have worked on the Spanish translation of materials about Creative Commons licenses and have participated in some projects with other teams and CC communities.&lt;br /&gt;
&lt;br /&gt;
In November 2013, we organized in Uruguay the local instance of the &amp;quot;Free Music Week&amp;quot;, a joint project with CC Guatemala and CC Costa Rica.&lt;br /&gt;
&lt;br /&gt;
We have also worked on the online course &amp;quot;ABC of copyright for librarians in Latin America&amp;quot;​​, in a team with CC Colombia and CC El Salvador .&lt;br /&gt;
&lt;br /&gt;
By geographical proximity and affinity, we are in daily contact with CC teams of Argentina and Paraguay. We are especially interested in generating instances of dissemination and regional projects.&lt;br /&gt;
&lt;br /&gt;
==Community==&lt;br /&gt;
&lt;br /&gt;
- Educational Community, mainly faculty (ANEP, UdelaR) and students of Tertiary Education. Some of our team members work at UdelaR, the main University of Uruguay, with more than 85% of the universitary students in the country. We are also in contact with teachers at ANEP (Administración Nacional de Educación Pública) through our discussion list.&lt;br /&gt;
&lt;br /&gt;
- Scientific community, researchers, scientific journals and libraries. We have one team member who works at the Asociación de Bibliotecólogos del Uruguay (Librarians Association of Uruguay). We are in close contact with representatives of SciELO Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Free Software Community: some of our team members are free software programmers. We are in close contact with CESoL (Centro de Estudios de Software Libre). We have participated in the FLISOL (Latin American Free Software Installation Festival).&lt;br /&gt;
&lt;br /&gt;
- Wikipedians and Wikimedia community: Some members of CC Uruguay are Wikipedians and also members of Wikimedia Uruguay.&lt;br /&gt;
&lt;br /&gt;
- National musicians: One member of our team coordinates a free music label and is part of the Free Music Labels Network in Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Community of visual artists and new media artists. We have worked together with new media artists at remix workshops.&lt;br /&gt;
&lt;br /&gt;
- State agencies: we have worked together with various State Agencies, like Bicentenario, Centros MEC and Consejo de Derechos de Autor.&lt;br /&gt;
&lt;br /&gt;
- Right to Culture Movement. Some of our team members are also members of that movement. We have worked together in the production of events.&lt;br /&gt;
&lt;br /&gt;
Communication with communities will primarily take place through our discussion list. We will also use our website and Twitter to inform activities and dialogue with the people.&lt;br /&gt;
&lt;br /&gt;
==Priority Goals==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
We plan to keep in touch with each of the communities. Among our first steps, we have implemented the following tools:&lt;br /&gt;
&lt;br /&gt;
- The Uruguay CC website.&lt;br /&gt;
&lt;br /&gt;
- A CC Uruguay Twitter account.&lt;br /&gt;
&lt;br /&gt;
- A discussion list of about 50 people that includes members of the target communities.&lt;br /&gt;
&lt;br /&gt;
We plan to continue adding people from the identified communities to the discussion list in order to exchange information about news, activities and opportunities for collaboration. In addition, we aim to:&lt;br /&gt;
&lt;br /&gt;
- Create and manage a Facebook account.&lt;br /&gt;
&lt;br /&gt;
- Create and manage an institutional email account&lt;br /&gt;
&lt;br /&gt;
- Create and manage a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Additionally, we plan to organize, in conjunction with the Centro Cultural de España, the first edition of the Montevideo Creative Commons Film Festival.&lt;br /&gt;
&lt;br /&gt;
This initial step will serve as the basis for CC Uruguay’s communication and promotion activities. It will also be useful to promote Uruguayan cultural and educational projects using CC licenses, to answer questions from the public and to dialogue with other institutions.&lt;br /&gt;
&lt;br /&gt;
The online community will benefit Uruguayan authors and users, since they will be able to access information about the CC licenses in Uruguay, and may also communicate with the CC team to make questions, suggest activities or collaborations.&lt;br /&gt;
&lt;br /&gt;
The work of authors who use Creative Commons licenses will be promoted on the multiple online spaces of CC Uruguay.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
We are especially interested on advising governmental agencies in order to adopt free licenses for their content, and become involved in the promotion of free licenses.&lt;br /&gt;
&lt;br /&gt;
We have initiated several lines of interaction and work in conjunction with the Ministry of Education and Culture (MEC):&lt;br /&gt;
&lt;br /&gt;
We worked with Wikimedia Uruguay and Bicentennial Project in the release and resettlement generated content in the past two years. We plan to continue this joint work in the following months.&lt;br /&gt;
We contacted members of the CDA - MEC (Copyright Board - Ministry of Education and Culture) for the organization of a Series of Conferences about Creative Commons and Free Culture, as well as a seminar or another type of training instance of copyright for journalists. We plan two instances of seminars in conjunction with the Copyright Board.&lt;br /&gt;
We received the request from the MEC (the “Centros MEC” Area) to assist in the creation of the CCCL Project (in english: Container of Free Community Creations) , which aims to develop an online service to collect and share free artistic and cultural works.&lt;br /&gt;
&lt;br /&gt;
Why is it important?&lt;br /&gt;
&lt;br /&gt;
The State is a great partner and this partnership increases visibility of free licenses. CC makes Uruguay a valid interlocutor on free culture issues, preservation and dissemination of cultural goods produced in the State. By expanding the adoption of these licenses, especially at the level of the Ministry of Education and Culture, the objective conditions are generated to facilitate a change in legislation to license freely the content generated by the State.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The beneficiaries of the material released by the State will be the artists themselves, teachers, public libraries but also to the public in general.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
Uruguay is in a process of discussion on how to improve access to educational materials. In this regard, it is important to promote a model of free production and free access to knowledge, based on CC licenses, as opposed to restrictive models based on the use of technological protection measures and &amp;quot;all rights reserved&amp;quot; models.&lt;br /&gt;
&lt;br /&gt;
The UdelaR has begun the adoption of a model of &amp;quot;Open University&amp;quot;. During the year 2013 the UdelaR has declared the priority of Free Software and Open Formats, has decided that all the research will be Open Access and has also adopted the policy of opening their Educational Resources. During 2014, UdelaR is implementing its Open Access Repository named Colibrí. The CC Uruguay team closely accompanies these processes, encouraging and advising the authorities and commissions that are working in this direction.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The educational community: students, teachers and researchers, who will have greater knowledge about the availability of free materials and about the importance of a model of openness.&lt;br /&gt;
&lt;br /&gt;
==Project Outputs==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
1.1 Project Output&lt;br /&gt;
&lt;br /&gt;
a) Creating and managing the website, an institutional e-mail, a discussion list of CC Uruguay, a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;. (early 2015)&lt;br /&gt;
&lt;br /&gt;
b) Creating and managing CC Uruguay’s accounts in Social Networks (Twitter and Facebook). (mid 2015)&lt;br /&gt;
&lt;br /&gt;
c) First edition of the Montevideo Creative Commons Film Festival. (late 2015)&lt;br /&gt;
&lt;br /&gt;
1.2 Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Luis Alonzo, Daniel Viñar, Jorge Gemetto, Salvador García&lt;br /&gt;
&lt;br /&gt;
1.3 Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of website visits&lt;br /&gt;
&lt;br /&gt;
b) Number of followers on Twitter&lt;br /&gt;
&lt;br /&gt;
c) Number of subscribers of the discussion list&lt;br /&gt;
&lt;br /&gt;
d) Number of followers on Facebook&lt;br /&gt;
&lt;br /&gt;
e) Number of consultations by e-mail&lt;br /&gt;
&lt;br /&gt;
f) Number of films, talks, workshops and attendees at Film Festival.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
2.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Legal advice to the Ministry of Education and Culture and other state agencies to release works under free licenses. This includes at least works of Bicentenario Project and a number of works that won the Fondos Concursables para la Cultura (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) Coordination of at least two instances of seminars in conjunction with the Copyright Board. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Approval and operation of the Container of Free Community Creations by MEC Project (mid 2015)&lt;br /&gt;
&lt;br /&gt;
2.2 . Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Patricia Díaz - Rodrigo Barbano - Mariana Fossatti&lt;br /&gt;
&lt;br /&gt;
2.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of projects concretized with state agencies.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
3.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Completion of at least three open online courses about copyright and free licenses in conjunction with UdelaR. (late 2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) At least two talks and workshops for teachers and librarians about copyright and free licenses. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Fourth edition of the massive open online course &amp;quot;Arts and culture in circulation&amp;quot; in collaboration with Creative Commons Argentina, Ártica - Centro Cultural 2.0, Fundación Vía Libre (Argentina) and TEDIC (Paraguay) . (late 2015)&lt;br /&gt;
&lt;br /&gt;
d) Participation in at least 10 conferences or congresses (2014-2015)&lt;br /&gt;
&lt;br /&gt;
3.2. Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Manuel Podetti - Virginia Rodés - Patricia Díaz - Alicia Ocaso&lt;br /&gt;
&lt;br /&gt;
3.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of participants in open online courses.&lt;br /&gt;
&lt;br /&gt;
b) Number of attending lectures and classroom workshops.&lt;br /&gt;
&lt;br /&gt;
c) Quantity and quality of publications and projects on open knowledge and free licenses held by the participants of the courses and workshops.&lt;br /&gt;
&lt;br /&gt;
==Resources Required==&lt;br /&gt;
Main resources such as IT infrastructure and places for the events will be provided by Universidad de la República. The human resources are provided by a volunteer team that is willing to support the effort. &lt;br /&gt;
&lt;br /&gt;
==Sustainability and Scalability==&lt;br /&gt;
The sustainability of the project is run by a team of volunteers. The volunteers are very committed to the objectives. The volunteer group is sufficiently large (11 people) in order to address the objectives even if unforeseen circumstances occur.&lt;br /&gt;
&lt;br /&gt;
==Translation==&lt;br /&gt;
We promote and have adopted CC license in Spanish, because is the official anguage in our country and no other languages are spoken by a considerable proportion of our population.&lt;br /&gt;
&lt;br /&gt;
==Date of earliest MOU in jurisdiction==&lt;br /&gt;
The first MOU was signed in 2014.&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=103500</id>
		<title>Uruguay</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=103500"/>
				<updated>2015-01-13T16:21:51Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Jurisdiction&lt;br /&gt;
|jurstatus=Active&lt;br /&gt;
|status=&lt;br /&gt;
|country code=uy&lt;br /&gt;
|homepage=http://www.creativecommons.uy&lt;br /&gt;
|logourl=http://www.creativecommons.uy/wp-content/uploads/2013/11/LogoCCUY.jpg&lt;br /&gt;
|mailing list=&lt;br /&gt;
|twitter=https://twitter.com/CCuruguay&lt;br /&gt;
|social=https://www.youtube.com/user/ccuruguay&lt;br /&gt;
|otherurl=&lt;br /&gt;
|mailing=contacto@creativecommons.uy&lt;br /&gt;
|region=Latin America&lt;br /&gt;
|affiliated=Asociación de Bibliotecólogos del Uruguay&lt;br /&gt;
|affurl=http://www.abu.net.uy/&lt;br /&gt;
|afffocus=Non Profit&lt;br /&gt;
|afftype=NGO&lt;br /&gt;
|affiliated2=&lt;br /&gt;
|affurl2=&lt;br /&gt;
|afffocus2=&lt;br /&gt;
|affiliated3=&lt;br /&gt;
|affurl3=&lt;br /&gt;
|afffocus3=&lt;br /&gt;
|affiliated4=&lt;br /&gt;
|affurl4=&lt;br /&gt;
|afffocus4=&lt;br /&gt;
|affiliated5=&lt;br /&gt;
|affurl5=&lt;br /&gt;
|afffocus5=&lt;br /&gt;
|plead1=Patricia Díaz&lt;br /&gt;
|pemail1=contacto@creativecommons.uy&lt;br /&gt;
|ptitle1=Legal Leader&lt;br /&gt;
|plead2=Mariana Fossatti&lt;br /&gt;
|pemail2=contacto@creativecommons.uy&lt;br /&gt;
|ptitle2=Public Leader&lt;br /&gt;
|plead3=&lt;br /&gt;
|pemail3=&lt;br /&gt;
|ptitle3=&lt;br /&gt;
|plead4=&lt;br /&gt;
|pemail4=&lt;br /&gt;
|ptitle4=&lt;br /&gt;
|plead5=&lt;br /&gt;
|pemail5=&lt;br /&gt;
|ptitle5=&lt;br /&gt;
|teamsize=11&lt;br /&gt;
|flagurl=&lt;br /&gt;
|blog=http://www.creativecommons.uy&lt;br /&gt;
}}&lt;br /&gt;
'''Uruguay''' joins Creative Commons in order to support an open and accessible Internet, to promote the advantages of free knowledge and of sharing the intellectual wealth with the world.&lt;br /&gt;
&lt;br /&gt;
We believe that one of our first missions is the promotion and dissemination at different stages of free or less restrictive licenses than the usual &amp;quot;all rights reserved&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Our team is composed of eleven (11) people whose careers and affiliations are detailed below. We expect to add new people to the team.&lt;br /&gt;
&lt;br /&gt;
=Team information=&lt;br /&gt;
==Team members==&lt;br /&gt;
&lt;br /&gt;
'''Patricia Díaz:''' Attorney dedicated to Free Culture. Currently teaches at the Training Unit (UdelaR), at the Board of Education Training (ANEP) and is involved in projects related to Open Educational Resources. She is completing a Masters in International Relations (Thesis: &amp;quot;Economic Impact of government policies in support of Free Software in MERCOSUR&amp;quot; ). She is the team’s legal advisor.&lt;br /&gt;
&lt;br /&gt;
'''Mariana Fossatti:''' She is a sociologist. She is currently director of Ártica - Centro Cultural 2.0. She focuses on the study and application of ICT and e-learning in culture, education and social organizations. She is co-author of the e-books &amp;quot; Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses .&amp;quot; As a consultant, she has worked with various institutions such as the Ministry of Education and Culture of Uruguay, the FCForum and the Sociedad de las Indias Electrónicas. As a teacher, she has taught on society, new technologies and e -learning in the Centro Latinoamericano de Economía Humana (CLAEH), the University of Salamanca and the Plan Ceibal, among others. In parallel, she does research about visual arts and she develops her own artwork, using with collage techniques and audiovisual remix.&lt;br /&gt;
&lt;br /&gt;
'''Alicia Ocaso:''' Degree in Library Science. President of the Uruguayan Association of Librarians (Asociación de Bibliotecólogos del Uruguay, ABU). She is a member of the Committee on Copyright and other Legal Matters (CLM) of the International Federation of Library Associations and Institutions (IFLA) until August 2015, this being her second term. She was a member of IFLA LAC and IFLA MLAS committees for two terms. She manages multiple discussion groups of librarians in Latin America and the Caribbean.&lt;br /&gt;
&lt;br /&gt;
'''Daniel Viñar:''' Engineer, graduated from the Ecole Polytechnique and the School of Telecommunications, France. Currently working on computers and networks at the Universidad de la República (UdelaR). Until 2007, he worked as a consultant in France and countries in Eastern Europe and Latin America. In 2008, in Bolivia, he participated in the re- nationalization of Entel (telecommunications company), and in the development by the Ministry of the Presidency of a proposal of &amp;quot;one computer per child&amp;quot;. He has participated in various free software communities for over ten years.&lt;br /&gt;
&lt;br /&gt;
'''Jorge Gemetto:''' Co-director, community manager, content curator and blogger at Ártica - Centro Cultural 2.0. Degree in Psychology. Co-author of the e-books &amp;quot;Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses&amp;quot;. He is an author, blogger and free culture activist.&lt;br /&gt;
&lt;br /&gt;
'''Luis Alonzo Fulchi:''' He is a sociologist and works as a computer consultant for the Departamento de Apoyo Técnico Académico (DATA), Universidad de la República (UdelaR). At DATA he has contributed to the development of the Program of Virtual Learning Environments (ProEVA), which provides a network of servers for computer support for teaching and blended learning. He is co-leader of the team that develops LibreQDA, a free software for qualitative analysis in the social sciences.&lt;br /&gt;
&lt;br /&gt;
'''Manuel Podetti:''' Degree in Communication Studies with studies in Media Analysis and Community Management. He specializes in ICT, media, organizational communication and social media. He co-directed Cellfiction, a company specialized in creating multimedia content for mobile. He spent over 9 years as a TV editor and producer. He is currently a communications consultant for the Departamento de Apoyo Técnico Académico (DATA) at the Universidad de la República (UdelaR). He participates in R &amp;amp; D projects related to OER, open textbooks and multimedia technologies. He also co-directs Fluo Communication, a company specialized in corporate communications.&lt;br /&gt;
&lt;br /&gt;
'''Pablo Laguna:''' Student in Sociology, University of Granada (UGR). Participates in a university exchange programme at the Faculty of Social Sciences at the University of the Republic. He is a member of the Board of Directors at Europa Laica and a member of Observatorio del Laicismo. It is a founding member of the Seminar “Otro pensamiento es posible” and “Seminario Galileo Galilei”, both from the UGR which also organizes annually the Conference on Spanish Republicanism.&lt;br /&gt;
&lt;br /&gt;
'''Rodrigo Barbano:''' Software developer specialized in web portals. Advisor on issues of free knowledge, culture and free software at parliamentary level. Manager of the ​ “technology socialism” area at Mate Amargo web magazine. Vice-president of Wikimedia Uruguay and founding member of the Centro de Estudios de Software Libre. He has advocated for the adoption by the Uruguayan government of free licenses for the cultural content produced.&lt;br /&gt;
&lt;br /&gt;
'''Salvador García:''' Musician, actor and teacher. Director of the copyleft record label Vía Láctea Ediciones. Drama teacher specialized in Clown and Physical Theatre. He is a member of the band Limpiando Encontré Monedas, where he works as a composer, guitarist, vocalist and manager. Director of the independent theater company El Embudo Clown.&lt;br /&gt;
&lt;br /&gt;
'''Virginia Rodés:''' Degree in Educational Communication, Virtual Learning Environments specialist, Master of University Teaching. Assistant Professor. Coordinator at Departamento de Apoyo Técnico Académico (DATA), Program of Virtual Learning Environments, Universidad de la República (UdelaR). She does research in various fields related to the development and application of technologies in education. Her area of ​​interest lies in the semantic web applied to education, learning objects, repositories, adaptability, accessibility issues. She has also studied the institutional transformation of higher education in the context of innovation processes based on educational technologies. She is currently involved in several R &amp;amp; D projects related to OER, open textbooks, accessibility and multimedia technologies. She has developed her professional career as a consultant for institutions and organizations in the environmental, healthcare, government and education areas.&lt;br /&gt;
&lt;br /&gt;
==Affiliated institutions and partners==&lt;br /&gt;
&lt;br /&gt;
===Affiliated institution===&lt;br /&gt;
- Asociación de Bibliotecólogos del Uruguay (Uruguayan Association of Librarians) - President: Alicia Ocaso - Web: http://www.abu.net.uy &lt;br /&gt;
&lt;br /&gt;
===Other partner institutions===&lt;br /&gt;
- SciELO Uruguay - Web: http://www.scielo.edu.uy&lt;br /&gt;
&lt;br /&gt;
- Wikimedia Uruguay - Web: http://wikimediauruguay.org&lt;br /&gt;
&lt;br /&gt;
- Ártica - Centro Cultural Online - Web: http://www.articaonline.com&lt;br /&gt;
&lt;br /&gt;
- Vía Láctea Ediciones - Web: http://www.vialacteaediciones.com&lt;br /&gt;
&lt;br /&gt;
===Under Approval (pending)===&lt;br /&gt;
- Universidad de la República - DATA (CSE) - RedEVa - Comisión de Propiedad Intelectual - Web: http://www.universidad.edu.uy&lt;br /&gt;
&lt;br /&gt;
===CC Uruguay participates in:===&lt;br /&gt;
- Red de Propiedad Intelectual (Intellectual Property Network) - Web: http://www.redpi.uy&lt;br /&gt;
&lt;br /&gt;
- Red de Gobierno Abierto (Open Government Network) - Web: http://rga.uy&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=Affiliate Team Roadmap late 2014 - 2015=&lt;br /&gt;
&lt;br /&gt;
==Vision==&lt;br /&gt;
&lt;br /&gt;
We share the conviction that it is necessary to support and promote an alternative cultural model based on the free flow of information and collaboration. This model prioritizes the public interest over individual interest especially in relation to education, science, art and culture, and is made possible by the Creative Commons set of licenses. The simplicity and practicality of the CC licenses facilitate its use as a suitable tool in any kind of academic, artistic or cultural entrepreneurship.&lt;br /&gt;
&lt;br /&gt;
The Creative Commons licenses have already begun to be used in Uruguay mainly in areas related to education and music. We have identified the need for training and guidance to promote a correct use of the licenses and to promote the extension of its use to other areas of culture.&lt;br /&gt;
&lt;br /&gt;
The main factors that determine the success of the project are:&lt;br /&gt;
&lt;br /&gt;
- The commitment of its members to the project.&lt;br /&gt;
&lt;br /&gt;
- Cooperation, networking and interdisciplinary teams.&lt;br /&gt;
&lt;br /&gt;
- The connection of each participant with different actors and institutions in the field of education, the cultural world and various state agencies, which constitutes one of the main strengths of the team.&lt;br /&gt;
&lt;br /&gt;
==Contribution to the CC Affiliate Network==&lt;br /&gt;
&lt;br /&gt;
We have worked in contact with members of CC teams in the region. We received initial support from these teams who have shared their expertise with us. When our team is consolidated, we will be able to provide the same support to other teams.&lt;br /&gt;
&lt;br /&gt;
In recent months we have worked on the Spanish translation of materials about Creative Commons licenses and have participated in some projects with other teams and CC communities.&lt;br /&gt;
&lt;br /&gt;
In November 2013, we organized in Uruguay the local instance of the &amp;quot;Free Music Week&amp;quot;, a joint project with CC Guatemala and CC Costa Rica.&lt;br /&gt;
&lt;br /&gt;
We have also worked on the online course &amp;quot;ABC of copyright for librarians in Latin America&amp;quot;​​, in a team with CC Colombia and CC El Salvador .&lt;br /&gt;
&lt;br /&gt;
By geographical proximity and affinity, we are in daily contact with CC teams of Argentina and Paraguay. We are especially interested in generating instances of dissemination and regional projects.&lt;br /&gt;
&lt;br /&gt;
==Community==&lt;br /&gt;
&lt;br /&gt;
- Educational Community, mainly faculty (ANEP, UdelaR) and students of Tertiary Education. Some of our team members work at UdelaR, the main University of Uruguay, with more than 85% of the universitary students in the country. We are also in contact with teachers at ANEP (Administración Nacional de Educación Pública) through our discussion list.&lt;br /&gt;
&lt;br /&gt;
- Scientific community, researchers, scientific journals and libraries. We have one team member who works at the Asociación de Bibliotecólogos del Uruguay (Librarians Association of Uruguay). We are in close contact with representatives of SciELO Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Free Software Community: some of our team members are free software programmers. We are in close contact with CESoL (Centro de Estudios de Software Libre). We have participated in the FLISOL (Latin American Free Software Installation Festival).&lt;br /&gt;
&lt;br /&gt;
- Wikipedians and Wikimedia community: Some members of CC Uruguay are Wikipedians and also members of Wikimedia Uruguay.&lt;br /&gt;
&lt;br /&gt;
- National musicians: One member of our team coordinates a free music label and is part of the Free Music Labels Network in Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Community of visual artists and new media artists. We have worked together with new media artists at remix workshops.&lt;br /&gt;
&lt;br /&gt;
- State agencies: we have worked together with various State Agencies, like Bicentenario, Centros MEC and Consejo de Derechos de Autor.&lt;br /&gt;
&lt;br /&gt;
- Right to Culture Movement. Some of our team members are also members of that movement. We have worked together in the production of events.&lt;br /&gt;
&lt;br /&gt;
Communication with communities will primarily take place through our discussion list. We will also use our website and Twitter to inform activities and dialogue with the people.&lt;br /&gt;
&lt;br /&gt;
==Priority Goals==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
We plan to keep in touch with each of the communities. Among our first steps, we have implemented the following tools:&lt;br /&gt;
&lt;br /&gt;
- The Uruguay CC website.&lt;br /&gt;
&lt;br /&gt;
- A CC Uruguay Twitter account.&lt;br /&gt;
&lt;br /&gt;
- A discussion list of about 50 people that includes members of the target communities.&lt;br /&gt;
&lt;br /&gt;
We plan to continue adding people from the identified communities to the discussion list in order to exchange information about news, activities and opportunities for collaboration. In addition, we aim to:&lt;br /&gt;
&lt;br /&gt;
- Create and manage a Facebook account.&lt;br /&gt;
&lt;br /&gt;
- Create and manage an institutional email account&lt;br /&gt;
&lt;br /&gt;
- Create and manage a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Additionally, we plan to organize, in conjunction with the Centro Cultural de España, the first edition of the Montevideo Creative Commons Film Festival.&lt;br /&gt;
&lt;br /&gt;
This initial step will serve as the basis for CC Uruguay’s communication and promotion activities. It will also be useful to promote Uruguayan cultural and educational projects using CC licenses, to answer questions from the public and to dialogue with other institutions.&lt;br /&gt;
&lt;br /&gt;
The online community will benefit Uruguayan authors and users, since they will be able to access information about the CC licenses in Uruguay, and may also communicate with the CC team to make questions, suggest activities or collaborations.&lt;br /&gt;
&lt;br /&gt;
The work of authors who use Creative Commons licenses will be promoted on the multiple online spaces of CC Uruguay.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
We are especially interested on advising governmental agencies in order to adopt free licenses for their content, and become involved in the promotion of free licenses.&lt;br /&gt;
&lt;br /&gt;
We have initiated several lines of interaction and work in conjunction with the Ministry of Education and Culture (MEC):&lt;br /&gt;
&lt;br /&gt;
We worked with Wikimedia Uruguay and Bicentennial Project in the release and resettlement generated content in the past two years. We plan to continue this joint work in the following months.&lt;br /&gt;
We contacted members of the CDA - MEC (Copyright Board - Ministry of Education and Culture) for the organization of a Series of Conferences about Creative Commons and Free Culture, as well as a seminar or another type of training instance of copyright for journalists. We plan two instances of seminars in conjunction with the Copyright Board.&lt;br /&gt;
We received the request from the MEC (the “Centros MEC” Area) to assist in the creation of the CCCL Project (in english: Container of Free Community Creations) , which aims to develop an online service to collect and share free artistic and cultural works.&lt;br /&gt;
&lt;br /&gt;
Why is it important?&lt;br /&gt;
&lt;br /&gt;
The State is a great partner and this partnership increases visibility of free licenses. CC makes Uruguay a valid interlocutor on free culture issues, preservation and dissemination of cultural goods produced in the State. By expanding the adoption of these licenses, especially at the level of the Ministry of Education and Culture, the objective conditions are generated to facilitate a change in legislation to license freely the content generated by the State.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The beneficiaries of the material released by the State will be the artists themselves, teachers, public libraries but also to the public in general.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
Uruguay is in a process of discussion on how to improve access to educational materials. In this regard, it is important to promote a model of free production and free access to knowledge, based on CC licenses, as opposed to restrictive models based on the use of technological protection measures and &amp;quot;all rights reserved&amp;quot; models.&lt;br /&gt;
&lt;br /&gt;
The UdelaR has begun the adoption of a model of &amp;quot;Open University&amp;quot;. During the year 2013 the UdelaR has declared the priority of Free Software and Open Formats, has decided that all the research will be Open Access and has also adopted the policy of opening their Educational Resources. During 2014, UdelaR is implementing its Open Access Repository named Colibrí. The CC Uruguay team closely accompanies these processes, encouraging and advising the authorities and commissions that are working in this direction.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The educational community: students, teachers and researchers, who will have greater knowledge about the availability of free materials and about the importance of a model of openness.&lt;br /&gt;
&lt;br /&gt;
==Project Outputs==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
1.1 Project Output&lt;br /&gt;
&lt;br /&gt;
a) Creating and managing the website, an institutional e-mail, a discussion list of CC Uruguay, a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;. (early 2015)&lt;br /&gt;
&lt;br /&gt;
b) Creating and managing CC Uruguay’s accounts in Social Networks (Twitter and Facebook). (mid 2015)&lt;br /&gt;
&lt;br /&gt;
c) First edition of the Montevideo Creative Commons Film Festival. (late 2015)&lt;br /&gt;
&lt;br /&gt;
1.2 Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Luis Alonzo, Daniel Viñar, Jorge Gemetto, Salvador García&lt;br /&gt;
&lt;br /&gt;
1.3 Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of website visits&lt;br /&gt;
&lt;br /&gt;
b) Number of followers on Twitter&lt;br /&gt;
&lt;br /&gt;
c) Number of subscribers of the discussion list&lt;br /&gt;
&lt;br /&gt;
d) Number of followers on Facebook&lt;br /&gt;
&lt;br /&gt;
e) Number of consultations by e-mail&lt;br /&gt;
&lt;br /&gt;
f) Number of films, talks, workshops and attendees at Film Festival.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
2.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Legal advice to the Ministry of Education and Culture and other state agencies to release works under free licenses. This includes at least works of Bicentenario Project and a number of works that won the Fondos Concursables para la Cultura (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) Coordination of at least two instances of seminars in conjunction with the Copyright Board. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Approval and operation of the Container of Free Community Creations by MEC Project (mid 2015)&lt;br /&gt;
&lt;br /&gt;
2.2 . Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Patricia Díaz - Rodrigo Barbano - Mariana Fossatti&lt;br /&gt;
&lt;br /&gt;
2.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of projects concretized with state agencies.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
3.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Completion of at least three open online courses about copyright and free licenses in conjunction with UdelaR. (late 2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) At least two talks and workshops for teachers and librarians about copyright and free licenses. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Fourth edition of the massive open online course &amp;quot;Arts and culture in circulation&amp;quot; in collaboration with Creative Commons Argentina, Ártica - Centro Cultural 2.0, Fundación Vía Libre (Argentina) and TEDIC (Paraguay) . (late 2015)&lt;br /&gt;
&lt;br /&gt;
d) Participation in at least 10 conferences or congresses (2014-2015)&lt;br /&gt;
&lt;br /&gt;
3.2. Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Manuel Podetti - Virginia Rodés - Patricia Díaz - Alicia Ocaso&lt;br /&gt;
&lt;br /&gt;
3.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of participants in open online courses.&lt;br /&gt;
&lt;br /&gt;
b) Number of attending lectures and classroom workshops.&lt;br /&gt;
&lt;br /&gt;
c) Quantity and quality of publications and projects on open knowledge and free licenses held by the participants of the courses and workshops.&lt;br /&gt;
&lt;br /&gt;
==Resources Required==&lt;br /&gt;
Main resources such as IT infrastructure and places for the events will be provided by Universidad de la República. The human resources are provided by a volunteer team that is willing to support the effort. &lt;br /&gt;
&lt;br /&gt;
==Sustainability and Scalability==&lt;br /&gt;
The sustainability of the project is run by a team of volunteers. The volunteers are very committed to the objectives. The volunteer group is sufficiently large (11 people) in order to address the objectives even if unforeseen circumstances occur.&lt;br /&gt;
&lt;br /&gt;
==Translation==&lt;br /&gt;
We promote and have adopted CC license in Spanish, because is the official anguage in our country and no other languages are spoken by a considerable proportion of our population.&lt;br /&gt;
&lt;br /&gt;
==Date of earliest MOU in jurisdiction==&lt;br /&gt;
The first MOU was signed in 2014.&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=103499</id>
		<title>Uruguay</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=103499"/>
				<updated>2015-01-13T16:20:07Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Jurisdiction&lt;br /&gt;
|jurstatus=Active&lt;br /&gt;
|status=&lt;br /&gt;
|country code=uy&lt;br /&gt;
|homepage=http://www.creativecommons.uy&lt;br /&gt;
|logourl=http://www.creativecommons.uy/wp-content/uploads/2013/11/LogoCCUY.jpg&lt;br /&gt;
|mailing list=&lt;br /&gt;
|twitter=https://twitter.com/CCuruguay&lt;br /&gt;
|social=https://www.youtube.com/user/ccuruguay&lt;br /&gt;
|otherurl=&lt;br /&gt;
|mailing=contacto@creativecommons.uy&lt;br /&gt;
|region=Latin America&lt;br /&gt;
|affiliated=Asociación de Bibliotecólogos del Uruguay&lt;br /&gt;
|affurl=http://www.abu.net.uy/&lt;br /&gt;
|afffocus=Non Profit&lt;br /&gt;
|afftype=NGO&lt;br /&gt;
|affiliated2=&lt;br /&gt;
|affurl2=&lt;br /&gt;
|afffocus2=&lt;br /&gt;
|affiliated3=&lt;br /&gt;
|affurl3=&lt;br /&gt;
|afffocus3=&lt;br /&gt;
|affiliated4=&lt;br /&gt;
|affurl4=&lt;br /&gt;
|afffocus4=&lt;br /&gt;
|affiliated5=&lt;br /&gt;
|affurl5=&lt;br /&gt;
|afffocus5=&lt;br /&gt;
|plead1=Patricia Díaz&lt;br /&gt;
|pemail1=contacto@creativecommons.uy&lt;br /&gt;
|ptitle1=Legal Leader&lt;br /&gt;
|plead2=Mariana Fossatti&lt;br /&gt;
|pemail2=contacto@creativecommons.uy&lt;br /&gt;
|ptitle2=Public Leader&lt;br /&gt;
|plead3=&lt;br /&gt;
|pemail3=&lt;br /&gt;
|ptitle3=&lt;br /&gt;
|plead4=&lt;br /&gt;
|pemail4=&lt;br /&gt;
|ptitle4=&lt;br /&gt;
|plead5=&lt;br /&gt;
|pemail5=&lt;br /&gt;
|ptitle5=&lt;br /&gt;
|teamsize=11&lt;br /&gt;
|flagurl=&lt;br /&gt;
|blog=http://www.creativecommons.uy&lt;br /&gt;
}}&lt;br /&gt;
Uruguay joins Creative Commons in order to support an open and accessible Internet, to promote the advantages of free knowledge and of sharing the intellectual wealth with the world.&lt;br /&gt;
&lt;br /&gt;
We believe that one of our first missions is the promotion and dissemination at different stages of free or less restrictive licenses than the usual &amp;quot;all rights reserved&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Our team is composed of eleven (11) people whose careers and affiliations are detailed below. We expect to add new people to the team.&lt;br /&gt;
&lt;br /&gt;
=Team information=&lt;br /&gt;
==Team members==&lt;br /&gt;
&lt;br /&gt;
'''Patricia Díaz:''' Attorney dedicated to Free Culture. Currently teaches at the Training Unit (UdelaR), at the Board of Education Training (ANEP) and is involved in projects related to Open Educational Resources. She is completing a Masters in International Relations (Thesis: &amp;quot;Economic Impact of government policies in support of Free Software in MERCOSUR&amp;quot; ). She is the team’s legal advisor.&lt;br /&gt;
&lt;br /&gt;
'''Mariana Fossatti:''' She is a sociologist. She is currently director of Ártica - Centro Cultural 2.0. She focuses on the study and application of ICT and e-learning in culture, education and social organizations. She is co-author of the e-books &amp;quot; Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses .&amp;quot; As a consultant, she has worked with various institutions such as the Ministry of Education and Culture of Uruguay, the FCForum and the Sociedad de las Indias Electrónicas. As a teacher, she has taught on society, new technologies and e -learning in the Centro Latinoamericano de Economía Humana (CLAEH), the University of Salamanca and the Plan Ceibal, among others. In parallel, she does research about visual arts and she develops her own artwork, using with collage techniques and audiovisual remix.&lt;br /&gt;
&lt;br /&gt;
'''Alicia Ocaso:''' Degree in Library Science. President of the Uruguayan Association of Librarians (Asociación de Bibliotecólogos del Uruguay, ABU). She is a member of the Committee on Copyright and other Legal Matters (CLM) of the International Federation of Library Associations and Institutions (IFLA) until August 2015, this being her second term. She was a member of IFLA LAC and IFLA MLAS committees for two terms. She manages multiple discussion groups of librarians in Latin America and the Caribbean.&lt;br /&gt;
&lt;br /&gt;
'''Daniel Viñar:''' Engineer, graduated from the Ecole Polytechnique and the School of Telecommunications, France. Currently working on computers and networks at the Universidad de la República (UdelaR). Until 2007, he worked as a consultant in France and countries in Eastern Europe and Latin America. In 2008, in Bolivia, he participated in the re- nationalization of Entel (telecommunications company), and in the development by the Ministry of the Presidency of a proposal of &amp;quot;one computer per child&amp;quot;. He has participated in various free software communities for over ten years.&lt;br /&gt;
&lt;br /&gt;
'''Jorge Gemetto:''' Co-director, community manager, content curator and blogger at Ártica - Centro Cultural 2.0. Degree in Psychology. Co-author of the e-books &amp;quot;Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses&amp;quot;. He is an author, blogger and free culture activist.&lt;br /&gt;
&lt;br /&gt;
'''Luis Alonzo Fulchi:''' He is a sociologist and works as a computer consultant for the Departamento de Apoyo Técnico Académico (DATA), Universidad de la República (UdelaR). At DATA he has contributed to the development of the Program of Virtual Learning Environments (ProEVA), which provides a network of servers for computer support for teaching and blended learning. He is co-leader of the team that develops LibreQDA, a free software for qualitative analysis in the social sciences.&lt;br /&gt;
&lt;br /&gt;
'''Manuel Podetti:''' Degree in Communication Studies with studies in Media Analysis and Community Management. He specializes in ICT, media, organizational communication and social media. He co-directed Cellfiction, a company specialized in creating multimedia content for mobile. He spent over 9 years as a TV editor and producer. He is currently a communications consultant for the Departamento de Apoyo Técnico Académico (DATA) at the Universidad de la República (UdelaR). He participates in R &amp;amp; D projects related to OER, open textbooks and multimedia technologies. He also co-directs Fluo Communication, a company specialized in corporate communications.&lt;br /&gt;
&lt;br /&gt;
'''Pablo Laguna:''' Student in Sociology, University of Granada (UGR). Participates in a university exchange programme at the Faculty of Social Sciences at the University of the Republic. He is a member of the Board of Directors at Europa Laica and a member of Observatorio del Laicismo. It is a founding member of the Seminar “Otro pensamiento es posible” and “Seminario Galileo Galilei”, both from the UGR which also organizes annually the Conference on Spanish Republicanism.&lt;br /&gt;
&lt;br /&gt;
'''Rodrigo Barbano:''' Software developer specialized in web portals. Advisor on issues of free knowledge, culture and free software at parliamentary level. Manager of the ​ “technology socialism” area at Mate Amargo web magazine. Vice-president of Wikimedia Uruguay and founding member of the Centro de Estudios de Software Libre. He has advocated for the adoption by the Uruguayan government of free licenses for the cultural content produced.&lt;br /&gt;
&lt;br /&gt;
'''Salvador García:''' Musician, actor and teacher. Director of the copyleft record label Vía Láctea Ediciones. Drama teacher specialized in Clown and Physical Theatre. He is a member of the band Limpiando Encontré Monedas, where he works as a composer, guitarist, vocalist and manager. Director of the independent theater company El Embudo Clown.&lt;br /&gt;
&lt;br /&gt;
'''Virginia Rodés:''' Degree in Educational Communication, Virtual Learning Environments specialist, Master of University Teaching. Assistant Professor. Coordinator at Departamento de Apoyo Técnico Académico (DATA), Program of Virtual Learning Environments, Universidad de la República (UdelaR). She does research in various fields related to the development and application of technologies in education. Her area of ​​interest lies in the semantic web applied to education, learning objects, repositories, adaptability, accessibility issues. She has also studied the institutional transformation of higher education in the context of innovation processes based on educational technologies. She is currently involved in several R &amp;amp; D projects related to OER, open textbooks, accessibility and multimedia technologies. She has developed her professional career as a consultant for institutions and organizations in the environmental, healthcare, government and education areas.&lt;br /&gt;
&lt;br /&gt;
==Affiliated institutions and partners==&lt;br /&gt;
&lt;br /&gt;
===Affiliated institution===&lt;br /&gt;
- Asociación de Bibliotecólogos del Uruguay (Uruguayan Association of Librarians) - President: Alicia Ocaso - Web: http://www.abu.net.uy &lt;br /&gt;
&lt;br /&gt;
===Other partner institutions===&lt;br /&gt;
- SciELO Uruguay - Web: http://www.scielo.edu.uy&lt;br /&gt;
&lt;br /&gt;
- Wikimedia Uruguay - Web: http://wikimediauruguay.org&lt;br /&gt;
&lt;br /&gt;
- Ártica - Centro Cultural Online - Web: http://www.articaonline.com&lt;br /&gt;
&lt;br /&gt;
- Vía Láctea Ediciones - Web: http://www.vialacteaediciones.com&lt;br /&gt;
&lt;br /&gt;
===Under Approval (pending)===&lt;br /&gt;
- Universidad de la República - DATA (CSE) - RedEVa - Comisión de Propiedad Intelectual - Web: http://www.universidad.edu.uy&lt;br /&gt;
&lt;br /&gt;
===CC Uruguay participates in:===&lt;br /&gt;
- Red de Propiedad Intelectual (Intellectual Property Network) - Web: http://www.redpi.uy&lt;br /&gt;
&lt;br /&gt;
- Red de Gobierno Abierto (Open Government Network) - Web: http://rga.uy&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=Affiliate Team Roadmap late 2014 - 2015=&lt;br /&gt;
&lt;br /&gt;
==Vision==&lt;br /&gt;
&lt;br /&gt;
We share the conviction that it is necessary to support and promote an alternative cultural model based on the free flow of information and collaboration. This model prioritizes the public interest over individual interest especially in relation to education, science, art and culture, and is made possible by the Creative Commons set of licenses. The simplicity and practicality of the CC licenses facilitate its use as a suitable tool in any kind of academic, artistic or cultural entrepreneurship.&lt;br /&gt;
&lt;br /&gt;
The Creative Commons licenses have already begun to be used in Uruguay mainly in areas related to education and music. We have identified the need for training and guidance to promote a correct use of the licenses and to promote the extension of its use to other areas of culture.&lt;br /&gt;
&lt;br /&gt;
The main factors that determine the success of the project are:&lt;br /&gt;
&lt;br /&gt;
- The commitment of its members to the project.&lt;br /&gt;
&lt;br /&gt;
- Cooperation, networking and interdisciplinary teams.&lt;br /&gt;
&lt;br /&gt;
- The connection of each participant with different actors and institutions in the field of education, the cultural world and various state agencies, which constitutes one of the main strengths of the team.&lt;br /&gt;
&lt;br /&gt;
==Contribution to the CC Affiliate Network==&lt;br /&gt;
&lt;br /&gt;
We have worked in contact with members of CC teams in the region. We received initial support from these teams who have shared their expertise with us. When our team is consolidated, we will be able to provide the same support to other teams.&lt;br /&gt;
&lt;br /&gt;
In recent months we have worked on the Spanish translation of materials about Creative Commons licenses and have participated in some projects with other teams and CC communities.&lt;br /&gt;
&lt;br /&gt;
In November 2013, we organized in Uruguay the local instance of the &amp;quot;Free Music Week&amp;quot;, a joint project with CC Guatemala and CC Costa Rica.&lt;br /&gt;
&lt;br /&gt;
We have also worked on the online course &amp;quot;ABC of copyright for librarians in Latin America&amp;quot;​​, in a team with CC Colombia and CC El Salvador .&lt;br /&gt;
&lt;br /&gt;
By geographical proximity and affinity, we are in daily contact with CC teams of Argentina and Paraguay. We are especially interested in generating instances of dissemination and regional projects.&lt;br /&gt;
&lt;br /&gt;
==Community==&lt;br /&gt;
&lt;br /&gt;
- Educational Community, mainly faculty (ANEP, UdelaR) and students of Tertiary Education. Some of our team members work at UdelaR, the main University of Uruguay, with more than 85% of the universitary students in the country. We are also in contact with teachers at ANEP (Administración Nacional de Educación Pública) through our discussion list.&lt;br /&gt;
&lt;br /&gt;
- Scientific community, researchers, scientific journals and libraries. We have one team member who works at the Asociación de Bibliotecólogos del Uruguay (Librarians Association of Uruguay). We are in close contact with representatives of SciELO Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Free Software Community: some of our team members are free software programmers. We are in close contact with CESoL (Centro de Estudios de Software Libre). We have participated in the FLISOL (Latin American Free Software Installation Festival).&lt;br /&gt;
&lt;br /&gt;
- Wikipedians and Wikimedia community: Some members of CC Uruguay are Wikipedians and also members of Wikimedia Uruguay.&lt;br /&gt;
&lt;br /&gt;
- National musicians: One member of our team coordinates a free music label and is part of the Free Music Labels Network in Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Community of visual artists and new media artists. We have worked together with new media artists at remix workshops.&lt;br /&gt;
&lt;br /&gt;
- State agencies: we have worked together with various State Agencies, like Bicentenario, Centros MEC and Consejo de Derechos de Autor.&lt;br /&gt;
&lt;br /&gt;
- Right to Culture Movement. Some of our team members are also members of that movement. We have worked together in the production of events.&lt;br /&gt;
&lt;br /&gt;
Communication with communities will primarily take place through our discussion list. We will also use our website and Twitter to inform activities and dialogue with the people.&lt;br /&gt;
&lt;br /&gt;
==Priority Goals==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
We plan to keep in touch with each of the communities. Among our first steps, we have implemented the following tools:&lt;br /&gt;
&lt;br /&gt;
- The Uruguay CC website.&lt;br /&gt;
&lt;br /&gt;
- A CC Uruguay Twitter account.&lt;br /&gt;
&lt;br /&gt;
- A discussion list of about 50 people that includes members of the target communities.&lt;br /&gt;
&lt;br /&gt;
We plan to continue adding people from the identified communities to the discussion list in order to exchange information about news, activities and opportunities for collaboration. In addition, we aim to:&lt;br /&gt;
&lt;br /&gt;
- Create and manage a Facebook account.&lt;br /&gt;
&lt;br /&gt;
- Create and manage an institutional email account&lt;br /&gt;
&lt;br /&gt;
- Create and manage a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Additionally, we plan to organize, in conjunction with the Centro Cultural de España, the first edition of the Montevideo Creative Commons Film Festival.&lt;br /&gt;
&lt;br /&gt;
This initial step will serve as the basis for CC Uruguay’s communication and promotion activities. It will also be useful to promote Uruguayan cultural and educational projects using CC licenses, to answer questions from the public and to dialogue with other institutions.&lt;br /&gt;
&lt;br /&gt;
The online community will benefit Uruguayan authors and users, since they will be able to access information about the CC licenses in Uruguay, and may also communicate with the CC team to make questions, suggest activities or collaborations.&lt;br /&gt;
&lt;br /&gt;
The work of authors who use Creative Commons licenses will be promoted on the multiple online spaces of CC Uruguay.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
We are especially interested on advising governmental agencies in order to adopt free licenses for their content, and become involved in the promotion of free licenses.&lt;br /&gt;
&lt;br /&gt;
We have initiated several lines of interaction and work in conjunction with the Ministry of Education and Culture (MEC):&lt;br /&gt;
&lt;br /&gt;
We worked with Wikimedia Uruguay and Bicentennial Project in the release and resettlement generated content in the past two years. We plan to continue this joint work in the following months.&lt;br /&gt;
We contacted members of the CDA - MEC (Copyright Board - Ministry of Education and Culture) for the organization of a Series of Conferences about Creative Commons and Free Culture, as well as a seminar or another type of training instance of copyright for journalists. We plan two instances of seminars in conjunction with the Copyright Board.&lt;br /&gt;
We received the request from the MEC (the “Centros MEC” Area) to assist in the creation of the CCCL Project (in english: Container of Free Community Creations) , which aims to develop an online service to collect and share free artistic and cultural works.&lt;br /&gt;
&lt;br /&gt;
Why is it important?&lt;br /&gt;
&lt;br /&gt;
The State is a great partner and this partnership increases visibility of free licenses. CC makes Uruguay a valid interlocutor on free culture issues, preservation and dissemination of cultural goods produced in the State. By expanding the adoption of these licenses, especially at the level of the Ministry of Education and Culture, the objective conditions are generated to facilitate a change in legislation to license freely the content generated by the State.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The beneficiaries of the material released by the State will be the artists themselves, teachers, public libraries but also to the public in general.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
Uruguay is in a process of discussion on how to improve access to educational materials. In this regard, it is important to promote a model of free production and free access to knowledge, based on CC licenses, as opposed to restrictive models based on the use of technological protection measures and &amp;quot;all rights reserved&amp;quot; models.&lt;br /&gt;
&lt;br /&gt;
The UdelaR has begun the adoption of a model of &amp;quot;Open University&amp;quot;. During the year 2013 the UdelaR has declared the priority of Free Software and Open Formats, has decided that all the research will be Open Access and has also adopted the policy of opening their Educational Resources. During 2014, UdelaR is implementing its Open Access Repository named Colibrí. The CC Uruguay team closely accompanies these processes, encouraging and advising the authorities and commissions that are working in this direction.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The educational community: students, teachers and researchers, who will have greater knowledge about the availability of free materials and about the importance of a model of openness.&lt;br /&gt;
&lt;br /&gt;
==Project Outputs==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
1.1 Project Output&lt;br /&gt;
&lt;br /&gt;
a) Creating and managing the website, an institutional e-mail, a discussion list of CC Uruguay, a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;. (early 2015)&lt;br /&gt;
&lt;br /&gt;
b) Creating and managing CC Uruguay’s accounts in Social Networks (Twitter and Facebook). (mid 2015)&lt;br /&gt;
&lt;br /&gt;
c) First edition of the Montevideo Creative Commons Film Festival. (late 2015)&lt;br /&gt;
&lt;br /&gt;
1.2 Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Luis Alonzo, Daniel Viñar, Jorge Gemetto, Salvador García&lt;br /&gt;
&lt;br /&gt;
1.3 Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of website visits&lt;br /&gt;
&lt;br /&gt;
b) Number of followers on Twitter&lt;br /&gt;
&lt;br /&gt;
c) Number of subscribers of the discussion list&lt;br /&gt;
&lt;br /&gt;
d) Number of followers on Facebook&lt;br /&gt;
&lt;br /&gt;
e) Number of consultations by e-mail&lt;br /&gt;
&lt;br /&gt;
f) Number of films, talks, workshops and attendees at Film Festival.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
2.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Legal advice to the Ministry of Education and Culture and other state agencies to release works under free licenses. This includes at least works of Bicentenario Project and a number of works that won the Fondos Concursables para la Cultura (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) Coordination of at least two instances of seminars in conjunction with the Copyright Board. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Approval and operation of the Container of Free Community Creations by MEC Project (mid 2015)&lt;br /&gt;
&lt;br /&gt;
2.2 . Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Patricia Díaz - Rodrigo Barbano - Mariana Fossatti&lt;br /&gt;
&lt;br /&gt;
2.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of projects concretized with state agencies.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
3.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Completion of at least three open online courses about copyright and free licenses in conjunction with UdelaR. (late 2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) At least two talks and workshops for teachers and librarians about copyright and free licenses. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Fourth edition of the massive open online course &amp;quot;Arts and culture in circulation&amp;quot; in collaboration with Creative Commons Argentina, Ártica - Centro Cultural 2.0, Fundación Vía Libre (Argentina) and TEDIC (Paraguay) . (late 2015)&lt;br /&gt;
&lt;br /&gt;
d) Participation in at least 10 conferences or congresses (2014-2015)&lt;br /&gt;
&lt;br /&gt;
3.2. Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Manuel Podetti - Virginia Rodés - Patricia Díaz - Alicia Ocaso&lt;br /&gt;
&lt;br /&gt;
3.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of participants in open online courses.&lt;br /&gt;
&lt;br /&gt;
b) Number of attending lectures and classroom workshops.&lt;br /&gt;
&lt;br /&gt;
c) Quantity and quality of publications and projects on open knowledge and free licenses held by the participants of the courses and workshops.&lt;br /&gt;
&lt;br /&gt;
==Resources Required==&lt;br /&gt;
Main resources such as IT infrastructure and places for the events will be provided by Universidad de la República. The human resources are provided by a volunteer team that is willing to support the effort. &lt;br /&gt;
&lt;br /&gt;
==Sustainability and Scalability==&lt;br /&gt;
The sustainability of the project is run by a team of volunteers. The volunteers are very committed to the objectives. The volunteer group is sufficiently large (11 people) in order to address the objectives even if unforeseen circumstances occur.&lt;br /&gt;
&lt;br /&gt;
==Translation==&lt;br /&gt;
We promote and have adopted CC license in Spanish, because is the official anguage in our country and no other languages are spoken by a considerable proportion of our population.&lt;br /&gt;
&lt;br /&gt;
==Date of earliest MOU in jurisdiction==&lt;br /&gt;
The first MOU was signed in 2014.&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=103498</id>
		<title>Uruguay</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=103498"/>
				<updated>2015-01-13T16:16:45Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Jurisdiction&lt;br /&gt;
|jurstatus=Active&lt;br /&gt;
|status=&lt;br /&gt;
|country code=uy&lt;br /&gt;
|homepage=http://www.creativecommons.uy&lt;br /&gt;
|logourl=http://www.creativecommons.uy/wp-content/uploads/2013/11/LogoCCUY.jpg&lt;br /&gt;
|mailing list=&lt;br /&gt;
|twitter=https://twitter.com/CCuruguay&lt;br /&gt;
|social=https://www.youtube.com/user/ccuruguay&lt;br /&gt;
|otherurl=&lt;br /&gt;
|mailing=contacto@creativecommons.uy&lt;br /&gt;
|region=Latin America&lt;br /&gt;
|affiliated=Asociación de Bibliotecólogos del Uruguay&lt;br /&gt;
|affurl=http://www.abu.net.uy/&lt;br /&gt;
|afffocus=Non Profit&lt;br /&gt;
|afftype=NGO&lt;br /&gt;
|affiliated2=&lt;br /&gt;
|affurl2=&lt;br /&gt;
|afffocus2=&lt;br /&gt;
|affiliated3=&lt;br /&gt;
|affurl3=&lt;br /&gt;
|afffocus3=&lt;br /&gt;
|affiliated4=&lt;br /&gt;
|affurl4=&lt;br /&gt;
|afffocus4=&lt;br /&gt;
|affiliated5=&lt;br /&gt;
|affurl5=&lt;br /&gt;
|afffocus5=&lt;br /&gt;
|plead1=Patricia Díaz&lt;br /&gt;
|pemail1=contacto@creativecommons.uy&lt;br /&gt;
|ptitle1=Legal Leader&lt;br /&gt;
|plead2=Mariana Fossatti&lt;br /&gt;
|pemail2=contacto@creativecommons.uy&lt;br /&gt;
|ptitle2=Public Leader&lt;br /&gt;
|plead3=&lt;br /&gt;
|pemail3=&lt;br /&gt;
|ptitle3=&lt;br /&gt;
|plead4=&lt;br /&gt;
|pemail4=&lt;br /&gt;
|ptitle4=&lt;br /&gt;
|plead5=&lt;br /&gt;
|pemail5=&lt;br /&gt;
|ptitle5=&lt;br /&gt;
|teamsize=11&lt;br /&gt;
|flagurl=&lt;br /&gt;
|blog=http://www.creativecommons.uy&lt;br /&gt;
}}&lt;br /&gt;
Uruguay joins Creative Commons in order to support an open and accessible Internet, to promote the advantages of free knowledge and of sharing the intellectual wealth with the world.&lt;br /&gt;
&lt;br /&gt;
We believe that one of our first missions is the promotion and dissemination at different stages of free or less restrictive licenses than the usual &amp;quot;all rights reserved&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Our team is composed of eleven (11) people whose careers and affiliations are detailed below. We expect to add new people to the team.&lt;br /&gt;
&lt;br /&gt;
=Team information=&lt;br /&gt;
==Team members==&lt;br /&gt;
&lt;br /&gt;
'''Patricia Díaz:''' Attorney dedicated to Free Culture. Currently teaches at the Training Unit (UdelaR), at the Board of Education Training (ANEP) and is involved in projects related to Open Educational Resources. She is completing a Masters in International Relations (Thesis: &amp;quot;Economic Impact of government policies in support of Free Software in MERCOSUR&amp;quot; ). She is the team’s legal advisor.&lt;br /&gt;
&lt;br /&gt;
'''Mariana Fossatti:''' She is a sociologist. She is currently director of Ártica - Centro Cultural 2.0. She focuses on the study and application of ICT and e-learning in culture, education and social organizations. She is co-author of the e-books &amp;quot; Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses .&amp;quot; As a consultant, she has worked with various institutions such as the Ministry of Education and Culture of Uruguay, the FCForum and the Sociedad de las Indias Electrónicas. As a teacher, she has taught on society, new technologies and e -learning in the Centro Latinoamericano de Economía Humana (CLAEH), the University of Salamanca and the Plan Ceibal, among others. In parallel, she does research about visual arts and she develops her own artwork, using with collage techniques and audiovisual remix.&lt;br /&gt;
&lt;br /&gt;
'''Alicia Ocaso:''' Degree in Library Science. President of the Uruguayan Association of Librarians (Asociación de Bibliotecólogos del Uruguay, ABU). She is a member of the Committee on Copyright and other Legal Matters (CLM) of the International Federation of Library Associations and Institutions (IFLA) until August 2015, this being her second term. She was a member of IFLA LAC and IFLA MLAS committees for two terms. She manages multiple discussion groups of librarians in Latin America and the Caribbean.&lt;br /&gt;
&lt;br /&gt;
'''Daniel Viñar:''' Engineer, graduated from the Ecole Polytechnique and the School of Telecommunications, France. Currently working on computers and networks at the Universidad de la República (UdelaR). Until 2007, he worked as a consultant in France and countries in Eastern Europe and Latin America. In 2008, in Bolivia, he participated in the re- nationalization of Entel (telecommunications company), and in the development by the Ministry of the Presidency of a proposal of &amp;quot;one computer per child&amp;quot;. He has participated in various free software communities for over ten years.&lt;br /&gt;
&lt;br /&gt;
'''Jorge Gemetto:''' Co-director, community manager, content curator and blogger at Ártica - Centro Cultural 2.0. Degree in Psychology. Co-author of the e-books &amp;quot;Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses&amp;quot;. He is an author, blogger and free culture activist.&lt;br /&gt;
&lt;br /&gt;
'''Luis Alonzo Fulchi:''' He is a sociologist and works as a computer consultant for the Departamento de Apoyo Técnico Académico (DATA), Universidad de la República (UdelaR). At DATA he has contributed to the development of the Program of Virtual Learning Environments (ProEVA), which provides a network of servers for computer support for teaching and blended learning. He is co-leader of the team that develops LibreQDA, a free software for qualitative analysis in the social sciences.&lt;br /&gt;
&lt;br /&gt;
'''Manuel Podetti:''' Degree in Communication Studies with studies in Media Analysis and Community Management. He specializes in ICT, media, organizational communication and social media. He co-directed Cellfiction, a company specialized in creating multimedia content for mobile. He spent over 9 years as a TV editor and producer. He is currently a communications consultant for the Departamento de Apoyo Técnico Académico (DATA) at the Universidad de la República (UdelaR). He participates in R &amp;amp; D projects related to OER, open textbooks and multimedia technologies. He also co-directs Fluo Communication, a company specialized in corporate communications.&lt;br /&gt;
&lt;br /&gt;
'''Pablo Laguna:''' Student in Sociology, University of Granada (UGR). Participates in a university exchange programme at the Faculty of Social Sciences at the University of the Republic. He is a member of the Board of Directors at Europa Laica and a member of Observatorio del Laicismo. It is a founding member of the Seminar “Otro pensamiento es posible” and “Seminario Galileo Galilei”, both from the UGR which also organizes annually the Conference on Spanish Republicanism.&lt;br /&gt;
&lt;br /&gt;
'''Rodrigo Barbano:''' Software developer specialized in web portals. Advisor on issues of free knowledge, culture and free software at parliamentary level. Manager of the ​ “technology socialism” area at Mate Amargo web magazine. Vice-president of Wikimedia Uruguay and founding member of the Centro de Estudios de Software Libre. He has advocated for the adoption by the Uruguayan government of free licenses for the cultural content produced.&lt;br /&gt;
&lt;br /&gt;
'''Salvador García:''' Musician, actor and teacher. Director of the copyleft record label Vía Láctea Ediciones. Drama teacher specialized in Clown and Physical Theatre. He is a member of the band Limpiando Encontré Monedas, where he works as a composer, guitarist, vocalist and manager. Director of the independent theater company El Embudo Clown.&lt;br /&gt;
&lt;br /&gt;
'''Virginia Rodés:''' Degree in Educational Communication, Virtual Learning Environments specialist, Master of University Teaching. Assistant Professor. Coordinator at Departamento de Apoyo Técnico Académico (DATA), Program of Virtual Learning Environments, Universidad de la República (UdelaR). She does research in various fields related to the development and application of technologies in education. Her area of ​​interest lies in the semantic web applied to education, learning objects, repositories, adaptability, accessibility issues. She has also studied the institutional transformation of higher education in the context of innovation processes based on educational technologies. She is currently involved in several R &amp;amp; D projects related to OER, open textbooks, accessibility and multimedia technologies. She has developed her professional career as a consultant for institutions and organizations in the environmental, healthcare, government and education areas.&lt;br /&gt;
&lt;br /&gt;
==Affiliated institutions and partners==&lt;br /&gt;
&lt;br /&gt;
===Affiliated institution===&lt;br /&gt;
- Asociación de Bibliotecólogos del Uruguay (Uruguayan Association of Librarians) - President: Alicia Ocaso - Web: http://www.abu.net.uy &lt;br /&gt;
&lt;br /&gt;
===Other partner institutions===&lt;br /&gt;
- SciELO Uruguay - Web: http://www.scielo.edu.uy&lt;br /&gt;
&lt;br /&gt;
- Wikimedia Uruguay - Web: http://wikimediauruguay.org&lt;br /&gt;
&lt;br /&gt;
- Ártica - Centro Cultural Online - Web: http://www.articaonline.com&lt;br /&gt;
&lt;br /&gt;
- Vía Láctea Ediciones - Web: http://www.vialacteaediciones.com&lt;br /&gt;
&lt;br /&gt;
===Under Approval (pending)===&lt;br /&gt;
- Universidad de la República - DATA (CSE) - RedEVa - Comisión de Propiedad Intelectual - Web: http://www.universidad.edu.uy&lt;br /&gt;
&lt;br /&gt;
===CC Uruguay participates in===&lt;br /&gt;
- Red de Propiedad Intelectual (Intellectual Property Network) - Web: http://www.redpi.uy&lt;br /&gt;
&lt;br /&gt;
- Red de Gobierno Abierto (Open Government Network) - Web: http://rga.uy&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=Affiliate Team Roadmap late 2014 - 2015=&lt;br /&gt;
&lt;br /&gt;
==Vision==&lt;br /&gt;
&lt;br /&gt;
We share the conviction that it is necessary to support and promote an alternative cultural model based on the free flow of information and collaboration. This model prioritizes the public interest over individual interest especially in relation to education, science, art and culture, and is made possible by the Creative Commons set of licenses. The simplicity and practicality of the CC licenses facilitate its use as a suitable tool in any kind of academic, artistic or cultural entrepreneurship.&lt;br /&gt;
&lt;br /&gt;
The Creative Commons licenses have already begun to be used in Uruguay mainly in areas related to education and music. We have identified the need for training and guidance to promote a correct use of the licenses and to promote the extension of its use to other areas of culture.&lt;br /&gt;
&lt;br /&gt;
The main factors that determine the success of the project are:&lt;br /&gt;
&lt;br /&gt;
- The commitment of its members to the project.&lt;br /&gt;
&lt;br /&gt;
- Cooperation, networking and interdisciplinary teams.&lt;br /&gt;
&lt;br /&gt;
- The connection of each participant with different actors and institutions in the field of education, the cultural world and various state agencies, which constitutes one of the main strengths of the team.&lt;br /&gt;
&lt;br /&gt;
==Contribution to the CC Affiliate Network==&lt;br /&gt;
&lt;br /&gt;
We have worked in contact with members of CC teams in the region. We received initial support from these teams who have shared their expertise with us. When our team is consolidated, we will be able to provide the same support to other teams.&lt;br /&gt;
&lt;br /&gt;
In recent months we have worked on the Spanish translation of materials about Creative Commons licenses and have participated in some projects with other teams and CC communities.&lt;br /&gt;
&lt;br /&gt;
In November 2013, we organized in Uruguay the local instance of the &amp;quot;Free Music Week&amp;quot;, a joint project with CC Guatemala and CC Costa Rica.&lt;br /&gt;
&lt;br /&gt;
We have also worked on the online course &amp;quot;ABC of copyright for librarians in Latin America&amp;quot;​​, in a team with CC Colombia and CC El Salvador .&lt;br /&gt;
&lt;br /&gt;
By geographical proximity and affinity, we are in daily contact with CC teams of Argentina and Paraguay. We are especially interested in generating instances of dissemination and regional projects.&lt;br /&gt;
&lt;br /&gt;
==Community==&lt;br /&gt;
&lt;br /&gt;
- Educational Community, mainly faculty (ANEP, UdelaR) and students of Tertiary Education. Some of our team members work at UdelaR, the main University of Uruguay, with more than 85% of the universitary students in the country. We are also in contact with teachers at ANEP (Administración Nacional de Educación Pública) through our discussion list.&lt;br /&gt;
&lt;br /&gt;
- Scientific community, researchers, scientific journals and libraries. We have one team member who works at the Asociación de Bibliotecólogos del Uruguay (Librarians Association of Uruguay). We are in close contact with representatives of SciELO Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Free Software Community: some of our team members are free software programmers. We are in close contact with CESoL (Centro de Estudios de Software Libre). We have participated in the FLISOL (Latin American Free Software Installation Festival).&lt;br /&gt;
&lt;br /&gt;
- Wikipedians and Wikimedia community: Some members of CC Uruguay are Wikipedians and also members of Wikimedia Uruguay.&lt;br /&gt;
&lt;br /&gt;
- National musicians: One member of our team coordinates a free music label and is part of the Free Music Labels Network in Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Community of visual artists and new media artists. We have worked together with new media artists at remix workshops.&lt;br /&gt;
&lt;br /&gt;
- State agencies: we have worked together with various State Agencies, like Bicentenario, Centros MEC and Consejo de Derechos de Autor.&lt;br /&gt;
&lt;br /&gt;
- Right to Culture Movement. Some of our team members are also members of that movement. We have worked together in the production of events.&lt;br /&gt;
&lt;br /&gt;
Communication with communities will primarily take place through our discussion list. We will also use our website and Twitter to inform activities and dialogue with the people.&lt;br /&gt;
&lt;br /&gt;
==Priority Goals==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
We plan to keep in touch with each of the communities. Among our first steps, we have implemented the following tools:&lt;br /&gt;
&lt;br /&gt;
- The Uruguay CC website.&lt;br /&gt;
&lt;br /&gt;
- A CC Uruguay Twitter account.&lt;br /&gt;
&lt;br /&gt;
- A discussion list of about 50 people that includes members of the target communities.&lt;br /&gt;
&lt;br /&gt;
We plan to continue adding people from the identified communities to the discussion list in order to exchange information about news, activities and opportunities for collaboration. In addition, we aim to:&lt;br /&gt;
&lt;br /&gt;
- Create and manage a Facebook account.&lt;br /&gt;
&lt;br /&gt;
- Create and manage an institutional email account&lt;br /&gt;
&lt;br /&gt;
- Create and manage a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Additionally, we plan to organize, in conjunction with the Centro Cultural de España, the first edition of the Montevideo Creative Commons Film Festival.&lt;br /&gt;
&lt;br /&gt;
This initial step will serve as the basis for CC Uruguay’s communication and promotion activities. It will also be useful to promote Uruguayan cultural and educational projects using CC licenses, to answer questions from the public and to dialogue with other institutions.&lt;br /&gt;
&lt;br /&gt;
The online community will benefit Uruguayan authors and users, since they will be able to access information about the CC licenses in Uruguay, and may also communicate with the CC team to make questions, suggest activities or collaborations.&lt;br /&gt;
&lt;br /&gt;
The work of authors who use Creative Commons licenses will be promoted on the multiple online spaces of CC Uruguay.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
We are especially interested on advising governmental agencies in order to adopt free licenses for their content, and become involved in the promotion of free licenses.&lt;br /&gt;
&lt;br /&gt;
We have initiated several lines of interaction and work in conjunction with the Ministry of Education and Culture (MEC):&lt;br /&gt;
&lt;br /&gt;
We worked with Wikimedia Uruguay and Bicentennial Project in the release and resettlement generated content in the past two years. We plan to continue this joint work in the following months.&lt;br /&gt;
We contacted members of the CDA - MEC (Copyright Board - Ministry of Education and Culture) for the organization of a Series of Conferences about Creative Commons and Free Culture, as well as a seminar or another type of training instance of copyright for journalists. We plan two instances of seminars in conjunction with the Copyright Board.&lt;br /&gt;
We received the request from the MEC (the “Centros MEC” Area) to assist in the creation of the CCCL Project (in english: Container of Free Community Creations) , which aims to develop an online service to collect and share free artistic and cultural works.&lt;br /&gt;
&lt;br /&gt;
Why is it important?&lt;br /&gt;
&lt;br /&gt;
The State is a great partner and this partnership increases visibility of free licenses. CC makes Uruguay a valid interlocutor on free culture issues, preservation and dissemination of cultural goods produced in the State. By expanding the adoption of these licenses, especially at the level of the Ministry of Education and Culture, the objective conditions are generated to facilitate a change in legislation to license freely the content generated by the State.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The beneficiaries of the material released by the State will be the artists themselves, teachers, public libraries but also to the public in general.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
Uruguay is in a process of discussion on how to improve access to educational materials. In this regard, it is important to promote a model of free production and free access to knowledge, based on CC licenses, as opposed to restrictive models based on the use of technological protection measures and &amp;quot;all rights reserved&amp;quot; models.&lt;br /&gt;
&lt;br /&gt;
The UdelaR has begun the adoption of a model of &amp;quot;Open University&amp;quot;. During the year 2013 the UdelaR has declared the priority of Free Software and Open Formats, has decided that all the research will be Open Access and has also adopted the policy of opening their Educational Resources. During 2014, UdelaR is implementing its Open Access Repository named Colibrí. The CC Uruguay team closely accompanies these processes, encouraging and advising the authorities and commissions that are working in this direction.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The educational community: students, teachers and researchers, who will have greater knowledge about the availability of free materials and about the importance of a model of openness.&lt;br /&gt;
&lt;br /&gt;
==Project Outputs==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
1.1 Project Output&lt;br /&gt;
&lt;br /&gt;
a) Creating and managing the website, an institutional e-mail, a discussion list of CC Uruguay, a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;. (early 2015)&lt;br /&gt;
&lt;br /&gt;
b) Creating and managing CC Uruguay’s accounts in Social Networks (Twitter and Facebook). (mid 2015)&lt;br /&gt;
&lt;br /&gt;
c) First edition of the Montevideo Creative Commons Film Festival. (late 2015)&lt;br /&gt;
&lt;br /&gt;
1.2 Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Luis Alonzo, Daniel Viñar, Jorge Gemetto, Salvador García&lt;br /&gt;
&lt;br /&gt;
1.3 Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of website visits&lt;br /&gt;
&lt;br /&gt;
b) Number of followers on Twitter&lt;br /&gt;
&lt;br /&gt;
c) Number of subscribers of the discussion list&lt;br /&gt;
&lt;br /&gt;
d) Number of followers on Facebook&lt;br /&gt;
&lt;br /&gt;
e) Number of consultations by e-mail&lt;br /&gt;
&lt;br /&gt;
f) Number of films, talks, workshops and attendees at Film Festival.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
2.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Legal advice to the Ministry of Education and Culture and other state agencies to release works under free licenses. This includes at least works of Bicentenario Project and a number of works that won the Fondos Concursables para la Cultura (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) Coordination of at least two instances of seminars in conjunction with the Copyright Board. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Approval and operation of the Container of Free Community Creations by MEC Project (mid 2015)&lt;br /&gt;
&lt;br /&gt;
2.2 . Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Patricia Díaz - Rodrigo Barbano - Mariana Fossatti&lt;br /&gt;
&lt;br /&gt;
2.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of projects concretized with state agencies.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
3.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Completion of at least three open online courses about copyright and free licenses in conjunction with UdelaR. (late 2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) At least two talks and workshops for teachers and librarians about copyright and free licenses. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Fourth edition of the massive open online course &amp;quot;Arts and culture in circulation&amp;quot; in collaboration with Creative Commons Argentina, Ártica - Centro Cultural 2.0, Fundación Vía Libre (Argentina) and TEDIC (Paraguay) . (late 2015)&lt;br /&gt;
&lt;br /&gt;
d) Participation in at least 10 conferences or congresses (2014-2015)&lt;br /&gt;
&lt;br /&gt;
3.2. Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Manuel Podetti - Virginia Rodés - Patricia Díaz - Alicia Ocaso&lt;br /&gt;
&lt;br /&gt;
3.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of participants in open online courses.&lt;br /&gt;
&lt;br /&gt;
b) Number of attending lectures and classroom workshops.&lt;br /&gt;
&lt;br /&gt;
c) Quantity and quality of publications and projects on open knowledge and free licenses held by the participants of the courses and workshops.&lt;br /&gt;
&lt;br /&gt;
==Resources Required==&lt;br /&gt;
Main resources such as IT infrastructure and places for the events will be provided by Universidad de la República. The human resources are provided by a volunteer team that is willing to support the effort. &lt;br /&gt;
&lt;br /&gt;
==Sustainability and Scalability==&lt;br /&gt;
The sustainability of the project is run by a team of volunteers. The volunteers are very committed to the objectives. The volunteer group is sufficiently large (11 people) in order to address the objectives even if unforeseen circumstances occur.&lt;br /&gt;
&lt;br /&gt;
==Translation==&lt;br /&gt;
We promote and have adopted CC license in Spanish, because is the official anguage in our country and no other languages are spoken by a considerable proportion of our population.&lt;br /&gt;
&lt;br /&gt;
==Date of earliest MOU in jurisdiction==&lt;br /&gt;
The first MOU was signed in 2014.&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=103497</id>
		<title>Uruguay</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=103497"/>
				<updated>2015-01-13T16:15:20Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Jurisdiction&lt;br /&gt;
|jurstatus=Active&lt;br /&gt;
|status=&lt;br /&gt;
|country code=uy&lt;br /&gt;
|homepage=http://www.creativecommons.uy&lt;br /&gt;
|logourl=http://www.creativecommons.uy/wp-content/uploads/2014/11/logo-cc.jpeg&lt;br /&gt;
|mailing list=&lt;br /&gt;
|twitter=https://twitter.com/CCuruguay&lt;br /&gt;
|social=https://www.youtube.com/user/ccuruguay&lt;br /&gt;
|otherurl=&lt;br /&gt;
|mailing=contacto@creativecommons.uy&lt;br /&gt;
|region=Latin America&lt;br /&gt;
|affiliated=Asociación de Bibliotecólogos del Uruguay&lt;br /&gt;
|affurl=http://www.abu.net.uy/&lt;br /&gt;
|afffocus=Non Profit&lt;br /&gt;
|afftype=NGO&lt;br /&gt;
|affiliated2=&lt;br /&gt;
|affurl2=&lt;br /&gt;
|afffocus2=&lt;br /&gt;
|affiliated3=&lt;br /&gt;
|affurl3=&lt;br /&gt;
|afffocus3=&lt;br /&gt;
|affiliated4=&lt;br /&gt;
|affurl4=&lt;br /&gt;
|afffocus4=&lt;br /&gt;
|affiliated5=&lt;br /&gt;
|affurl5=&lt;br /&gt;
|afffocus5=&lt;br /&gt;
|plead1=Patricia Díaz&lt;br /&gt;
|pemail1=contacto@creativecommons.uy&lt;br /&gt;
|ptitle1=Legal Leader&lt;br /&gt;
|plead2=Mariana Fossatti&lt;br /&gt;
|pemail2=contacto@creativecommons.uy&lt;br /&gt;
|ptitle2=Public Leader&lt;br /&gt;
|plead3=&lt;br /&gt;
|pemail3=&lt;br /&gt;
|ptitle3=&lt;br /&gt;
|plead4=&lt;br /&gt;
|pemail4=&lt;br /&gt;
|ptitle4=&lt;br /&gt;
|plead5=&lt;br /&gt;
|pemail5=&lt;br /&gt;
|ptitle5=&lt;br /&gt;
|teamsize=11&lt;br /&gt;
|flagurl=&lt;br /&gt;
|blog=http://www.creativecommons.uy&lt;br /&gt;
}}&lt;br /&gt;
Uruguay joins Creative Commons in order to support an open and accessible Internet, to promote the advantages of free knowledge and of sharing the intellectual wealth with the world.&lt;br /&gt;
&lt;br /&gt;
We believe that one of our first missions is the promotion and dissemination at different stages of free or less restrictive licenses than the usual &amp;quot;all rights reserved&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Our team is composed of eleven (11) people whose careers and affiliations are detailed below. We expect to add new people to the team.&lt;br /&gt;
&lt;br /&gt;
=Team information=&lt;br /&gt;
==Team members==&lt;br /&gt;
&lt;br /&gt;
'''Patricia Díaz:''' Attorney dedicated to Free Culture. Currently teaches at the Training Unit (UdelaR), at the Board of Education Training (ANEP) and is involved in projects related to Open Educational Resources. She is completing a Masters in International Relations (Thesis: &amp;quot;Economic Impact of government policies in support of Free Software in MERCOSUR&amp;quot; ). She is the team’s legal advisor.&lt;br /&gt;
&lt;br /&gt;
'''Mariana Fossatti:''' She is a sociologist. She is currently director of Ártica - Centro Cultural 2.0. She focuses on the study and application of ICT and e-learning in culture, education and social organizations. She is co-author of the e-books &amp;quot; Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses .&amp;quot; As a consultant, she has worked with various institutions such as the Ministry of Education and Culture of Uruguay, the FCForum and the Sociedad de las Indias Electrónicas. As a teacher, she has taught on society, new technologies and e -learning in the Centro Latinoamericano de Economía Humana (CLAEH), the University of Salamanca and the Plan Ceibal, among others. In parallel, she does research about visual arts and she develops her own artwork, using with collage techniques and audiovisual remix.&lt;br /&gt;
&lt;br /&gt;
'''Alicia Ocaso:''' Degree in Library Science. President of the Uruguayan Association of Librarians (Asociación de Bibliotecólogos del Uruguay, ABU). She is a member of the Committee on Copyright and other Legal Matters (CLM) of the International Federation of Library Associations and Institutions (IFLA) until August 2015, this being her second term. She was a member of IFLA LAC and IFLA MLAS committees for two terms. She manages multiple discussion groups of librarians in Latin America and the Caribbean.&lt;br /&gt;
&lt;br /&gt;
'''Daniel Viñar:''' Engineer, graduated from the Ecole Polytechnique and the School of Telecommunications, France. Currently working on computers and networks at the Universidad de la República (UdelaR). Until 2007, he worked as a consultant in France and countries in Eastern Europe and Latin America. In 2008, in Bolivia, he participated in the re- nationalization of Entel (telecommunications company), and in the development by the Ministry of the Presidency of a proposal of &amp;quot;one computer per child&amp;quot;. He has participated in various free software communities for over ten years.&lt;br /&gt;
&lt;br /&gt;
'''Jorge Gemetto:''' Co-director, community manager, content curator and blogger at Ártica - Centro Cultural 2.0. Degree in Psychology. Co-author of the e-books &amp;quot;Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses&amp;quot;. He is an author, blogger and free culture activist.&lt;br /&gt;
&lt;br /&gt;
'''Luis Alonzo Fulchi:''' He is a sociologist and works as a computer consultant for the Departamento de Apoyo Técnico Académico (DATA), Universidad de la República (UdelaR). At DATA he has contributed to the development of the Program of Virtual Learning Environments (ProEVA), which provides a network of servers for computer support for teaching and blended learning. He is co-leader of the team that develops LibreQDA, a free software for qualitative analysis in the social sciences.&lt;br /&gt;
&lt;br /&gt;
'''Manuel Podetti:''' Degree in Communication Studies with studies in Media Analysis and Community Management. He specializes in ICT, media, organizational communication and social media. He co-directed Cellfiction, a company specialized in creating multimedia content for mobile. He spent over 9 years as a TV editor and producer. He is currently a communications consultant for the Departamento de Apoyo Técnico Académico (DATA) at the Universidad de la República (UdelaR). He participates in R &amp;amp; D projects related to OER, open textbooks and multimedia technologies. He also co-directs Fluo Communication, a company specialized in corporate communications.&lt;br /&gt;
&lt;br /&gt;
'''Pablo Laguna:''' Student in Sociology, University of Granada (UGR). Participates in a university exchange programme at the Faculty of Social Sciences at the University of the Republic. He is a member of the Board of Directors at Europa Laica and a member of Observatorio del Laicismo. It is a founding member of the Seminar “Otro pensamiento es posible” and “Seminario Galileo Galilei”, both from the UGR which also organizes annually the Conference on Spanish Republicanism.&lt;br /&gt;
&lt;br /&gt;
'''Rodrigo Barbano:''' Software developer specialized in web portals. Advisor on issues of free knowledge, culture and free software at parliamentary level. Manager of the ​ “technology socialism” area at Mate Amargo web magazine. Vice-president of Wikimedia Uruguay and founding member of the Centro de Estudios de Software Libre. He has advocated for the adoption by the Uruguayan government of free licenses for the cultural content produced.&lt;br /&gt;
&lt;br /&gt;
'''Salvador García:''' Musician, actor and teacher. Director of the copyleft record label Vía Láctea Ediciones. Drama teacher specialized in Clown and Physical Theatre. He is a member of the band Limpiando Encontré Monedas, where he works as a composer, guitarist, vocalist and manager. Director of the independent theater company El Embudo Clown.&lt;br /&gt;
&lt;br /&gt;
'''Virginia Rodés:''' Degree in Educational Communication, Virtual Learning Environments specialist, Master of University Teaching. Assistant Professor. Coordinator at Departamento de Apoyo Técnico Académico (DATA), Program of Virtual Learning Environments, Universidad de la República (UdelaR). She does research in various fields related to the development and application of technologies in education. Her area of ​​interest lies in the semantic web applied to education, learning objects, repositories, adaptability, accessibility issues. She has also studied the institutional transformation of higher education in the context of innovation processes based on educational technologies. She is currently involved in several R &amp;amp; D projects related to OER, open textbooks, accessibility and multimedia technologies. She has developed her professional career as a consultant for institutions and organizations in the environmental, healthcare, government and education areas.&lt;br /&gt;
&lt;br /&gt;
==Affiliated institutions and partners==&lt;br /&gt;
&lt;br /&gt;
===Affiliated institution===&lt;br /&gt;
- Asociación de Bibliotecólogos del Uruguay (Uruguayan Association of Librarians) - President: Alicia Ocaso - Web: http://www.abu.net.uy &lt;br /&gt;
&lt;br /&gt;
===Other partner institutions===&lt;br /&gt;
- SciELO Uruguay - Web: http://www.scielo.edu.uy&lt;br /&gt;
&lt;br /&gt;
- Wikimedia Uruguay - Web: http://wikimediauruguay.org&lt;br /&gt;
&lt;br /&gt;
- Ártica - Centro Cultural Online - Web: http://www.articaonline.com&lt;br /&gt;
&lt;br /&gt;
- Vía Láctea Ediciones - Web: http://www.vialacteaediciones.com&lt;br /&gt;
&lt;br /&gt;
===Under Approval (pending)===&lt;br /&gt;
- Universidad de la República - DATA (CSE) - RedEVa - Comisión de Propiedad Intelectual - Web: http://www.universidad.edu.uy&lt;br /&gt;
&lt;br /&gt;
===CC Uruguay participates in===&lt;br /&gt;
- Red de Propiedad Intelectual (Intellectual Property Network) - Web: http://www.redpi.uy&lt;br /&gt;
&lt;br /&gt;
- Red de Gobierno Abierto (Open Government Network) - Web: http://rga.uy&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=Affiliate Team Roadmap late 2014 - 2015=&lt;br /&gt;
&lt;br /&gt;
==Vision==&lt;br /&gt;
&lt;br /&gt;
We share the conviction that it is necessary to support and promote an alternative cultural model based on the free flow of information and collaboration. This model prioritizes the public interest over individual interest especially in relation to education, science, art and culture, and is made possible by the Creative Commons set of licenses. The simplicity and practicality of the CC licenses facilitate its use as a suitable tool in any kind of academic, artistic or cultural entrepreneurship.&lt;br /&gt;
&lt;br /&gt;
The Creative Commons licenses have already begun to be used in Uruguay mainly in areas related to education and music. We have identified the need for training and guidance to promote a correct use of the licenses and to promote the extension of its use to other areas of culture.&lt;br /&gt;
&lt;br /&gt;
The main factors that determine the success of the project are:&lt;br /&gt;
&lt;br /&gt;
- The commitment of its members to the project.&lt;br /&gt;
&lt;br /&gt;
- Cooperation, networking and interdisciplinary teams.&lt;br /&gt;
&lt;br /&gt;
- The connection of each participant with different actors and institutions in the field of education, the cultural world and various state agencies, which constitutes one of the main strengths of the team.&lt;br /&gt;
&lt;br /&gt;
==Contribution to the CC Affiliate Network==&lt;br /&gt;
&lt;br /&gt;
We have worked in contact with members of CC teams in the region. We received initial support from these teams who have shared their expertise with us. When our team is consolidated, we will be able to provide the same support to other teams.&lt;br /&gt;
&lt;br /&gt;
In recent months we have worked on the Spanish translation of materials about Creative Commons licenses and have participated in some projects with other teams and CC communities.&lt;br /&gt;
&lt;br /&gt;
In November 2013, we organized in Uruguay the local instance of the &amp;quot;Free Music Week&amp;quot;, a joint project with CC Guatemala and CC Costa Rica.&lt;br /&gt;
&lt;br /&gt;
We have also worked on the online course &amp;quot;ABC of copyright for librarians in Latin America&amp;quot;​​, in a team with CC Colombia and CC El Salvador .&lt;br /&gt;
&lt;br /&gt;
By geographical proximity and affinity, we are in daily contact with CC teams of Argentina and Paraguay. We are especially interested in generating instances of dissemination and regional projects.&lt;br /&gt;
&lt;br /&gt;
==Community==&lt;br /&gt;
&lt;br /&gt;
- Educational Community, mainly faculty (ANEP, UdelaR) and students of Tertiary Education. Some of our team members work at UdelaR, the main University of Uruguay, with more than 85% of the universitary students in the country. We are also in contact with teachers at ANEP (Administración Nacional de Educación Pública) through our discussion list.&lt;br /&gt;
&lt;br /&gt;
- Scientific community, researchers, scientific journals and libraries. We have one team member who works at the Asociación de Bibliotecólogos del Uruguay (Librarians Association of Uruguay). We are in close contact with representatives of SciELO Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Free Software Community: some of our team members are free software programmers. We are in close contact with CESoL (Centro de Estudios de Software Libre). We have participated in the FLISOL (Latin American Free Software Installation Festival).&lt;br /&gt;
&lt;br /&gt;
- Wikipedians and Wikimedia community: Some members of CC Uruguay are Wikipedians and also members of Wikimedia Uruguay.&lt;br /&gt;
&lt;br /&gt;
- National musicians: One member of our team coordinates a free music label and is part of the Free Music Labels Network in Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Community of visual artists and new media artists. We have worked together with new media artists at remix workshops.&lt;br /&gt;
&lt;br /&gt;
- State agencies: we have worked together with various State Agencies, like Bicentenario, Centros MEC and Consejo de Derechos de Autor.&lt;br /&gt;
&lt;br /&gt;
- Right to Culture Movement. Some of our team members are also members of that movement. We have worked together in the production of events.&lt;br /&gt;
&lt;br /&gt;
Communication with communities will primarily take place through our discussion list. We will also use our website and Twitter to inform activities and dialogue with the people.&lt;br /&gt;
&lt;br /&gt;
==Priority Goals==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
We plan to keep in touch with each of the communities. Among our first steps, we have implemented the following tools:&lt;br /&gt;
&lt;br /&gt;
- The Uruguay CC website.&lt;br /&gt;
&lt;br /&gt;
- A CC Uruguay Twitter account.&lt;br /&gt;
&lt;br /&gt;
- A discussion list of about 50 people that includes members of the target communities.&lt;br /&gt;
&lt;br /&gt;
We plan to continue adding people from the identified communities to the discussion list in order to exchange information about news, activities and opportunities for collaboration. In addition, we aim to:&lt;br /&gt;
&lt;br /&gt;
- Create and manage a Facebook account.&lt;br /&gt;
&lt;br /&gt;
- Create and manage an institutional email account&lt;br /&gt;
&lt;br /&gt;
- Create and manage a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Additionally, we plan to organize, in conjunction with the Centro Cultural de España, the first edition of the Montevideo Creative Commons Film Festival.&lt;br /&gt;
&lt;br /&gt;
This initial step will serve as the basis for CC Uruguay’s communication and promotion activities. It will also be useful to promote Uruguayan cultural and educational projects using CC licenses, to answer questions from the public and to dialogue with other institutions.&lt;br /&gt;
&lt;br /&gt;
The online community will benefit Uruguayan authors and users, since they will be able to access information about the CC licenses in Uruguay, and may also communicate with the CC team to make questions, suggest activities or collaborations.&lt;br /&gt;
&lt;br /&gt;
The work of authors who use Creative Commons licenses will be promoted on the multiple online spaces of CC Uruguay.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
We are especially interested on advising governmental agencies in order to adopt free licenses for their content, and become involved in the promotion of free licenses.&lt;br /&gt;
&lt;br /&gt;
We have initiated several lines of interaction and work in conjunction with the Ministry of Education and Culture (MEC):&lt;br /&gt;
&lt;br /&gt;
We worked with Wikimedia Uruguay and Bicentennial Project in the release and resettlement generated content in the past two years. We plan to continue this joint work in the following months.&lt;br /&gt;
We contacted members of the CDA - MEC (Copyright Board - Ministry of Education and Culture) for the organization of a Series of Conferences about Creative Commons and Free Culture, as well as a seminar or another type of training instance of copyright for journalists. We plan two instances of seminars in conjunction with the Copyright Board.&lt;br /&gt;
We received the request from the MEC (the “Centros MEC” Area) to assist in the creation of the CCCL Project (in english: Container of Free Community Creations) , which aims to develop an online service to collect and share free artistic and cultural works.&lt;br /&gt;
&lt;br /&gt;
Why is it important?&lt;br /&gt;
&lt;br /&gt;
The State is a great partner and this partnership increases visibility of free licenses. CC makes Uruguay a valid interlocutor on free culture issues, preservation and dissemination of cultural goods produced in the State. By expanding the adoption of these licenses, especially at the level of the Ministry of Education and Culture, the objective conditions are generated to facilitate a change in legislation to license freely the content generated by the State.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The beneficiaries of the material released by the State will be the artists themselves, teachers, public libraries but also to the public in general.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
Uruguay is in a process of discussion on how to improve access to educational materials. In this regard, it is important to promote a model of free production and free access to knowledge, based on CC licenses, as opposed to restrictive models based on the use of technological protection measures and &amp;quot;all rights reserved&amp;quot; models.&lt;br /&gt;
&lt;br /&gt;
The UdelaR has begun the adoption of a model of &amp;quot;Open University&amp;quot;. During the year 2013 the UdelaR has declared the priority of Free Software and Open Formats, has decided that all the research will be Open Access and has also adopted the policy of opening their Educational Resources. During 2014, UdelaR is implementing its Open Access Repository named Colibrí. The CC Uruguay team closely accompanies these processes, encouraging and advising the authorities and commissions that are working in this direction.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The educational community: students, teachers and researchers, who will have greater knowledge about the availability of free materials and about the importance of a model of openness.&lt;br /&gt;
&lt;br /&gt;
==Project Outputs==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
1.1 Project Output&lt;br /&gt;
&lt;br /&gt;
a) Creating and managing the website, an institutional e-mail, a discussion list of CC Uruguay, a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;. (early 2015)&lt;br /&gt;
&lt;br /&gt;
b) Creating and managing CC Uruguay’s accounts in Social Networks (Twitter and Facebook). (mid 2015)&lt;br /&gt;
&lt;br /&gt;
c) First edition of the Montevideo Creative Commons Film Festival. (late 2015)&lt;br /&gt;
&lt;br /&gt;
1.2 Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Luis Alonzo, Daniel Viñar, Jorge Gemetto, Salvador García&lt;br /&gt;
&lt;br /&gt;
1.3 Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of website visits&lt;br /&gt;
&lt;br /&gt;
b) Number of followers on Twitter&lt;br /&gt;
&lt;br /&gt;
c) Number of subscribers of the discussion list&lt;br /&gt;
&lt;br /&gt;
d) Number of followers on Facebook&lt;br /&gt;
&lt;br /&gt;
e) Number of consultations by e-mail&lt;br /&gt;
&lt;br /&gt;
f) Number of films, talks, workshops and attendees at Film Festival.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
2.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Legal advice to the Ministry of Education and Culture and other state agencies to release works under free licenses. This includes at least works of Bicentenario Project and a number of works that won the Fondos Concursables para la Cultura (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) Coordination of at least two instances of seminars in conjunction with the Copyright Board. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Approval and operation of the Container of Free Community Creations by MEC Project (mid 2015)&lt;br /&gt;
&lt;br /&gt;
2.2 . Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Patricia Díaz - Rodrigo Barbano - Mariana Fossatti&lt;br /&gt;
&lt;br /&gt;
2.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of projects concretized with state agencies.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
3.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Completion of at least three open online courses about copyright and free licenses in conjunction with UdelaR. (late 2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) At least two talks and workshops for teachers and librarians about copyright and free licenses. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Fourth edition of the massive open online course &amp;quot;Arts and culture in circulation&amp;quot; in collaboration with Creative Commons Argentina, Ártica - Centro Cultural 2.0, Fundación Vía Libre (Argentina) and TEDIC (Paraguay) . (late 2015)&lt;br /&gt;
&lt;br /&gt;
d) Participation in at least 10 conferences or congresses (2014-2015)&lt;br /&gt;
&lt;br /&gt;
3.2. Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Manuel Podetti - Virginia Rodés - Patricia Díaz - Alicia Ocaso&lt;br /&gt;
&lt;br /&gt;
3.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of participants in open online courses.&lt;br /&gt;
&lt;br /&gt;
b) Number of attending lectures and classroom workshops.&lt;br /&gt;
&lt;br /&gt;
c) Quantity and quality of publications and projects on open knowledge and free licenses held by the participants of the courses and workshops.&lt;br /&gt;
&lt;br /&gt;
==Resources Required==&lt;br /&gt;
Main resources such as IT infrastructure and places for the events will be provided by Universidad de la República. The human resources are provided by a volunteer team that is willing to support the effort. &lt;br /&gt;
&lt;br /&gt;
==Sustainability and Scalability==&lt;br /&gt;
The sustainability of the project is run by a team of volunteers. The volunteers are very committed to the objectives. The volunteer group is sufficiently large (11 people) in order to address the objectives even if unforeseen circumstances occur.&lt;br /&gt;
&lt;br /&gt;
==Translation==&lt;br /&gt;
We promote and have adopted CC license in Spanish, because is the official anguage in our country and no other languages are spoken by a considerable proportion of our population.&lt;br /&gt;
&lt;br /&gt;
==Date of earliest MOU in jurisdiction==&lt;br /&gt;
The first MOU was signed in 2014.&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=103496</id>
		<title>Uruguay</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=103496"/>
				<updated>2015-01-13T16:12:54Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Jurisdiction&lt;br /&gt;
|jurstatus=Active&lt;br /&gt;
|status=&lt;br /&gt;
|country code=uy&lt;br /&gt;
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|affiliated2=&lt;br /&gt;
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|affiliated5=&lt;br /&gt;
|affurl5=&lt;br /&gt;
|afffocus5=&lt;br /&gt;
|plead1=Patricia Díaz&lt;br /&gt;
|pemail1=contacto@creativecommons.uy&lt;br /&gt;
|ptitle1=Legal Leader&lt;br /&gt;
|plead2=Mariana Fossatti&lt;br /&gt;
|pemail2=contacto@creativecommons.uy&lt;br /&gt;
|ptitle2=Public Leader&lt;br /&gt;
|plead3=&lt;br /&gt;
|pemail3=&lt;br /&gt;
|ptitle3=&lt;br /&gt;
|plead4=&lt;br /&gt;
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|blog=http://www.creativecommons.uy&lt;br /&gt;
}}&lt;br /&gt;
Uruguay joins Creative Commons in order to support an open and accessible Internet, to promote the advantages of free knowledge and of sharing the intellectual wealth with the world.&lt;br /&gt;
&lt;br /&gt;
We believe that one of our first missions is the promotion and dissemination at different stages of free or less restrictive licenses than the usual &amp;quot;all rights reserved&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Our team is composed of eleven (11) people whose careers and affiliations are detailed below. We expect to add new people to the team.&lt;br /&gt;
&lt;br /&gt;
=Team information=&lt;br /&gt;
==Team members==&lt;br /&gt;
&lt;br /&gt;
'''Patricia Díaz:''' Attorney dedicated to Free Culture. Currently teaches at the Training Unit (UdelaR), at the Board of Education Training (ANEP) and is involved in projects related to Open Educational Resources. She is completing a Masters in International Relations (Thesis: &amp;quot;Economic Impact of government policies in support of Free Software in MERCOSUR&amp;quot; ). She is the team’s legal advisor.&lt;br /&gt;
&lt;br /&gt;
'''Mariana Fossatti:''' She is a sociologist. She is currently director of Ártica - Centro Cultural 2.0. She focuses on the study and application of ICT and e-learning in culture, education and social organizations. She is co-author of the e-books &amp;quot; Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses .&amp;quot; As a consultant, she has worked with various institutions such as the Ministry of Education and Culture of Uruguay, the FCForum and the Sociedad de las Indias Electrónicas. As a teacher, she has taught on society, new technologies and e -learning in the Centro Latinoamericano de Economía Humana (CLAEH), the University of Salamanca and the Plan Ceibal, among others. In parallel, she does research about visual arts and she develops her own artwork, using with collage techniques and audiovisual remix.&lt;br /&gt;
&lt;br /&gt;
'''Alicia Ocaso:''' Degree in Library Science. President of the Uruguayan Association of Librarians (Asociación de Bibliotecólogos del Uruguay, ABU). She is a member of the Committee on Copyright and other Legal Matters (CLM) of the International Federation of Library Associations and Institutions (IFLA) until August 2015, this being her second term. She was a member of IFLA LAC and IFLA MLAS committees for two terms. She manages multiple discussion groups of librarians in Latin America and the Caribbean.&lt;br /&gt;
&lt;br /&gt;
'''Daniel Viñar:''' Engineer, graduated from the Ecole Polytechnique and the School of Telecommunications, France. Currently working on computers and networks at the Universidad de la República (UdelaR). Until 2007, he worked as a consultant in France and countries in Eastern Europe and Latin America. In 2008, in Bolivia, he participated in the re- nationalization of Entel (telecommunications company), and in the development by the Ministry of the Presidency of a proposal of &amp;quot;one computer per child&amp;quot;. He has participated in various free software communities for over ten years.&lt;br /&gt;
&lt;br /&gt;
'''Jorge Gemetto:''' Co-director, community manager, content curator and blogger at Ártica - Centro Cultural 2.0. Degree in Psychology. Co-author of the e-books &amp;quot;Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses&amp;quot;. He is an author, blogger and free culture activist.&lt;br /&gt;
&lt;br /&gt;
'''Luis Alonzo Fulchi:''' He is a sociologist and works as a computer consultant for the Departamento de Apoyo Técnico Académico (DATA), Universidad de la República (UdelaR). At DATA he has contributed to the development of the Program of Virtual Learning Environments (ProEVA), which provides a network of servers for computer support for teaching and blended learning. He is co-leader of the team that develops LibreQDA, a free software for qualitative analysis in the social sciences.&lt;br /&gt;
&lt;br /&gt;
'''Manuel Podetti:''' Degree in Communication Studies with studies in Media Analysis and Community Management. He specializes in ICT, media, organizational communication and social media. He co-directed Cellfiction, a company specialized in creating multimedia content for mobile. He spent over 9 years as a TV editor and producer. He is currently a communications consultant for the Departamento de Apoyo Técnico Académico (DATA) at the Universidad de la República (UdelaR). He participates in R &amp;amp; D projects related to OER, open textbooks and multimedia technologies. He also co-directs Fluo Communication, a company specialized in corporate communications.&lt;br /&gt;
&lt;br /&gt;
'''Pablo Laguna:''' Student in Sociology, University of Granada (UGR). Participates in a university exchange programme at the Faculty of Social Sciences at the University of the Republic. He is a member of the Board of Directors at Europa Laica and a member of Observatorio del Laicismo. It is a founding member of the Seminar “Otro pensamiento es posible” and “Seminario Galileo Galilei”, both from the UGR which also organizes annually the Conference on Spanish Republicanism.&lt;br /&gt;
&lt;br /&gt;
'''Rodrigo Barbano:''' Software developer specialized in web portals. Advisor on issues of free knowledge, culture and free software at parliamentary level. Manager of the ​ “technology socialism” area at Mate Amargo web magazine. Vice-president of Wikimedia Uruguay and founding member of the Centro de Estudios de Software Libre. He has advocated for the adoption by the Uruguayan government of free licenses for the cultural content produced.&lt;br /&gt;
&lt;br /&gt;
'''Salvador García:''' Musician, actor and teacher. Director of the copyleft record label Vía Láctea Ediciones. Drama teacher specialized in Clown and Physical Theatre. He is a member of the band Limpiando Encontré Monedas, where he works as a composer, guitarist, vocalist and manager. Director of the independent theater company El Embudo Clown.&lt;br /&gt;
&lt;br /&gt;
'''Virginia Rodés:''' Degree in Educational Communication, Virtual Learning Environments specialist, Master of University Teaching. Assistant Professor. Coordinator at Departamento de Apoyo Técnico Académico (DATA), Program of Virtual Learning Environments, Universidad de la República (UdelaR). She does research in various fields related to the development and application of technologies in education. Her area of ​​interest lies in the semantic web applied to education, learning objects, repositories, adaptability, accessibility issues. She has also studied the institutional transformation of higher education in the context of innovation processes based on educational technologies. She is currently involved in several R &amp;amp; D projects related to OER, open textbooks, accessibility and multimedia technologies. She has developed her professional career as a consultant for institutions and organizations in the environmental, healthcare, government and education areas.&lt;br /&gt;
&lt;br /&gt;
==Affiliated institutions and partners==&lt;br /&gt;
&lt;br /&gt;
===Affiliated institution===&lt;br /&gt;
- Asociación de Bibliotecólogos del Uruguay (Uruguayan Association of Librarians) - President: Alicia Ocaso - Web: http://www.abu.net.uy &lt;br /&gt;
&lt;br /&gt;
===Other partner institutions===&lt;br /&gt;
- SciELO Uruguay - Web: http://www.scielo.edu.uy&lt;br /&gt;
&lt;br /&gt;
- Wikimedia Uruguay - Web: http://wikimediauruguay.org&lt;br /&gt;
&lt;br /&gt;
- Ártica - Centro Cultural Online - Web: http://www.articaonline.com&lt;br /&gt;
&lt;br /&gt;
- Vía Láctea Ediciones - Web: http://www.vialacteaediciones.com&lt;br /&gt;
&lt;br /&gt;
===Under Approval (pending)===&lt;br /&gt;
- Universidad de la República - DATA (CSE) - RedEVa - Comisión de Propiedad Intelectual - Web: http://www.universidad.edu.uy&lt;br /&gt;
&lt;br /&gt;
===CC Uruguay participates in===&lt;br /&gt;
- Red de Propiedad Intelectual (Intellectual Property Network) - Web: http://www.redpi.uy&lt;br /&gt;
&lt;br /&gt;
- Red de Gobierno Abierto (Open Government Network) - Web: http://rga.uy&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=Affiliate Team Roadmap late 2014 - 2015=&lt;br /&gt;
&lt;br /&gt;
==Vision==&lt;br /&gt;
&lt;br /&gt;
We share the conviction that it is necessary to support and promote an alternative cultural model based on the free flow of information and collaboration. This model prioritizes the public interest over individual interest especially in relation to education, science, art and culture, and is made possible by the Creative Commons set of licenses. The simplicity and practicality of the CC licenses facilitate its use as a suitable tool in any kind of academic, artistic or cultural entrepreneurship.&lt;br /&gt;
&lt;br /&gt;
The Creative Commons licenses have already begun to be used in Uruguay mainly in areas related to education and music. We have identified the need for training and guidance to promote a correct use of the licenses and to promote the extension of its use to other areas of culture.&lt;br /&gt;
&lt;br /&gt;
The main factors that determine the success of the project are:&lt;br /&gt;
&lt;br /&gt;
- The commitment of its members to the project.&lt;br /&gt;
&lt;br /&gt;
- Cooperation, networking and interdisciplinary teams.&lt;br /&gt;
&lt;br /&gt;
- The connection of each participant with different actors and institutions in the field of education, the cultural world and various state agencies, which constitutes one of the main strengths of the team.&lt;br /&gt;
&lt;br /&gt;
==Contribution to the CC Affiliate Network==&lt;br /&gt;
&lt;br /&gt;
We have worked in contact with members of CC teams in the region. We received initial support from these teams who have shared their expertise with us. When our team is consolidated, we will be able to provide the same support to other teams.&lt;br /&gt;
&lt;br /&gt;
In recent months we have worked on the Spanish translation of materials about Creative Commons licenses and have participated in some projects with other teams and CC communities.&lt;br /&gt;
&lt;br /&gt;
In November 2013, we organized in Uruguay the local instance of the &amp;quot;Free Music Week&amp;quot;, a joint project with CC Guatemala and CC Costa Rica.&lt;br /&gt;
&lt;br /&gt;
We have also worked on the online course &amp;quot;ABC of copyright for librarians in Latin America&amp;quot;​​, in a team with CC Colombia and CC El Salvador .&lt;br /&gt;
&lt;br /&gt;
By geographical proximity and affinity, we are in daily contact with CC teams of Argentina and Paraguay. We are especially interested in generating instances of dissemination and regional projects.&lt;br /&gt;
&lt;br /&gt;
==Community==&lt;br /&gt;
&lt;br /&gt;
- Educational Community, mainly faculty (ANEP, UdelaR) and students of Tertiary Education. Some of our team members work at UdelaR, the main University of Uruguay, with more than 85% of the universitary students in the country. We are also in contact with teachers at ANEP (Administración Nacional de Educación Pública) through our discussion list.&lt;br /&gt;
&lt;br /&gt;
- Scientific community, researchers, scientific journals and libraries. We have one team member who works at the Asociación de Bibliotecólogos del Uruguay (Librarians Association of Uruguay). We are in close contact with representatives of SciELO Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Free Software Community: some of our team members are free software programmers. We are in close contact with CESoL (Centro de Estudios de Software Libre). We have participated in the FLISOL (Latin American Free Software Installation Festival).&lt;br /&gt;
&lt;br /&gt;
- Wikipedians and Wikimedia community: Some members of CC Uruguay are Wikipedians and also members of Wikimedia Uruguay.&lt;br /&gt;
&lt;br /&gt;
- National musicians: One member of our team coordinates a free music label and is part of the Free Music Labels Network in Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Community of visual artists and new media artists. We have worked together with new media artists at remix workshops.&lt;br /&gt;
&lt;br /&gt;
- State agencies: we have worked together with various State Agencies, like Bicentenario, Centros MEC and Consejo de Derechos de Autor.&lt;br /&gt;
&lt;br /&gt;
- Right to Culture Movement. Some of our team members are also members of that movement. We have worked together in the production of events.&lt;br /&gt;
&lt;br /&gt;
Communication with communities will primarily take place through our discussion list. We will also use our website and Twitter to inform activities and dialogue with the people.&lt;br /&gt;
&lt;br /&gt;
==Priority Goals==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
We plan to keep in touch with each of the communities. Among our first steps, we have implemented the following tools:&lt;br /&gt;
&lt;br /&gt;
- The Uruguay CC website.&lt;br /&gt;
&lt;br /&gt;
- A CC Uruguay Twitter account.&lt;br /&gt;
&lt;br /&gt;
- A discussion list of about 50 people that includes members of the target communities.&lt;br /&gt;
&lt;br /&gt;
We plan to continue adding people from the identified communities to the discussion list in order to exchange information about news, activities and opportunities for collaboration. In addition, we aim to:&lt;br /&gt;
&lt;br /&gt;
- Create and manage a Facebook account.&lt;br /&gt;
&lt;br /&gt;
- Create and manage an institutional email account&lt;br /&gt;
&lt;br /&gt;
- Create and manage a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Additionally, we plan to organize, in conjunction with the Centro Cultural de España, the first edition of the Montevideo Creative Commons Film Festival.&lt;br /&gt;
&lt;br /&gt;
This initial step will serve as the basis for CC Uruguay’s communication and promotion activities. It will also be useful to promote Uruguayan cultural and educational projects using CC licenses, to answer questions from the public and to dialogue with other institutions.&lt;br /&gt;
&lt;br /&gt;
The online community will benefit Uruguayan authors and users, since they will be able to access information about the CC licenses in Uruguay, and may also communicate with the CC team to make questions, suggest activities or collaborations.&lt;br /&gt;
&lt;br /&gt;
The work of authors who use Creative Commons licenses will be promoted on the multiple online spaces of CC Uruguay.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
We are especially interested on advising governmental agencies in order to adopt free licenses for their content, and become involved in the promotion of free licenses.&lt;br /&gt;
&lt;br /&gt;
We have initiated several lines of interaction and work in conjunction with the Ministry of Education and Culture (MEC):&lt;br /&gt;
&lt;br /&gt;
We worked with Wikimedia Uruguay and Bicentennial Project in the release and resettlement generated content in the past two years. We plan to continue this joint work in the following months.&lt;br /&gt;
We contacted members of the CDA - MEC (Copyright Board - Ministry of Education and Culture) for the organization of a Series of Conferences about Creative Commons and Free Culture, as well as a seminar or another type of training instance of copyright for journalists. We plan two instances of seminars in conjunction with the Copyright Board.&lt;br /&gt;
We received the request from the MEC (the “Centros MEC” Area) to assist in the creation of the CCCL Project (in english: Container of Free Community Creations) , which aims to develop an online service to collect and share free artistic and cultural works.&lt;br /&gt;
&lt;br /&gt;
Why is it important?&lt;br /&gt;
&lt;br /&gt;
The State is a great partner and this partnership increases visibility of free licenses. CC makes Uruguay a valid interlocutor on free culture issues, preservation and dissemination of cultural goods produced in the State. By expanding the adoption of these licenses, especially at the level of the Ministry of Education and Culture, the objective conditions are generated to facilitate a change in legislation to license freely the content generated by the State.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The beneficiaries of the material released by the State will be the artists themselves, teachers, public libraries but also to the public in general.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
Uruguay is in a process of discussion on how to improve access to educational materials. In this regard, it is important to promote a model of free production and free access to knowledge, based on CC licenses, as opposed to restrictive models based on the use of technological protection measures and &amp;quot;all rights reserved&amp;quot; models.&lt;br /&gt;
&lt;br /&gt;
The UdelaR has begun the adoption of a model of &amp;quot;Open University&amp;quot;. During the year 2013 the UdelaR has declared the priority of Free Software and Open Formats, has decided that all the research will be Open Access and has also adopted the policy of opening their Educational Resources. During 2014, UdelaR is implementing its Open Access Repository named Colibrí. The CC Uruguay team closely accompanies these processes, encouraging and advising the authorities and commissions that are working in this direction.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The educational community: students, teachers and researchers, who will have greater knowledge about the availability of free materials and about the importance of a model of openness.&lt;br /&gt;
&lt;br /&gt;
==Project Outputs==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
1.1 Project Output&lt;br /&gt;
&lt;br /&gt;
a) Creating and managing the website, an institutional e-mail, a discussion list of CC Uruguay, a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;. (early 2015)&lt;br /&gt;
&lt;br /&gt;
b) Creating and managing CC Uruguay’s accounts in Social Networks (Twitter and Facebook). (mid 2015)&lt;br /&gt;
&lt;br /&gt;
c) First edition of the Montevideo Creative Commons Film Festival. (late 2015)&lt;br /&gt;
&lt;br /&gt;
1.2 Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Luis Alonzo, Daniel Viñar, Jorge Gemetto, Salvador García&lt;br /&gt;
&lt;br /&gt;
1.3 Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of website visits&lt;br /&gt;
&lt;br /&gt;
b) Number of followers on Twitter&lt;br /&gt;
&lt;br /&gt;
c) Number of subscribers of the discussion list&lt;br /&gt;
&lt;br /&gt;
d) Number of followers on Facebook&lt;br /&gt;
&lt;br /&gt;
e) Number of consultations by e-mail&lt;br /&gt;
&lt;br /&gt;
f) Number of films, talks, workshops and attendees at Film Festival.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
2.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Legal advice to the Ministry of Education and Culture and other state agencies to release works under free licenses. This includes at least works of Bicentenario Project and a number of works that won the Fondos Concursables para la Cultura (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) Coordination of at least two instances of seminars in conjunction with the Copyright Board. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Approval and operation of the Container of Free Community Creations by MEC Project (mid 2015)&lt;br /&gt;
&lt;br /&gt;
2.2 . Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Patricia Díaz - Rodrigo Barbano - Mariana Fossatti&lt;br /&gt;
&lt;br /&gt;
2.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of projects concretized with state agencies.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
3.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Completion of at least three open online courses about copyright and free licenses in conjunction with UdelaR. (late 2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) At least two talks and workshops for teachers and librarians about copyright and free licenses. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Fourth edition of the massive open online course &amp;quot;Arts and culture in circulation&amp;quot; in collaboration with Creative Commons Argentina, Ártica - Centro Cultural 2.0, Fundación Vía Libre (Argentina) and TEDIC (Paraguay) . (late 2015)&lt;br /&gt;
&lt;br /&gt;
d) Participation in at least 10 conferences or congresses (2014-2015)&lt;br /&gt;
&lt;br /&gt;
3.2. Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Manuel Podetti - Virginia Rodés - Patricia Díaz - Alicia Ocaso&lt;br /&gt;
&lt;br /&gt;
3.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of participants in open online courses.&lt;br /&gt;
&lt;br /&gt;
b) Number of attending lectures and classroom workshops.&lt;br /&gt;
&lt;br /&gt;
c) Quantity and quality of publications and projects on open knowledge and free licenses held by the participants of the courses and workshops.&lt;br /&gt;
&lt;br /&gt;
==Resources Required==&lt;br /&gt;
Main resources such as IT infrastructure and places for the events will be provided by Universidad de la República. The human resources are provided by a volunteer team that is willing to support the effort. &lt;br /&gt;
&lt;br /&gt;
==Sustainability and Scalability==&lt;br /&gt;
The sustainability of the project is run by a team of volunteers. The volunteers are very committed to the objectives. The volunteer group is sufficiently large (11 people) in order to address the objectives even if unforeseen circumstances occur.&lt;br /&gt;
&lt;br /&gt;
==Translation==&lt;br /&gt;
We promote and have adopted CC license in Spanish, because is the official anguage in our country and no other languages are spoken by a considerable proportion of our population.&lt;br /&gt;
&lt;br /&gt;
==Date of earliest MOU in jurisdiction==&lt;br /&gt;
The first MOU was signed in 2014.&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=103495</id>
		<title>Uruguay</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=103495"/>
				<updated>2015-01-13T16:10:44Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Jurisdiction&lt;br /&gt;
|jurstatus=Active&lt;br /&gt;
|status=&lt;br /&gt;
|country code=uy&lt;br /&gt;
|homepage=http://www.creativecommons.uy&lt;br /&gt;
|logourl=&lt;br /&gt;
|mailing list=&lt;br /&gt;
|twitter=https://twitter.com/CCuruguay&lt;br /&gt;
|social=https://www.youtube.com/user/ccuruguay&lt;br /&gt;
|otherurl=&lt;br /&gt;
|mailing=contacto@creativecommons.uy&lt;br /&gt;
|region=Latin America&lt;br /&gt;
|affiliated=Asociación de Bibliotecólogos del Uruguay&lt;br /&gt;
|affurl=http://www.abu.net.uy/&lt;br /&gt;
|afffocus=Non Profit&lt;br /&gt;
|afftype=NGO&lt;br /&gt;
|affiliated2=&lt;br /&gt;
|affurl2=&lt;br /&gt;
|afffocus2=&lt;br /&gt;
|affiliated3=&lt;br /&gt;
|affurl3=&lt;br /&gt;
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|affiliated5=&lt;br /&gt;
|affurl5=&lt;br /&gt;
|afffocus5=&lt;br /&gt;
|plead1=Patricia Díaz&lt;br /&gt;
|pemail1=contacto@creativecommons.uy&lt;br /&gt;
|ptitle1=Legal Leader&lt;br /&gt;
|plead2=Mariana Fossatti&lt;br /&gt;
|pemail2=contacto@creativecommons.uy&lt;br /&gt;
|ptitle2=Public Leader&lt;br /&gt;
|plead3=&lt;br /&gt;
|pemail3=&lt;br /&gt;
|ptitle3=&lt;br /&gt;
|plead4=&lt;br /&gt;
|pemail4=&lt;br /&gt;
|ptitle4=&lt;br /&gt;
|plead5=&lt;br /&gt;
|pemail5=&lt;br /&gt;
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|teamsize=11&lt;br /&gt;
|flagurl=&lt;br /&gt;
|blog=http://www.creativecommons.uy&lt;br /&gt;
}}&lt;br /&gt;
Uruguay joins Creative Commons in order to support an open and accessible Internet, to promote the advantages of free knowledge and of sharing the intellectual wealth with the world.&lt;br /&gt;
&lt;br /&gt;
We believe that one of our first missions is the promotion and dissemination at different stages of free or less restrictive licenses than the usual &amp;quot;all rights reserved&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Our team is composed of eleven (11) people whose careers and affiliations are detailed below. We expect to add new people to the team.&lt;br /&gt;
&lt;br /&gt;
=Team information=&lt;br /&gt;
==Team members==&lt;br /&gt;
&lt;br /&gt;
'''Patricia Díaz:''' Attorney dedicated to Free Culture. Currently teaches at the Training Unit (UdelaR), at the Board of Education Training (ANEP) and is involved in projects related to Open Educational Resources. She is completing a Masters in International Relations (Thesis: &amp;quot;Economic Impact of government policies in support of Free Software in MERCOSUR&amp;quot; ). She is the team’s legal advisor.&lt;br /&gt;
&lt;br /&gt;
'''Mariana Fossatti:''' She is a sociologist. She is currently director of Ártica - Centro Cultural 2.0. She focuses on the study and application of ICT and e-learning in culture, education and social organizations. She is co-author of the e-books &amp;quot; Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses .&amp;quot; As a consultant, she has worked with various institutions such as the Ministry of Education and Culture of Uruguay, the FCForum and the Sociedad de las Indias Electrónicas. As a teacher, she has taught on society, new technologies and e -learning in the Centro Latinoamericano de Economía Humana (CLAEH), the University of Salamanca and the Plan Ceibal, among others. In parallel, she does research about visual arts and she develops her own artwork, using with collage techniques and audiovisual remix.&lt;br /&gt;
&lt;br /&gt;
'''Alicia Ocaso:''' Degree in Library Science. President of the Uruguayan Association of Librarians (Asociación de Bibliotecólogos del Uruguay, ABU). She is a member of the Committee on Copyright and other Legal Matters (CLM) of the International Federation of Library Associations and Institutions (IFLA) until August 2015, this being her second term. She was a member of IFLA LAC and IFLA MLAS committees for two terms. She manages multiple discussion groups of librarians in Latin America and the Caribbean.&lt;br /&gt;
&lt;br /&gt;
'''Daniel Viñar:''' Engineer, graduated from the Ecole Polytechnique and the School of Telecommunications, France. Currently working on computers and networks at the Universidad de la República (UdelaR). Until 2007, he worked as a consultant in France and countries in Eastern Europe and Latin America. In 2008, in Bolivia, he participated in the re- nationalization of Entel (telecommunications company), and in the development by the Ministry of the Presidency of a proposal of &amp;quot;one computer per child&amp;quot;. He has participated in various free software communities for over ten years.&lt;br /&gt;
&lt;br /&gt;
'''Jorge Gemetto:''' Co-director, community manager, content curator and blogger at Ártica - Centro Cultural 2.0. Degree in Psychology. Co-author of the e-books &amp;quot;Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses&amp;quot;. He is an author, blogger and free culture activist.&lt;br /&gt;
&lt;br /&gt;
'''Luis Alonzo Fulchi:''' He is a sociologist and works as a computer consultant for the Departamento de Apoyo Técnico Académico (DATA), Universidad de la República (UdelaR). At DATA he has contributed to the development of the Program of Virtual Learning Environments (ProEVA), which provides a network of servers for computer support for teaching and blended learning. He is co-leader of the team that develops LibreQDA, a free software for qualitative analysis in the social sciences.&lt;br /&gt;
&lt;br /&gt;
'''Manuel Podetti:''' Degree in Communication Studies with studies in Media Analysis and Community Management. He specializes in ICT, media, organizational communication and social media. He co-directed Cellfiction, a company specialized in creating multimedia content for mobile. He spent over 9 years as a TV editor and producer. He is currently a communications consultant for the Departamento de Apoyo Técnico Académico (DATA) at the Universidad de la República (UdelaR). He participates in R &amp;amp; D projects related to OER, open textbooks and multimedia technologies. He also co-directs Fluo Communication, a company specialized in corporate communications.&lt;br /&gt;
&lt;br /&gt;
'''Pablo Laguna:''' Student in Sociology, University of Granada (UGR). Participates in a university exchange programme at the Faculty of Social Sciences at the University of the Republic. He is a member of the Board of Directors at Europa Laica and a member of Observatorio del Laicismo. It is a founding member of the Seminar “Otro pensamiento es posible” and “Seminario Galileo Galilei”, both from the UGR which also organizes annually the Conference on Spanish Republicanism.&lt;br /&gt;
&lt;br /&gt;
'''Rodrigo Barbano:''' Software developer specialized in web portals. Advisor on issues of free knowledge, culture and free software at parliamentary level. Manager of the ​ “technology socialism” area at Mate Amargo web magazine. Vice-president of Wikimedia Uruguay and founding member of the Centro de Estudios de Software Libre. He has advocated for the adoption by the Uruguayan government of free licenses for the cultural content produced.&lt;br /&gt;
&lt;br /&gt;
'''Salvador García:''' Musician, actor and teacher. Director of the copyleft record label Vía Láctea Ediciones. Drama teacher specialized in Clown and Physical Theatre. He is a member of the band Limpiando Encontré Monedas, where he works as a composer, guitarist, vocalist and manager. Director of the independent theater company El Embudo Clown.&lt;br /&gt;
&lt;br /&gt;
'''Virginia Rodés:''' Degree in Educational Communication, Virtual Learning Environments specialist, Master of University Teaching. Assistant Professor. Coordinator at Departamento de Apoyo Técnico Académico (DATA), Program of Virtual Learning Environments, Universidad de la República (UdelaR). She does research in various fields related to the development and application of technologies in education. Her area of ​​interest lies in the semantic web applied to education, learning objects, repositories, adaptability, accessibility issues. She has also studied the institutional transformation of higher education in the context of innovation processes based on educational technologies. She is currently involved in several R &amp;amp; D projects related to OER, open textbooks, accessibility and multimedia technologies. She has developed her professional career as a consultant for institutions and organizations in the environmental, healthcare, government and education areas.&lt;br /&gt;
&lt;br /&gt;
==Affiliated institutions and partners==&lt;br /&gt;
&lt;br /&gt;
===Affiliated institution===&lt;br /&gt;
- Asociación de Bibliotecólogos del Uruguay (Uruguayan Association of Librarians) - President: Alicia Ocaso - Web: http://www.abu.net.uy &lt;br /&gt;
&lt;br /&gt;
===Other partner institutions===&lt;br /&gt;
- SciELO Uruguay - Web: http://www.scielo.edu.uy&lt;br /&gt;
&lt;br /&gt;
- Wikimedia Uruguay - Web: http://wikimediauruguay.org&lt;br /&gt;
&lt;br /&gt;
- Ártica - Centro Cultural Online - Web: http://www.articaonline.com&lt;br /&gt;
&lt;br /&gt;
- Vía Láctea Ediciones - Web: http://www.vialacteaediciones.com&lt;br /&gt;
&lt;br /&gt;
===Under Approval (pending)===&lt;br /&gt;
- Universidad de la República - DATA (CSE) - RedEVa - Comisión de Propiedad Intelectual - Web: http://www.universidad.edu.uy&lt;br /&gt;
&lt;br /&gt;
===CC Uruguay participates in===&lt;br /&gt;
- Red de Propiedad Intelectual (Intellectual Property Network) - Web: http://www.redpi.uy&lt;br /&gt;
&lt;br /&gt;
- Red de Gobierno Abierto (Open Government Network) - Web: http://rga.uy&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=Affiliate Team Roadmap late 2014 - 2015=&lt;br /&gt;
&lt;br /&gt;
==Vision==&lt;br /&gt;
&lt;br /&gt;
We share the conviction that it is necessary to support and promote an alternative cultural model based on the free flow of information and collaboration. This model prioritizes the public interest over individual interest especially in relation to education, science, art and culture, and is made possible by the Creative Commons set of licenses. The simplicity and practicality of the CC licenses facilitate its use as a suitable tool in any kind of academic, artistic or cultural entrepreneurship.&lt;br /&gt;
&lt;br /&gt;
The Creative Commons licenses have already begun to be used in Uruguay mainly in areas related to education and music. We have identified the need for training and guidance to promote a correct use of the licenses and to promote the extension of its use to other areas of culture.&lt;br /&gt;
&lt;br /&gt;
The main factors that determine the success of the project are:&lt;br /&gt;
&lt;br /&gt;
- The commitment of its members to the project.&lt;br /&gt;
&lt;br /&gt;
- Cooperation, networking and interdisciplinary teams.&lt;br /&gt;
&lt;br /&gt;
- The connection of each participant with different actors and institutions in the field of education, the cultural world and various state agencies, which constitutes one of the main strengths of the team.&lt;br /&gt;
&lt;br /&gt;
==Contribution to the CC Affiliate Network==&lt;br /&gt;
&lt;br /&gt;
We have worked in contact with members of CC teams in the region. We received initial support from these teams who have shared their expertise with us. When our team is consolidated, we will be able to provide the same support to other teams.&lt;br /&gt;
&lt;br /&gt;
In recent months we have worked on the Spanish translation of materials about Creative Commons licenses and have participated in some projects with other teams and CC communities.&lt;br /&gt;
&lt;br /&gt;
In November 2013, we organized in Uruguay the local instance of the &amp;quot;Free Music Week&amp;quot;, a joint project with CC Guatemala and CC Costa Rica.&lt;br /&gt;
&lt;br /&gt;
We have also worked on the online course &amp;quot;ABC of copyright for librarians in Latin America&amp;quot;​​, in a team with CC Colombia and CC El Salvador .&lt;br /&gt;
&lt;br /&gt;
By geographical proximity and affinity, we are in daily contact with CC teams of Argentina and Paraguay. We are especially interested in generating instances of dissemination and regional projects.&lt;br /&gt;
&lt;br /&gt;
==Community==&lt;br /&gt;
&lt;br /&gt;
- Educational Community, mainly faculty (ANEP, UdelaR) and students of Tertiary Education. Some of our team members work at UdelaR, the main University of Uruguay, with more than 85% of the universitary students in the country. We are also in contact with teachers at ANEP (Administración Nacional de Educación Pública) through our discussion list.&lt;br /&gt;
&lt;br /&gt;
- Scientific community, researchers, scientific journals and libraries. We have one team member who works at the Asociación de Bibliotecólogos del Uruguay (Librarians Association of Uruguay). We are in close contact with representatives of SciELO Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Free Software Community: some of our team members are free software programmers. We are in close contact with CESoL (Centro de Estudios de Software Libre). We have participated in the FLISOL (Latin American Free Software Installation Festival).&lt;br /&gt;
&lt;br /&gt;
- Wikipedians and Wikimedia community: Some members of CC Uruguay are Wikipedians and also members of Wikimedia Uruguay.&lt;br /&gt;
&lt;br /&gt;
- National musicians: One member of our team coordinates a free music label and is part of the Free Music Labels Network in Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Community of visual artists and new media artists. We have worked together with new media artists at remix workshops.&lt;br /&gt;
&lt;br /&gt;
- State agencies: we have worked together with various State Agencies, like Bicentenario, Centros MEC and Consejo de Derechos de Autor.&lt;br /&gt;
&lt;br /&gt;
- Right to Culture Movement. Some of our team members are also members of that movement. We have worked together in the production of events.&lt;br /&gt;
&lt;br /&gt;
Communication with communities will primarily take place through our discussion list. We will also use our website and Twitter to inform activities and dialogue with the people.&lt;br /&gt;
&lt;br /&gt;
==Priority Goals==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
We plan to keep in touch with each of the communities. Among our first steps, we have implemented the following tools:&lt;br /&gt;
&lt;br /&gt;
- The Uruguay CC website.&lt;br /&gt;
&lt;br /&gt;
- A CC Uruguay Twitter account.&lt;br /&gt;
&lt;br /&gt;
- A discussion list of about 50 people that includes members of the target communities.&lt;br /&gt;
&lt;br /&gt;
We plan to continue adding people from the identified communities to the discussion list in order to exchange information about news, activities and opportunities for collaboration. In addition, we aim to:&lt;br /&gt;
&lt;br /&gt;
- Create and manage a Facebook account.&lt;br /&gt;
&lt;br /&gt;
- Create and manage an institutional email account&lt;br /&gt;
&lt;br /&gt;
- Create and manage a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Additionally, we plan to organize, in conjunction with the Centro Cultural de España, the first edition of the Montevideo Creative Commons Film Festival.&lt;br /&gt;
&lt;br /&gt;
This initial step will serve as the basis for CC Uruguay’s communication and promotion activities. It will also be useful to promote Uruguayan cultural and educational projects using CC licenses, to answer questions from the public and to dialogue with other institutions.&lt;br /&gt;
&lt;br /&gt;
The online community will benefit Uruguayan authors and users, since they will be able to access information about the CC licenses in Uruguay, and may also communicate with the CC team to make questions, suggest activities or collaborations.&lt;br /&gt;
&lt;br /&gt;
The work of authors who use Creative Commons licenses will be promoted on the multiple online spaces of CC Uruguay.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
We are especially interested on advising governmental agencies in order to adopt free licenses for their content, and become involved in the promotion of free licenses.&lt;br /&gt;
&lt;br /&gt;
We have initiated several lines of interaction and work in conjunction with the Ministry of Education and Culture (MEC):&lt;br /&gt;
&lt;br /&gt;
We worked with Wikimedia Uruguay and Bicentennial Project in the release and resettlement generated content in the past two years. We plan to continue this joint work in the following months.&lt;br /&gt;
We contacted members of the CDA - MEC (Copyright Board - Ministry of Education and Culture) for the organization of a Series of Conferences about Creative Commons and Free Culture, as well as a seminar or another type of training instance of copyright for journalists. We plan two instances of seminars in conjunction with the Copyright Board.&lt;br /&gt;
We received the request from the MEC (the “Centros MEC” Area) to assist in the creation of the CCCL Project (in english: Container of Free Community Creations) , which aims to develop an online service to collect and share free artistic and cultural works.&lt;br /&gt;
&lt;br /&gt;
Why is it important?&lt;br /&gt;
&lt;br /&gt;
The State is a great partner and this partnership increases visibility of free licenses. CC makes Uruguay a valid interlocutor on free culture issues, preservation and dissemination of cultural goods produced in the State. By expanding the adoption of these licenses, especially at the level of the Ministry of Education and Culture, the objective conditions are generated to facilitate a change in legislation to license freely the content generated by the State.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The beneficiaries of the material released by the State will be the artists themselves, teachers, public libraries but also to the public in general.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
Uruguay is in a process of discussion on how to improve access to educational materials. In this regard, it is important to promote a model of free production and free access to knowledge, based on CC licenses, as opposed to restrictive models based on the use of technological protection measures and &amp;quot;all rights reserved&amp;quot; models.&lt;br /&gt;
&lt;br /&gt;
The UdelaR has begun the adoption of a model of &amp;quot;Open University&amp;quot;. During the year 2013 the UdelaR has declared the priority of Free Software and Open Formats, has decided that all the research will be Open Access and has also adopted the policy of opening their Educational Resources. During 2014, UdelaR is implementing its Open Access Repository named Colibrí. The CC Uruguay team closely accompanies these processes, encouraging and advising the authorities and commissions that are working in this direction.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The educational community: students, teachers and researchers, who will have greater knowledge about the availability of free materials and about the importance of a model of openness.&lt;br /&gt;
&lt;br /&gt;
==Project Outputs==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
1.1 Project Output&lt;br /&gt;
&lt;br /&gt;
a) Creating and managing the website, an institutional e-mail, a discussion list of CC Uruguay, a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;. (early 2015)&lt;br /&gt;
&lt;br /&gt;
b) Creating and managing CC Uruguay’s accounts in Social Networks (Twitter and Facebook). (mid 2015)&lt;br /&gt;
&lt;br /&gt;
c) First edition of the Montevideo Creative Commons Film Festival. (late 2015)&lt;br /&gt;
&lt;br /&gt;
1.2 Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Luis Alonzo, Daniel Viñar, Jorge Gemetto, Salvador García&lt;br /&gt;
&lt;br /&gt;
1.3 Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of website visits&lt;br /&gt;
&lt;br /&gt;
b) Number of followers on Twitter&lt;br /&gt;
&lt;br /&gt;
c) Number of subscribers of the discussion list&lt;br /&gt;
&lt;br /&gt;
d) Number of followers on Facebook&lt;br /&gt;
&lt;br /&gt;
e) Number of consultations by e-mail&lt;br /&gt;
&lt;br /&gt;
f) Number of films, talks, workshops and attendees at Film Festival.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
2.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Legal advice to the Ministry of Education and Culture and other state agencies to release works under free licenses. This includes at least works of Bicentenario Project and a number of works that won the Fondos Concursables para la Cultura (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) Coordination of at least two instances of seminars in conjunction with the Copyright Board. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Approval and operation of the Container of Free Community Creations by MEC Project (mid 2015)&lt;br /&gt;
&lt;br /&gt;
2.2 . Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Patricia Díaz - Rodrigo Barbano - Mariana Fossatti&lt;br /&gt;
&lt;br /&gt;
2.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of projects concretized with state agencies.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
3.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Completion of at least three open online courses about copyright and free licenses in conjunction with UdelaR. (late 2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) At least two talks and workshops for teachers and librarians about copyright and free licenses. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Fourth edition of the massive open online course &amp;quot;Arts and culture in circulation&amp;quot; in collaboration with Creative Commons Argentina, Ártica - Centro Cultural 2.0, Fundación Vía Libre (Argentina) and TEDIC (Paraguay) . (late 2015)&lt;br /&gt;
&lt;br /&gt;
d) Participation in at least 10 conferences or congresses (2014-2015)&lt;br /&gt;
&lt;br /&gt;
3.2. Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Manuel Podetti - Virginia Rodés - Patricia Díaz - Alicia Ocaso&lt;br /&gt;
&lt;br /&gt;
3.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of participants in open online courses.&lt;br /&gt;
&lt;br /&gt;
b) Number of attending lectures and classroom workshops.&lt;br /&gt;
&lt;br /&gt;
c) Quantity and quality of publications and projects on open knowledge and free licenses held by the participants of the courses and workshops.&lt;br /&gt;
&lt;br /&gt;
==Resources Required==&lt;br /&gt;
Main resources such as IT infrastructure and places for the events will be provided by Universidad de la República. The human resources are provided by a volunteer team that is willing to support the effort. &lt;br /&gt;
&lt;br /&gt;
==Sustainability and Scalability==&lt;br /&gt;
The sustainability of the project is run by a team of volunteers. The volunteers are very committed to the objectives. The volunteer group is sufficiently large (11 people) in order to address the objectives even if unforeseen circumstances occur.&lt;br /&gt;
&lt;br /&gt;
==Translation==&lt;br /&gt;
We promote and have adopted CC license in Spanish, because is the official anguage in our country and no other languages are spoken by a considerable proportion of our population.&lt;br /&gt;
&lt;br /&gt;
==Date of earliest MOU in jurisdiction==&lt;br /&gt;
The first MOU was signed in 2014.&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=103494</id>
		<title>Uruguay</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=103494"/>
				<updated>2015-01-13T16:09:46Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Jurisdiction&lt;br /&gt;
|jurstatus=Active&lt;br /&gt;
|status=&lt;br /&gt;
|country code=uy&lt;br /&gt;
|homepage=http://www.creativecommons.uy&lt;br /&gt;
|logourl=&lt;br /&gt;
|mailing list=&lt;br /&gt;
|twitter=https://twitter.com/CCuruguay&lt;br /&gt;
|social=https://www.youtube.com/user/ccuruguay&lt;br /&gt;
|otherurl=&lt;br /&gt;
|mailing=contacto@creativecommons.uy&lt;br /&gt;
|region=Latin America&lt;br /&gt;
|affiliated=Asociación de Bibliotecólogos del Uruguay&lt;br /&gt;
|affurl=http://www.abu.net.uy/&lt;br /&gt;
|afffocus=Non Profit&lt;br /&gt;
|afftype=NGO&lt;br /&gt;
|affiliated2=&lt;br /&gt;
|affurl2=&lt;br /&gt;
|afffocus2=&lt;br /&gt;
|affiliated3=&lt;br /&gt;
|affurl3=&lt;br /&gt;
|afffocus3=&lt;br /&gt;
|affiliated4=&lt;br /&gt;
|affurl4=&lt;br /&gt;
|afffocus4=&lt;br /&gt;
|affiliated5=&lt;br /&gt;
|affurl5=&lt;br /&gt;
|afffocus5=&lt;br /&gt;
|plead1=Patricia Díaz&lt;br /&gt;
|pemail1=contacto@creativecommons.uy&lt;br /&gt;
|ptitle1=Legal Leader&lt;br /&gt;
|plead2=Mariana Fossatti&lt;br /&gt;
|pemail2=contacto@creativecommons.uy&lt;br /&gt;
|ptitle2=Public Leader&lt;br /&gt;
|plead3=&lt;br /&gt;
|pemail3=&lt;br /&gt;
|ptitle3=&lt;br /&gt;
|plead4=&lt;br /&gt;
|pemail4=&lt;br /&gt;
|ptitle4=&lt;br /&gt;
|plead5=&lt;br /&gt;
|pemail5=&lt;br /&gt;
|ptitle5=&lt;br /&gt;
|teamsize=11&lt;br /&gt;
|flagurl=&lt;br /&gt;
|blog=http://www.creativecommons.uy&lt;br /&gt;
}}&lt;br /&gt;
Uruguay joins Creative Commons in order to support an open and accessible Internet, to promote the advantages of free knowledge and of sharing the intellectual wealth with the world.&lt;br /&gt;
&lt;br /&gt;
We believe that one of our first missions is the promotion and dissemination at different stages of free or less restrictive licenses than the usual &amp;quot;all rights reserved&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Our team is composed of eleven (11) people whose careers and affiliations are detailed below. We expect to add new people to the team.&lt;br /&gt;
&lt;br /&gt;
=Team information=&lt;br /&gt;
==team members==&lt;br /&gt;
&lt;br /&gt;
'''Patricia Díaz:''' Attorney dedicated to Free Culture. Currently teaches at the Training Unit (UdelaR), at the Board of Education Training (ANEP) and is involved in projects related to Open Educational Resources. She is completing a Masters in International Relations (Thesis: &amp;quot;Economic Impact of government policies in support of Free Software in MERCOSUR&amp;quot; ). She is the team’s legal advisor.&lt;br /&gt;
&lt;br /&gt;
'''Mariana Fossatti:''' She is a sociologist. She is currently director of Ártica - Centro Cultural 2.0. She focuses on the study and application of ICT and e-learning in culture, education and social organizations. She is co-author of the e-books &amp;quot; Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses .&amp;quot; As a consultant, she has worked with various institutions such as the Ministry of Education and Culture of Uruguay, the FCForum and the Sociedad de las Indias Electrónicas. As a teacher, she has taught on society, new technologies and e -learning in the Centro Latinoamericano de Economía Humana (CLAEH), the University of Salamanca and the Plan Ceibal, among others. In parallel, she does research about visual arts and she develops her own artwork, using with collage techniques and audiovisual remix.&lt;br /&gt;
&lt;br /&gt;
'''Alicia Ocaso:''' Degree in Library Science. President of the Uruguayan Association of Librarians (Asociación de Bibliotecólogos del Uruguay, ABU). She is a member of the Committee on Copyright and other Legal Matters (CLM) of the International Federation of Library Associations and Institutions (IFLA) until August 2015, this being her second term. She was a member of IFLA LAC and IFLA MLAS committees for two terms. She manages multiple discussion groups of librarians in Latin America and the Caribbean.&lt;br /&gt;
&lt;br /&gt;
'''Daniel Viñar:''' Engineer, graduated from the Ecole Polytechnique and the School of Telecommunications, France. Currently working on computers and networks at the Universidad de la República (UdelaR). Until 2007, he worked as a consultant in France and countries in Eastern Europe and Latin America. In 2008, in Bolivia, he participated in the re- nationalization of Entel (telecommunications company), and in the development by the Ministry of the Presidency of a proposal of &amp;quot;one computer per child&amp;quot;. He has participated in various free software communities for over ten years.&lt;br /&gt;
&lt;br /&gt;
'''Jorge Gemetto:''' Co-director, community manager, content curator and blogger at Ártica - Centro Cultural 2.0. Degree in Psychology. Co-author of the e-books &amp;quot;Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses&amp;quot;. He is an author, blogger and free culture activist.&lt;br /&gt;
&lt;br /&gt;
'''Luis Alonzo Fulchi:''' He is a sociologist and works as a computer consultant for the Departamento de Apoyo Técnico Académico (DATA), Universidad de la República (UdelaR). At DATA he has contributed to the development of the Program of Virtual Learning Environments (ProEVA), which provides a network of servers for computer support for teaching and blended learning. He is co-leader of the team that develops LibreQDA, a free software for qualitative analysis in the social sciences.&lt;br /&gt;
&lt;br /&gt;
'''Manuel Podetti:''' Degree in Communication Studies with studies in Media Analysis and Community Management. He specializes in ICT, media, organizational communication and social media. He co-directed Cellfiction, a company specialized in creating multimedia content for mobile. He spent over 9 years as a TV editor and producer. He is currently a communications consultant for the Departamento de Apoyo Técnico Académico (DATA) at the Universidad de la República (UdelaR). He participates in R &amp;amp; D projects related to OER, open textbooks and multimedia technologies. He also co-directs Fluo Communication, a company specialized in corporate communications.&lt;br /&gt;
&lt;br /&gt;
'''Pablo Laguna:''' Student in Sociology, University of Granada (UGR). Participates in a university exchange programme at the Faculty of Social Sciences at the University of the Republic. He is a member of the Board of Directors at Europa Laica and a member of Observatorio del Laicismo. It is a founding member of the Seminar “Otro pensamiento es posible” and “Seminario Galileo Galilei”, both from the UGR which also organizes annually the Conference on Spanish Republicanism.&lt;br /&gt;
&lt;br /&gt;
'''Rodrigo Barbano:''' Software developer specialized in web portals. Advisor on issues of free knowledge, culture and free software at parliamentary level. Manager of the ​ “technology socialism” area at Mate Amargo web magazine. Vice-president of Wikimedia Uruguay and founding member of the Centro de Estudios de Software Libre. He has advocated for the adoption by the Uruguayan government of free licenses for the cultural content produced.&lt;br /&gt;
&lt;br /&gt;
'''Salvador García:''' Musician, actor and teacher. Director of the copyleft record label Vía Láctea Ediciones. Drama teacher specialized in Clown and Physical Theatre. He is a member of the band Limpiando Encontré Monedas, where he works as a composer, guitarist, vocalist and manager. Director of the independent theater company El Embudo Clown.&lt;br /&gt;
&lt;br /&gt;
'''Virginia Rodés:''' Degree in Educational Communication, Virtual Learning Environments specialist, Master of University Teaching. Assistant Professor. Coordinator at Departamento de Apoyo Técnico Académico (DATA), Program of Virtual Learning Environments, Universidad de la República (UdelaR). She does research in various fields related to the development and application of technologies in education. Her area of ​​interest lies in the semantic web applied to education, learning objects, repositories, adaptability, accessibility issues. She has also studied the institutional transformation of higher education in the context of innovation processes based on educational technologies. She is currently involved in several R &amp;amp; D projects related to OER, open textbooks, accessibility and multimedia technologies. She has developed her professional career as a consultant for institutions and organizations in the environmental, healthcare, government and education areas.&lt;br /&gt;
&lt;br /&gt;
==Affiliated institutions and partners==&lt;br /&gt;
&lt;br /&gt;
===Affiliated institution===&lt;br /&gt;
- Asociación de Bibliotecólogos del Uruguay (Uruguayan Association of Librarians) - President: Alicia Ocaso - Web: http://www.abu.net.uy &lt;br /&gt;
&lt;br /&gt;
===Other partner institutions===&lt;br /&gt;
- SciELO Uruguay - Web: http://www.scielo.edu.uy&lt;br /&gt;
&lt;br /&gt;
- Wikimedia Uruguay - Web: http://wikimediauruguay.org&lt;br /&gt;
&lt;br /&gt;
- Ártica - Centro Cultural Online - Web: http://www.articaonline.com&lt;br /&gt;
&lt;br /&gt;
- Vía Láctea Ediciones - Web: http://www.vialacteaediciones.com&lt;br /&gt;
&lt;br /&gt;
===Under Approval (pending)===&lt;br /&gt;
- Universidad de la República - DATA (CSE) - RedEVa - Comisión de Propiedad Intelectual - Web: http://www.universidad.edu.uy&lt;br /&gt;
&lt;br /&gt;
===CC Uruguay participates in===&lt;br /&gt;
- Red de Propiedad Intelectual (Intellectual Property Network) - Web: http://www.redpi.uy&lt;br /&gt;
&lt;br /&gt;
- Red de Gobierno Abierto (Open Government Network) - Web: http://rga.uy&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=Affiliate Team Roadmap late 2014 - 2015=&lt;br /&gt;
&lt;br /&gt;
==Vision==&lt;br /&gt;
&lt;br /&gt;
We share the conviction that it is necessary to support and promote an alternative cultural model based on the free flow of information and collaboration. This model prioritizes the public interest over individual interest especially in relation to education, science, art and culture, and is made possible by the Creative Commons set of licenses. The simplicity and practicality of the CC licenses facilitate its use as a suitable tool in any kind of academic, artistic or cultural entrepreneurship.&lt;br /&gt;
&lt;br /&gt;
The Creative Commons licenses have already begun to be used in Uruguay mainly in areas related to education and music. We have identified the need for training and guidance to promote a correct use of the licenses and to promote the extension of its use to other areas of culture.&lt;br /&gt;
&lt;br /&gt;
The main factors that determine the success of the project are:&lt;br /&gt;
&lt;br /&gt;
- The commitment of its members to the project.&lt;br /&gt;
&lt;br /&gt;
- Cooperation, networking and interdisciplinary teams.&lt;br /&gt;
&lt;br /&gt;
- The connection of each participant with different actors and institutions in the field of education, the cultural world and various state agencies, which constitutes one of the main strengths of the team.&lt;br /&gt;
&lt;br /&gt;
==Contribution to the CC Affiliate Network==&lt;br /&gt;
&lt;br /&gt;
We have worked in contact with members of CC teams in the region. We received initial support from these teams who have shared their expertise with us. When our team is consolidated, we will be able to provide the same support to other teams.&lt;br /&gt;
&lt;br /&gt;
In recent months we have worked on the Spanish translation of materials about Creative Commons licenses and have participated in some projects with other teams and CC communities.&lt;br /&gt;
&lt;br /&gt;
In November 2013, we organized in Uruguay the local instance of the &amp;quot;Free Music Week&amp;quot;, a joint project with CC Guatemala and CC Costa Rica.&lt;br /&gt;
&lt;br /&gt;
We have also worked on the online course &amp;quot;ABC of copyright for librarians in Latin America&amp;quot;​​, in a team with CC Colombia and CC El Salvador .&lt;br /&gt;
&lt;br /&gt;
By geographical proximity and affinity, we are in daily contact with CC teams of Argentina and Paraguay. We are especially interested in generating instances of dissemination and regional projects.&lt;br /&gt;
&lt;br /&gt;
==Community==&lt;br /&gt;
&lt;br /&gt;
- Educational Community, mainly faculty (ANEP, UdelaR) and students of Tertiary Education. Some of our team members work at UdelaR, the main University of Uruguay, with more than 85% of the universitary students in the country. We are also in contact with teachers at ANEP (Administración Nacional de Educación Pública) through our discussion list.&lt;br /&gt;
&lt;br /&gt;
- Scientific community, researchers, scientific journals and libraries. We have one team member who works at the Asociación de Bibliotecólogos del Uruguay (Librarians Association of Uruguay). We are in close contact with representatives of SciELO Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Free Software Community: some of our team members are free software programmers. We are in close contact with CESoL (Centro de Estudios de Software Libre). We have participated in the FLISOL (Latin American Free Software Installation Festival).&lt;br /&gt;
&lt;br /&gt;
- Wikipedians and Wikimedia community: Some members of CC Uruguay are Wikipedians and also members of Wikimedia Uruguay.&lt;br /&gt;
&lt;br /&gt;
- National musicians: One member of our team coordinates a free music label and is part of the Free Music Labels Network in Uruguay.&lt;br /&gt;
&lt;br /&gt;
- Community of visual artists and new media artists. We have worked together with new media artists at remix workshops.&lt;br /&gt;
&lt;br /&gt;
- State agencies: we have worked together with various State Agencies, like Bicentenario, Centros MEC and Consejo de Derechos de Autor.&lt;br /&gt;
&lt;br /&gt;
- Right to Culture Movement. Some of our team members are also members of that movement. We have worked together in the production of events.&lt;br /&gt;
&lt;br /&gt;
Communication with communities will primarily take place through our discussion list. We will also use our website and Twitter to inform activities and dialogue with the people.&lt;br /&gt;
&lt;br /&gt;
==Priority Goals==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
We plan to keep in touch with each of the communities. Among our first steps, we have implemented the following tools:&lt;br /&gt;
&lt;br /&gt;
- The Uruguay CC website.&lt;br /&gt;
&lt;br /&gt;
- A CC Uruguay Twitter account.&lt;br /&gt;
&lt;br /&gt;
- A discussion list of about 50 people that includes members of the target communities.&lt;br /&gt;
&lt;br /&gt;
We plan to continue adding people from the identified communities to the discussion list in order to exchange information about news, activities and opportunities for collaboration. In addition, we aim to:&lt;br /&gt;
&lt;br /&gt;
- Create and manage a Facebook account.&lt;br /&gt;
&lt;br /&gt;
- Create and manage an institutional email account&lt;br /&gt;
&lt;br /&gt;
- Create and manage a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Additionally, we plan to organize, in conjunction with the Centro Cultural de España, the first edition of the Montevideo Creative Commons Film Festival.&lt;br /&gt;
&lt;br /&gt;
This initial step will serve as the basis for CC Uruguay’s communication and promotion activities. It will also be useful to promote Uruguayan cultural and educational projects using CC licenses, to answer questions from the public and to dialogue with other institutions.&lt;br /&gt;
&lt;br /&gt;
The online community will benefit Uruguayan authors and users, since they will be able to access information about the CC licenses in Uruguay, and may also communicate with the CC team to make questions, suggest activities or collaborations.&lt;br /&gt;
&lt;br /&gt;
The work of authors who use Creative Commons licenses will be promoted on the multiple online spaces of CC Uruguay.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
We are especially interested on advising governmental agencies in order to adopt free licenses for their content, and become involved in the promotion of free licenses.&lt;br /&gt;
&lt;br /&gt;
We have initiated several lines of interaction and work in conjunction with the Ministry of Education and Culture (MEC):&lt;br /&gt;
&lt;br /&gt;
We worked with Wikimedia Uruguay and Bicentennial Project in the release and resettlement generated content in the past two years. We plan to continue this joint work in the following months.&lt;br /&gt;
We contacted members of the CDA - MEC (Copyright Board - Ministry of Education and Culture) for the organization of a Series of Conferences about Creative Commons and Free Culture, as well as a seminar or another type of training instance of copyright for journalists. We plan two instances of seminars in conjunction with the Copyright Board.&lt;br /&gt;
We received the request from the MEC (the “Centros MEC” Area) to assist in the creation of the CCCL Project (in english: Container of Free Community Creations) , which aims to develop an online service to collect and share free artistic and cultural works.&lt;br /&gt;
&lt;br /&gt;
Why is it important?&lt;br /&gt;
&lt;br /&gt;
The State is a great partner and this partnership increases visibility of free licenses. CC makes Uruguay a valid interlocutor on free culture issues, preservation and dissemination of cultural goods produced in the State. By expanding the adoption of these licenses, especially at the level of the Ministry of Education and Culture, the objective conditions are generated to facilitate a change in legislation to license freely the content generated by the State.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The beneficiaries of the material released by the State will be the artists themselves, teachers, public libraries but also to the public in general.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
Uruguay is in a process of discussion on how to improve access to educational materials. In this regard, it is important to promote a model of free production and free access to knowledge, based on CC licenses, as opposed to restrictive models based on the use of technological protection measures and &amp;quot;all rights reserved&amp;quot; models.&lt;br /&gt;
&lt;br /&gt;
The UdelaR has begun the adoption of a model of &amp;quot;Open University&amp;quot;. During the year 2013 the UdelaR has declared the priority of Free Software and Open Formats, has decided that all the research will be Open Access and has also adopted the policy of opening their Educational Resources. During 2014, UdelaR is implementing its Open Access Repository named Colibrí. The CC Uruguay team closely accompanies these processes, encouraging and advising the authorities and commissions that are working in this direction.&lt;br /&gt;
&lt;br /&gt;
Which communities will benefit?&lt;br /&gt;
&lt;br /&gt;
The educational community: students, teachers and researchers, who will have greater knowledge about the availability of free materials and about the importance of a model of openness.&lt;br /&gt;
&lt;br /&gt;
==Project Outputs==&lt;br /&gt;
&lt;br /&gt;
===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
&lt;br /&gt;
1.1 Project Output&lt;br /&gt;
&lt;br /&gt;
a) Creating and managing the website, an institutional e-mail, a discussion list of CC Uruguay, a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;. (early 2015)&lt;br /&gt;
&lt;br /&gt;
b) Creating and managing CC Uruguay’s accounts in Social Networks (Twitter and Facebook). (mid 2015)&lt;br /&gt;
&lt;br /&gt;
c) First edition of the Montevideo Creative Commons Film Festival. (late 2015)&lt;br /&gt;
&lt;br /&gt;
1.2 Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Luis Alonzo, Daniel Viñar, Jorge Gemetto, Salvador García&lt;br /&gt;
&lt;br /&gt;
1.3 Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of website visits&lt;br /&gt;
&lt;br /&gt;
b) Number of followers on Twitter&lt;br /&gt;
&lt;br /&gt;
c) Number of subscribers of the discussion list&lt;br /&gt;
&lt;br /&gt;
d) Number of followers on Facebook&lt;br /&gt;
&lt;br /&gt;
e) Number of consultations by e-mail&lt;br /&gt;
&lt;br /&gt;
f) Number of films, talks, workshops and attendees at Film Festival.&lt;br /&gt;
&lt;br /&gt;
===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
&lt;br /&gt;
2.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Legal advice to the Ministry of Education and Culture and other state agencies to release works under free licenses. This includes at least works of Bicentenario Project and a number of works that won the Fondos Concursables para la Cultura (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) Coordination of at least two instances of seminars in conjunction with the Copyright Board. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Approval and operation of the Container of Free Community Creations by MEC Project (mid 2015)&lt;br /&gt;
&lt;br /&gt;
2.2 . Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Patricia Díaz - Rodrigo Barbano - Mariana Fossatti&lt;br /&gt;
&lt;br /&gt;
2.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of projects concretized with state agencies.&lt;br /&gt;
&lt;br /&gt;
===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
&lt;br /&gt;
3.1. Project Output&lt;br /&gt;
&lt;br /&gt;
a) Completion of at least three open online courses about copyright and free licenses in conjunction with UdelaR. (late 2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
b) At least two talks and workshops for teachers and librarians about copyright and free licenses. (2014 - 2015)&lt;br /&gt;
&lt;br /&gt;
c) Fourth edition of the massive open online course &amp;quot;Arts and culture in circulation&amp;quot; in collaboration with Creative Commons Argentina, Ártica - Centro Cultural 2.0, Fundación Vía Libre (Argentina) and TEDIC (Paraguay) . (late 2015)&lt;br /&gt;
&lt;br /&gt;
d) Participation in at least 10 conferences or congresses (2014-2015)&lt;br /&gt;
&lt;br /&gt;
3.2. Team Members Responsible&lt;br /&gt;
&lt;br /&gt;
Manuel Podetti - Virginia Rodés - Patricia Díaz - Alicia Ocaso&lt;br /&gt;
&lt;br /&gt;
3.3. Metrics&lt;br /&gt;
&lt;br /&gt;
a) Number of participants in open online courses.&lt;br /&gt;
&lt;br /&gt;
b) Number of attending lectures and classroom workshops.&lt;br /&gt;
&lt;br /&gt;
c) Quantity and quality of publications and projects on open knowledge and free licenses held by the participants of the courses and workshops.&lt;br /&gt;
&lt;br /&gt;
==Resources Required==&lt;br /&gt;
Main resources such as IT infrastructure and places for the events will be provided by Universidad de la República. The human resources are provided by a volunteer team that is willing to support the effort. &lt;br /&gt;
&lt;br /&gt;
==Sustainability and Scalability==&lt;br /&gt;
The sustainability of the project is run by a team of volunteers. The volunteers are very committed to the objectives. The volunteer group is sufficiently large (11 people) in order to address the objectives even if unforeseen circumstances occur.&lt;br /&gt;
&lt;br /&gt;
==Translation==&lt;br /&gt;
We promote and have adopted CC license in Spanish, because is the official anguage in our country and no other languages are spoken by a considerable proportion of our population.&lt;br /&gt;
&lt;br /&gt;
===Date of earliest MOU in jurisdiction===&lt;br /&gt;
The first MOU was signed in 2014.&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

	<entry>
		<id>https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=103493</id>
		<title>Uruguay</title>
		<link rel="alternate" type="text/html" href="https://wiki.creativecommons.org/index.php?title=Uruguay&amp;diff=103493"/>
				<updated>2015-01-13T16:08:21Z</updated>
		
		<summary type="html">&lt;p&gt;CCID-Jgemetto: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Jurisdiction&lt;br /&gt;
|jurstatus=Active&lt;br /&gt;
|status=&lt;br /&gt;
|country code=uy&lt;br /&gt;
|homepage=http://www.creativecommons.uy&lt;br /&gt;
|logourl=&lt;br /&gt;
|mailing list=&lt;br /&gt;
|twitter=https://twitter.com/CCuruguay&lt;br /&gt;
|social=&lt;br /&gt;
|otherurl=&lt;br /&gt;
|mailing=contacto@creativecommons.uy&lt;br /&gt;
|region=Latin America&lt;br /&gt;
|affiliated=Asociación de Bibliotecólogos del Uruguay&lt;br /&gt;
|affurl=http://www.abu.net.uy/&lt;br /&gt;
|afffocus=Non Profit&lt;br /&gt;
|afftype=NGO&lt;br /&gt;
|affiliated2=&lt;br /&gt;
|affurl2=&lt;br /&gt;
|afffocus2=&lt;br /&gt;
|affiliated3=&lt;br /&gt;
|affurl3=&lt;br /&gt;
|afffocus3=&lt;br /&gt;
|affiliated4=&lt;br /&gt;
|affurl4=&lt;br /&gt;
|afffocus4=&lt;br /&gt;
|affiliated5=&lt;br /&gt;
|affurl5=&lt;br /&gt;
|afffocus5=&lt;br /&gt;
|plead1=Patricia Díaz&lt;br /&gt;
|pemail1=contacto@creativecommons.uy&lt;br /&gt;
|ptitle1=Legal Leader&lt;br /&gt;
|plead2=Mariana Fossatti&lt;br /&gt;
|pemail2=contacto@creativecommons.uy&lt;br /&gt;
|ptitle2=Public Leader&lt;br /&gt;
|plead3=&lt;br /&gt;
|pemail3=&lt;br /&gt;
|ptitle3=&lt;br /&gt;
|plead4=&lt;br /&gt;
|pemail4=&lt;br /&gt;
|ptitle4=&lt;br /&gt;
|plead5=&lt;br /&gt;
|pemail5=&lt;br /&gt;
|ptitle5=&lt;br /&gt;
|teamsize=11&lt;br /&gt;
|flagurl=&lt;br /&gt;
|blog=http://www.creativecommons.uy&lt;br /&gt;
}}&lt;br /&gt;
Uruguay joins Creative Commons in order to support an open and accessible Internet, to promote the advantages of free knowledge and of sharing the intellectual wealth with the world.&lt;br /&gt;
&lt;br /&gt;
We believe that one of our first missions is the promotion and dissemination at different stages of free or less restrictive licenses than the usual &amp;quot;all rights reserved&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Our team is composed of eleven (11) people whose careers and affiliations are detailed below. We expect to add new people to the team.&lt;br /&gt;
&lt;br /&gt;
=Team information=&lt;br /&gt;
==team members==&lt;br /&gt;
&lt;br /&gt;
'''Patricia Díaz:''' Attorney dedicated to Free Culture. Currently teaches at the Training Unit (UdelaR), at the Board of Education Training (ANEP) and is involved in projects related to Open Educational Resources. She is completing a Masters in International Relations (Thesis: &amp;quot;Economic Impact of government policies in support of Free Software in MERCOSUR&amp;quot; ). She is the team’s legal advisor.&lt;br /&gt;
&lt;br /&gt;
'''Mariana Fossatti:''' She is a sociologist. She is currently director of Ártica - Centro Cultural 2.0. She focuses on the study and application of ICT and e-learning in culture, education and social organizations. She is co-author of the e-books &amp;quot; Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses .&amp;quot; As a consultant, she has worked with various institutions such as the Ministry of Education and Culture of Uruguay, the FCForum and the Sociedad de las Indias Electrónicas. As a teacher, she has taught on society, new technologies and e -learning in the Centro Latinoamericano de Economía Humana (CLAEH), the University of Salamanca and the Plan Ceibal, among others. In parallel, she does research about visual arts and she develops her own artwork, using with collage techniques and audiovisual remix.&lt;br /&gt;
&lt;br /&gt;
'''Alicia Ocaso:''' Degree in Library Science. President of the Uruguayan Association of Librarians (Asociación de Bibliotecólogos del Uruguay, ABU). She is a member of the Committee on Copyright and other Legal Matters (CLM) of the International Federation of Library Associations and Institutions (IFLA) until August 2015, this being her second term. She was a member of IFLA LAC and IFLA MLAS committees for two terms. She manages multiple discussion groups of librarians in Latin America and the Caribbean.&lt;br /&gt;
&lt;br /&gt;
'''Daniel Viñar:''' Engineer, graduated from the Ecole Polytechnique and the School of Telecommunications, France. Currently working on computers and networks at the Universidad de la República (UdelaR). Until 2007, he worked as a consultant in France and countries in Eastern Europe and Latin America. In 2008, in Bolivia, he participated in the re- nationalization of Entel (telecommunications company), and in the development by the Ministry of the Presidency of a proposal of &amp;quot;one computer per child&amp;quot;. He has participated in various free software communities for over ten years.&lt;br /&gt;
&lt;br /&gt;
'''Jorge Gemetto:''' Co-director, community manager, content curator and blogger at Ártica - Centro Cultural 2.0. Degree in Psychology. Co-author of the e-books &amp;quot;Young Art and digital culture&amp;quot; and &amp;quot;Arts and culture in circulation: introduction to copyright and free licenses&amp;quot;. He is an author, blogger and free culture activist.&lt;br /&gt;
&lt;br /&gt;
'''Luis Alonzo Fulchi:''' He is a sociologist and works as a computer consultant for the Departamento de Apoyo Técnico Académico (DATA), Universidad de la República (UdelaR). At DATA he has contributed to the development of the Program of Virtual Learning Environments (ProEVA), which provides a network of servers for computer support for teaching and blended learning. He is co-leader of the team that develops LibreQDA, a free software for qualitative analysis in the social sciences.&lt;br /&gt;
&lt;br /&gt;
'''Manuel Podetti:''' Degree in Communication Studies with studies in Media Analysis and Community Management. He specializes in ICT, media, organizational communication and social media. He co-directed Cellfiction, a company specialized in creating multimedia content for mobile. He spent over 9 years as a TV editor and producer. He is currently a communications consultant for the Departamento de Apoyo Técnico Académico (DATA) at the Universidad de la República (UdelaR). He participates in R &amp;amp; D projects related to OER, open textbooks and multimedia technologies. He also co-directs Fluo Communication, a company specialized in corporate communications.&lt;br /&gt;
&lt;br /&gt;
'''Pablo Laguna:''' Student in Sociology, University of Granada (UGR). Participates in a university exchange programme at the Faculty of Social Sciences at the University of the Republic. He is a member of the Board of Directors at Europa Laica and a member of Observatorio del Laicismo. It is a founding member of the Seminar “Otro pensamiento es posible” and “Seminario Galileo Galilei”, both from the UGR which also organizes annually the Conference on Spanish Republicanism.&lt;br /&gt;
&lt;br /&gt;
'''Rodrigo Barbano:''' Software developer specialized in web portals. Advisor on issues of free knowledge, culture and free software at parliamentary level. Manager of the ​ “technology socialism” area at Mate Amargo web magazine. Vice-president of Wikimedia Uruguay and founding member of the Centro de Estudios de Software Libre. He has advocated for the adoption by the Uruguayan government of free licenses for the cultural content produced.&lt;br /&gt;
&lt;br /&gt;
'''Salvador García:''' Musician, actor and teacher. Director of the copyleft record label Vía Láctea Ediciones. Drama teacher specialized in Clown and Physical Theatre. He is a member of the band Limpiando Encontré Monedas, where he works as a composer, guitarist, vocalist and manager. Director of the independent theater company El Embudo Clown.&lt;br /&gt;
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'''Virginia Rodés:''' Degree in Educational Communication, Virtual Learning Environments specialist, Master of University Teaching. Assistant Professor. Coordinator at Departamento de Apoyo Técnico Académico (DATA), Program of Virtual Learning Environments, Universidad de la República (UdelaR). She does research in various fields related to the development and application of technologies in education. Her area of ​​interest lies in the semantic web applied to education, learning objects, repositories, adaptability, accessibility issues. She has also studied the institutional transformation of higher education in the context of innovation processes based on educational technologies. She is currently involved in several R &amp;amp; D projects related to OER, open textbooks, accessibility and multimedia technologies. She has developed her professional career as a consultant for institutions and organizations in the environmental, healthcare, government and education areas.&lt;br /&gt;
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==Affiliated institutions and partners==&lt;br /&gt;
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===Affiliated institution===&lt;br /&gt;
- Asociación de Bibliotecólogos del Uruguay (Uruguayan Association of Librarians) - President: Alicia Ocaso - Web: http://www.abu.net.uy &lt;br /&gt;
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===Other partner institutions===&lt;br /&gt;
- SciELO Uruguay - Web: http://www.scielo.edu.uy&lt;br /&gt;
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- Wikimedia Uruguay - Web: http://wikimediauruguay.org&lt;br /&gt;
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- Ártica - Centro Cultural Online - Web: http://www.articaonline.com&lt;br /&gt;
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- Vía Láctea Ediciones - Web: http://www.vialacteaediciones.com&lt;br /&gt;
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===Under Approval (pending)===&lt;br /&gt;
- Universidad de la República - DATA (CSE) - RedEVa - Comisión de Propiedad Intelectual - Web: http://www.universidad.edu.uy&lt;br /&gt;
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===CC Uruguay participates in===&lt;br /&gt;
- Red de Propiedad Intelectual (Intellectual Property Network) - Web: http://www.redpi.uy&lt;br /&gt;
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- Red de Gobierno Abierto (Open Government Network) - Web: http://rga.uy&lt;br /&gt;
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=Affiliate Team Roadmap late 2014 - 2015=&lt;br /&gt;
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==Vision==&lt;br /&gt;
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We share the conviction that it is necessary to support and promote an alternative cultural model based on the free flow of information and collaboration. This model prioritizes the public interest over individual interest especially in relation to education, science, art and culture, and is made possible by the Creative Commons set of licenses. The simplicity and practicality of the CC licenses facilitate its use as a suitable tool in any kind of academic, artistic or cultural entrepreneurship.&lt;br /&gt;
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The Creative Commons licenses have already begun to be used in Uruguay mainly in areas related to education and music. We have identified the need for training and guidance to promote a correct use of the licenses and to promote the extension of its use to other areas of culture.&lt;br /&gt;
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The main factors that determine the success of the project are:&lt;br /&gt;
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- The commitment of its members to the project.&lt;br /&gt;
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- Cooperation, networking and interdisciplinary teams.&lt;br /&gt;
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- The connection of each participant with different actors and institutions in the field of education, the cultural world and various state agencies, which constitutes one of the main strengths of the team.&lt;br /&gt;
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==Contribution to the CC Affiliate Network==&lt;br /&gt;
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We have worked in contact with members of CC teams in the region. We received initial support from these teams who have shared their expertise with us. When our team is consolidated, we will be able to provide the same support to other teams.&lt;br /&gt;
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In recent months we have worked on the Spanish translation of materials about Creative Commons licenses and have participated in some projects with other teams and CC communities.&lt;br /&gt;
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In November 2013, we organized in Uruguay the local instance of the &amp;quot;Free Music Week&amp;quot;, a joint project with CC Guatemala and CC Costa Rica.&lt;br /&gt;
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We have also worked on the online course &amp;quot;ABC of copyright for librarians in Latin America&amp;quot;​​, in a team with CC Colombia and CC El Salvador .&lt;br /&gt;
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By geographical proximity and affinity, we are in daily contact with CC teams of Argentina and Paraguay. We are especially interested in generating instances of dissemination and regional projects.&lt;br /&gt;
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==Community==&lt;br /&gt;
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- Educational Community, mainly faculty (ANEP, UdelaR) and students of Tertiary Education. Some of our team members work at UdelaR, the main University of Uruguay, with more than 85% of the universitary students in the country. We are also in contact with teachers at ANEP (Administración Nacional de Educación Pública) through our discussion list.&lt;br /&gt;
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- Scientific community, researchers, scientific journals and libraries. We have one team member who works at the Asociación de Bibliotecólogos del Uruguay (Librarians Association of Uruguay). We are in close contact with representatives of SciELO Uruguay.&lt;br /&gt;
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- Free Software Community: some of our team members are free software programmers. We are in close contact with CESoL (Centro de Estudios de Software Libre). We have participated in the FLISOL (Latin American Free Software Installation Festival).&lt;br /&gt;
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- Wikipedians and Wikimedia community: Some members of CC Uruguay are Wikipedians and also members of Wikimedia Uruguay.&lt;br /&gt;
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- National musicians: One member of our team coordinates a free music label and is part of the Free Music Labels Network in Uruguay.&lt;br /&gt;
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- Community of visual artists and new media artists. We have worked together with new media artists at remix workshops.&lt;br /&gt;
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- State agencies: we have worked together with various State Agencies, like Bicentenario, Centros MEC and Consejo de Derechos de Autor.&lt;br /&gt;
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- Right to Culture Movement. Some of our team members are also members of that movement. We have worked together in the production of events.&lt;br /&gt;
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Communication with communities will primarily take place through our discussion list. We will also use our website and Twitter to inform activities and dialogue with the people.&lt;br /&gt;
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==Priority Goals==&lt;br /&gt;
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===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
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We plan to keep in touch with each of the communities. Among our first steps, we have implemented the following tools:&lt;br /&gt;
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- The Uruguay CC website.&lt;br /&gt;
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- A CC Uruguay Twitter account.&lt;br /&gt;
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- A discussion list of about 50 people that includes members of the target communities.&lt;br /&gt;
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We plan to continue adding people from the identified communities to the discussion list in order to exchange information about news, activities and opportunities for collaboration. In addition, we aim to:&lt;br /&gt;
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- Create and manage a Facebook account.&lt;br /&gt;
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- Create and manage an institutional email account&lt;br /&gt;
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- Create and manage a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;.&lt;br /&gt;
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Additionally, we plan to organize, in conjunction with the Centro Cultural de España, the first edition of the Montevideo Creative Commons Film Festival.&lt;br /&gt;
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This initial step will serve as the basis for CC Uruguay’s communication and promotion activities. It will also be useful to promote Uruguayan cultural and educational projects using CC licenses, to answer questions from the public and to dialogue with other institutions.&lt;br /&gt;
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The online community will benefit Uruguayan authors and users, since they will be able to access information about the CC licenses in Uruguay, and may also communicate with the CC team to make questions, suggest activities or collaborations.&lt;br /&gt;
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The work of authors who use Creative Commons licenses will be promoted on the multiple online spaces of CC Uruguay.&lt;br /&gt;
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===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
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We are especially interested on advising governmental agencies in order to adopt free licenses for their content, and become involved in the promotion of free licenses.&lt;br /&gt;
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We have initiated several lines of interaction and work in conjunction with the Ministry of Education and Culture (MEC):&lt;br /&gt;
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We worked with Wikimedia Uruguay and Bicentennial Project in the release and resettlement generated content in the past two years. We plan to continue this joint work in the following months.&lt;br /&gt;
We contacted members of the CDA - MEC (Copyright Board - Ministry of Education and Culture) for the organization of a Series of Conferences about Creative Commons and Free Culture, as well as a seminar or another type of training instance of copyright for journalists. We plan two instances of seminars in conjunction with the Copyright Board.&lt;br /&gt;
We received the request from the MEC (the “Centros MEC” Area) to assist in the creation of the CCCL Project (in english: Container of Free Community Creations) , which aims to develop an online service to collect and share free artistic and cultural works.&lt;br /&gt;
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Why is it important?&lt;br /&gt;
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The State is a great partner and this partnership increases visibility of free licenses. CC makes Uruguay a valid interlocutor on free culture issues, preservation and dissemination of cultural goods produced in the State. By expanding the adoption of these licenses, especially at the level of the Ministry of Education and Culture, the objective conditions are generated to facilitate a change in legislation to license freely the content generated by the State.&lt;br /&gt;
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Which communities will benefit?&lt;br /&gt;
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The beneficiaries of the material released by the State will be the artists themselves, teachers, public libraries but also to the public in general.&lt;br /&gt;
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===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
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Uruguay is in a process of discussion on how to improve access to educational materials. In this regard, it is important to promote a model of free production and free access to knowledge, based on CC licenses, as opposed to restrictive models based on the use of technological protection measures and &amp;quot;all rights reserved&amp;quot; models.&lt;br /&gt;
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The UdelaR has begun the adoption of a model of &amp;quot;Open University&amp;quot;. During the year 2013 the UdelaR has declared the priority of Free Software and Open Formats, has decided that all the research will be Open Access and has also adopted the policy of opening their Educational Resources. During 2014, UdelaR is implementing its Open Access Repository named Colibrí. The CC Uruguay team closely accompanies these processes, encouraging and advising the authorities and commissions that are working in this direction.&lt;br /&gt;
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Which communities will benefit?&lt;br /&gt;
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The educational community: students, teachers and researchers, who will have greater knowledge about the availability of free materials and about the importance of a model of openness.&lt;br /&gt;
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==Project Outputs==&lt;br /&gt;
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===1 - Focus-area: Construction of the online presence of CC Uruguay and a community around it.===&lt;br /&gt;
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1.1 Project Output&lt;br /&gt;
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a) Creating and managing the website, an institutional e-mail, a discussion list of CC Uruguay, a contact form and an explanatory area of ​​&amp;quot;How to Participate&amp;quot;. (early 2015)&lt;br /&gt;
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b) Creating and managing CC Uruguay’s accounts in Social Networks (Twitter and Facebook). (mid 2015)&lt;br /&gt;
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c) First edition of the Montevideo Creative Commons Film Festival. (late 2015)&lt;br /&gt;
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1.2 Team Members Responsible&lt;br /&gt;
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Luis Alonzo, Daniel Viñar, Jorge Gemetto, Salvador García&lt;br /&gt;
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1.3 Metrics&lt;br /&gt;
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a) Number of website visits&lt;br /&gt;
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b) Number of followers on Twitter&lt;br /&gt;
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c) Number of subscribers of the discussion list&lt;br /&gt;
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d) Number of followers on Facebook&lt;br /&gt;
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e) Number of consultations by e-mail&lt;br /&gt;
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f) Number of films, talks, workshops and attendees at Film Festival.&lt;br /&gt;
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===2 - Focus-area: Building partnerships with governmental agencies.===&lt;br /&gt;
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2.1. Project Output&lt;br /&gt;
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a) Legal advice to the Ministry of Education and Culture and other state agencies to release works under free licenses. This includes at least works of Bicentenario Project and a number of works that won the Fondos Concursables para la Cultura (2014 - 2015)&lt;br /&gt;
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b) Coordination of at least two instances of seminars in conjunction with the Copyright Board. (2014 - 2015)&lt;br /&gt;
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c) Approval and operation of the Container of Free Community Creations by MEC Project (mid 2015)&lt;br /&gt;
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2.2 . Team Members Responsible&lt;br /&gt;
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Patricia Díaz - Rodrigo Barbano - Mariana Fossatti&lt;br /&gt;
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2.3. Metrics&lt;br /&gt;
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a) Number of projects concretized with state agencies.&lt;br /&gt;
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===3 - Focus-area: Education, training programs and promotion of free access to educational materials and scientific research.===&lt;br /&gt;
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3.1. Project Output&lt;br /&gt;
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a) Completion of at least three open online courses about copyright and free licenses in conjunction with UdelaR. (late 2014 - 2015)&lt;br /&gt;
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b) At least two talks and workshops for teachers and librarians about copyright and free licenses. (2014 - 2015)&lt;br /&gt;
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c) Fourth edition of the massive open online course &amp;quot;Arts and culture in circulation&amp;quot; in collaboration with Creative Commons Argentina, Ártica - Centro Cultural 2.0, Fundación Vía Libre (Argentina) and TEDIC (Paraguay) . (late 2015)&lt;br /&gt;
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d) Participation in at least 10 conferences or congresses (2014-2015)&lt;br /&gt;
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3.2. Team Members Responsible&lt;br /&gt;
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Manuel Podetti - Virginia Rodés - Patricia Díaz - Alicia Ocaso&lt;br /&gt;
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3.3. Metrics&lt;br /&gt;
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a) Number of participants in open online courses.&lt;br /&gt;
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b) Number of attending lectures and classroom workshops.&lt;br /&gt;
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c) Quantity and quality of publications and projects on open knowledge and free licenses held by the participants of the courses and workshops.&lt;br /&gt;
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==Resources Required==&lt;br /&gt;
Main resources such as IT infrastructure and places for the events will be provided by Universidad de la República. The human resources are provided by a volunteer team that is willing to support the effort. &lt;br /&gt;
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==Sustainability and Scalability==&lt;br /&gt;
The sustainability of the project is run by a team of volunteers. The volunteers are very committed to the objectives. The volunteer group is sufficiently large (11 people) in order to address the objectives even if unforeseen circumstances occur.&lt;br /&gt;
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==Translation==&lt;br /&gt;
We promote and have adopted CC license in Spanish, because is the official anguage in our country and no other languages are spoken by a considerable proportion of our population.&lt;br /&gt;
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===Date of earliest MOU in jurisdiction===&lt;br /&gt;
The first MOU was signed in 2014.&lt;/div&gt;</summary>
		<author><name>CCID-Jgemetto</name></author>	</entry>

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